Little Master Carroll: Jabberwocky Free
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Lewis Carroll at Play •}'Y It, -Pjf55 Dhhl )')~, I
CQS€.; RS 3b Lewis Carroll at Play •}'Y It, -PJf55 dhhl )')~, I A Thesis Presented to the Chancellor's Scholars Council of The University ofNorth Carolina at Pembroke In Partial Fulfillment Ofthe Requirements for Completion of The Chancellor's Scholars Program By James Nichols December 4,2001 Faculty Advisor's Approval ~ Faculty Advisor's Approvaldi: Faculty Advisor's APproi :£ Date ~ 296640 Lewis Carroll at Play Chancellor's Scholars Paper Outline I. Introduction A. Popularity ofthe Alice books B. Lewis Carroll background & summary ofAlice books C. Lewis Carroll put Alice books together for insight D. Lewis Carroll incorporated math, logic and games in Through the Looking Glass and Alice's Adventures in Wonderland, which benefits computer scientists and mathematicians. II. Mathematics in Alice books relates to computer science A. Properties 1. Identity 2. Inverses 3. No solution problems (nonsense) 4. Rules not absolute-always an exception B. Symmetry C. Dimensions D. Meaning ofmathematical phrases E. Null class F. Math puzzles 1. Multiplying 2. Alice's running 3. Line puzzle 4. Time 5. Zero-sum game 6. Transformations G. Mathematical puns m. Logic in the Alice books relates to computer science A. Concepts being broken down B. Humpty Dumpty chooses what words mean C. Need for Order D. Alice as a logician E. Logic ofa child F. Don't assume anything G. Symbols N. Games in the Alice books relates to computer science A. Cards B. Chess C. Acrostics D. Doublets E. Syzgies F. Magic Tricks 1. Fan 2. Apple 3. Magic Number G. Mazes H. Carroll's Games V. What Lewis Carroll offers to Computer Science and Mathematics today A. -
Audition Pack
AUDITION PACK Production details Our production of Alice in Wonderland will take place at Millers Theatre, Seefeldstrasse 225, 8008 Zürich. Production dates Saturday 2nd March 2019 at 2.30pm and 6.30pm Sunday 3rd March 2019 at 2.30pm and 6.30pm Want to audition? If you are aged between 8 and 18 you can book your audition time by signing up at www.simplytheatre.com/productions/audition Audition details Auditions for Alice in Wonderland will take place on the 8th and 9th December 2018 at Gymnos Studios, Gladbachstr. 119, 8044 Zürich. If you are selected for a CALLBACK, you will need to be available on the afternoon of Sunday 9th December. If you want to audition but cannot make these dates please let us know in advance and we may be able to help. Audition times are: Saturday 8th December Sunday 9th December Session 1: 14.45 – 15.45 Session 4: 11.00 – 12.00 Session 2: 15.55 – 16.55 Session 3: 17.00 – 18.00 Recall auditions: 13.00 – 16.00 (by invite only) Please indicate which audition slot you would like when booking your time. 1 What will I be doing in the audition process? As part of your audition, you will be asked to perform a small monologue. These monologues are listed at the end of this pack. This monologue should be memorised. When learning your monologue, remember to consider where you think your character is at the time of this monologue, who (s)he may be talking to, and what they are feeling. How can you get this information over to your audience (audition panel) through your audition? You may feel free to choose any of the monologues for your audition, as no matter what you perform at audition you will still be considered for all parts. -
Lewis Carroll 'The Jabberwocky'
Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods. -
Twas Brillig, and the Slithy Toves Did Gyre and Gimble in the Wabe; All Mimsy Were the Borogoves, and the Mome Raths Outgrabe
English Language Literature I - LETRAS - Prof. Daniel Derrel Santee - UFMS 2010 BRITISH By Lewis Carroll (Charles Lutwidge Dodgson) `Twas brillig, and the slithy toves One, two! One, two! And through and through Did gyre and gimble in the wabe; The vorpal blade went snicker-snack! All mimsy were the borogoves, He left it dead, and with its head And the mome raths outgrabe. He went galumphing back. `Beware the Jabberwock, my son! `And has thou slain the Jabberwock? The jaws that bite, the claws that catch! Come to my arms, my beamish boy! Beware the Jujub bird, and shun O frabjous day! Calloh! Callay! The frumious Bandersnatch!' He chortled in his joy. He took his vorpal sword in hand: `Twas brillig, and the slithy toves Long time the manxome foe he sought -- Did gyre and gimble in the wabe; So rested he by the Tumtum gree, All mimsy were the borogoves, And stood awhile in thought. And the mome raths outgrabe. And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wook, And burbled as it came! Made More Stir Than Anything Else By Eleanor Graham "Jabberwocky", the strange nonsense poem those in Through The Looking Glass, so the transla- printed in Looking-Glass characters, made more stir tion read: "It was evening, and the smooth active than anything else in the book and some wild asser- badgers were scratching and boring holes in the hill- tions were made about its origin. The truth was, side, all unhappy were the parrots and the grave tur- however, that Dodgson had made up the first verse tles squeaked out". -
Issue | 01 Hydrogen International Journal of Transmedia Literacy
International Journal of Transmedia Literacy From Storytelling to Intercreativity in the Era of Distributed Authorship Edited by Matteo Ciastellardi Giovanna Di Rosario Contributes: Amorós, L. Arana, E. Bazzarin, B. Bonacho, F. Ciancia, M. De Kerckhove, D. Jenkins, H. Kinder, M. Koskimaa, R. Landow, G. P. López-Varela, A. Manovich, L. Mimenza, L. Narbaiza, B. Pedranti, G. Roig Telo, A. San Cornelio, G. Tavares, S. Tosca, S. December 2015 Issue | 01 Hydrogen INTERNATIONAL JOURNAL OF TRANSMEDIA LITERACY Editor in chief MATTEO CIASTELLARDI Managing Editor Giovanna Di Rosario Board Commitee Alan Albarran Rogério Barbosa Da Silva Giovanni Baule Laura Borràs Castanyer Derrick de Kerckhove Henry Jenkins Marsha Kinder Raine Koskimaa George Landow Paul Levinson Asún López-Varela Lev Manovich Nick Montfort Marcos Novak Massimo Parodi Bruce W. Powe Kate Pullinger Marie-Laure Ryan Alexandra Saemmer Carlos Scolari Susana Tosca Alessandro Zinna SUBSCRIPTIONS One year € 42,00 – One issue € 30,00 + expedition fees LED Edizioni Universitarie - Via Cervignano, 4 - 20137 Milano Tel. +39 02 59902055 Fax +39 02 55193636 e-mail: [email protected] Bank transfer Banca Popolare Commercio Industria IBAN IT27 V050 4801 6570 0000 0000 998 Swift BLOPIT22 Send by fax the payment receipt Credit card (Visa - Mastercard - American Express) Send by e-mail or by fax the credit card number and expiration date Cover Image: Screenshot from the transmedia story ‘Inanimate Alice’ A BradField Company Production: http://inanimatealice.com © 2015 Via Cervignano 4 - Milano - www.lededizioni.com - [email protected] International Journal of Transmedia Literacy – 1.1 - December 2015 http://www.ledonline.it/transmedialiteracy/ 1 From Storytelling to Intercreativity in the Era of Distributed Authorship 1.1 Hydrogen December 2015 Edited by Matteo Ciastellardi and Giovanna Di Rosario Foreword: Transmediature 5 Derrick De Kerckhove Transmedia Literacy. -
Lewis Carroll (Charles L
LEWIS CARROLL (CHARLES L. DODGSON) a selection from The Library of an English Bibliophile Peter Harrington london VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Design: Nigel Bents; Photography Ruth Segarra. Peter Harrington london catalogue 119 LEWIS CARROLL (CHARLES L. DODGSON) A collection of mainly signed and inscribed first and early editions From The Library of an English Bibliophile All items from this catalogue are on display at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk FOREWORD In 1862 Charles Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. With Alice’s Adventures in Wonderland (1865), children’s literature escaped from the grimly moral tone of evangelical tracts to delight in magical worlds populated by talking rabbits and stubborn lobsters. A key work in modern fantasy literature, it is the prototype of the portal quest, in which readers are invited to follow the protagonist into an alternate world of the fantastic. The Alice books are one of the best-known works in world literature. They have been translated into over one hundred languages, and are referenced and cited in academic works and popular culture to this day. -
The Multifaceted Life of Lewis Carroll
For Immediate Release 29 October 2005 Contact: Zoë Schoon 020.7752.3121 [email protected] THROUGH THE LOOKING-GLASS: THE MULTIFACETED LIFE OF LEWIS CARROLL “The more I read, the more impressed I became. The real testament to Carroll’s genius is that after a century and a half, he is still held in the highest esteem by an ever-growing audience of young and old, novice and scholar, logician and lover of nonsense”. Nicholas Falletta The Nicholas Falletta Collection of Lewis Carroll Books and Manuscripts Wednesday 30 November at 2.00pm South Kensington – One of the most considered and thoughtfully-assembled collections of Lewis Carroll material, The Nicholas Falletta Collection of Lewis Carroll Books and Manuscripts will be offered at Christie’s South Kensington on 30 November 2005. Comprising in excess of 120 lots, the sale illuminates the life and personality of this remarkable, many-talented man who wrote some of the best-loved childrens’ books in the English language. Featuring first editions, personal letters, original illustrations, books owned by Carroll, or given by him to his friends (both young and old), rare mathematical textbooks, and little-known games and puzzles, the collection is estimated to fetch in excess of £300,000. Mathematical beginnings… Lewis Carroll was born Charles Lutwidge Dodgson in January 1832. He graduated from Christ Church, Oxford in 1854 with a BA Honours in Mathematics and Classics. Elected to a life fellowship, he continued to lecture at Oxford and publish mathematical broadsheets to help his students. It was during this time that he created his famous pseudonym by taking “Charles” and “Lutwidge”, and inverting the latinised form to create “Lewis Carroll”. -
Audience Guide to the Ballet February 10 - 19, 2017 Benedum Center for the Performing Arts, Pittsburgh Audience Guide to the Ballet
Audience Guide to the Ballet February 10 - 19, 2017 Benedum Center for the Performing Arts, Pittsburgh Audience Guide to the Ballet Choreography by Derek Deane February 10 – 19, 2017 | 11 AM Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Highmark Foundation Anne L. and George H. Clapp Charitable Trust BNY Peoples Natural Gas Mellon Foundation Pennsylvania Council on the Arts Pennsylvania Claude Worthington Benedum Foundation Department of Community and Economic Eat ‘n Park Hospitality Group Development Edith L. Trees Charitable Trust PNC Bank Grow up Great ESB Bank PPG Industries, Inc. Giant Eagle Foundation Richard King Mellon Foundation James M. The Grable Foundation and Lucy K. Schoonmaker Hefren-Tillotson, Inc. The Heinz Endowments Henry C. Frick Educational Fund of The Buhl Foundation Cover Photograph: Duane Reider; Artists: Corey Bourbobonniere, Hannah Carter and William Moore Produced by Pittsburgh Ballet Theatre Department of Arts Education and Community Engagement, 2016 All performance photos in this guide are by Rich Sofranko and from PBT’s 2008 production of the ballet unless otherwise noted. CONTENTS 4 Synopsis 6 About the Author 7 How the Story Began 8 A Literary Timeline 9 A Theatrical Timeline 10 The Choreography 11 The Music 12 The Design 13 Some Online Resources Photo: Maribel Modrono, Makoto Ono and Stephen Hadala. SYNOPSIS Act I Alice is playing beside a river while her sister reads a book. She tries to get her sister's attention, but eventually gives up and falls asleep in her sister's lap. -
Alice's Adventures in Wonderland and Literary Nonsense
University of Iceland School of Humanities Department of English Alice’s Adventures in Wonderland and Literary Nonsense A Deconstructive Analysis of Lewis Carroll’s Novel B. A. Essay Lara Ruiz Prados Kt.: 271184-4339 Supervisor: Anna Heiða Pálsdóttir January 2018 ABSTRACT This essay analyzes the main features of the nonsense genre, including its definition, characteristics and, especially, its relevance in the world of literature. Nonsense literature encourages the imagination of the reader, whether child or adult, and, at the same time, it motivates the use of the reader’s wisdom to make it even greater. It is not necessary to find out the intention of the writer while he or she was creating the book. The reader must interpret the text according to his own circumstances. Without any doubt, and according to Jacques Derrida (1930-2004), a critical reading must create a text because “there is nothing outside of the text.” Furthermore, the essay offers a deconstructive analysis of nonsense books by the well- known mathematician Charles Lutwidge Dodgson (1832-1898), who used to sign his novels with his pen name, Lewis Carroll. Particularly, the essay focuses its investigation on Carroll’s books about the unforgettable character of Alice, such as Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass, and What Alice Found There (1871). Indeed, Alice’s Adventures in Wonderland has been one of the world’s most frequently translated works and, after Shakespeare, Carroll is possibly the world’s most quoted author. The famous books about Alice were not expressly written for children; it is needless to say that also adults enjoy Carroll’s unsolved logic problems. -
Theslowdown 20200106 20200
theslowdown_20200106_20200106_128 Wed, 9/30 7:59PM 5:00 SUMMARY KEYWORDS atticus, jabberwocky, roppongi, meow, word, jabber, vorpal sword, joy, poem, wabe, slow, vorpal blade, exaggerating, banana, expression, son, twas, frappe, lewis carroll's, gimble 00:06 I'm Tracy K. Smith, and this is the slow down. 00:22 Sometimes it's just not about sense, right? When my daughter was a baby, she would say lots of things that made sense. Her first word at I'm not exaggerating, four, five months old, was high. I said it to her every morning when I open my eyes and saw her there beside us in the bed. And then one day, she was the first to wake and say it to me. She said Dabi for diaper. One day, she said to me, Dabi now, which convinced me it was time for her to be potty trained. lobby was her way of saying water. And then there were words whose meaning we came to understand. Meow meant banana. Because her babysitter used to say Yummy, yummy, yummy. When she fed her banana. That word morphed in her ear into meow meow meow. I never did figure out what an appy doobie was. When I asked Naomi, she just laugh and say the word again as if it meant Of course itself. But she said it was such joy. It became an expression in our household for a while. Abby Dubey still pops up from time to time out of parental nostalgia. For the bliss it seemed to signal way back when my son Atticus coined the phrase, Roppongi pangi when he was three. -
Lewis Carroll - Poems
Classic Poetry Series Lewis Carroll - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Lewis Carroll(27 January 1832 – 14 January 1898) Charles Lutwidge Dodgson better known by the pseudonym Lewis Carroll, was an English author, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies dedicated to the enjoyment and promotion of his works and the investigation of his life in many parts of the world, including the United Kingdom, Japan, the United States, and New Zealand. Antecedents Dodgson's family was predominantly northern English, with Irish connections. Conservative and High Church Anglican, most of Dodgson's ancestors were army officers or Church of England clergymen. His great-grandfather, also Charles Dodgson, had risen through the ranks of the church to become Bishop of Elphin. His grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803, when his two sons were hardly more than babies. His mother's name was Frances Jane Lutwidge. The elder of these sons – yet another Charles Dodgson – was Carroll's father. He reverted to the other family tradition and took holy orders. He went to Westminster School, and thence to Christ Church, Oxford. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. -
Knight Letter No. 85
^ ^ KNIGHT LETTER ^ ^^ ^ The Lewis Carroll Society ofNorth America Winter 2010 Volume II Issue 15 Number 85 Knight Letter is the official magazine of the Lewis Carroll Society of North America. It is published twice a year and is distributed free to all members. Editorial correspondence should be sent to the Editor in Chief at [email protected]. SUBMISSIONS Submissions for The Rectory Umbrella and Mischmasch should be sent to [email protected]. Submissions and suggestions for Serendipity and Sic Sic Sic should be sent to [email protected]. Submissions and suggestions for From OurFar-Flung Correspondents should be sent to [email protected]. © 2010 The Lewis Carroll Society of North America ISSN 0193-886X Sarah Adams-Kiddy, Editor in Chief Mahendra Singh, Editor, The Rectory Umbrella Sarah Adams-Kiddy ^ Ray Kiddy, Editors, Mischmasch James Welsch 6^ Rachel Eley, Editors, From Our Far-Rung Correspondents Mark Burstein, Production Editor Andrew H. Ogus, Designer THE LEWIS CARROLL SOCIETY OF NORTH AMERICA President: Mark Burstein, [email protected] Vice-President: Cindy Watte r, [email protected] Secretary: Clare Imholtz, [email protected] www.LewisCarroll . org Annual membership dues are U.S. $35 (regular), $50 (international), and $100 (sustaining). Subscriptions, correspondence, and inquiries should be addressed to: Clare Imholtz, LCSNA Secretary 11935 Beltsville Dr. Beltsville, Maryland 20705 Additional Contributors to This Issue Barbara Adams, Ruth Berman, Angelica Carpenter, Bonnie Hagerman, Alan Tannenbaum, Cindy Watter On the cover: Secret Garden, digital collage by Adriana Peliano. Seepage 21. 1 -^ -^0^ ^ CONTENTS H^ i^y„s^ ^S ^i^"^^^ ^ THe ReCTORY UMBRSLLA OF BOOKS AND THINGS m Livefrom Lincoln Center Evermore Everson 's Everytype! 45 MARK BURSTEIN MARK BURSTEIN Keith Shepard's Wonderland Revisited, Meeting Mr.