Arthur C Clarke a Birthday Tribute
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The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland. -
1Q12 IPG Cable Nets.Xlsm
Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER -
Announces: the TWILIGHT ZONE Composed by CRAIG SAFAN
Announces: THE TWILIGHT ZONE Composed by CRAIG SAFAN, BASIL POLEDOURIS, WILLIAMS GOLDSTEIN, CHRISTOPHER YOUNG, ELLIOT KAPLAN, ARTHUR KEMPEL, DENNIS McCARTHY, JAC REDFORD, FRED STEINER, and KEN WANNBERG Intrada Special Collection Volume ISC 348 Submitted for your approval, Intrada presents 22 scores from these first two seasons of the mid '80s revival of The Twilight Zone. Featuring an array of talented composers, the scores are bound together by the composers' willingness to chart that middle ground between light and shadow, between science and superstition—a “dimension of sound” that could only have emerged from the Twilight Zone. In conjunction with keyboardist and longtime Dead-associate Merl Saunders, the Grateful Dead collaborated on the main title, which conjures a uniquely creepy vibe, while incorporating Constant’s iconic motif. Additionally, the following episodes are included, moving from purely orchestral to entirely electronic, sporting a myriad of styles reflecting the range of colorful story lines. Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 Main Title” Christopher Young – “A Small Talent for War,” “A Matter of Minutes” Basil Poledouris – “A Message From Charity,” “Monsters!,” “Profile in Silver,” “Song of the Younger World” Kenneth Wannberg – “Still Life” Dennis McCarthy – “Voices in the Earth” Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 End Title” J.A.C. Redford – “What Are Friends For?” Craig Safan – “Dead Woman’s Shoes,” “Wong’s Lost and Found Emporium,” “The Uncle Devil Show,” “Opening Day,” “To See the Invisible Man,” “Tooth and Consequences,” “Teacher’s Aide” Fred Steiner – “A Day in Beaumont” Elliot Kaplan – “The Last Defender of Camelot” Arthur Kempel – “The Elevator” William Goldstein – “Her Pilgrim Soul,” “The Card,” “Time and Teresa Golowitz” From its earliest years, The Twilight Zone has been synonymous with visions of wonderment, weirdness and terror. -
Aussiecon Three a Convention Report by Evelyn C
Aussiecon Three A convention report by Evelyn C. Leeper Copyright 1999 Evelyn C. Leeper The Scientist at the Heart of SF Utopia, Genocide, and the Alien Contact Novel SF & Sexuality Loose Canons Are We The Last Generation of Mortals: Eternal Life in Science, Religion and SF SF Across the Media Fan Guest of Honour Speech Live Thog's Masterclass Parties From Canberra to Norstrilia: Cordwainer Smith The Science in SF Australian SF The Good Soldier: George Turner as Combative Critic Time Travel, Time Scapes and Timescape: A Symposium An Hour with Robert Silverberg "Deep Time: How Humanity Communicates Across Millenia" Other Awards Ceremony Hugo Awards A Twist in Time: Alternative Histories Posthuman SF The Tyranny of Distance: Writing SF and Selling It Overseas Writers and Awards: Tiptree, Hugo, ... "Cell" Masquerade Reading SF in the Media: Journeys into Space What It Is We Do When We Read Science Fiction In Defense of Hard SF Closing Ceremonies Summary Beginning Aussiecon Three, the 57th World Science Fiction Convention, was held in Melbourne, Victoria, Australia, 2-6 September 1999. Approximately 1870 people attended. The Convention Centre was certainly sufficient for the convention--overcrowding was not a problem. It was a bit diffuse, however, with a very long walk from the Green Room to the panel rooms, and the bid tables, site selection, and cafe somewhat hidden around a corner. I think they planned to have the rooms open at the other end, onto that area, and then discovered that they could not. The Centre was directly connected to our hotel, which turned out to be useful, because there were escalators in the Convention Centre from ground level to the lobby level, while in the hotel, one had to climb a full flight of stairs to get in. -
Higher Education in the Brave New World
Higher Education in the Brave New World A faculty sponsored symposium held and California State University Northridge September 30 and October 1, 2013 Higher Education in the Brave New World: How Students Learn in the Context of How Professors Teach California State University, Northridge A Faculty Sponsored Symposium September 30 and October 1, 2013 Location: USU, Cal State Northridge The purpose of this event is to serve as an open forum where ideas can be expressed and ex- plored relative to the future of education in form and content. • Can we get every student col- lege ready? • What pedagogical models will get us there? • What has to change? • Where do we change? • Can we do it? • Who needs to be at the ta- ble? 1 Higher Education in the Brave New World Motivated by the circumstance of a world, where technology and globalization are changing the landscape that students will be entering, and that the student body itself is in a state of flux, the faculty of Cal State Northridge sponsored a series of open forum symposiums to explore the future of higher public education. This symposium is the fourth in that series. Table of Contents [Contents listed in the order of performance] DAY ONE: Executive Summary 2 Opening Keynote Speaker: Dr. Daphne Koller “The Coursera Model” 5 Panel Discussion: “Models for Delivery: Online vs. Brick and mortar” 27 Lunch Speaker: Mr. William C. Allen “The Critical Importance of Education in the Southern California Economy” 35 Observation Reports from Discussion Breakout Groups and speeches. “Models for Delivery: Online vs. Brick and Mortar” 49 Dinner Speaker: Dean Matthew Moen “Short Shrift: The Liberal Arts and Sciences in Higher Education Reform” 57 DAY TWO: Opening Remarks: President Dianne Harrison 71 Opening Speaker: Dr. -
The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects The thoE s of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature Jeffrey Lorino Jr Marquette University Recommended Citation Lorino, Jeffrey Jr, "The thosE of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature" (2018). Dissertations (2009 -). 777. https://epublications.marquette.edu/dissertations_mu/777 THE ETHOS OF DISSENT: EPIDEICTIC RHETORIC AND THE DEMOCRATIC FUNCTION OF AMERICAN PROTEST AND COUNTERCULTURAL LITERATURE by Jeffrey Thomas Lorino, Jr., B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, WI May 2018 ABSTRACT THE ETHOS OF DISSENT: EPIDEICTIC RHETORIC AND THE DEMOCRATIC FUNCTION OF AMERICAN PROTEST AND COUNTERCULTURAL LITERATURE Jeffrey T. Lorino, Jr., B.A., M.A. Marquette University, 2018 My dissertation establishes a theoretical framework, the literary epideictic, for reading the African American social protest literature of Richard Wright and Ralph Ellison, and the American countercultural literature of Jack Kerouac and Ken Kesey. I argue that epideictic rhetoric affords insight into how these authors’ narratives embody a post-WWII “ethos of dissent,” a counterdiscourse that emerges out of a climate of dynamism deadlocked with controlling ideologies. Epideictic -
Opuntia Index #1-500
CUMULATIVE SUBJECT INDEX TO 8-tracks see under Audio, 8-track OPUNTIA #1 TO #500 Aboriginals, alternative histories 52.1A:15-16 compiled by Dale Speirs , environmental effects 422:18-19 444:28 454:21-22 , extinction caused by 61:15 References are to issue number:pages. For example, 12.5:3-6,9 means issue #12.5, , oral legends, Fundy tides 69.3:12 pages 3 to 6 and page 9. Between issues #1 and #71.5, whole-numbered issues , petroglyphs 288:8 were sercon, x.1 issues were reviewzines, x.2 issues were indexes, x.3 issues were , pollution caused by see under Environment, pollution apazines, and x.5 issues were perzines. #71.5 was the 247th issue of OPUNTIA. , smallpox 71.3:13 436:24 , trading long-distance 314:13 462:27-28 The next issue after it was numbered #248 and thereafter OPUNTIAs are numbered , Tsuu T’ina 484:1-3 in the ordinary way. The issues from #72 to #247 inclusive do not exist. Beginning with #248, there was no longer any distinction between sercon, reviewzine, apazine, Academia see under Education or perzine, and the editorial copy was unsorted. Accidents, motor vehicles see under Motor vehicles, accidents Actors, bad behaviour 39.5:6 40.5:3 For individual authors, see under Writers. , Boris Karloff 434:8-9 491:12-15 For individual actors, see under Actors. , Bela Lugosi 289:20 409:10-12 491:13-14 For individual directors, see under Directors. , William Shatner 70.3:5 495:24-25 For individual artists, see under Artists.