Aussiecon Three a Convention Report by Evelyn C
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Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
Fruhjahr 2018 .. Die Uberschreitung Der Gegenwart
.. Fruhjahr 2018 .. Die uberschreitung der Gegenwart Wie alt kann ein Mensch werden, ohne seine Menschlichkeit zu verlieren? Ein Thriller über das Alter und den Wert des menschlichen Gedächtnisses ine einfache Zeitungsmeldung führt ihn über die Grenzen unserer Existenz: In Sevilla Esoll der älteste lebende Mensch entdeckt worden sein. Der namenlose Erzähler macht sich auf die Suche und merkt schnell, dass der Älteste gute Gründe hat, sich und sein Leben zu verbergen. Immer tiefer verirrt der Suchende sich in einem bedrohlichen Labyrinth aus selt- samen Erscheinungen und Zweifeln an unserer Realität, bis er endlich auf einen jugendlich erscheinenden Mann und seine kindliche Tochter trifft. Sie führen ihn in die Abgründe menschlicher Geschichte, zeigen ihm die dunklen Seiten des Gedächtnisses, ständig auf der Flucht vor Neid und Verrat. Er erfährt von menschlichen Optimierungen und wird vor die Frage gestellt, ob wir eine Gesellschaft ohne Tod ertragen können … Otmar Jenner spielte in einer Rock- band, arbeitete u.a. als Kriegsfotograf und schrieb den viel besprochenen Ro- © privat man »Sarajevo Safari«. Er lebt in Berlin und unterrichtet Sterbebegleitung. Neben eigenen Musikproduktionen beschäftigt er sich mit fotografischer Kunst. 2 SPITZENTITEL März ➤ Für Leser von Frank Schätzing und Andreas Eschbach ➤ Presseschwerpunkt ➤ Autorenlesungen, u.a. auf der Leipziger Buchmesse ➤ Ihr LEX ab Januar beim Verlag bestellbar Otmar Jenner DER ÄLTESTE Roman ca. 480 Seiten Geb. mit Schutzumschlag, 13,5 x 21,5 cm € [D] 24,90 / € [A] 25,60 ISBN: 978-3-946503-22-4 [WG 1120] | Auch als E-Book erhältlich ISBN: 978-3-946503-23-1 Erscheint im März 2018 3 Originalausgabe Avantgarde aus Nord-Neukölln: »Tobias O. -
Ethel the Aardvark #197
February 2019 – March 2019 Number 197 © Mark Ford 2019 Meetings:- St Augustine’s Anglican Chuch Hall, 100 Sydney Rd, Coburg, Vic. Getting there: Tram No 19 North Coburg, from Elizabeth St in the city, or Tram no 8, Moreland Rd from Glenferrie Rd, Toorak, to Stop 132. Upfield train line to Moreland Station. On street parking. Space on the road next to it, which is closed to through driving. Melway Ref 29 H3. Cyclists can use the Upfield bicycle path. Meetings of the Melbourne Science Fiction Club take place on the third Friday Night of the month. Unless it is Good Friday. Since 1952 The MSFC is a place where people who enjoy science fiction and fantasy meet to Most Club Nights – Gold coin for members, $5 for nonmembers. discuss their love of books, TV, film and Some nights may cost an extra fee, such as Trivia Nights. coffee. Premises open at 8pm on the third Friday of the month, events start CONTACTING THE MSFC. at 8.30pm. Lights out at 11pm. General enquiries. Sustenance - Hot food, cold snacks, coffee and hot chocolate and Soft [email protected] Drinks are available. Clubzine. Editor: LynC ANNUAL MEMBERSHIP DISCOUNTS FOR MEMBERS [email protected] Single membership $35 Website Show your MSFC membership card Family or household $45 www.msfc.sf.org.au when asking for these benefits. Interstate Ethel the Aardvark email subscription $25* Our Facebook page: 20% discount with cash or debit card, https://www.facebook.com/Mel and 15% discount with credit cards off bourneSFClub *plus $10 for interstate subscribers all books at: Our open Facebook group: wishing a hardcopy Ethel subscription. -
The Depart..Nt at Librarllwlhlp Dectl.Ber 1974
SCIENCE FICTION I AN !NTRCIlUCTION FOR LIBRARIANS A Thes1B Presented to the Depart..nt at LibrarllWlhlp hpor1&, KaM.., state College In Partial ll'u1f'lllJlent at the Require..nte f'ar the Degrlle Muter of' L1brartlUlllhlp by Anthony Rabig . DeCtl.ber 1974 i11 PREFACE This paper is divided into five more or less independent sec tions. The first eX&lll1nes the science fiction collections of ten Chicago area public libraries. The second is a brief crttical disOUBsion of science fiction, the third section exaaines the perforaance of SClltl of the standard lib:rary selection tools in the area.of'Ulcience fiction. The fourth section oona1ats of sketches of scae of the field's II&jor writers. The appendix provides a listing of award-w1nD1ng science fio tion titles, and a selective bibli-ography of modem science fiction. The selective bibliogmphy is the author's list, renecting his OIfn 1m000ledge of the field. That 1m000ledge is not encyclopedic. The intent of this paper is to provide a brief inU'oduction and a basic selection aid in the area of science fiction for the librarian who is not faailiar With the field. None of the sections of the paper are all-inclusive. The librarian wishing to explore soience fiction in greater depth should consult the critical works of Damon Knight and J&Iles Blish, he should also begin to read science fiction magazines. TIlo papers have been Written on this subject I Elaine Thomas' A Librarian's .=.G'="=d.::.e ~ Science Fiction (1969), and Helen Galles' _The__Se_l_e_c tion 2!. Science Fiction !2!: the Public Library (1961). -
Chatterton 64 Ackroyd, Peter
Index Abacus 47, 62 Aussiecon 2 (World Science Baxter, Stephen: Traces 47 Broderick, Damien: Reading by Ace 46, 73 Fiction Convention, Baxter, Stephen: Voyage 47 Starlight 49 Acker, Cathy 49 Melbourne, September 1985) BCSFAzine 45 Broderick, Damien: ‘Signposts Ackroyd, Justin 14 36 Bear, Greg: Foundation and back to the Future’ 32–3 Ackroyd, Peter: Chatterton 64 Aussiecon 3 (World Science Chaos 63 Broderick, Damien, and Barnes, Ackroyd, Peter: Dan Leno and the Fiction Convention, Bear, Greg: Moving Mars 72–3 Rory: Zones 47 Limehouse Golem 64 Melbourne, September 1999) Bear, Greg: Slant 76 Brookmyre, Christopher: Boiling Ackroyd, Peter: Hawksmoor 64 13–14, 24, 32, 36, 43 Benford, Gregory 29 a Frog 43 Ackroyd, Peter: House of Doctor Australian 14, 32 Benford, Gregory: Foundation’s Brooks, Ned 43 Dee, The 64–5 Australian and New Zealand Fear 63 Brosnan, John 30, 33 Acnestis 12–14 Journal of Serials Librarianship Benford, Gregory: Matter’s End Brosnan, John: Damned and Adams, Douglas 49 48 74 Fancy 69 Adams, Phillip 12 Australian Literary Studies 48 Benford, Gregory: Timescape 16 Brosnan, John: Future Tense 30 Adelaide University Science Australian National University Benford, Gregory: ‘We Could Brosnan, John: Opoponax Fiction Association 39 48 Do Worse’ 74 Invasion, The 53 Aikin, Jim: Wall at the End of the Australian Science Fiction Berry, John 12 Brosnan, John: Primal Screen 29 World, The 73 Foundation 19 Bertrand, Frank 31 Brunner, John 12, 48 Airlie Beach convention 44 Australian Science Fiction Review Bester, Alfred 39 Brunner, John: Stand on Aldiss, Brian 15, 32, 48–9, 57–8, (ASFR) (first series) 12, 33 Bester, Alfred: Demolished Man, Zanzibar 11 61, 64 Avon Books 46, 52 The 34–5 Brust, Steven: To Reign in Hell Aldiss, Brian: ‘Foam’ 56 AvoNova Morrow 47 Bibby, James: Ronan the 21 Aldiss, Brian: ‘God Who Slept Bailey, K. -
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival Randy Malamud
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir In Festival Randy Malamud In the sublime shadows of the Italian Alps, Courmayeur Confidential, Mulholland Drive, The Dark Knight trilogy), Noir In Festival’s 23-year run suggests America’s monop- hyper-noir (even ‘noirer’ than noir! Sin City, Django Un- 1 oly on this dark cinematic tradition may be on the wane. chained), and tech noir (The Matrix, cyberpunk) it remained The roots of film noir wind broadly through the geogra- a made-in-America commodity. phy of film history. One assumes it’s American to the core: Courmayeur’s 2013 program proved that contemporary Humphrey Bogart, Orson Welles, Dashiell Hammett. But noir, like anything poised to thrive nowadays, is indubita- au contraire, the term itself (obviously) emanates from bly global. Its December event featured Hong Kong film- a Gallic sensibility: French critic Nino Frank planted the maker Johnny To’s wonderfully macabre comedy, Blind flag when he coined ‘‘film noir’’ in 1946. He was discussing Detective (with the funniest crime reenactment scenes American films, but still: it took a Frenchman to appreci- ever); Erik Matti’s Filipino killer-thriller On the Job; and 2 ate them. Or maybe the genre is German, growing out Argentinian Lucı´a Puenzo’s resonantly disturbing Wakol- of Weimar expressionism, strassenfilm (street stories), da, an adaptation of her own novel about Josef Mengele’s 3 Lang’s M. 1960 refuge in a remote Patagonian Naziphile community. In fact, film noir is a hybrid which began to flourish in The Black Lion jury award went to Denis Villeneuve’s 1940s Hollywood, but was molded by displaced Europeans Enemy, a Canadian production adapted from Jose´ Sarama- (Billy Wilder, Alfred Hitchcock, Otto Preminger) and go’s Portuguese novel The Double (and with a bona fide keenly inflected by their continental aesthetic and philo- binational spirit). -
Dying Inside Free
FREE DYING INSIDE PDF Robert Silverberg | 208 pages | 14 Apr 2005 | Orion Publishing Co | 9780575075252 | English | London, United Kingdom Dying Inside on Spotify Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Dying Inside and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Dying Inside by Robert Silverberg. Dying Inside by Robert Silverberg. David Selig was born with Dying Inside awesome power -- the ability to look deep into the human heart, to probe the darkest truths hidden in the Dying Inside recesses of the soul. With reckless abandon, he used his talent in the pursuit of pleasure. Then, one day, his power began to die Universally acclaimed as Robert Silverberg's masterwork, Dying Inside Inside is a vivid, harrowing portrait David Selig was born with an awesome power -- the ability to look deep into the human heart, to probe the darkest truths hidden in the secret recesses of the soul. Universally acclaimed as Robert Silverberg's masterwork, Dying Inside is a vivid, harrowing portrait of a man who squandered a remarkable gift, of a superman who had to learn what it was to be human. Get A Copy. Paperbackpages. Published March 1st by Dying Inside first published October More Details Original Title. David Selig. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Dying Insideplease sign up. -
The Other in Science Fiction As a Problem for Social Theory 1
doi: 10.17323/1728-192x-2020-4-61-81 The Other in Science Fiction as a Problem for Social Theory 1 Vladimir Bystrov Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] Vladimir Kamnev Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] The paper discusses science fiction literature in its relation to some aspects of the socio- anthropological problem, such as the representation of the Other. Given the diversity of sci-fi genres, a researcher always deals either with the direct representation of the Other (a crea- ture different from an existing human being), or with its indirect, mediated form when the Other, in the original sense of this term, is revealed to the reader or viewer through the optics of some Other World. The article describes two modes of representing the Other by sci-fi literature, conventionally designated as scientist and anti-anthropic. Thescientist representa- tion constructs exclusively-rational premises for the relationship with the Other. Edmund Husserl’s concept of truth, which is the same for humans, non-humans, angels, and gods, can be considered as its historical and philosophical correlate. The anti-anthropic representa- tion, which is more attractive to sci-fi authors, has its origins in the experience of the “dis- enchantment” of the world characteristic of modern man, especially in the tragic feeling of incommensurability of a finite human existence and the infinity of the cosmic abysses. -
A Conference for Science Fiction Writers
#sci4scifi A Conference for Science Fiction Writers Proudly supported by the A Conference for Science Fiction Writers Sunday, 10th September, 2017 8:30am to 5:00pm The Royal Society of Victoria 8 La Trobe Street, Melbourne “I was in China in 2007, at the first party-approved science fiction and fantasy convention in Chinese history. And at one point I took a top official aside and asked him Why? SF had been disapproved of for a long time. What had changed?” “It’s simple, he told me. The Chinese were brilliant at making things if other people brought them the plans. But they did not innovate and they did not invent. They did not imagine. So they sent a delegation to the US, to Apple, to Microsoft, to Google, and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.” Neil Gaiman, Lecture for the Barbican in London, 14 October 2013 Our first ever “Science for Science Fiction” writers’ conference kicks off this year at the historic Royal Society of Victoria. We will provide current and aspiring authors with expert insights on the finer points of the writer’s craft from some of Australia’s finest SF authors and editors. Spend a day learning new techniques for honing your craft and learn to pitch your big idea to literary agents and publishers. In Chinese author Liu Cixin's “Three We will also get your imagination firing from a foundation of solid Body” trilogy, the entire solar system is flattened into a two-dimensional science. -
22Nd Annual Aurealis Awards
22nd Annual Aurealis Awards Metro Hotel Perth 14 April, 2017 Table of Contents From the Judging Coordinator …………………………………………1 From Chimaera Publications ……………………………………………3 Best Children’s Fiction ………………………………………………………4 Best Illustrated Work / Graphic Novel ………………………………5 Best Young Adult Short Story ……………………………………………6 Best Young Adult Novel ……………………………………………………7 Best Horror Short Story ……………………………………………………8 Best Horror Novella …………………………………………………………9 Best Fantasy Short Story ……………………………………………… 10 Best Fantasy Novella …………………………………………………… 11 Best Science Fiction Short Story …………………………………… 12 Best Science Fiction Novella ………………………………………… 13 Best Collection ……………………………………………………………… 14 Best Anthology ……………………………………………………………… 15 Best Horror Novel ………………………………………………………… 16 Best Fantasy Novel………………………………………………………… 18 Best Science Fiction Novel …………………………………………… 19 The Convenors’ Award for Excellence …………………………… 20 Meet the Judges …………………………………………………………… 21 From the Judging Coordinator… And so the Aurealis Awards have come to Perth for the first time since 2004, when Chronopolis hosted the 2003 Aurealis Awards ceremony. Back then the awards list would have been much shorter, not containing categories for Anthology, Collection, or Illustrated Work, and certainly not our newish novellas! The Golden Aurealis has come and gone, as has the Sara Douglass Book Series Award (which we do hope to run again—perhaps in 2018. This year we saw over 800 entries, with high numbers of electronic submission, holding consistent with previous years in all areas. -
Premios Sidewise
Premios Sidewise Historia alternativa Mariano Villarreal Los artículos que aparecen en esta sección obedecen a un intento de recopilar Dozois). Hasta la fecha, sólo «Conocer y difundir los diferentes premios del fantástico, no sólo de ciencia ficción y fantasía, al dragón» de Silverberg (Horizontes sino también de terror y géneros afines. Dada la vastedad de títulos a tratar, muchos lejanos, 1999) ha sido editado en caste- de ellos en ediciones minoritarias, descatalogadas o inéditas en castellano, nuestro llano, aunque muchos relatos sean fácil- enfoque es necesariamente modesto y procura reflejar la opinión mayoritaria de los mente descargables en la web en ver- lectores, con una calificación genérica que huye de valoraciones personales. sión original. Como curiosidad, pode- mos resaltar que «Xochiquetzal», de Fundamentos Carla Cristina Pereira, finalista del año 2000, El Premio Sidewise fue traducido origi- para historia alterna- nalmente del portu- tiva fue concebido en gués y «The Eighth 1995 con el objetivo de Register», de Alain galardonar las mejores obras consideran bastantes títulos editados Bergeron, vencedor del encuadrables dentro de esa temática originalmente en Gran Bretaña, Canadá año 1999, del francés. publicadas en inglés durante el año o Australia hasta que no se publican o El Sidewise está apoyado por el sitio previo. Consta de dos categorías: Ex- distribuyen en Estados Unidos. De cual- Uchronia (http://www.uchronia.net/), tensión breve, para historias de menos quier forma, cualquiera puede reco- una web que mantiene una relación de de 60.000 palabras: relatos, novelas cor- mendar títulos y/o remitir ejemplares más de 2.400 entradas (entre novelas, tas y poemas; y Extensión larga, para para su valoración. -
Australian Science Fiction: in Search of the 'Feel' Dorotta Guttfeld
65 Australian Science Fiction: in Search of the ‘Feel’ Dorotta Guttfeld, University of Torun, Poland This is our Golden Age – argued Stephen Higgins in his editorial of the 11/1997 issue of Aurealis, Australia’s longest-running magazine devoted to science fiction and fantasy. The magazine’s founder and editor, Higgins optimistically pointed to unprecedented interest in science fiction among Australian publishers. The claim about a “Golden Age” echoed a statement made by Harlan Ellison during a panel discussion “The Australian Renaissance” in Sydney the year before (Ellison 1998, Dann 2000)64. International mechanisms for selection and promotion in this genre seemed to compare favorably with the situation of Australian fiction in general. The Vend-A-Nation project (1998) was to encourage authors to write science fiction stories set in the Republic of Australia, and 1999 was to see the publication of several scholarly studies of Australian science fiction, including Russell Blackford’s and Sean McMullen’s Strange Constellations. Many of these publications were timed to coincide with the 1999 ‘Worldcon’, the most prestigious of all fan conventions, which had been awarded to Melbourne. The ‘Worldcon’ was thus about to become the third ‘Aussiecon’ in history, accessible for the vibrant fan community of Australia, and thus sure to provide even more impetus for the genres’ health. And yet, in the 19/2007 issue of Aurealis, ten years after his announcement of the Golden Age, Stephen Higgins seems to be using a different tone: Rather than talk of a new Golden Age of Australian SF (and there have been plenty of those) I prefer to think of the Australian SF scene as simply continuing to evolve.