Audit of Indigenous Knowledge Databases in Northern Australia
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Comet and Meteorite Traditions of Aboriginal Australians
Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 2014. Edited by Helaine Selin. Springer Netherlands, preprint. Comet and Meteorite Traditions of Aboriginal Australians Duane W. Hamacher Nura Gili Centre for Indigenous Programs, University of New South Wales, Sydney, NSW, 2052, Australia Email: [email protected] Of the hundreds of distinct Aboriginal cultures of Australia, many have oral traditions rich in descriptions and explanations of comets, meteors, meteorites, airbursts, impact events, and impact craters. These views generally attribute these phenomena to spirits, death, and bad omens. There are also many traditions that describe the formation of meteorite craters as well as impact events that are not known to Western science. Comets Bright comets appear in the sky roughly once every five years. These celestial visitors were commonly seen as harbingers of death and disease by Aboriginal cultures of Australia. In an ordered and predictable cosmos, rare transient events were typically viewed negatively – a view shared by most cultures of the world (Hamacher & Norris, 2011). In some cases, the appearance of a comet would coincide with a battle, a disease outbreak, or a drought. The comet was then seen as the cause and attributed to the deeds of evil spirits. The Tanganekald people of South Australia (SA) believed comets were omens of sickness and death and were met with great fear. The Gunditjmara people of western Victoria (VIC) similarly believed the comet to be an omen that many people would die. In communities near Townsville, Queensland (QLD), comets represented the spirits of the dead returning home. -
Borrowing, Sound Change and Reduplication in Iwaidja
Doubled up all over again: borrowing, sound change and reduplication in Iwaidja Nicholas Evans Department of Linguistics, Research School of Pacific and Asian Studies Australian National University [email protected] Abstract This article examines the interactions between reduplication, sound change, and borrowing, as played out in the Iwaidja language of Cobourg Peninsula, Arnhem Land, in Northern Australia, a non-Pama-Nyungan language of the Iwaidjan family. While Iwaidja traditionally makes use of (various types of) right-reduplication, contact with two other left-reduplicating languages – one Australian (Bininj Gun-wok) and one Austronesian (Makassarese) – has led to the introduction of several (non-productive) left-reduplicating patterns. At the same time as these new patterns have been entering the language, the cumulative effect of sweeping sound changes within Iwaidja has complicated the transparency of reduplicative outputs. This has left the language with an extremely varied and complicated set of reduplication types, for some of which the analysis is no longer synchronically recoverable by children. Keywords: Australian languages, Iwaidja, language contact, directionality, Makassarese, reanalysis 1. Introduction Despite growing interest in language contact on the one hand, and reduplication on the other, there has been little research to date on how diachrony and language contact impact upon reduplicative patterns. 1 In this article I examine precisely this theme, as played out in the Iwaidja language of Cobourg Peninsula, Arnhem Land, in Northern Australia, a non-Pama-Nyungan language of the Iwaidjan family spoken by around 150 people now mostly living on and around Croker Island in the Northern Territory (see Evans 2000 for a survey of this family). -
How Understanding the Aboriginal Kinship System Can Inform Better
How understanding the Aboriginal Kinship system can inform better policy and practice: social work research with the Larrakia and Warumungu Peoples of the Northern Territory Submitted by KAREN CHRISTINE KING BSW A thesis submitted in total fulfilment of the requirements of the degree of DOCTOR OF PHILOSOPHY School of Social Work Faculty of Arts and Science Australian Catholic University December 2011 2 STATEMENT OF AUTHORSHIP AND SOURCES This thesis contains no material published elsewhere or extracted in whole or in part from a thesis by which I have qualified for or been awarded another degree or diploma. No other person‟s work has been used without due acknowledgement in the main text of the thesis. This thesis has not been submitted for the award of any degree or diploma in any other tertiary institution. All research procedures reported in the thesis received the approval of the Australian Catholic University Human Research Ethics Committee. Karen Christine King BSW 9th March 2012 3 4 ABSTRACT This qualitative inquiry explored the kinship system of both the Larrakia and Warumungu peoples of the Northern Territory with the aim of informing social work theory and practice in Australia. It also aimed to return information to the knowledge holders for the purposes of strengthening Aboriginal ways of knowing, being and doing. This study is presented as a journey, with the oral story-telling traditions of the Larrakia and Warumungu embedded and laced throughout. The kinship system is unpacked in detail, and knowledge holders explain its benefits in their lives along with their support for sharing this knowledge with social workers. -
HOMELAND STORY Saving Country
ROGUE PRODUCTIONS & DONYDJI HOMELAND presents HOMELAND STORY Saving Country PRESS KIT Running Time: 86 mins ROGUE PRODUCTIONS PTY LTD - Contact David Rapsey - [email protected] Ph: +61 3 9386 2508 Mob: +61 423 487 628 Glenda Hambly - [email protected] Ph: +61 3 93867 2508 Mob: +61 457 078 513461 RONIN FILMS - Sales enquiries PO box 680, Mitchell ACT 2911, Australia Ph: 02 6248 0851 Fax: 02 6249 1640 [email protected] Rogue Productions Pty Ltd 104 Melville Rd, West Brunswick Victoria 3055 Ph: +61 3 9386 2508 Mob: +61 423 487 628 TABLE OF CONTENTS Synopses .............................................................................................. 3 Donydji Homeland History ................................................................. 4-6 About the Production ......................................................................... 7-8 Director’s Statement ............................................................................. 9 Comments: Damien Guyula, Yolngu Producer… ................................ 10 Comments: Robert McGuirk, Rotary Club. ..................................... 11-12 Comments: Dr Neville White, Anthropologist ................................. 13-14 Principal Cast ................................................................................. 15-18 Homeland Story Crew ......................................................................... 19 About the Filmmakers ..................................................................... 20-22 2 SYNOPSES ONE LINE SYNOPSIS An intimate portrait, fifty -
Thesis FINAL DRAFT
Breaking up is hard to do: Teasing apart morphological complexity in Iwaidja and Maung A thesis submitted by Amos Teo Under the supervision of Professor Nick Evans i This thesis is submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts (Honours) in the Department of Linguistics and Applied Linguistics of the University of Melbourne. Work presented herein is the original work of the author, unless otherwise acknowledged. Amos Teo November 2007 ii Acknowledgements My deepest gratitude goes to Nick Evans who agreed to take on the role of supervisor in late March of 2007, when I had neither a supervisor nor a thesis topic (due to certain unforeseen complications). It is thanks to his tremendous encouragement and his knowledge and passion for linguistics that I have started to consider a future in this field of study. I am grateful to the department for its support and for the opportunity to present my initial findings at a lunchtime seminar I gave in August of this year. I thank the people who attended and offered comments on my analyses. I also thank Bruce Birch for his quick replies to all my emails and for his insightful observations and comments. I would also like to mention all the friends and classmates who have made the past year special. Special mention goes to Aung Si for taking the time to read through this thesis and for attending my lunchtime seminar. I thank all my classmates, especially Sara Ciesielski, Thomas Mendelovits, Annie Unger and Stephanie Campisi for their sympathy and support. -
Yolŋu Information Sharing and Clarity of Understanding
Yolŋu Information sharing and clarity of understanding 1. Introduction This project Yolŋu Information sharing and clarity of understanding is stage 1 of a programme proposed by Motivation Australia consisting of 5 stages called Inclusive Community Development in East Arnhem Land. Five community visits to carry out Discovery Education sessions were carried out in Ramingining, Milingimbi, Galiwin'ku, Gapuwiyak1 and Darwin, and a workshop was held in Darwin in the first half of 2013. This project was carried out with the Aboriginal Resource and Development Services Inc. (ARDS) and funded by the FaHCSIA Practical Design Fund. Content This is the final project report with appendices detailing all of the content discussed during the five community visits to carry out Discovery Education sessions. The content is as follows: 2. Executive summary ........................................................................................................................ 3 3. Conclusions .................................................................................................................................... 6 4. Recommendations ......................................................................................................................... 7 5. Report ............................................................................................................................................. 8 6. An introduction to Yolŋu culture; as it relates to disability issues ................................................... 8 7. Issues for -
Developing a Living Archive of Aboriginal Languages
Vol. 8 (2014), pp. 345-360 http://nflrc.hawaii.edu/ldc http://hdl.handle.net/10125/24612 Developing a Living Archive of Aboriginal Languages Catherine Bow, Michael Christie, Brian Devlin Charles Darwin University The fluctuating fortunes of Northern Territory bilingual education programs in Aus- tralian languages and English have put at risk thousands of books developed for these programs in remote schools. In an effort to preserve such a rich cultural and linguistic heritage, the Living Archive of Aboriginal Languages project is establishing an open access, online repository comprising digital versions of these materials. Using web technologies to store and access the resources makes them accessible to the commu- nities of origin, the wider academic community, and the general public. The process of creating, populating, and implementing such an archive has posed many interesting technical, cultural and linguistic challenges, some of which are explored in this paper. 1. INTRODUCTION. During the era of bilingual education in the Northern Territory (1973 – 2000s), many books were produced at school-based Literature Production Centres in more than 25 languages. These materials, which are both widely dispersed and endan- gered, contain interesting and significant stories in Indigenous Australian languages, many with beautiful illustrations. As a result of policy and other changes, many of the materi- als produced for these programs are no longer in use, and in many places have been lost, damaged or, occasionally, deliberately destroyed. The goal of the Living Archive of Abo- riginal Languages project1 is to create a digital repository of this endangered literature and, with permission from the language authorities (usually original authors and illustrators or their descendants), to make the materials available to community members, researchers, and other interested parties through a searchable, online repository. -
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
ESSAYS IN HONOUR OF STEPHEN A. WILD Stephen A. Wild Source: Kim Woo, 2015 ESSAYS IN HONOUR OF STEPHEN A. WILD EDITED BY KIRSTY GILLESPIE, SALLY TRELOYN AND DON NILES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A distinctive voice in the antipodes : essays in honour of Stephen A. Wild / editors: Kirsty Gillespie ; Sally Treloyn ; Don Niles. ISBN: 9781760461119 (paperback) 9781760461126 (ebook) Subjects: Wild, Stephen. Essays. Festschriften. Music--Oceania. Dance--Oceania. Aboriginal Australian--Songs and music. Other Creators/Contributors: Gillespie, Kirsty, editor. Treloyn, Sally, editor. Niles, Don, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: ‘Stephen making a presentation to Anbarra people at a rom ceremony in Canberra, 1995’ (Australian Institute of Aboriginal and Torres Strait Islander Studies). This edition © 2017 ANU Press A publication of the International Council for Traditional Music Study Group on Music and Dance of Oceania. Aboriginal and Torres Strait Islander people are advised that this book contains images and names of deceased persons. Care should be taken while reading and viewing. Contents Acknowledgements . vii Foreword . xi Svanibor Pettan Preface . xv Brian Diettrich Stephen A . Wild: A Distinctive Voice in the Antipodes . 1 Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles Festschrift Background and Contents . -
Contributors
Contributors Jon Altman is an economic anthropologist who has worked on Indigenous devel- opment issues in Australia since 1976. Between 1990 and 2010 he was the Foundation Director of the Centre for Aboriginal Economic Policy Research at the Australian National University where he is currently located. Professor Altman has worked with ‘People on Country’ in the Top End for over 30 years, primarily in the west Arnhem Land/Kakadu region. He is currently focusing his research on alternate development possibilities in hybrid Indigenous economies on the Indigenous estate. Professor Altman is currently an Australian Research Council Australian Professorial Fellow and an adjunct professorial fellow at the Research Institute for the Environment and Livelihoods at Charles Darwin University. He is a Foundation Director and Secretary of Karrkad-Kanjdji Limited. Geoff Buchanan is a doctoral candidate in anthropology at the Centre for Aboriginal Economic Policy Research. He began work as a researcher at the Centre in 2004 having an undergraduate background in environmental policy and economics as well as Indigenous Australian studies. Geoff has worked on a number of research projects relating to the environmental, social and economic signifcance of the Indigenous estate, caring for country and customary harvest. Wesley Campion is a senior Rembarrnga man and is currently employed as the Djelk Ranger’s Indigenous Protected Area Liaison Offcer. Wesley has previously held a number of other senior positions within the Maningrida Community and is a highly regarded translator and facilitator. Among Wesley’s recent achievements are the successful conduct and transcription of Djelk’s Indigenous Protected Area consultations with over 100 land-owning groups, and playing an instrumental role in the pioneering of rock art tours in his country. -
Rainbow Colour and Power Among the Waanyi of Northwest Queensland
Rainbow colour and power among the Waanyi of Northwest Queensland Author Tacon, Paul SC Published 2008 Journal Title Cambridge Archaeological Journal DOI https://doi.org/10.1017/S0959774308000231 Copyright Statement © 2008 McDonald Institute for Archaeological Research. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/23005 Griffith Research Online https://research-repository.griffith.edu.au Rainbow Colour and Power among the Waanyi of Northwest Queensland Rainbow Colour and Power among the Waanyi of Northwest Queensland Paul S.C. Taçon In 2002, an investigation into the rock art of Waanyi country was undertaken in conjunc- tion with ongoing archaeological excavation. Various subjects, styles and techniques were documented, associated oral history from Waanyi elders was recorded and the relation- ship to archaeological deposits was assessed. A large number of rainbow-like designs, in red or red-and-yellow, were recorded, along with a magnificent and very large red-and- yellow Rainbow Serpent. These and other images are discussed in relation to the travels of Ancestral Beings, stories and uses of coloured pigment and the use of local stone for both tools and the situating of important spiritual sites. Links to a network of other communities across northern and central Australia are highlighted. It is concluded that colour played a fundamental role in both expressing and maintaining relationships to places, Ancestral Beings and other groups of people. Important local differences can be seen in comparison to the ways in which colour has been used by Aboriginal people elsewhere. -
Kakadu National Park Management Plan 2007–2014 Akadu Is Aboriginal Kland
Kakadu Board of Management Kakadu National Park MANAGEMENT PLAN 2007–2014 PLAN MANAGEMENT KAKADU NATIONAL PARK MANAGEMENT PLAN 2007–2014 Design Direction Design 3888 Photos Comb-crested Jacana: Michael Nelson Magpie Goose: Greg Miles Orchid: Michael Nelson Termite mound: Michael Nelson Darter: Michael Nelson Lotus flower: Michael Nelson Fire management: Michael Nelson Tourists at Ubirr art site: Michael Nelson Paperbark trees: Michael Nelson Tourists at Ubirr lookout: Peter Wellings West Alligator Head main beach: Greg Miles 4WD at Gunlom Falls: Michael Nelson Artwork Guided walk: Emily Scheibe Ranger at rock art site: Kristina Williams Fire management: Rhiannon Compton Ranger in boat: Justin Giumelli Pandanus and tree: William Suitor Chapter Pages Photos: Ian Oswald-Jacobs Artwork Lotus flowers and birdlife (page 1): Kodi Nadji Water lily leaves on wetland (page 15): Gail Rotumah Crocodile and landscape (page 17): Curtis Yarrbar Park use – featuring Frilled lizard (page 152): Christine Marie Alangate Designed by Design Direction Printed by CanPrint on Monza Satin (100 per cent recycled stock, from plantation timber) Kakadu National Park MANAGEMENT PLAN 2007–2014 © director of national Parks 2007 iSBn: 978 06 42 55 33 94 this work is copyright. apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process, re-used or redistributed without prior written permission from the director of national Parks. any permitted reproduction must acknowledge the source of any such material reproduced and include a copy of the original copyright notice. requests and enquiries concerning reproduction and copyright should be addressed to: the assistant Secretary Parks australia north gPo Box 1260 darwin nt 0801 director of national Parks australian business number: 13051 694 963 this management Plan provides the general public and Park users/visitors with information about how the Park will be managed for the next seven years. -
Tiwi Revisited: a Reanalysis of Traditional Tiwi Verb Morphology
TIWI REVISITED A reanalysis of Traditional Tiwi verb morphology Aidan Wilson Submitted in total fulfilment of the degree of Master of Arts (Linguistics) December 2013 Department of Linguistics and Applied Linguistics School of Languages and Linguistics Faculty of Arts The University of Melbourne For Anita Pangiramini, Justin Puruntatameri, and all people whose languages have gone silent. May they and their words always be remembered. Abstract Traditional Tiwi is a language isolate within the Australian language group, traditionally spoken on the Tiwi Islands, north of Darwin. This language exhibits the most complex verb structure of any Australian language. Altogether there are 18 distinct verb slots; 14 prefixes and 4 suffixes. They encode subject, object and oblique arguments, they inflect for tense, aspect and mood, the location and direction of events with respect to the speaker, and the time of day that an event takes place. They also take prefixes and suffixes denoting associated motion, can be argument-raised by a causative or detransitivised by derivational morphology, and can take incorporated nominals, incorporated verbs, and incorporated comitative or privative arguments. Traditional Tiwi has not been adequately described. Previous descriptions are limited and do not cover verb morphology with enough detail. This thesis brings together previous descriptions, early recorded data, and adds newly collected data and findings to produce an updated description of the language, with special reference to the verb morphology. I focus in particular on two aspects of the verb morphology: agreement and incorporation. The Traditional Tiwi agreement system of inflecting verbs shows a high degree of complexity due to the interactions between subject, object and tense marking.