Dorrance Dance Michelle Dorrance, Artistic Director

Total Page:16

File Type:pdf, Size:1020Kb

Dorrance Dance Michelle Dorrance, Artistic Director Friday, October 27, 201 7, 8pm Zellerbach Hall Dorrance Dance Michelle Dorrance, artistic director Dancers Ephrat “Bounce” Asherie, Christopher Broughton, Elizabeth Burke, Warren Craft, Michelle Dorrance, Claudia Rahardjanoto, Byron Tittle, Matthew “Megawatt” West, Gabriel Winns Ortiz, Nicholas Van Young PROGRAM Jungle Blues (2012) Choreography by Michelle Dorrance With solo improvisation by Christopher Broughton Music by Branford Marsalis Quartet Lighting Design by Kathy Kaufmann Costume Design by Amy Page DANCERS Full Company SOLOISTS Claudia Rahardjanoto Elizabeth Burke & Nicholas Van Young Michelle Dorrance & Warren Craft Byron Tittle Christopher Broughton PAUSE Three to One (2011) Choreography by Michelle Dorrance Music by Aphex Twin, Thom Yorke Lighting Design by Kathy Kaufmann Costume Design by Michelle Dorrance and Mishay Petronelli DANCERS Michelle Dorrance, Byron Tittle, Matthew “Megawatt” West The creation of Three to One was made possible, in part, by the Danspace Project 2010 –11 Commissioning Initiative with support from the Jerome Foundation. Danspace’s Commissioning Initiative is a core component of the Choreographic Center Without Walls (CW²). PAUSE Myelination (2017) Choreography by Michelle Dorrance, in collaboration with and featuring improvisation by the dancers Additional choreography by Ephrat “Bounce” Asherie and Matthew “Megawatt” West Original Music by Prawn til Dante (Donovan Dorrance and Gregory Richardson) with Aaron Marcellus Lighting Design by Kathy Kaufmann Costume Design by Amy Page Elizabeth Burke and Byron Tittle, dance captains DANCERS Full Company MUSICIANS Donovan Dorrance, piano and clarinet Aaron Marcellus, vocals and keys Gregory Richardson, bass and clarinet Nicholas Van Young, percussion WITH Warren Craft, guitar Myelination (2017) has been commissioned, in part, by Cal Performances, UC Berkeley. Myelination (2017 and 2015) has also been commissioned by New York City Center for the Fall for Dance Festival with generous support from the Virginia B. Toulmin Foundation. Music for Myelination (2015) commissioned by the Charles and Joan Gross Family Foundation. Myelination (2017) was also made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. The 2017 –18 creation and presentation of an evening-length version of Myelination is also supported, in part, by a New Music USA Project Grant. The presentation of Dorrance Dance was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. 6 ABOUT THE ARTISTS Dorrance Dance is an award-winning tap Stephen Colbert ), Damian Woetzel's Vail Dance dance company based in New York City. The Festival Projects, and the Martha Graham company’s work aims to honor tap dance’s Dance Company (guest choreographer and uniquely beautiful history in a new, dynamic, performer); she also toured the world playing and compelling context; not by stripping the bass for indie-pop sensation Darwin Deez. A form of its tradition, but by pushing it—rhyth - 2016 –17 New York City Center Choreography mically, technically, and conceptually. The com - Fellow, 2016 United States Artists Award Re - pany’s inaugural performance garnered a cipient, 2 015 MacArthur Fellow, 2014 Alpert “Bessie” Award for “blasting open our notions Award winner, 2013 Jacob’s Pillow Dance Award of tap” and the company continues its passion - winner, 2012 Princess Grace Award winner, 2012 ate commitment to expanding the audience for Field Dance Fund recipient, 2011/2015 “Bessie” tap dance, one of America’s original art forms. Awar d winner, and a Capezio Athlete, Dorrance Founded in 2011 by artistic director and holds a bachelor’s degree from New York Uni - 2015 MacArthur Fellow Michelle Dorrance, the versity and teaches on faculty for IFTRA. company has received countless accolades and rave reviews and performed for packed houses Ephrat “Bounce” Asherie (dancer ), a 2016 at venues including the Joyce Theater, New York “Bessie” Award winner for Innovative Achieve - City Center, Lincoln Center Out of Doors (New ment in Dance, is a New York City-based b-girl, York City), the Kennedy Center (Wash ington, dancer, and choreographer. As artistic director DC), Jacob’s Pillow Dance Festival (Beck ett, of Ephrat Asherie Dance, she has presented MA), Vail International Dance Festi val (Vail, work at Jacob’s Pillow, Fira Tarrega, and New CO), National Arts Centre of Canada and York Live Arts, among others. Asherie has re - Danse Danse Montréal (Canada), Fira Tarrega ceived numerous awards to support her work, (Spain), Staats theater Darmstadt (Ger many), including a Kevin Spacey Artist of Choice Hong Kong Arts Festival, as well as many col - Award, a Mondo Cane! Commission from leges and universities across the United States. Dixon Place, and an Extended Life Residency from the Lower Manhattan Cultural Council. She is on faculty at Wesleyan University and PERFORMERS Broadway Dance Center. For more information please visit www.ephratasherie.com. Michelle Dorrance (artistic director, chore - Christopher Broughton (dancer ), born and ographer, and dancer ), raised in Los Angeles, began dancing at the age founder and artistic of 11 and has never looked back. Under the director of Dorrance instruction of Paul and Arlene Kennedy at Uni - Dance, is a New York versal Dance, he soon became a member of the City-based tap dancer, Kennedy Tap Company, where he twice re - performer, choreogra - ceived the national NAACP ACT-SO Award. pher, teacher, and director. Mentored by Gene Broughton now travels worldwide both as a Med ler, she grew up performing with his North soloist and with Jason Samuels Smith’s A.C.G.I., Caro lina Youth Tap Ensemble and has since Rasta Thomas’ Tap Stars , and Dor rance Dance. performed with STOMP , Savion Glover’s ti dii, Performances include New York City Cen - Manhattan Tap, Barbara Duffy & Co, JazzTap ter’s Cotton Club Parade ; Juba! Master’s of Tap Ensemble, Rumba Tap, Ayodele Casel’s Diary & Percussive Dance at the Kennedy Center; and of a Tap Dancer , Mable Lee’s Dancing Ladies, Broadway’s Tony and Astaire Award-winning Harold Cromer’s original Opus One , Derick production After Midnight. Grant’s Imagine Tap , Jason Samuels Smith’s Charlie’s Angels/Chasing the Bird , Jon Batiste Elizabeth Burke (rehearsal director and dancer ) and Stay Human (on CBS’ The Late Show with has been working with Dorrance Dance since 6b PLAYBILL ABOUT THE ARTISTS the company’s inception in 2010 –11 and prior voice before attending the University of North to that spent 11 years under the tutelage of her Carolina (BA in philosophy). After spending mentor, Gene Medler, in the acclaimed North time singing in an a cappella group, drumming Carolina Youth Tap Ensemble. She also works in an indie-rock band, and waiting tables in with Nicholas Young’s Sound Movement Dance restaurants, Donovan moved to Brooklyn to Company and Caleb Teicher & Company, as assist his sister’s company and pursue his pas - well as with other choreographers. Burke is a sion for music. In his spare time, he composes graduate of the School at Jacob’s Pillow and music with Greg Richard son for Dorrance Mary mount Manhattan College (bachelor’s de - Dance, takes online business courses, and is grees in political science and communication occasionally published in his UNC professors’ arts, magna cum laude, 2014). When not work - books in the field of philosophy. ing with Dorrance Dance, Burke teaches and pursues her own choreographic work. Aaron Marcellus (co-composer and musician ), a singer, vocal coach, writer, musician, dancer, Warren Craft (dancer ) is a New York City tap and actor from Atlanta, started in Gospel music dancer who has trained in ballet with both the and has performed around the world. He has American Ballet Theatre and the School of recorded albums and was selected part of the American Ballet. He has been a member of Top 24 on American Idol in 2011. After a world Brenda Bufalino’s New American Tap Dance tour, Marcellus was featured in a Chapstick Orchestra, Max Pollak’s RumbaTap, and Dor - commercial, on NBC’s Next Caller , and as a cast rance Dance. Craft moves with “bizarre physi - member of STOMP . He also hosts a burlesque cality” and “unconventional eloquence” ( New show at Duane Park. Most importantly, Marcel - York Times ). lus founded both Surrender To Love, LLC, a foundation that supports arts programs and Donovan Dorrance (music director, composer, seeks to feed the hungry, and Adventure Voice, and musician ) hails from Chapel Hill, NC, a training program offering vocal classes for where he studied piano, guitar, drums, and groups and individuals. 7 ABOUT THE ARTISTS Claudia Rahardjanoto (dancer ) was born and rance. Continually taking her master classes raised in Berlin, Germany, and started dancing and workshops, he joined the company in 2013 professionally at the age of nine at the Deutsche and has been involved with the ensemble since Oper Berlin. Named one of “25 To Watch” then. Commercially, Tittle has danced for Janet by Dance Magazine in 2010 and featured on Jackson and Nicki Minaj but feels most at home the cover of Dance Teacher Magazine in 2011, on stage with Dorrance Dance. she has danced with and learned from Andreas Dänel, Sven Göttlicher, Dianne Walker, Ted Nicholas Van Young (dancer and musician ), a Levy, Dormeshia Sumbry-Edwards, Michelle New York-based dancer, choreographer, musi - Dorrance, Derick Grant, Brenda Bufalino, cian, and master teacher, began his professional Roxane Butterfly, Andrew Nemr, Barbara career under Acia Gray and Deidre Strand with Duffy, Jane Goldberg, Jared Grimes, Max Pol - Tapestry Dance Company in Austin, TX, even - lak, Michael Minery, the late Harold “Stumpy” tually becoming a principal dancer and resident Cromer, and the legendary Mable Lee, among choreographer. Since moving to New York, he others.
Recommended publications
  • FOR IMAGES and MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations Coordinator 413.243.9919 X132 [email protected]
    FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations Coordinator 413.243.9919 x132 [email protected] TIRELESS: A TAP DANCE EXPERIENCE, AT JACOB’S PILLOW JUNE 28-JULY 2 CURATED BY TAP SENSATION MICHELLE DORRANCE June 5, 2017 – (Becket, MA) Astonishing tap artists from across the U.S. and abroad come together in a Jacob’s Pillow-exclusive program curated and introduced by the “tireless ambassador of tap” Michelle Dorrance (The New York Times). TIRELESS: A Tap Dance Experience will come to the Ted Shawn Theatre, June 28-July 2, and features outstanding tap artists including Jumaane Taylor and M.A.D.D. Rhythms of Chicago, siblings Joseph and Josette Wiggan of Los Angeles, Joe Orrach of San Francisco, and Reona and Takashi Seo of Japan. A Tap Program in The School at Jacob’s Pillow, All Styles Dance Battle, and many free public events make this an expansive week celebrating the art of tap dance. “I’m very interested in exploring the practice of artist as curator,” comments Pamela Tatge, Jacob’s Pillow Director. “A year ago, Michelle Dorrance had just returned from Japan where she regularly interacts with their vibrant and innovative tap scene. She told me about Reona Seo and that led her to highlight for me the many explosive tap talents she sees in the U.S. and abroad. I had the idea that we should invite her to bring some of these artists together in an evening that she would curate exclusively for the Pillow. And so, TIRELESS was born. We also invited Michelle and Dormeshia Sumbry-Edwards to host a two week program at The School so that young talents will have the opportunity to learn from them, outstanding faculty, and all of the virtuosic artists performing at the Festival.
    [Show full text]
  • Dorrance Dance
    BLUE RIBBON CHILDREN’S FESTIVAL CURRICULUM MATERIALS Dorrance Dance March 2nd, 2021 Materials by: Susan Cambigue Tracey & Tara Cook Davis 1" TABLE OF CONTENTS Overview of the Blue Ribbon Children’s Festival 3 Before You Experience the Festival 4 Story of Dorrance Dance 5# • Meet the Creative Team 6 • Themes 7 Preparation • Short History of Tap Dance 8 $ Dance Movement Terms 9 $ Things to Watch for at the Performance 10# After the Performance# • Draw Your Impressions; Dance and Movement 11 • Assessment for Students 12 Short and Easy Lessons for the Classroom • Becoming a Musician 13-15 • Learning to Tap 16-17 • Tap Dance-Movement Bank 18-19 • Tap Choreography 20-21 Background on The Music Center 22 Dance for Students to Learn 23-25 • Directions for the Dance 2" OVERVIEW THE 50TH ANNUAL BLUE RIBBON CHILDREN’S FESTIVAL The Blue Ribbon Children’s Festival - one of California’s longest ongoing free arts education programs, and a huge favorite among L.A’s students and teachers - is now expanding from fifth grade to include students in grades 3-12! The Blue Ribbon Children’s Festival is an opportunity for students to experience the performing arts by a professional dance company, along with the chance to dance along at home. WHEN? March 2, 2021 10:00am-10:45 WHERE?# http://musiccenter.org/brcf WHAT DOES IT INCLUDE? Performance of Holiday House Jam, Basses Loaded, Sugar Rum Cherry and Cavalier Duet, Aaron and Warren Trade and DD128QR by Dorrance Dance Materials for teachers Curriculum, Dance Directions, Instructional link for the Student Dance WHO SPONSORS IT? The Blue Ribbon in association with The Music Center 3" Before You Experience The Festival REVIEW all the included background information.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Black Dance Stories Kicks Off March 2021 Programming with 'The
    Black Dance Stories Kicks off March 2021 Programming with ‘The Professor of Tap’ Dianne ‘Lady Di’ Walker and Choreographer/Dancer Gabri Christa, Thu Mar 4 at 6pm Featured Guests Include Gesel Mason, Jamal Story, Sidra Bell, Archie Burnett, Natasha Diamond-Walker, and Trebien Pollard (Brooklyn, NY/ March 4, 2021) – Black Dance Stories kicks off its March 2021 programming with tap legend Dianne "Lady Di" Walker and choreographer/dancer Gabri Christa on Thursday, March 4. The popular program will present new episodes during March featuring Black dancers, choreographers, movement artists, and creatives who use their work to raise societal issues and strengthen community. Black Dance Stories also welcomes Gesel Mason, Jamal Story, Sidra Bell, Archie Burnett, Natasha Diamond-Walker, and Trebien Pollard. The series streams live on YouTube Thursdays at 6 pm EST. Conceived and co-created by performer, producer, and dance writer Charmaine Warren, the weekly discussion series showcases and initiates conversations with Black creatives that explore social, historical, and personal issues and highlight the African Diaspora's humanity in the mysterious and celebrated dance world. Black Dance Stories is presented in association with 651 ARTS. Black Dance Stories Upcoming Live Episodes Thursdays at 6 pm EST • March 4, 2021 | Dianne Walker & Gabri Christa • March 11, 2021 | Gesel Mason & Jamal Story • March 18, 2021 | Sidra Bell & Archie Burnett • March 25, 2021 | Natasha Diamond-Walker & Trebien Pollard In January 2021, Black Dance Stories and 651 ARTS announced their partnership to co-present the series for the Spring 2021 season. The new partnership reflects Black Dance Stories' commitment to support, uphold, highlight, and celebrate Black creatives and mark the first time 651 presents an online series as part of its suite of programming.
    [Show full text]
  • Dorrance Dance Program
    Corporate Season Sponsor: Dorrance Dance Michelle Dorrance, Artistic Director Wed, Mar 8 / 8 PM / Granada Theatre Dance Series Sponsors: Annette & Dr. Richard Caleel Margo Cohen-Feinberg & Robert Feinberg and the Cohen Family Fund Irma & Morrie Jurkowitz Barbara Stupay Corporate Sponsor: The Lynda and Bruce Thematic Learning Initiative: Creative Culture ACT I Excerpts from SOUNDspace (2013)* I have had the honor of studying with and spending time with a great number of our tap masters before they passed Direction and Choreography: Michelle Dorrance, with solo away: Maceo Anderson, Dr. Cholly Atkins, Clayton “Peg- improvisation by the dancers Leg” Bates, Dr. James “Buster” Brown, Ernest “Brownie” Brown, Harriet “Quicksand” Browne, Dr. Harold Cromer, Dancers: Ephrat “Bounce” Asherie, Elizabeth Burke, Gregory Hines, Dr. Jeni Legon, Dr. Henry LeTang, LeRoy Warren Craft, Michelle Dorrance, Carson Murphy, Myers, Dr. Fayard and Harold Nicholas, Donald O’Connor, Dr. Leonard Reed, Jimmy Slyde and Dr. Prince Spencer. Leonardo Sandoval, Byron Tittle, Nicholas Van Young I would also like to honor our living masters whom I am constantly influenced by: Arthur Duncan, Dr. Bunny Briggs, *Originally a site-specific work that explored the unique acoustics of New Brenda Bufalino, Skip Cunningham, Miss Mable Lee and Dianne Walker. York City’s St. Mark’s Church through the myriad sounds and textures of the feet, “SOUNDspace” has been adapted and continues to explore what is most While we are exploring new ideas in this show, we are also beautiful and exceptional about tap dancing – movement as music. constantly mindful of our rich history. Dr. Jimmy Slyde was The creation of “SOUNDspace” was made possible, in part, by the Danspace the inspiration for my initial exploration of slide work in Project 2012-2013 Commissioning Initiative, with support from the New York socks (in the original work) and his influence continues to State Council on the Arts.
    [Show full text]
  • Dorrance Dance: Jungle Blues, Three to One, Myelination
    PHOTO BY MATT MURPHY DORRANCE DANCE: JUNGLE BLUES, THREE TO ONE, MYELINATION Thursday, March 14, 2019, at 7:30pm Tryon Festival Theatre PROGRAM DORRANCE DANCE: JUNGLE BLUES, THREE TO ONE, MYELINATION DANCERS Ephrat “Bounce” Asherie Christopher Broughton Elizabeth Burke Warren Craft Brittany DeStefano Michelle Dorrance Claudia Rahardjanoto Byron Tittle Matthew “Megawatt” West Nicholas Van Young MUSICIANS Donovan Dorrance Aaron Marcellus Gregory Richardson Nicholas Van Young Warren Craft Michelle Dorrance, artistic director Donald Borror, executive director Christopher Marc, production manager/sound engineer Tina Huang Abrams, company manager Nicholas Van Young, associate artistic director Olivia Maggi, assistant to the artistic director Elizabeth Burke, rehearsal director Donovan Dorrance, music director Kathy Kaufmann, lighting designer Serena Wong, lighting supervisor Diego Quintanar, technical director/assistant stage manager Margaret Selby, Selby/Artists Management, artist representative 2 JUNGLE BLUES (2012) Michelle Dorrance, choreography Christopher Broughton, solo improvisation Kathy Kaufmann, lighting design Amy Page, costume design Fred “Jelly Roll” Morton: Jungle Blues Courtesy of Edwin H Morris & Company, A Division of MPL Music Publishing, INC. (ASCAP) Full company, with solos by: Claudia Rahardjanoto Elizabeth Burke and Nicholas Van Young Michelle Dorrance and Warren Craft Byron Tittle Christopher Broughton THREE TO ONE (2011) Michelle Dorrance, choreography Kathy Kaufmann, lighting design Michelle Dorrance and Mishay Petronelli, costume design Richard D James: Nannou Published By: BMG Blue (BMI) obo Chrysalis Music Ltd; Used by permission. All rights reserved. Thom Yorke: A Rat’s Nest Courtesy of Kobalt Music Performers: Michelle Dorrance Byron Tittle Matthew “Megawatt” West The creation of Three to One was made possible, in part, by the Danspace Project 2010-2011 Commissioning Initiative with support from the Jerome Foundation.
    [Show full text]
  • Dorrance Dance
    54 Dorrance Dance DORRANCE DANCE Memminger Program 1: June 1 – June 4 Auditorium Program 2: June 6 – June 9 Program 1 June 1, 8:00pm; June 2, 8:00pm; June 3, 5:00pm; June 4, 7:00pm ETM: Double Down (2016) Creators Michelle Dorrance and Nicholas Van Young Original Tap Instrument Design Nicholas Van Young Choreography Michelle Dorrance and Nicholas Van Young with Ephrat “Bounce” Asherie and solo improvisation by the dancers Original Music Composition and Improvisation Gregory Richardson, Donovan Dorrance, Nicholas Van Young, Aaron Marcellus, and Warren Craft, with Michelle Dorrance Additional Music Adele Adkins, Karin Dreijer Andersson, Olof Dreijer, Justin Vernon, Patrick Watson Lighting Design Kathy Kaufmann Costume Design Amy Page and Shiori Ichikawa Dancers Ephrat “Bounce” Asherie, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Leonardo Sandoval, Byron Tittle, Nicholas Van Young Musicians Piano/Controllerist Donovan Dorrance Vocals Aaron Marcellus Bass/Guitar Gregory Richardson Drums/Percussion Nicholas Van Young Drums/Percussion Warren Craft Drums/Percussion Michelle Dorrance 1 hour, 45 minutes | Performed with one intermission Dorrance Dance 55 Program 2 June 6, 7:00pm; June 7, 6:00pm; June 8, 8:00pm; June 9, 5:00pm Jungle Blues (2012) Choreography Michelle Dorrance with solo improvisation by Christopher Broughton Lighting Design Kathy Kaufmann Costume Design Amy Page Music “Jungle Blues” by Fred “Jelly Roll” Morton Courtesy of Edwin H. Morris & Company, A Division of MPL Music Publishing, INC. (ASCAP) Dancers Ephrat “Bounce” Asherie, Christopher Broughton, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Claudia Rahardjanoto, Leonardo Sandoval, Byron Tittle, Matthew “Megawatt” West Three to One (2011) Choreography Michelle Dorrance Lighting Design Kathy Kaufmann Costume Design Michelle Dorrance and Mishay Petronelli Music “Nannou” by Richard D.
    [Show full text]
  • Dorrance Dance Sponsored by Sherman Capital Markets, Llc
    48 DANCE DORRANCE DANCE SPONSORED BY SHERMAN CAPITAL MARKETS, LLC SOUNDspace Memminger Auditorium May 31 and June 7 at 8:00pm; June 7 and 8 at 2:30pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli Original Live Music Greg Richardson Original Body Percussion Score Nicholas Young Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION. Originally a site-specific work that explored the unique acoustics of New York City’s St. Mark’s church through the myriad sounds and textures of the feet, SOUNDspace has been adapted specifically for Spoleto Festival USA and continues to explore what is most beautiful and exceptional about tap dancing—movement as music. DORRANCE DANCE 49 DELTA TO DUSK Memminger Auditorium June 1, 2, 5, and 6 at 8:00pm; June 3 at 7:00pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli, Michelle Dorrance, Andrew Jordan Music Toshi Reagon, Etta James, Muddy Waters, Chris Whitley, The Beatles, Regina Spektor, Fiona Apple, the Squirrel Nut Zuppers, Manu Chao, Radiohead,Stevie Wonder. Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Carson Murphy Claudia Rahardjanoto Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION.
    [Show full text]
  • JAZZ TAP ENSEMBLE: Tap Roots Live!
    DANCEMOTIONUSASM presents JAZZ TAP ENSEMBLE: Tap Roots Live! Artistic director Lynn Dally Dancers Maya Guice B’Jon Carter-Burnell Kenji Igus Sandy Vazquez Musicians Doug Walter, piano, alto saxophone Jerry Kalaf, drums David Dunaway, bass Music director Jerry Kalaf Lighting designer & technical director David Covey Managing director Gayle Hooks Trio Music Summertime Doug Walter, piano; David Dunaway, bass; Jerry Kalaf, drums Music: George Gershwin Improvisation by B’Jon Carter-Burnell Percussion #1 (Samba) Percussion #3 (Acapella) All Blues Choreography: Lynn Dally Song for My Father Music: Miles Davis Music: Horace Silver Performed by The Ensemble Improvisation by Kenji Igus St. Thomas Straight, No Chaser Music: Sonny Rollins Music: Thelonious Monk Doug Walter, piano; David Dunaway, bass; Jerry Kalaf, drums Doug Walter, alto saxophone; David Dunaway, bass; Jerry Kalaf, drums Doxy Interplay Choreography: Eddie Brown Choreography: Jimmy Slyde Music: Sonny Rollins Associates: Lynn Dally & Derick K. Grant Performed by Kenji Igus, B’Jon Carter-Burnell Lighting: David Covey Music: Special arrangement of jazz standards & originals by Jerry Kalaf Caravan Little Sunflower (Sonny Rollins): Maya Guice Music: Duke Ellington & Juan Tizol, featuring Doug Walter, alto saxophone I Remember You (Johnny Mercer): B’Jon Carter-Burnell Choreography & Performance by Sandy Vazquez Boogie Strut (Jerry Kalaf): Maya Guice & Sandy Vazquez Latin Episode (Percussion): Ensemble Percussion #2 (Afro Cuban) Jeannine (Duke Pearson): Kenji Igus Finale: Kenji Igus, B’Jon Carter-Burnell, Maya Guice, Sandy Vazquez Night in Tunisia Choreography: Lynn Dally We dedicate these performances of Interplay in Africa to our beloved Jimmy Music: Dizzy Gillespie Slyde. “There will never be another you…” Performed by Maya Guice, Sandy Vazquez, B’Jon Carter-Burnell Shim Sham Finale (Traditional) You Don’t Know What Love Is JTE Dancers & Musicians Music: Don Raye & Gene dePaul Choreography & Performance by Maya Guice Tap Roots Live! is 75 minutes in length with no intermission.
    [Show full text]
  • Tapology Dance Festival for Youth Summer Tap Intensive
    Tapology Dance Festival for Youth Summer Tap Intensive Monday August 20 th thru Friday August 24 th , 2012 at Flint Institute of Music Tapology offers one week of concentrated training for serious tap dance students. Successful attendees will audition for places in Tapology’s Youth Ensemble and perform in the October 28, 2012 Tapology Concert at Whiting Auditorium in Flint, sharing the stage with Chester Whitmore, Dianne Walker, Deborah Mitchell and more! The Summer Tap Intensive is open to ages 8 – 19. Successful participants must commit to and attend ALL selected workshop sess ions. Attendance is FREE! Priority given to Genesee County students Register NOW for best class selection. Phone (810) 787-0197 INSTRUCTORS Alexandria Bradley : Currently performing with the “Stomp” touring company, Bradley won Best Short Play in the Downtown Urban Theater Festival for her one woman show “Steps” in 2011. Selected as an Evolving Choreographer in the Harlem Stage’s E-Moves 9; she worked professionally with Savion Glover’s tap company Tii Dii while attending Marymount Manhattan College. She’s also appeared on the Jerry Lewis Telethon in the Emmy Award® winning Gregory Hines tribute choreographed by Jason Samuels Smith in 2003. Through heredity and mentorship of her father, Bradley is a talented performer, trained in the performance arts through music, dance, and theater since the age of 3. Frances Bradley : A Flint, Mi. native, Frances began her training under the guidance of her father, Bruce Bradley, at Creative Expressions Dance Studio. She served as an instructor and choreographer for Bradley’s Flintstone Hoofers. Other notable performances include: Tap Masters Honorarium in Oklahoma City, Savion Glover’s Footnotes in Detroit, MI, the 2000 National Tap Dance Day, Tap Extravaganza in New York City, Bubblin’ Brown Sugar in Atlanta GA and the West Oak Lane Jazz and Arts Festival in Philadelphia, PA.
    [Show full text]
  • Ethnic and Racial Formation on the Concert Stage: a Comparative Analysis of Tap Dance and Appalachian Step Dance
    Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Janet Kathleen Schroeder, MFA Graduate Program in Dance Studies The Ohio State University 2018 Dissertation Committee: Harmony Bench, Advisor Melanye White Dixon Kwaku Larbi Korang Hannah Kosstrin Copyright by Janet Kathleen Schroeder 2018 Abstract “Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance” is a revisionist project that explores the shared aesthetics and historical trajectories of these two percussive dance practices, which have ultimately developed into two distinct forms of dance. This dissertation investigates the choreographic and representational strategies choreographers use to transfer the histories and legacies of tap dance and Appalachian step dance to the stage, namely through a process I call concertization. In each analysis, I pay particular attention to representations of the complex ethnic and racial identities affiliated with each form and ways concertization highlights or obscures such affiliations. Additionally, I aim to understand the relationship between the practices of tap dance and Appalachian step dance and what I see as a contested idea of “America” as it is represented through choreography. My analyses suggest the migration of rhythm tap dance and Appalachian step dance from vernacular and social contexts to the concert stage is in tension with the ways these dance forms, as vernacular practices, also engage in the consolidation of ethnic and racial identities.
    [Show full text]
  • Chicago Human Rhythm Project Is Paving a Post-Pandemic Path Forward Following Its 2019 Strategic Plan with Jumaane Taylor Leadin
    FOR IMMEDIATE RELEASE CONTACT: Meggy Huynh May 28, 2021 (312)542-2477 [email protected] CHICAGO HUMAN RHYTHM PROJECT 2019 STRATEGIC PLAN LAUNCHES NEW LEADERSHIP, 30th ANNIVERSARY SUMMER FEST CHRP Appoints Jumaane Taylor Artistic Director of 30th Annual Rhythm World Festival America’s Oldest Festival of American Tap Embarks on New Path Chicago Human Rhythm Project is paving a post-pandemic path forward following its 2019 strategic plan with Jumaane Taylor leading a re-imagined 30th Anniversary tap festival - Rhythm World. Chicago Human Rhythm Project (CHRP) welcomes visionary performer, choreographer and teacher Jumaane Taylor as Artistic Director of its thirtieth annual summer festival of American tap, Rhythm World. A native Chicagoan, Taylor and CHRP’s relationship spans two decades, first as a Tap Scholar and subsequently as a teacher, performer and director. Taylor, who began his training at the Sammy Dyer School of the Theatre, won multiple, consecutive scholarships to Rhythm World as a young dancer and has since earned acclaim as the choreographer and director of “Supreme Love” as well as awards from 3Arts and Chicago Dancemakers Forum and as an adjunct faculty member at Roosevelt University. When asked to describe his plans for the festival, Taylor responded: “I’m honored to direct the Chicago Human Rhythm Project’s anniversary festival. I learned that tap dance or hoofing was my way of life because of the tap dancers I met at CHRP’s Rhythm World, and in Chicago at the Sammy Dyer School of the Theatre. I am continuously learning about our art form while directing this festival from my experience as a Chicago tap dancer.
    [Show full text]