Madakoil Temple Architecture of the Cholas with Special Reference to Thirunallur Sri Kalayasundareswara Temple

Total Page:16

File Type:pdf, Size:1020Kb

Madakoil Temple Architecture of the Cholas with Special Reference to Thirunallur Sri Kalayasundareswara Temple The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 MADAKOIL TEMPLE ARCHITECTURE OF THE CHOLAS WITH SPECIAL REFERENCE TO THIRUNALLUR SRI KALAYASUNDARESWARA TEMPLE A. PRABHAVATHY Dr. K.M. SUBRAMANIAM Roll No. 1502050002 The Controller of Examinations Ph.D. Research Scholar Tamil Nadu Open University Department of History Chennai Annamalai University Tamil Nadu Cell No. 6382605903 Cell No. 8248825168 Email : [email protected] Email: [email protected] ABSTRACT Nallur is located very near to Pouhar, one of the capitals of Sangam Cholas. The Sangam literary works like Pazhamoli, Agananuru, Purananur and and Kalavashinarpathu have mentioned this place as Kazhumalam. It refers, Kazhumalam a place for royal elephants. The Cholas of Puhar, used Nallur as place or shed for royal elephants. In Pazhamoli, there is a reference about the accession of Karikala to the Chola throne. An elephant from Kazhumalam placed a garland on Karikala’s neck carried him on its back and placed him on the throne of Uraiyur. From the above reference, their is a possibility of Madakoil type of temple in Nallur constructed by Kochenganan, who was the devotee of Siva. Further it is strengthened by the hymns of St. Thirunavukkarasar (Appar) of Nallur who mentioned the Sri Kalyanasundhareswarar shrine as “manimadakoil.” This directly proves that this temple was constructed by Kochenganan, a Chola rular whose style of architecture was Madakoil type. Probably, this may be the earliest structure of the present temple complex. The above literary references clearly, prove that, Kochenganan constructed temples in Madakoil type and in particular, the kalyanasundareswarar temple at Nallur. The king, Kochenganan was progenitor of Imperial Cholas of Thanjavur revealed by the Udheyendram plates of Parantaka I. The king Kochenganan must be very powerful and had a strong hold over his enimies. The society was very peacefull, wealthy and healthy. So, that he has concentrated and continued the temple construction of the Sangam age. He must be an ardent devotee Hindu God. He was responsible for the revival of Hinduism in Tamil land Constructed Temples in brick and later renovated in stone. Keywords : Sri kalyanasundreswarar, temple architecture, Kochengan cholan, karihala chola,. Sangam chola, pallava Volume XI, Issue XI, November/2019 Page No:323 The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 MADAKOIL TEMPLE ARCHITECTURE OF THE CHOLAS WITH SPECIAL REFERENCE TO THIRUNALLUR SRI KALAYASUNDARESWARA TEMPLE A. PRABHAVATHY Dr. K.M. SUBRAMANIAM Roll No. 1502050002 The Controller of Examinations Ph.D. Research Scholar Tamil Nadu Open University Department of History Chennai Annamalai University Tamil Nadu Cell No. 6382605903 Cell No. 8248825168 Email : [email protected] Email: [email protected] The temple is a place of worship. The temples are the most prominent and enduring symbols of Indian Culture, which show the relationship between Sarira(body) and Atma (soul). Hence hosts of Vastu, silpa, Agama, Tantra, Samhita and Purana texts have articulated their conception and classification of the structural constituents of the regional temple forms and their implied symbolism. The Silpasastras recognize three main temple styles of Indian which are known as Nagara. Vesara and Dravida. In addition to these forms the temple which is a seat or platform of God (Prasada), house of God (Devagraham), a residence of Gods (Devalaya). Who many appear there in various forms imagined by their worshippers. In this connection the Sangam Tamil classical works refer various types of ancient temples in Tamil country Viz Manram1 (Sababh tybe), Kottam (koshta or Sala type) koil (literary koil, the royal resistance) and Madam structure. These types or embodied in the secured images or symbols of the deities which constitute the most important part of the Hindu Art.2 From post Sangam Period to the Pallava’s creation of imperishable temples in stone, there be some temple in Tamil Country, which were sung by the Devaram Trio and Trinumangai Alwar. Volume XI, Issue XI, November/2019 Page No:324 The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 In this connection they mention one Kochenganan the Chola ruler who constructed seventy temples in madakoil type on the banks of the river kaveri3 is not an ordinary thing to leave behind without discussion. When we see the names of Sangam Cholas an in connection with the emergence of Imperial Cholas of Thanjavur gives the details. The words Chenganan, killivalavan, Sembian, Mavalathan4, Nalankilli, Nedunkilli,Kocheganan refer to the Sangam Cholas. The king, Kochenganan was progenitor of Imperial Cholas of Thanjavur revealed by the Udheyendram plates of Parantaka I. The king Kochenganan must be very powerful and had a strong hold over his enemies. The society was very peacefull, wealthy and healthy. So, that he has concentrated and continued the temple construction of the Sangam age. He must be an ardent devotee Hindu God. He was responsible for the revival of Hinduism in Tamil land Constructed Temples in brick and later renovated in stone. The Kasakkudi Plates refer that, Simhavishnu (c.575A.D - c.600A.D) Conquered and annexed the Cholas country probably against Chenganan, as mentioned above. It is very clear the king Kochenganan mentioned in the hymns of Saivite and Vaishnavite saints, the condstruction of seventy Madakoil type of temples on the banks of the river Kaveri, Simhavishnu’s victorious campaign against Kochenganan referred to in the Kasakkudi Plated, Parantaka 1’s Udhayendra plates5 about the progenitors of Imperial Cholas of Thanjavur must be the same. No doubt, Kochenganan was a powerful ruler of late Sangam Cholas had given a wonderful mark in the history of Thamilaham before the Pallavas of Kanchipuram. Hence, it is important to reveal the contribution of kochenganan to the light. The introduction of imperishable stone temples appeared only from the days of Mahendra Varma 1, a contemporary of St, Thirunavukkrasar (Apper), This Pallava king, he himself changed from Jain to Saivism. Thus, it is very clear to note, the Tamil country has Volume XI, Issue XI, November/2019 Page No:325 The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 changed into Bhakti cult, by the Nayanmars and Alwars who sung in praise of the God and Goddesses of temples which were existed during their time. It may be the temples Constructed by Kochenganan. St.Tirunavukkarasar6 (Apper) one of the Devaram trio, reconverted in to Saivism form Jainism. He refers, in his hymns the different kinds of temples found in Tamilnadu such as, Perukoil, Karakoil, Gnazarkoil, Elankoil, Kokudikoil, Manikoil, and Alakoil. Among thes, the term Perunkoil is identified with Madakoil a unigue type of temple contructed by the Post Sangam ruler Koche nganan. He was the Progenitor of Imperial Cholas of Thanjavur7. The exact date of this king is unknown due the non availability of the sources but he must be lived some what in late of 6th Century A.D. A King by name, Kochenganan was mentioned in the Padigams of St, Thirunavukkarasar8 and Tirunariyur Pasuram’s of Tirumangai Alwar9. He was the devotee of Siva and Vishnu is know from the hymns Saivaite and Vaishnavite Saints and constructed Madakoil typeof temple on the banks of river Kaveri10. The reason for the construction of these type of Madakoil is also very interesting. They Might have constructed Madakoil type of temple architecture due to avoid the devastation occurred by the natural Calamities like Tsunami. Tsunami the most popular recent terminology is also referred to in the post Sangam classical Works as Kadalkol. The term Kadalkal makes mention that our ancient Tamil society more particularly in the Coastal area the so called Nagarattars who lived in Puhar might have affected and last their Settlements and kith and kin. In Coures of time they might have migrated and establish their settlements in Appar land in and around Karaikudi and Chittinad, Where they had Constructed their Palatial houses in raised Platforms. Like their settlements they might have also constructed their cella in Volume XI, Issue XI, November/2019 Page No:326 The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 raised Platform. Moreover these types of temples, (Madakoil) appeared in nearby Thanjavur region like this places, Nallur, Sikkal, Nagapattinam, and Chenthanur. Here an attempt is made to know about Madakoil type of architecture with special reference to Sri kalyanasundharewarar temple at Thirunallur. The selection of this temple connected to the Madakoil type is interesting to discuss. This temple and the place Nallur is closely associated with Saivism. This is proved by the hymns of Thirunavukarasar (apper) Devaram hymns are considered as a primary source to frame the history of Nallur. According to him Narasingapet nearby Nallur, was the one of the important place, for the line of princes evidently the cholas.11 He in his hymns mentions of the names of a Cholas ruler, Nathan12, he may be the ruler and successor of Chola Nalladi, a Sangam Chola ruler, who ruled Nallur as a feudal lord of Pallava Narasima 1. Nallur is located very near to Pouhar, one of the capitals of Sangam Cholas. The Sangam literary works like Pazhamoli, Agananuru, Purananur and Kalavashinarpathu have mentioned this place as Kazhumalam. It refers, Kazhumalam a place for royal elephants13. The Cholas of Puhar, used Nallur as place or shed for royal elephants. In Pazhamoli14, there is a reference about the accession of Karikala to the Chola throne. An elephant from Kazhumalam15 placed a garland on Karikala’s neck carried him on its back and placed him on the throne of Uraiyur. From the above reference, there is a possibility of Madakoil type of temple in Nallur constructed by Kochenganan, who was the devotee of Siva. Further it is strengthened by the hymns of Thirunavukkarasar of Nallur who mentioned the Sri Kalyanasundareswarar shrine as “manimadakoil16.” This directly proves that this temple was constructed by Kochenganan, a Chola rular whose style of architecture was Madakoil type17.
Recommended publications
  • University of Oklahoma Graduate College Is
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE IS GANGAIKONDA CHOLAPURAM BUILT BASED ON VAASTU SASTRA? A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE IN ARCHITECTURE By Ramya Palani Norman, Oklahoma 2019 IS GANGAIKONDA CHOLAPURAM BUILT BASED ON VAASTU SASTRA? A THESIS APPROVED FOR THE CHRISTOPHER C. GIBBS COLLEGE OF ARCHITECTURE BY THE COMMITTEE CONSISTING OF Callahan, Marjorie P., Chair Warnken, Charles G. Fithian, Lee A. ©Copyright by RAMYA PALANI 2019 All Rights Reserved. iv Abstract The Cholas (848 CE – 1279 CE) established an imperial line and united a large portion of what is now South India under their rule. The Cholas, known worldwide for their bronze sculptures, world heritage temples and land reforms, were also able builders. They followed a traditional systematic approach called Vaastu Sastra in building their cities, towns, and villages. In an attempt to discover and reconstruct Gangaikonda Cholapuram, an administrative capital (metropolis) of the Chola Dynasty, evidence is collected from the fragments of living inscriptions, epigraphs, archaeological excavation, secondary sources, and other sources pertinent to Vaastu Sastra. The research combines archival research methodology, archaeological documentation and informal architectural survey. The consolidation, analysis, and manipulation of data helps to uncover the urban infrastructure of Gangaikonda Cholapuram city. Keywords: Chola, Cola, South India, Vaastu Shastra, Gangaikonda Cholapuram, Medieval period,
    [Show full text]
  • Hindu Religious and Charitable Endowments Department
    HINDU RELIGIOUS AND CHARITABLE ENDOWMENTS DEPARTMENT CITIZENS' CHARTER - 2007- 08 The following information is furnished hereunder to enable the public to be aware of various activities of the Hindu Religious & Charitable Endowments Department and the administration of the temples under its control. 1. ADVISORY COMMITTEE A State Level Advisory Committee has been provided in the Hindu Religious and Charitable Endowments Act, 1959 to advise and guide the Government and the Commissioner. Accordingly, the State Level Advisory Committee has been constituted vide G.O. Ms. No. 279 TDC&RE Department dated 19.9.2006 with the following members:- S.No. Name 1. Hon’ble Chief Minister Chairman/Ex. Officio 2. Hon’ble Minister for Hindu Religious Vice Chairman, Endowment and Charitable Ex. Officio Endowments 3. Secretary to Government, Member, Ex. Officio Tamil Development, Religious Endowments and Information Department 2 4. Commissioner, Hindu Religious and Member – Secretary, Charitable Endowments Department Ex-Oficio 5. His Holiness Kundrakudi Adigalar, Non Official member Kundrakudi. 6. His Holiness Thiruppananthal Non Official member Madadhipathy Thavathiru Muthukumaraswamy Thambiran, Thiruppananthal. 7. His Holiness Thiruvavaduthurai Non Official member Adheenakarthar, Thiruvavaduthurai. 8. His Holiness Srimath Andavan Non Official member Swamigal, Thiruvarangam. 9. His Holiness Santhalinga Non Official member Ramaswamy Adigalar, Perur. 10. Thirumathi Soundram Kailasam, Non Official member Chennai. 11. Thirumathi A.S.Ponnammal, Non Official member Ex. M.L.A., 12. Thiru Karumuthu Kannan, Madurai. Non Official member 13. Thiru S.V. Balasubramaniam, Non Official member Bannariamman Sugar Mills Ltd. 14. Representative of His Holiness Special invitee Dharmapuram Adheenakarthar. 3 2. APPOINTMENT OF TRUSTEES Persons who do not suffer the disqualifications listed in Section 26 of the Hindu Religious and Charitable Endowments Act 1959, are eligible to be appointed as non-hereditary trustees.
    [Show full text]
  • History of Big Temple, Thanjavur and Its Consecration – a Study
    Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 HISTORY OF BIG TEMPLE, THANJAVUR AND ITS CONSECRATION – A STUDY Dr. S. PRABAKARAN, Assistant Professor & Head of History, A.V.V.M. Sri Pushpam College (Autonomous), Poondi – 613 503.Thanjavur. Brahadeeswara Temple is a Hindu temple dedicated to Lord Shiva. It is located in Thanjavur. It is also known as Periya Kovil (Big Temple) RajaRajewara Temple and Rajarajeswaram. In Tamil, the temple is called as “Peruvudaiyar Kovil”. It is one of the largest temples in India. This temple is an example of Hindu Architecture from South India from the Chola period. The Temple turned 1000 years old in 2010. The Temple is also called as Dhakshina Moorthy of South. Brahadeeswara Meaning Brahadeeshwara is a Sanskrit composite word composed of Brihat which means big, great, etc, and Ishvara means ”Lord Shiva”, Supreme being suprenatman (soul). The name means the “Great Lord, Big Shiva Temple”. The Big temple (or) Peruvudaiyar Koil was built to grace the throne of the Chola Empire by the Emperor Arulmozhivarman, popularly known as Rajaraja Chola I. This temple is also known as Periya Koil, Brihadeshwara Temple, Raja Rajeswara Temple and Rajarajeshwaram. The esteemed architect and engineer of the temple was Kunjara Mallan Raja Raja Perunthatchan. From the epigraphical evidence it is known about Rajaraja I started building this temple on his 19th year and completed of his 25th year. It took just 6 years to complete the temple. Volume XII, Issue III, 2020 Page No: 4995 Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Rajaraja I named this temple as "Rajarajesvaram".
    [Show full text]
  • English 710-882
    AN ETHNOMUSICOLOGICAL PERSPECTIVE ON KANIYAN KOOTHU Aaron J. Paige This paper will analyze some of the strategies by which Kaniyans, a minority com- munity from the Southern districts of Tamil Nadu, use music as a vehicle to negoti- ate, reconcile, and understand social, cultural, and economic change. Kaniyan Koothu performances are generally commissioned for kodai festivals, during which Kaniyans sing lengthy ballads. These stories vary locally from village to village and recount the adventures, exploits, and virtues of gods and goddesses specific to the area and community in which they are worshipped. While these narratives are en- tertaining in their own right, they also serve as springboards for subjective compari- son and interpretation. Kaniyans thus, transform mythological legends into modern social commentary. In a world perceived to be growing increasingly complicated by globalization and modernization, these folk musicians openly voice in performance both their concern for the loss of traditional values and their trepidation that Tamil culture, tamizh panpaadu – particularly village culture, gramiya panpaadu – are gradually being displaced by foreign principles, products, and technologies. In con- tradistinction to this conservative rhetoric, the Kaniyans, in recent years, have made major reformations to their own musical practice. Using specific textual examples, the first part of this paper will look at the ways in which musicians’ semi-improvised narratives foster solidarity under the rubric of a shared Tamil language and cultural identity. The second part of this paper, by way of musical examples, will attempt to illuminate how these same musicians are engaged in redefining and reformulating their musical tradition through the appropriation and integration of rhythmic models characteristic of Carnatic drumming.
    [Show full text]
  • Economic and Cultural History of Tamilnadu from Sangam Age to 1800 C.E
    I - M.A. HISTORY Code No. 18KP1HO3 SOCIO – ECONOMIC AND CULTURAL HISTORY OF TAMILNADU FROM SANGAM AGE TO 1800 C.E. UNIT – I Sources The Literay Sources Sangam Period The consisted, of Tolkappiyam a Tamil grammar work, eight Anthologies (Ettutogai), the ten poems (Padinen kell kanakku ) the twin epics, Silappadikaram and Manimekalai and other poems. The sangam works dealt with the aharm and puram life of the people. To collect various information regarding politics, society, religion and economy of the sangam period, these works are useful. The sangam works were secular in character. Kallabhra period The religious works such as Tamil Navalar Charital,Periyapuranam and Yapperumkalam were religious oriented, they served little purpose. Pallava Period Devaram, written by Apper, simdarar and Sambandar gave references tot eh socio economic and the religious activities of the Pallava age. The religious oriented Nalayira Tivya Prabandam also provided materials to know the relation of the Pallavas with the contemporary rulers of South India. The Nandikkalambakam of Nandivarman III and Bharatavenba of Perumdevanar give a clear account of the political activities of Nandivarman III. The early pandya period Limited Tamil sources are available for the study of the early Pandyas. The Pandikkovai, the Periyapuranam, the Divya Suri Carita and the Guruparamparai throw light on the study of the Pandyas. The Chola Period The chola empire under Vijayalaya and his successors witnessed one of the progressive periods of literary and religious revival in south India The works of South Indian Vishnavism arranged by Nambi Andar Nambi provide amble information about the domination of Hindu religion in south India.
    [Show full text]
  • ANCIENT INDIA All Bights Reserved ANCIENT INDIA
    CORNELL UNIVERSITY LIBRARY Date ANCIENT INDIA All Bights reserved ANCIENT INDIA BY S. KRISHNASWAMI AIYANGAE, M.A. Member of the Royal Asiatic Society of Oreal Britain and Ireland Fellow of the Roijal Bistorical Society, London. Member ol the Board of Studies, and Examiner in History and Economics. Vnirersity of Madras Mysore Education Serria: WITH AN INTRODUCTION BY VINCENT A. SMITH, M.A., I.C.S. (retired) ' Author of the ' Early History of India LONDON: LUZAC & Co., IC great kussell isteeet MADEAS: S.P.C.K. DEPOSITORY, VEPBEY 1911 1)5 4-04- /\fl 6 ^,©XKg^ PRINTED AT THE :. PKESS, VEPBKY, MADRAS 1911 "^QXYS^ ) INSCRIBED TO THE :ME:M0RY OP JOHN WEIE [Inspector-General op Education in JIybore] ( November 1, 1909—July 31, 1911 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022968840 PEEFACE The first chapter deals with the early portion of Indian History, and so the title ' Ancient India ' has been given to the book. The other chapters deal with a variety ot subjects, and are based on lectures given on different occa- sions. One was originally prepared as my thesis for the M.A. Degree Examination of the University of Madras. The favourable reception given to my early work by historical and oriental scholars encouraged me to put my researches into a more permanent form, which a liberal grant from the Madras School Book and Literature Society has enabled me to do.
    [Show full text]
  • Ancient Indian History Chapter 13
    Those who don’t read History, They don’t create History! Doubt Clearance: Comment below the video Or Specific Doubt related to Strategy, Exam, Counselling Instagram: abhijeetsingharora Chapter 13: IMPERIAL CHOLAS Introduction After the decline of the Sangam period, the Cholas became feudatories in Uraiyur. They became prominent in the ninth century and established an empire comprising the major portion of South India. Their capital was Tanjore. They also extended their sway in Sri Lanka and the Malay Peninsula. Therefore, they are called as the Imperial Cholas. Thousands of inscriptions found in the temples provide detailed information regarding the Chola period. Chapter 13: IMPERIAL CHOLAS Introduction The founder of the Imperial Chola line was Vijayalaya. He captured Tanjore from Muttaraiyars in 815 A.D. and built a temple for Durga. His son Aditya put an end to the Pallava kingdom by defeating Aparajita and annexed Tondaimandalam. Parantaka I was one of the important early Chola rulers. He defeated the Pandyas and the ruler of Ceylon. But he suffered a defeat at the hands of the Rashtrakutas in the famous battle of Takkolam. Parantaka I was a great builder of temples. He also provided the vimana of the famous Nataraja temple at Chidambaram with a golden roof. The two famous Uttiramerur inscriptions that give a detailed account of the village administration under the Cholas belong to his reign. After a gap of thirty years, the Cholas regained their supremacy under Rajaraja I. Chapter 13: IMPERIAL CHOLAS Rajaraja I (985 – 1014 A.D.) It was under Rajaraja I and his son Rajendra I that the Chola power reached its highest point of glory.
    [Show full text]
  • Sangam Period
    Winmeen Tnpsc Group 1 & 2 Self Preparation Course 2018 History Part - 4 4] Sangam Period SANGAM AGE NOTES According to Tamil legends, there existed three Sangams (Academy of Tamil poets) in ancient Tamil Nadu popularly called Muchchangam. The first Sangam, held at Then Madurai. The second Sangam was held at Kapadapuram. The third Sangam at Madurai was founded by Mudathirumaran. The two Tamil epics of the Sangam period are Silappathigaram and Manimegalai. The Ettutogai or Eight Anthologies consist of eight works – Aingurunooru, Narrinai, Aganaooru, Purananooru, Kuruntogai, Kalittogai, Paripadal and Padirruppattu. The Pattuppattu or Ten Idylls consist of ten works – Thirumurugarruppadai, Porunararruppadai, Sirupanarruppadai, Perumpanarruppadai, Mullaippattu, Nedunalvadai, Maduraikkanji, Kurinjippatttu, Pattinappalai and Malaipadukadam. The excavations at Arikkamedu, Poompuhar, Kodumanal and other places reveal the overseas commercial activities of the Tamils. Tolkappiyam refers to the five - fold division of lands - Kurinji (hilly tracks), Mullai (pastoral), Marudam (agricultural), Neydal (coastal) and Palai (desert). 1 www.winmeen.com | Learning Leads to Ruling Winmeen Tnpsc Group 1 & 2 Self Preparation Course 2018 Kurinji – chief deity was Murugan – chief occupation, hunting and honey collection. Mullai – chief deity Mayon (Vishnu) – chief occupation, cattle-rearing and dealing with dairy products. Marudam – chief deity Indira – chief occupation, agriculture. Neydal – chief deity Varunan – chief occupation fishing and salt manufacturing. Palai – chief deity Korravai – chief occupation robbery. The Pallavas in the northern Tamil Nadu and Pandyas in southern Tamil Nadu drove the Kalabhras out of the Tamil country and established their rule. Pandian Neduncheliyan is also called as Imayavaramban Cheras: The Cheras had their rule over major parts of modern Kerala/ malabar areas.
    [Show full text]
  • Tamil-Nadu-Index1.Pdf
    INDEX 1. Sangam Age 1 2. Cultural Heritage of Tamil Nadu 8 3. The Pallavas 18 4. The Cholas 25 5. The Pandyas 34 6. Vijayanagara Rule 38 7. The Nayak Rule in Tamil Country 45 8. The Rule of the Marathas of Thanjavur (A.D. 50 1676-A.D.1856) 9. Role of Tamil Nadu in Freedom War 53 10. Dravidan Movements in T.N 62 11. Role of Tamil Nadu in the Freedom Movement 68 12. Freedom Fighter in T.N. 73 13. Political Parties and their schemes in T.N. After 82 Independence 14. List of Administrators of T.N. 90 VETRII IAS STUDY CIRCLE The Cholas The Cholas The Cholas were an antique ruling family. References to the Cholas are made in the Mahabharata, the inscriptions of Asoka and the works of Megasthenese and Ptolemy. During the Sangam Age, the Cholas ruled Tiruchi and Tanjore region. Their capital was Uraiyur. Tiger was their emblem. Their greatest ruler Karikala built Kallanai across the river Cauvery near Trichy. The Chola rule declined as they became feudatories of the rulers of Uraiyur. www.vetriias.com 25 VETRII IAS STUDY CIRCLE TAMILNADU HISTORY Later Cholas or Imperial Cholas The Cholas who emerged to power in the middle of the ninth century were known as later Cholas or Imperial Cholas. They were called as Imperial Cholas. They were called as Imperial Cholas because their kingdom extended to a major portion of south India, Srilanka and Kadaram (including Sumatra and Malaya). Vijayalaya (850-871 A.D) laid the foundaiton for the rise of later Cholas.
    [Show full text]
  • Review of Research Impact Factor : 5.7631(Uif) Ugc Approved Journal No
    Review Of ReseaRch impact factOR : 5.7631(Uif) UGc appROved JOURnal nO. 48514 issn: 2249-894X vOlUme - 8 | issUe - 1 | OctObeR - 2018 __________________________________________________________________________________________________________________________ CHRONOLOGY GLEANED FROM INSCRIPTIONS OF PUDUKKOTTAI Dr. M. Gayathri Devi Assistant Professor in History, PG & Research Department of History, Government Arts College for Women (A), Pudukkottai. ABSTRACT Pudukkottai Samasthanam administration took a remarkable effort in collecting, copying, deciphering and publishing almost all the inscriptions found under his regime. In this effort totally 1130 records are published in the year 1929 by then Samasthana government. It is a commendable work no other Samasthanas in India have done such a wonderful job. Not only publishing these records with full text but also preparing a gist of them and published them in a chronological order with English notes in the same year 1929. It is very useful for the beginners of Archaeology, Epigraphy and historical studies. KEY WORDS : chronological , Archaeology, Epigraphy and historical studies. INTROCUDTION Among the above mentioned 1130 inscriptions the first 14 records are dated from 1st CCE to (Brahmi) 9th century CE displaying minor dynasties such as Mutharaiyas and Irukkuvels. Two grantha inscriptions regarding Music and Veena found on the rocks of Kudumiyanmalai, copy of them at Thirumayam and Malaiya kovil are very important music treatises nowhere in India found such a record.i. The next five records (IPS 15 to 19) belong to Pallava dynasty rules particularly Nanthivarman II, Danthivarman and Nirupatunga Varman dated from 8th to 9 century CE2.ii. Among these five one Kudrandar Kovil record furnishes the provisions made for feeding of 100 Brahmins during Arudra day.
    [Show full text]
  • Parantaka Chola II
    Parantaka Chola II Parantaka Chola II was a Chola king who ruled for about twelve years. Also known by the name Parantaka Sundara Chola,[1][2][3] he was the son of Arinjaya Chola and Kalyani, a princess from the clan of Vaidumbas.[4] Parantaka II ascended the Chola throne despite the fact that his cousin Uttama Chola, the son of Gandaraditya was alive and he had equal if not more claim to the Chola throne.[5]. father: Parantaka Chola II. siblings: Aditya Karikalan, Kundavai, Kundavai PirÄttiyÄr. children: Rajendra Chola I. religion: Hinduism, Shaivism. Died on: 1015. Raja Raja Chola I Bio As PDF. Continue Reading Below. Raja Raja Chola I was one of the greatest monarchs in Tamil history. He rose to prominence by bringing glory to the Chola Empire and building it as a powerful and strong kingdom. Right after his accession, he began a series of conquests in South India to conquer the kingdoms of Pandyas and Cheras. Parantaka II, Sundara Chola, forms a main character in Kalki Krishnamurthyâ™s historical Romance Ponniyin Selvan. In his story, Kalki imagines Sundara Chola to be a impotent ruler, handicapped by a debilitating illness. He is caught between opposing forces of his love for his children and his dependence on powerful courtiers. However, Parantaka Chola defeated the combined army badly. Maravarman Rajsimha II fled to Ceylon and whole of Madura and Pandya Territory was merged in Chola kingdom. This victory earned him the title of Maduraiyum Elamum Konda Parakesarivarman (The conqueror of Madura and Ceylon). Apart from this major war, Parantaka-I also led some other minor wars.
    [Show full text]
  • The Role of Five Elements of Nature in Temple Architecture Ar
    International Journal of Scientific & Engineering Research Volume 8, Issue 7, July-2017 1149 ISSN 2229-5518 The Role of Five Elements of Nature In Temple Architecture Ar. Snigdha Chaudhary Abstract— Examine the extensive influence of the selected theories of nature in Architecture namely element of nature effects the role of five ele- ments in Temple Architecture. “Theory of five elements of nature in context to the Temple Architectural Design ‘To make student understand the basic principles of five elements of nature so that it forms the basics for study of temple design through these topics.One should have a reasonable under- standing of its operational and economic implications, and lastly “To Evaluate the understanding of the relationship between space and design through five elements of nature’’ with the help of Hindu Temple Architecture. Index Terms— Temple architecture, five elements of nature, human perception of architectural expression, and temple concept through cosmology and philosophy —————————— —————————— 1 INTRODUCTION NDIA is well known for its rich heritage and variety of India, however while the basic elements of the temple are the I culture. Temples have always played an important role in same, the form and scale varied. For example as in the case of India's history and culture. There are more than 6 lakh the architectural elements like Sikhara (pyramidical roofs) and temples in India and about 1,80,000 temples in South India. Gopurams (the gateways). India is not only famous for various states but also for the cultures and such historic background that the past still has 2 ELEMENTS OF HINDU TEMPLE so much power on the present world.
    [Show full text]