FOR IMAGES and MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations Coordinator 413.243.9919 X132 [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

FOR IMAGES and MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations Coordinator 413.243.9919 X132 Ntomasofsky@Jacobspillow.Org FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations Coordinator 413.243.9919 x132 [email protected] TIRELESS: A TAP DANCE EXPERIENCE, AT JACOB’S PILLOW JUNE 28-JULY 2 CURATED BY TAP SENSATION MICHELLE DORRANCE June 5, 2017 – (Becket, MA) Astonishing tap artists from across the U.S. and abroad come together in a Jacob’s Pillow-exclusive program curated and introduced by the “tireless ambassador of tap” Michelle Dorrance (The New York Times). TIRELESS: A Tap Dance Experience will come to the Ted Shawn Theatre, June 28-July 2, and features outstanding tap artists including Jumaane Taylor and M.A.D.D. Rhythms of Chicago, siblings Joseph and Josette Wiggan of Los Angeles, Joe Orrach of San Francisco, and Reona and Takashi Seo of Japan. A Tap Program in The School at Jacob’s Pillow, All Styles Dance Battle, and many free public events make this an expansive week celebrating the art of tap dance. “I’m very interested in exploring the practice of artist as curator,” comments Pamela Tatge, Jacob’s Pillow Director. “A year ago, Michelle Dorrance had just returned from Japan where she regularly interacts with their vibrant and innovative tap scene. She told me about Reona Seo and that led her to highlight for me the many explosive tap talents she sees in the U.S. and abroad. I had the idea that we should invite her to bring some of these artists together in an evening that she would curate exclusively for the Pillow. And so, TIRELESS was born. We also invited Michelle and Dormeshia Sumbry-Edwards to host a two week program at The School so that young talents will have the opportunity to learn from them, outstanding faculty, and all of the virtuosic artists performing at the Festival. Tap is a form that has historically been passed on from person to person, it will be so exciting to experience the synergy of having all of these artists and students in the generative environment that is Jacob’s Pillow.” “The artists featured in this show represent what I find to be the most powerful and essential elements of our artform,” comments Dorrance. “They embody the beautiful paradox of being simultaneously innovative and traditional. Jumaane Taylor, Joseph and Josette Wiggan, Joe Orrach, and Reona Seo are all singular dancer/choreographer/ composers and some of the world’s most dynamic improvisational dancers. They infuse their work with experimental yet masterful technical approaches, invigorating rhythmic phrasing, and compelling emotional resonance. I couldn’t be more honored to be a part of bringing the magic of these artists to the magic of Jacob’s Pillow.” From Japan, accomplished tap dancer Reona Seo and husband and composer/double bassist Takashi Seo will present AUN (“in sync”) an improvised, rapid-fire duet. Both artists have performed in festivals and on stages all over the world, but very rarely in the U.S.; Reona Seo is an alumna of the Tap Program at The School at Jacob’s Pillow. Jumaane Taylor, a Chicago native turned internationally-acclaimed improvisational soloist made his professional debut with M.A.D.D Rhythms, where he now serves as Assistant Director. Taylor and the M.A.D.D. Rhythms ensemble will perform an excerpt from Supreme Love, a 50th anniversary celebration of jazz legend John Coltrane's album A Love Supreme. Laura Molzahn of The Chicago Tribune says “Taylor's huge dynamic range runs from feather-light to crushing weight; visually, he's a subtle delight, his swaying torso accenting the rhythms of feet tapping almost imperceptibly.” Siblings Joseph Wiggan and Josette Wiggan-Freund contribute the world premiere of Harmony: Tap In Motion, with music composed by Duke Ellington and Puerto Rican trombonist Juan Tizol. The two spent seven years dancing with Los Angeles-based Kennedy Tap Company and now teach, perform, and collaborate individually and as a duo. They have performed across the U.S., Finland, Cuba, Sweden, Germany, Guatemala, Russia, Japan, Spain, Israel, and beyond. Joseph Wiggan has received a Princess Grace Award for outstanding artistic achievement, has toured in numerous productions including Riverdance, the tap dance musical Imagine Tap!, and two Cirque du Soleil shows, and made his Broadway debut in George C. Wolfe's Shuffle Along. Josette Wiggan-Freund has performed in the first national tour of 42nd Street, the Rockette Christmas Spectacular, the Michael Jackson: The Immortal World Tour, and the film Idlewild; Gia Kourlas of The New York Times described a 2008 performance “she breezed across the stage, zipping through especially florid footwork with a nod to Bob Fosse. [She]... ushered in a new kind of femininity: saucy yet strong and, in every respect, modern.” Actor, dancer, singer, and solo artist Joe Orrach contributes In My Corner, a narrative performance combining story, song, dance, boxing, jump rope, and pure heart. Orrach started out as a street dancer, has danced with the likes of Gregory Hines, Jimmy Slyde, Savion Glover, and the Nicholas Brothers, and has acted and danced in films including Everyone Says I Love You, directed by Woody Allen. Rose Desena of The Los Angeles Post calls Orrach’s In My Corner “an electrifying bundle of pure, smoking energy...one of the most creative productions I have seen this year.” TIRELESS is curated by Michelle Dorrance, founder and Artistic Director of Dorrance Dance. A 2015 MacArthur Fellow, 2014 Alpert Award Winner, and 2013 Jacob’s Pillow Dance Award Winner, Dorrance performs, teaches, and choreographs throughout the world. The week will close out with an All Styles Dance Battle in the Doris Duke Theatre, Sunday, July 2. Michelle Dorrance will host the battle, which will feature Festival artists, participants of the Tap Program of The School at Jacob’s Pillow, and New England-based street artists; details below. Dorrance and Dormeshia Sumbry-Edwards will also direct the 2017 Tap Program at The School at Jacob’s Pillow, June 26-July 9. TIRELESS performers Joseph Wiggan and Jumaane Taylor will serve as Faculty for the program, along with Derick K. Grant, Dianne Walker, Brenda Bufalino, Sam Weber, and musician Carmen Staaf, among others. Students of the Tap Program will perform as part of the Inside/Out Series July 1 and 8; details below. Dorrance and Sumbry-Edwards will participate in a free PillowTalk Friday, June 20 and Sam Weber will teach a Master Class, open to the public, on Sunday, July 2; details below. Jacob’s Pillow Connections Since 1978, Jacob’s Pillow has played an active role in showcasing and promoting the art of tap dance. Numerous revered tap artists have graced Festival stages over the past 40 years including Savion Glover, Leon Collins, Gregory Hines, Dianne “Lady Di” Walker, Cartier Williams, Jimmy Slyde, Jason Samuels Smith, and many others. Tap dance has been taught in The School at Jacob’s Pillow by many tap masters including Walker, Smith, Derick K. Grant, Harold Cromer, Nicholas Young, Tasha Lawson, and others. Michelle Dorrance and Dorrance Dance debuted at Jacob’s Pillow in 2011 as part of the Inside/Out Performance Series. Dorrance received the Jacob’s Pillow Dance Award in 2013 and Dorrance Dance has been presented in the Doris Duke and Ted Shawn Theatres for four seasons straight, 2013-2016. The company has participated in numerous Creative Development Residencies to create new work, including ETM: The Initial Approach and ETM: Double Down. The first Tap Program at The School at Jacob’s Pillow was directed by Dianne Walker in 2010. Michelle Dorrance directed the Tap Program at The School at Jacob’s Pillow in 2014 and will direct the 2017 program with Dormeshia Sumbry-Edwards. TIRELESS performers Reona Seo and Ian Berg are alumni of The School at Jacob’s Pillow’s Tap Program. Related multimedia essays on Jacob’s Pillow Dance Interactive: Tap, written and curated by Brian Seibert: https://danceinteractive.jacobspillow.org/themes-essays/tap/ Performance & Ticket Details TIRELESS: A Tap Dance Experience Curated by Michelle Dorrance at Jacob’s Pillow Ted Shawn Theatre, June 28-July 2 Wednesday, Thursday, Friday, Saturday at 8pm Saturday & Sunday at 2pm $69, $59, $39 A limited number of $35 Under 35 tickets are available; adults ages 18-35 are eligible. One ticket per person; each guest must show valid I.D. when picking up tickets at Will Call. Tickets are on sale now; online at jacobspillow.org, via phone at 413.243.0745, and at the Jacob’s Pillow Box Office at 358 George Carter Road, Becket, MA, 01223. ALSO THIS WEEK NW Dance Project Doris Duke Theatre, June 28-July 2 Wednesday, Thursday, Friday, Saturday at 8:15pm Saturday & Sunday at 2:15pm Known for its “cutting-edge contemporary work” (Jason Vondersmith, The Portland Tribune), NW Dance Project makes its Jacob’s Pillow debut. Based in Portland, Oregon and led by former Royal Winnipeg Ballet principal dancer Sarah Slipper, the company is composed of a cast of classically-trained, versatile dancers. The program includes works by a range of accomplished choreographers and rising talents: Post-Traumatic- Monster by Felix Landerer, choreographer in residence for Scapino Ballet in the Netherlands; At Some Hour You Return by former Nederlands Dans Theater dancer Jiří Pokorný; Le Fil Rouge by 2011 Sadler’s Wells Global Dance Contest winner Ihsan Rustem; and MemoryHouse by Artistic Director Sarah Slipper. Tickets start at $25. STREET WEEK on Inside/Out leading up to All Styles Dance Battle on Sunday, July 2 Inside/Out Performance Series: Passion Fruit Wednesday, June 28 at 6:15pm Free Event Kicking off a week of hip-hop and street dance presentations, this all-female hip-hop crew performs Dance Within Your Dance, created by choreographer and director Tatiana Desardouin.
Recommended publications
  • Dorrance Dance
    BLUE RIBBON CHILDREN’S FESTIVAL CURRICULUM MATERIALS Dorrance Dance March 2nd, 2021 Materials by: Susan Cambigue Tracey & Tara Cook Davis 1" TABLE OF CONTENTS Overview of the Blue Ribbon Children’s Festival 3 Before You Experience the Festival 4 Story of Dorrance Dance 5# • Meet the Creative Team 6 • Themes 7 Preparation • Short History of Tap Dance 8 $ Dance Movement Terms 9 $ Things to Watch for at the Performance 10# After the Performance# • Draw Your Impressions; Dance and Movement 11 • Assessment for Students 12 Short and Easy Lessons for the Classroom • Becoming a Musician 13-15 • Learning to Tap 16-17 • Tap Dance-Movement Bank 18-19 • Tap Choreography 20-21 Background on The Music Center 22 Dance for Students to Learn 23-25 • Directions for the Dance 2" OVERVIEW THE 50TH ANNUAL BLUE RIBBON CHILDREN’S FESTIVAL The Blue Ribbon Children’s Festival - one of California’s longest ongoing free arts education programs, and a huge favorite among L.A’s students and teachers - is now expanding from fifth grade to include students in grades 3-12! The Blue Ribbon Children’s Festival is an opportunity for students to experience the performing arts by a professional dance company, along with the chance to dance along at home. WHEN? March 2, 2021 10:00am-10:45 WHERE?# http://musiccenter.org/brcf WHAT DOES IT INCLUDE? Performance of Holiday House Jam, Basses Loaded, Sugar Rum Cherry and Cavalier Duet, Aaron and Warren Trade and DD128QR by Dorrance Dance Materials for teachers Curriculum, Dance Directions, Instructional link for the Student Dance WHO SPONSORS IT? The Blue Ribbon in association with The Music Center 3" Before You Experience The Festival REVIEW all the included background information.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Artist Bios and Piece Descriptions
    1 PERFORMANCE MIX ARTISTS 2013:BIOGRAPHIES Renée Archibald presents Shake Shake, a duet that brings new life to the old cliché of the dancer’s body as instrument. The work investigates sound as a kinetic sense, with rhythm accumulating and dissolving into sempiternal metabolic process and tumbling into finely-tuned cacophony that animates the performance space with lush visual noise. Shake Shake is performed by Jennifer Lafferty and Renée Archibald. Archibald is currently a third year MFA candidate and Teaching Assistant in The Department of Dance at the University of Illinois. After receiving a BFA from University of North Carolina School of the Arts, Archibald lived in New York City for ten years where she performed with independent artists including Christopher Williams, Ann Liv Young, and Rebecca Lazier. Her choreographic work has been presented at NY venues including The Brooklyn Museum, The Chocolate Factory, Danspace Project, Dance Theater Workshop, and The Kitchen. Archibald has taught at Barnard College and White Mountain Summer Dance Festival and has received choreographic residencies through the Brooklyn Arts Exchange, Movement Research, and Yaddo. In 2012, she was awarded the U of Dance Department's Vannie L. Sheiry Memorial Scholarship for outstanding performance. vimeo.com/reneearchibald Oren Barnoy presents Angels My House I Promise. Barnoy dives into an unknown world of dance while investigating not knowing. This experience of dancing is somewhere between ritual, improvisation, score, therapy, and set choreography. It produces itself. Barnoy showed his choreography between 2000-2004 at Joyce SoHo, PS1, Dancenow, Galapagos, WAX. In 2005, Barnoy took a four year break from dance and moved to Miami.
    [Show full text]
  • Black Dance Stories Kicks Off March 2021 Programming with 'The
    Black Dance Stories Kicks off March 2021 Programming with ‘The Professor of Tap’ Dianne ‘Lady Di’ Walker and Choreographer/Dancer Gabri Christa, Thu Mar 4 at 6pm Featured Guests Include Gesel Mason, Jamal Story, Sidra Bell, Archie Burnett, Natasha Diamond-Walker, and Trebien Pollard (Brooklyn, NY/ March 4, 2021) – Black Dance Stories kicks off its March 2021 programming with tap legend Dianne "Lady Di" Walker and choreographer/dancer Gabri Christa on Thursday, March 4. The popular program will present new episodes during March featuring Black dancers, choreographers, movement artists, and creatives who use their work to raise societal issues and strengthen community. Black Dance Stories also welcomes Gesel Mason, Jamal Story, Sidra Bell, Archie Burnett, Natasha Diamond-Walker, and Trebien Pollard. The series streams live on YouTube Thursdays at 6 pm EST. Conceived and co-created by performer, producer, and dance writer Charmaine Warren, the weekly discussion series showcases and initiates conversations with Black creatives that explore social, historical, and personal issues and highlight the African Diaspora's humanity in the mysterious and celebrated dance world. Black Dance Stories is presented in association with 651 ARTS. Black Dance Stories Upcoming Live Episodes Thursdays at 6 pm EST • March 4, 2021 | Dianne Walker & Gabri Christa • March 11, 2021 | Gesel Mason & Jamal Story • March 18, 2021 | Sidra Bell & Archie Burnett • March 25, 2021 | Natasha Diamond-Walker & Trebien Pollard In January 2021, Black Dance Stories and 651 ARTS announced their partnership to co-present the series for the Spring 2021 season. The new partnership reflects Black Dance Stories' commitment to support, uphold, highlight, and celebrate Black creatives and mark the first time 651 presents an online series as part of its suite of programming.
    [Show full text]
  • Dorrance Dance Program
    Corporate Season Sponsor: Dorrance Dance Michelle Dorrance, Artistic Director Wed, Mar 8 / 8 PM / Granada Theatre Dance Series Sponsors: Annette & Dr. Richard Caleel Margo Cohen-Feinberg & Robert Feinberg and the Cohen Family Fund Irma & Morrie Jurkowitz Barbara Stupay Corporate Sponsor: The Lynda and Bruce Thematic Learning Initiative: Creative Culture ACT I Excerpts from SOUNDspace (2013)* I have had the honor of studying with and spending time with a great number of our tap masters before they passed Direction and Choreography: Michelle Dorrance, with solo away: Maceo Anderson, Dr. Cholly Atkins, Clayton “Peg- improvisation by the dancers Leg” Bates, Dr. James “Buster” Brown, Ernest “Brownie” Brown, Harriet “Quicksand” Browne, Dr. Harold Cromer, Dancers: Ephrat “Bounce” Asherie, Elizabeth Burke, Gregory Hines, Dr. Jeni Legon, Dr. Henry LeTang, LeRoy Warren Craft, Michelle Dorrance, Carson Murphy, Myers, Dr. Fayard and Harold Nicholas, Donald O’Connor, Dr. Leonard Reed, Jimmy Slyde and Dr. Prince Spencer. Leonardo Sandoval, Byron Tittle, Nicholas Van Young I would also like to honor our living masters whom I am constantly influenced by: Arthur Duncan, Dr. Bunny Briggs, *Originally a site-specific work that explored the unique acoustics of New Brenda Bufalino, Skip Cunningham, Miss Mable Lee and Dianne Walker. York City’s St. Mark’s Church through the myriad sounds and textures of the feet, “SOUNDspace” has been adapted and continues to explore what is most While we are exploring new ideas in this show, we are also beautiful and exceptional about tap dancing – movement as music. constantly mindful of our rich history. Dr. Jimmy Slyde was The creation of “SOUNDspace” was made possible, in part, by the Danspace the inspiration for my initial exploration of slide work in Project 2012-2013 Commissioning Initiative, with support from the New York socks (in the original work) and his influence continues to State Council on the Arts.
    [Show full text]
  • Dorrance Dance: Jungle Blues, Three to One, Myelination
    PHOTO BY MATT MURPHY DORRANCE DANCE: JUNGLE BLUES, THREE TO ONE, MYELINATION Thursday, March 14, 2019, at 7:30pm Tryon Festival Theatre PROGRAM DORRANCE DANCE: JUNGLE BLUES, THREE TO ONE, MYELINATION DANCERS Ephrat “Bounce” Asherie Christopher Broughton Elizabeth Burke Warren Craft Brittany DeStefano Michelle Dorrance Claudia Rahardjanoto Byron Tittle Matthew “Megawatt” West Nicholas Van Young MUSICIANS Donovan Dorrance Aaron Marcellus Gregory Richardson Nicholas Van Young Warren Craft Michelle Dorrance, artistic director Donald Borror, executive director Christopher Marc, production manager/sound engineer Tina Huang Abrams, company manager Nicholas Van Young, associate artistic director Olivia Maggi, assistant to the artistic director Elizabeth Burke, rehearsal director Donovan Dorrance, music director Kathy Kaufmann, lighting designer Serena Wong, lighting supervisor Diego Quintanar, technical director/assistant stage manager Margaret Selby, Selby/Artists Management, artist representative 2 JUNGLE BLUES (2012) Michelle Dorrance, choreography Christopher Broughton, solo improvisation Kathy Kaufmann, lighting design Amy Page, costume design Fred “Jelly Roll” Morton: Jungle Blues Courtesy of Edwin H Morris & Company, A Division of MPL Music Publishing, INC. (ASCAP) Full company, with solos by: Claudia Rahardjanoto Elizabeth Burke and Nicholas Van Young Michelle Dorrance and Warren Craft Byron Tittle Christopher Broughton THREE TO ONE (2011) Michelle Dorrance, choreography Kathy Kaufmann, lighting design Michelle Dorrance and Mishay Petronelli, costume design Richard D James: Nannou Published By: BMG Blue (BMI) obo Chrysalis Music Ltd; Used by permission. All rights reserved. Thom Yorke: A Rat’s Nest Courtesy of Kobalt Music Performers: Michelle Dorrance Byron Tittle Matthew “Megawatt” West The creation of Three to One was made possible, in part, by the Danspace Project 2010-2011 Commissioning Initiative with support from the Jerome Foundation.
    [Show full text]
  • Dorrance Dance
    54 Dorrance Dance DORRANCE DANCE Memminger Program 1: June 1 – June 4 Auditorium Program 2: June 6 – June 9 Program 1 June 1, 8:00pm; June 2, 8:00pm; June 3, 5:00pm; June 4, 7:00pm ETM: Double Down (2016) Creators Michelle Dorrance and Nicholas Van Young Original Tap Instrument Design Nicholas Van Young Choreography Michelle Dorrance and Nicholas Van Young with Ephrat “Bounce” Asherie and solo improvisation by the dancers Original Music Composition and Improvisation Gregory Richardson, Donovan Dorrance, Nicholas Van Young, Aaron Marcellus, and Warren Craft, with Michelle Dorrance Additional Music Adele Adkins, Karin Dreijer Andersson, Olof Dreijer, Justin Vernon, Patrick Watson Lighting Design Kathy Kaufmann Costume Design Amy Page and Shiori Ichikawa Dancers Ephrat “Bounce” Asherie, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Leonardo Sandoval, Byron Tittle, Nicholas Van Young Musicians Piano/Controllerist Donovan Dorrance Vocals Aaron Marcellus Bass/Guitar Gregory Richardson Drums/Percussion Nicholas Van Young Drums/Percussion Warren Craft Drums/Percussion Michelle Dorrance 1 hour, 45 minutes | Performed with one intermission Dorrance Dance 55 Program 2 June 6, 7:00pm; June 7, 6:00pm; June 8, 8:00pm; June 9, 5:00pm Jungle Blues (2012) Choreography Michelle Dorrance with solo improvisation by Christopher Broughton Lighting Design Kathy Kaufmann Costume Design Amy Page Music “Jungle Blues” by Fred “Jelly Roll” Morton Courtesy of Edwin H. Morris & Company, A Division of MPL Music Publishing, INC. (ASCAP) Dancers Ephrat “Bounce” Asherie, Christopher Broughton, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Claudia Rahardjanoto, Leonardo Sandoval, Byron Tittle, Matthew “Megawatt” West Three to One (2011) Choreography Michelle Dorrance Lighting Design Kathy Kaufmann Costume Design Michelle Dorrance and Mishay Petronelli Music “Nannou” by Richard D.
    [Show full text]
  • Dorrance Dance Sponsored by Sherman Capital Markets, Llc
    48 DANCE DORRANCE DANCE SPONSORED BY SHERMAN CAPITAL MARKETS, LLC SOUNDspace Memminger Auditorium May 31 and June 7 at 8:00pm; June 7 and 8 at 2:30pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli Original Live Music Greg Richardson Original Body Percussion Score Nicholas Young Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION. Originally a site-specific work that explored the unique acoustics of New York City’s St. Mark’s church through the myriad sounds and textures of the feet, SOUNDspace has been adapted specifically for Spoleto Festival USA and continues to explore what is most beautiful and exceptional about tap dancing—movement as music. DORRANCE DANCE 49 DELTA TO DUSK Memminger Auditorium June 1, 2, 5, and 6 at 8:00pm; June 3 at 7:00pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli, Michelle Dorrance, Andrew Jordan Music Toshi Reagon, Etta James, Muddy Waters, Chris Whitley, The Beatles, Regina Spektor, Fiona Apple, the Squirrel Nut Zuppers, Manu Chao, Radiohead,Stevie Wonder. Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Carson Murphy Claudia Rahardjanoto Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION.
    [Show full text]
  • JAZZ TAP ENSEMBLE: Tap Roots Live!
    DANCEMOTIONUSASM presents JAZZ TAP ENSEMBLE: Tap Roots Live! Artistic director Lynn Dally Dancers Maya Guice B’Jon Carter-Burnell Kenji Igus Sandy Vazquez Musicians Doug Walter, piano, alto saxophone Jerry Kalaf, drums David Dunaway, bass Music director Jerry Kalaf Lighting designer & technical director David Covey Managing director Gayle Hooks Trio Music Summertime Doug Walter, piano; David Dunaway, bass; Jerry Kalaf, drums Music: George Gershwin Improvisation by B’Jon Carter-Burnell Percussion #1 (Samba) Percussion #3 (Acapella) All Blues Choreography: Lynn Dally Song for My Father Music: Miles Davis Music: Horace Silver Performed by The Ensemble Improvisation by Kenji Igus St. Thomas Straight, No Chaser Music: Sonny Rollins Music: Thelonious Monk Doug Walter, piano; David Dunaway, bass; Jerry Kalaf, drums Doug Walter, alto saxophone; David Dunaway, bass; Jerry Kalaf, drums Doxy Interplay Choreography: Eddie Brown Choreography: Jimmy Slyde Music: Sonny Rollins Associates: Lynn Dally & Derick K. Grant Performed by Kenji Igus, B’Jon Carter-Burnell Lighting: David Covey Music: Special arrangement of jazz standards & originals by Jerry Kalaf Caravan Little Sunflower (Sonny Rollins): Maya Guice Music: Duke Ellington & Juan Tizol, featuring Doug Walter, alto saxophone I Remember You (Johnny Mercer): B’Jon Carter-Burnell Choreography & Performance by Sandy Vazquez Boogie Strut (Jerry Kalaf): Maya Guice & Sandy Vazquez Latin Episode (Percussion): Ensemble Percussion #2 (Afro Cuban) Jeannine (Duke Pearson): Kenji Igus Finale: Kenji Igus, B’Jon Carter-Burnell, Maya Guice, Sandy Vazquez Night in Tunisia Choreography: Lynn Dally We dedicate these performances of Interplay in Africa to our beloved Jimmy Music: Dizzy Gillespie Slyde. “There will never be another you…” Performed by Maya Guice, Sandy Vazquez, B’Jon Carter-Burnell Shim Sham Finale (Traditional) You Don’t Know What Love Is JTE Dancers & Musicians Music: Don Raye & Gene dePaul Choreography & Performance by Maya Guice Tap Roots Live! is 75 minutes in length with no intermission.
    [Show full text]
  • Brandon Davis Mourned by GEORGE GOLDMAN Mourners Met Cause for Change, for Peace and for Healing That Rang out Brandon Davis Was Re­ in the Church
    Bradley promotes Buckeye Savers program 'Let's Get Physical' offers health screening Youth to celebrate diversity MENU TIPS A community health extravaganza "Let's Get SPORTS Ohio Treasurer of State Jennette B. Bradley con- Community members and multiple organizations tinued a statewide marketing effort to promote the Buck- Physical" will be held on Saturday, April 30, at the Martin will come together in a unique event that focuses on diver- eye Savers program, which seeks to inform Ohioans about Luther King Civic Center, 14801 Shaw Avenue in East sity, youth, and community service. "Changing the Outlook Vonda Ward To Pizza On The Grill Cleveland from I :00 to 4:00p.m. The fair will offer health ~n Diversity 2005 -- The National Service Movement," will their ability to invest in the triple-tax exempt and highly celebrate diversity while exploring the potential of youth to Fight Pamela London Is New Way To Cook rated highway, capital improvement bonds, recently at Na- screenings, fun activities and entertainment for all ages. produce social change in their communities. The event will tiona! City Corporation. Bonds are not available for sale All events are Free and open to the public. Sponsored by be held on Saturday, April 23, from 11 a.m. to 3 p.m. at directly from the state of Ohio; however, interested indi- Huron Hospital, the Greater Cleveland Health Education ~leveland State University in the Atrium at the University ~nter building. In aspect of Diversity Day is a celebration viduals can contact the State Treasurer's office at 800-228- and Service Council and the Ohio Commission on Minor- See Page 9 See Page 10 l<>f the diversity found in greater Cleveland.
    [Show full text]
  • Tapology Dance Festival for Youth Summer Tap Intensive
    Tapology Dance Festival for Youth Summer Tap Intensive Monday August 20 th thru Friday August 24 th , 2012 at Flint Institute of Music Tapology offers one week of concentrated training for serious tap dance students. Successful attendees will audition for places in Tapology’s Youth Ensemble and perform in the October 28, 2012 Tapology Concert at Whiting Auditorium in Flint, sharing the stage with Chester Whitmore, Dianne Walker, Deborah Mitchell and more! The Summer Tap Intensive is open to ages 8 – 19. Successful participants must commit to and attend ALL selected workshop sess ions. Attendance is FREE! Priority given to Genesee County students Register NOW for best class selection. Phone (810) 787-0197 INSTRUCTORS Alexandria Bradley : Currently performing with the “Stomp” touring company, Bradley won Best Short Play in the Downtown Urban Theater Festival for her one woman show “Steps” in 2011. Selected as an Evolving Choreographer in the Harlem Stage’s E-Moves 9; she worked professionally with Savion Glover’s tap company Tii Dii while attending Marymount Manhattan College. She’s also appeared on the Jerry Lewis Telethon in the Emmy Award® winning Gregory Hines tribute choreographed by Jason Samuels Smith in 2003. Through heredity and mentorship of her father, Bradley is a talented performer, trained in the performance arts through music, dance, and theater since the age of 3. Frances Bradley : A Flint, Mi. native, Frances began her training under the guidance of her father, Bruce Bradley, at Creative Expressions Dance Studio. She served as an instructor and choreographer for Bradley’s Flintstone Hoofers. Other notable performances include: Tap Masters Honorarium in Oklahoma City, Savion Glover’s Footnotes in Detroit, MI, the 2000 National Tap Dance Day, Tap Extravaganza in New York City, Bubblin’ Brown Sugar in Atlanta GA and the West Oak Lane Jazz and Arts Festival in Philadelphia, PA.
    [Show full text]
  • Ethnic and Racial Formation on the Concert Stage: a Comparative Analysis of Tap Dance and Appalachian Step Dance
    Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Janet Kathleen Schroeder, MFA Graduate Program in Dance Studies The Ohio State University 2018 Dissertation Committee: Harmony Bench, Advisor Melanye White Dixon Kwaku Larbi Korang Hannah Kosstrin Copyright by Janet Kathleen Schroeder 2018 Abstract “Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance” is a revisionist project that explores the shared aesthetics and historical trajectories of these two percussive dance practices, which have ultimately developed into two distinct forms of dance. This dissertation investigates the choreographic and representational strategies choreographers use to transfer the histories and legacies of tap dance and Appalachian step dance to the stage, namely through a process I call concertization. In each analysis, I pay particular attention to representations of the complex ethnic and racial identities affiliated with each form and ways concertization highlights or obscures such affiliations. Additionally, I aim to understand the relationship between the practices of tap dance and Appalachian step dance and what I see as a contested idea of “America” as it is represented through choreography. My analyses suggest the migration of rhythm tap dance and Appalachian step dance from vernacular and social contexts to the concert stage is in tension with the ways these dance forms, as vernacular practices, also engage in the consolidation of ethnic and racial identities.
    [Show full text]