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Trieste Cross-Border Meeting January 19-21, 2011 Organized By Trieste Cross-border Meeting January 19-21, 2011 organized by with the support of under the patronage of in collaboration with DESK SLOVENIA partners Savoia Excelsior Palace Contents 3 Foreword 5 Projects 74 Decision Makers 104 Industry Professionals 109 Staff 111 Credits 1 FOREWORD WHEN EAST MEETS WEST is a co-production event organized by the FRIULI VENEZIA GIULIA AUDIOVISUAL FUND and the TRIESTE FILM FESTIVAL, in collaboration with EAVE, ANTENNA MEDIA Torino, MEDIA DESK Italia, MEDIA DESK France, MEDIA DESK Slovenia, under the patronage of EURIMAGES and with the support of CEI – Central European Initiative. In broad terms WHEN EAST MEETS WEST aims at strengthening the coop- eration between Eastern and Western European film industries. Each edition is designed to bring together film professionals coming from Eastern European countries1, Italy and one other Western European country in focus: in the 2011 edition the Western selected country will be France. The focus on one other Western European film industry is one the peculiarities of WHEN EAST MEETS WEST, since it allows to involve Eastern film profession- als who are effectively looking for co-producers, sales agents, broadcasters and financial support specifically in the country in focus; on the other hand, thanks to the focus on a delimited area, it allows to gather some of the key-players of the selected film industry and explore in detail the funding and co-production possibilities offered by the spotlight country. After the 2010 pilot edition focused on Spain, WHEN EAST MEETS WEST will be held in Trieste from the 19th to the 21st of January 2011, and will bring together 16 selected producers and a large number of film funds representa- tives, commissioning editors, sales agents and film experts from both regions. The programme will include the Pitching of the projects (selected amongst 92 applications from 18 countries) and a Film Forum designed to investigate both Eastern and Western audiovisual panorama through round tables, presenta- tions and case studies. The main goal is to set up new strong bridges between those regions, aimed at promoting and strengthening long term exchanges in both directions. 1 Albania, Austria, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Georgia, Hungary, Latvia, Lithuania, Macedonia, Poland, Romania, Serbia, Slovakia, Slovenia, Ukraine. 2 3 projects 6 Bolek And Lolek 10 Dew 14 Emil Matesic 18 Getting To Sofia 24 Happy Funeral 28 Inferno 32 Many We Were Without A Name 36 Marked Bodies 42 Nowhere 46 Sofia’s Last Ambulance 50 The Piano Room 54 The Train To Moscow 58 The Wall On Screen 62 Velvet Terrorists 66 Warriors 70 When White Stars Come 4 5 ready to face up his personal problems PROFIle BOLEK AND LOLEK at home (possibly pregnant girlfriend). Fresh Films is a production company The deeper they are traveling to the im- mainly focusing on production of films by aginary bosom of Europe, the bigger is young European talents. Fresh films pro- their understanding realizing that there duced a feature film Marta (2006) and is much to learn from each other. Some- a feature documentary Czech RAPublic times they are even capable of commu- (2008). Also coproduced several short Genre: comedy/road-movie SYNOPSIS nicate in their mother languages, even films with Film and television academy in The relationship between Czechs and though that they normally speak Eng- Prague (FAMU). Besides film production Director: Jan Pachl Poles has never been idyllic. Czechs con- lish. The conditions at the plantation are the other key activity of Fresh Films is Writer: Jan Pachl and Petr Siska sider Poles pathetic church-goers with more and more unbearable, Bolek, Lolek organizing the Fresh Film Fest, the larg- Producer: Vladimír Lhoták smuggling skills. Poles see Czechs as and Lara decide to escape. Purchasing est display of student films in Central Company: Fresh Films (CZ) pagans and spineless opportunists. One an old vehicle, they set off the South of and Eastern Europe which 7th year was day two young guys meet hitch-hiking. A Europe. Down at the South they meet a successfully held in August 2010. Fresh Czech and a Pole. The lesson of middle- community of African immigrants living Films also represents Czech short films Europeanism begins. There is a lot of in even poorer conditions and they real- in order to sell them abroad (currently time to burn. Approximately 3000 Km. ize that their problems and conflicts are successfully selling the Cannes Cinéfon- Whatever can happen when an atheistic insignificant. The catharsis is broken by dation 2009 winner Baba). Czech and a religious Pole unexpectedly the fact that they are being tracked by meet hitch-hiking across the Europe… the olive plantation bosses’ gorillas to get their money back. Lolek dies in a car Bolek is a Czech student, forced by per- chase accident. His unfortunate death sonal reasons to travel to the South opens Bolek’s eyes and he decides to of Europe to seek work. Hitch-hiking he set the things up back home. He leaves meets a Pole Lolek having the same Lara and goes back home. He hasn’t age. By the irony of fate they are pre- been in touch for a while. He hopes it’s destined to spend the rest of the jour- not too late. ney together. As there is too much time to burn during the journey, their dia- logue evolves full of malign arguments, national intolerance and religious dif- ference. In such ambiance they face up Attending: the first serious obstacle, Bolek realizes Contact details: Vladimír Lhoták that the job agency had cheated on him. Fresh Films s.r.o. Luckily they got a hint from a Polish Kubelíkova 27 truck driver to an olive plantation where 13000, Praha 3 Lolek’s compatriot is a boss. Lolek fol- Czech Republic lows Bolek jointly further South. Not only T: +420 296 330 940 the work conditions are quite severe at F: +420 296 330 951 the plantation, but Bolek manages to fall M: +420 777 080 353 for Lithuanian girl Lara and starts to re- [email protected] solve existential question, whether is he www.freshfilms.cz 6 7 NOtes SKETCHES 8 9 ship reaches a breaking point and they PROFIle DEW split. Disillusioned, Nada finds herself Founded in 1955 by Jerzy Kawalerow- confronted with her own inability to icz, KADR has produced 124 features give love. Old wounds are opened - the & over 20 TV films by such celebrated wounds caused by the Bosnian war directors as Wajda, Munk & Konwicki. and the tragic consequences it brought Its most recent is the award winning against her family. When Catalina “Rewers” by Borys Lankosz. Following Genre: drama SYNOPSIS comes across the “archives” of Nada’s a 14 year long break, KADR Studio has After completing her law studies in family, she learns that Nada holds her returned to Polish cinematography with Director: Denijal Hasanovic Paris, Colombian student CATALINA father responsible for the death of her REWERS (a local box-office smash hit in Writer: Denijal Hasanovic (27) arrives in Sarajevo to carry out a brother during the war. In the light of Poland, far outpacing successes of the Producer: Jerzy kapuscinski case study into the Commission’s ar- this discovery, her journey to Sarajevo last few years), as a feature film pro- Company: Studio Filmowe KADR (PL) chives of the International War Crimes takes on a new meaning: it is she who ducer. Tribunal for the Former Yugoslavia. The now must help Nada to reconcile with case study will help her secure herself her dying father. The roles between a job at her university, allowing her to the two reverse. But, due to Nada’s gain permanent residence in France. If unbreakable resistance to forgive her she fails, Catalina will become an illegal father, all Catalina’s attempts to save immigrant in France, facing the threat their relationship fail. Ultimately their of expulsion back to her war-torn home- friendship deteriorates, ending with a land. On her first visit to the Commis- bitter crash. sion Catalina meets local interpreter Nada’s father dies without her forgive- NADA(38). When Catalina finds herself ness, and she goes back to her loveless without a stay in Sarajevo, Nada takes relationship with Marc. Catalina is once her in and an awkward friendship os- again alone. In the lonely peacefulness cillating between generosity and con- of her last dawn in Sarajevo, Catalina trol gradually develops between them. discovers a new strength in herself as When Catalina is in despair for being re- she understands there’s still something fused entry to the Commission archives, she can do for Nada, Nada’s family and, Nada’s support grows even stronger. ultimately, herself: she can write about This puts strain on Nada’s relation- what has happened hoping that one day ship with her boyfriend MARC(56). An Attending: somebody will read it. Just before she investigator at the Commission, Marc Denijal Hasanovic catches her plane back to France, Cata- believes Catalina should go back to her lina writes down the first sentences of homeland. As a child, he was forced to Contact details: her first novel. And at this moment we leave his Polish homeland for being a KADR Film Studio learn that the film we have been watch- Jew. Having experienced the tough life Pulawska 61 ing, the film called “DEW” - is the first of rootlessness and immigration, Marc 02- 95 Warsaw Catalina’s novel. fears Catalina will meet the same des- Poland tiny if she stays abroad. Under the grow- T: +48 840 50 56 ing tension caused by Nada’s friendship [email protected] with Catalina, Marc and Nada’s relation- www.kadr.com.pl 10 11 NOtes SKETCHES 12 13 sible to manage.
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