Bulletin 2002 Art/Pages-Final

Total Page:16

File Type:pdf, Size:1020Kb

Bulletin 2002 Art/Pages-Final School of Art 2002–2003 bulletin of yale university Series 98 Number 1May 10, 2002 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) Printed in Canada The closing date for material in this bulletin was April 2, 2002. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2002 by Yale University. All rights reserved. The material in this bulletin may not be reproduced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Content Questions regarding the editorial content of this publication may be referred to Patricia Ann DeChiara, Director of Academic Affairs, Yale School of Art. Inquiries All inquiries regarding admission to graduate programs in art and requests for application forms should be addressed to the Office of Academic Affairs, Yale School of Art, 1156 Chapel Street, PO Box 208339, New Haven ct 06520-8339, or telephone 203.432.2600. (School of Art bulletins are mailed through periodicals postage and usually take at least three weeks to reach their destinations. If first-class postage is preferred, please send $2 with your request.) The text has been printed on recycled paper. School of Art 2002–2003 bulletin of yale university Series 98 Number 1 May 10, 2002 c central campus ce Pla Lake 102-8 Payne 90-6 Whitney — Gym Ray York Square Place south Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Off Studies Broadway Theater Mory’s Sterling St. Thomas W Grove Street Broadway all Street Law Lynwood Place More Chapel Buildings P ro Davie s p e c Becton O Police Music S t Edgew Substation Library Beinecke University tre Dining Hall Dunham ood A 248-58 e H t Lab Q EW venue York Street Sterling U SSS Pierson Memorial AD ITT Library Berkeley Mason Lab Davenport Woolsey Hall Kirtland 254 Trumbull CCL Woodbridge to Yale CROSS CAMPUS Hall Athletic 220 Rose Saybrook E 1 Fields lm 217 Alumni S 211 treet University 493 370 205 212 WLH Sprague Drama 215 Theater Berkeley Park Hall Annex GPSCY Harkness Silliman Temple109 Street Chapel Street Tower Yale Station Stoeckel Yale Post Office Hall Daily Whitney News Branford Lanman Calhoun 82-90 Grove 451 Square A&A Weir Jonathan OLD CAMPUSWright Durfee Timothy Edwards 80 Holcombe T. Leigh Slifka Dwight Green, Jr.Hall Sculpture Battell Hall y Park Street Garden d Chapel 68 ancial ale medical area Dwight W Student Fin a 320 ll Street Services and OISS 353 Yale Art 265 341-47 Farnam Hendrie le Repertory Gallery Linsly- Ya Whitney 246 Hall ess Theatre High StreetChittenden Pr Humanities OAG 302 Center Lawrance Visitor t 149 Street British Art McClellan Center tree Hall Center Phelps 143 le S Connecticut 149 p Hall Tem Welch 3 Chapel StreetVanderbilt 05 NEW HAVEN GREEN Elm Street 301 295 Bingham Connecticut Church Street Mental Health Center C ro B w E n G Street College Street Park Street 270 n l: ilio ita v a sp o st P H a Air Rights E How C Parking Facility h Children's a p Hospital:est Pavilion el S ard Avenue W E tree S H North Frontage Road t ICDU York Street Hospital: NIHB Cancer South Pavilion Center CSC H Auditorium So arkness u th NSB Sterling Hall of M Fro LMP MRC LCI t Hunter n W tag Stree W e R ge Medical Library LEPH o from I-91 & I-95 W a lle d o Yale FMP C Dana Physicians Clinic Hospital: P Building SP NH Unit BBC edicine TMP TE 7 3 Primary BCMM Care Hope Center FMB BM L LSOG Lauder Congress Avenue Congress Pierce Liberty Street Avenue Laboratory Congress Building Place Lafayette Street Cedar Street ue ven Gold Street n A gto in ash W istad Street Am School of Nursing a divinity school area Canner Street Fisher Bellamy Institute of Curtis Sacred Music International House Divinity School Prospect Street Prospect Greeley Memorial Lab SDQ central campus Marquand b Chapel Porter Marsh Hall Betts House St. Ronan Street Ronan St. Hillside Place — Marsh north Botanical Garden a Cann er S tre et Fisher Bellamy Institute of Curtis Sacred Music International b House Divinity School P r o Woodland Street Greeley s p Memorial Lab e SDQ c t Marquand S t Chapel Porter r Marsh e e Hall t Betts House S t . R H o il lsi n de a Edwards Street P n l a ce S t Marsh r e e Botanical t 314 Garden W o C odl o and tta St Ed ree 314 wa ge t rd Stre s S tre et et 301 310 285 340 L aw r 6 en 27 ce Com Kline S pton S tr et treet Chemis ee ter Stre try t Webs Lab 301 254 350 Wright Nuclear Lab 23 0 EAL Ed w Pierson-Sage a rd Garage s Sterling St re Chemistry et Lab 210 Bass Center B is W h o p 310 i n Sage- Sloane S c tr h 202 Bowers Physics e M e e t s a Hall Lab Kline Biology t n e s r Tower f A i c e Ingalls Gibbs Lab v l d H e Rink u n S Pierson mp u P 285 t r r e o e Sage hr s e ey p t Power e Stre 100 c t Plant S e t t r e 340 e Osborn Mudd t L 80 ce oc Library Labs Pla k S 70 ake tre L et Kline Geology Lab Hammond Donaldson 221 Hall Commons 135 Information 140 Technology Services GROVE STREET 60 Environmental 4 124 Science 102-8 School of 56 Center W Payne 90-6 CEMETERY Management Peabody P h ce r i Whitney la os Museum t re P p n ua ec e 215 Gym Sq t 52 y rk P Ray Yo la 55 Sac A ce hem St v e Tompkins n New u House reet e Residence 51 rkway 46 r Pa Hall A owe C T s a h n 158 m a 175 l un S 181 t 43 S r 38 e 34 t e President’s Central re Undergrad W Ezra t Luce House 155 e 37 h Power Admissions a Stiles Morse t ll Plant 77 e y The Yale T r 89 30 35 A um v Bookstore b 87 e ul n l S u t re 28 31 276 e et E lm Hall of S aduate 27 tr Gr 24 B e H e Studies 51 ra e t Off i d c l l l a Watson h e l y Broadway o P S d u t o Theater Mory’s rling s r Ste e e o G e W Com A w St. Thomas t n B a Law ro y r l ve v L More Chapel o l e Buildings n a S St Kline P t u d r r 442 e ree 12 e pton Street w e o Davies t sp Health a t Leet y e Services 432-4 c Becton Oliver Police Music t E S dg Sub University t station t Library W e e Beinecke r e e Dunham w r Dining Hall CMI h t e ood i 248-58 H t S Lab 433 t 15 n rk E Helen Ave o Q e Y Sterling W y U SSS Hadley Hall Chemistry nu A emorial I Pierson M A T v e D T Mason Lab e Lincoln Street Library Berkeley y Hall Kirtland n Davenport Woolse u 40 5 e 254 Trumbull 5 8 CCL Woodbridge to Yale CROSS CAMPUS Hall Athletic 220 E Rose Saybrook lm 1 55 ebster Street Fields t 217 Alumni S e t re W 211 re t Lab 205 212 University et W 493 370 S LH Spra e 215 gue l A Drama Theater Berkeley p u Hall m d Park e u Annex T b GPSCY Harkness Silliman 109 o 254 n C l S ha Tower Yale Station Stoecke t p Yale re el Post Office all e Wright S H t t Daily Whitney re 8 350 et News Branford Lanman Calhoun 2-90 Grove t 451 Square e A&A Jonathan OLD CAMPUSWright Durfee e Weir Timothy tr 80 S Holcombe T. Edwards Leigh Dwight rk Slifka a .Hall Sculpture Hall P Green, Jr Battell d Garden pel 68 Cha Dwight W Student Financial t a e 320 l Services and OISS Nuclear Lab e l 353 r S Yale Art t t 265 341-47 S Farnam Hendrie ale re Repertory Gallery h Linsly- Y e Whitney 246 ig Hall ess t Theatre H Chittenden Pr Humanities OAG 302 tor t Center Lawrance Visi e 149 Street re ritish Art Clellan Center t B Mc S Hall 143 le Center Phelps 149 p Connecticut m e Hall T Welch C erbilt 305 h Vand NEW HAVEN GREEN a E p lm e 301 l S S t t re 295 re Bingham e t h e t t u lt t e ic a re t e t c S e H n l ch n a r 230 o t r u EAL n h C e te C n M e C t e e tr t S e C e e r g r o e t w ll S n o rk GEB S C t a tr e P 270 e e e tr t S n e l: io g a il n it v a p a r Pierson-Sage 's s P O n n e : io o t r l il H s Air Rights d ta v a il i a E G C H Parking Facility h sp P e h o C o a o st r p w H e g e n t e l a W o e S S r : li e E t tr d l i r r v t S e e a S H e e A it a N t t k I v P o p r C e s h o r o t Y D t n NIHB h H u U Garage u o F C r C e S o a e n C t n n a S c g t H e Sterling e A C e S o R r r u a u o r a d th k d S NSB it L n F r te M L te r M n t u o o H e C n e r ri e RC s WWW t I P r li a s t u g S n e m e g R g M L L o e from I-91 & I-95 E l i l H a b e P o l: H d C a ale FMP a r d a Y t ll s i t i n c ia Dana i r ysic C p Chemistry h o y a P s n lin o U l ilding H f P Bu H P M S i N B c B e d C TMP i TE c 7 ary in 3 Prim B e are C C M H er B nt o e M C FMB M p Lab L e r LSOG Laude Congress Avenue Pierce Congress ory L borat 2 i La 10 b Avenue e C r Building P L o t a l n y C a f g S e a e c u enter t y ss C r a n B e d e r e e e v G a s t e A o t Bishop Street r s n e t o l S t g d S t in t r h S r e as t e e r e W e t t e t Winchester Avenue et re St ad ist Am Sage- Sloane Chu r c h S t School of r Nursing e et S ou 202 Bowers Physics th Mansfield Street Mansfield Hall Lab Kline Biology Tower Ingalls Gibbs Lab H Rink u Pierson m Prospect Street Prospect p Sage h re Power y S 100 Plant tre e t Mudd Osborn Lo Library 80 Labs lace ck Street 70 ke P La Kline Geology Lab Hammond Donaldson 221 Hall Commons 135 Information 140 Technology Co Services GROVE STREET 60 Environmental 4 pyright ©2002 Yale University 124 Science 102-8 School of 56 e 90-6
Recommended publications
  • Underserved Communities
    National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit.
    [Show full text]
  • FOR IMMEDIATE RELEASE :: Media Contact: Dana Marks (617) 536-5049 [email protected]
    :: FOR IMMEDIATE RELEASE :: Media Contact: Dana Marks (617) 536-5049 [email protected] Images (L to R) :: Back Yard Dreams (detail) by Maria Magdalena Campos-Pons, The Great Orator by Enrique Flores – Galbis, BITS (Poolside 2) by Gabriel Martinez LA CUBANA Y EL CUBANO September 10 – October 7 The Copley Society of Art is proud to present La Cubana y el Cubano, an exhibition of Cuban art with works by Cuban and Cuban-American artists, curated by Camilø Álvårez. This exhibition runs from September 10th through October 6th, 2016, at the Co|So gallery, located at 158 Newbury Street, Boston, MA 02116. An opening reception on Saturday, September 10th from 5:30 – 7:30pm will have refreshments, light snacks, and festive music. La Cubana y el Cubano, curated by Camilø Álvårez, Director of Samsøñ, features work by the following artists: Augusto Bordelois, Maria Magdalena Campos-Pons, Adrian Fernández, Magda Fernández, Enrique Flores- Gablis, Luis Gispert, Olivia Ives-Flores, Carlos Martiel and Gabriel Martinez. Please see abbreviated bios below for participating artists: Augusto Bordelois (b. 1969, Havana, Cuba) lives and works in Cleveland, OH. As a painter, he combines fairy tales and personal dreams, inserting them into dramatic situations, or day to day happenings, to explore subjects like the power of the feminine. He has presented solo exhibitions with River House Arts (Toledo, OH), Steve Martin Fine Art (New Orleans, LA), and Cleveland State University (Cleveland, OH). Maria Magdalena Campos-Pons (b. 1959, Matanzas, Cuba) currently lives and works in Boston, MA. Through installation, photography and cultural activism, she explores history, memory and their connection to the formation of identity.
    [Show full text]
  • BIO Mariana Cánepa Luna
    BIO Mariana Cánepa Luna Mariana Cánepa Luna (b.1977) is a Montevideo-born, Latitudes has participated in lectures, conversations and Barcelona-raised-and-based curator. She graduated in panel discussions including events at Garage Museum History of Art from the Universitat de Barcelona (1995– of Contemporary Art, Moscow (2019), Art Basel Cities: 2000) and studied Cinema History at DAMS, Università Buenos Aires (2019), Fundació Antoni Tàpies, Barcelona degli Studi di Bologna (1999) before completing the MA (2017), ARCOmadrid (2011, 2017), de Appel, Amsterdam Curating Contemporary Art, Royal College of Art, London (2016), Chisenhale Gallery, London (2015), Athens (2002–4). She assisted the curators of the retrospective Biennale (2015), The Common Guild, Glasgow (2013), ‘Frank Gehry, Architect’ at the Solomon R. Guggenheim Sharjah Art Foundation (2012). Museum, New York (2001), and was Fondation de France Curatorial Fellow at the Serpentine Gallery, London Latitudes has also been guest faculty at the Banff Centre (2004–5). Mariana is a regular contributor to art-agenda for Arts and Creativity in Canada (2015, 2017), tutored 3 and between 2015–19 was secretary of the foundation seasons of Barcelona Producció (2016, 2017-18 and governing Hangar Centre of Production, Research and 2019-20), the artistic production grants funded yearly by Visual Arts in Barcelona. the Barcelona City Council and has facilitated a 10-day curatorial intensive for the NUS Museum in Singapore In 2005 she co-founded the curatorial office Latitudes (2014), as well as the first Nature Addicts Fund Travelling with Max Andrews. Latitudes has worked internationally Academyduring dOCUMENTA 13 (2012). across contemporary art practices in a variety of formats and situations, including more than 50 projects Latitudes has convened and hosted 30 hour-long encompassing exhibitions, public realm commissions, presentations during ‘The Dutch Assembly’ in performances, film screenings and discursive ARCOmadrid (2012) and the three-day symposium of the programmes.
    [Show full text]
  • Newsletter Outubro 10 | October10
    Newsletter Outubro 10 | October10 Solo JOHN BALDESSARI Pure Beauty Curadores | Curators Enrico Lunghi, Clément Minighetti Metropolitan Museum of Art . Nova Iorque . EUA | New York . USA 20 Outubro a 9 Janeiro | 20 October to 9 January http://www.metmuseum.org Group YONAMINE A República revisitada Curadores | Curators Pedro Lapa Artistas | Artists Ângela Ferreira, Gabriel Abrantes, João Tabarra, João Fonte Santa, João Pedro Vale, Luciana Fina, Mafalda Santos, Pedro Barateiro. Galeria Diário de Notícias . Lisboa | Lisbon . Portugal 7 a 29 Outubro | 7 to 29 October Group JOHN BALDESSARI . LAWRENCE WEINER Just Love Me . Regard sur une collection privée Curadores | Curators Enrico Lunghi, Clément Minighetti Artistas | Artists Curtis Anderson, Vanessa Beecroft, Tracey Emin, Günther Förg, Rebecca Horn, Sol Lewitt, Gerhard Richter, Thomas Ruff, Nora Schattauer, Luc Tuymans, Andy Warhol, (...). MUDAM . Luxemburgo | Luxembourg 9 Outubro a 30 Janeiro 2011 | 9 October to 30 January 2011 http://www.mudam.lu Group DANIEL MALHÃO Falemos de casas: Entre o Norte e o Sul Curadores | Curators Ana Vaz Milheiro, Diogo Seixas Lopes, James Peto, Luís Santiago Baptista, Manuel Graça Dias, Max Risselada, Pedro Pacheco e Peter Cook. Trienal de Arquitectura de Lisboa . Museu Colecção Berardo . Lisboa | Lisbon . Portugal 14 Outubro a 16 Janeiro 2011 | 14 October to16 Janeiro 2011 http://www.trienaldelisboa.com Group JULIÃO SARMENTO . JUAN ARAUJO . Quando a arte fala de arquitectura: construir, desconstruir, habitar Curador | Curator Delfim Sardo Artistas | Artists Ângela Ferreira, Bruce Nauman, Damian Ortega, Dan Graham, Fernanda Fragateiro, Gordon Matta-Clark, Olafur Etiasson, Rita McBride, Robert Gober, (...). Trienal de Arquitectura de Lisboa . MNAC . Museu do Chiado . Lisboa | Lisbon . Portugal 15 Outubro a 21 Novembro | 15 October to 21 November http://www.trienaldelisboa.com Group INTERIORES Project by Pedro Gadanho Artistas | Artists Filipa César, João Paulo Feliciano, Daniel Malhão, Edgar Martins e Fernando Guerra.
    [Show full text]
  • Louise Lawler
    Louise Lawler Louise Lawler was born in 1947 in Bronxville, New York. Lawler received her Birdcalls, 1972/1981 VITO ACCONCI audio recording and text, 7:01 minutes BFA in art from Cornell University, New York, in 1969, and moved to New York CARL ANDRE LeWitt Collection, Chester, CT City in 1970. Lawler held her first gallery show at Metro Pictures, New York, in RICHARD ARTSCHWAGER 1982. Soon after, Lawler gained international recognition for her photographic JOHN BALDESSARI ROBERT BARRY and installation-based projects. Her work has been featured in numerous interna- JOSEPH BEUYS tional exhibitions, including Documenta 12, Kassel, Germany (2007); the Whitney DANIEL BUREN Biennial, New York (1991, 2000, and 2008); and the Triennale di Milano (1999). SANDRO CHIA Solo exhibitions of her work have been organized at Portikus, Frankfurt (2003); FRANCESCO CLEMENTE the Museum für Gegenwartskunst, Basel, Switzerland (2004); the Wexner Center ENZO CUCCHI for the Arts, Ohio (2006); and Museum Ludwig, Germany (2013). In 2005, the GILBERT & GEORGE solo exhibition In and Out of Place: Louise Lawler and Andy Warhol was presented DAN GRAHAM at Dia:Beacon, which comprised a selection of photographs taken by Lawler, all HANS HAACKE of which include works by Warhol. She lives and works in New York City. NEIL JENNEY DONALD JUDD ANSELM KIEFER JOSEPH KOSUTH SOL LEWITT RICHARD LONG GORDON MATTA-CLARK MARIO MERZ SIGMAR POLKE GERHARD RICHTER ED RUSCHA JULIAN SCHNABEL CY TWOMBLY ANDY WARHOL LAWRENCE WEINER Louise Lawler Since the early 1970s, Louise Lawler has created works that expose the In 1981, Lawler decided to make an audiotape recording of her reading the economic and social conditions that affect the reception of art.
    [Show full text]
  • Lawrence Weiner
    Lawrence Weiner Essay by Lynne Cooke Since 1967 Lawrence Weiner’s work has been formulated by recourse to language rather than the more conventional idioms of painting or sculpture. In language, Weiner found a medium and tool for representing material relationships in the external world in as objective a manner as possible, one that could eliminate all references to authorial subjectivity—all traces of the art- ist’s hand, his skill, or his taste. “ART IS NOT A METAPHOR UPON THE RELATIONSHIP OF HUMAN BEINGS TO OBJECTS & OBJECTS TO OBJECTS IN RELATION TO HUMAN BEINGS BUT A REPRESENTATION OF AN EMPIRICAL EXISTING FACT,” he argues. “IT DOES NOT TELL THE POTENTIAL & CAPABILITIES OF AN OBJECT (MATERIAL) BUT PRESENTS A REALITY CONCERNING THAT RELATIONSHIP.”1 This often-quoted contention is spelled out in characteristically succinct spare terms: it posits the allusive and hypothetical as the negative of that which is, an objectively observable or verifiable concrete reality. By focusing on generalities rather than specifics, Weiner has been able to constitute these material relationships and conditions as abstractions. And by utilizing, wherever possible, semantic and grammatical symbols such as capitalization, brackets, parentheses, ampersands, and the plus and equal signs, or, more recently, arrows and related graphic devices, he has ar- ticulated his work in unequivocally direct terms. Clear, concise, lapidary, and affectless, such sculpture in the guise of statements is designed, in the artist’s words, to offer “a universal com- mon possibility of availability.”2 Eschewing the literary or poetic, this former philosophy stu- dent concentrates on empirically observable properties, materials, states, conditions, processes, behaviors, and functions of matter.
    [Show full text]
  • Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process.
    [Show full text]
  • Luis Gispert
    LUIS GISPERT Born 1972 | Lives and works in Brooklyn NY, USA EDUCATION 2001 MFA, Sculpture, Yale University, New Haven CT, USA 1996 BFA, Film, The School of the Art Institute of Chicago IL, USA 1994 Miami Dade College FL, USA SOLO EXHIBITIONS 2017 Landline | MAKASIINI CONTEMPORARY, Turku, Finland 2016 Between Us and The World | Zidoun-Bossuyt, Luxembourg 2015 Aqua Regia | Moran Bondaroff Gallery, Los Angeles CA, USA Block Watcing | Landmarks, University of Texas at Austin, Austin Texas TX, USA 2014 Reckon Without | Mallorca Landings, Palma de Mallorca, Spain Tender Game | David Castillo Gallery, Miami FL, USA 2013 Antena | Mendes Wood Galllery, São Paulo, Brazil 2012 All Oyster, No Pearl | OHWOW Gallery, Los Angeles CA, USA Pin, Pan, Pun | Rhona Hoffman Gallery, Chicago IL, USA 2011 Decepcion | Mary Boone Gallery, New York NY, USA Decepcion | Mallorca Landings, Palma de Mallorca, Spain Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain 2010 Galerie Zidoun, Luxembourg 2009 Luis Gispert | Museum of Contemporary Art, North Miami FL, USA Rhona Hoffman Gallery, Chicago IL, USA Otereo Plassert Gallery, Los Angeles CA, USA 2008 Heavy Manner | Fredric Snitzer Gallery, Miami FL, USA El Mundo Es Tuyo (the world is yours) | Zach Feuer Gallery El Mundo Es Tuyo (the world is yours) | Mary Boone Gallery, New York NY, USA 2005 Luis Gispert & Jeffrey Reed: Stereomongrel | The Whitney Museum, New York NY, USA Luis Gispert & Jeffrey Reed: Stereomongrel | Zach Feuer Gallery (LFL), New York NY, USA Luis Gispert & Jeffrey Reed: Stereomongrel |
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Alain Kirili with Robert C
    Alain Kirili with Robert C. Morgan On the occasion of the current exhibit Te Drawing Show: Lines in Charcoal, Ink, Watercolor, Galvanized Iron and Black Rubber (January 3 – June 30, 2012), the sculptor Alain Kirili and Contributing Editor Robert Morgan paid a visit to the Rail’s headquarters to talk about his life and work. Robert C. Morgan (Rail): What was your motivation in coming to New York City in the ’60s? Alain Kirili: I was born in 1946, so I belong to the frst generation of artists afer the Second World War. In fact, when I reached the age of about 18 or 20 years, I felt that the major artists in France were writers and philosophers. Te milieu that stimulated me the most was really Tel Quel and Roland Barthes, Philippe Sollers, and Julia Kristeva, all of whom became my very close friends. I collaborated with them on many projects, so Paris gave me the best exposure to literature and philosophy. Slowly I became familiar with the American art; I mostly heard about Jackson Pollock. Portrait of the artist. Pencil on paper by Phong Bui. Rail: I know that David Smith was a major infuence on you. Did you ever meet him? Kirili: No, but in 1965 I saw my frst David Smith sculpture at the Musée Rail: And what impressed you the most during those travels? Rodin in Paris. In fact, it was that series of sculptures, Cubi, that made Kirili: Tat it was impossible, at least I felt, to be a French artist if you had me decide to go to the United States.
    [Show full text]
  • Gesamt- Kunstwerk —An Icon on the Move— Madeleine Steigenga
    Gesamt- kunstwerk —An Icon on the Move— Madeleine Steigenga Edited by 4 members 100 In 1996, I called Martin and Joke Visser to ask whether our office would be allowed to visit their Rietveld House renovated by Van Eyck. I studied in Eindhoven for almost ten years without visiting it. Van Eyck played an important role during my studies. Angered by the appointment of our final year profes- sor Dick Apon – one of his Forum friends – Van Eyck then avoided any contact with this alternative architecture course at the TU/e. And Rietveld – having died not too long be- fore – was given little attention in those days. The architects who did play a part in this period and promoted their work in Eindhoven, were Eisenman, Koolhaas, Hertzberger and Krier. We travelled through both Europe and the USA, but I did not go to the little town of Bergeijk for its architecture, but for the De Ploeg fabric remainder sale in Rietveld’s building. So, twenty years after my leaving Eindhoven, that is why I paid a visit to this work by Rietveld and Van Eyck. What did I know about the client and the inha- bitants Martin and Joke Visser, about their designs and their art collection? During my studies, one of Panamarenko’s aeroplanes was bought by the univer- sity art committee; Visser had mediated the deal. He occasionally took a class with his first wife Mia in a series by Wim Quist. And I naturally knew about his furniture. His se43 dining-room chairs upholstered in pulp cane stood round the meeting table in my dad’s study at university.
    [Show full text]
  • Monographie Books by Alain Kirili Website Alain Kirili
    ALAIN KIRILI - COMPLETE BIBLIOGRAPHY Monographie Morgan Robert C., Alain Kirili, Paris, éditions Flammarion, 2002. Dubbeld Sabrina Kirili à Grenoble, Paris, éditions Ereme, 2012 Books by Alain Kirili 1982 Yoni-Lingam, Munich, Schellman & Kluser. 1984 Alberto Giacometti, Plâtres peints, Paris, éditions Maeght. 1986 Kirili, Alain, Statuaire, Paris, éditions Denoël. 1987 Rodin, Dessins érotiques, avec Philippe Sollers Paris, Gallimard. 1996 Sculpture and Jazz, Paris, éditions Stock. 1997 Célébrations, Paris, éditions Christian Bourgois. 2003 Dessins de David Smith: Un choix de Alain Kirili, Paris, éditions ENSBA. 2007 Mémoires de sculpteur, collection “écrits d’artistes”, Paris éditions ENSBA. 2012 Alain Kirili, Art Absolument, Numéro Spécial, Paris Octobre 2012. Website Alain Kirili http://www.kirili.com/ Bibliographie AK_Version a jour decembre 2013 1 Exhibitions Catalogues 1974 Pleynet Marcelin, Alain Kirili: peintures, dessins, sculptures, gravures, Paris, Galerie Sonnabend. 1976 Rooms, New York, Institute of Art and Urban Ressources, P.S.1. Soho-Downtown Manhattan, Berlin, Akademie der Kunst. 1977 Documenta 6 Cassel, Verlag und Gesamtherstellung, Paul Dierichs KG & Co. 1978 Kirili Alain, Storck Gerhard, Alain Kirili geschmiedete Eisenskulpturen, Krefeld, Kaiser Wilhelm Museum der Stadt Krefeld. Welermair Peter, Kirili, Innsbruck, Taxispalais Museum. 1980 Franz Erich, Zeitenossisches Plastik, Bielefeld, Kulturhistoriche Museum. Kirili Alain, “Vive New York, Bye-Bye puritan Landscape, für Thomas Hess”, Zeitenossisches Plastik, Bielefeld, Kulturhistoriche Museum. 1981 Mc Clintic Miranda, Directions, Washington D.C., USA Hirshhorn Museum and Sculpture Garden, Smthsonian Institution. Nash Steven, A.Kirili: Recent Sculpture, Dallas, Museum of Art, USA. 1982 Rosenblum Robert, « Essay » Von Wiese Stephen, Weiermair Peter, Alain Kirili, Frankfurt, Germany, Frankfurter Kunstverein. 1984 Kuspit Donald, Sollers Philippe, Alain Kirili, Paris, galerie Adrien Maeght.
    [Show full text]