Najib Mahfuz

Total Page:16

File Type:pdf, Size:1020Kb

Najib Mahfuz آا ، ا را ا ر ا ادب ا ا ا ، ا دة ا درا : ظ دة درا ا ت ا ة او : اوا ا 1.1 1.2 : (2006 1911 ) 2.1 "# 2.2 $ 2.3 ( 1957 1956 ) " *+ " % &'( 2.4 $ , -& . 2.5 - , 2.6 Naguib Mahfouz: The Voice of Egypt 2.7 ا ة ا : روا " ا واب " " ( 1961 ") / %0' " 3.1 " " / %' " % &'( 3.2 " " / %0' " : $ -& 3.3 1 2 ا ة او : اوا ا 1.1 اوا ادب ا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ernadin de Saint Pierre , A 1892 1885 ( ( ) P , O ( " " Earnest Renan $, 7 " O ( "" .,> " " ( )* 1715 1905 " ( ) Fenelon ' " Q " B6 " " ( ) Jules Verne " 1778 Francois Coppee / , " , I 16 " " ( ) Voltaire ( " 9 '( $; " 1885 1908 " 24+(7 " 24( ( ) N,D : ( . * M " E $ " " ( ) 1922 1929 4 " A 4 =4/ " 2( ( ) 6 R " , " 2( ( ) 1929 1910 ." I " 2( ( ) " # " .,> " 2( ( ) MM 3 1.1.1 1.1.1.1 : LH4* $4/ 84 $ $7 (+, " 8 N'& '(/ ( ( 2 4 / 5 . ; "/ (+( $+ "/ # 6 H&(( $7 14( - # ( $- 2 8 2 '( ',( 2 2+( $/ 8 #( $ '( "4 H4* 4 C $7 $ 5 . J - S, D 6( "( T C'# C $7 $' 8 + " # 1,( + & H4* : I - ( + ( ' / 5 . : 5 B- + 4 4 C( ( ' LH* (( . B F( ( "& 9H " " ; ' 4" ' LH* C'# Q N'6 . 2 1914 , C (( . * (, 2 ', D "+ . 7 , J B F( 1879 1870 ( ) " C'4, " : 4 K4( . # " ( ) " 2 2 U " K( 1885 1871 1884 4 4(/ 4 " ( ) "&- 6 ( .( ) " ( /' : (" ) " , " . K( * " 2, " . , J 1893 8 8 '( (8 ) 9 '# (/ . '( ' . - Q4 C4'# A66 # ' " : % '&( : G % &'( " (/ "( ." 2 "V'# (/ 1930 1907 K4/ 4 ( ) ' ( ) " 2* C, # E " * :( . --+ P 46( 2 C AJ #( I L( ( 7 -# K $ # E 4 64 -'& * . $+ * 2 5 --5 # 6D "( 4 64'& 5 / D ' # 2 *D " P 6, " (/ ( . 2 + E( . + + 1856 I4 ( ) " 1 " : B - " , ' $7 $ / 1956 '&( / 2* C, # E CD 5 ( ) " N * N, C'# N, " N 1903 " - ( " B - + ( ) " - K'/ " 7+ 4W / 5 $7 . / # 1905 "4MD 4 @J +(( "# LH* / 8 +, $7 K( ( ) . J / : 6'& / : F / # ( " " 2' " 6 R $7 $/ 1924 "4 4 CD , $ / ( ) 6' 6 C6- 2( . (/ # ' / 1- " 6' ." # "" <( " , "" "" ' J " . - 1914 & ( $ ',', 2 5 ( ) : C'# L( 2 " 9' " " ; N ,G O ( B6 --+ .' 2J( ( 1891 " B4, 4 < "" ./ M "" ? 5 .H# "" - , "" ,M ( (" ) P( "" + ( "" ,; ( " F "" ,& 2', "" - # " " " 4 4/ 4 R4- "" + $( "" " " +7 "" I ( I " ; (/ : F( . " "" $& , "" J 17 " 4 " C ' K( "( . O ( & : " 5 . $/, . & -# & ( -# K 8 & ( 1.1.1.2 : 1919 %4-5 C4/( E4( (,( ( 8J ' CD $'- 8 "5 1902 4(( . 4- 4 " $4 & ( ) " C( " + Q T . ; 1906 1905 8" + *6 ( ) " A .H# 8" -55 ( ) " %-+ " 1912 1910 $4 8 4 . 4J $ A P - ( ) " , ( "" .# 1956 1931 ( . ( ) "/ * , " : (" ) " '& " ,/( " %4-+ C4D ( K( L(7 " N& : : " K( "/ * , " 1912 A4- O 4( J " " : " (( . , $ 8 ; 145 " : " -( . / CD ; ' #+ C'# * , ( 5 9H 8E ( . B # (/ @ * . , K( 6 ,+ L +( A- B 8K4, " : " C'# 1J "/ * C(, . E ' " "/ * 1929 . , K, $ 2 8 -5 , # ( $ -&/ 7D Q 7 ( , %-& : $ ( 4 4 LH* $- . ( : / 8A -( . CD . 6+(, +6 2* B 6 , 1.1.1.3 ! : N ( "# (( 8 H* T(, CD C5( <H $ ( ' * 1989 1933 1987 "4( <H ( ) # B- N ( " B M (" ) " R # " --& ( ) 2 / 2006 4 $4 8*6D C ( ) "# < D / K / 8 ' LH* 1973 1939 1934 1973 " 2 " " ( ) , K6 $ 8 ( ) " " . (" ) " "6 " " ( ) ( 1933 1935 1934 1929 7 *6 ( ) " 2 X . " 8 ( ) " (" ) " / .# (" ) 1931 1949 1964 1938 1954 ( ) " 4(/ 2 *4D " "4 ( ) : $ 8 ( ) +' ( ) " , " 8 ( ) 1943 ( ( ) " 2 *D " 1919 @ $H / $/ C( 8 $ ( $ 8 ' LH* 8 : ,& CD $ 2* B -( / . '(& *: 8 -# + C'# C6 / C( 8 , ' '( : : . 1 1923 1922 " A 4 4 (" ) 4 # C4, ( ) " " . "6' , ' '( -( 1922 1935 1934 4 4 " ( ") 4 " " . , K6 ( ) " " ( ( ) " "6 " ."/ 4 " : " - $ 2 $ (#7 (H ( 8B> ( C'# 2+( : $ # . 1931 2 *G ( ) " (/ 2 *D " $/ . B F(' - (& E (& 8$ 4 . 4 $5 $ E "6 '5 1 (H ( " : + # 5 1938 9H4/ . &- H " , " H&( , + I# "' ( ) " , " 1937 1938 2 / N ( ( ") B $ (" ) " N -# "" R # " $ . ( " " . " 3 4,( " #- + +6 J5 J5 2 +( : % # . 1934 *46 ( ) " 2 X . " . C'# +6 CD * - 8*(, 1 8 J 1941 + +6 R/ - " / . # " ( . , K6 ( ) " / .# " 7 .*(, .+(7 " , ( J( 85 C'# ';( " 4 & ( $ # . O ( ,, ( H&(( ' & . 1967 ( . ( ) 4 " 9' :" & ( $ . : C'# 1939 . + & ( ' + + ( ) " 5 E# " ( 5 4# :" 4 ( 2 4/ N ( $ " *H "/ C'# :/(( $ . 1944 1940 1938 1933 ( ( ) " I 4+ 64 (" ") 2 4/ (" ) " N -# " ( ) " R 1938 (. (. ) " " 1925 4 46( / " " " ,', , K6 ( ) " 2 " / @ " 24 " Gibb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
Recommended publications
  • The Role of Social Agents in the Translation Into English of the Novels of Naguib Mahfouz
    Some pages of this thesis may have been removed for copyright restrictions. If you have discovered material in AURA which is unlawful e.g. breaches copyright, (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please read our Takedown Policy and contact the service immediately The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Vol. 1/2 Linda Ahed Alkhawaja Doctor of Philosophy ASTON UNIVERSITY April, 2014 ©Linda Ahed Alkhawaja, 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without proper acknowledgement. Thesis Summary Aston University The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Linda Ahed Alkhawaja Doctor of Philosophy (by Research) April, 2014 This research investigates the field of translation in an Egyptain context around the work of the Egyptian writer and Nobel Laureate Naguib Mahfouz by adopting Pierre Bourdieu’s sociological framework. Bourdieu’s framework is used to examine the relationship between the field of cultural production and its social agents. The thesis includes investigation in two areas: first, the role of social agents in structuring and restructuring the field of translation, taking Mahfouz’s works as a case study; their role in the production and reception of translations and their practices in the field; and second, the way the field, with its political and socio-cultural factors, has influenced translators’ behaviour and structured their practices.
    [Show full text]
  • Naguib Mahfouz (1911-2006)
    – َلذ وجٍت محفُظ فً 11 دٌسمجر 1111، َأمضى طفُلزً فً حً الجمبلٍخ حٍث َلذ، ثم اوزلم إلى حمً الحسمٍه َالوُيٌمخ ثم إلمى العجبسمٍخ . َحصم وجٍمت محفمُظ علمى لٍسمبوا اَداة مسم الفلسممفخ عممب 1134. َمممذ عممم وجٍممت محفممُظ مممذٌرال للرمبثممخ علممى المصممىفبد الفىٍممخ، ثمم مممذٌرال لمؤسسخ دعم السمٍىمب َيسٍسمبل لمجلما إدايرٍمب ، ثم يسٍسمبل لمؤسسمخ السمٍىمب ، ثم مسزامبيال لمُ ٌر الثلبفخ لائُن السٍىمب، َمذ أحٍ إلى المعبش عب 1191. ول وجٍت محفُظ فً أعمبلً حٍبح الطجلخ المزُ س م ط خ ف م ً أ ح ٍ م ب ل ا ل ل م ب ٌ ر ح ، ف ع ج م ر ع م ه ٌ م ُ م ٍ م ب َ أ ح ع م ٍ م ب ، َ ع م ا م ل ل ٍ م ب َ ر ُ س م ب ر ٍ ب حٍبل اللضبٌب المصٍرٌخ. كمب صُي حٍبح اﻷسرح المصرٌخ فً ععمبرٍب الذاخلٍخ َامزذاد ٌمهي الععممبد فمً المجزمم . َممذ ارسممذ أعمبلً ثبلُامعٍخ الحٍخ، ث ارخهد طبثعبل يمزًٌب كمب فً يَاٌبرً »أَﻻد حبيرىب« َ»الحرافٍص« َ»يحلخ اثه فطُمخ«.)1( » « http://www.shorouk.com/naguibmahfouz/ 1 http://www.shorouk.com/naguibmahfouz/ 2 3 . http://thaqafa.sakhr.com/ketab/pages.asp?Lnk=mhfoaz/a001.xml 4 http://ar.wikipedia.org/wiki/ 070101 Bibliotheca Alexandrina Compiled by Eiman El-Noshokaty, Maha El-Touny, Manar Badr & Sahar Essam Naguib Mahfouz (1911-2006) Egyptian novelist and screenplay writer who was awarded the Nobel Prize for Literature in 1988. Naguib Mahfouz was born in Cairo in 1911. Until 1972, Mahfouz was employed as a civil servant, first in the Ministry of Mortmain Endowments, then as Director of Censorship in the Bureau of Art, as Director of the Foundation for the Support of the Cinema, and, finally, as consultant on Cultural Affairs to the Ministry of Culture.
    [Show full text]
  • Spring 07 Catalog Dec 19.Indd
    ARABIC LITERATURE A politically charged novel from Egypt’s Nobel laureate Karnak Café Naguib Mahfouz A Modern Arabic Novel Translated by Roger Allen t a Cairo café, a cross-section of Egyptian society, young and old, rich and poor, are Adrawn together by the quality of its coffee and the allure of its owner, legendary former dancer Qurunfula. When three of the young patrons disappear for prolonged periods, the older customers display varying reactions to the news. On their return, they recount horrific stories of arrest and torture at the hands of the secret police, and the habitués of the café begin to with- draw from each other in fear, suspecting that there is an informer among them. With the night- time arrests and the devastation of the country’s defeat in the 1967 War, the café is transformed from a haven of cameraderie and bright-eyed idealism to an atmosphere charged with mounting suspicion, betrayal, and crushing disillusionment. Exposing the dark underbelly of ideology, and delving into the idea of the ‘necessary evils’ of social upheaval, Karnak Café remains one of the Nobel laureate’s most pointedly critical works, as relevant and incisive today as it was when it was first published in 1971. NAGUIB MAHFOUZ was born in 1911 in the crowded Cairo district of Gamaliya. He wrote nearly 40 novel-length works, plus hundreds of short stories and numerous screenplays. He was awarded the Nobel prize for literature in 1988. He died in Cairo on August 30, 2006 at the age of 94. March 96pp. Hardbound ROGER ALLEN is professor of Arabic language and ISBN-10 977 416 072 X literature at the University of Pennsylvania.
    [Show full text]
  • Chapter-2 Contribution of Najiib Mahfouz to the Development Of
    46 CHAPTER-2 CONTRIBUTION OF NAJIIB MAHFOUZ TO THE DEVELOPMENT OF ARABIC LANGUAGE AND LITERATURE Introduction: Najib Mahfouz was one of the leading Egyptian figures who had contributed to the development of Arabic language and literature through his valuable writings. He was mostly famous as a novelist, short story writer as well as dramatist. As a well- known novelist of Egypt, Najib Mahfouz has produced the most professional novels of all about Cairo, its people and life. He portrays the changes that have occurred in the lives of the Egyptians highlighting the difference between one generation and another as these are influenced by new sources, ideas and events. He was an Innovative novelist and author of Awlad Haratina (The Children of our Alley), serialized in 1959for which he was awarded as the first Arab Writer who won the Nobel Prize for literature in 1988. Here I am going to give a brief description about the life and academic career of Najib Mahfouz as follows- 2.1 Life and Academic Career of Najib Mahfouz: Najib Mahfouz the leading personality of modern Arabic intellectual of Egypt was born in 11th December, 1911, when British were ruled over the whole Egypt. Najib Mahfouz spent his childhood in the Jamaliyya neighborhood, Jamaliyya was the district in which Mahfouz lived when he experienced perhaps the most important event of his 47 life. Mahfouz, although still a young boy, was strongly marked by the revolutionary spirit. The theme of personal and political freedom was one he visited again and again in his literary work. Mahfouz and more and more enthusiastic about the cause.
    [Show full text]
  • Mahfouz Between Lukácsian and Brechtian Approaches to Realism
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 12 (2010) Issue 3 Article 10 Mahfouz between Lukácsian and Brechtian Approaches to Realism David F. DiMeo United States Military Academy West Point Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation DiMeo, David F "Mahfouz between Lukácsian and Brechtian Approaches to Realism." CLCWeb: Comparative Literature and Culture 12.3 (2010): <https://doi.org/10.7771/1481-4374.1536> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • Questions by Cornell TOSSUPS TOSSUP 1 a Union Scout Tricks
    Terrier Tussle 6: February 8, 1997 Round 2: Questions by Cornell TOSSUPS TOSSUP 1 A Union scout tricks Alabama plantation owner Peyton Farquhar into plotting a one-man guerrilla raid to destroy a bridge captured by Union forces. Farquhar is captured and sentenced to hang, and hang he does, despite a vivid reverie in which he escapes in, FfP, what short story by Ambrose Bierce? Answer: "An _OCCURRENCE AT OWL CREEK BRIDGE"_ TOSSUP 2 In January, Archbishop William Levada asked the mayor of this city to exempt Catholic Charities from the law which would require them to provide benefits to same sex partners. For 10 points, in what city was the Archbishop rebuffed and the act signed into law without exemption by Mayor Willie Brown? Answer: _SAN FRANCISCO_ (Prompt on "Catholic Charities") TOSSUP 3 It holds well for blood types, but it.fails for major birth defects, since holders of a defective gene often fail to reproduce. It also fails for intelligence and skin color, since there's a correlation between the intelligence levels or skin colors of two mates. FfP, name the law stating that, subject to four assumptions, gene frequencies remain constant between generations. Answer: _HARDY-WEINBERG_ Law (Prompt on "Hardy" or ''Weinberg'' by itself) TOSSUP 4 It's neither Rococo nor Gaudi, but it this fancy art term does refer to twisted or conical columns and to indiscliminate ornamentation. Named for a family of architects, it came to refer to the middle phase of Spanish Baroque. Perhaps easily confused with the Italian word for light-dark, FTP, give this 15-letter word.
    [Show full text]
  • Gender Relations in the Arab World a Rhetorical Criticism of Naguib Mahrouz's Awlad Haratina
    GENDER RELATIONS IN THE ARAB WORLD A RHETORICAL CRITICISM OF NAGUIB MAHROUZ'S AWLAD HARATINA Hoda Al-Mutawah A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2005 Committee: Alberto Gonzalez, Advisor Sherlon Brown Graduate Faculty Representative John Warren Nancy Brendlinger Awad Ibrahim ii ABSTRACT Alberto Gonzalez, Advisor This study examined the novel by Nahjib Mahfouz, Awlad Haratina, or Children of the Alley. The goal of this examination was to reveal how gender relations are rhetorically created within the Arab cultural context. This study found that two rhetorical strategies mediated gender relations and provided a path for improving gender relations. The strategies were Lamentation and Muruwa. iii ACKNOWLEDGMENTS Thanks to the Great God for making this world so beautiful and harmonious. Thanks to my little island Bahrain, which gave me its eternal beauty as a child, and made me an eternal ambassador for peace wherever my path takes me. Special thanks to Dr. Alberto Gonzalez, my Chair and his family, Jo Beth, Monica, V. and Grandpa Sil Gonzalez for being important part of my life in Bowling Green. Special thanks to my committee members, Dr. John Warren, Dr. Nancy Brendlinger, Dr. Sherlon Brown, Dr. Bettina Heinz, and Dr. Awad Ibrahim for their belief in me. Thank you, Dwayne Beggs, Sarah Jeffers, and Beth Kelly for your help preparing this manuscript. Special thanks to my family who kept their faith in me despite our differences: My father who planted a good seed in each of us, his eight children, leaving us to carve our way in this life bare- handed.
    [Show full text]
  • Prostitution and Personhood: a Reading of Naguib Mahfouz’S the Thief and the Dogs Sophia I
    Prostitution and Personhood: A Reading of Naguib Mahfouz’s The Thief and the Dogs Sophia I. Akhuemokhan and H. Oby Okolocha Introduction The prostitute is a recurrent and diversified figure in the novels of Naguib Mahfouz. There are top-notch prostitutes, such as the celebrated singers Madame Zubayda and Jalila in Palace Walk. There are the more modest semi-professionals, such as Tahiya, whose seamy career as an actress in Wedding Song cannot totally exclude an element of procuring. Again, there are the retired matrons – Mariana in Miramer, who runs a small but lucrative pension house; and the aforementioned Jalila, who re-surfaces in Sugar Street as the elderly proprietress of a brothel. At the other extreme are the young girls, the newly-initiated bent on making a fortune out of the trade, examples being the lute-player Zanuba in Palace Walk, and Hamida in Midaq Alley. And then, again, there is Nur, the jaded, warm-hearted, and endearing heroine of The Thief and the Dogs. Nur is a particularly engaging character because her unfortunate circumstances have not diminished her compassion. Her achievement in this respect is underscored by the fact that she is constantly placed side by side with another socially-challenged individual, Said, who allows his circumstances to brutalise him. Said is a thief, and a murderer. Both himself and Nur see the worst that their fellow citizens have to offer, but while his moral fibre warps significantly in the process, hers remains comparatively even. The narrative traces a fascinating parallel between the two outlaws and their response to exploitation, but ultimately it is Nur, the minor character, that seems to make the major impact.
    [Show full text]
  • The American University in Cairo Press 1 Abusir Abydos Afterglow Of
    Abusir Abydos Afterglow of Empire The Necropolis of the Sons of Egypt’s First Pharaohs and the Egypt from the Fall of the New the Sun Cult of Osiris Kingdom to the Saite Archaeology and Ancient Egypt Archaeology and Ancient Egypt Renaissance Archaeology and Ancient Egypt Miroslav Verner David O’Connor Aidan Dodson pp 448 | Hbd 9789774162787 pp 216 | Hbd pp 352 | Hbd 978 977 416 790 4 978 977 416 278 7 978 977 416 531 3 9789774167904 Spring 2009 9789774165313 LE750 | $49.95 | £40 LE350 | $39.95 | £24.95 LE220 | $29.95 | £19.95 Fall 2017 Spring 2012 For sale worldwide For sale only in the ME For sale worldwide Akhenaten The Akhenaten Colossi Amarna Sunrise A Historian's View of Karnak Egypt from Golden Age to Age Archaeology and Ancient Egypt of Heresy Archaeology and Ancient Egypt Archaeology and Ancient Egypt Ronald T. Ridley Lise Manniche Aidan Dodson pp 352 | Hbd pp 208 | Hbd pp 280 | Pbk 978 977 416 793 5 9789774163494 978 977 416 349 4 978 977 416 774 4 9789774167935 LE600 | $59.95 | £49.95 Spring 2010 LE300 | $29.95 | £19.95 9789774167744 LE250 | $19.95 | £14.95 Fall 2018 Fall 2016 For sale worldwide For sale worldwide For sale worldwide Forthcoming Amarna Sunset Amarna Sunset Ancient Egypt Nefertiti, Tutankhamun, Ay, Nefertiti, Tutankhamun, Ay, An Artist's Coloring Book Horemheb, and the Egyptian Horemheb, and the Egyptian Archaeology and Ancient Egypt Counter-Reformation Counter-Reformation (Revised Archaeology and Ancient Egypt Edition) Archaeology and Ancient Egypt Aidan Dodson Aidan Dodson Dominique Navarro pp 232 | Hbd pp 232
    [Show full text]
  • NAGUIB MAHFOUZ the Day the Leader Was Killed Naguib Mahfouz
    NAGUIB MAHFOUZ The Day the Leader Was Killed Naguib Mahfouz is the most prominent author of Arabic fiction published in English today. He was born in Cairo in 1911 and began writing when he was seventeen. A student of philosophy and an avid reader, he has been influenced by many Western writers, including Flaubert, Balzac, Zola, Camus, Tolstoy, Dostoevsky, and, above all, Proust. He has more than thirty novels to his credit, ranging from his earliest historical romances to his most recent experimental novels. In 1988, Mr. Mahfouz was awarded the Nobel Prize in Literature. He lives in the Cairo suburb of Agouza with his wife and two daughters. THE FOLLOWING TITLES BY NAGUIB MAHFOUZ ARE ALSO PUBLISHED BY ANCHOR BOOKS: The Thief and the Dogs The Beginning and the End Wedding Song The Beggar Respected Sir Autumn Quail The Time and the Place and other stories The Search Midaq Alley The Journey of Ibn Fattouma Miramar Adrift on the Nile The Harafish Arabian Nights and Days Children of the Alley Echoes of an Autobiography Akhenaten The Cairo Trilogy: Palace Walk Palace of Desire Sugar Street The Day the Leader Was Killed NAGUIB MAHFOUZ Translated by Malak Mashem ANCHOR BOOKS A DIVISION OF RANDOM HOUSE, INC. NEW YORK AN ANCHOR ORIGINAL, JUNE 2000 English translation copyright © 1997 by The American University in Cairo Press All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Anchor Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
    [Show full text]