DOCSLIB.ORG

Senseless Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Senseless Free FREE SENSELESS PDF Mary Burton | 416 pages | 01 Jan 2011 | Kensington Publishing | 9781420110197 | English | New York, United States Senseless - Wikipedia See more words from the same year Thesaurus Entries near senseless sense sensed senseful senseless senselessly senselessness senses. Accessed 21 Oct. Senseless from Merriam-Webster on senseless Dictionary: Definition of senseless Nglish: Senseless of senseless for Spanish Speakers Comments on senseless What made you want to look up senseless? Senseless tell us where you read or heard it including the quote, if possible. Test Your Knowledge - and learn some interesting things along the way. Subscribe Senseless America's largest dictionary and get Senseless more definitions and advanced search—ad free! Whereas 'coronary' is Senseless so much Put It in the 'Frunk' You can never have too much storage. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' or 'Nip it in the bud'? We're gonna stop you right there Literally How to use a word that literally drives some pe Is Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do Senseless know Senseless person or title these quotes desc Login or Register. Thesaurus senseless adjective. Save Word. Keep scrolling for more. Learn More about senseless. Senseless senseless Post more words for senseless to Facebook Share more words for senseless on Senseless. Time Traveler for senseless The first known use of senseless was circa See more words from the same year. Thesaurus Entries near senseless sense sensed senseful senseless senselessly senselessness senses See More Senseless Entries. Comments on Senseless What made you want to look up senseless? Get Word of the Day daily email! Test Your Vocabulary. Love words? Need even more definitions? The awkward case of 'his or her'. Take the quiz Forms of Government Quiz Name that government! Take the quiz Senseless It Can you spell these 10 commonly misspelled words? Take the quiz Citation Do you know the person or title these quotes desc Play the game. Senseless | Definition of Senseless by Merriam-Webster Darryl Witherspoon Marlon Wayans is a college economics student, who Senseless not have the advantages of his wealthy nemesis, Scott Thorpe David Spade Senseless, or his best Senseless Tim LaFlour Matthew Lillardstraight edge punk rocker who has a hockey Senseless. Darryl is so broke he donates four pints of blood in Senseless day playing a different character each time and four vials of sperm in one day. Darryl's big break comes when he enters a competition, where the winner gets a high-paying Wall Senseless job. But when Scott enters the competition, it seems Darryl's break Senseless gone down the drain. He takes on a high-paying experiment to test Senseless drug that enhances the five senses. Darryl uses it to his advantage and he impresses the competition's supervisor, Mr. Tyson Rip Torn and he even joins Senseless hockey team as a goalie. But after taking an extra dose one night, he experiences side effects. The experiment's supervisor, Dr. Thomas Wheedon Brad Douriftells Darryl only four of his senses will work at Senseless time until the drug leaves his body. As Darryl struggles, Tim thinks that his friend is on heroin and gets worried about him. Darryl's luck then starts going down the drain as he loses the hockey game because his sense of sight is lost. He also mistakenly confesses love to his girlfriend's father who he thinks is his girlfriend as his sense of sight is lost. Her father turns out Senseless be Mr. He also acts very clumsily because of the loss of the ability to feel during the basketball game he is invited to see with a client who needs to be impressed in order for Darryl to score some points Senseless the Smythe-Bates guys. Luckily, the client thinks Darryl is just funny Senseless signs a contract with Senseless company. As the story progresses, Darryl Senseless his Senseless Tim to help him study for the next day's interview. At that exact Senseless, Scott studies for the test with the aid of Senseless rich father's employees. Scott is shown to answer Senseless question correctly but he does not know the reason behind it, he ignores the question. The next day, the drug leaves Darryl's system Senseless now all his five senses operate normally. During the interview, it comes down to Darryl and Scott, Scott is asked the same question Senseless was asked last night, he answers it correctly, but when asked the reason, he does not know, Darryl steps in, gives the correct reason and scores the position of junior analyst at Smythe-Bates. But in his speech, he confesses that he cheated by taking an experimental drug. A meeting is called to decide his fate and Mr. Tyson tells him that he himself started out in the mail room and Darryl should too, if he serves one year duty in the mail room, he will score the position of junior analyst. Senseless story skips a year and Darryl is shown to ask his mom to move into a deluxe Senseless. The movie ends with Darryl entering the Smythe-Bates building on his Senseless day, with a familiar-looking doorman Senseless Hemsley. The film received negative reviews. From Wikipedia, the free encyclopedia. For Senseless uses, see Senseless Senseless. Theatrical release poster. Release date. Senseless time. Busch Retrieved Films directed Senseless Penelope Spheeris. Categories : films English-language films s romantic Senseless films American romantic comedy films American Senseless Films directed by Penelope Spheeris American independent films Dimension Senseless films Mandeville Films films African-American films Films produced by Don Carmody comedy films. Hidden categories: Articles with short Senseless Short description is different from Wikidata Template film date with Senseless release date All articles with Senseless statements Articles with Senseless statements from Senseless Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable Senseless. Senseless Synonyms, Senseless Antonyms | Senseless bureaucracy is part of what spawned the Tea Party. The plot was a string of anecdotes from the senseless shootings of friends that Brinsley knew. It reflects both the anger provoked by the senseless violence two days earlier, and the growing confidence of the opposition. Moral clarity would dictate that civil-rights and other civic leaders would speak out against such a senseless act of violence. The most senseless corruptions Senseless text occur often, and it seems extraordinary how they may be Senseless. It is only a little child that will strike the senseless thing that hurts it. I can remember —the foolish, senseless Senseless, "We are Senseless A stream of blood gushed from mouth and nostril, and he lay stunned and senseless where he fell. Under a mass of wreckage on the floor lay George Walden, senselessand with the blood flowing from a wound in Senseless temple. See how Senseless words from the week of Oct 12—18, you get right! Words nearby Senseless senseSense and Sensibilitysense datumsensefulsenseisenseless Senseless, sense of equilibriumsense organsense perceptionsensisensibilia. Senseless related to senseless ludicrousstupidillogicalinsignificantincongruousunreasonableridiculousabsurdSenselesspointlessirrationalasininebattycrazydaftdouble SenselessSenselessflakyfoolishidiotic. Criminal Psychology Hans Gross. Corleone F. Marion Crawford. Derived forms of senseless senselesslyadverb senselessnessnoun. Do You Know This Word? Try Now..
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • The Life Artistic: July / August 2016 Wes Anderson + Mark Mothersbaugh
    11610 EUCLID AEUE, CLEELAD, 44106 THE LIFE ARTISTIC: JULY / AUGUST 2016 WES ANDERSON + MARK MOTHERSBAUGH July and August 2016 programming has been generously sponsored by TE LIFE AUATIC ... AUATIC TE LIFE 4 FILMS! ALL 35MM PRINTS! JULY 7-29, 2016 THE CLEVELAND INSTITUTE OF ART CINEMATHEQUE 11610 EUCLID AVENUE, UNIVERSITY CIRCLE, CLEVELAND OHIO 44106 The Cleveland Institute of Art Cinematheque is Cleveland’s alternative film theater. Founded in 1986, the Cinematheque presents movies in CIA’s Peter B. Lewis Theater at 11610 Euclid Avenue in the Uptown district of University Circle. This new, 300-seat theater is equipped with a 4K digital cinema projector, two 35mm film projectors, and 7.1 Dolby Digital sound. Free, lighted parking for filmgoers is currently available in two CIA lots located off E. 117th Street: Lot 73 and the Annex Lot. (Those requiring disability park- ing should use Lot 73.) Enter the building through Entrance C (which faces E. 117th) or Entrance E (which faces E. 115th). Unless noted, admission to each screening is $10; Cinematheque members, CIA and Cleveland State University I.D. holders, and those age 25 & under $7. A second film on LOCATION OF THE the same day generally costs $7. For further information, visit PETER B. LEWIS THEATER (PBL) cia.edu/cinematheque, call (216) 421-7450, or send an email BLACK IL to [email protected]. Smoking is not permitted in the Institute. TH EACH FILM $10 • MEMBERS, CIA, AGE 25 & UNDER $7 • ADDITIONAL FILM ON SAME DAY $7 OUR 30 ANNIVERSARY! FREE LIGHTED PARKING • TEL 216.421.7450 • CIA.EDU/CINEMATHEQUE BLOOD SIMPLE TIKKU INGTON TE LIFE ATISTIC: C I N E M A T A L K ES ADES AK TESBAU ul 72 (4 lms) obody creates cinematic universes like es Anderson.
    [Show full text]
  • Gays Protest Mercury Over Editorial Policy
    PZ SPARTAN DAILY 1) Vol. 98, No. 15 Published for San lose State University since 1934 Friday, February 14, 1992 Gays protest Mercury over editorial policy By John Perez official form and when we sent it into them, She would not comment further on the pol- received their answer. GLAAD. Daily staff writer they originally said nothing, only that it would icy. "(Tony) Ridder wrote back to us and said "The subject had to be let go because of our High noon, the time of gun-fights, will be be at their discretion whether they would run "After being turned down by Ann, we asked that the company doesn't interfere in the edito- lack of resources but it was brought back to the time for a shoot-out between GLAAD the picture with it or not. for her superior and she referred us to the pub- rial decisions of their local papers and that we our attention later on." (Gay Lesbian Alliance Against Defamation) "After hearing nothing for a while, we lisher of the paper, Larry links," Bonine said. would have to talk to the publisher of the "We went through the same steps that Mark and the San Jose Mercury News. received a letter from the Mercury saying that The response from links was the same. Mercury News, Larry links." Bonine said. and Scott went through and got the smite A protest will be held today in front of the our request to have the announcement printed "Jinks said in his letter that the Mercury "I have never talked to the press before," answer.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Trans-Femme Portraits at the Dawn of the Sexual Revolution Program Curated by Dirty Looks’ Bradford Nordeen
    Joseph Horning: Valerie (1975). Still courtesy of the curator. FILM AT REDCAT PRESENTS Mon May 3 | 8:00 PM | ONLINE Jack H. Skirball Series $10 [members $8] For tickets, please visit: The Girl Can’t Help It The Girl Can’t Help It: Trans-Femme Portraits at the Dawn of the Sexual Revolution Program curated by Dirty Looks’ Bradford Nordeen A platform for queer film, video, and performance founded in 2011 by CalArts alum, writer/curator Bradford Nordeen, Dirty Looks has dug deep into documents of trans history to assemble a program of archival drag and trans portrait films that spool from experimental cinema of the 1970s, activist video, and nightclub documents. Spanning decades of production, illuminating (lost?) queer histories and liminal spaces across America, The Girl Can’t Help It screens poignant testimonials and early rhetorics of trans- femme ideation. The centerpiece of the program, Joseph Horning’s short film Valerie, has not been screened publicly since its inclusion in the 24th Ann Arbor Film Festival in 1975. This program is not geoblocked. Ticket holders will have 72 hours to view the program once the screening has started. Program contains discussions of early gender reassignment surgeries, details of police persecution and some brief nudity. In person via Zoom: filmmaker Susan Milano; other filmmakers TBC; curator Bradford Nordeen “…a reminder of just how radical queer love, lust, and visibility can be.” - Hyperallergic “In our gay-marriage era, it’s reassuring to know spaces like those fostered by Dirty Looks can be a forum for queerer politics to make a comeback.” – Artforum The Program Joseph Horning Valerie, 16 min., 1975 This stunning, verité portrait of a Black transgender sex-worker living as a housewife in Ohio is a remarkable time capsule and a testament to a life of perseverance.
    [Show full text]
  • Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
    BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
    [Show full text]
  • The Genre Formerly Known As Punk: a Queer Person of Color's Perspective on the Scene Shane M
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene Shane M. Zackery Scripps College Recommended Citation Zackery, Shane M., "The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene" (2014). Scripps Senior Theses. 334. http://scholarship.claremont.edu/scripps_theses/334 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Shane Zackery Scripps College Claremont CA, 91711 1 THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Abstract This video is a visual representation of the frustrations that I suffered from when I, a queer, gender non-conforming, person of color, went to “pasty normals” (a term defined by Jose Esteban Munoz to describe normative, non-exotic individuals) to get a definition of what Punk meant and where I fit into it. In this video, I personify the Punk music movement. Through my actions, I depart from the grainy, low-quality, amateur aesthetics of the Punk film and music genres and create a new world where the Queer Person of Color defines Punk. In the piece, Punk definitively says, “Don’t try to define me. Shut up and leave me to rest.” 2 1 Conceptualization My project will be an experimental performance video that incorporates monologues, performances, visual sound elements, and still and moving images.
    [Show full text]
  • Loft Film Fest Staff SUPPORTING SPONSORS
    THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest FULL SCHEDULE LFF 12-13 2018 Loft Film Fest Sponsors SHORT FILM PROGRAMS LFF 18-19 IN COMPETITION LFF 20-22 TITLE SPONSORS Get your Tickets FILM FESTIVAL PASS General: $150 Loft Members: $125 FILMS General: $10 Loft Members: $8 PRESENTING SPONSORS OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 CONTACT [email protected] (520) 795-0844 Loft Film Fest Staff SUPPORTING SPONSORS FESTIVAL EXECUTIVE DIRECTOR Peggy Johnson FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS PROGRAM SPONSORS Aurélie Gomes, Sarah Gonzales, Debi Chess Mabie, Maggie Mackay, Mike Plante, Ernie Quiroz, Nikki Sanchez FINANCE DIRECTOR Jonathan Kleefeld ART DIRECTORS Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld FILM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Daniela Ontiveros DIRECTOR OF THEATRE OPERATIONS Jason Denholm ASSISTANT MANAGERS IN-KIND DONATIONS Blaine Austin, Ray Borboa, Becky Hall, Pedro Arizona Inn, Cafe Desta, A Priori Distribution, Tumerico, AZ Daily Robles-Hill, Brenda Rodriguez, A.J. Simon Star, Tucson Tamales THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest LFF 04 The Lofty Achievement Award The Loft Film Fest is awarding 2 Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have The Loft Film Fest was proud to receive a $20,000 Art significantly contributed to the world of cinema, and Works grant from the National Endowment for the Arts for who continues to inspire, entertain and enlighten our 2018 edition – the only film festival in Arizona to receive audiences.
    [Show full text]
  • Ann Trulove STANDARD
    ANN TRULOVE – Assistant Editor Mobile: 213-200-0884 / E-mail: [email protected] - “ TAKE MY WIFE” (Assistant – Scripted Series) Seeso/NBC – Producer: Erica Kraus - Editor: Liza Cadinale - “ANGIE TRIBECA" (Assistant – Scripted Series) Turner – Associate Producer: Jordan Katnik - “THE MINDY PROJECT" (Assistant – Scripted Series) Hulu – Post Production Supervisor: Josef Winhoffer - “CODE BLACK" (Assistant – Scripted Series) ABC – Editor: Steve Polivka – Associate Producer: O’Shea Read - “LIFE AT THESE SPEEDS" (Assistant – Feature) Life at These Speeds, LLC – Editor: Tamara Meem – Director: Leif Tilden - "BUS 657" (Assistant – Feature) Emmett/Furla Films – Editor: Robert Dalva – Director: Scott Mann - "ONE CHRISTMAS EVE" (Assistant – TV Movie) Hallmark Hall Of Fame – Editor: Scott Smith – Director: Jay Russell - "BADGE OF HONOR" (Assistant – Feature) Hollywood Media Bridge – Editor: Scott Smith – Director: Augustin - "THE GOLDBERGS" (Assistant – Scripted Series) Fox Television – Post Production Supervisor: Erin Braun - "ENLISTED" (Assistant – Pilot) Fox Television – Editor: Hugh Ross - Associate Producer: Aaron Lovell - "1600 PENN" (Assistant - Scripted Series) Fox Television – Editors: Ivan Victor and Arge O’ Neal – Associate Producer: Erin Scotto - "SERIAL KILLER EARTH" (Assistant - Reality Series) Pilgrim Studios – Post Production Supervisor: Chris Arundel - "THE PLAYBOY CLUB" (Assistant - Scripted Series) Fox Television – Editors: Scott Richter, Elena Maganini, Nicholas Erasmus – Mark Mitchell - "TRAFFIC LIGHT" (Assistant - Scripted
    [Show full text]
  • Los Angeles and Cinema
    Los Angeles and Cinema Drive (Nicolas Winding Refn, 2011) Instructor: Dr. John Trafton FILM 3910 Office Hours: Mon and Wed, 12p.m. – 4 p.m. SPRING 2017 E-mail: [email protected] TTH 3:45-5:40 Office: Xavier 160 Admin 326 Description It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. The earliest film pioneers migrated to Southern California in the early twentieth century to take advantage of ideal shooting conditions—over 300 days of sunshine a year—and to evade patent enforcement from the Edison Studios. One of the first Hollywood studios, The Nestor Film Company, was established at a tavern, ironically placed in the eastern part of a town that was founded as a dry community: Hollywood. Slapstick comedy filmmaker Mack Sennett set up his Keystone Studios in the appropriately named Edendale, a now defunct city situated south of the Los Angeles Dodgers’ Stadium. Later, a group of German-Austrian immigrants would establish a community in Pacific Palisades (now the home of Steven Spielberg) where they would critique what they saw as “the culture industry.” The indecipherable nature of the city would give rise to a series of crime films and psychological thrillers that French film critics would later dub “Film Noir.” By the end of the century, natural disasters, punk rock music, ethnic enclaves, and star culture would contribute to what today we can call “Los Angeles Cinema.” This course will look at the history of Los Angeles Cinema and the complex relationship that American film has had with its host city throughout film history.
    [Show full text]
  • CAST Alexandra Emerson
    TAGLINE The most dangerous weapon is you. SYNOPSIS In this immersive 360 degree first-person POV VR film, the viewer is dropped into a visceral, action-packed 3D cinematic experience we are used to seeing in movie theaters, only this time YOU are the action hero. CIA Operative David Emerson awakens to find himself a subject of an experimental program with his body under complete remote control of the imperious General (Tony Denison). With the aid of a rogue operative Alexandra (Lyndsy Fonseca), David has to retake charge of own actions and fight his way through the top security facility inside the most complex live-action VR film ever made. RT 15 min / Color / 3D / Live Action VR 360 TRAILER CLICK HERE TO WATCH TRAILER (link) CAST LYNDSY FONSECA TONY DENISON as ‘Alexandra Emerson’ as ‘General’ Fonseca was seen in Marvel’s drama, AGENT Award-winning actor Tony Denison made CARTER. She can most recently be seen co- his momentous television debut starring starring in the Amazon pilot, DOWN DOG, which in Michael Mann’s critically acclaimed was directed by Brad Silberling. drama Crime Story as Ray Luca. He was On the big screen, Fonseca recently starred in named TIME Magazine’s ‘Television’s The Escort opposite Tommy Dewey. She also Best Villain of the Decade.’ starred in Hot Tub Time Machine opposite John Cusack, Kate Walsh and Chevy Chase, starred in He joined the cast of The Closer, starring Kick Ass 2 and was the lead in John Carpenter’s Kyra Sedgwick, as Det. Andy Flynn in thriller, The Ward, opposite Amber Heard, Danielle 2005, which quickly became TNT’s # 1 Panabaker and Mamie Gummer.
    [Show full text]
  • Film Calendar April 7 - June 8, 2017
    FILM CALENDAR APRIL 7 - JUNE 8, 2017 DAVID LYNCH: THE ART LIFE, opening May 5 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 YOUR NAME. EASTER WITH DAVID LYNCH: TERRENCE DAVIES’ PALME D’OR WINNER OPENS APRIL 7 WILLY WONKA A COMPLETE A QUIET PASSION I, DANIEL BLAKE APRIL 15 AT 2PM RETROSPECTIVE OPENS MAY 19 OPENS JUNE 2 APRIL 27-MAY 4 Welcome TO THE MUSIC BOX THEATRE! FEATURE PRESENTATIONS 5 YOUR NAME. OPENS APRIL 7 5 IN SEARCH OF ISRAELI CUISINE OPENS APRIL 7 8 DONNIE DARKO: 15TH ANNIVERSARY OPENS APRIL 21 10 KIZUMONOGATARI PART 3: REIKETSU APRIL 29 & 30 10 DAVID LYNCH: THE ART LIFE OPENS MAY 5 11 MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA OPENS MAY 5 14 A QUIET PASSION OPENS MAY 19 14 OBIT. OPENS MAY 19 15 MANHATTAN OPENS MAY 26 15 SOLARIS & STALKER: NEW 4K RESTORATIONS OPENS MAY 26 18 I, DANIEL BLAKE OPENS JUNE 2 20 COMMENTARY SERIES 22 CLASSIC MATINEES 24 CINEMA SCIENCE 24 CHICAGO FILM SOCIETY 25 SILENT CINEMA 26 IS IT STILL FUNNY? 27 EXHIBITION ON SCREEN 28 FROM STAGE TO SCREEN 30 MIDNIGHTS SPECIAL EVENTS 6 WIN IT ALL APRIL 8 6 WINGS WITH THE PRIMA VISTA QUARTET APRIL 9 7 TOM VERDUCCI & THEO EPSTEIN TALK APRIL 11 7 HUMP! FILM FESTIVAL APRIL 14 & 15 8 EASTER WEEKEND WITH WILLY WONKA APRIL 15 9 SOUND OF SILENT FILM FESTIVAL APRIL 22 9 DAVID LYNCH: A COMPLETE RETROSPECTIVE APRIL 27-MAY 4 11 CINEYOUTH FESTIVAL MAY 4-6 12 SOUND OPINIONS PRESENTS WAYNE’S WORLD MAY 10 12 MOTHER’S DAY MAMMA MIA MAY 14 13 THE CHICAGO CRITICS FILM FESTIVAL MAY 12-18 16 4TH ANNUAL 26TH ANNUAL COMEDY FESTIVAL MAY 31 & JUNE 1 18 DEPAUL PREMIERE FILM FESTIVAL JUNE 2 19 THE 2ND ANNUAL NY DOG FILM FESTIVAL JUNE 4 Brian Andreotti, Director of Programming VOLUME 35 ISSUE 143 Ryan Oestreich, General Manager Copyright 2017 Southport Music Box Corp.
    [Show full text]