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Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Questions of Feminism
AYISHAABRAHAM (Question 2) I wonder if it is possible to demarcatethe 1960s and '80s in termsof clearly distinguishablecategories of "grassroots" and "theory."Would our understanding be where it is without the pathbreaking grass roots-theoreticalwork done by activists/artists/theoristswho have traditionallybelonged to marginalized communities? The issue of formationsand expressionsof subjectivityin and throughart is crucialhere. In the United States,with the help of the popular pressand media, politics tends to be reduced to essentializedand deterministicnotions of race, ethnicity,femininity, otherness, etc. This convenientlycloaks all the othercategories thathave not been legitimizedwithin the classicself/other binary debates. In a recentarticle entitled "Interior Colonies: Franz Fanon and the Politics of Identification,"Diana Fuss locates psychoanalyticdiscourse and the politicsof identificationwithin colonial historyand otherhistorical genealogies: It therefore becomes necessary for the colonizer to subject the colonial other to a double command: be like me, don't be like me; be mimeticallyidentical, be totallyother. The colonial other is situated somewherebetween differenceand similitude,at the vanishingpoint of subjectivity.' While it is stillhard forartists from marginalized communities to negotiatetheir identities within the context of the art world, there are manywho have used strategies such as autobiography to explore a history that has never been interrogatedbefore. The problem only arises when termssuch as "the body," "autobiography,"etc., are taken out of their historical contexts and thrown around like disembodiedand rarefiedconcepts. I findmyself becoming more conscious of the extentto whichmy work has to be informedboth by theoreticalanalyses and directpractical engagement with complex issues of subjectivity,identity, etc. I feel the need to look at the specifics of these issues.It is the politicsof processthat interests me. -
Pat Steir Was Born in 1940 in Newark, New Jersey. She Studied Art and Philosophy at Boston University and Received Her BFA from the Pratt Institute in 1962
PAT STEIR Pat Steir was born in 1940 in Newark, New Jersey. She studied art and philosophy at Boston University and received her BFA from the Pratt Institute in 1962. She is a founding board member of Printed Matter Inc., New York, and the feminist journal, Heresies. She was also a board member of Semiotext(e). Her work has been the subject of major institutional exhibitions and projects including: the Museum of Art, Rhode Island School of Design, Providence, Rhode Island; Los Angeles County Museum of Art, California; Neuberger Museum of Art, Purchase, New York; Butler Institute of American Art, Youngstown, Ohio; Dallas Museum of Art, Texas; The Baltimore Museum of Art, Maryland; Des Moines Art Center, Iowa; Brooklyn Museum, New York; The Whitney Museum of American Art, New York; MoMA PS1, New York; The Irish Museum of Modern Art, Dublin, Ireland; Centre National d’Art Contemporain de Grenoble, France; Musée d’art Contemporain, Lyon, France; Cabinet des Estampes, Musée d’Art et Histoire, Geneva, Switzerland; Centre d’Art Contemporain, Palais Wilson, Geneva, Switzerland; Kunstmuseum Bern, Switzerland; The Tate Gallery, London; Rijksmuseum, Amsterdam; Gemeentemuseum Den Haag, The Hague, among many others. Steir’s work is held in the permanent collections of the Denver Art Museum, Colorado; Foundation Cartier, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Louvre, Paris; the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, California; The Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Walker Art Gallery, Minneapolis, MN; and the Whitney Museum of American Art, New York, among other institutions worldwide. -
Independent Study Program : 40 Years : Whitney Museum of American Art, 1968-2008
W INDEPENDENT STUDY PROGRAM: 40 YEARS ^,-K 1^ .dW} 'BUW Of ^OWI» SMOUIO COM* AS MO SUffPffiM <^ lM4r<ON ON P^OOfCI icciivrvics o* *(vOiuriONjt*iM AMit w 'liNrvtrAiif AMCI« o»M«ri C/INll 4 UMfUlMOriv/iriN0»O»CI *Mr ii/»p. u\ » <MMO>>ll oncu»r n FHi APPsurB 4'i vtiPOMM rOMOir v;ru4trOf<i lkl*>ON( i WH)«« .1 (OU*U » IMPCWrXNt HtlP'/OIV*l PIOPII olMVVi IPiCl CONCISIIOMI >4 rnlL/lMISSis A SCKlil KOr * (lOlOC'OK 14 '•IIOCW rj 4 lOJUPr NOT 4 NICItlltr COviaMMINr II 4 (ufolN OM IMI PfOFlf MLiwAvw i oasoirri 014,1 4>| |v|Mru4u r >IPl4CI0IVCONVIMriOM41CO41S >MMI>it4MCI Mutr •! 4SU1'IM(0 mil 'NO 4uM4vO<04ill •urUNOrMiNO TO U ncHJO Ol i4»o» i» 4 iix oitr*oriNC 4crn'iri' MONIr C*l4tfS T4tri M0441S 4(1 >0*tirnf PfOPtt MOjr PIOPII 4» MOI nf tOtUll THIMSIlVIt MOiri r roi/ iMOuio M/VO rou* 0<VM (uliNISt MUCH A4\ OIC'OIO aifO*! roo MOI aoRM MOtO(»M4J r\ MIU41 MOI »4.N C4N ai 4 viar potirivf tkimc >fOPll4>|MU't.< fHlrFMIM. fMITCONtaOj INI.ai,»ll 'i<jPii*Mc,oo«. r«o»« >V'rHrMi,>N4N014air4a4t<rM 'lOPlI l*MOCOC»4/r 4*1 lOO W«l/rivl PIO^K MOt < aiH*.! .» IHI? H4VI MOtMlMO TOIOSI P14riMC .r 1411 t4NC4ull 4lOro» p»ri-4r( 04M4CI oi*x(»\«,p ,j 4M iMvir4rioN rooij4»ria •0*«4M».c lovl M4t <^f»|s^|o roM4M,Pui4ri aVOMlM Mii.VHNm „ ,„, M05ra4vc M0-..4-.0N UP4t4>.U<.t tMl M4r fO 4 MIA mo MMMC U« 0<"I>IMCII 4*1 Miai roiI4. -
Steir, Pat Biography 5-22-19
PAT STEIR BIOGRAPHY 1940 American: Born Iris Patricia Sukoneck in Newark, New Jersey on 4/10 1966 – 69 Art Director, Harper & Row Publishing Company, New York 1970 – 73 Taught at Parsons School of Design; Princeton University; and Hunter College 1973 – 75 Lived in Los Angeles and taught at California Institute of Arts 1975 – 78 Traveled in United States and Europe Founding board member of PRINTED MATTER bookshop and HERESIES magazine. Editorial Board of SEMIOTEXT magazine. Lives and works in New York and Amsterdam EDUCATION 1956 – 58 Studied graphic art at Pratt Institute, Brooklyn, New York 1958 – 60 Studied at Boston University, Boston, Massachusetts 1960 – 62 Studied at Pratt Institute, Brooklyn, New York 1961 Received BFA from Pratt Institute in Brooklyn, New York 1991 Received Honorary Doctorate of Fine Art from Pratt Institute, Brooklyn, New York 2002 Received Alumni Honoree from Pratt Institute, Brooklyn, New York. Received Alumni Honoree From Boston University, Boston, Massachusetts. SOLO EXHIBITIONS 2019 Hirshhorn Museum, Washington, D.C. (Forthcoming) Pat Steir, Locks Gallery, Philadelphia Paintings, Vito Schnabel Gallery, St. Moritz Silent Secret Waterfalls: The Barnes Series, Barnes Foundation, Philadelphia 2018 Pat Steir: Self Portrait Installation, 1987 – 2018 and Paintings, Galerie Thomas Schulte, Berlin 2017 Pat Steir: Kairos, Lévy Gorvy, New York 2016 Pat Steir, Pace Prints (32 East 57th Street Gallery), New York (4/7 – 5/7/16) 2014 Pat Steir, Cheim & Read, New York (2/20 – 3/29/14) Pat Steir: For Philadelphia, Locks Gallery, Philadelphia, Pennsylvania (5/2 – 6/21/14) Pat Steir: Waterfalls: Works on Paper, Meyerovich Gallery, San Francisco, California (9/15–10/30/14) 2013 Baldwin Gallery, Aspen, Colorado (4/13 – 5/13/13) Self Portrait and The Nearly Endless Line, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana (4/4 – 5/3/13) Self Portrait and Heartline, Museo Nacional de San Carlos, Mexico City, Mexico (8/13 – 11/13) Hand Painted Monoprints. -
Lennon, Weinberg, Inc
LENNON, WEINBERG, INC. 514 West 25th Street, New York, NY 10001 Tel. 212 941 0012 Fax. 212 929 3265 [email protected] www.lennonweinberg.com Richard Kalina Born: New York City, 1946 Resides and works in New York City EDUCATION 1966 University of Pennsylvania, B.A. EXHIBITIONS 2020 Hudson, NY, Pamela Salisbury Gallery. Richard Kalina: Selected Work, June 27-July 26, 2020 2019 New York, Lennon, Weinberg, Inc., Richard Kalina: Future Perfect, February 21-March 30, 2019. 2017 New York, Lennon, Weinberg, Inc. Richard Kalina and Roy Dowell: “Synchronicity: A State of Painting,” November 9-December 23. 2016 New York, Lennon, Weinberg, Inc. Panamax: New Paintings and Watercolors, February 18- March 26. 2014 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Watercolors, February 20-March 29. 2012 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, January 19-February 25. 2010 New York, Lennon, Weinberg, Inc. Richard Kalina: A Survey of Works 1970-2010, June 10- August 13. 2009 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, March 26-May 2. 2006 New York, Lennon, Weinberg, Inc. New paintings and watercolors, October 21 – November 27. 2003 New York, Lennon, Weinberg, Inc. Richard Kalina: New Works, November 7 – December 20. 2001 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Selected Drawings 1990- 2001, March 22 – April 21. 1998 New York, Lennon, Weinberg, Inc. Richard Kalina, September 10 – October 10. 1995 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, November 16 – December 22. 1993 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, September 30 – November 6. -
SKOWHEGAN Journal 2013
Skowhegan School of Painting & Sculpture 200 Park Avenue South, Suite 1116, New York, NY 10003 SKOWHEGAN Non-Profi t Org. Journal U.S. Postage PAID New York, NY 2013 Permit No. 6960 Founded in 1946 by artists for artists, Skowhegan School of Painting & Sculpture is one of the country’s foremost residency programs. The intensive nine-week summer session, held on our nearly 350-acre campus in Maine, provides a collaborative and rigorous environment for artistic creation, risk-taking, and mentorship, by creating a fl exible pedagogical framework that is informed by the School’s history and responsive to the individual needs of each artist. Skowhegan summers have had a lasting impact on the practices of thousands of artists, and the institution plays an integral role in ensuring the vitality of contemporary artmaking. 2014 Session June 7 – August 9 Application opens November 2013. Due February 1, 2014. 1 2 From the Board Leadership Dear Friends, We are pleased to share the second edition of the Skowhegan Journal, and think you will enjoy the artworks and essays offering insight into some of the pivotal projects that have occupied Skowhegan over the last twelve months. In its 67th year, Skowhegan remains a leading opportunity for emerging visual artists, and as a member of our extended community, we thank you for supporting the future of artmaking. If the image to the left seems decidedly unSkowhegan, think again. We are thrilled to report that Skowhegan acquired a permanent home in New York. This rendering is the new façade of an approximately 4,500 square foot space at 136 West 22nd Street in Manhattan that will house the offi ce as well as publicly accessible archives and a fl exible meeting/programming space. -
~Lagf8lll COMPANIES INC- Brooklyn Academy of Music
October 2001 2001 Next Wave Fest'va I Brooklyn PhilHarmontc Denise Green, For Merce 2000 BAM Next Wave Festival sponsor: PHiliP MORRIS ~lAGf8lll COMPANIES INC- Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Alan H. Fishman Chairman, Campaign for BAM Karen Brooks Hopkins President Joseph V. Melillo Executive Producer presents Cloudstreet Company B Belvoir / Black Swan Theatre Approximate BAM Harvey Lichtenstein Theater running time: Oct 2-6, 2001 at 6:30pm 5 hours with one Oct 7 at 2pm 45 minute meal break and one Adapted by Nick Enright and Justin Monjo 20 minute From the novel by Tim Winton intermission Directed by Neil Armfield Set design Robert Cousins Costume design Tess Schofield Lighti ng design Mark Howett Composer lain Grandage Sound design Gavin Tempany Choreography Kate Champion Assistant director Anatoly Frusin Assistant designer/costume supervisor Georgina 'Babs' Yabsley American stage manager Kim A. Beringer Next Wave Down Under is presented in partnership with the Australia Council for the Arts, the Department of Foreign Affairs and Trade through the Australia International Cultural Council, and the Australian Film Commission. Support is provided by The Australian Consulate-General. Qantas Airways is the official airline for Next Wave Down Under. Opening night support is provided by Jacob's Creek Wines and Wyndham Estate Wines. Cloudstreet is presented with the financial support of the Australia Council and Queensland government. This presentation of Cloudstreet is supported by the Commonwealth through the Cultural Development The actors in Programme of the Department of Communications, Information Cloudstreet are Technology and the Arts. National and international tour produced by Arts appearing with the Projects Australia. -
For Immediate Release
FOR IMMEDIATE RELEASE SUNDARAM TAGORE NEW YORK PRESENTS MIXED-MEDIA PAINTINGS AND WORKS ON PAPER BY RENOWNED AUSTRALIAN-AMERICAN ARTIST DENISE GREEN Exhibition dates: February 11 - March 6, 2010 Opening cocktail reception: Thursday, February 11, 6 - 8pm Lascaux (for AR), diptych, 2009, colored acrylic ground and oil crayon on canvas, 40 x 44 inches Marblehead, 2008, charcoal, oil crayon and pencil on paper, 10.75 x 18 inches New York, January 10, 2010—For her first solo exhibition at Sundaram Tagore Gallery New York, Australian- American artist Denise Green, who studied under Mark Rothko and Robert Motherwell, applies Indian and Aboriginal philosophy to modernist technique, composing deeply personal works. Disembodied objects such as cut roses, fan-like shapes and stone fragments hover in the center of her mixed-media paintings and works on paper. Yet, the objects are not to be read literally, nor do they bear specific meaning. Rather they are derived from a bank of personal and cultural imagery. The images are a direct extension of the artist’s inner world and allude to her experiences with loss, grief and the transience of life. The selection of works in this exhibition are informed by the linguistic term metonymy. Green explains: “Metonymic thinking implies for me the fusion of an inner spiritual and an outer material world. When an artist creates metonymically the artwork is seamless.” In a metonymic framework, a sign or symbol does not have one single meaning, rather it has a more fluid, holistic meaning. There is a breakdown of dualities, such as spirit and matter, conscious and unconscious, or past and future. -
Emerging Artists 1978-1986
EMERGING ARTISTS 1978-1986 I SELECTIONS FROM THE EXXON SERIES EMERGING ARTISTS 1978-1986: SELECTIONS FROM THE EXXON SERIES Digitized by the Internet Archive in 2012 with funding from Solomon R. Guggenheim Museum Library and Archives http://www.archive.org/details/emergingartists100wald EMERGING ARTISTS 1978-1986 SELECTIONS FROM THE EXXON SERIES BY DIANE WALDMAN This exhibition is funded by a grant from the National Endowment for the Arts. Additional support has been provided by Enichem Americus, Inc., and the Grand Marnier Foundation. SOLOMON R. GUGGENHEIM MUSEUM, NEWYORK Library of Congress Cataloging-in-Puhlication Data Waldman, Diane. Emerging Artists 19-8-1986. Catalogue of an exhibition at the Solomon K. Guggenheim Museum. Bibliography: pp. 80-138, passim 1. Art. Modern — 20th century — Themes, motives- Exhibitions. I. Exxon Corporation. II. Solomon R. Guggenheim Museum. III. Title. N(i48-.N'4S(S46 198- 709'.04'8o740i47i 87-17596 ISBN 0-89Z07-063-6 TABLE OF CONTENTS EXXON EXHIBITIONS AND PARTICIPATING ARTISTS PREFACE THOMAS M MESSER ACKNOWLEDGMENTS THOMAS M . MESSER 13 EMERGING ARTISTS 1978-1986: SELECTIONS FROM THE EXXON SERIES DIANE WALDMAN 16 CATALOGUE 25 ARTISTS' BIOGRAPHIES, SELECTED ONE-PERSON EXHIBITIONS AND SELECTED BIBLIOGRAPHIES 80 PHOTOGRAPHIC CREDITS 140 INDEX OF ARTISTS IN THE CATALOGUE 141 EXXON EXHIBITIONS AND PARTICIPATING ARTISTS Young American Artists: 1978 Exxon National Exhibition Organized by Linda Shearer Siah Armajani, Scott Burton, John Egner, Denise Green, Bryan Hunt, Marilyn Lenkowsky, Robert Lawrance Lobe, -
Lennon, Weinberg, Inc
LENNON, WEINBERG, INC. 514 West 25th Street, New York, NY 10001 Tel. 212 941 0012 Fax. 212 929 3265 [email protected] www.lennonweinberg.com Richard Kalina Born: New York City, 1946 Resides and works in New York City EDUCATION 1966 University of Pennsylvania, B.A. SOLO EXHIBITIONS 2016 New York, Lennon, Weinberg, Inc. Richard Kalina: Panamax, February 18 – March 26. 2014 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Watercolors, February 20-March 29. 2012 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, January 19-February 25. 2010 New York, Lennon, Weinberg, Inc. Richard Kalina: A Survey of Works 1970-2010, June 10- August 13. 2009 New York, Lennon, Weinberg, Inc. New Paintings and Watercolors, March 26-May 2. 2006 New York, Lennon, Weinberg, Inc. New paintings and watercolors, October 21 – November 27. 2003 New York, Lennon, Weinberg, Inc. Richard Kalina: New Works, November 7 – December 20. 2001 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings and Selected Drawings 1990- 2001, March 22 – April 21. 1998 New York, Lennon, Weinberg, Inc. Richard Kalina, September 10 – October 10. 1995 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, November 16 – December 22. 1993 New York, Lennon, Weinberg, Inc. Richard Kalina: New Paintings, September 30 – November 6. 1992 New York, Diane Brown Gallery. New York, Ledis Flam Gallery. 1989 New York, Elizabeth McDonald Gallery. 1988 New York, Elizabeth McDonald Gallery. 1987 New York, Piezo Electric Gallery. 1986 Los Angeles, Piezo Electric Gallery. New York, Piezo Electric Gallery. Richard Kalina, May 8 – June 1 (catalogue). 1984 New York, Tibor de Nagy Gallery. -
Denise Green
DENISE GREEN A Rose Is A Rose (Wonder), 2011, acrylic on canvas, 47 x 138 inches Australian-American painter Denise Green trained at New York City’s Hunter College in the 1970s with Mark Rothko and Robert Motherwell. The influence of her teachers is evident in her use of color fields filled with recurrent motifs. Green combines Indian and Aboriginal philosophy with modernist technique, composing deeply personal works. Disembodied objects such as cut roses, fan-like shapes, and stone fragments hover in the center of her mixed-media paintings and works on paper. Yet the objects are not meant to be read literally. They are extensions of the artist’s inner world, alluding to her experiences with loss and grief. Green has been studying the concept of metonymy, which she describes as the fusion of the inner spiritual and outer material world, as it is posited by Aboriginal culture in her native Australia. Green was awarded the Order of Australia in 2007. Her work has been exhibited in the United States, Europe and Australia, and it is in public collections including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Albertina Museum, Vienna; and the National Gallery of Australia, Canberra. Her book An Artist’s Odyssey, was published by University of Minnesota Press in 2012. new york 547 West 27th Street, New York, NY 10001 • tel 212 677 4520 fax 212 677 4521• [email protected] new york 1100 Madison Avenue, New York, NY 10028 • tel 212 288 2889 hong kong 57-59 Hollywood Road, Central, Hong Kong • tel 852 2581 9678 fax 852 2581 9673 • [email protected] singapore 01-05 Gillman Barracks, 5 Lock Road, Singapore 108933 • tel 65 6694 3378 • [email protected] WWW.SUNDARAMTAGORE.COM.