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Annual Report 2010 – 2011 Contents
Please note that the former Arts University College at Bournemouth (AUCB) became the Arts University Bournemouth (AUB) on 13th December 2012. All references in this document to AUCB, the University College or the Arts University College should be taken to refer to AUB, the University or the Arts University. Annual Report 2010 – 2011 Contents Chairman’s Introduction 2 Principal’s Review 4 Honours and Achievements 6 2011 Honorary Fellows – 6 Past Honorary Fellows – 10 2010/2012 Student Award Winners – 12 Finance 18 This Annual Report provides the AUCB financial accounts for the year 2010-2011 and highlights some of the University College’s key initiatives and achievements during this period. As part of our continued commitment to sustainability, management of resources and focus on providing the highest quality student provision, it is produced on recycled paper and is a summary report only – further details of the AUCB’s activities may be found on our website aucb.ac.uk Chairman’s Introduction The academic year 2010-11 was challenging for all Higher Education institutions as the government’s planned changes to HE funding were announced and began to be implemented. The headline movement away from grant funding to student fees provided through the Student Loan Company was well signposted, but with all such structural change the devil was in the detail, and there was a great deal of detail, much of it altering as we progressed through the academic year. Sadly the unique position of specialist Nicholas Durbridge institutions often appeared to be considered after the event, as Chairman with the late realisation that recruitment by ‘A’ level results is not a criteria by which we select our students. -
Delegate Accommodation Guide
DELEGATE ACCOMMODATION GUIDE HOTEL ACCOMMODATION Antoinette Hotel Beaufort Road, Kingston upon Thames, KT1 2TQ Telephone: +44 (0) 844 567 8950 Fax: +44 (0) 844 567 8953 www.antoinettehotel.com Situated within walking distance of the town centre, the Antoinette Hotel Kingston is located in a quiet residential area, and boasts beautiful landscaped gardens. All rooms have television, hospitality tray, hairdryer, desk with overhead lighting, free wi-fi access, and well appointed bathroom. Secure car parking is free of charge, and other facilities include the Hampton Restaurant serving a modern European Brasserie menu, Bar, Café Lounge, and late food menu. Hotel Bosco and Bosco Lounge (Antoinette Hotel Group) 9 St Mark's Hill, Surbiton, KT6 4LQ Telephone: +44 (0)20 8339 5720 www.hotelbosco.co.uk Hotel Bosco is a 4 star boutique hotel. Guestrooms are at the high end of today’s contemporary design. With an emphasis on comfort, all rooms are individually air-conditioned. Choose from an extensive range of restaurants right on our doorstep, or join us in our own bar and lounge. Business travellers can enjoy room service, high speed internet access, large flat screen televisions and dedicated working areas. Located within metres of Surbiton Railway Station, central London can be reached within 15 minutes. Brook Kingston Lodge Hotel 94 Kingston Hill, Kingston upon Thames, KT2 7NP Telephone: +44 (0)20 8541 4481 Fax: +44 (0)20 8547 1013 www.brook-hotels.co.uk This traditional hotel, with modern rooms designed around a courtyard, stands on the edge of Richmond Park and next to Coombe Wood Golf Course. -
Routeing Guide Easements an Easement Which Extends Permission Is a Positive Easement
Routeing Guide Easements An easement which extends permission is a positive easement. An easement which narrows permission is a negative easement. Map, double-back and fare route easements are always positive. Circuitous route easements are always negative. Other kinds of easements can be positive or negative. A journey which follows a route otherwise permitted by the Routeing Guide may be forbidden by a negative easement. Page F10 of, The National Routeing Guide in detail Positive Easements Easement Category Description Journeys from stations on the the Great Yarmouth-Norwich line via Acle to stations on 000001 Local the Norwich-Lowestoft line may go via Norwich. This easement applies in both directions. Journeys from stations on the Barton-on-Humber line to Habrough and stations west of 000005 Local Habrough may double back between Habrough and Grimsby. This easement applies in both directions. Journeys from Hykeham to and via Newark Northgate or Newark Castle may double 000008 Local back from Lincoln. This easement applies in both directions. Journeys from Surbiton and stations west of Surbiton to Kingston upon Thames and 000012 Doubleback stations north of Kingston Upon Thames, may double back between Wimbledon, Raynes Park and New Malden. This easement applies in both directions. Journeys from Lydney, Chepstow and Caldicot to Swindon, Didcot, Reading and beyond 000013 Routeing Point may go via Newport. This easement applies in both directions. Journeys via or from Frodsham to stations between and including Hooton and 000014 Local Birkenhead Hamilton Square may go via Chester. This easement applies in both directions. Journeys from Caterham, Whyteleafe South and Whyteleafe to South Croydon and beyond may go via Upper Warlingham. -
Collecting in the 20Th Century
The Paul Mellon Centre for Studies in British Art - Yale University November 2007 Issue 25 newsletter A Passion for British Art: Collecting in the 20th Century Friday 18 January 2008 The Paul Mellon Centre for Studies in British Art J. M. W. Turner, “Dort, Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed,” 1817-18, oil on canvas,Yale Center for British Art, Paul Mellon Collection This one-day conference to be held at the assembled in the twentieth century. Although it Paul Mellon Centre for Studies in British Art, encompasses works from many periods and will discuss issues related to the collection of cultures, at the heart of the Mellon collection the late Paul Mellon (1907-1999), and the are pictures from the ‘Golden Age’ of British art, exhibition, ‘An American’s Passion for British from the mid-eighteenth to mid-nineteenth Art, Paul Mellon’s Legacy’, at the Royal Academy century. Among modern private collectors, of Arts, London (20 October 2007 - 27 January however, Mr Mellon was not alone in his 2008). Paul Mellon’s collection, which embraces appreciation of the merits of the British School, paintings, watercolours, drawings, prints, and this conference aims to set his achievement sculptures, rare books and manuscripts is within the global context of modern and among the finest of its kind to have been contemporary collecting. 16 Bedford Square London WC1B 3JA Tel: 020 7580 0311 Fax: 020 7636 6730 www.paul-mellon-centre.ac.uk Paul Mellon Centre conference A Passion for British Art: Collecting in the 20th Century Friday 18 January 2008, Paul Mellon Centre for Studies in British Art Conference Programme Morning session to be chaired by Professor Brian Allen (Director of Studies, Paul Mellon Centre for Studies in British Art). -
Parish Magazine November 2017
NOV& DEC 2017 Spire & Tower St Andrew & St Mark £1.00 Church Magazine A CHURCH MAGAZINE BRINGING YOU ALL OUR NEWS & WORK FROM AROUND SURBITON www.surbitonchurch.org.uk CONTENTS NOV & DEC 3- A VIEW FROM THE VICAR 4- 6 REMEMBRANCE OF THE GREAT WAR 7- MOTHERS’ UNION 8- PAST TIMES OF SURBITON Pg.3 A View from the Vicar 9- OUTSIDE THE BOUNDARIES 10-11 FLYING CIRCUS TO DORICH HOUSE 12-16 A VERY WARM THANK YOU 17 The CHRISTMAS DAY PARTY 18-19 SO WHO ARE STREET PASTORS? 20-21 GARDNER'S CORNER Pg. 4-6 Remembrance of the Great War Pg. 32-33 22-23 SASM CHILDREN’S CORNER Memoriesa of 24-26 HAVE YOU EVER WASSAILED? Surbitonian 27-31 PERSONAL THOUGHTS ON OUR IONIAN PILGRIMAGE 32-33 PART 3 KEITH KIRBY FRONT COVER 34- BOOK REVIEW 35-38 ADVERTS & COMING UP IN THE NEXT EDITION Image taken from: 39- IN FLANDERS FIELD www.rustusovka.com 40- SERVICE CALENDER 41- MINISTRY STAFF TEAM 42-43 CHILDREN’S COLOURING PAGE I very much regret that in the last edition we inserted the incorrect names for Audrey & Ken Peay on pages 32 & 33. The online version of the magazine has been corrected. Editor www.surbitonchurch.org.uk 2 A VIEW FROM THE VICAR As I write this, today’s newspapers are full of lurid stories about Harvey Weinstein, the hitherto respected Hollywood producer who, it turns out, got sexual kicks from inviting young actresses to his hotel room and asking them to give him sexual favours of one kind or another. -
Building Fiction the Architecture of Narrative in Harry Potter
Building Fiction The Architecture of Narrative in Harry Potter by Holland Young A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture in Engineering Waterloo, Ontario, Canada, 2015 © Holland Young 2015 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract A person does not experience architecture as a purely physical construct. Lived space transcends mere materiality, as each individual experiences the world outside oneself through the unique fi lter of one’s own mind. In this way, architecture becomes subjective: infl uenced by the memories and imagination of its viewers, who use the physical realm as a take-off point from which to shape their own environments within the context of their respective psyches. Fictional architecture (or the architecture of narrative) uses this same concept to build the environments in fi lm and literature; although, in these cases, the cues given to an audience are images, sounds and/or words rather than three-dimensional space. The term ‘architecture of narrative’, as used in this thesis, refers to the architecture of books and fi lms which must rely on imaginary environments. This type of architecture is free of the strict rules and regulations which govern built form in the corporeal world; however, in order for an audience to relate to and engage with these imaginary environments, it must still employ boundaries which give the fi ctional realm stability, coherence and continuity. -
Annual Report Contents
Annual Report Contents Chairman’s Introduction 04 Principal’s Review 06 Drawing Studio 08 Honours & Achievements Honorary Fellows 10 Past Honorary Fellows 12 In Spring 2014 AUB launched a project titled ‘One Piece of Advice’ to support our strategy of re-engagement with 2014 Honoraries – Master in Arts 14 Alumni, whilst inspiring future generations of students. The project asks AUB Alumni and friends of the institution for their advice for success in the creative industries, which is celebrated through a series of illustrations created by AUB Awards 16 Alumnus Natasha Durley. Finance 22 The image on the front cover is part of this series, originally it featured words offered by Professor Sir Christopher Frayling following his installation as Chancellor in April 2014. Chairman’s Introduction 4 6 Roger Laughton CBE The Arts University Bournemouth is one of a small number of specialist institutions whose subject offer falls Chairman of Governors exclusively within the disciplines of arts, design, media and performance. Taken as a whole, these specialist universities have more than two thousand years of experience in teaching, learning and research in the subjects they offer. For our part, since our foundation in 1883, we have remained committed to a belief in the value of specialist provision and its outcomes in student achievement, staff research and industry engagement. There is growing public appreciation of the value of the subjects we offer in arts, design, media and performance to the UK creative sector. The creative industries are the fastest growing part of the UK economy and contribute significantly to national income and employment. -
Units1,2,&4AndUnit3,366-370EwellRoad
Lots 14&15 Units1,2,&4andUnit3,366-370 EwellRoad, Lot14-£172,500per annumexclusive(plus T olworth, near Surbiton,GreaterLondon KT67AZ smallVacantshop) Lot15-Vacant ProminentlyLocatedRetailParadeinAffluentGreaterLondonSuburb 28 www. acuitus.co.uk Lots 14&15 Tenancyandaccommodation Lot14-£172,500per annumexclusive(plus smallVacantshop) Lot15-Vacant Lot Unit Floor Use Floor Areas Tenant Term Rent p.a.x. Reviews (Approx) Key Details 14 1 Ground Retail 430.42 sq m (4,633 sq ft) SAINSBURY’S 15 years from £81,000 17/12/2018 (3) SUPERMARKETS 17/12/2013 until • Lot 14 (Units 1, 2 & 4) - Let to Sainsbury’s LIMITED (1) t/a 16/12/2028 (2) Local and HSL Chairs (plus small vacant Sainsbury’s Local shop) • Sainsbury’s let until 2028 (subject to option) 2 Ground Retail 358.98 sq m (3,864 sq ft) HIGH SEAT 20 years from £91,500 RPI linked and HSL Chairs let until 2033 (subject to LIMITED 05/11/2013 until reviews on option) - both with RPI linked rent reviews t/a HSL Chairs (4) 04/11/2033 (5) 05/11/2018 • Lot 15 (Unit 3) - Vacant and five yearly thereafter (6) • Nearby occupiers include Marks & Spencer, Boots the Chemist, B&M Bargains, Iceland, William Hill and WH Smith 4 Ground Retail 64.38 sq m (693 sq ft) VACANT - - - • Modern development on main road in popular and well-known South West London 15 3 Ground Retail 295.52 sq m (3,181 sq ft) VACANT - - - suburb On behalf of Receivers (1) For the year ending 11th March 2017, Sainsbury’s Supermarkets Limited reported a turnover of £23,234,000,000, pre-tax profits of Location £342,000,000 and a total net worth of £4,353,000,000 (Source: Experian Group 25/04/2018). -
New Design Celebrating Individuality
NEW DESIGN CELEBRATING INDIVIDUALITY SPRING/SUMMER 2010: COOPERATIVE DESIGNS MARK FAST AVSH ALOM GUR ALEXANDRA GROOVER GEORGIA HARDINGE DAVID KOMA HANNAH MARSHALL WILLIAM TEMPEST ALL WALKS BEYOND THE CATWALK IS A NEW INITIATIVE WHICH RECOGNIZES A SHIFT IN MOOD AND ATTITUDE WITHIN FASHION – A NEED TO BROADEN THE MESSAGE OUR INDUSTRY SENDS OUT TO THE REST OF THE WORLD THE FASHION INDUSTRY is a powerful communicator of ideas about beauty and body image, particularly to women. All Walks Beyond the Catwalk, a project estab- lished in May 2009 by Caryn Franklin, Debra Bourne, Erin O’Connor and Susan Ringwood, facilitates a con- versation around these issues. –– Endorsed by the British Fashion Council and inspired –– As London Fashion Week celebrates its 25th anni- by the charity BEAT, All Walks Beyond the Catwalk versary, we look back to its origins. The catwalk shows collaborates with a new generation of emerging ready- of Bodymap offered a similar degree of individuality to-wear designers and a diverse range of professional in the mid-1980s, when fashion was fun as well as inclu- models to challenge some of the industry’s long-held sive, innovative and inspirational. Now, informed by the ideas about female size, shape and age. findings of the Model Health Inquiry, we can look to the –– As the following silhouettes and photographs shot future too. at Spring Studios by award-winning photographer Kayt –– This project, which has relied upon the enthusiasm Jones reveal, cutting-edge design is equally aspirational on of so many unpaid industry supporters, has been an a variety of body shapes and not beholden to one standard. -
The Story of Tolworth: a Snapshot
Annex 2 TOLWORTH OBSERVER FREE A TOLWOR T H ARE A PL A N PRODUC T ION OCTOBER 2017 The story of Tolworth: Despenser (an evil chap: the cause of a war in his name in 1321); after him by Queen Isabella; and before him by the Constable a snapshot of Guildford Castle. the ownership of our manor goes back to Richard de Clare, who came from Normandy at the time of the invasion, and whose father was the guardian of the orphan who by Bob Phillips and Pat Ward, became William the Conqueror. local residents and historians Tolworth Court was the centre locally for running the county and Did you know that Tolworth has a very long history? Did you the law. We were a very important place in the Middle Ages, know that it existed (as Talworth) over a thousand years ago and but never a town - just a hamlet of less than 250 souls, with is listed in the Domesday Book of 1086. Tolworth is the home of our manor and three big farms. Now imagine what might have modern history too - David Bowie launched his Ziggy Stardust happened if that important hamlet and centre had grown into a extravaganza here. It was also the location of an important town, with a real town centre to support the community. manor house, owned by the Queen. It didn't, because in 1837 the railway came to Surbiton, and Historically we were not part of Kingston, but of Surrey, much thanks to the imagination and energy of a chap called Thomas closer to Ewell. -
'Reforming Academicians', Sculptors of the Royal Academy of Arts, C
‘Reforming Academicians’, Sculptors of the Royal Academy of Arts, c.1948-1959 by Melanie Veasey Doctoral Thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University, September 2018. © Melanie Veasey 2018. For Martin The virtue of the Royal Academy today is that it is a body of men freer than many from the insidious pressures of fashion, who stand somewhat apart from the new and already too powerful ‘establishment’.1 John Rothenstein (1966) 1 Rothenstein, John. Brave Day Hideous Night. London: Hamish Hamilton Ltd., 1966, 216. Abstract Page 7 Abstract Post-war sculpture created by members of the Royal Academy of Arts was seemingly marginalised by Keynesian state patronage which privileged a new generation of avant-garde sculptors. This thesis considers whether selected Academicians (Siegfried Charoux, Frank Dobson, Maurice Lambert, Alfred Machin, John Skeaping and Charles Wheeler) variously engaged with pedagogy, community, exhibition practice and sculpture for the state, to access ascendant state patronage. Chapter One, ‘The Post-war Expansion of State Patronage’, investigates the existing and shifting parameters of patronage of the visual arts and specifically analyses how this was manifest through innovative temporary sculpture exhibitions. Chapter Two, ‘The Royal Academy Sculpture School’, examines the reasons why the Academicians maintained a conventional fine arts programme of study, in contrast to that of industrial design imposed by Government upon state art institutions for reasons of economic contribution. This chapter also analyses the role of the art-Master including the influence of émigré teachers, prospects for women sculpture students and the post-war scarcity of resources which inspired the use of new materials and techniques. -
The Interwar Years,1930S
A STROLL THROUGH TATE BRITAIN This two-hour talk is part of a series of twenty talks on the works of art displayed in Tate Britain, London, in June 2017. Unless otherwise mentioned all works of art are at Tate Britain. References and Copyright • The talk is given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • My sponsored charities are Save the Children and Cancer UK. • Unless otherwise mentioned all works of art are at Tate Britain and the Tate’s online notes, display captions, articles and other information are used. • Each page has a section called ‘References’ that gives a link or links to sources of information. • Wikipedia, the Oxford Dictionary of National Biography, Khan Academy and the Art Story are used as additional sources of information. • The information from Wikipedia is under an Attribution-Share Alike Creative Commons License. • Other books and articles are used and referenced. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 A STROLL THROUGH TATE BRITAIN • The Aesthetic Movement, 1860-1880 • Late Victorians, 1880-1900 • The Edwardians, 1890-1910 • The Great War and After, 1910-1930 • The Interwar Years, 1930s • World War II and After, 1940-1960 • Pop Art & Beyond, 1960-1980 • Postmodern Art, 1980-2000 • The Turner Prize • Summary West galleries are 1540, 1650, 1730, 1760, 1780, 1810, 1840, 1890, 1900, 1910 East galleries are 1930, 1940, 1950, 1960, 1970, 1980, 1990, 2000 Turner Wing includes Turner, Constable, Blake and Pre-Raphaelite drawings Agenda 1.