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Presidential Suite at No
Presidential Suite at No. 16 hole The Presidential Suite provides the ultimate in private entertainment. Located on No. 16, overlooking the green and fairway of this picturesque and challenging 4 par, you and your guests will have a front-row seat to all the drama and excitement of The Presidents Cup, as matches reaching this hole will be close to conclusion. • A 150-square metre private marquee with two-tiered • One complimentary full-page, full-color acknowledgement • Corporate name recognition in text at suite entrance outdoor patio. in the Official Programme. Subject to category exclusivity along with listing in Official Programme as Presidential agreements with event sponsors - i.e. Banking (Citi). Suite purchaser. • Each Presidential Suite features finished interior walls, air-conditioning, televisions, telephone, wireless internet • Complimentary Official Programmes and Spectator Guides • Food and beverage will be an additional investment connection, on-line scoring terminal, tables, chairs and delivered to the Presidential Suite daily. Complimentary and will be customised through The Presidents Cup standard greenery package. Official Pairing Sheets delivered daily Thursday through Official Caterer. Sunday. • 120 Presidential Suite tickets per day, Wednesday through • Use of dual-logo in corporate merchandise through Sunday. (Credentials access Presidential Suite and Grounds). • Four Honorary Observer positions – day and time TBD. The Presidents Cup Official Merchandiser. Option to purchase additional hospitality tickets daily - up (some restrictions apply) to 30 additional per day. • 20 invitations to The Presidents Cup Gala. Each invitation admits one person. • 25 Weekly Captains’ Club Ticket Books – access to Grounds and Captains’ Club only. • Eight playing positions in the Am-Am on the Monday following the event. -
Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’. -
Género E Performance — Textos Essenciais Vol. I
MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird [Ficha Técnica] Inês Carvalho Jacinta Bola Título Joana Pereira Género e Performance Larissa Latif — Textos essenciais Vol. III Maria Manuel Baptista Marta Leitão Organização Simone Rechia Maria Manuel Baptista e Fernanda de Rita Himmel Castro Rodrigo de França Coordenação Editorial Capa Maria Manuel Baptista Grácio Editor Fernanda de Castro Larissa Latif Design gráfico e paginação Grácio Editor Conselho de Revisores Maria Manuel Baptista 1ª edição em outubro de 2020 Fernanda de Castro Larissa Latif ISBN: 978-989-54697-9-6 Alexandre Almeida Belmira Coutinho © Grácio Editor Marta Leitão Travessa da Vila União, Rita Himmel n.º 16, 7.o drt 3030-217 COIMBRA Revisores de Apoio Telef.: 239 084 370 Alcina Fernandes e-mail: [email protected] Alexandre Almeida sítio: www.ruigracio.com António Pernas Belmira Coutinho Reservados todos os direitos Bruno Neca Daniela Piva Esta obra foi financiada por fundos nacio- Fernanda de Castro nais, através da Fundação para a Ciência e Geanine Escobar a Tecnologia, I.P., no âmbito do projeto Helena Ferreira UIDB/04188/2020. -
Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics
Reviews 81 interaction of drama in literary and musical terms. Lewsey’s aim here (as in his Who’s Who and What’s What in Wagner), is to assist the uninitiated, the regular audiences, directors and singers. This he does successfully. Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics Aldershot, Hants.: Ashgate, 2002 ISBN 0 7546 0352 0; pb, 234pp, ill, music exx, bibl., discog., index Reviewed by Gavin Carfoot The scholarly study of popular music has its origins in sociology and cultural studies, disciplinary areas in which musical meaning is often attributed to aspects of economical and sociological function. Against this tradition, recent writers have offered what is now referred to as ‘popular musicology’: a method or approach that tends towards a specific engagement with ‘pop texts’ on aesthetic, and perhaps even ‘musical’ terms. Stan Hawkins uses the term popular musicology ‘at his own peril,’ clearly recognising the implicit scholarly danger in his approach, whereby ‘formalist questions of musical analysis’ are dealt with ‘alongside the more intertextual discursive theorisations of musical expression’ (p. xii). In other words, popular musicologists dare to tread that fine line between text and context. As editor of the journal Popular Musicology Online, Hawkins is a leading advocate of this practice, specifically in the application of music-analytical techniques to popular music. His methodology attests to the influence of other leading figures in the area, notably Richard Middleton, Allan F. Moore and Derek Scott (general editor of the Ashgate Popular and Folk Music Series in which this book is published). Settling the Pop Score is predominantly a collection of articles drawn from Hawkins’s previously published research, looking at popular figures that typify the 1980s MTV generation: Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince. -
Pgasrs2.Chp:Corel VENTURA
Senior PGA Championship RecordBernhard Langer BERNHARD LANGER Year Place Score To Par 1st 2nd 3rd 4th Money 2008 2 288 +8 71 71 70 76 $216,000.00 ELIGIBILITY CODE: 3, 8, 10, 20 2009 T-17 284 +4 68 70 73 73 $24,000.00 Totals: Strokes Avg To Par 1st 2nd 3rd 4th Money ê Birth Date: Aug. 27, 1957 572 71.50 +12 69.5 70.5 71.5 74.5 $240,000.00 ê Birthplace: Anhausen, Germany êLanger has participated in two championships, playing eight rounds of golf. He has finished in the Top-3 one time, the Top-5 one time, the ê Age: 52 Ht.: 5’ 9" Wt.: 155 Top-10 one time, and the Top-25 two times, making two cuts. Rounds ê Home: Boca Raton, Fla. in 60s: one; Rounds under par: one; Rounds at par: two; Rounds over par: five. ê Turned Professional: 1972 êLowest Championship Score: 68 Highest Championship Score: 76 ê Joined PGA Tour: 1984 ê PGA Tour Playoff Record: 1-2 ê Joined Champions Tour: 2007 2010 Champions Tour RecordBernhard Langer ê Champions Tour Playoff Record: 2-0 Tournament Place To Par Score 1st 2nd 3rd Money ê Mitsubishi Elec. T-9 -12 204 68 68 68 $58,500.00 Joined PGA European Tour: 1976 ACE Group Classic T-4 -8 208 73 66 69 $86,400.00 PGA European Tour Playoff Record:8-6-2 Allianz Champ. Win -17 199 67 65 67 $255,000.00 Playoff: Beat John Cook with a eagle on first extra hole PGA Tour Victories: 3 - 1985 Sea Pines Heritage Classic, Masters, Toshiba Classic T-17 -6 207 70 72 65 $22,057.50 1993 Masters Cap Cana Champ. -
The Presidents Cup – 2009 Harding Park Golf Course, San Francisco, Calif
The Presidents Cup – 2009 Harding Park Golf Course, San Francisco, Calif. Final Results and Notes – October 11, 2009 DAY ONE - RESULTS Foursome Matches – United States 3-1/2, International 2-1/2 Match 1 Anthony Kim/Phil Mickelson (U.S.) defeated Mike Weir/Tim Clark (International), 3&2 Match 2 Adam Scott/Ernie Els (International) defeated Hunter Mahan/Sean O’Hair, 2&1 Match 3 Vijay Singh/Robert Allenby (International) defeated Lucas Glover/Stewart Cink (U.S.), 1 up Match 4 Kenny Perry/Zach Johnson (U.S.) defeated Angel Cabrera/Camilo Villegas (International), 2 up Match 5 Tiger Woods/Steve Stricker (U.S.) defeated Geoff Ogilvy/Ryo Ishikawa (International), 6&4 Match 6 Retief Goosen/Y.E. Yang (International) halved with Jim Furyk/Justin Leonard (U.S.) DAY TWO - RESULTS Four-ball Matches – United States 3, International 3 Match 7 Phil Mickelson/Justin Leonard (U.S.) defeated Retief Goosen/Adam Scott (International), 3&2 Match 8 Ernie Els/Mike Weir (International) defeated Jim Furyk/Anthony Kim (U.S.), 2 up Match 9 Ryo Ishikawa/Y.E. Yang (International) defeated Kenny Perry/Sean O’Hair (U.S.), 4&3 Match 10 Vijay Singh/Tim Clark (International) defeated Lucas Glover/Stewart Cink (U.S.), 1 up Match 11 Zach Johnson/Hunter Mahan (U.S.) defeated Robert Allenby/Camilo Villegas (International), 2&1 Match 12 Steve Stricker/Tiger Woods (U.S.) defeated Geoff Ogilvy/Angel Cabrera (International), 5&3 DAY THREE – A.M. RESULTS Foursome Matches – United States 3-1/2, International 1-1/2 Match 13 Phil Mickelson/Sean O’Hair (U.S.) defeated Retief Goosen/Camilo Villegas (International), 5&3 Match 14 Justin Leonard/Jim Furyk (U.S.) defeated Ernie Els/Adam Scott (International), 4&2 Match 15 Robert Allenby/Vijay Singh (International) halved with Stewart Cink/Hunter Mahan (U.S.) Match 16 Tiger Woods/Steve Stricker (U.S.) defeated Mike Weir/Tim Clark (International), 1 up Match 17 Y.E. -
Media Culture: Cultural Studies, Identity and Politics Between The
Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us. -
5 Videodesign E a Linguagem Visual Pós-Moderna: As Vinhetas Da MTV
5 Videodesign e a linguagem visual pós-moderna: as vinhetas da MTV As vinhetas da MTV representam um dos principais elementos constitutivos da linguagem visual adotada pela emissora. Através destas peças gráficas audiovisuais, pode-se apreender grande parte da essência da MTV, que se remeteria diretamente a uma série de manifestações da cultura pós-moderna. Além disso, o videodesigner, principal responsável pela criação das vinhetas, dispõe de ferramentas de trabalho que o tornariam um profissional privilegiado em expressar parte dos elementos inerentes ao universo pós-moderno. Com o uso do sistema “copy-cut-mix-edit” dos softwares de edição e manipulação de imagens, o videodesigner produziria objetos gráficos repletos de influências da cultura pós-moderna, da qual a MTV participa. Como a atividade é relativamente nova, são usados ainda diferentes termos para se referir ao design voltado para o vídeo, como motion graphics ou videographics. Porém, nesta pesquisa o termo usado será videodesign, que representa um dos mais populares e utilizados, estando relacionado ao design direcionado ao vídeo para exibição na mídia eletrônica, e que não inclui o design produzido para cinema, que possui um termo específico denominado de moviedesign. Já o termo grafismo, que também é empregado durante a pesquisa, se refere aos elementos visuais que são criados para o conteúdo das vinhetas. Neste capítulo são abordadas as principais características referentes ao videodesign e discutido o ambiente de criação intrínseco a esta área de atuação, havendo uma rápida abordagem sobre as origens da vinheta televisiva no Brasil, quando ainda não passava de um cartão de papel estático filmado por uma câmera, e seu desenvolvimento ao longo da história até os dias atuais. -
Skate Life: Re-Imagining White Masculinity by Emily Chivers Yochim
/A7J;(?<; technologies of the imagination new media in everyday life Ellen Seiter and Mimi Ito, Series Editors This book series showcases the best ethnographic research today on engagement with digital and convergent media. Taking up in-depth portraits of different aspects of living and growing up in a media-saturated era, the series takes an innovative approach to the genre of the ethnographic monograph. Through detailed case studies, the books explore practices at the forefront of media change through vivid description analyzed in relation to social, cultural, and historical context. New media practice is embedded in the routines, rituals, and institutions—both public and domestic—of everyday life. The books portray both average and exceptional practices but all grounded in a descriptive frame that ren- ders even exotic practices understandable. Rather than taking media content or technol- ogy as determining, the books focus on the productive dimensions of everyday media practice, particularly of children and youth. The emphasis is on how specific communities make meanings in their engagement with convergent media in the context of everyday life, focusing on how media is a site of agency rather than passivity. This ethnographic approach means that the subject matter is accessible and engaging for a curious layperson, as well as providing rich empirical material for an interdisciplinary scholarly community examining new media. Ellen Seiter is Professor of Critical Studies and Stephen K. Nenno Chair in Television Studies, School of Cinematic Arts, University of Southern California. Her many publi- cations include The Internet Playground: Children’s Access, Entertainment, and Mis- Education; Television and New Media Audiences; and Sold Separately: Children and Parents in Consumer Culture. -
Post Mod Lect 11/89
Kleinhans Postmod lect 1 Notes for a lecture on Postmodernism SFSU Nov 89 Course title: Media and Social Change assigned text: Jameson, Postmodernism, the Cultural Logic of Late Capitalism key question: If the analysis of Postmodernism is correct, what does that say about media and social change? my conclusion will address this key opening questions Is the art/culture of the present different than the art/culture of the past (ie first half of 20th C) Is contemporary consciousness different than consciousness in the past? my answer to both is yes...what's important is how the current scene differs. But this also implies the need for a new strategy in terms of art and media and social change. Some remarks on my writings (read earlier in this course) Working Class Heroes. Kleinhans Postmod lect 2 An attempt to explain in a sympathetic way why certain films appeal to a working class audience (and don't appeal to a middle class one). 1. getting beyond judgement and instant dismissal of "lower" popular culture a. from the high culture position b. from the working class/lower middle class position (I already understand it, why should I study it? it is transparent to me, whereas high culture isn't.) 2.attempt to explain audience response with a sociological specification of white working class male consciousness (by reading lit on white working class) 3. still valid in certain ways, could be extended to action films, applies to sports a. example of Pete Rose, the remarkable athlete, the achilles heel of gambling and extreme pride, self-delusion. -
Arnold Palmer Gary Player Jack Nicklaus
display broch 12/15/04 2:47 PM Page 1 Jack Nicklaus, Continued 1978 British Open Major Championships of Wins his last Open at St. Andrews over four runner- ups including Ben Crenshaw, Tom Kite, Ray Floyd and Simon Owen. 1980 U.S. Open Outlasts Japan’s Isao Aoki with a 272 score at Baltusrol GC. Arnold Palmer 1980 PGA Crushes field and runner-up Andy Bean by seven Gary Player strokes with a 274 at Oak Hill CC. Jack Nicklaus 1986 Masters Dramatic come from behind victory to win by one PRODUCED BY stroke over Greg Norman and Tom Kite. Becomes BBJM GOLF VENTURES, LLC the oldest major champion at age 46. SCOTTSDALE, ARIZONA About the product: Arnold Palmer, Gary Player and Jack Nicklaus were the men to beat in virtually every golf tour- nament from the late 1950’s through the 1970’s. Their records speak for them. Their 37 combined major championships are commemorated on our product and their achievements are summarized in this booklet. The product is an unique collection of autographs from these golfing greats, on balls from the major championship venues, and will be valued as one of the rarest pieces of golfing memorabilia. Only 150 limited edition sets are available worldwide. Each ball, contained within each of the three artis- tically designed plaques, has been autographed by Arnold Palmer, Gary Player and Jack Nicklaus. These are not reproduced signatures. The balls have been meticulously mounted so the autograph and logo are clearly visible. Each plaque bears a hologram provided by each champion and is affixed so it is visible. -
The Best of South Africa Escorted 2019 Golf, Kruger Safari, Cape Town, the Winelands & Garden Route
800.344.5257 | 910.795.1048 [email protected] PerryGolf.com The Best of South Africa Escorted 2019 Golf, Kruger Safari, Cape Town, the Winelands & Garden Route 14 Nights, 4 at Jock Safari Lodge | 5 Rounds | February 23 - March 9 Victoria Falls and Botswana Extensions Available Tour Pricing Per Guest Golfer: $11,750 | Non Golfer: $10,600 | Single Supplement: $4,860 This escorted itinerary begins in Cape Town at the exceptional Cape Grace Hotel for four nights. We’ll explore this iconic city from the Victoria and Alfred Waterfront to the top of Table Mountain before transferring to the Lanzerac Estate Hotel, a private 300 year old working wine estate in the Jonkershoek Valley, less than an hour away in the Cape Winelands. The Garden Route is next for four nights at Fancourt in their 5-star boutique hotel within a resort – The Manor House – whose eighteen suites are pampered with 24 hour butler service. This region is so named because of the ecologically diverse vegetation found here among the numerous lagoons and lakes that follow the coast. You’ll want to visit Knysna, Mossel Bay, Oudtshoorn and nearby Cango Caves, Plettenberg Bay and Nature's Valley. The tour will conclude in one of the most thrilling places on Earth, Kruger National Park. We will be four nights under a canopy of sparkling African stars in luxury suites at Jock Safari Lodge for seven game drives expecting to see the Big Five on multiple occasions. The golf is equally exotic. All five clubs are among the country’s Top 40 including Pearl Valley, Pinnacle Point and #1 Fancourt – The Links.