BETA DRAFT the Unicode Standard, Version 14.0

Total Page:16

File Type:pdf, Size:1020Kb

BETA DRAFT the Unicode Standard, Version 14.0 Arabic Presentation Forms-A Range: FB50–FDFF The Unicode Standard, Version 14.0 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 Characters in this chart that are new for The Unicode Standard, Version 14.0 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. Copying characters from the character code tables or list of character names is not recommended, because for production reasons the PDF files for the code charts cannot guarantee that the correct character codes will always be copied. Fonts The shapes of the reference glyphs used in these code charts are not prescriptive. Considerable variation is to be expected in actual fonts. The particular fonts used in these charts were provided to the Unicode Consortium by a number of different font designers, who own the rights to the fonts. See https://www.unicode.org/charts/fonts.html for a list. Terms of Use You may freely use these code charts for personal or internal business uses only. You may not incorporate them either wholly or in part into any product or publication, or otherwise distribute them without express written permission from the Unicode Consortium. However, you may provide links to these charts. The fonts and font data used in production of these code charts may NOT be extracted, or used in any other way in any product or publication, without permission or license granted by the typeface owner(s). The Unicode Consortium is not liable for errors or omissions in this file or the standard itself. Information on characters added to the Unicode Standard since the publication of the most recent version of the Unicode Standard, as well as on characters currently being considered for addition to the Unicode Standard can be found on the Unicode web site. See https://www.unicode.org/pending/pending.html and https://www.unicode.org/alloc/Pipeline.html. Copyright © 1991-2021 Unicode, Inc. All rights reserved. FB50 Arabic Presentation Forms-A FC3F FB5 FB6 FB7 FB8 FB9 FBA FBB FBC FBD FBE FBF FC0 FC1 FC2 FC3 0 FBF0 FC00 FC10 FC20 FC30 ﯠFB50 FB60 FB70 FB80 FB90 FBA0 FBB0 FBC0 FBE0 1 FBF1 FC01 FC11 FC21 FC31 ﯡFB51 FB61 FB71 FB81 FB91 FBA1 FBB1 FBC1 FBE1 ﯂ 2 FB52 FB62 FB72 FB82 FB92 FBA2 FBB2 FBC2 FBE2 FBF2 FC02 FC12 FC22 FC32 3 FB53 FB63 FB73 FB83 FB93 FBA3 FBB3 FBD3 FBE3 FBF3 FC03 FC13 FC23 FC33 4 FB54 FB64 FB74 FB84 FB94 FBA4 FBB4 FBD4 FBE4 FBF4 FC04 FC14 FC24 FC34 5 FB55 FB65 FB75 FB85 FB95 FBA5 FBB5 FBD5 FBE5 FBF5 FC05 FC15 FC25 FC35 6 FB56 FB66 FB76 FB86 FB96 FBA6 FBB6 FBD6 FBE6 FBF6 FC06 FC16 FC26 FC36 7 FBE7 FBF7 FC07 FC17 FC27 FC37 ۇFB57 FB67 FB77 FB87 FB97 FBA7 FBB7 FBD7 8 FBE8 FBF8 FC08 FC18 FC28 FC38 ﯘFB58 FB68 FB78 FB88 FB98 FBA8 FBB8 FBD8 9 FB59 FB69 FB79 FB89 FB99 FBA9 FBB9 FBD9 FBE9 FBF9 FC09 FC19 FC29 FC39 A FB5A FB6A FB7A FB8A FB9A FBAA FBBA FBDA FBEA FBFA FC0A FC1A FC2A FC3A B FB5B FB6B FB7B FB8B FB9B FBAB FBBB FBDB FBEB FBFB FC0B FC1B FC2B FC3B C FB5C FB6C FB7C FB8C FB9C FBAC FBBC FBDC FBEC FBFC FC0C FC1C FC2C FC3C D FBED FBFD FC0D FC1D FC2D FC3D ٷFB5D FB6D FB7D FB8D FB9D FBAD FBBD FBDD E FB5E FB6E FB7E FB8E FB9E FBAE FBBE FBDE FBEE FBFE FC0E FC1E FC2E FC3E F FB5F FB6F FB7F FB8F FB9F FBAF FBBF FBDF FBEF FBFF FC0F FC1F FC2F FC3F The Unicode Standard 14.0, Copyright © 1991-2021 Unicode, Inc. All rights reserved. FC40 Arabic Presentation Forms-A FD1F FC4 FC5 FC6 FC7 FC8 FC9 FCA FCB FCC FCD FCE FCF FD0 FD1 0 FC40 FC50 FC60 FC70 FC80 FC90 FCA0 FCB0 FCC0 FCD0 FCE0 FCF0 FD00 FD10 1 FC41 FC51 FC61 FC71 FC81 FC91 FCA1 FCB1 FCC1 FCD1 FCE1 FCF1 FD01 FD11 2 FC42 FC52 FC62 FC72 FC82 FC92 FCA2 FCB2 FCC2 FCD2 FCE2 FCF2 FD02 FD12 3 FC43 FC53 FC63 FC73 FC83 FC93 FCA3 FCB3 FCC3 FCD3 FCE3 FCF3 FD03 FD13 4 FC44 FC54 FC64 FC74 FC84 FC94 FCA4 FCB4 FCC4 FCD4 FCE4 FCF4 FD04 FD14 5 FC45 FC55 FC65 FC75 FC85 FC95 FCA5 FCB5 FCC5 FCD5 FCE5 FCF5 FD05 FD15 6 FC46 FC56 FC66 FC76 FC86 FC96 FCA6 FCB6 FCC6 FCD6 FCE6 FCF6 FD06 FD16 7 FC47 FC57 FC67 FC77 FC87 FC97 FCA7 FCB7 FCC7 FCD7 FCE7 FCF7 FD07 FD17 8 FC48 FC58 FC68 FC78 FC88 FC98 FCA8 FCB8 FCC8 FCD8 FCE8 FCF8 FD08 FD18 9 FC49 FC59 FC69 FC79 FC89 FC99 FCA9 FCB9 FCC9 FCD9 FCE9 FCF9 FD09 FD19 A FC4A FC5A FC6A FC7A FC8A FC9A FCAA FCBA FCCA FCDA FCEA FCFA FD0A FD1A B FC4B FC5B FC6B FC7B FC8B FC9B FCAB FCBB FCCB FCDB FCEB FCFB FD0B FD1B C FC4C FC5C FC6C FC7C FC8C FC9C FCAC FCBC FCCC FCDC FCEC FCFC FD0C FD1C D FC4D FC5D FC6D FC7D FC8D FC9D FCAD FCBD FCCD FCDD FCED FCFD FD0D FD1D E FC4E FC5E FC6E FC7E FC8E FC9E FCAE FCBE FCCE FCDE FCEE FCFE FD0E FD1E F FC4F FC5F FC6F FC7F FC8F FC9F FCAF FCBF FCCF FCDF FCEF FCFF FD0F FD1F The Unicode Standard 14.0, Copyright © 1991-2021 Unicode, Inc. All rights reserved. FD20 Arabic Presentation Forms-A FDFF FD2 FD3 FD4 FD5 FD6 FD7 FD8 FD9 FDA FDB FDC FDD FDE FDF ﵀ 0 FD20 FD30 FD40 FD50 FD60 FD70 FD80 FDA0 FDB0 FDC0 FDD0 FDE0 FDF0 ﵁ 1 FD21 FD31 FD41 FD51 FD61 FD71 FD81 FDA1 FDB1 FDC1 FDD1 FDE1 FDF1 ﵂ 2 FD22 FD32 FD42 FD52 FD62 FD72 FD82 FD92 FDA2 FDB2 FDC2 FDD2 FDE2 FDF2 ﵃ 3 FD23 FD33 FD43 FD53 FD63 FD73 FD83 FD93 FDA3 FDB3 FDC3 FDD3 FDE3 FDF3 ﵄ 4 FD24 FD34 FD44 FD54 FD64 FD74 FD84 FD94 FDA4 FDB4 FDC4 FDD4 FDE4 FDF4 ﵅ 5 FD25 FD35 FD45 FD55 FD65 FD75 FD85 FD95 FDA5 FDB5 FDC5 FDD5 FDE5 FDF5 ﵆ 6 FD26 FD36 FD46 FD56 FD66 FD76 FD86 FD96 FDA6 FDB6 FDC6 FDD6 FDE6 FDF6 ﵇ 7 FD27 FD37 FD47 FD57 FD67 FD77 FD87 FD97 FDA7 FDB7 FDC7 FDD7 FDE7 FDF7 ﵈ 8 FD28 FD38 FD48 FD58 FD68 FD78 FD88 FD98 FDA8 FDB8 FDD8 FDE8 FDF8 ﵉ 9 FD29 FD39 FD49 FD59 FD69 FD79 FD89 FD99 FDA9 FDB9 FDD9 FDE9 FDF9 A ﵊ FD2A FD3A FD4A FD5A FD6A FD7A FD8A FD9A FDAA FDBA FDDA FDEA FDFA B ﵋ FD2B FD3B FD4B FD5B FD6B FD7B FD8B FD9B FDAB FDBB FDDB FDEB FDFB C ﵌ FD2C FD3C FD4C FD5C FD6C FD7C FD8C FD9C FDAC FDBC FDDC FDEC FDFC D ﵍ FD2D FD3D FD4D FD5D FD6D FD7D FD8D FD9D FDAD FDBD FDDD FDED FDFD E ﵎ ﷾ FD2E FD3E FD4E FD5E FD6E FD7E FD8E FD9E FDAE FDBE FDDE FDEE FDFE F ﵏ ﷿ FD2F FD3F FD4F FD5F FD6F FD7F FD8F FD9F FDAF FDBF FDCF FDDF FDEF FDFF The Unicode Standard 14.0, Copyright © 1991-2021 Unicode, Inc. All rights reserved. FB50 Arabic Presentation Forms-A FB8A Preferred characters are found in the Arabic block 0600-06FF. FB6C ARABIC LETTER VEH INITIAL FORM This block also contains 32 noncharacters in the range FDD0- ڤ initial> 06A4> ≈ FDEF. FB6D ARABIC LETTER VEH MEDIAL FORM Glyphs for contextual forms of letters for Persian, ≈ <medial> 06A4 ISOLATED FORM ڤARABIC LETTER PEHEH Urdu, Sindhi, etc. FB6E ڦ ARABIC LETTER ALEF WASLA ISOLATED FORM ≈ <isolated> 06A6 FB50 FB6F ARABIC LETTER PEHEH FINAL FORM <isolated> final> 06A6> ٱ 0671 ≈ ڦ ≈ FB51 ARABIC LETTER ALEF WASLA FINAL FORM FB70 ARABIC LETTER PEHEH INITIAL FORM ≈ <final> 0671 ڦ BEEH ISOLATED FORM ≈ <initial> 06A6 ٱARABIC LETTER FB52 FB71 ARABIC LETTER PEHEH MEDIAL FORM <isolated> medial> 06A6> ٻ 067B ≈ ڦ ≈ FB53 ARABIC LETTER BEEH FINAL FORM FB72 ARABIC LETTER DYEH ISOLATED FORM ≈ <final> 067B ڄ BEEH INITIAL FORM ≈ <isolated> 0684 ٻARABIC LETTER FB54 FB73 ARABIC LETTER DYEH FINAL FORM <initial> final> 0684> ٻ 067B ≈ ڄ ≈ FB55 ARABIC LETTER BEEH MEDIAL FORM FB74 ARABIC LETTER DYEH INITIAL FORM ≈ <medial> 067B ڄ ISOLATED FORM ≈ <initial> 0684 ٻARABIC LETTER PEH FB56 FB75 ARABIC LETTER DYEH MEDIAL FORM <isolated> medial> 0684> پ 067E ≈ ڄ ≈ FB57 ARABIC LETTER PEH FINAL FORM FB76 ARABIC LETTER NYEH ISOLATED FORM ≈ <final> 067E ڃ PEH INITIAL FORM ≈ <isolated> 0683 پARABIC LETTER FB58 FB77 ARABIC LETTER NYEH FINAL FORM <initial> final> 0683> پ 067E ≈ ڃ ≈ FB59 ARABIC LETTER PEH MEDIAL FORM FB78 ARABIC LETTER NYEH INITIAL FORM
Recommended publications
  • DSU Music Newsletter
    Delaware State University Music Department Spring 2018 Music Department Schedule Tues., Mar. 20, 11am: Music Performance Seminar (Theater) Volume 2: Issue 1 Fall 2018 Tues., Mar. 27, 11am: Music Performance Seminar (Theater) Concert choir to perform with Philadelphia orchestra Friday, April 6, 7:00 PM: Junior Recital; Devin Davis, Tenor, Anyre’ Frazier, Alto, On March 28, 29, and 30 of 2019, Tommia Proctor, Soprano (Dover Presbyterian Church) the Delaware State University Concert Choir under the direction of Saturday, April 7, 5:00 PM: Senior Capstone Recital; William Wicks, Tenor (Dover Presbyterian Church) Dr. Lloyd Mallory, Jr. will once again be joining the Philadelphia Sunday, April 8, 4:00 PM: Orchestra. The choir will be Senior Capstone Recital; Michele Justice, Soprano (Dover Presbyterian Church) performing the world premiere of Healing Tones, by the Orchestra’s Tuesday, April 10, 11:00 AM: Percussion Studio Performance Seminar (EH Theater) composer-in-residence Hannibal Lokumbe. In November of 2015 the Sunday, April 15, 4:00 PM: Delaware State University Choir Senior Capstone Recital; Marquita Richardson, Soprano (Dover Presbyterian Church) joined the Philadelphia Orchestra to Tuesday, April 17, 11:00 AM: DSU – A place where dreams begin perform the world premiere of Guest Speaker, Dr. Adrian Barnes, Rowan University (Music Hannibal’s One Land, One River, One Education/Bands) (EH 138) People. About the performance, the Friday, April 20, 12:30 PM: Philadelphia Inquirer said “The massed voices of the Delaware State University Choir, the Lincoln Honors Day, Honors Recital (EH Theater) University Concert Choir, and Morgan State University Choir sang with spirit, accuracy and, near- Friday, April 20, 7:00 PM: More inside! Pg.
    [Show full text]
  • The Origins, Evolution and Decline of the Khojki Script
    The origins, evolution and decline of the Khojki script Juan Bruce The origins, evolution and decline of the Khojki script Juan Bruce Dissertation submitted in partial fulfilment of the requirements for the Master of Arts in Typeface Design, University of Reading, 2015. 5 Abstract The Khojki script is an Indian script whose origins are in Sindh (now southern Pakistan), a region that has witnessed the conflict between Islam and Hinduism for more than 1,200 years. After the gradual occupation of the region by Muslims from the 8th century onwards, the region underwent significant cultural changes. This dissertation reviews the history of the script and the different uses that it took on among the Khoja people since Muslim missionaries began their activities in Sindh communities in the 14th century. It questions the origins of the Khojas and exposes the impact that their transition from a Hindu merchant caste to a broader Muslim community had on the development of the script. During this process of transformation, a rich and complex creed, known as Satpanth, resulted from the blend of these cultures. The study also considers the roots of the Khojki writing system, especially the modernization that the script went through in order to suit more sophisticated means of expression. As a result, through recording the religious Satpanth literature, Khojki evolved and left behind its mercantile features, insufficient for this purpose. Through comparative analysis of printed Khojki texts, this dissertation examines the use of the script in Bombay at the beginning of the 20th century in the shape of Khoja Ismaili literature.
    [Show full text]
  • Workshop on Internationalized Domain Names for Pakistani Languages April 20, 2008
    Workshop on Internationalized Domain Names for Pakistani Languages April 20, 2008 Table 1: Tentative tables for public feedback 1 Character Unicode Description Balochi Pashto Punjabi Saraiki Sindhi Torwali ASIWG Decision 2 0600 ARABIC NUMBER SIGN NO NO NO NO NO NO DISALLOWED ؀ 0601 ARABIC SIGN SANAH NO NO NO NO NO NO DISALLOWED ؁ 0601 ARABIC FOOTNOTE MARKER NO NO NO NO NO NO DISALLOWED ؂ 0603 ARABIC SIGN SAFHA NO NO NO NO NO NO DISALLOWED ؃ 0604 <reserved> UNASSIGNED 1 Dr. Sarmad Hussain, Professor and Head, Center for Research in Urdu Language Processing, National University of Computer and Emerging Sciences, Lahore, PAKISTAN. Email: [email protected] , URL: www.crulp.org , www.nu.edu.pk 2 Arabic Script IDN Working Group (ASIWG) [email protected] http://lists.irnic.ir/mailman/listinfo/idna-arabicscript 0605 <reserved> UNASSIGNED 0606 ARABIC-INDIC CUBE ROOT NO NO NO NO NO NO DISALLOWED 0607 ARABIC-INDIC FOURTH NO NO NO NO NO NO DISALLOWED ROOT 0608 ARABIC RAY NO NO NO NO NO NO DISALLOWED 0609 ARABIC-INDIC PER MILLE NO NO NO NO NO NO DISALLOWED SIGN 060A ARABIC-INDIC PER TEN NO NO NO NO NO NO DISALLOWED THOUSAND SIGN 060B AFGHANI SIGN NO NO NO NO NO NO DISALLOWED 060C ARABIC COMMA NO NO NO NO NO NO DISALLOWED 060D ARABIC DATE SEPARATOR NO NO NO NO NO NO DISALLOWED ؍ 060E ARABIC POETIC VERSE SIGN NO NO NO NO NO NO DISALLOWED ؎ 060F ARABIC SIGN MISRA NO NO NO NO NO NO DISALLOWED ؏ 0610 ARABIC SIGN SALLALLAHOU PENDING PENDING PENDING PENDING PENDING PENDING PVALID ALAYHE WASSALLAM 0611 ARABIC SIGN ALAYHE PENDING PENDING
    [Show full text]
  • Unicode Alphabets for L ATEX
    Unicode Alphabets for LATEX Specimen Mikkel Eide Eriksen March 11, 2020 2 Contents MUFI 5 SIL 21 TITUS 29 UNZ 117 3 4 CONTENTS MUFI Using the font PalemonasMUFI(0) from http://mufi.info/. Code MUFI Point Glyph Entity Name Unicode Name E262 � OEligogon LATIN CAPITAL LIGATURE OE WITH OGONEK E268 � Pdblac LATIN CAPITAL LETTER P WITH DOUBLE ACUTE E34E � Vvertline LATIN CAPITAL LETTER V WITH VERTICAL LINE ABOVE E662 � oeligogon LATIN SMALL LIGATURE OE WITH OGONEK E668 � pdblac LATIN SMALL LETTER P WITH DOUBLE ACUTE E74F � vvertline LATIN SMALL LETTER V WITH VERTICAL LINE ABOVE E8A1 � idblstrok LATIN SMALL LETTER I WITH TWO STROKES E8A2 � jdblstrok LATIN SMALL LETTER J WITH TWO STROKES E8A3 � autem LATIN ABBREVIATION SIGN AUTEM E8BB � vslashura LATIN SMALL LETTER V WITH SHORT SLASH ABOVE RIGHT E8BC � vslashuradbl LATIN SMALL LETTER V WITH TWO SHORT SLASHES ABOVE RIGHT E8C1 � thornrarmlig LATIN SMALL LETTER THORN LIGATED WITH ARM OF LATIN SMALL LETTER R E8C2 � Hrarmlig LATIN CAPITAL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C3 � hrarmlig LATIN SMALL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C5 � krarmlig LATIN SMALL LETTER K LIGATED WITH ARM OF LATIN SMALL LETTER R E8C6 UU UUlig LATIN CAPITAL LIGATURE UU E8C7 uu uulig LATIN SMALL LIGATURE UU E8C8 UE UElig LATIN CAPITAL LIGATURE UE E8C9 ue uelig LATIN SMALL LIGATURE UE E8CE � xslashlradbl LATIN SMALL LETTER X WITH TWO SHORT SLASHES BELOW RIGHT E8D1 æ̊ aeligring LATIN SMALL LETTER AE WITH RING ABOVE E8D3 ǽ̨ aeligogonacute LATIN SMALL LETTER AE WITH OGONEK AND ACUTE 5 6 CONTENTS
    [Show full text]
  • Makeyourfont-Abdulkerim.Pdf
    اﺻﻨ َﻊ َﺧ ﱠﻄ ﻚ ﺑﻨ َ ْﻔ ﺴ ِﻚ ﺗﺄﻟﻴﻒ ُﻣ َـﺤ ﱠﻤـﺪ َﳛ َﻴﻰ َﻋ ْﺒﺪ َاﻟﻜ ِﺮ ْﻳﻢ أﺧﺼﺎﺋﻲ ﺑﺮاﻣﺞ آﻟﻴﺔ وﺣﺎﺳﺒﺎت ﺑﴩﻛﺔ اﻟﺼﻔﻮة ﻟﻠﱪﳎﻴﺎت − اﻟﻘﺎﻫﺮة − ﻣﴫ ﻣﺮاﺟﻌﺔ وﺗﺪﻗﻴﻖ وﺗﺮﺗﻴﺐ َﻳ َﻌﲆ َﻗ َﺤﻄﺎن ﱡاﻟﺪ ْو ِر ّي – – ﻛﻠﻴﺔ اﻟﺪراﺳﺎت اﻟﻔﻘﻬﻴﺔ واﻟﻘﺎﻧﻮﻧﻴﺔ ﺟﺎﻣﻌﺔ آل اﻟﺒﻴﺖ اﻷُردن א اﺳﻢ اﻟﻜﺘﺎب: اﺻﻨﻊ ﺧﻄﻚ ﺑﻨﻔﺴﻚ. اﳌﺆﻟﻒ: ُﻣ َـﺤ ﱠﻤـﺪ َﳛ َﻴﻰ َﻋ ْﺒﺪ َاﻟﻜ ِﺮ ْﻳﻢ. ﻣﺮاﺟﻌﺔ وﺗﺪﻗﻴﻖ وﺗﺮﺗﻴﺐ: َﻳ َﻌﲆ َﻗ َﺤﻄﺎن ﱡاﻟﺪ ْو ِر ّي . ﺗﺼﻤﻴﻢ اﻟﻐﻼف: َﻋ ْﺒﺪ اﷲ َﻋ ِﺎرف. اﻟﻤﺆﻟﻒ.... ؁ ؁ ؁ ؁؁ DOS؁ ؁؁؁ ؁؁؁؁C++ C#Visual Basic Visual Basic.net ؁ ؁ ًوأﺧـــﲑا: ؁ ؁ ؁ ؁ ﻟﻼﺳﺘﻔﺴﺎر ﻳﺮﺟﻰ اﻟﺘﻮاﺻﻞ ﻋﲆ: [email protected] +20188913719 ﺷﻜﺮ ﺧﺎص إﱃ اﻷخ اﻟﻜﺮﻳﻢ: َﻳ َﻌﲆ َﻗ َﺤﻄ ﺎن ﱡاﻟﺪ ْو ِر ّي . ؁؁http://www.graphics4arab.com ؁؁ http://indesignyat.webatu.com ؁؁ http://zakdesign.net ؁ http://www.rashedy.com ؁ ؁؁؁؁ ؁ أﻣﺎ ﺑﻌﺪ: ؁ ؁ ؁ ؁ ؁ ؁ ؁ ؁؁؁ ؁ ؁ ؁ ؁؁ ؁؁؁؁ اﺻﻨﻊ ﺧﻄﻚ ﺑﻨﻔﺴﻚ ؁ ؁ ؁ ؁ ؁ ؁ ؁؁ ؁ ؁؁؁ ؁ ؁ ؁؁ ؁؁؁ ؁ ؁ ؁ واﷲ اﳌﻮﻓﻖ @@@éjn× áíŠØÛa@†jÇ@óî°@†àª اﺻﻨﻊ ﺧﻄﻚ ﺑﻨﻔﺴﻚ ﺗﻌﺮﻳﻒ اﳋﻂ اﳊﺎﺳﻮﰊ [Font File]: ؁؁ ؁ ؁؁ ؁؁ ؁ ؁ E١F ؁Font؁ ؁Font؁ ؁ ؁ ؁ ؁ ؁ ؁؁ Font File ؁ Encoding Character Mapping ؁ ؁؁Traditional Arabic؁ ؁ E١F؁ اﺻﻨﻊ ﺧﻄﻚ
    [Show full text]
  • דוקטור לפילוסופיה Doctor of Philosophy
    חבור לשם קבלת התואר Thesis for the degree דוקטור לפילוסופיה Doctor of Philosophy מאת By תמיר קליין Tamir Klein אקו - פיזיולוגיה של ניצול מים באורן ירושלים : מרמת העלה ועד רמת היער Eco-physiology of water use in Pinus halepensis : from leaf to forest scale מנחה : פרופ ' דן יקיר Advisor: Prof. Dan Yakir בשיתוף ד"ר שבתאי כהן ( מינהל Co-mentored by Dr. Shabtai המחקר החקלאי מכון וולקני) (Cohen (ARO Volcani תמוז תשע"ב November 2012 מוגש למועצה המדעית של Submitted to the Scientific Council of the מכון ויצמן למדע Weizmann Institute of Science רחובות , ישראל Rehovot, Israel This work has been conducted under the supervision of Prof. Dan Yakir Department of Environmental Sciences and Energy Research Weizmann Institute of Science Rehovot, Israel And Dr. Shabtai Cohen Institute of Soil, Water and Environmental Sciences Volcani Center ARO Beit Dagan, Israel 1 Acknowledgements I was blessed with two exceptional mentors, Prof. Dan Yakir and Dr. Shabtai Cohen, whose positive, passionate approach to scientific research and to any learning in general, has been an inspiration to me. Their enthusiasm about plant eco-physiology together with the highest level of professionalism has made a profound impact on my work. I wish to thank my advisory committee, Profs. Brian Berkowitz and Amram Eshel for their interest in the work and advice for improvements. I have had the privilege of illuminating discussions with Prof. Gabi Schiller, Dr. Jose Gruenzweig, Dr. Gilboa Arye, Dr. Ron Milo, Prof. Harvey Scher, Prof. Yohai Carmel and Dr. Yagil Osem, that broadened my knowledge and understanding. The members of Dan’s group with whom I have worked: Fyodor, David, Uri, Hemu, Naama, Keren, Gil and Amir; have been research collaborators and good friends.
    [Show full text]
  • Psftx-Debian-10.5/Arabic-Fixed16.Psf Linux Console Font Codechart
    psftx-debian-10.5/Arabic-Fixed16.psf Linux console font codechart Glyphs 0x000 to 0x0FF 0 1 2 3 4 5 6 7 8 9 A B C D E F 0x00_ 0x01_ 0x02_ 0x03_ 0x04_ 0x05_ 0x06_ 0x07_ 0x08_ 0x09_ 0x0A_ 0x0B_ 0x0C_ 0x0D_ 0x0E_ 0x0F_ Page 1 Glyphs 0x100 to 0x1FF 0 1 2 3 4 5 6 7 8 9 A B C D E F 0x10_ 0x11_ 0x12_ 0x13_ 0x14_ 0x15_ 0x16_ 0x17_ 0x18_ 0x19_ 0x1A_ 0x1B_ 0x1C_ 0x1D_ 0x1E_ 0x1F_ Page 2 Font information 0x016 U+2026 HORIZONTAL ELLIPSIS Filename: psftx-debian-10.5/Arabic-Fixed16.ps 0x017 U+2030 PER MILLE SIGN f PSF version: 1 0x018 U+2191 UPWARDS ARROW, U+25B2 BLACK UP-POINTING Glyph size: 8 × 16 pixels TRIANGLE, Glyph count: 512 U+25B4 BLACK UP-POINTING Unicode font: Yes (mapping table present) SMALL TRIANGLE 0x019 U+2193 DOWNWARDS ARROW, Unicode mappings U+25BC BLACK DOWN-POINTING 0x000 U+00A9 COPYRIGHT SIGN TRIANGLE, U+25BE BLACK DOWN-POINTING 0x001 U+00AE REGISTERED SIGN SMALL TRIANGLE 0x002 U+0152 LATIN CAPITAL LIGATURE 0x01A U+2192 RIGHTWARDS ARROW, OE U+25B6 BLACK RIGHT-POINTING TRIANGLE, 0x003 U+0153 LATIN SMALL LIGATURE OE U+25B8 BLACK RIGHT-POINTING 0x004 U+2666 BLACK DIAMOND SUIT, SMALL TRIANGLE U+25C8 WHITE DIAMOND 0x01B U+2190 LEFTWARDS ARROW, CONTAINING BLACK SMALL U+25C0 BLACK LEFT-POINTING DIAMOND, TRIANGLE, U+FFFD REPLACEMENT U+25C2 BLACK LEFT-POINTING CHARACTER SMALL TRIANGLE 0x005 U+061F ARABIC QUESTION MARK 0x01C U+2122 TRADE MARK SIGN 0x006 U+0622 ARABIC LETTER ALEF WITH 0x01D U+FB53 ARABIC LETTER BEEH MADDA ABOVE FINAL FORM 0x007 U+0633 ARABIC LETTER SEEN 0x01E U+FB55 ARABIC LETTER BEEH MEDIAL FORM 0x008 U+0634 ARABIC LETTER
    [Show full text]
  • Proposal to Encode Productive Arabic-Script Modifier Marks 2
    Proposal to encode productive Arabic-script modifier marks Date: May 16, 2003 Author: Jonathan Kew, SIL International Kamal Mansour, Agfa Monotype Mark Davis, IBM Address: Horsleys Green Agfa Monotype High Wycombe 425 Sherman Ave Bucks HP14 3XL Palo Alto, CA 94306 England USA Tel: +44 (1494) 682306 +1 (650) 321-4102 Email: [email protected] [email protected] [email protected] A. Administrative 1. Title Proposal to encode productive Arabic-script modifier marks 2. Requester’s name SIL International (contacts: Jonathan Kew, Peter Constable); Agfa Monotype (contact: Kamal Mansour) 3. Requester type Expert contribution 4. Submission date May 16, 2003 5. Requester’s reference 6a. Completion This is a complete proposal. 6b. More information to be provided? Only as required for clarification. B. Technical — General 1a. New script? Name? No 1b. Addition of characters to existing block? Yes — Arabic Name? 2. Number of characters in proposal 23 3. Proposed category A 4. Proposed level of implementation and 2 (includes combining marks) rationale 5a. Character names included in proposal? Yes 5b. Character names in accordance with Yes guidelines? 5c. Character shapes reviewable? Yes 6a. Who will provide computerized font? Jonathan Kew, SIL International 6b. Font currently available? Yes 6c. Font format? TrueType 7a. Are references (to other character sets, See the documents cited under References. dictionaries, descriptive texts, etc.) provided? 7b. Are published examples (such as samples See the documents cited under References. from newspapers, magazines, or other sources) of use of proposed characters attached? 8. Does the proposal address other aspects of Yes, suggested character properties and collation character data processing? weights are included.
    [Show full text]
  • International Terrorism >'; / ~'
    If you have issues viewing or accessing this file contact us at NCJRS.gov. TER~\PRISTIC AC.TIVITY-) International Terrorism >'; / ~' BEFORE THE ,~'!, : "'< SUBCOMMITTEE TO INVESTIGATE THE AD})!IINISTRATION OF THE INTERNAL SECURITY AOT AND OTHER INTERNAL SECURITY LAWS " i 0]' THE J COMMITTEE ON THE JUDICIARY UNITED STATES SENATE NINETY-FOURTH CONGRESS FIRST SESSION t l 1 '-..::) PART 4 " r I MAY 14, 1975 - t "" \ Printed for the use of the Committee on the Judiciary (S J. f u.s. GOVERNMENT PRINTING OFFICE If) WASHINGTON : 1975 ale by the Supurlntendent or Documents, U.S. Government I'rluting Office '~1.- Washington, D.C. 2(H02· Prico $1.20 ~,¢ ",.IJ ----------,:!'-.------------.pe:-------------------~----------....,.---...,-------------- -----~ ---~ ----~- COMMITTEE;ON THE JUDICIARX ~ .. ~ JA1v1ES O. EASTLAND, Mississippi, Chairman JOHN,L.lIfCOLELLAN, Arknnsus ROMAN L. HRUSKA,NebrasKa PlIILIP A.lIART, Michigan :Ej:IRAM L. FONo-, lIawnll EDWARD l\I. KENNEDY, lIfassachnsetts lIUOli SCOTT, Pennsylvania BIROliBAYlI,lndlone., . , STROIlITllVRMO))/D, South, (jarollnn QUENTIN N. B URDWK, North Dakotil CHARLES .1ireO. ¥A'I'HrAS, ,JR.,; 1\1'nt'Yland ROBERT O. BYRD, West Virginia WILLIAi\f L. SCQTT, Vlrglnlii CONTENTS JOliNI'. TUNNEY, California . Testimony of: JAMES ABOUREZK, SOUt11 D.~kota Mr.London, Brian Crozier,England director ___________________________________________ of the Institute for the Study of Conflict, _ Page 179 Hon. Robert A. Feurey) Special Assistant to the Secretary of l:ltate, Coordinator for Combatting Terrorism, Department of State, SUBCOMMITTEE To INVESTIGATE THE Am.iulISTRATION OF THE INTERN,\L accompanied by lVl!:. Louis Fields and ;dr. John N. Gatch, Deputy __ 212 Appendix ________________ '________________ ~ _______________________ _ SECURa'y ACT ANn OTHE:J;li INT,E::aNA;L SECURITY LAWS 253 JA?>ms o.
    [Show full text]
  • LGR-4 Code Table for Non-CJK Code Points
    LGR-4 Code Table for non-CJK code points Integration Panel Date: 2020-06-29 This document shows the repertoire for LGR-4 code points not part of the CJK blocks presented in the form of marked up tables in a format similar to that used for character code charts in the Unicode Standard. Code cells with background color: - Green: code points that are part of the LGR, including all members of code point sequences. - Pink: code points that are not PVALID in IDNA2008 [RFC5892] [IDNAREG]. - White: PVALID code points which are excluded from the Root Zone in a generic fashion (digits, hyphen), or by being excluded from the Maximum Starting Repertoire [MSR-4]. - Lavender: PVALID code points not included in the LGR as results of decisions during the development of the LGR. Unicode blocks that contain no repertoire of the LGR are suppressed. In these code tables, code points are listed as part of the merged LGR (green) even of the LGR does not list the code point by itself, but only defines a code point sequence containing the code point. Code points that are marked “out-of-repertoire” by a reflexive variant mapping of type “out-of-repertoire- var” in any element LGR are shown as part of the merged LGR only if they occur in at least one element LGR without such mapping. [IDNAREG] IANA Registry: "IDNA Parameters". For Unicode 6.3 available at: http://www.iana.org/assignments/idna-tables-6.3.0/idna-tables-6.3.0.xml. Visited 2013-11-20 [MSR-4] Integration Panel, "Maximal Starting Repertoire — MSR-4 Overview and Rationale", 25 January 2019 https://www.icann.org/en/system/files/files/msr-4-overview-25jan19-en.pdf.
    [Show full text]
  • MSR-4: Annotated Repertoire Tables, Non-CJK
    Maximal Starting Repertoire - MSR-4 Annotated Repertoire Tables, Non-CJK Integration Panel Date: 2019-01-25 How to read this file: This file shows all non-CJK characters that are included in the MSR-4 with a yellow background. The set of these code points matches the repertoire specified in the XML format of the MSR. Where present, annotations on individual code points indicate some or all of the languages a code point is used for. This file lists only those Unicode blocks containing non-CJK code points included in the MSR. Code points listed in this document, which are PVALID in IDNA2008 but excluded from the MSR for various reasons are shown with pinkish annotations indicating the primary rationale for excluding the code points, together with other information about usage background, where present. Code points shown with a white background are not PVALID in IDNA2008. Repertoire corresponding to the CJK Unified Ideographs: Main (4E00-9FFF), Extension-A (3400-4DBF), Extension B (20000- 2A6DF), and Hangul Syllables (AC00-D7A3) are included in separate files. For links to these files see "Maximal Starting Repertoire - MSR-4: Overview and Rationale". How the repertoire was chosen: This file only provides a brief categorization of code points that are PVALID in IDNA2008 but excluded from the MSR. For a complete discussion of the principles and guidelines followed by the Integration Panel in creating the MSR, as well as links to the other files, please see “Maximal Starting Repertoire - MSR-4: Overview and Rationale”. Brief description of exclusion
    [Show full text]
  • A Study on Collation of Languages from Developing Asia
    A Study on Collation of Languages from Developing Asia Sarmad Hussain Nadir Durrani Center for Research in Urdu Language Processing National University of Computer and Emerging Sciences www.nu.edu.pk www.idrc.ca Published by Center for Research in Urdu Language Processing National University of Computer and Emerging Sciences Lahore, Pakistan Copyrights © International Development Research Center, Canada Printed by Walayatsons, Pakistan ISBN: 978-969-8961-03-9 This work was carried out with the aid of a grant from the International Development Research Centre (IDRC), Ottawa, Canada, administered through the Centre for Research in Urdu Language Processing (CRULP), National University of Computer and Emerging Sciences (NUCES), Pakistan. ii Preface Defining collation, or what is normally termed as alphabetical order or less frequently as lexicographic order, is one of the first few requirements for enabling computing in any language, second only to encoding, keyboard and fonts. It is because of this critical dependence of computing on collation that its definition is included within the locale of a language. Collation of all written languages are defined in their dictionaries, developed over centuries, and are thus very representative of cultural tradition. However, though it is well understood in these cultures, it is not always thoroughly documented or well understood in the context of existing character encodings, especially the Unicode. Collation is a complex phenomenon, dependent on three factors: script, language and encoding. These factors interact in a complicated fashion to uniquely define the collation sequence for each language. This volume aims to address the complex algorithms needed for sorting out the words in sequence for a subset of the languages.
    [Show full text]