FILM GEEK Is No Advertising Exception

Total Page:16

File Type:pdf, Size:1020Kb

FILM GEEK Is No Advertising Exception F IL M G EEK CAUSE LIFE'S TOO SHORT FOR MAINSTREAM MOVIES Articles and reviews of plenty of strange flix with enough mindless drivel to drive you insane ISSUE 5 SPRING 2001 1 LOUSY BUCK The W hizzbanger Guide To Z ine Distributors The W orld’s M ost Ex tensiv e List Self-descriptions of 123 distributors from 26 countries. Also Includes zine stores, zine libraries, zine archives, dozens of zine-friendly web sites, a list of dependable reviewers, and many other valuable zine resources. $4.00 US Cash. Postage Paid for USA, M exico, and Canada only. Foreign orders, please add two dollars for postage. No Foreign Currency. No Trades. Prisoners Pay In Stamps. Shannon Colebank The Whizzbanger Guide POB 5591 Portland 0R 97228 USA 2 Publisher I know who you are and I know what you did... or didn't do. You didn't contact us after Alan Fare reading this fanzine! Fare-To-Say Publishing W e are alw ays looking for correspondence with you! Tell us w hat you think, or better Editor In Chief yet send us an article. If you w ant to Alan Fare advertise you'd be amazed at our cheap ra tes! Layout/dcsign W e put this rag out not to make money, but Alan Fare to share the word of bizarre cinema. In a Jason Christopher world of cold and sterile unoriginal movies we strive to explore the vast regions of cinematic creativity. W e are a group who long to for Art Dept. Jason Christopher the days of renegade film making and still Jason Franklin find solace in the efforts of the few who step out of line and do it their own way. W e hope Writers you will find something interesting within Alan Fare these pages, or better yet will find a piece of Robert Freese your past you had forgotten. David Raisman Everyone has a favorite movie from their past, and the staff at FILM GEEK is no Advertising exception. W e w ant to hear YOUR ideas! Alan Fare Tell us w hat you would like to see in this rag! William Worrell It's your input that keeps this thing going. To all you old timers, thank you for your Mascot support. To all you new comers, welcome Dorian T. Cat aboard! Now grab yourself some popcorn and a soda 'cause the show's about to begin! All contents © 2001 Fare- To-Say publishing The Editor The views expressed in this fanzine are those of their respective writer and not necessarily those of this publication... unless you agree, then yes they are. No part of this publication may be reproduced in whole or part without prior written consent (or you can keep us from finding out). Unsolicited submissions will be considered for publication, but you must supply return postage if you want your stuff back. Otherwise it will probably end up in my closet. This publication is not responsible for any monies lost to shady advertisements, but we try to deal only with advertisers we personally trade with or have not heard any complaints about. If you have any complaints about a company or individual advertising in FILM GEEK, tell us. We will do what we can to resolve the problem. 3 M indless Editorial D rivel Welcome to another late(!) great(?) its. I’ve begun the first stages of issue of FILM GEEK. I'll bid my writing my first book. If you couldn't apologies now to all I haven't already guess what it will be about, it's going for this issue being so late. I've set up to document... low budget movies! shop in my own house to do all the I'm not going public with the exact layout for this and future issues, so it genre just yet, but it's not that hard to should be more on schedule from figure out. If you need a hint, THE here on out. WHO summed it up in their song I really haven't had too much time "MY GENERATION". I've just got­ to seek out all the movies you all ten such an incredible influx of have suggested, but l'm still trying to people in my age range talking (or get caught up! Be patient and maybe asking) about these movies we all some day I'll get back to you and tell hold so dear. Hey, why not write a you what I thought. book about it! As you may notice, I now have I've always told myself "when I writers and artists on my staff! If you grow up I want to be like those would like to become a writer or an writers in all those books I read". artist for FILM GEEK, get ahold of Now, after years of writing nonsen- me! I'm really easy to deal with sical dreck for go-nowhere publica- unless you want to get paid, that tions, my dreams are finally being won't happen until I recoup all the realized! And the best part is I still money I've lost from this rag! So just haven't grown up! Many of the like the old joke- What do writers, people that were my mentors are now artists, and dead skin all have in my friends, and we are all just kids at common? They all come off as heart. We understand the importance flakes- the check is in the mail! At of simple pleasures and unbridled least you get to see your work pub- laughter because what a dreary life lished, isn't that enough? we would have without it. I must say I'm glad I started FILM I remember as a small child how the GEEK when I did because if I'd world and all of it's problems seemed waited until now I never would have to melt away as I would wrap myself gotten started. I've finally become in the stories I saw on the screen. I something I thought I never would- a could be anything, do anything, but productive member of society! Yes best of all I was there to witness the it's true, I seem to have become spectacle of cinematic achievement! "indispensable" at my job. At least I No matter how bad the critics said feel that way lately. I've only been at these films were, I saw hearts and my current job for five years, h alf as souls poured onto the silver screen! long as my last job. but now I have Sure, there were the money grubbers, more responsability at work than I but there were also fresh new ideas ever have before. Now don't think that we just don't see today! It's been that just 'cause I'm a slave to THE a long hard road, but it was my MAN I'm gonna give up this rag, it's chosen path. And yes, Mr. Clements, the only thing that keeps me sane(?). the old bastard learned a lot in those Just to let you know that my habit formative years!!! Now on with the of over-extending myself has no lim- show this is it! Alan Fare 4 WHO IS THIS FILM GEEK ANYWAY? This is an interview with Alan there who still make decent flicks, Fare, the editor of FILM GEEK. but they rarely ever reach a wide The interview was conducted by audience because the market is satu- the F.G. mascot, Dorian. rated with new "big budget" dreck. F.G. So what's the concept behind F.G. So you're saying that money has FILM GEEK, what are you trying to destroyed the movie industry? accomplish? A.F. Well not exactly, what I'm say- A.F. What do you think, I'm like ing is that all the money in the world Larry Flynt or something? I put out a can't save an unimaginative or over- crappy little fanzine about weird played story and all the lack of funds movies! There's no "concept", it's just and/or opportunity can't stop a truly my way of sharing my views with gifted "artist" from creating some­ others. thing great. F.G. O.K., what are your goals for I think the public-at-large is more FILM GEEK? responsible than anyone else because only they have the power to choose A.F. Man. Barbara Walters could do what they want to watch. Hell, I've a better job than you... My goals are shown die-hard "BIG BUDGET- to make people realize that there's ERS" super low budget flicks that more to life than what today's media have blown their minds! So many would have you believe. People are young people now have led such always waiting for the "next big spoon-fed insular lives that they have thing" in movies when there are tons no idea what lies beyond the scope of of flicks out there FAR better than main stream media. It's really kind of what they are making today that sad. most people haven't ever seen! F.G. So you're kind o f a disciple o f F.G. So you're saying that old mov­ B-movies? ies are better than new movies? A.F. I certainly hope not! I'm a fan A.F. Let me just say that writers and of original movies. Everything now directors have run out of fresh ideas is so predictable, when I watch new and have so many ways to to get releases I know what is going to around decent story lines with state- happen.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • The Life Artistic: July / August 2016 Wes Anderson + Mark Mothersbaugh
    11610 EUCLID AEUE, CLEELAD, 44106 THE LIFE ARTISTIC: JULY / AUGUST 2016 WES ANDERSON + MARK MOTHERSBAUGH July and August 2016 programming has been generously sponsored by TE LIFE AUATIC ... AUATIC TE LIFE 4 FILMS! ALL 35MM PRINTS! JULY 7-29, 2016 THE CLEVELAND INSTITUTE OF ART CINEMATHEQUE 11610 EUCLID AVENUE, UNIVERSITY CIRCLE, CLEVELAND OHIO 44106 The Cleveland Institute of Art Cinematheque is Cleveland’s alternative film theater. Founded in 1986, the Cinematheque presents movies in CIA’s Peter B. Lewis Theater at 11610 Euclid Avenue in the Uptown district of University Circle. This new, 300-seat theater is equipped with a 4K digital cinema projector, two 35mm film projectors, and 7.1 Dolby Digital sound. Free, lighted parking for filmgoers is currently available in two CIA lots located off E. 117th Street: Lot 73 and the Annex Lot. (Those requiring disability park- ing should use Lot 73.) Enter the building through Entrance C (which faces E. 117th) or Entrance E (which faces E. 115th). Unless noted, admission to each screening is $10; Cinematheque members, CIA and Cleveland State University I.D. holders, and those age 25 & under $7. A second film on LOCATION OF THE the same day generally costs $7. For further information, visit PETER B. LEWIS THEATER (PBL) cia.edu/cinematheque, call (216) 421-7450, or send an email BLACK IL to [email protected]. Smoking is not permitted in the Institute. TH EACH FILM $10 • MEMBERS, CIA, AGE 25 & UNDER $7 • ADDITIONAL FILM ON SAME DAY $7 OUR 30 ANNIVERSARY! FREE LIGHTED PARKING • TEL 216.421.7450 • CIA.EDU/CINEMATHEQUE BLOOD SIMPLE TIKKU INGTON TE LIFE ATISTIC: C I N E M A T A L K ES ADES AK TESBAU ul 72 (4 lms) obody creates cinematic universes like es Anderson.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Gays Protest Mercury Over Editorial Policy
    PZ SPARTAN DAILY 1) Vol. 98, No. 15 Published for San lose State University since 1934 Friday, February 14, 1992 Gays protest Mercury over editorial policy By John Perez official form and when we sent it into them, She would not comment further on the pol- received their answer. GLAAD. Daily staff writer they originally said nothing, only that it would icy. "(Tony) Ridder wrote back to us and said "The subject had to be let go because of our High noon, the time of gun-fights, will be be at their discretion whether they would run "After being turned down by Ann, we asked that the company doesn't interfere in the edito- lack of resources but it was brought back to the time for a shoot-out between GLAAD the picture with it or not. for her superior and she referred us to the pub- rial decisions of their local papers and that we our attention later on." (Gay Lesbian Alliance Against Defamation) "After hearing nothing for a while, we lisher of the paper, Larry links," Bonine said. would have to talk to the publisher of the "We went through the same steps that Mark and the San Jose Mercury News. received a letter from the Mercury saying that The response from links was the same. Mercury News, Larry links." Bonine said. and Scott went through and got the smite A protest will be held today in front of the our request to have the announcement printed "Jinks said in his letter that the Mercury "I have never talked to the press before," answer.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Brevard Live Live March 2020
    Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral.
    [Show full text]
  • Lee Ving in Shock Cinema
    Page 8 SHOCK CINEMA As founder and lead singer of FEAR, Lee fool.You don't believe me, lay down and measure. were chasing me and I found a place to hide inan Ving was the roaring voice of the west coast punk (laughs) old world Swiss looking street, just down the hill movement of the '70s and early '80s. FEAR cut SHOCK CINEMA: (laughs) from the Bates house of PSYCHO fame, I began thru a sea of mumbling, wrist cutting, overdosing, Ving: Shock Cinema. Now is that like Shock to have a feeling of Deja Vu, of having been there musically challenged bands with an in-your-face, Theater back in Philadelphia? Growing up I had before but knew I never had. More than twenty get-out-of-my-way, 1,2,3,4 sonic wall, that sounds John Zacharly as Roland every Friday-Saturday years later while watching FRANKENSTEIN on as fresh today as it did back then. FEAR still sells night. late night TV, I realized, that was where I knew out clubs in New York, Chicago, Miami, Boston, that street from on that day at Universal. It was Philadelphia, Seattle, Austin, Dallas, Denver, and SC: So you loved movies from an early age? the street in the little Swiss-Austrian town where the Sunset Strip, with a seemingly ageless and What kind of films did you like growing up? Baron Frankenstein lived and was preparing for endless string of 15-18 year old fans still lining up What kind of films do you like now? his son's wedding.
    [Show full text]
  • It's Jerry's Birthday Chatham County Line
    K k JULY 2014 VOL. 26 #7 H WOWHALL.ORG KWOW HALL NOTESK g k IT’S JERRY’S BIRTHDAY On Friday, August 1, KLCC and Dead Air present an evening to celebrate Jerry Garcia featuring two full sets by the Garcia Birthday Band. Jerry Garcia, famed lead guitarist, songwriter and singer for The Grateful Dead and the Jerry Garcia Band, among others, was born on August 1, 1941 in San Francisco, CA. Dead.net has this to say: “As lead guitarist in a rock environment, Jerry Garcia naturally got a lot of attention. But it was his warm, charismatic personality that earned him the affection of millions of Dead Heads. He picked up the guitar at the age of 15, played a little ‘50s rock and roll, then moved into the folk acoustic guitar era before becoming a bluegrass banjo player. Impressed by The Beatles and Stones, he and his friends formed a rock band called the Warlocks in late 1964 and debuted in 1965. As the band evolved from being blues-oriented to psychedelic/experi- mental to adding country and folk influences, his guitar stayed out front. His songwriting partnership with Robert Hunter led to many of the band’s most memorable songs, including “Dark Star”, “Uncle John’s Band” and the group’s only Top 10 hit, “Touch of Grey”. Over the years he was married three times and fathered four daughters. He died of a heart attack CHATHAM COUNTY LINE in 1995.” On Sunday, July 27, the Community Tightrope also marks a return to Sound Fans have kept the spirit of Jerry Garcia alive in their hearts, and have spread the spirit Center for the Performing Arts proudly wel- Pure Studios in Durham, NC, where the and the music to new generations.
    [Show full text]
  • Trans-Femme Portraits at the Dawn of the Sexual Revolution Program Curated by Dirty Looks’ Bradford Nordeen
    Joseph Horning: Valerie (1975). Still courtesy of the curator. FILM AT REDCAT PRESENTS Mon May 3 | 8:00 PM | ONLINE Jack H. Skirball Series $10 [members $8] For tickets, please visit: The Girl Can’t Help It The Girl Can’t Help It: Trans-Femme Portraits at the Dawn of the Sexual Revolution Program curated by Dirty Looks’ Bradford Nordeen A platform for queer film, video, and performance founded in 2011 by CalArts alum, writer/curator Bradford Nordeen, Dirty Looks has dug deep into documents of trans history to assemble a program of archival drag and trans portrait films that spool from experimental cinema of the 1970s, activist video, and nightclub documents. Spanning decades of production, illuminating (lost?) queer histories and liminal spaces across America, The Girl Can’t Help It screens poignant testimonials and early rhetorics of trans- femme ideation. The centerpiece of the program, Joseph Horning’s short film Valerie, has not been screened publicly since its inclusion in the 24th Ann Arbor Film Festival in 1975. This program is not geoblocked. Ticket holders will have 72 hours to view the program once the screening has started. Program contains discussions of early gender reassignment surgeries, details of police persecution and some brief nudity. In person via Zoom: filmmaker Susan Milano; other filmmakers TBC; curator Bradford Nordeen “…a reminder of just how radical queer love, lust, and visibility can be.” - Hyperallergic “In our gay-marriage era, it’s reassuring to know spaces like those fostered by Dirty Looks can be a forum for queerer politics to make a comeback.” – Artforum The Program Joseph Horning Valerie, 16 min., 1975 This stunning, verité portrait of a Black transgender sex-worker living as a housewife in Ohio is a remarkable time capsule and a testament to a life of perseverance.
    [Show full text]
  • Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
    BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
    [Show full text]
  • The Genre Formerly Known As Punk: a Queer Person of Color's Perspective on the Scene Shane M
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene Shane M. Zackery Scripps College Recommended Citation Zackery, Shane M., "The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene" (2014). Scripps Senior Theses. 334. http://scholarship.claremont.edu/scripps_theses/334 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Shane Zackery Scripps College Claremont CA, 91711 1 THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Abstract This video is a visual representation of the frustrations that I suffered from when I, a queer, gender non-conforming, person of color, went to “pasty normals” (a term defined by Jose Esteban Munoz to describe normative, non-exotic individuals) to get a definition of what Punk meant and where I fit into it. In this video, I personify the Punk music movement. Through my actions, I depart from the grainy, low-quality, amateur aesthetics of the Punk film and music genres and create a new world where the Queer Person of Color defines Punk. In the piece, Punk definitively says, “Don’t try to define me. Shut up and leave me to rest.” 2 1 Conceptualization My project will be an experimental performance video that incorporates monologues, performances, visual sound elements, and still and moving images.
    [Show full text]
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His
    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
    [Show full text]