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Pat Steir Was Born in 1940 in Newark, New Jersey. She Studied Art and Philosophy at Boston University and Received Her BFA from the Pratt Institute in 1962
PAT STEIR Pat Steir was born in 1940 in Newark, New Jersey. She studied art and philosophy at Boston University and received her BFA from the Pratt Institute in 1962. She is a founding board member of Printed Matter Inc., New York, and the feminist journal, Heresies. She was also a board member of Semiotext(e). Her work has been the subject of major institutional exhibitions and projects including: the Museum of Art, Rhode Island School of Design, Providence, Rhode Island; Los Angeles County Museum of Art, California; Neuberger Museum of Art, Purchase, New York; Butler Institute of American Art, Youngstown, Ohio; Dallas Museum of Art, Texas; The Baltimore Museum of Art, Maryland; Des Moines Art Center, Iowa; Brooklyn Museum, New York; The Whitney Museum of American Art, New York; MoMA PS1, New York; The Irish Museum of Modern Art, Dublin, Ireland; Centre National d’Art Contemporain de Grenoble, France; Musée d’art Contemporain, Lyon, France; Cabinet des Estampes, Musée d’Art et Histoire, Geneva, Switzerland; Centre d’Art Contemporain, Palais Wilson, Geneva, Switzerland; Kunstmuseum Bern, Switzerland; The Tate Gallery, London; Rijksmuseum, Amsterdam; Gemeentemuseum Den Haag, The Hague, among many others. Steir’s work is held in the permanent collections of the Denver Art Museum, Colorado; Foundation Cartier, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Louvre, Paris; the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, California; The Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Walker Art Gallery, Minneapolis, MN; and the Whitney Museum of American Art, New York, among other institutions worldwide. -
Bulletin 2002 Art/Pages-Final
School of Art 2002–2003 bulletin of yale university Series 98 Number 1May 10, 2002 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) Printed in Canada The closing date for material in this bulletin was April 2, 2002. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2002 by Yale University. All rights reserved. The material in this bulletin may not be reproduced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Content Questions regarding the editorial content of this publication may be referred to Patricia Ann DeChiara, Director of Academic Affairs, Yale School of Art. Inquiries All inquiries regarding admission to graduate programs in art and requests for application forms should be addressed to the Office of Academic Affairs, Yale School of Art, 1156 Chapel Street, PO Box 208339, New Haven ct 06520-8339, or telephone 203.432.2600. (School of Art bulletins are mailed through periodicals postage and usually take at least three weeks to reach their destinations. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Alain Kirili with Robert C
Alain Kirili with Robert C. Morgan On the occasion of the current exhibit Te Drawing Show: Lines in Charcoal, Ink, Watercolor, Galvanized Iron and Black Rubber (January 3 – June 30, 2012), the sculptor Alain Kirili and Contributing Editor Robert Morgan paid a visit to the Rail’s headquarters to talk about his life and work. Robert C. Morgan (Rail): What was your motivation in coming to New York City in the ’60s? Alain Kirili: I was born in 1946, so I belong to the frst generation of artists afer the Second World War. In fact, when I reached the age of about 18 or 20 years, I felt that the major artists in France were writers and philosophers. Te milieu that stimulated me the most was really Tel Quel and Roland Barthes, Philippe Sollers, and Julia Kristeva, all of whom became my very close friends. I collaborated with them on many projects, so Paris gave me the best exposure to literature and philosophy. Slowly I became familiar with the American art; I mostly heard about Jackson Pollock. Portrait of the artist. Pencil on paper by Phong Bui. Rail: I know that David Smith was a major infuence on you. Did you ever meet him? Kirili: No, but in 1965 I saw my frst David Smith sculpture at the Musée Rail: And what impressed you the most during those travels? Rodin in Paris. In fact, it was that series of sculptures, Cubi, that made Kirili: Tat it was impossible, at least I felt, to be a French artist if you had me decide to go to the United States. -
Monographie Books by Alain Kirili Website Alain Kirili
ALAIN KIRILI - COMPLETE BIBLIOGRAPHY Monographie Morgan Robert C., Alain Kirili, Paris, éditions Flammarion, 2002. Dubbeld Sabrina Kirili à Grenoble, Paris, éditions Ereme, 2012 Books by Alain Kirili 1982 Yoni-Lingam, Munich, Schellman & Kluser. 1984 Alberto Giacometti, Plâtres peints, Paris, éditions Maeght. 1986 Kirili, Alain, Statuaire, Paris, éditions Denoël. 1987 Rodin, Dessins érotiques, avec Philippe Sollers Paris, Gallimard. 1996 Sculpture and Jazz, Paris, éditions Stock. 1997 Célébrations, Paris, éditions Christian Bourgois. 2003 Dessins de David Smith: Un choix de Alain Kirili, Paris, éditions ENSBA. 2007 Mémoires de sculpteur, collection “écrits d’artistes”, Paris éditions ENSBA. 2012 Alain Kirili, Art Absolument, Numéro Spécial, Paris Octobre 2012. Website Alain Kirili http://www.kirili.com/ Bibliographie AK_Version a jour decembre 2013 1 Exhibitions Catalogues 1974 Pleynet Marcelin, Alain Kirili: peintures, dessins, sculptures, gravures, Paris, Galerie Sonnabend. 1976 Rooms, New York, Institute of Art and Urban Ressources, P.S.1. Soho-Downtown Manhattan, Berlin, Akademie der Kunst. 1977 Documenta 6 Cassel, Verlag und Gesamtherstellung, Paul Dierichs KG & Co. 1978 Kirili Alain, Storck Gerhard, Alain Kirili geschmiedete Eisenskulpturen, Krefeld, Kaiser Wilhelm Museum der Stadt Krefeld. Welermair Peter, Kirili, Innsbruck, Taxispalais Museum. 1980 Franz Erich, Zeitenossisches Plastik, Bielefeld, Kulturhistoriche Museum. Kirili Alain, “Vive New York, Bye-Bye puritan Landscape, für Thomas Hess”, Zeitenossisches Plastik, Bielefeld, Kulturhistoriche Museum. 1981 Mc Clintic Miranda, Directions, Washington D.C., USA Hirshhorn Museum and Sculpture Garden, Smthsonian Institution. Nash Steven, A.Kirili: Recent Sculpture, Dallas, Museum of Art, USA. 1982 Rosenblum Robert, « Essay » Von Wiese Stephen, Weiermair Peter, Alain Kirili, Frankfurt, Germany, Frankfurter Kunstverein. 1984 Kuspit Donald, Sollers Philippe, Alain Kirili, Paris, galerie Adrien Maeght. -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 CONTACT: Dena Crosson Ellen Stanley (202) 842-6353 FOR IMMEDIATE RELEASE ** PRESS PREVIEW: Tues., June 23, 11:00 a.m - 2:00 p.m. MODERN SCULPTURE FROM THE NASHER COLLECTION TO OPEN AT NATIONAL GALLERY Title: A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection WASHINGTON - A major exhibition of modern European and American sculpture, selected from the collection of Patsy and Raymond Nasher, opens at the National Gallery of Art on Sunday, June 28 and continues through January 3, 1988. The exhibition consists of more than 68 works by 36 artists, ranging in date from Auguste Rodin's Eve (1881) to Jonathan Borofsky's Hammering Man (1984-85). The sculpture is installed in front of the East Building and in the public areas of the mezzanine, main floor, and concourse, as well as on the north sculpture terrace, which will be open to the public for the first time. The exhibition is supported by Northern Telecom. (more) nasher collection ... page 2 "The Nashers' is one of the finest private collections of modern sculpture in the world in terms both of the quality of the objects and the comprehensiveness of its sweep," said J. Carter Brown, director of the National Gallery. "We expect this exhibition to be a particularly exciting way for the public to view the masters of the figurative and constructivist traditions and some of the most interesting recent sculpture." The exhibition encompasses almost every major area of 20th-century sculpture, including important works by Rodin, Rosso, Picasso, Matisse, Brancusi, Duchamp-Villon, Gabo, Giacometti, Arp, Ernst, Calder, Moore, Dubuffet, David Smith, Caro, Oldenburg, Segal, Judd and Serra. -
Guide to the Colin De Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection Processed by Ann Butler, Ryan Evans and Hannah Mandel
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection processed by Ann Butler, Ryan Evans and Hannah Mandel. This finding aid was produced using ArchivesSpace on February 06, 2019 . Describing Archives: A Content Standard Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Table of Contents Summary Information ................................................................................................................................................ 3 Biographical / Historical ............................................................................................................................................. 5 Scope and Contents ................................................................................................................................................. 6 Arrangement .............................................................................................................................................................. 6 Administrative Information ......................................................................................................................................... 7 Related Materials ...................................................................................................................................................... 7 Controlled Access Headings .................................................................................................................................... -
Zilia Sanchez: Painting the Body As an Island
ZILIA SANCHEZ: PAINTING THE BODY AS AN ISLAND EL Museo Del Barrio, “Soy isla”, 11/20/19 to 03/22/20 Galerie Lelong, “Eros”, 11/21/19 to 01/18/20 Last year, a short visit to the Chinati and the Judd Foundations in Marfa, Texas, gave me the full measure of Donald Judd’s ambition for his “Specific Object” -as well as a chance to be repeatedly stopped and asked for my passport by the border patrol, and, with it, a front row view on the reality of the xenophobic paranoia induced in the country by the Trump administration. Today, with the full-size retrospective of the artist’s work on view at Moma (or when the museum reopens) New Yorkers will not need to make the trip to South Texas for a while. As an indirect homage to the power of Judd’s intuition, many young painters today, even if their work has little to do with Minimalism, continue to insist on the “object” quality of their work, still placing themselves in a conceptual framework first defined by Judd. Responses to the American Minimalist Juggernaut have come from far and wide. As a French educated painter, for example, I have long been aware of the response to Minimalism from artists of the Supports/Surfaces generation, such as painter Marc Devade (1943-83) or sculptor Alain Kirili (who showed recently at the Susan Inglett Gallery in New York). Devade and Kirili’s main argument with Judd had to do with his ideal of a disembodied literalness, with the expelling of the body’s inscription in the work from the Specific Object’s doctrine and generally with the evacuation of the subject (in the psycho-analytical sense) from the object. -
Lennon, Weinberg, Inc
LENNON, WEINBERG, INC. 514 West 25th Street, New York, NY 10001 Tel. 212 941 0012 Fax. 212 929 3265 [email protected] www.lennonweinberg.com Richard Kalina Born: New York City, 1946 Resides and works in New York City EDUCATION 1966 University of Pennsylvania, B.A. SOLO EXHIBITIONS 2014 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Watercolors, February 20-March 29. 2012 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, January 19-February 25. 2010 New York, Lennon, Weinberg, Inc. Richard Kalina: A Survey of Works 1970-2010, June 10- August 13. 2009 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, March 26-May 2. 2006 New York, Lennon, Weinberg, Inc. New paintings and watercolors, October 21 – November 27. 2003 New York, Lennon, Weinberg, Inc. Richard Kalina: New Works, November 7 – December 20. 2001 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Selected Drawings 1990- 2001, March 22 – April 21. 1998 New York, Lennon, Weinberg, Inc. Richard Kalina, September 10 – October 10. 1995 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, November 16 – December 22. 1993 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, September 30 – November 6. 1992 New York, Diane Brown Gallery. New York, Ledis Flam Gallery. 1989 New York, Elizabeth McDonald Gallery. 1988 New York, Elizabeth McDonald Gallery. 1987 New York, Piezo Electric Gallery. 1986 Los Angeles, Piezo Electric Gallery. New York, Piezo Electric Gallery. Richard Kalina, May 8 – June 1 (catalogue). 1984 New York, Tibor de Nagy Gallery. 1982 New York, Tibor de Nagy Gallery. 1980 New York, Tibor de Nagy Gallery. -
2019 AK KIRILI Susaninglett
Dedicated to Ariane Lopez-Huici ALAIN KIRILI Who’s Afraid of Verticality? 12 September 2019 – 19 October 2019 Susan Inglett Gallery, NYC Installation View, 2019 Susan Inglett Gallery, NYC ALAIN KIRILI in conversation with Simek Shropshire Simek Shropshire: You came to New York City in For the period of 1965, what I mainly discovered the 1960s after seeing David Smith’s Cubi series at about the United States is that it is, first of all, a the Musée Rodin [in Paris]. During that time, reformed country. And, how can you be an artist in Abstract Expressionism and an emphasis on the a reformed country? It’s a challenge. It was a time geometric dominated the art scene in New York, when I learned a lot because, coming from my specifically in the medium of sculpture. How did background in France, to be an artist is an honor. your work differ and draw influence from the That is something that panicked me when I started aesthetics that were typical of the period? to live here: the idea of work. Art is more of an activity. Alain Kirili: In 1965, when I came to the United States, I was very young and had not begun my SS: Or a gesture, even. sculptural practice. My first sculpture was not created until 1972. AK: Yes, a gesture. There is a term in French, en pure perte, which means an activity that is totally I have a great love for Abstract Expressionism useless. Art is noble when it is useless; it’s the because abstraction is very fleshy and emotional. -
Steir, Pat Biography 5-22-19
PAT STEIR BIOGRAPHY 1940 American: Born Iris Patricia Sukoneck in Newark, New Jersey on 4/10 1966 – 69 Art Director, Harper & Row Publishing Company, New York 1970 – 73 Taught at Parsons School of Design; Princeton University; and Hunter College 1973 – 75 Lived in Los Angeles and taught at California Institute of Arts 1975 – 78 Traveled in United States and Europe Founding board member of PRINTED MATTER bookshop and HERESIES magazine. Editorial Board of SEMIOTEXT magazine. Lives and works in New York and Amsterdam EDUCATION 1956 – 58 Studied graphic art at Pratt Institute, Brooklyn, New York 1958 – 60 Studied at Boston University, Boston, Massachusetts 1960 – 62 Studied at Pratt Institute, Brooklyn, New York 1961 Received BFA from Pratt Institute in Brooklyn, New York 1991 Received Honorary Doctorate of Fine Art from Pratt Institute, Brooklyn, New York 2002 Received Alumni Honoree from Pratt Institute, Brooklyn, New York. Received Alumni Honoree From Boston University, Boston, Massachusetts. SOLO EXHIBITIONS 2019 Hirshhorn Museum, Washington, D.C. (Forthcoming) Pat Steir, Locks Gallery, Philadelphia Paintings, Vito Schnabel Gallery, St. Moritz Silent Secret Waterfalls: The Barnes Series, Barnes Foundation, Philadelphia 2018 Pat Steir: Self Portrait Installation, 1987 – 2018 and Paintings, Galerie Thomas Schulte, Berlin 2017 Pat Steir: Kairos, Lévy Gorvy, New York 2016 Pat Steir, Pace Prints (32 East 57th Street Gallery), New York (4/7 – 5/7/16) 2014 Pat Steir, Cheim & Read, New York (2/20 – 3/29/14) Pat Steir: For Philadelphia, Locks Gallery, Philadelphia, Pennsylvania (5/2 – 6/21/14) Pat Steir: Waterfalls: Works on Paper, Meyerovich Gallery, San Francisco, California (9/15–10/30/14) 2013 Baldwin Gallery, Aspen, Colorado (4/13 – 5/13/13) Self Portrait and The Nearly Endless Line, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana (4/4 – 5/3/13) Self Portrait and Heartline, Museo Nacional de San Carlos, Mexico City, Mexico (8/13 – 11/13) Hand Painted Monoprints. -
Kirili / Hartung
Numéro spéciAl Alain Kirili Kirili : rythmes d’automne Parvis de l’Hôtel de ville de Paris du 16 octobre au 22 novembre 2012 dialogue : Kirili / hartung Fondation Hartung bergman 7,50 € et musée Picasso, antibes du 14 octobre 2012 au 6 janvier 2013 FONDATION HARTUNG BERGMAN INFORMATIONS Dialogue Kirili / Hartung Fondation Hartung Bergman PRATIQUES Du 14 octobre 2012 au 6 janvier 2013 Fondation Hartung Bergman 173, chemin du Valbosquet, 06600 Antibes Téléphone : 04 93 33 45 92 Horaires : sur réservation le vendredi à 14h Plein tarif : 5 euros Tarif réduits : 3 euros Gratuit pour les moins de 16 ans et les demandeurs d’emplois MUSÉE PICASSO Dialogue Kirili / Hartung Musée Picasso, Antibes (salles Hartung / Bergman) Du 14 octobre 2012 au 6 janvier 2013 Musée Picasso Château Grimaldi, 06600 Antibes Téléphone : 04 92 90 54 26/20 Adresse postale : Direction des musées, musée Picasso 4, rue des Cordiers, 06600 Antibes Téléphone : 04 92 90 54 20 – Fax : 04 92 90 54 21 www.antibes-juanlespins.com Horaires : Fermé les lundis, les 25 décembre et le 1er janvier 10h – 12h et 14h – 18h Plein tarif 6 euros Tarif réduit 3 euros Gratuit pour les moins de 18 ans Billet combiné : 10 euros, valable 7 jours consécutifs pour les musées municipaux Accès aux personnes à mobilité réduite Librairie-boutique Téléphone : 04 92 90 54 33 ; fax : 04 92 90 54 15 PARVIs de l’HÔTEL DE VILLE Kirili, Rythmes d’automne Parvis de l’Hôtel de Ville Du 16 octobre au 22 novembre 2012 Parvis de l’Hôtel de Ville, place de l’hôtel de Ville, 75004 Paris REMERCIEMENTS Vanessa Panetto