Higher Education in the Brave New World
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ألبوù… (الألبوù…ات & الجØ
Lee Konitz ألبوم قائمة (الألبوم ات & الجدول الزمني) Jazz Nocturne https://ar.listvote.com/lists/music/albums/jazz-nocturne-30595290/songs Live at the Half Note https://ar.listvote.com/lists/music/albums/live-at-the-half-note-25096883/songs Lee Konitz with Warne Marsh https://ar.listvote.com/lists/music/albums/lee-konitz-with-warne-marsh-20813610/songs Lee Konitz Meets Jimmy Giuffre https://ar.listvote.com/lists/music/albums/lee-konitz-meets-jimmy-giuffre-3228897/songs Organic-Lee https://ar.listvote.com/lists/music/albums/organic-lee-30642878/songs https://ar.listvote.com/lists/music/albums/lee-konitz-meets-warne-marsh-again- Lee Konitz Meets Warne Marsh Again 28405627/songs Subconscious-Lee https://ar.listvote.com/lists/music/albums/subconscious-lee-7630954/songs https://ar.listvote.com/lists/music/albums/an-image%3A-lee-konitz-with-strings- An Image: Lee Konitz with Strings 24966652/songs Lee Konitz Plays with the Gerry https://ar.listvote.com/lists/music/albums/lee-konitz-plays-with-the-gerry-mulligan- Mulligan Quartet quartet-24078058/songs Anti-Heroes https://ar.listvote.com/lists/music/albums/anti-heroes-28452844/songs Alto Summit https://ar.listvote.com/lists/music/albums/alto-summit-28126595/songs Pyramid https://ar.listvote.com/lists/music/albums/pyramid-28452798/songs Live at Birdland https://ar.listvote.com/lists/music/albums/live-at-birdland-19978246/songs Oleo https://ar.listvote.com/lists/music/albums/oleo-28452776/songs Very Cool https://ar.listvote.com/lists/music/albums/very-cool-25096889/songs -
The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland. -
1Q12 IPG Cable Nets.Xlsm
Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
Announces: the TWILIGHT ZONE Composed by CRAIG SAFAN
Announces: THE TWILIGHT ZONE Composed by CRAIG SAFAN, BASIL POLEDOURIS, WILLIAMS GOLDSTEIN, CHRISTOPHER YOUNG, ELLIOT KAPLAN, ARTHUR KEMPEL, DENNIS McCARTHY, JAC REDFORD, FRED STEINER, and KEN WANNBERG Intrada Special Collection Volume ISC 348 Submitted for your approval, Intrada presents 22 scores from these first two seasons of the mid '80s revival of The Twilight Zone. Featuring an array of talented composers, the scores are bound together by the composers' willingness to chart that middle ground between light and shadow, between science and superstition—a “dimension of sound” that could only have emerged from the Twilight Zone. In conjunction with keyboardist and longtime Dead-associate Merl Saunders, the Grateful Dead collaborated on the main title, which conjures a uniquely creepy vibe, while incorporating Constant’s iconic motif. Additionally, the following episodes are included, moving from purely orchestral to entirely electronic, sporting a myriad of styles reflecting the range of colorful story lines. Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 Main Title” Christopher Young – “A Small Talent for War,” “A Matter of Minutes” Basil Poledouris – “A Message From Charity,” “Monsters!,” “Profile in Silver,” “Song of the Younger World” Kenneth Wannberg – “Still Life” Dennis McCarthy – “Voices in the Earth” Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 End Title” J.A.C. Redford – “What Are Friends For?” Craig Safan – “Dead Woman’s Shoes,” “Wong’s Lost and Found Emporium,” “The Uncle Devil Show,” “Opening Day,” “To See the Invisible Man,” “Tooth and Consequences,” “Teacher’s Aide” Fred Steiner – “A Day in Beaumont” Elliot Kaplan – “The Last Defender of Camelot” Arthur Kempel – “The Elevator” William Goldstein – “Her Pilgrim Soul,” “The Card,” “Time and Teresa Golowitz” From its earliest years, The Twilight Zone has been synonymous with visions of wonderment, weirdness and terror. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Jubilujúca Gizela Veclová Žilinský Festival Mladých
ROČNÍK XXXV 5 2003 29,- SK JUBILUJÚCA GIZELA VECLOVÁ ŽILINSKÝ FESTIVAL MLADÝCH JOZEF PODPROCKÝ JARNÝ FESTIVAL V BUDAPEŠTI LEE KONITZ ISSN 1335-4140 Pedagogická fakulta Univerzity Konštantína Filozofa v Nitre oznamuje učiteľom Základných umelec- kých škôl, že v školskom roku 2003/ 2004 otvára na Katedre hudobnej výcho- vy štvorročné externé magisterské štú- dium študijného odboru učiteľstvo odbor- ných umeleckých predmetov, kde sa pod názvom Hudobná pedagogika skrýva štúdium hry na zvolenom hudob- nom nástroji (spev) a hudobná výchova. Uchádzači, ktorí ukončili konzervatoriál- ne štúdium maturitou alebo absolutóriom, budú prijatí bez prijímacích pohovorov. Uchádzači, ktorí ukončili iný typ strednej školy, musia preukázať znalosti na úrovni maturitného ročníka konzervatória. Prihlášku na štúdium je potrebné odoslať do 15. júla 2003 na adresu školy. Bližšie informácie môžu záujemcovia získať na internetovej stránke www.ukf.sk, alebo na telefónnom čísle 037/6514755-6-7-9. OBSAH Vážení čitatelia, 2 • OSOBNOSTI / UDALOSTI možno aj Vy patríte k tej (percentuálne údajne väčšej) SOSR v Japonsku – str. 3 časti populácie, ktorú si podmanila vášeň zvaná Jubileá P. Bagin – str. 4 zberateľstvo. Je to pokušenie, obsesia, je to svojho G. Veclová – str. 5 druhu fanatizmus, ak ste nedajboh prepadli Poznámky ku koncepcii „ústnej tradície“ – str.6 Hudba (nielen)provokujúca – str. 7 podloženému otroctvu filatelie, značkovej keramike, Pedagogická dvorana – str. 8 porcelánu, alebo olejom určitého autora či obdobia... Zbierala som menej lukratívne komodity. Najskôr, 9 • MINIPROFIL ako dieťa, farebné sklíčka. Úlomky, ktoré (iba) pre Jozef Benci – str. 9 mňa predstavovali neuveriteľnú hodnotu. Po rokoch V Redute bude nami ďalej triasť... – str. 10 som na ne celkom zabudla, až som raz v prítmí zaprášenej povale našla dôverne známe vrecko. -
Arthur C Clarke a Birthday Tribute
4,~(.14, ~ r,.,'4~,_~lA,kt 'l)Atlf" LA-."'''" /.Af ,,._ .. avit/. ~e-.feleff 'li,le-.ee 2 Vector 170 Contents Editorial 3 Front Line Dispatches - Letters (Nuts & Bolts) 6 Arthur C Clarke W elcome to your temporally challenged Vector! This A 75th Birthday Tribute edition has been produced against the kind of deadline 10 Barbed Wire Kisses generally referred to as· impossible· . As a result I'm Magazines reviewed by Maureen Speller sure it will be found to be bristling with fresh urgency and ... well, maybe a few typoes. These of course are a 15 Fun With Senseless Violence perennial problem, believe ii or not we don't do it on by David Langford purpose. Hopefully, things will have stabilised in time for !he next issue, enabling me to spend more time on 20 Shock of the New small matters of perfection. Reviews edited by Chris Amies I have received a large and generally gratifying 28 Insight postbag in response to the last issue. I'm not dumb enough to think that I can please all the people all the Flawed Diamond by Steve Palmer time, thankfully, or I might explode in an effort to satisfy 29 Compass Points everyone's contradictory wishes. Whatever is in the magazine, you can be sure that some will want more of Catie Cary on Henry Treece it and others less. I'm pleased to see that most people 30 Paperback Graffiti are generally happy Vv'ith the new design, and so will now devote my energy to refinements to the layout and continuing to build on the quality of the content. -
1 1 Funding for the Smithsonian Jazz Oral History
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LEE KONITZ NEA Jazz Master (2009) Interviewee: Lee Konitz (b. October 13, 1927, in Chicago, IL) Interviewer: Bill Kirchner with recording engineer Ken Kimery Date: February 14-15, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Kirchner: So it is Valentines Day . Konitz: [singing] Happy W’alentines, Happy W’alentines. Kirchner: . .Two thousand eleven, and we’re in Lee Konitz’s apartment in Manhattan, and I’m Bill Kirchner, and we’re about to begin the oral history with Lee. Konitz: Welcome. Kirchner: Let’s start with the most obvious possible thing. Konitz: I was born at a very early age. Kirchner: Most of us were. Konitz: [chuckles] Kirchner: We have that in common among other things. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Page | 1 Konitz: [chuckles] Kirchner: What was your date of birth? Konitz: October thirteen, nineteen twenty-seven. Kirchner: And for the record, what is your full name? Konitz: “Leon” was my given name and “Lee” has become my second name. The fact is that I had two older brothers and I was supposed to be a girl, and my name was going to be “Leonna”. So I became “Leon” and then after a while my friends called me “Leo”, and then “Lee”, and it’s going to “Le”. When I get to “L” I think I’m leaving town. Kirchner: [Laughs] As I understand it from Andy Hamilton’s book your parents were both born in Europe? Konitz: Yes, my father in Austria, my mother in the Ukraine. -
Monterey Jazz Festival Next Generation Orchestra
March / April 2017 Issue 371 now in our 43rd year jazz &blues report MONTEREY JAZZ FESTIVAL NEXT GENERATION ORCHESTRA March • April 2017 • Issue 371 MONTEREY JAZZ FESTIVAL jazz NEXT GENERATION ORCHESTRA &blues report Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially from our early years back to 1974. 47th Annual Next Generation Jazz Festival Presented by Monterey Jazz Festival Hosts Comments...billwahl@ jazz-blues.com Web www.jazz-blues.com America’s Top Student Jazz Musicians, Copyright © 2017 Jazz & Blues Report March 31-April 2 in Monterey CA No portion of this publication may be re- Monterey, Calif., March 1, 2017; The 47th Annual Next Generation Jazz produced without written permission from Festival Presented by Monterey Jazz Festival takes place March 31- April 2, the publisher. All rights Reserved. 2017 in downtown Monterey. The weekend-long event includes big bands, Founded in Buffalo New York in March of combos, vocal ensembles, and individual musicians vying for a spot on the 1974; began our Cleveland edition in April of 1978. -
Aussiecon Three a Convention Report by Evelyn C
Aussiecon Three A convention report by Evelyn C. Leeper Copyright 1999 Evelyn C. Leeper The Scientist at the Heart of SF Utopia, Genocide, and the Alien Contact Novel SF & Sexuality Loose Canons Are We The Last Generation of Mortals: Eternal Life in Science, Religion and SF SF Across the Media Fan Guest of Honour Speech Live Thog's Masterclass Parties From Canberra to Norstrilia: Cordwainer Smith The Science in SF Australian SF The Good Soldier: George Turner as Combative Critic Time Travel, Time Scapes and Timescape: A Symposium An Hour with Robert Silverberg "Deep Time: How Humanity Communicates Across Millenia" Other Awards Ceremony Hugo Awards A Twist in Time: Alternative Histories Posthuman SF The Tyranny of Distance: Writing SF and Selling It Overseas Writers and Awards: Tiptree, Hugo, ... "Cell" Masquerade Reading SF in the Media: Journeys into Space What It Is We Do When We Read Science Fiction In Defense of Hard SF Closing Ceremonies Summary Beginning Aussiecon Three, the 57th World Science Fiction Convention, was held in Melbourne, Victoria, Australia, 2-6 September 1999. Approximately 1870 people attended. The Convention Centre was certainly sufficient for the convention--overcrowding was not a problem. It was a bit diffuse, however, with a very long walk from the Green Room to the panel rooms, and the bid tables, site selection, and cafe somewhat hidden around a corner. I think they planned to have the rooms open at the other end, onto that area, and then discovered that they could not. The Centre was directly connected to our hotel, which turned out to be useful, because there were escalators in the Convention Centre from ground level to the lobby level, while in the hotel, one had to climb a full flight of stairs to get in.