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The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
Summer 2013 and Music Club Snape and Potiphar’S Apprentices
NNootteess The Newsletter of Readifolk Issue 18 Reading's folk song Summer 2013 and music club Snape and Potiphar’s Apprentices. You can read all about these me two acts, as well as all the other artists who are appearing at Welco the club during the coming quarter, in the preview section on pages 4 and 5. to another Readifolk Do make a special note of our Grand Charity Concert on 14 newsletter July which features our very own band Rye Wolf. Rye Wolf play a mix of traditional and selfpenned songs in true folk style and Rumblings from the Roots are rapidly making a name for themselves in the local area and further afield. The concert is in support of the local community Welcome to the Summer edition of Notes. radio station, Reading4U, which is of course where many of the band performers and others from Readifolk broadcast the Once again our editor has managed to put together a weekly Readifolk Radio Show (Friday evenings 6 8 pm on newsletter packed with interesting articles and information www.reading4u.co.uk). Reading Community Radio is run which we hope you will enjoy reading. We thank all of the entirely by volunteers there are no paid employees, and it contributors to this issue of Notes for their considerable efforts. relies on donations, sponsorship etc. for its funding. We hope that with your help this concert will be able to make a sizeable As usual you will find on the back page the full programme of contribution to those funds. events at Readifolk during the next three months. -
FOLK CLUB of SOUTH FLORIDA ------FOLK NOTES ------Visit Us at for Music Links and Upcoming Events May, 2002
FOLK CLUB OF SOUTH FLORIDA --------------- FOLK NOTES --------------- Visit us at http://members.aol.com/souflafolk for music links and upcoming events May, 2002 ACOUSTIC UNDERGROUND national audience suggests that God, if not dead, may be seriously tone deaf.” Jeff Murphy, New Times, CONCERT SERIES PRESENTS Miami. “Surgically deep and personal songs … a voice that DIANE WARD caresses your soul like hot butter on pancakes.” Bob Weinberg, City Link, Ft. Lauderdale Few artists visiting Luna Star have the Visit: http://www.dianeward.com credentials and Luna Star Café, Saturday, May 4, 2002 8:00 P.M. background of Diane th Ward. A Miami native, 775 NE 125 Street North Miami, FL 305-892-8522 she has countless Requested Contribution: $7.00 ($6.00 Members) awards for both vocal performance and song Visit: http://members.aol.com/souflafolk writing. She went from drummer, to vocals, to keyboard, to guitar. Her 1995 CD “Mirror” reached the top ten nationally on several AAA radio stations. FOLK FRIDAY PRESENTS Her CD “Move” was awarded Best Rock CD (2000) by City Link. Many of her songs are played FLORIDA FOLK FESTIVAL PREVIEW frequently and have reached the top ten in many cities. She has opened for The Indigo Girls, Cher, For its fiftieth year in May, the 850-acre Stephen Jennifer Kimball. With a smooth voice and a Foster Folk Culture Center State Park in White Springs, masterful pen Diane has been embraced as South Florida on the Suwanee River will ring with the sound Florida’s “musical gem”. of Florida’s finest music, dance and stories. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
Martin Carthy Shearwater Mp3, Flac, Wma
Martin Carthy Shearwater mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Shearwater Country: UK Released: 1972 Style: Folk MP3 version RAR size: 1865 mb FLAC version RAR size: 1296 mb WMA version RAR size: 1745 mb Rating: 4.6 Votes: 267 Other Formats: MP4 MMF MP1 APE MP2 AIFF VOX Tracklist A1 I Was A Young Man A2 Banks Of Green Willow A3 Handsome Polly-O A4 Outlandish Knight A5 He Called For A Candle A6 John Blunt B1 Lord Randall B2 William Taylor B3 Famous Flower Of Serving Men B4 Betsy Bell And Mary Gray Companies, etc. Printed By – E.J. Day Group Credits Arranged By, Vocals, Acoustic Guitar – Martin Carthy Art Direction, Design – David Berney Wade, Farrell Engineer – Jerry Boys Photography By – Keith Morris Producer – Terry Brown Vocals – Maddy Prior (tracks: B4) Written-By – Traditional Notes The LP includes a one-sided printed sheet with notes on all songs (probably written by Martin Carthy) and a contact print with a sequence of 14 photographs of Carthy in a studio. Other versions Category Artist Title (Format) Label Category Country Year Martin Shearwater (LP, CREST 008 Mooncrest CREST 008 UK 1991 Carthy Album, RE) Martin Shearwater (CD, CAS 36210-2 Castle Music CAS 36210-2 US 2005 Carthy Album) Martin Shearwater (CD, Mooncrest, TWA CRESTCD 008 CRESTCD 008 UK 1991 Carthy Album, RE) Records Martin Shearwater (CD, CMQCD1096 Castle Music CMQCD1096 UK 2005 Carthy Album, RE) Martin Shearwater (8-Trk, Y8PEG 12 PEG Y8PEG 12 UK 1972 Carthy Album) Related Music albums to Shearwater by Martin Carthy Roy Bailey - Roy Bailey Martin Carthy And Dave Swarbrick - Both Ears And The Tail Various - Classic Folk Guitar Martin Carthy - Signs Of Life Brass Monkey - The Complete Brass Monkey Spiers & Boden - The Works Ray Fisher - Traditional Songs Of Scotland Eliza Carthy - Anglicana Various - English Originals Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Jenny Hill , Karine Polwart, Kate Young , Mary Macmaster, Rowan Rheingans - Songs Of Separation. -
MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior Is Without Doubt One of the Best Known Voices from the English Folk Revi
MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior is without doubt one of the best known voices from the English folk revival, with a career spanning over forty years which continues today, and several key recordings which will always be identified with her, including by generations born long after the original release of those songs. Her work, however, has extended way beyond her global hits Gaudete and All Around my Hat. Born in Blackpool to Z-Cars co-creator Alan Prior, Maddy grew up in St Albans where she came to prominence in the late 1960’s in a duo with singer/ guitarist Tim Hart, who built a reputation on the folk club circuit, releasing two albums. In the early 1970’s they joined forces with Ashley Hutchings (of Fairport Convention) and Gay & Terry Woods, with the idea of fusing folk song with rock instrumentation and technique. The new group took its name from a traditional Lincolnshire ballad 'Horkstow Grange' - the tale of a character called Steeleye Span. As is well known, Steeleye Span took folk music out of the clubs and into the charts with a string of consistently strong hit albums, gold discs and world tours. Tim Hart and Maddy Prior remained the core of the group whose changing line-ups read like a Who's Who of British folk until Tim left for health reasons in 1980. Maddy continued to work with the band in its changing line-ups until 1997, when after two massive tours around the release of the album Time, she left the band after 28 years, only to return to work with them again from 2002 onwards, and is still touring with them today. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
Rosemary Lanerosemary Lane the Pentangle Magazine
Rosemary LaneRosemary Lane the pentangle magazine John Renbourn: Of Tunes and Troubadours Tour dates in the UK and US Guitar Tablature: classic Bert and a new arrangement by John Letters and Reviews Issue No 11 Winter 1996/7 Rosemary Lane Editorial... A Happy New Year to all! Rosemary Lane RL Ed 2 Rosemary Lane Contents Rosemary Lane Winter 1996/7 Issue No 11 Page Editorial 2 JacquiConcert McShee: Review: Contents/Next Month 3 Bert a& tale John at The Jolly Gardeners 21 Letters 4-6 GuitarAbout TablatureThyme 1 - Tuning Up - News 7-8 An Phis Fhlinch arr. John Renbourn 24-27 Tour Dates - Bert and Jacqui's Pentangle 9 Guitar Tablature 2 - Tour Dates - John & Archie Fisher 10 One To A Hundred by Bert Jansch 28-29 Of Tunes and Troubadours - 11-12,14-15 Album Reviews: (John Renbourn interview) & 18-19,22-23 Album News: A Frenzy of Re-Issues! 32 & 30-31 Discography: Late Pentangle - 1992-95 33 John's Tablature - the lost tunes 13 Subscription Information 34 Sir John Alot... re-appraised 16-17 Information: Concert Review: Transatlantic Re-Issues on Castle 35 John & Jacqui at the Purcell Room 20 Lost Sessions / BC COMING IN THE NEXT ISSUE! op item next time round will be news of TBert's latest album. He'll be touring the UK in April so you'll get the chance to hear some of the new songs then....Now it's a while ago since I popped a teasing question about the most recorded song from the combined Pentangle repertoire. Many thanks to all those who wrote in.