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Collecting in the 20Th Century The Paul Mellon Centre for Studies in British Art - Yale University November 2007 Issue 25 newsletter A Passion for British Art: Collecting in the 20th Century Friday 18 January 2008 The Paul Mellon Centre for Studies in British Art J. M. W. Turner, “Dort, Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed,” 1817-18, oil on canvas,Yale Center for British Art, Paul Mellon Collection This one-day conference to be held at the assembled in the twentieth century. Although it Paul Mellon Centre for Studies in British Art, encompasses works from many periods and will discuss issues related to the collection of cultures, at the heart of the Mellon collection the late Paul Mellon (1907-1999), and the are pictures from the ‘Golden Age’ of British art, exhibition, ‘An American’s Passion for British from the mid-eighteenth to mid-nineteenth Art, Paul Mellon’s Legacy’, at the Royal Academy century. Among modern private collectors, of Arts, London (20 October 2007 - 27 January however, Mr Mellon was not alone in his 2008). Paul Mellon’s collection, which embraces appreciation of the merits of the British School, paintings, watercolours, drawings, prints, and this conference aims to set his achievement sculptures, rare books and manuscripts is within the global context of modern and among the finest of its kind to have been contemporary collecting. 16 Bedford Square London WC1B 3JA Tel: 020 7580 0311 Fax: 020 7636 6730 www.paul-mellon-centre.ac.uk Paul Mellon Centre conference A Passion for British Art: Collecting in the 20th Century Friday 18 January 2008, Paul Mellon Centre for Studies in British Art Conference Programme Morning session to be chaired by Professor Brian Allen (Director of Studies, Paul Mellon Centre for Studies in British Art). Afternoon session to be chaired by MaryAnne Stevens (Director of Academic Affairs, Royal Academy of Arts, London). 09.45 Registration 13.00 Lunch 10.00 Welcome and opening remarks 14.30 Dr Alison Smith by Brian Allen (Curator, Head of Acquisitions, British Art Pre-1900, Tate Britain) 10.15 Professor David Cannadine Modern Collectors of Victorian Art (Queen Elizabeth the Queen Mother Professor of British History, 15.15 Angus Trumble Institute of Historical Research) (Curator of Paintings and Sculpture, Father and Son as Collectors and the Yale Center for British Art) Philanthropists: Andrew W. Mellon From Hubert von Herkomer to Kenneth Clark: and Paul Mellon Compared Buying British Art for Australasia, 1899-1954 11.00 Coffee break 16.00 Tea 11.30 Dr Shelley Bennett 16.30 Louisa Buck (Senior Research Associate, (Contemporary Art correspondent Huntington Library, Art Collections for the Art Newspaper) and Botanical Gardens) From Saatchi to Frieze: the Reception and Henry and Arabella Huntington: Collecting and Acquisition of Contemporary British Art at Cultural Philanthropy in America c.1900 Home and Abroad 12.15 Andrew Wilton 17.15 Closing remarks and discussion (Honorary Curator of Prints and Drawings, Royal Academy of Arts) 18.0 0-19.00 Wine reception Collecting British Watercolours and Drawings in the 20th Century Full conference fee £40.00 (including coffee, lunch, tea and wine reception) Student concessions are available at a reduced rate of £20.00 To register for the conference please send a cheque made payable to The Paul Mellon Centre for Studies in British Art , to: Lucy Nixon The Paul Mellon Centre for Studies in British Art 16 Bedford Square London WC1B 3JA (include a stamped addressed envelope) Tel: 020 7580 0311 Fax: 020 7636 6730 Email: [email protected] The Paul Mellon Centre Staff Director of Studies: Brian Allen. Assistant Director for Academic Activities: Martin Postle. Assistant Director for Administration: Kasha Jenkinson. Librarian: Emma Floyd. Archivist: Emma Lauze. IT Officer: Maisoon Rehani. Administrative Assistant: Lucy Nixon. Yale-in-London Coordinator: Viv Redhead. Editor, Special Projects: Guilland Sutherland. Special Projects: Elizabeth Einberg, John Ingamells, Mary Peskett Smith. Advisory Council: David Bindman, Julius Bryant, Andrew Causey, Maurice Howard, Joseph Koerner, Sandy Nairne, Lynda Nead, Marcia Pointon, Elizabeth Prettejohn, Duncan Robinson, Michael Rosenthal, Kim Sloan. Company Registered in England 983028 Registered Charity 313838 2 support for scholarship in British Art awards Grant Awards At the November 2007 meeting of the Centre’s Advisory Council, the following grants were awarded: Curatorial Research Grants Research Support Grants Beazley Archive, University of Oxford to help Adriano Aymonino towards research costs and support a research curator for two years on the project travel in the UK for his doctoral thesis ‘The First Duke to research, catalogue and publish The Arundel and and Duchess of Northumberland: Political Strategies, Marlborough Collections of Engraved Gems and Cameos Patronage and Collecting in the Age of the GrandTour’ National Portrait Gallery to help support a Hugh Brigstocke towards travel and research research curator for the final year of the project to costs in Italy for work on ‘A Catalogue of Drawings research and publish the Gallery’s Catalogue of Later assembled by William Ottley’ Victorian Portraits Patricia Crown towards travel and research costs The Chapter of Peterborough Cathedral to in the USA for a publication on ‘Edward Francis Burney support a research curator for one year to continue the (1760-1848)’ architectural analysis and research on the West Front of Peterborough Cathedral Anne Dulau towards travel and research costs in the UK for an essay on ‘Boucher and Chardin in Plymouth City Museum and Art Gallery to help Eighteenth-century Britain’ support a research curator for two years to work on an exhibition and catalogue Sir Joshua Reynolds’s early Richard Hayes towards travel and research costs in patrons and Reynolds’s collection of works on paper the UK for a publication on ‘John Ruskin and the Road to Ferry Hinksey: Secular Volunteerism in Nineteenth- century England’ Educational Programme Grants Ann Smart Martin towards travel and research costs in the UK for her book ‘Banish the Night: National Portrait Gallery ‘Brilliant Women: Illumination and Reflection in Early Modern England Gender and Intellect, Reputation and Representation’ a and America’ two-day interdisciplinary and international conference at the National Portrait Gallery, London, 25-26 April 2008 John Munns towards travel and research costs in the USA for his doctoral thesis ‘The Crucified Body of Royal West of England Academy ‘The Christ: Cross, Passion, Image and Devotion in England, Representation of Night in Art’ a series of public lectures 1066-1215’ and talks at the Royal West of England Academy, March- May 2008 Tania Sengupta towards travel and research costs in India for her doctoral thesis ‘Architecture University of Birmingham ‘Wyndham Lewis: of Governmental and Civic Domains - Colonial Modernity and Critique’ a two-day interdisciplinary Encounter in District Towns, Bengal, British India’ conference at the Birmingham & Midland Institute, 25-26 January 2008 Robert Tittler for travel and research costs in the UK for his book ‘Portraits, Painters and Publics in Post- Reformation England: the Canterbury Experience’ Kaylin Weber for travel and research costs in the UK for an exhibition and publication on ‘Benjamin West and his Aesthetic Environment’ 3 support for scholarship in British Art awards Publication Grants (Author) Susan Bennett ‘Cultivating the human faculties’: National Galleries of Scotland Viccy Coltman & James Barry (1741-1806) and the Society of Arts Stephen Lloyd (Eds), Henry Raeburn: Critical Reception and International Reputation Jonathan Black & Brenda Martin Dora Gordine: Sculptor , Artist, Designer National Gallery of Victoria, Melbourne Ted Gott (Ed), Modern Britain: 1900-1960. MasterWorks Gill Clarke Representing the Women’s Land Army from Australian and New Zealand Collections Hanneke Grootenboer Treasuring the Gaze: National Museums Liverpool Jessica Feather, Intimacy and Extremity of Vision in Eye Miniature Portraits British Drawings and Watercolours in the Lady Lever Art Gallery Stanley Shepherd The Stained Glass Windows of A.W.N. Pugin Public Monuments and Sculpture Association George Noszlopy & Fiona Waterhouse, Public Sculpture of Herefordshire, Shropshire and Worcestershire Royal Pavilion & Museums, Brighton Publication Grants (Publisher) David Beevers (Ed), ChineseWhispers: Chinoiserie in Britain 1650-1930 Ben Uri Gallery/London Jewish Museum of Art Rachel Dickson & Sarah MacDougall (Eds), Southampton City Art Gallery Tim Craven (Ed), Whitechapel at War: Isaac Rosenberg and his circle Robert Bevan and The Cumberland Market Group 1911-1918 Sussex Academic Press Tessa Murdoch (Ed), Berg Books Jenny Graham, Inventing Van Eyck: The Beyond the Border: Huguenot Goldsmiths in Northern Remaking of an Artist for the Modern Age Europe and North America Four Courts Press Michael McCarthy & Karina Unicorn Press Timothy Wilcox, Laura Knight: O’Neill (Eds), Studies in the Gothic Revival Paintings and Drawings of the Ballet and the Stage Gallery Oldham Stephen Whittle (Ed), Creative University of Chicago Press Hanneke Tension – British Art 1950-2000 Grootenboer, Treasuring the Gaze: Intimacy and Extremity of Vision in Eye Miniature Portraits Hamilton Kerr Institute, University of Cambridge Paul Binski & Ann Massing (Eds), The Walpole Society Hugh Brigstocke (Ed), Walpole Westminster Retable: History, Technique, Conservation Society Volume for 200 The next application for Senior, Junior, Postdoctoral
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