Robert H. Justman Collection of Star Trek Television Series Scripts, 1966-1968
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FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
Creating “Star Trek CATAN – Federation Space”
Creating “Star Trek CATAN – Federation Space” After Star Trek Catan was so well received, and as many of you asked us to take this joint venture of the two franchises Catan and Star Trek even further towards the “Final Frontier,” we thought long and hard about what kind of game expansion you would enjoy. As we knew that a lot of players liked our Catan Geographies™ maps so much, which take the whole Settlers of Catan experience towards a real map to put settlements in, we thought: Let us take Star Trek Catan into a “real” region of space to put our little NCC-1701 spaceships in. The crucial question was: Is there a region of space sufficiently “real” inside the Star Trek – The Original Series time period? After a bit of research, we discovered this wonderful map titled “The Explored Galaxy” over at the Memory Alpha wiki. As it turned out, this was “as real as it could get,” as it had been first shown hanging on a wall in none other than Captain James T. Kirk’s quarters in the Star Trek VI: The Undiscovered Country motion picture (and subsequently in various episodes of Star Trek: The Next Generation). Every true Star Trek fan knows that this particular map depicts a lot of the known and beloved locations shown in The Original Series of the 60s, and some of those from The Animated Series of the 70s. We took great effort to investigate and cross-reference all these depicted celestial bodies with their respective episodes. © CATAN GmbH - Page 1 We then added a couple of planets that were not actually shown on this map but that we would really want to have in our game, and tried to pinpoint their locations according to mostly in-canon and sometimes semi-canon sources. -
Argentuscon Had Four Panelists Piece, on December 17
Matthew Appleton Georges Dodds Richard Horton Sheryl Birkhead Howard Andrew Jones Brad Foster Fred Lerner Deb Kosiba James D. Nicoll Rotsler John O’Neill Taral Wayne Mike Resnick Peter Sands Steven H Silver Allen Steele Michael D. Thomas Fred Lerner takes us on a literary journey to Portugal, From the Mine as he prepared for his own journey to the old Roman province of Lusitania. He looks at the writing of two ast year’s issue was published on Christmas Eve. Portuguese authors who are practically unknown to the This year, it looks like I’ll get it out earlier, but not Anglophonic world. L by much since I’m writing this, which is the last And just as the ArgentusCon had four panelists piece, on December 17. discussing a single topic, the first four articles are also on What isn’t in this issue is the mock section. It has the same topic, although the authors tackled them always been the most difficult section to put together and separately (mostly). I asked Rich Horton, John O’Neill, I just couldn’t get enough pieces to Georges Dodds, and Howard Andrew Jones make it happen this issue. All my to compile of list of ten books each that are fault, not the fault of those who sent out of print and should be brought back into me submissions. The mock section print. When I asked, knowing something of may return in the 2008 issue, or it may their proclivities, I had a feeling I’d know not. I have found something else I what types of books would show up, if not think might be its replacement, which the specifics. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Homo Artificialis63 Bild Final
Homo Artificialis Androiden- und Cyborg-Konzepte Am Beispiel der Science Fiction Serie Star Trek Freie wissenschaftliche Arbeit zur Erlangung des Grades eines Magister Artium (M. A.) am Institut für Kunstpädagogik, Fachbereich 09 der Johann Wolfgang Goethe Universität, Frankfurt am Main Magisterarbeit von: Marcus Recht, Hermann-Ehlers-Straße 12, 61231 Bad Nauheim, [email protected] Im Hauptfach: Kunstpädagogik/Neue Medien (14. Sem.), Matrikel Nr.: 12 80 667 Im Nebenfach: Philosophie (14. Sem.) und Psychoanalyse (6. Sem.) Eingereicht am: 18.12.2002 Vorgelegt bei: Prof. Dr. Birgit Richard & Prof. Dr. Adelheid Sievert Institut für Kunstpädagogik, Sophienstr. 1-3, 60487 Frankfurt HOMO ARTIFICIALIS MARCUS RECHT I Einleitung ________________________________________ S. 3 I.I Begriffsbestimmung ________________________________ S. 4 II Androiden ______________________________ S. 6 II.I Eine kleine Genealogie künstlichen Lebens _________ S. 6 II.I.1 Automaten _____________________________________ S. 6 II.I.2 Eine digitale Revolution ____________________________ S. 10 II.I.3 Die Genesis erster elektronischer Geschöpfe _____________ S. 12 II.I.4 Elektronische Geschöpfe einer neuen Generation __________ S. 13 II.I.5 Ein neuer Ansatz _________________________________ S. 15 II.I.6 Humanoide Roboter ______________________________ S. 18 II.II Anwendungsmöglichkeiten für Roboter ____________ S. 23 II.II.1 Roboter im Weltraum _____________________________ S. 23 II.II.2 Militärroboter ___________________________________ S. 24 II.II.3 Roboter für den zivilen Bereich _______________________ S. 25 II.II.3.a Industrieroboter ______________________ S. 25 II.II.3.b Spielzeugroboter ______________________ S. 26 II.II.3.c Haushaltsroboter _____________________ S. 28 II.III Künstliche Intelligenz ___________________________ S. 31 II.III.1 Einführung ___________________________________ S. 31 II.III.2 Der dezentralisierte Mensch _________________________ S. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Vulcan Orientation College
Institute of Alien Studies Vulcan Orientation College 2007 Edition This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c) 2007 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Credits: The material for this manual was taken from the following websites. http://en.wikipedia.org/wiki/Star_Trek http://memory-alpha.org/en/wiki/Vulcans http://www.vulcanlanguage.com/ http://www.ditl.org/ http://www.ex-astris-scientia.org/history.htm http://www.geocities.com/shirkahr/VulcanTimeline.html http://www.ccdump.org/ http://www.starbase118.net/wiki/index.php/Vulcan_(planet):_The_Provinces_of_Na'nam -
The Final Frontier. Star Trek Als Interstellare Hermeneutik
Bernd Stiegler Unendliche Weiten – «The Final Frontier» Star Trek als interstellare Hermeneutik 1 «The Final Frontier» «Unendliche Weiten. Wir schreiben das Jahr 2200. Dies sind die Abenteuer des Raumschiffs Enter- prise, das mit seiner 400 Mann starken Besatzung 5 Jahre unterwegs ist, um fremde Galaxien zu erfor- schen, neues Leben und neue Zivilisationen. Viele Lichtjahre von der Erde entfernt dringt die Enter- prise in Galaxien vor, die 1 Star Trek: «The Omega Glory» (SII/E54) nie ein Mensch zuvor ge- sehen hat.»1 In der deut- schen Übersetzung, die Folge für Folge die gleiche bleibt, während die Geschichten vorüberziehen und sich mit ihnen mitunter auch die Ordnungen der Zeit und des Raumes verändern, kommen einige der Anspielungen der Originalfassung abhan- den. Diese lautete – mit Ausnahme der beiden Pilotfilme – in jeder Folge: «Space, the final frontier. These are the voyages of the starship Enterprise. Its 5-year mis- sion: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.»2 Durch die Verwendung des Begriffs Frontier wird hier ein Genre aufgerufen, das mit dem der Science Fiction wenig zu tun zu haben scheint: der Western. Zugleich wei- sen Kirks Worte einen deutlichen Bezug zu einem Kapitän anderer Forschungsreisen 1 Vgl. dazu auch: https://en.wikipedia.org/wiki/Where_no_man_has_gone_before (20.9.2016). Un end - liche Weiten sind auch bei der Literatur zu Star Trek zu verzeichnen, auf die ich daher nur spora- disch zurückgreife. Verwiesen sei auf die Websites: www.startrek.com und auf https://en.wikipedia. org/wiki/Star_Trek (21.9.2016). -
By Any Other Name Free
FREE BY ANY OTHER NAME PDF Laura Jarratt | 368 pages | 01 May 2014 | Egmont UK Ltd | 9781405256735 | English | London, United Kingdom "Star Trek: The Original Series" By Any Other Name (TV Episode ) - IMDb When the teacher in "By Any Other Name" asks the narrator to tell the class her name, why does the narrator respond By Any Other Name she doesn't know? What does the context suggest is the most likely meaning of palpitating in the sentence from "By Any Other Name"? What does the author most clearly reveal by including the anecdote in which the headmistress changes the girls' names? Which of these is the most accurate representation of how Santha feels when her name is changed according to the information provided in the story? What is the final straw, so to speak, for the girls? As in, what finally makes them leave the English school? Their schoolmates treat them like outcasts by not allowing them to play games or eat lunch with them. Their father is an outcast because he is an Indian government official working for British authorities. Played times. Print Share Edit Delete. Live Game Live. Finish Editing. This quiz is incomplete! To play this quiz, please finish editing it. Delete Quiz. Question 1. What kind of school do Santha and Primela attend? It is a school run by the British in India. It is a public school in America. It By Any Other Name a private school in Britain. It is a private school in India. Tags: Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual By Any Other Name when writing or speaking to support conclusions drawn from the text. -
George Takei on "Star Trek" by John C
Sulu Speaks : George Takei on "Star Trek" By John C. Tibbetts TIBBETTS INTRODUCTION TO THE INTERVIEW: The second filmin the "Star Trek" series, Star Trek: The Wrath of Khan, is now playing to packed theaters across the nation. The first film, guided by Gene Roddenberry and Robert Wise, was a thoughtfulexcursion into some of the philosophical implications of the original television series. The second film,according to George Takei, is "high adventure" all the way. Shooting began on Stage 9 at Paramount on November 9, 1981; principal photography concluded on January 29, 1982. It was directed by Nicholas (Time After Time) Meyer, scripted by Jack B. Sowards from a story by Harve Bennett and Jack Sowards, and produced by Harve Bennett and Robert Sallin. Needless to say, Mr. George Takei is delighted at the continuing success story of the "Star Trek" franchise.. George is a multitalented performer who, long before he donned the uniform and personna of "Sulu," had demonstrated a flair for the theatre. His first professional job in film entertainment was as a voice dubber forthe classic Japanese science fiction film,Rodan (1957). He appeared before the movie cameras for the first time while a student at UCLA. The film was Ice Palace (1960) with Richard Burton, Robert Ryan and Carolyn Jones. He also debuted on television for an episode of Playhouse 90 at this, same time. Then came many guest shots on other television series, including Hawaiian Eye, Maverick, 77 Sunset Strip, and Adventures in Paradise. The role of "Sulu," the helmsman for the U S. S.