Or Australia?': the Lewis Carroll Alice in Wonderland Books in Australia Michael K
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alice in Wonderland (3)
Alice in Wonderland (3) Overview of chapters 7-12 Chapter 7: A Mad Tea Party Alice tries to take tea with the Hatter, the March Hare, and a Dormouse. She takes part in a confusing conversation and hears the beginning of the Dormouse’s tale. Madness: the Hatter and the Hare The Mad Hatter and the March Hare are another example of how in Wonderland language creates reality (rather than just reflecting it) “as mad as a hatter” (also because Victorian hatters worked with mercury, and mercury poisoning leads to insanity) Madness: the Hatter and the Hare “as mad as a March (>marsh?) hare” Tenniel drew the March Hare with wisps of straws on its head. This was a clear symbol of lunacy or insanity in the Victorian age. Unsurprisingly, Disney’s Hare does not retain any trace of the straws. A Mad Tea Party: a central chapter Alice reaches the furthest point in her descent into chaos: the word ‘mad’ is particularly prominent. The conversation at the tea table is absurd and aggressive, a parody perhaps of Victorian hypocrite ‘civil’ conversations during snobbish tea-parties. Alice’s puzzlement: the conversation “seemed to her to have no sort of meaning, and yet it was certainly English”. Agon at the tea table “Have some wine,” the March Hare said in an encouraging tone. [...] “I don’t see any wine,” she remarked. “There isn’t any,” said the March Hare. “Then it wasn’t very civil of you to offer it,” said Alice angrily. “It wasn’t very civil of you to sit down without being invited,” said the March Hare. -
Audition Pack
AUDITION PACK Production details Our production of Alice in Wonderland will take place at Millers Theatre, Seefeldstrasse 225, 8008 Zürich. Production dates Saturday 2nd March 2019 at 2.30pm and 6.30pm Sunday 3rd March 2019 at 2.30pm and 6.30pm Want to audition? If you are aged between 8 and 18 you can book your audition time by signing up at www.simplytheatre.com/productions/audition Audition details Auditions for Alice in Wonderland will take place on the 8th and 9th December 2018 at Gymnos Studios, Gladbachstr. 119, 8044 Zürich. If you are selected for a CALLBACK, you will need to be available on the afternoon of Sunday 9th December. If you want to audition but cannot make these dates please let us know in advance and we may be able to help. Audition times are: Saturday 8th December Sunday 9th December Session 1: 14.45 – 15.45 Session 4: 11.00 – 12.00 Session 2: 15.55 – 16.55 Session 3: 17.00 – 18.00 Recall auditions: 13.00 – 16.00 (by invite only) Please indicate which audition slot you would like when booking your time. 1 What will I be doing in the audition process? As part of your audition, you will be asked to perform a small monologue. These monologues are listed at the end of this pack. This monologue should be memorised. When learning your monologue, remember to consider where you think your character is at the time of this monologue, who (s)he may be talking to, and what they are feeling. How can you get this information over to your audience (audition panel) through your audition? You may feel free to choose any of the monologues for your audition, as no matter what you perform at audition you will still be considered for all parts. -
Alice Easel Introposter ( PDF )
The Afterlife of Alice in Wonderland Alice Ever After “Well! What are you?” said the Pigeon. “I can see you’re trying to invent something. “T—I’m a little girl,” said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. “A likely story indeed!” said the Pigeon, in a tone of the deepest contempt. Likely or not, Lewis Carroll’s story of Alice — first told in two volumes, Alice ’s Adventures in Wonderland (1865) and Through the Looking Glass (1871) — has delighted readers across centuries and continents. Lewis Carroll is said to be the most quoted author after Shakespeare, and Alice his best-known creation and indeed one of our most cherished child icons. Only Peter Pan rivals Alice in popularity and cultural diffusion. Like J. M. Barrie’s Peter Pan, Alice in Wonderland (a title never used by Carroll) is known by all, even by — perhaps especially by — those who have never read the original texts. Most people recognize not only Alice but also the larger Wonderland menagerie: the caterpillar, the Cheshire Cat, the Hatter (not titled “Mad” in Carroll), and the Mock Turtle. Characters from Through the Looking Glass are equally famous: the Red Queen, the Jabberwocky, Humpty Dumpty, Tweedle-Dee and Tweedle-Dum. Carroll’s original texts are now encountered more often in the context of university courses on children’s or Victorian literature, while many of us know Alice primarily through picturebook retellings, or the animated Disney film, or other variations or revisitations. As early as 1869, other authors tried their hand at A/ice stories, sometimes challenging Carroll’s themes and attitudes, sometimes confirming them. -
Alice in Wonderland
Alice in Wonderland Grade Level: Third Grade Presented by: Mary Beth Henze, Platte River Academy, Highlands Ranch, CO Paula Lowthian, Littleton Academy, Littleton, CO Length of Unit: 13 lessons I. ABSTRACT This literature unit was designed to assist students at various reading levels to both understand and enjoy Alice in Wonderland. It was our feeling that this novel is very challenging for the average 3rd grade reader. The story line can be difficult to follow and the author, Lewis Carroll, uses English terms and various “sayings and phrases” in his writing. First, we developed an Interest Center around the Alice theme, complete with pictures from the story and activities for the students to enjoy as a way to activate their prior knowledge and a way to incorporate fun thematic opportunities for the students. Second, we wrote a novel study complete with comprehension questions for each chapter. The questions ask the students for both explicit and implicit information, require the students to answer in complete sentences, touch on vocabulary and grammar, and invite them to make connections between themselves, other texts, or the outside world as they read Alice in Wonderland. The novel was read together as a whole class, and then students were sent off to individually work on their novel study questions. Together we reviewed the questions and answers as we enjoyed our progression through the novel. Finally, we took our lead from the students as they often ask us if they “can act out” a part of a story that they are reading by writing a script for the trial scene from Alice. -
John I. Baker III Big Dog Publishing
John I. Baker III Adapted from the novels Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll Illustrations by John Tenniel Big Dog Publishing Alice in Wonderland 2 Copyright © 2018, John I. Baker III ALL RIGHTS RESERVED Alice in Wonderland is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play and must also contain the following notice: “Produced by special arrangement with Big Dog/Norman Maine Publishing LLC, Rapid City, SD.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog/Norman Maine Publishing LLC, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1401 Rapid City, SD 57709 Alice in Wonderland 3 To my parents, John and Esther, who encourage creativity, a love of theatre and many trips with Alice to Wonderland. -
Lewis Carroll 'The Jabberwocky'
Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods. -
Twas Brillig, and the Slithy Toves Did Gyre and Gimble in the Wabe; All Mimsy Were the Borogoves, and the Mome Raths Outgrabe
English Language Literature I - LETRAS - Prof. Daniel Derrel Santee - UFMS 2010 BRITISH By Lewis Carroll (Charles Lutwidge Dodgson) `Twas brillig, and the slithy toves One, two! One, two! And through and through Did gyre and gimble in the wabe; The vorpal blade went snicker-snack! All mimsy were the borogoves, He left it dead, and with its head And the mome raths outgrabe. He went galumphing back. `Beware the Jabberwock, my son! `And has thou slain the Jabberwock? The jaws that bite, the claws that catch! Come to my arms, my beamish boy! Beware the Jujub bird, and shun O frabjous day! Calloh! Callay! The frumious Bandersnatch!' He chortled in his joy. He took his vorpal sword in hand: `Twas brillig, and the slithy toves Long time the manxome foe he sought -- Did gyre and gimble in the wabe; So rested he by the Tumtum gree, All mimsy were the borogoves, And stood awhile in thought. And the mome raths outgrabe. And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wook, And burbled as it came! Made More Stir Than Anything Else By Eleanor Graham "Jabberwocky", the strange nonsense poem those in Through The Looking Glass, so the transla- printed in Looking-Glass characters, made more stir tion read: "It was evening, and the smooth active than anything else in the book and some wild asser- badgers were scratching and boring holes in the hill- tions were made about its origin. The truth was, side, all unhappy were the parrots and the grave tur- however, that Dodgson had made up the first verse tles squeaked out". -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp. -
Alice in Wonderland A Fantasy with Music. Last Edit
Alice in Wonderland A fantasy with music. Last edit: 1/20/19 Adapted from the novel by Dave Alan Thomas Lyrics by Dave Alan Thomas (“Dreaming” based on a poem by Lewis Carroll) Music by AJ Neaher CAST OF CHARACTERS: All roles will be played by a ten-member ensemble (plus, a pianist) as follows: ALICE A: (MAD HATTER/MARCH HARE/DORMOUSE) B: (WHITE RABBIT) C: (DUCHESS/DUCK) D: (QUEEN OF HEARTS/DODO) E: (GRYPHON/EAGLET/PIGEON/PIG) F: (MOCK TURTLE/EAGLET/BILL THE LIZARD/FISH FOOTMAN) G: (CHESHIRE CAT/MOUSE/GUARD) H: (KNAVE OF HEARTS/FROG FOOTMAN) I: (CATERPILLAR/PAT THE HEDGEHOG/COOK/EXECUTIONER) Narrator* Singer** Pianist*** *Any member that suits the staging best for lines of the the “Narrator” This could be a character that breaks the fourth wall while also playing a character within a scene or it can be one of the players that is not already currently assigned to a character in any given scene. **Although the Mad Hatter is a likely candidate to sing lead on these songs, as he is also the guitarist (or extra musician) they have a “Greek chorus” quality that would lend them to any member of the ensemble, other than Alice, to take part in or to sing lead. That assignment can be at the discretion of the director and music/vocal director, based on the best attributes and abilities of your cast and directorial concept. They will simply be listed as SINGER in the script. ***The pianist is the only member of the show that remains a musician throughout the dream and does not take on other characters. -
Alice's Adventures in Wonderland
Facultad de Filología Grado en Lengua y Literatura Inglesas Comparison between Alice’s Adventures in Wonderland, by Lewis Carroll, and the videogame Alice: Madness Returns Autora: Sara Freijanes Gil Director: Antonio Jesús Gil González Santiago de Compostela, curso 2018/2019 Facultad de Filología Grado en Lengua y Literatura Inglesas Comparison between Alice’s Adventures in Wonderland, by Lewis Carroll, and the videogame Alice: Madness Returns Autora: Sara Freijanes Gil Director: Antonio Jesús Gil González Santiago de Compostela, curso 2018/2019 2 Comparison between Alice’s Adventures in Wonderland, by Lewis Carroll, and the videogame Alice: Madness Returns Index 1. Introduction .......................................................................................... 4 1.1. ‘Intermediality’ and Alice’s Adventures in Wonderland ................. 5 1.2. Alice: Madness Returns as an example of a “complement” ............ 7 2. Narratology ........................................................................................ 12 2.1. Voice and mood ........................................................................... 13 2.2. Time and space ............................................................................ 21 3. Unnatural narratives ........................................................................... 25 4. Aesthetics: the ‘uncanny’ ................................................................... 36 4.1. The double dimension .................................................................. 38 4.2. Alice’s identity -
Little Master Carroll: Jabberwocky Free
FREE LITTLE MASTER CARROLL: JABBERWOCKY PDF Jennifer Adams,Alison Oliver | 22 pages | 02 Sep 2013 | Gibbs M. Smith Inc | 9781423634089 | English | Layton, UT, United States Little Master Carroll Jabberwocky: A Nonsense Primer : Jennifer Adams : Goodreads helps you keep Little Master Carroll: Jabberwocky of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh Little Master Carroll: Jabberwocky try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Jabberwocky by Jennifer Adams. Alison Oliver Visual Art. The slithy toves and borogoves invite you to take an adventure through the tumtum trees in Jabberwocky: A BabyLit Nonsense Primer. Get A Copy. Board Book22 pages. More Details BabyLit Primers. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Jabberwockyplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Apr 29, K rated it it was amazing. Best read in a crazy voice, acting out monster chomping and clawing, with a big relief at the end and hug. Son, almost 1, loves it. Jul 13, Kris Dersch rated it liked it Shelves: board-bookpoetrykidslitclassic-rewrite. I'm glad this exists and it's super cute. I understand the text is long and probably needed to be trimmed but I Little Master Carroll: Jabberwocky the cuts would be jarring even to the ear of a reader that Little Master Carroll: Jabberwocky familiar with the text. -
Chapter One – Down the Rabbit Hole: Alice Is Feeling Bored and Drowsy
Chapter One – Down the Rabbit Hole: Alice is feeling bored and drowsy while sitting on the riverbank with her older sister, who is reading a book with no pictures or conversations. She then notices a White Rabbit wearing a waistcoat and pocket watch, talking to itself as it runs past. She follows it down a rabbit hole, but suddenly falls a long way to a curious hall with many locked doors of all sizes. She finds a small key to a door too small for her to fit through, but through it she sees an attractive garden. She then discovers a bottle on a table labelled "DRINK ME", the contents of which cause her to shrink too small to reach the key, which she has left on the table. She eats a cake with "EAT ME" written on it in currants as the chapter closes. Chapter Two – The Pool of Tears: Chapter Two opens with Alice growing to such a tremendous size that her head hits the ceiling. Alice is unhappy and, as she cries, her tears flood the hallway. After shrinking down again due to a fan she had picked up, Alice swims through her own tears and meets a Mouse, who is swimming as well. She tries to make small talk with him in elementary French (thinking he may be a French mouse) but her opening gambit "Où est ma chatte?" ("Where is my cat?") offends the mouse and he tries to escape her. Chapter Three – The Caucus Race and a Long Tale: The sea of tears becomes crowded with other animals and birds that have been swept away by the rising waters.