JUNE 2020

|

LATIN LATIN AMERICAN ART PREVIEW YORK NEW

NEW YORK LATIN AMERICAN ART PREVIEW JUNE 2020 N110368L LATIN AMERICAN ART PREVIEW INCLUDING THE VANGUARD SPIRIT: MODERN AND SURREALIST MASTERWORKS FROM AN IMPORTANT ESTATE

AUCTIONS IN NEW YORK JUNE 2020

N10369 IMPRESSIONIST & MODERNART DAY SALE JUNE 29 AT 10 AM & 2 PM

N10368 IMPRESSIONIST & MODERNART EVENING SALE JUNE 29 AT 7:30 PM

N10371 CONTEMPORARY ART DAY AUCTION JUNE 30 AT 10 AM

TO VIEW PROPERTY FROM THIS SALE Please contact Sotheby’s to make an appointment. For condition reports and additional images, please visit Sothebys.com or contact the department administrator.

1334 York Avenue New York, NY 10021 +1 212 606 7000 sothebys.com FOLLOW US @SOTHEBYS #SOTHEBYSLATIN Front cover Wifredo Lam, Omi Obini, $8,000,000-$12,000,000 Back cover Remedios Varo, Armonía, $2,000,000-$3,000,000 This page Mario Carreño, Cortadores de caña, $1,500,000-$2,000,000 SPECIALISTS ENQUIRIES

NEW YORK SALE NUMBER Anna Di Stasi N10368 Vice President, Director N10369 Latin American Art N10371 +1 212 894 1187 [email protected] BIDS DEPARTMENT Andrea Zorrilla +1 212 606 7414 Vice President, Specialist fax +1 212 606 7016 Latin American Art [email protected] +1 212 606 7513 [email protected] Bidders are encouraged to submit bids Emily Nice online on Sothebys.com or through Associate Specialist the Sotheby’s App. Please contact the Latin American Art Bids Department to request telephone +1 212 606 7513 bidding arrangements. [email protected]

Julian Dawes SALE ADMINISTRATOR Senior Vice President Isabel Rubio-Topete Co-Head of Department [email protected] Impressionist & Modern Art +1 212 606 7513 +1 646 578 0361 [email protected] POST SALE SERVICES Scott Niichel contemporary art Senior Vice President Ashlyn Michalakis Co-Head of Department Post Sale Manager Impressionist & Modern Art [email protected] +1 917 499 9250 +1 212 894 1908 [email protected] impressionist & modern art LATIN AMERICA & EUROPE Minzee Kang Post Sale Manager Lulu Creel [email protected] Chairman, Latin America +1 212 894 1470 +52 55 52 81 21 00 [email protected] FOR PAYMENT, DELIVERY Tatiana Peralta AND COLLECTION Assistant Vice President, Mexico City +52 55 52 81 22 00 +1 212 606 7444 [email protected] fax +1 212 606 7043 [email protected] Katia Mindlin Leite Barbosa Senior Vice President, Director, Brazil +55 21 2553 1946 FOR SUBSCRIPTIONS CALL [email protected] +1 212 606 7000 USA +44 (0)20 7293 5000 Diana Boccardo for UK & Europe Consultant, Caracas +58 424 190 4221 Diana.Boccardo.Consultant@ sothebys.com

Adela MacKinlay de Casal This page Consultant, Buenos Aires Remedios Varo, Microcosmos, +54 11 5031 9812 $1,500,000-$2,000,000 Adela.Casal.Consultant @sothebys.com CONTENTS

1 AUCTION INFORMATION

3 SPECIALISTS AND AUCTION ENQUIRIES

6 ISAAC LIF, IN MEMORIAM

10 THE VANGUARD SPIRIT: MODERN AND SURREALIST MASTERWORKS FROM AN IMPORTANT ESTATE

84 WORKS FEATURED IN THE IMPRESSIONIST & MODERN ART DAY SALE

118 WORKS FEATURED IN THE CONTEMPORARY ART DAY AUCTION

This page Rufino Tamayo, Figuras, $1,500,000-$2,000,000 IN MEMORIAM: A TRIBUTE TO ISAAC LIF (1927-2019)

Widely admired in the Dominican Republic, the name of Under his fifty-year leadership, Radiocentro As an enthusiastic champion of the health and To those in the art world, Issac Lif was a collector at Isaac Lif is synonymous with business acumen, sportsman- transformed itself into a symbol of progress and wellbeing of his employees and community, Radiocentro heart. A constant fixture in Latin American art auctions ship and cultural refinement. Lif’s parents Pola and Zelko globalization. Today it is considered the leading company created, under the leadership of Isaac Lif, the Astroboys in New York for over thirty years, he was relentless in the Lifszyc, young Polish immigrants who emigrated to escape in the sale and distribution of household appliances in the de Toshiba Sports Club. It was here that in 1986, Isaac pursuit of a deeply personal and extensive collection within Communism, settled in Havana, Cuba in 1927. A brilliant Caribbean. Among Radiocentro’s key successes was the inaugurated the school of the New York Yankees in the the category. While his collecting interests were varied and and inquisitive child, Isaac grew into a gifted entrepreneur introduction of portable transistor radios in the Dominican Dominican Republic. Serving as the headquarters for the evolved through time, he preferred historical masterworks whose perseverance would transform him into one of the Republic, a revolutionary strategy that made this modern Astroboys de Toshiba, a well-known company team and created during critical periods of artistic production. most successful self-made businessmen in Latin America. invention accessible to the underprivileged in cities and protagonist of the greatest national and international As a patron of the arts, he was a major supporter of the After a brief residence in the United States in the early rural areas at affordable prices. Widely unavailable until softball victories, this beautiful sports center is also Museo de Arte Moderno in Santo Domingo and a generous 1960s, Lif traveled to different countries seeking a ripe then, Radiocentro’s commercialization of battery-operated enjoyed by the children of Radiocentro employees during sponsor of local artists Ramón Oviedo and Iván Tovar with emerging market for his business. Eventually, he settled in radios allowed all Dominicans to enter an age of modernity school holidays. whom he developed lifelong friendships. A celebrated Santo Domingo, Dominican Republic where he co-founded regardless of economic status. Most importantly, it collector of and advocate for Latin American art, his Radiocentro in 1963. provided them with an instant connection to the outside passion and unique spirit will be dearly missed. world through daily news, popular music, and sporting events.

6 7 “It is a pleasure to remember Isaac Lif. I speak to you not as the former President of the Dominican Republic but as a simple citizen, one who knew Isaac’s business trajectory and his great vocation for Latin American art and sports. Among his greatest and most consequential achievements are those early radios and Toshiba machines he introduced into so many homes at a time when they were hardly known. He was a true gentleman. Isaac was also the father of the best softball team in the Dominican Republic: the Astroboys of Toshiba, against whom I often played. Although he was not born in this country, he carried the Dominican spirit within him. We love him and hope to share how much he did for us all.”

Former President of the Dominican Republic, Hipolito Mejia, May 2020

8 9 NEW YORK 29-30 JUNE 2020 10 AM AND 7:30 PM The Vanguard Spirit: Modern and Surrealist Masterworks exemplary works embody the distinct and richly varied from an Important Estate encompasses one of the most plastic vocabulary that evolved throughout the Americas. impressive assemblages of Latin American art in private Portraying local customs and social realities, this remarkable hands ever offered at auction. Spanning over forty years of group of iconic paintings is emblematic of the region’s enlightened acquisitions, this encyclopedic and intensely continued pursuit of national identity. personal collection reveals the prescience of a gifted and Sotheby’s is honored to offer The Vanguard Spirit: Modern inquisitive eye—one capable of discerning museum-quality and Surrealist Masterworks from an Important Estate to a “The marvelous is always beautiful. artworks before they were coveted by the collecting world global audience of collectors in the context of our marquee at large. sales of Impressionist and Modern and Contemporary Art Anything marvelous is beautiful, in fact only Anchored in Surrealism by exceptional works by beginning this summer and throughout 2021. Wifredo Lam, Remedios Varo, Leonora Carrington, Leonor On the following pages are a selection of artists’ the marvelous is beautiful.”

Fini, and Alice Rahon, the collection is complemented by statements and thoughtful reflections published by leading André Breton, First Manifesto of Surrealism outstanding paintings by two of the most accomplished scholars on key works in the collection. Together they reveal artists of la vanguardia Cubana: Mario Carreño and Cundo the genesis behind individual paintings and cast light on Bermúdez. Archetypal examples by Rufino Tamayo, Frida the artists’ unique creative process: their early influences, Kahlo and José Clemente Orozco convey diverse, vital historical resources and trans-Atlantic dreams. Altogether, approaches to modernism in Latin America. Largely executed they allow for a closer appreciation of the incredibly complex in the mid-twentieth century, a particularly fertile period of web that connects their body of work to their personal cultural activity in Havana and Mexico City, these biographies.

12 13 Wifredo Lam | Omi Obini Mario Carreño | Cortadores de caña

“She is the river […] Omí Obiní, woman of water, she is the Mario Carreño is “the most versatile, learned, and courageous Lady of Fresh Waters who fertilizes the earth and dances, of the new generation, his heroic Cortadores de caña is among dispensing life. She slips and slides among the reeds, the most ambitious and powerful compositions in Cuban alongside the flanks of the bodies that rock and sway, painting.” transported by the miraculous rhythm of the wave; and her – Alfred H. Barr, Founding Director, the Museum of Modern shining arms and knowing hips undulate in time with the Art in “Modern Cuban Painters,” Museum of Modern Art water. Her long wake is frothy; the merry water breaks, boils, Bulletin XI, April 1944 and splashes back against her starched petticoats. Her body “With Duco he cannot obtain subtle color saturations. He uses gleams with springs and currents.” it in a superimposition of successive layers.” Not unlike the – Lydia Cabrera, “El chivo hiede,” in Por qué…cuentos negros young Jackson Pollock, who had earlier studied with Siqueiros de Cuba, 1972 in New York, Carreño made “full use of the ‘accidents’ that “And it is to be a painter from the Americas, the Cuban result from the fast-drying nature of this medium…, producing Wifredo Lam, to show us the magic of tropical vegetation, the spectacular efforts by his skillful handling of its irregular, unbridled Creation of Forms of our natural world, with all its crusty surface.” metamorphoses and symbioses, in monumental canvases of – José Gómez Sicre, Carreño, 1943 expressiveness unique in contemporary painting.” – Alejo Carpentier, 1987 Rufino Tamayo | Madre Feliz

“The extraordinary paintings that he [Wifredo Lam] made “What we could, with many reservations, call Tamayo’s between 1942 and 1943, among them Omi Obini and the Expressionism, has certain affinities with that of Willem de paradigmatic Jungle, distill the creative syncretism of his Kooning, and from another point of view, with the painting practice, commingling modernism and magic in myriad of Jean Dubuffet. Furthermore, he is linked to the former as recombinant forms. Among the most iconic works of global much by his obsession with the mythic, great mother goddess modernism, Lam’s compositions from these Cuban years quality of woman’s body as by the generous violence of subsume New World cosmologies within numinous, hybrid color. He has a dual affinity with the latter also: the savagery figures—plant, human, divine—that play out a vivid drama of of the line, the fury at and against the human figure, and his transculturation.” – Dr. Abigail McEwen, 2020 predilection for and preoccupation with textures and their “As seen in Omi Obini and Ogue Orisa, occasionally the physical properties, be they tactile or visual. All three are balance between the two elements tips in favor of the painters of the earth, of matter. All three have humiliated and landscape and the fusion between plant and human is even exalted the human figure. All three have created a body of more seamless than in The Jungle,” observes the noted Lam work that stands apart, unmistakable.” scholar, Lowery Stokes Sims. “Lam also used a ‘pointillist’ – Octavio Paz in Solomon R. Guggenheim Museum, Rufino style to achieve a visual integration between figure and ground Tamayo: Myth and Magic, 1979 in the continuous repetition of separate daubs or strokes of varicolored paint, effectively visualiz[ing] the permeability Rufino Tamayo | Dos Figuras between the physical and metaphysical worlds.” In works such as Omi Obini and Ogue Orisa the forms as a result seem to “At first sight it is easy to notice the ‘Mexican-ness’ of flicker in and out of view, reinforcing the sense of a tenuous Tamayo’s art; nor, with a little reflection, is it difficult to boundary between the physical and metaphysical.” perceive that it is a trait that defines his art only superficially. – Lowery Stokes Sims, Wifredo Lam and the International Besides, no body of work can be defined by nationality. To say Avant-Garde, 1923-1982, 2002 that Cervantes is Spanish and Racine French is to say little or nothing about Cervantes and Racine. So we must forget Tamayo’s nationality and consider the circumstances which determined his encounter with the ancient art of Mexico.” – Octavio Paz in Solomon R. Guggenheim Museum, Rufino Left, from top to bottom: Tamayo: Myth and Magic, 1979 Man Ray, Portrait of Wifredo Lam, 1954 © Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2020 Rufino Tamayo circa 1975 Portrait of Mario Carreño, 1948.

15 Remedios Varo | Armonía “Mexico has the good fortune that among us live three women painters “The painting of Remedios Varo has musical resonances; inaudible melodies activate magical powers and supernatural who undoubtedly are among the most incantations, liberating shadowy charges of energy that important women artists in the world: interrupt the common world of mortals… Armonía was conceived as a self-portrait in which Varo assumes the Remedios Varo, Leonora Carrington and ability to organize the universe, using pentagrams, magical Alice Rahon.” crystals and quartzes to establish communication with beings from other dimensions as if she was Hermes Trismegisto, – Diego Rivera, 1955 possessor of universal knowledge and medium of alchemy and hermetism.” – Luis-Martín Lozano, 2020

“Among Varo’s contributions to Surrealism was a new vision of creativity with a woman as active subject rather than Leonora Carrington | Tuesday passive object or catalytic muse for someone else’s creativity. She offered an alternative iconography specifically counter “Play reigns in Leonora Carrington’s universe imposing its to traditional male-defined surrealist theory in which the rules that aim at the increase of pleasure and at its continuous revolutionary power of Eros uses Woman as a conduit for Man. renewal. It is this play—one of the most dangerous—that has Varo’s work, instead, is based on a woman’s psychology and allowed her to enter the subterranean world where, she says, experiences in which her access to the marvelous relies on the one can enter and exit at will. Is it therefore this ambition self as active agent without need of erotic displacement.” that gives her paintings their very considerable character of – Janet Kaplan, Remedios Varo: Catálogo Razonado, 2002 intrigue and exorcism? In any case, this character dominates everything she creates.” “This person is trying to find the invisible thread that unites – Benjamin Perét, Le jeu de Leonora Carrington, 1952 all things; so, on a musical staff made of metal threads he places all sorts of objects ranging from the simplest to a small piece of paper containing a mathematical formula which, per Alice Rahon | se, means a whole lot of things. Once he manages to put all Los cuatro hijos del arco iris these different objects into place, by blowing air through the clef supporting the staff, he should produce music that is not “The Surrealists strongly believed in the spiritual power of only harmonious, but also objective, i.e., capable of moving the nature. The magnificent topography and fantastic volcanoes things around it if that is the intention of the player. The figure that they beheld in Mexico inspired many of their creations. coming out of the wall, which helps him, represents chance Rahon was perhaps the Surrealist who most frequently (a factor that comes into play so often in all discoveries), but depicted the Mexican natural landscape. In numerous objective chance. I use the word “objective” to refer to the fact paintings, her poetic images reference her travels to different that it is something outside our world, that is to say, beyond it, corners of the country; they depict mountains, volcanoes, and that it is connected to the world of causes, rather than to lakes, rivers, oceans, deserts and starlit skies...Her canvases ours, which is a world of phenomena.” portray a dynamism of ancient energies, colorful images, – Remedios Varo powerful myths and magical places.” – Tere Arcq, Alice Rahon, Poetic Invocations, 2019

Right, from top to bottom: Remedios Varo circa 1960 Leonora Carrington in her Mexico City home Portrait of Alice Rahon © Photo: Wolfgang Paalen

16 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE WIFREDO LAM 1902 - 1982 Omi Obini

Signed Wifredo Lam and dated 43 lower right Oil on canvas 70 by 49⅝ in. 177.8 by 126.1 cm Painted in 1943. $ 8,000,000-12,000,000

18 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE REMEDIOS VARO 1908 - 1963 Armonía (Autorretrato sugerente)

Signed R. VARO (lower right) Oil on Masonite 29½ by 36½ in. 75 by 92.7 cm Painted in 1956. $ 2,000,000-3,000,000

20 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE REMEDIOS VARO 1908 - 1963 Microcosmos (or Determinismo)

Signed R. VARO (lower right) Tempera on Masonite 36½ by 35 in. 92.7 by 88.9 cm Painted in 1959. $ 1,500,000-2,000,000

22 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE LEONORA CARRINGTON 1917-2011 Tuesday

Signed Leonora Carrington and dated 23 June 1946 (lower right); inscribed Tuesday, 23 June 1946, Property of Edward James (on the reverse) Egg tempera on panel 21¼ by 32¾ in. 54 by 83.2 cm Painted on June 23, 1946. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. $ 700,000-900,000

24 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE LEONOR FINI 1908 - 1996 Personnages sur une terrasse

Signed Leonor Fini and dated 1938 (lower right) Oil on canvas 39½ by 32 in. 100.3 by 81.3 cm Painted in 1938. This work will be included in the forthcoming Catalogue Raisonné being prepared by Richard Overstreet. $ 400,000-600,000

26 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE ALICE RAHON 1916 - 1987 Los cuatro hijos del arco iris

Signed Alice Rahon (lower left) Oil and sand on canvas 38⅛ by 51⅛ in. 96.7 by 129.7 cm Painted in 1960. $ 120,000-180,000

28 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE LEONORA CARRINGTON 1917 - 2011 Untitled (Arca de Noé)

Signed Leonora Carrington (lower left) Oil on panel 9½ by 34½ in. 24.2 by 87.6 cm Painted circa 1962. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work. $ 180,000-220,000

30 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 31 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE MATTA 1911 - 2002 Galaxies (Mysticism of Infinity)

Oil on canvas 36 by 28 in. 91.4 by 71.1 cm Painted from 1940-44. This work is included in the Archives de l’oeuvre de Matta. $ 250,000-350,000

32 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE MARIO CARREÑO 1913 - 1999 Cortadores de caña

Signed Carreño and dated 43 lower left Duco on panel 64 by 47½ in. 162.6 by 120.7 cm Painted in 1943. $ 1,500,000-2,000,000

34 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE CUNDO BERMÚDEZ 1914 - 2008 El Billar

Signed Cundo Bermúdez and dated 42 (lower left) Oil on canvas 34 by 42½ in. 86.4 by 108 cm Painted in 1942. $ 300,000-400,000

36 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE MARIO CARREÑO 1913 - 1999 Paisaje cubano (Cuban Landscape)

Signed Carreño and dated 43 (lower left) Oil on canvas 41 by 31 in. 104.1 by 78.7 cm Painted in 1943. $ 120,000-180,000

38 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE CUNDO BERMÚDEZ 1914 - 2008 Los cuatro músicos

Signed Cundo Bermúdez (lower left) Oil on canvas 31 by 41 in. 78.7 by 104.1 cm Painted in 1942. $ 300,000-400,000

40 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE RUFINO TAMAYO 1899 - 1991 Madre feliz

Signed Tamayo and dated 49 (upper left) Oil on canvas 49¾ by 39¾ in. 126.4 by 101 cm Painted in 1949. We wish to thank Juan Carlos Pereda for his kind assistance in the cataloguing of this work. $ 1,200,000-1,800,000

42 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ALICE RAHON 1916 - 1987 Self-Portrait (Autorretrato)

Signed Alice Rahon and dated 51 (lower right) Oil on canvas 35¾ by 23½ in. 91 by 60 cm Painted in 1951. $ 80,000-120,000

44 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE RUFINO TAMAYO 1899 - 1991 Figuras

Signed Tamayo and dated O-70 (upper right) Oil and sand on canvas 76 by 50½in. 177.8 by 128.3 cm Painted in 1970. We wish to thank Juan Carlos Pereda for his kind assistance in the cataloguing of this work. $ 1,500,000-2,000,000

46 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE JOSÉ CLEMENTE OROZCO 1883 - 1949 Acordadas y Zapatistas

Signed JC Orozco and dated Dic. 9 1941 (lower right) Oil on Masonite 24 by 29¼ in. 61 by 74.3 cm Painted on December 9, 1941. $ 500,000-700,000

48 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ALFREDO RAMOS MARTÍNEZ 1872 - 1946 Alfareros

Signed Ramos Martínez (lower right) Gouache and conté crayon on paper 23 by 28⅜ in. 58.4 by 72.1 cm Executed circa 1935. Louis Stern has confirmed the authenticity of this work. It will be included in the catalogue raisonné of works on paper, to be published by the Alfredo Ramos Martínez Research Project. $ 60,000-80,000

50 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE JOSÉ CLEMENTE OROZCO 1883 - 1949 La Cantina

Signed J.C. Orozco and dated 1941 (lower right) Oil on canvas 25½ by 31½ in. 64.8 by 80 cm Painted in 1941. $ 600,000-800,000

52 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE MIGUEL COVARRUBIAS 1904 - 1957 Mujer sentada con flores

Signed Covarrubias (lower left) Oil on canvas 29½ by 24 in. 75 by 61 cm Painted circa 1935. $ 100,000-150,000

54 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART EVENING SALE FRIDA KAHLO 1907 - 1954 Congreso de los pueblos por la paz

Signed Frida Kahlo (lower center); dated Oct 52 (lower right) Oil and tempera on canvas laid down on Masonite 8 by 10 in. 20.3 by 25.4 cm Painted in October, 1952. $ 400,000-600,000

56 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10368 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE EMILIANO DI CAVALCANTI 1897 - 1976 Carnaval

Signed E. di Cavalcanti and dated 1951 (lower right); signed E. di Cavalcanti and dated 1946 (on the reverse) Oil on canvas 19 by 15 in. 48.3 by 38.1 cm Painted from 1946-51. $ 70,000-90,000

58 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK CONTEMPORARY ART DAY AUCTION FERNANDO BOTERO b. 1932 The President signed and dated 71 (lower right) oil on canvas 82 by 63 in. 208.3 by 160 cm. Painted in 1971. $ 800,000-1,200,000

60 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ALIPIO JARAMILLO 1913 - 1999 9 de abril [A Double-Sided Work]

Signed Alipio Jaramillo and titled (lower right) Oil on Masonite 47¾ by 35½ in. 121 by 90 cm Painted circa 1948. $ 80,000-120,000

Opposite side of work

62 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ANTONIO GATTORNO 1904 - 1980 Ommagio del Quattrocento

Signed Gattorno and dated MCCCC MCMLXV (lower center) Oil on linen 35 by 49 in. 88.9 by 124.5 cm Painted in 1945. $ 30,000-40,000

64 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ANTONIO GATTORNO 1904 - 1980 Mujer en la ventana

Signed Gattorno and dated 44 (lower left) Oil on canvas 21½ by 16 in. 54.6 by 40.6 cm Painted in 1944. $ 20,000-30,000

66 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE ARMANDO MORALES 1927 - 2011 Anunciación

Signed Morales and dated 98 (lower right) Oil and beeswax on paper laid down on canvas 25⅝ by 38⅛ in. 65 by 96.8 cm Painted in 1998. We wish to thank Alejandra Morales for her kind assistance in confirming the authenticity of this work. $ 40,000-60,000

68 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE AGUSTÍN CÁRDENAS 1927 - 2001 Narciso

Inscribed with the artist’s monogram and dated 92 (on the base) Marble Height: 23 in. 58.4 cm $ 20,000 - 30,000

70 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK CONTEMPORARY ART DAY AUCTION CLAUDIO BRAVO 1936 - 2011 Untitled (Interior with Colored Papers) signed and dated MCMLXXXVI oil on canvas 49 by 37 in. 124.5 by 94 cm. Painted in 1986. $ 300,000-400,000

72 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 TO BE OFFERED IN THE NEW YORK CONTEMPORARY ART DAY AUCTION JULIO LARRAZ b. 1944 El Día de Caracola signed; signed on the reverse oil on canvas 19 by 23 in. 48.3 by 58.4 cm. Painted circa 1990. $ 20,000-30,000

74 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 TO BE OFFERED IN THE NEW YORK CONTEMPORARY ART DAY AUCTION ROBERTO FABELO b.1950 Cien Años de Soledad signed, titled and dated 2006 acrylic on embroidered silk laid down on linen 61½ by 51½ in. 156.2 by 130.8 cm. Painted in 2006. $ 80,000-120,000

76 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 TO BE OFFERED IN THE NEW YORK CONTEMPORARY ART DAY AUCTION CUNDO BERMÚDEZ 1914 - 2008 Flora la recogedora de sueños inscribed with the artist’s signature and numbered 3/9 bronze 51 by 14½ by 10¼ in. 129.5 by 36.8 by 26 cm. Executed in 2008. $ 50,000-70,000

78 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE IVAN TOVAR b. 1942 Untitled (C. Como Carmen)

Signed Tova r and dated 1989 (on the reverse) Oil on canvas 41 by 33 in. 104.1 by 83.8 cm Painted in 1989. $ 50,000-70,000

80 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 TO BE OFFERED IN THE NEW YORK IMPRESSIONIST & MODERN ART DAY SALE IVAN TOVAR b. 1942 Untitled (Lif)

Signed Tova r and dated 1989 (on the reverse) Oil on canvas 37½ by 50½ in. 95.3 by 128.3 cm Painted in 1989. $ 70,000-90,000

82 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 IMPRESSIONIST & MODERN ART DAY SALE

NEW YORK 29 JUNE 2020

This page Tilsa Tsuchiya, Fantasia II PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

RUFINO TAMAYO 1899 - 1991 Personajes en rosa

Signed Tamayo and dated O-82 (upper right); titled and dated 1982 (on the reverse) Oil and sand on canvas 51¼ by 37¾ in. 130 by 96 cm Painted in 1982. We wish to thank Juan Carlos Pereda for his kind assistance in the cataloguing of this work. $ 700,000-900,000

86 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE TEXAS COLLECTION

FRANCISCO TOLEDO 1940 - 2019 Coyote

Oil and sand on paper mounted on Masonite 23¼ by 31 in. 59 by 78.7 cm Painted circa 1975. This work is accompanied by a certificate of authenticity signed by the artist and dated 30 de enero del 2019. $ 180,000-220,000

88 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 AGUSTÍN CÁRDENAS 1927 - 2001 L’eau se déplie

Inscribed with the initials AC and dated 76 Marble 19¾ by 23⅝ by 29⅛ in. 50 by 60 by 74 cm Executed in 1976. $ 30,000-40,000

90 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTOR, PERU

TILSA TSUCHIYA 1936 - 1984 Fantasia II and Sin título (a pair of works)

Signed Tilsa and dated 73 (lower right); signed Tilsa Tsuchiya Castillo and inscribed 24 Rue de la Berthie Bezons (on the reverse) Oil on canvas 35¼ by 26½ in. 89.5 by 67.3 cm Painted in Bezons in 1973. $ 200,000-300,000

Signed Tilsa and dated 71 (lower right); Pen and ink and watercolor on paper 10⅞ by 8¼ in. 27.6 by 21 cm

92 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 MATTA 1911 - 2002 Untitled

Signed Matta and dated 40 (lower right) Colored pencil, crayon, pencil and charcoal on paper 16¾ by 21 in. 42.5 by 53.3 cm Executed in 1940. This work is included in the Archives de l’oeuvre de Matta. $ 40,000-60,000

94 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE EUROPEAN COLLECTION

EMILIO PETTORUTI 1892 - 1971 Sin título

Signed Pettoruti (center right); signed Pettoruti, dated 962 and dated A Polichocon un abrazo de Emilio Paris 1964 (on the reverse) Oil on canvas 6½ by 8¾ in. 16.5 by 22.2 cm Painted in Paris in 1962. We wish to thank the Fundación Pettoruti for kindly confirming the authenticity of this work. $ 25,000-35,000

96 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTION

CARMELO ARDEN QUIN 1913 - 2010 Couronnes IV

Signed with the artist’s monogram, titled and dated “Paris 1948” (on the reverse) Oil on board 11⅝ by 15½ in. 29.5 by 39.4 cm Painted in Paris in 1948. $ 20,000-30,000

98 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTOR

PEDRO CORONEL 1923 - 1985 Cabezas azules

Signed Pedro Coronel and dated Mexico 82 (on the reverse) Oil on canvas 31½ by 31½ in. 80 by 80 cm Painted in 1982. We wish to thank Martín Coronel for kindly confirming the authenticity of this work. $ 100,000-150,000

100 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTOR

RUFINO TAMAYO 1899 - 1991 Personajes en blanco signed Tamayo and dated 0-64 (lower right) oil on canvas 39⅝ by 31⅝ in. 100.5 by 80.5 cm Painted in 1964. We wish to thank Juan Carlos Pereda for his kind assistance in the cataloguing of this work. $ 400,000-600,000

102 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTION, MEXICO

DAVID ALFARO SIQUEIROS 1896 - 1974 Kaktos (Cactáceas)

Signed Siqueiros (lower right) Acrylate on wood 23⅞ by 18 in. 60.6 by 45.5 cm Painted in 1963. $ 100,000-150,000

104 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE CARIBBEAN COLLECTION

CARLOS ENRÍQUEZ 1900 - 1957 Pelea de gallos

Signed CEnríquez and dated 55 (lower right) Oil on canvasboard 24 by 30 in. (61 by 76 cm) Painted in 1955. This work is accompanied by a certificate of authenticity from the Fundación Arte Cubano signed by Dr. Ramón Vázquez, and is included in the Catálogo de Obras de la Fundación Arte Cubano under archive number ENR-040. $ 40,000-60,000

106 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY FROM A PRIVATE COLLECTION

MARIO CARREÑO 1913 - 1999 Parque tropical

Signed Carreño and dated 46 (upper left) Tempera on paper laid down on artist’s board 14¼ by 17⅜ in. (36.2 by 44.1 cm) Executed in 1946. $ 50,000-70,000

108 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PEDRO FIGARI 1861 - 1938 El escondido

Signed P. Figari (lower left); inscribed No. 4 / SERIE 1 B. a (on the reverse) Oil on board 29⅞ by 42⅛ in. 75.9 by 107 cm Painted circa 1925. This work is included in the archives of Pedro Figari, maintained by Pedro Saavedra Faget. $ 40,000-60,000

110 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 PROPERTY OF A PRIVATE COLLECTOR

RUFINO TAMAYO 1899 - 1991 Mujeres bañándose

Signed Tamayo and dated 43 (lower left) Gouache and watercolor on paper 8¾ by 11½ in. 22 by 29 cm Executed in 1943. We wish to thank Juan Carlos Pereda for his kind assistance in the cataloguing of this work. $ 25,000-30,000

112 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 OSWALDO GUAYASAMÍN 1919 - 1999 Madre y niño

Signed Guayasamín (upper left) Oil on canvas 39⅜ by 39⅜ in. 100 by 100 cm Painted in 1982. $ 70,000-90,000

114 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 JOAQUÍN TORRES-GARCÍA 1874 - 1949 Interiore della finestra aperta

Signed J. Torres García (lower right); dated 1924 (lower left) Oil on cardboard 19½ by 14⅛ in. 49.5 by 36 cm Painted in 1924. This work is included in the Joaquín Torres García Online Catalogue Raisonné (www.torresgarcia.com) as no. 1924.31. $ 60,000-80,000

116 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10369 CONTEMPORARY ART DAY AUCTION

NEW YORK 30 JUNE 2020 LUIS TOMASELLO 1915 - 2014 Atmosphère chromoplastique No. 380 signed, titled and dated 1975 on the reverse painted wood construction 35⅜ by 35⅜ in. 89.9 by 89.9 cm. $ 50,000-70,000

120 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 PROPERTY FROM A PRIVATE COLLECTOR

MATHIAS GOERITZ 1915 - 1990 Mensaje signed and inscribed To George with gratitude and best wishes from Mathias G., Mexico City Nov, 1978 on the reverse gold paint on perforated steel laid on wood 29¼ by 29½ by 2½ in. 74.5 by 74.7 by 6.5 cm. $ 180,000-220,000

122 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 JESÚS RAFAEL SOTO 1923 - 2005 Escritura blanca cadmio signed, titled and dated 1977 on the reverse acrylic on wood panel with metal and nylon string 21⅝ by 27½ in. 55 by 70 cm. This work is accompanied by a certificate of authenticity from the Comité Soto. $ 180,000-220,000

124 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 JESÚS RAFAEL SOTO 1923 - 2005 Blanco y negro inferior signed and dated 2000 on the reverse painted wood and metal construction 60¼ by 30⅛ in. 153 by 76.5 cm. $ 200,000-300,000

126 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 CARLOS CRUZ-DIEZ 1923 - 2019 Physichromie No. 933 signed, titled and dated 1977 on a label affixed to the reverse acrylic and plastic elements on aluminum, in aluminum artist’s frame 39¾ by 40 in. 101 by 101.6 cm. Please note this work is accompanied by a certificate of authenticity from the Atelier Cruz-Diez. $ 180,000-220,000

128 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 KAZUYA SAKAI 1927 - 2001 L’estro armónico I signed, titled and dated 1969 on the reverse oil on canvas 39¼ by 39¼ in. 100 by 100 cm. Executed in 1969. $ 30,000-40,000

130 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 PROPERTY FROM A PRIVATE TEXAS COLLECTION

GUNTHER GERZSO 1915 - 2000 Rojo-Azul-Ocre signed and dated 1978 oil on Masonite 21¼ by 29⅛ in. 54 by 74 cm $ 150,000-200,000

132 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FANNY SANÍN b. 1938 Acrílico No. 7 signed and dated 1975 twice on the reverse acrylic on canvas 54 by 66 in. 137.2 by 167.6 cm. $ 50,000-70,000

134 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 CARLOS CRUZ-DIEZ 1923 - 2019 Physichromie 669 signed titled and dated 1973 on the reverse acrylic and plastic elements on aluminum 32 by 32 in. 81.3 by 81.3 cm. Please note this work is accompanied by a certificate of authenticity from the Atelier Cruz-Diez. $ 200,000-250,000

136 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 GYULA KOSICE 1924 - 2016 Serie B³, gota de agua signed and titled on the reverse Plexiglas, aluminum, wood and electric motor 27⅞ by 19⅝ by 9⅛ in. 70.8 by 49.8 by 23.2 cm. Executed circa 1965. $ 30,000-40,000

138 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 PEDRO DE ORAÁ b. 1931 Formas en apoyo signed and dated 1957 oil on canvas 33½ by 26 in. 85.1 by 66 cm. This work is accompanied by a certificate of authenticity signed by the artist. $ 30,000-40,000

140 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 LOLÓ SOLDEVILLA 1901 - 1971 Espacios díptico

painted wood construction 45⅜ by 22 by¾ in. 115.2 by 56 by 2 cm. Executed in 1955. This work is accompanied by a certificate of authenticity signed by Martha Flora Carranza Barba and dated La Habana, Cuba 17 de diciembre, 2017. $ 60,000-80,000

142 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 OSWALDO VIGAS 1926 - 2014 Sans titre signed and dated 54 twice; signed and dated Paris 54 on the reverse oil on paper mounted on Masonite 13½ by 10¾ in. 34.3 by 27.3 cm. Please note this work is accompanied by a certificate of authenticity from the Fundación Oswaldo Vigas. $ 35,000-45,000

144 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 OLGA DE AMARAL b. 1932 Cesta Lunar 75 signed, titled and dated 2003 on a label affixed to the reverse acrylic, gesso and gold leaf on linen 52 by 28 in. 132.1 by 71.1 cm. $ 100,000-150,000

146 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 El dibujante signed and dated 74 charcoal on canvas 60¼ by 69¼ in. 153 by 176 cm. $ 300,000-400,000

148 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 Boy with Cigarette signed and dated 1968 oil on canvas 46½ by 37¼ in. 118.1 by 94.6 cm. $ 350,000-450,000

150 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 The Lovers inscribed with artist’s signature and numbered 4/6 (on the base) bronze 37⅜ by 21⅝ by 17¾ in. 95 by 55 by 45 cm. Executed in 1982. $ 280,000-350,000

152 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FRANCISCO CORZAS 1936 - 1983 Retrato de Lily Kassner oil on canvas 55½ by 67 in. 141 by 170 cm. Painted circa 1983. $ 70,000-90,000

154 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 Perfil de niña signed and dated 62 oil on canvas 51¾ by 47½ in. 131.5 by 120.5 cm. This work is accompanied by a certificate of authenticity signed by Fernando Botero. $ 400,000-600,000

156 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 NICOLÁS GARCÍA URIBURU 1937 - 2016 Bus interior signed and dated 66 Paris on the reverse oil, fabric, paper and coin collage on canvas 51 by 77 in. 129.5 by 195.6 cm. $ 50,000-70,000

158 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 OLGA DE AMARAL b. 1932 Flores amarillas signed, titled and dated 1985 on a label affixed to the reverse wool and horsehair 99½ by 31½ in. 253 by 80 cm. $ 80,000-120,000

160 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 ZILIA SÁNCHEZ b. 1926 Untitled indistinctly signed and dated oil on canvas 37¼ by 37 in. 94.6 by 94 cm. Painted circa 1950. $ 50,000-70,000

162 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 CARLOS CRUZ-DIEZ 1923 - 2019 Physichromie 2565 signed, titled and dated Caracas 2010 on the reverse acrylic and plastic elements on aluminum 31½ by 32 in. 80 by 81.3 cm. This work is accompanied by a certificate of authenticity from the Atelier Cruz-Diez. $ 80,000-120,000

164 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 Woman with a Cigarette signed and numbered 7/9 (on the base) bronze 20¾ by 9¾ by 9½ in. 53 by 25 by 24 cm. Executed in 1986. $ 200,000-300,000

166 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 Young Girl signed and dedicated Para Ira Lowe con todo afecto Botero; dated 70 on the reverse pastel on cardboard 27½ by 25 in. 69.9 by 63.5 cm. $ 30,000-50,000

168 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 FERNANDO BOTERO b. 1932 Still Life with Grapes signed and dated 68 gouache and pastel on paper 35⅜ by 31½ in. 90 by 80 cm. $ 70,000-90,000

170 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 ANTONIO SEGUÍ b. 1934 Untitled signed and dated 2010 on the reverse gouache, watercolor and acrylic on canvas 39¼ by 39¼ in. 100 by 100 cm. $ 40,000-60,000

172 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 JORGE EDUARDO EIELSON 1923 - 2006 Quipus 20B, Codice sul volo degil uccelli e sugli annodamenti di Leonardo signed, titled and dated 1994 on the reverse silkscreened canvas on wood 27½ by 27½ by 5 in. 70 by 70 by 12.7 cm. $ 30,000-40,000

174 COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10371 The lots contained in this catalogue will be offered in the New York Impressionist & Modern Art Day Sale on 29 June, New York Impressionist & Modern Art Evening Sale on 29 June, New York and the New York Contemporary Art Day Auction on 30 June. The sale of these works is subject to the Conditions of Sale printed in the auction catalogues.