Liff 2017 Feature Films

Total Page:16

File Type:pdf, Size:1020Kb

Liff 2017 Feature Films The 6th Annual Laughlin International Film Festival is October 12-15, 2017 Screening over 100+ Independent Films from all over the world! All LIFF Feature & Short Films will be screening at the Laughlin Stadium 9 Cinemas. Individual screening tickets available at the Theaters during the festival. Tickets prices are $10.00 / $8.00 for Students & Seniors All-inclusive Festival Passes, Film Screening Day passes, Workshop and Special Event tickets are available now at www.LaughlinFilmFestival.com Questions? Email: [email protected] **All LIFF Film screening times are subjetct to change** LIFF 2017 FEATURE FILMS The Song of Sway Lake US Narrative Feature Film - (100 mins) - **Opening Night Film Directed by: Ari Gold ThursDay Oct. 12, 7:30pm - Theater #2 (Filmmaker Q&A) SaturDay Oct. 14, 8:00pm - Theater #1 (no filmmaker Q&A) A young record collector, haunted by his father's suicide, brings a bombastic Russian drifter to his family’s lake house, to help him steal a one-of-a-kind record from his own grandmother. But the vision of two women - one young, one old - distracts the young men from their mission. “The Song of Sway Lake” is the story of the melody that haunts those who idealize a lost America. The 5 Year US Narrative Feature Film - (95 mins) - FriDay Oct. 13, 2:30pm - Theater #2 Directed by: James Christopher 7 friends spend a weekend together 5 years after their graduation only to learn that, without each other, their lives are falling apart. I Am Still Here US Narrative Feature Film - (103 mins) - FriDay Oct. 13, 4:45pm - Theater #2 Directed by: Mischa Marcus SaturDay Oct. 14, 9:00pm - Theater #2 (no filmmaker Q & A) I AM STILL HERE is the story of 10-year old Layla, who was stolen from her family and thrown into America’s child sex industry. Stories of courage drawn from interviews with trafficking survivors are the foundation for the fictionalized account of Layla’s journey as she confronts the monsters of her past and embraces the hope of her future. Thrill RiDe US Narrative Feature Film - (87 mins) - FriDay Oct. 13, 5:00pm - Theater #1 Directed by: Chris Parrish For generations, there have been all kinds of wild rumors surrounding gangster Al Capone's hidden fortune and the mysterious amusement park he built. When three kids sneak into the rundown park on the hunt for Capone's loot, the attractions come to life and take the kids on a wild and dangerous ride beyond all imagination. Now to survive the night, they must team up with a friendly sea witch, find a secret underground ride and take on an evil mermaid, bloodthirsty pirates, a fire-breathing dragon and an armada of monsters. And all on a school night! Page 1 of 4 To Dream International Feature Film - (67 mins) - FriDay Oct. 13, 7:00pm - Theater #1 Directed by: Nicole Albarelli SaturDay 9:15 PM - Theater 3 (no filmmaker Q & A) Two self-destructive teenagers won't let anything come between their friendship and their ultimate plan, but when dysfunctional family life becomes intolerable, loyalty leads one to make a choice that will change their lives forever. Butterfly Caught US Narrative Feature Film - (90 mins) - FriDay Oct. 13, 7:15pm - Theater #2 Directed by: Manny Rodriguez Jr. Three aspiring actresses set out to break into the cut-throat world of acting in Los Angeles. Naomi is on the verge of stardom, Joe struggles to keep her head above water and Elsa is a fresh face on the scene. As each young woman is forced to face her deepest fears and insecurities, they all discover the lengths to which they will go to fight against failure. The promise of Hollywood is tempting, but what will they do when that promise is broken? How will they cope when pushed to their breaking points? Butterfly Caught offers a peek into the darker side of Hollywood's bright facade, exposes the seduction of fame and captures the thirst for relevance in a city that cycles through talent and destroys ambitions. The CurseD Man US Narrative Feature Film - (91 mins) - FriDay Oct. 13, 10:00pm - Theater #3 Directed by: James L. Perry Alister believes death is in love with him. A simple smile from friend or stranger is all it takes to encourage death to kill. With his family deceased and a path of destruction behind him, Alister sits inside a mental institution, sworn to silence and separated from the rest of the world, haunted by his inability to escape death's preferential treatment. But when a beautiful psychologist arrives at the institution and starts offering him care, Alister braces himself for more killings. When none follow, he tries to figure out whether he truly is insane or if death has finally come to him in the form of a woman. BlooDsucka Jones vs. The Creeping Death US Narrative Feature Film - (102 mins) - SaturDay Oct. 14, 12:45pm - Theater #3 Directed by: Justin Armao The baddest mofo with the killer afro and his gorgeous sidekick help a couple if idiots fight an army of zombies. 66 & Nowhere US Narrative Feature Film - (90 mins) - SaturDay Oct. 14, 3:00pm - Theater #2 Directed by: Eric McClanahan On the run from the Chicago Mob, a down on his luck trumpet player hitchhiking to Hollywood falls into murder, money and mayhem with a mysterious femme fatale. Page 2 of 4 DUDES! (1987) US Narrative Feature Film - (90 mins) - SaturDay Oct. 14, 5:15pm - Theater #2 DirecteD by: Penelope Spheeris (Special Q&A Following the Film Screening) Urban angst meets the Wild West when three NYC punks (Jon Cryer of Pretty in Pink, Daniel Roebuck of River’s Edge, and Flea of Suburbia and the Red Hot Chili Peppers) on a road trip to California cross paths with a vicious gang and their psycho leader (Lee Ving, Streets of Fire and Fear). Aided by a pistol-packin’ knockout (Catherine Mary Stewart, Night of the Comet), a daredevil Elvis Presley impersonator (Pete Willcox), and mystical spirits of the past, they relentlessly pursue the gang to an epic, hallucinogenic, final showdown. Death on a Rock US Narrative Feature Film - (82 mins) - SaturDay Oct. 14, 7:00pm - Theater #3 Directed by: Scott Ballard Portland filmmaker Scott Ballard’s (A STANDING STILL, WELCOMING DEPARTURE) latest feature follows a young woman coming to terms with a trying event in her life. Lillian’s (Rachael Perrell Fosket) bright outlook – she loves her job in a flower shop and has a sweet budding relationship with her boyfriend – is rocked by illness. Days spent in long term care at the hospital bring reflection, desperation, and some family tension. This vibrantly shot tale follows Lillian’s year of happiness, pain, and growth, told through flashbacks and drifting between memories and shifting consciousness. Seen through a framework of loss, Death On A Rock is a bittersweet tale balanced between tragedy and levity. SOS: The Salton Sea Walk US Documentary Feature Film - (61 mins) - SunDay Oct. 15, 11:30am - Theater #2 Directed by: Corbin Schweitzer As California’s largest lake approaches an environmental point of no return, one man will attempt to become the first person to walk around its hazardous shoreline in order to prevent an ecologic disaster that could impact the entire western hemisphere. Straight from the Pen US Documentary Feature Film - (51 mins) - SunDay Oct. 15, 12:30pm - Theater #1 Directed by: Paul Sutton Twenty-four prisoners--mostly lifers--sat across from a dozen college students on a maximum security prison yard in southern California as part of an innovative and inspiring creative writing class. For 14 weeks, prisoners learned to express themselves openly and honestly, many for the first time in their lives, to a group of strangers, in a setting where survival often demands alienation, disaffection, even violence. And the students--at first apprehensive, even hateful--discovered that the men across from them were far from the callous and unfeeling monsters they had expected to meet. Though their often intimate collaboration, both groups found hope and humanity in a place where they had expected neither. Fallen US Documentary Feature Film - (75 mins) - SunDay Oct. 15, 3:00pm - Theater #3 Directed by: Thomas Marchese A police officer is killed in the line of duty every 53 hours in the United States. These losses have a profound impact on those close to them, as well as the communities they serve. This films explores the humanity behind the badge, and the social and personal impact of these losses. Page 3 of 4 Saints of Sin International Documentary Feature Film - (85 mins) - SunDay Oct. 15, 3:30pm - Theater #2 Directed by: Aniruddha Oni Sen The Saints of Sin is a lyrical journey of emotion and experiences of Seven and a Half Bengali women spread all over the globe between Nairobi to New York to New Delhi and Bombay. Built on intimate conversations recorded over three years, the film explores the lives of Debbie, Runa, Srila, Gopi, Shreya, Swati, Paro and Pradipta, where each of them acknowledges her propensity towards one of the Sins and speaks of her negotiations with it.The conversations and songs make The Saints of Sin a beautifully engaging journey into the lives of Eight self-confessed Sinners. Genome US Narrative Feature Film - (88 mins) - SunDay Oct. 15, 3:30pm - Theater #1 Directed by: Canyon DiMare When Canyon discovers a mysterious cloning device in the desert, he activates it, cloning himself and uncovering the secrets and dangers that are brought with it. Slip Away US Narrative Feature Film - (90 mins) - SunDay Oct. 15, 5:30pm - Theater #2 Directed by: Julia Butler and Daniel Mentz Neglected by her family, Fall, an eclectic elder with good intentions but extreme measures, finds little companionship in our hyper-busy world.
Recommended publications
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Brevard Live Live March 2020
    Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral.
    [Show full text]
  • Lee Ving in Shock Cinema
    Page 8 SHOCK CINEMA As founder and lead singer of FEAR, Lee fool.You don't believe me, lay down and measure. were chasing me and I found a place to hide inan Ving was the roaring voice of the west coast punk (laughs) old world Swiss looking street, just down the hill movement of the '70s and early '80s. FEAR cut SHOCK CINEMA: (laughs) from the Bates house of PSYCHO fame, I began thru a sea of mumbling, wrist cutting, overdosing, Ving: Shock Cinema. Now is that like Shock to have a feeling of Deja Vu, of having been there musically challenged bands with an in-your-face, Theater back in Philadelphia? Growing up I had before but knew I never had. More than twenty get-out-of-my-way, 1,2,3,4 sonic wall, that sounds John Zacharly as Roland every Friday-Saturday years later while watching FRANKENSTEIN on as fresh today as it did back then. FEAR still sells night. late night TV, I realized, that was where I knew out clubs in New York, Chicago, Miami, Boston, that street from on that day at Universal. It was Philadelphia, Seattle, Austin, Dallas, Denver, and SC: So you loved movies from an early age? the street in the little Swiss-Austrian town where the Sunset Strip, with a seemingly ageless and What kind of films did you like growing up? Baron Frankenstein lived and was preparing for endless string of 15-18 year old fans still lining up What kind of films do you like now? his son's wedding.
    [Show full text]
  • It's Jerry's Birthday Chatham County Line
    K k JULY 2014 VOL. 26 #7 H WOWHALL.ORG KWOW HALL NOTESK g k IT’S JERRY’S BIRTHDAY On Friday, August 1, KLCC and Dead Air present an evening to celebrate Jerry Garcia featuring two full sets by the Garcia Birthday Band. Jerry Garcia, famed lead guitarist, songwriter and singer for The Grateful Dead and the Jerry Garcia Band, among others, was born on August 1, 1941 in San Francisco, CA. Dead.net has this to say: “As lead guitarist in a rock environment, Jerry Garcia naturally got a lot of attention. But it was his warm, charismatic personality that earned him the affection of millions of Dead Heads. He picked up the guitar at the age of 15, played a little ‘50s rock and roll, then moved into the folk acoustic guitar era before becoming a bluegrass banjo player. Impressed by The Beatles and Stones, he and his friends formed a rock band called the Warlocks in late 1964 and debuted in 1965. As the band evolved from being blues-oriented to psychedelic/experi- mental to adding country and folk influences, his guitar stayed out front. His songwriting partnership with Robert Hunter led to many of the band’s most memorable songs, including “Dark Star”, “Uncle John’s Band” and the group’s only Top 10 hit, “Touch of Grey”. Over the years he was married three times and fathered four daughters. He died of a heart attack CHATHAM COUNTY LINE in 1995.” On Sunday, July 27, the Community Tightrope also marks a return to Sound Fans have kept the spirit of Jerry Garcia alive in their hearts, and have spread the spirit Center for the Performing Arts proudly wel- Pure Studios in Durham, NC, where the and the music to new generations.
    [Show full text]
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His
    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
    [Show full text]
  • Standard Resolution 21MB
    The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast.
    [Show full text]
  • AUX Cord II Round 4.Pdf
    “Yo!, Pass the AUX Cord, You Better Not Read” TRASH set II: The Remix… Questions written by: Dexter Wickham, Zachary Beltz, Caden Stone, Alexandria Hill, Trenton Kiesling, Aleesa Hill, Eliot Chastain, Brendan Morris. Rush Chairman: Joshua Malecki. Questions edited by: Joshua Malecki. The Fort Osage High School. Round 4 1. This man’s ability to wear a suit is referenced in a Gilmore Girls episode, and he was sued by ​ ​ his own record label in 1983 for making albums “unrepresentative” of himself. This man’s 1979 album, Rust Never Sleeps,* features his twin hits, “My My Hey Hey (Out of the Blue)” and “Hey, Hey, My ​ ​ ​ My (Into the Black),” which inspired later grunge music. This man’s 1973 album Harvest features his hits ​ ​ “Old Man,” and a cautionary tale of heroin excess, “The Needle and the Damage Done.” For 10 points, name this Canadian singer, whose hits include “Rockin’ in the Free World,” and “Heart of Gold.” Neil Young ​ 2. The character of Cher Horowitz in Clueless believed that “searching for a boy in high school ​ ​ was as useless as searching for meaning in this actor’s films.” This actor’s career in films was ​ ​ launched from his namesake MTV show which ran from 1990-1995, and his breakthrough film was as Stoney Brown* in 1992’s Encino Man. He followed that with 1993’s Son-in-Law where he plays the ​ ​ ​ ​ ​ college senior Crawl, who meets his girlfriend’s parents for the first time. For 10 points, name this actor, whose “Weasel” persona is known for the catch phrases, like “Hey, BUD-dy” and “grinding.” Pauly Shore (accept either answer) ​ ​ ​ 3.
    [Show full text]
  • November 2014
    NORTH CENTRAL COLLEGE Rick Springfield Chris White Black Violin WELCOME elcome to North Central gift to the arts. We have dessert receptions, College’s 2014-2015 Fine and private gallery talks and sneak previews of the W Performing Arts Season. I do new season—all as our way of saying “thank hope this is not your first concert this year you” for your support. And if your employer because if it is, you really have been missing wishes to sponsor a performance, we can work something great! In any case, we are glad with you on the benefits of that as well. you are here. This month we welcome the So relax, sit back and have a wonderful evening classically trained violinist duo Black Violin to enjoying the arts. Or, if you prefer, get loud, the Wentz Concert Hall stage and Grammy get noisy and have a great time here at North Award-winner Rick Springfield to Pfeiffer Central College. On with the show! Hall with his intimate solo show “Stripped Down.” We know you have many options for where you can spend your entertainment dollars, but Brian Lynch we just want to say thank you for spending Fine Arts Director time with us. We really are here to serve you, North Central College so do not hesitate to ask. I personally am always looking for ideas for artists to bring in, so please let me know. There may be that gem you have always wanted to see who may be ready to experience what we have to offer in Naperville.
    [Show full text]
  • Translocal Hardcore Punk in Los Angeles and Ljubljana
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Spring 5-13-2011 "Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana Mindy L. Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Clegg, Mindy L., ""Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/history_theses/44 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. "THROUGH THE ROOF AND UNDERGROUND": TRANSLOCAL HARDCORE PUNK IN LOS ANGELES AND LJUBLJANA by MINDY L. CLEGG Under the direction of Michelle Brattain ABSTRACT Punk moved from a marginal subculture to an underground counter-culture -- hardcore punk -- which shared musical culture and sense of a communal identity. Local punk scenes grew, in part due to attention from mass media. New kids in the scene brought new tensions and attracted the attention of authorities. Two police incidents signaled a shift in the punks© view of themselves. I examine two punk scenes from 1975 to 1985 in Los Angeles, USA and Ljubljana, Yugoslavia by looking at newspapers, television programs, fanzines, music, and clothing. I show that a loosely connected group of individuals, self-identified as punk, became increasingly similar as the parent cultures put increasing pressure on punks. Index Words: History, 20th century, Punk, Rock, Los Angeles, Ljubljana, Yugoslavia, Slovenia, Cold War, Popular culture, Counter-culture "THROUGH THE ROOF AND UNDERGROUND": TRANSLOCAL HARDCORE PUNK IN LOS ANGELES AND LJUBLJANA by MINDY L.
    [Show full text]
  • 1980S INTERVIEW with CANDYE KANE What Was the Music Scene Like in Downtown Lo
    THE EXPERIMENTAL IMPULSE LA COUNTRY PUNK 1970s – 1980s INTERVIEW WITH CANDYE KANE What was the music scene like in Downtown Los Angeles in the late 1970s/early 80s? IT WAS A TIME OF INCLUSION. THERE WAS A FEELING OF CAMARADERIE AMONGST THE MUSICIANS, WRITERS AND ARTISTS. WE WERE ALL IN IT TOGETHER, BUCKING THE SYSTEM - CREATING ART AND MUSIC IN OUR OWN WAY. WE WERE MAKING STATEMENTS IN OUR MUSIC, OUR ART, OUR POETRY AND OUR FASHION - SOMETIMES ALL SIMULTANEOUSLY. WE WERE DOING THINGS OUR WAY WITHOUT THE APPROVAL OR THE AID OF THE MAINSTREAM ESTABLISHMENT. IT FELT LIKE A FAMILY, LIKE A COOL FRATERNITY, LIKE THE IN CROWD. What drew you to the punk scene? THE PUNK SCENE WAS WHAT FACILITATED THE MUSIC, POETRY AND ART. THE PUNK CLUBS IN THOSE DAYS - CATHAY DE GRANDE, THE MASQUE, THE ANTI CLUB, FLIPPERS, ALS BAR, THE ATOMIC CAFE, MADAME WONGS - WERE VENUES WHERE PERFORMANCE ART WAS WELCOMED AND ENCOURAGED. IT DIDNT MATTER IF YOU PLAYED HILLBILLY MUSIC OR HARDCORE PUNK, YOU WERE AN ANARCHIST BECAUSE YOU WERE THERE. LA is usually not known for its "country culture" - what was the country music scene like? What were some of the major clubs? Who were some of your favorite country musicians playing at the time? I PLAYED THE ANTI CLUB, THE VEX CLUB, ALS BAR, THE CRUSH BAR, THE CATHAY DE GRANDE, THE MUSIC MACHINE, THE ATOMIC, CLUB LINGERIE, ANTI CLUB, WHISKEY A GO GO, AND MOST IMPORTANTLY THE PALOMINO CLUB. IT WAS AN UNUSUAL TIME BECAUSE YOU COULD SEE A HILLBILLY BAND - (THE ARMADILLO STAMPEDE -- THAT WAS THE NAME OF MY BAND), LONE JUSTICE, TIN STAR,
    [Show full text]
  • "Rock Against Reagan": the Punk Movement, Cultural Hegemony, and Reaganism in the Eighties
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2016 "Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties Johnathan Kyle Williams University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2016 Johnathan Kyle Williams Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Cultural History Commons Recommended Citation Williams, Johnathan Kyle, ""Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties" (2016). Dissertations and Theses @ UNI. 239. https://scholarworks.uni.edu/etd/239 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by JOHNATHAN KYLE WILLIAMS 2015 All Rights Reserved “ROCK AGAINST REAGAN”: THE PUNK MOVEMENT, CULTURAL HEGEMONY, AND REAGANISM IN THE EIGHTIES An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Johnathan Kyle Williams University of Northern Iowa May, 2016 ABSTRACT Despite scholars’ growing interest in the cultural movement known as punk, there has been a lack of focus on the movement’s relationship to its historical context. Punk meant rebellion, and this research looks at how the rebellion of the American punk movement during the eighties [1978 to 1992], was aimed at the president Ronald Reagan. Their dissent, however, was not only directed towards Reagan, but the culture that he encompassed.
    [Show full text]
  • “Rock 'N Roll Anthropologist” Penelope Spheeris to Receive
    PRESS-RELEASE “Rock ‘n Roll Anthropologist” Penelope Spheeris to Receive 2017 LIFF Lifetime Achievement Award Laughlin NV, September 23, 2017 --- Film Director, Producer and Screenwriter Penelope Spheeris, often referred to as the “Rock ‘n Roll Anthropologist” for her acclaimed documentary films depicting the music scene in Los Angeles over the past 40 years, is set to receive the 2017 Laughlin International Film Festival (LIFF) Lifetime Achievement Award on Saturday, October 14th at LIFF’s 6th annual Awards Ceremony to be held at the Tropicana Casino, Pavilion Theater. Spheeris, who holds a UCLA Master of Fine Arts degree in Theater Arts, will be honored for her long list of achievements as a break-through filmmaker who covered the LA music scene in depth, telling the story in a way never before explored by a filmmaker. Spheeris is best known as the Director of “Wayne’s World” (1992). The film, which was Mike Myer’s feature film debut, was both a critical and commercial success and the 8th highest grossing box office success that year. Her music video of “Bohemian Rhapsody” (Queen) which was featured in the film won her a Grammy nomination. In her early career, Spheeris produced short subjects for comedian Albert Brooks, many of which were highlighted in the first season of “Saturday Night Live”. In 1974 she formed the first Los Angeles music video production company, “Rock ‘n Reel”. She went on to make her first feature film “The Decline of Western Civilization” (1981), a punk rock documentary which she produced as well as directed. Later, in 1988, she followed up with “The Decline of Western Civilization, Part II: The Metal Years”, a film which included footage and interviews of legendary bands such as Kiss, Ozzy Osbourne, Aerosmith, Megadeth and Motörhead.
    [Show full text]