Rosemary Lane the Pentangle Magazine Rosemary Lane Editorial
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Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Vol 28 No.2 April May 2006 the Market Porter, SE1. See Page
April May Vol 28 2006 No.2 The Market Porter, SE1. See page 12. London Drinker is published by Mike Editorial Hammersley on behalf of the London Branches of CAMRA, the Campaign TIME TO GET WILD ABOUT MILD for Real Ale Limited, and edited by n May CAMRA members will once again be turning their thoughts to Geoff Strawbridge. supporting one of our oldest beer styles. The focus of this campaign is Material for publication should I preferably be sent by e-mail to Mild Day on 6th May. [email protected]. Sales at beer festivals in the London area show that this style of beer is very Press releases and letters by post popular amongst beer aficionados, with stocks of it running out long before should be sent to Tony Hedger, the last cask has been drained. There has also been a small increase in the Apartment 11, 3 Bewley Street, London SW19 1XE number of pubs selling it too. Changes to pubs or beers should be But what is a mild? Normally under 4% in ABV, they range from black to reported to Capital Pubcheck, dark brown to pale amber in colour. Malty and possibly sweet tones 2 Sandtoft Road, London SE7 7LR dominate the flavour profile but there may be a light hop flavour or aroma. or by e-mail to [email protected]. Slight butterscotch flavours may also be noted. Pale milds have a lightly For publication in June 2006, please fruity aroma and gentle hoppiness. Dark milds may have a light roast malt send electronic documents to the Editor or caramel character in aroma and taste. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Mitford Signs Loyalty Oath Under Protest Sherriffs Denies Trustees
Thursday, October 4, 1973 Today last day for fees Today is the last day students can pay fees and turn in packets. A $5 late fee will be charged after 8 p.m. Collection is being held in the S.U. Ballroom, from 8 a.m. to 4 p.m. and 5 to 8 p.m. Students should enter the north end from inside the Union. Class cards will be reviewed and collected in the Ballroom prior to payment of fees. Fees will be collected in the adjoining room. Friday is the deadline for packet turn-in and late payment of fees. Late partan Daily registration and fee collection will be handled by the Cashier's Office Serving California State University at San Jose Since 1934 tomorrow from 8 a.m. to 5 p.m. oath under protest Mitford signs loyalty By Carol Tognetti supporting Mitford's stand against "I'm madly excited about being here. 20 students who will eventually work in Jessica Mitford, author and new signing the loyalty oath. I've never been near a college as a pairs to rake muck on any deserving SJSU sociology professor, said "We applaud Jessica Mitford for student or a teacher and I'm enjoying it subject in the San Jose area, Mitford, yesterday she may be guilty of perjury opposing the issue," a spokesman for to no end," Mitford said, referring to continuously smoking a cigarette, said. by reluctantly signing a loyalty oath the ACLU said. the fact that she has never had any Referring to the importance of required of all SJSU instructors. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 43 – Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Índice Directorio PORTADA Mississippi Heat: Warning Shot (1) ……………….….…….… 1 Cultura Blues. La revista electrónica Fotos: Cortesía Pierre Lacocque: Press Kit Mississippi Heat “Un concepto distinto del blues y algo más…” ÍNDICE-DIRECTORIO ……..……………………………………………..…..… 2 www.culturablues.com EDITORIAL Fin de año ¿Felices fiestas? (2) …………………………..…. 3 Año 3 Núm. 43 – diciembre de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Pierre Lacocque - Mississippi Heat - Warning Shot (2) ………………….... 5 POR SEGURIDAD DE LOS USUARIOS Director general y editor: Al vacío (3) ……………………….……………………….…………………………………. 10 José Luis García Fernández CORTANDO RÁBANOS De tradición y nuevas rolas (4) ……… 15 Subdirector general: José Alfredo Reyes Palacios HUELLA AZUL Entrevista a los Hot Tamales (5, 6 y 7) …………… 17 SESIONES DESDE LA CABINA Programación y diseño: Blue rondo a la Brubeck (8) ………………………………………..………….……. 21 José Luis García Vázquez Aida Castillo Arroyo CULTURA BLUES de visita en… Biblioteca Benjamín Franklin Consejo Editorial: Casa de Cultura Iztaccíhuatl Mario Martínez Valdez Blues Club Ruta 61 María Luisa Méndez Flores Casa de Cultura de Azcapotzalco (2) ……………………………...………….. 23 Colaboradores en este número: DE COLECCIÓN El retorno de Cat Stevens/Yusuf Islam. Segunda parte 1. José Luis García Vázquez 120 discos de blues publicados en 2014 (2) ………………………..…..…... 28 2. José Luis García Fernández 3. José Alfredo Reyes Palacios COLABORACIÓN ESPECIAL 1 ¿Blues en español? (10) ..... 38 4. Frino 5. María Luisa Méndez Flores COLABORACIÓN ESPECIAL 2 In Memoriam (2 y 7) …........ 40 6. Fernando Monroy Estrada 7. Félix Fernando Franco Frías -Q.E.P.D.- UNA EXPERIENCIA 8. Yonathan Amador Gómez Jambalaya. -
Library Matters the Official Newsletter of the Dearborn Public Library
Volume 7 Issue 4 July-August 2014 Library Matters The official newsletter of the Dearborn Public Library dearbornlibrary.org THIS ISSUE’S SUMMER READING WRAPS UP IN QUOTE AUGUST "Books, to the reading It’s summertime and this year’s child, are so much summer reading program is in full more than books— swing! This year’s science-themed they are dreams and programs for children, teens and knowledge, they are a adults offer something fun and future, and a past." interesting for everyone. Programs will run from June 16—August 1, — Esther Meynell with the Summer Reading Wrap-Up Party officially closing things out on Wednesday, August 6 at 6:00 PM I N T H I S ISSUE at HFCL. Lunch and Learn programs 2 Kids and teens have a diverse array Children’s / Teen of activities to choose from, 3-4 Summer Reading inc luding themed outdoor DFCU Financial 4 storytimes, cool crafts, movies and seminars fun opportunities to hang out and Cooking Matters 5 meet new people. Check out a full workshops list of programs on pages 3-4. Drop-In Tech Help 6 For adults, the popular Lunch and Learn presentations continue throughout July. Bring a lunch and enjoy a presentation on a wide variety of topics. The complete 2014! Turn to page 4 for Lunch and Learn schedule is instructions on how to register available on page 2. online and track your reading and event hours throughout the It’s still not too late to register and program. participate in summer reading P a g e 2 Library matters SUMMER LUNCH AND LEARN PROGRAM AT HFCL Science. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Bert Jansch Bert Jansch Mp3, Flac, Wma
Bert Jansch Bert Jansch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues / Folk, World, & Country Album: Bert Jansch Country: Japan Released: 2016 Style: Folk MP3 version RAR size: 1742 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1599 mb Rating: 4.4 Votes: 705 Other Formats: AUD MP1 FLAC RA MPC DMF AIFF Tracklist 1 Strolling Down The Highway 2 Smokey River 3 Oh How Your Love Is Strong 4 I Have No Time 5 Finches 6 Ramblings Going To Be The Death Of Me 7 Veronica 8 Needle Of Death 9 Do You Hear Me Now? 10 Alice's Wonderland 11 Running From Home 12 Courting Blues 13 Kasbah 14 Dreams Of Love 15 Angie Credits Liner Notes – 小西勝* Written-By – Bert Jansch (tracks: 1 to 14), Davy Graham (tracks: 15) Other versions Category Artist Title (Format) Label Category Country Year Bert Bert Jansch (LP, Transatlantic TRA 125 TRA 125 UK 1965 Jansch Album) Records Bert Bert Jansch (Cass, Transatlantic ZCTRA 125 ZCTRA 125 UK Unknown Jansch Album) Records Bert Bert Jansch (8-Trk, Transatlantic Y8TRA 125 Y8TRA 125 UK Unknown Jansch RE) Records Bert Bert Jansch (LP, Transatlantic TRA 125 TRA 125 UK Unknown Jansch Album, RE) Records Bert Bert Jansch (LP, Transatlantic YZ-153-LA YZ-153-LA Japan 1982 Jansch Album, Mono, RE) Records Related Music albums to Bert Jansch by Bert Jansch Bert Jansch - When The Circus Comes To Town The Pentangle - Sweet Child Bert Jansch - A Rare Conundrum The Pentangle - Basket Of Light Bert Jansch - Blues Pentangle - Travellin' Song Bert Jansch - Jack Orion Pentangle, The - The Pentangle Bert Jansch - Rosemary Lane Pentangle - In The Round Bert Jansch - It Don't Bother Me Bert Jansch - Oh My Father / The First Time Ever I Saw Your Face.