NEWSLETTER 2010 Skowhegan, an intensive nine-week summer residency program for emerging visual artists, seeks each year to bring together a gifted and diverse group of individuals NEWSLETTER CONTENTS to create the most 2 Letter from the Chair and President, Board of Trustees stimulating and rigorous 3 Letter from the Chair, Board of Governors environment possible 4 “I Know What You Did Last Summer” for a concentrated period 6 Trustee Spotlight: George Ahl 8 Governor Spotlight: Fred Wilson of artistic creation, 11 Alumni Remember Skowhegan interaction, and growth. 14 Letters from the Executive Directors 16 Campus Connection 18 2010 Awards Dinner 20 2011 Faculty 26 Skowhegan Council & Alliance 28 Alumni News FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN GUND Chair / GREGORY K. PALM President BYRON KIM (’86)

We are having another wonderful year at Skowhegan, for Skowhegan’s program and has visited private during their long tenures on the board, decided to I’m writing this from Disney World. And although I think Speaking as a former Dean, I know just how herculean and have just returned from an exciting Trustees’ and collections, heard artists speak about their exhibitions, step down, but we look forward to keeping all three this place needs to update some of its presentations this task is, especially when you manage to make it Governors’ Weekend on Skowhegan’s Maine campus. toured the Whitney Biennial, and taken a behind the of them in the family for years to come. Taking up of race and gender, I’m not afraid to admit I am having appear effortless. It is always exhilarating to meet the artists who are scenes look at the studios of 14 alumni. We have been where these Trustees left off are our four newest a great time. Everyone who works here is called a I happen to know the current Deans, Craig Drennen participating in the program and to see Skowhegan fortunate to work with Chiara Edmands in building this Trustees, Marianne Boesky, Chiara Edmands, cast member, and the more time I spend here I realize (’06) and Victoria Fu (’06), and appreciate how much in action. Of course, Skowhegan is in action all year group and coming up with creative ideas to showcase Libbie Masterson, and Alan Wanzenberg. how much work it takes behind the scenes to make of their good work has gone into making 2010 another it worthwhile for all the guests. I don’t really want to round, from the constant advance planning for future the accomplishments of our community. We are In addition to these changes on our Board, on the great Skowhegan summer. I could have made this make much parallel between Skowhegan and Disney summers to the series of events we hold in New York excited to build on the past year’s success with a new morning of our annual Red Farm Dinner this year we column a list of all the Deans I remember who gave and elsewhere throughout the year, but everything season of events starting in September and hope some World, but for its participants Skowhegan is usually their all to Skowhegan, but I’ll just mention the one learned that Charles Gunther, Skowhegan’s Grounds a magical nine weeks and often a life-changing experi- we do serves to support the summer program and of you will join us. & Maintenance Manager from 1974–1991, passed who retired most recently, Steve Locke (’02), and thank the thousands of alumni who have been a part of it. ence. Knowing just how much work goes into making Steve for his great contribution to Skowhegan in his Planning events for the Skowhegan Council reminds away on July 23rd at his home in nearby Cornville, this experience possible, I would like especially to This year brought another record-breaking group us just how many of our alumni are pursuing active, Maine. During his time with us, Charlie oversaw a six years on the summer staff. And I’ll also give my acknowledge the people who work behind the scenes deep thanks to our longtime Fresco Instructor, Daniel of applicants: 2,043 artists seeking admission to interesting careers in the art world and receiving small building boom that included the sculpture for Skowhegan. Skowhegan. The pool was very diverse; they came prestigious recognition for their work. For example, of barn and the Robert Lehman Library, which form Bozhkov (’90), who somehow made the fresco shop Kate Haw has been a terrifi c leader on the development the spiritual center of Skowhegan. Thanks to Daniel, from 46 States and 33 foreign countries. The accepted the 17 artists selected to participate in the Marie Walsh an important part of the heart of campus today. His and administration side for several years, and I would and to Sean Glover (’03) who is following in his footsteps. artists represent 13 States and 10 countries in terms Sharpe Foundation’s coveted and highly competitive legacy remains for future generations of artists, and like to welcome Sarah Workneh, who did a tremendous of origin or citizenship. This group, along with a Space Program in 2009–2010, fi ve were Skowhegan we salute his dedication to the School over 17 years. While Skowhegan is still called a school, it’s not a job with admissions and fi nancial aid this spring and stellar faculty of Resident and Visiting Artists, was alumni. In the similarly competitive Elizabeth Foundation school in the traditional sense, and yet a great deal of Our year-round staff has been through some helped to provide an outstanding experience for the close-knit, creative, hard working, and formed for the Arts Studio Program, eight of the approximately practical learning takes place on campus. That would transitions this year, and yet the participants and participants and faculty over the summer. But the a vibrant community for 2010. not be possible without our Sculpture Shop Manager 70 artists who received subsidized studios this year faculty on campus would never know it. The people in charge usually get the public praise. We often Raphael Zollinger (’02), our Media Lab Manager Chris Despite juggling the transition between our longtime are Skowhegan alumni. Visiting the studios of many dedication of Executive Director for Development forget about those who do the work we don’t see, Carroll (’08) and his associate Lilly McElroy (’06), our Executive Director for Program Linda Earle and her of these artists has been a true privilege for us and for & Administration Kate Haw and our new Executive and I want to acknowledge Elise Gardella and Adrienne librarian Judy Stoodley and her assistant Meredith successor Sarah Workneh, we didn’t miss a beat members of the Council. Director for Program Sarah Workneh, along with Snow in the New York offi ce, who have worked Gaglio, and the others who work with them to teach this year! SkowheganWALKS and SkowheganTALKS, This year some generous supporters made one of our the hard work and commitment of Bill Holmes in diligently for the good of Skowhegan. And though he’s participants new skills and to provide the research the two signature programs of our alumni group the longtime dreams come true. While we pride ourselves Maine and Elise Gardella and Adrienne Snow in been away for a while now, I also want to remember materials that inform their work. Helping to ensure Skowhegan Alliance, continue to thrive; we released on changing with the art of the times, our media lab— the New York offi ce, has ensured that every event, the great work that Larry Levine did for us for thirteen that we preserve Skowhegan’s history and all that has a new benefi t print by Polly Apfelbaum; and we used at one time or another by almost every artist who every program, and most of all the summer session, years. Bill Holmes and Waneeta Marquis and their happened here, an enormously important task, is held our fi rst alumni exhibition in several years at the comes to Skowhegan—has been woefully cramped are running smoothly and successfully. Key to this respective staffs do an amazing job in Maine, working Elizabeth Mooney, our archive assistant. 92YTribeca. This show represented a new direction and out of date for some time. Being creative people, achievement is our summer staff, many of whom round-the-clock during the summer and more than we Finally, I want to thank Skowhegan’s Boards of Trust- in our longtime partnership with the 92Y. We’re the artists who have come to Skowhegan in recent have been with us for years, including Waneeta know before and after the summer session. And I am ees and Governors. Without them none of this would already planning another exhibition for 2011. years have found ways to work around this limitation Marquis in the kitchen and Judy Stoodley in the very sad to have heard about Charles Gunther’s recent work. This is a time of transition for Skowhegan in in our facilities, but it was imperative that we improved library, as well as deans and shop managers old death. Charlie took care of Skowhegan’s physical Our annual Awards Dinner was held on April 27th at many ways. The organization has survived fi nancially the lab. Now, thanks to generous gifts from Trustee and and new. We thank them for giving so much of plant for many years, and he also took me up over Cipriani Wall Street. Friends and supporters came in the past decades through the largesse of a very former President Judson P. Reis and former Trustee themselves to Skowhegan to ensure that the artists Lake Wesserunsett in his plane when I was a Dean. together to honor the achievements of Ron Gorchov, generous group of people, most of whom are not art- Susy Wadsworth and her husband Jack (through the who come to Maine each summer have the best Joan Jonas, and Cy Twombly with Skowhegan Medals, In 1989 and 1990 I was hired by Barbara Lapcek, ists. I am amazed by and grateful for their dedication to and the Governors’ Award for Outstanding Service to W.L.S. Spencer Foundation), a new lab is being built experience possible. then Director of Program, to work on the summer staff. artists and their continued support of and involvement The temporary summer program staff (the Deans Artists was presented to Norma Munn. Although the and outfi tted with new equipment. We expect it to open We continue to be mindful of the uncertainty of these in Skowhegan is essential to the School’s existence. and technical staff) is largely populated by former economic environment remains challenging, our dinner in time for the 2011 session, and can hardly wait to economic times, but through the staff’s careful control But we cannot rely on their support alone. Skowhegan Skowhegan participants. It’s a diffi cult job psychologi- net proceeds increased by 15% over 2009, providing show it off in our next newsletter. of expenses, our fi nance committee’s excellent work, is a place that was founded by artists for artists, and cally because you can’t have that ideal summer you much needed funds for scholarships and our program. Last November we were deeply saddened by the death and especially the generosity of our supporters like so I believe that the artists who have the privilege of once had and, furthermore, you have to ensure that Our hope is that there is continued improvement in the of Trustee Margaret Skidmore. Margaret had served on many of you, Skowhegan has been able to maintain experiencing Skowhegan need to make an investment things go as perfectly as possible for the current economy and that we will again be able to reach the Skowhegan’s board with great enthusiasm since 2006, its high programmatic standard. Please help us keep in its fi nancial future. Of course, I’m talking about the levels of net proceeds achieved earlier in the decade. participants and faculty. It can sometimes feel like alumni. Together we are a powerful force. We need to and her positive attitude and wealth of experience in our commitment to emerging artists by sending in a thankless job, which is probably why I lasted only Last year when we wrote to you we had just the nonprofi t world have been greatly missed. This past the coupon at the back of this newsletter with your start giving back to Skowhegan with strength, and it two summers, but everyone who does the job well needs to start now when times are tough fi nancially. If inaugurated a new group of supporters, the Skowhegan year, Trustees Nancy Sloan, Bailey Symington, and contribution or visiting us at www.skowheganart.org does it for Skowhegan. This staff, led by the Director Council. Since that time, the group has raised $18,000 Susy Wadsworth, who all served Skowhegan brilliantly (click SUPPORT). Thank you. you believe Skowhegan was worth it for you, is it worth of Program, ensures that the environment exists each it for another young artist? summer for the Skowhegan magic to happen.

2 3 I KNOW WHAT YOU DID LAST SUMMER

Many Skowhegan classes stay tightly knit after they vulnerability and generosity, and how that attitude set a Blithe and Gregg both remarked that while the show depart from Maine, and this has certainly been true wonderful tone for the summer and what has followed. People realized early provided a great opportunity to gather and reminisce with the class of 2009. They maintain an active As they got to know each other the class, like many on what a gift everyone about their summer at Skowhegan, what was more group email list, consulting one another on technical others before it, began to engage in community-wide exciting was that there was a lot of enthusiasm about questions and the use of materials and informing projects—a celebratory procession to launch a sailboat else was to them and what people are doing now and moving forward. each other about open calls and other opportunities; built by Greg Witt; a large, multi-phased group effort to And that, of course, is what Skowhegan is all about: classmates who live in New York make a concerted help Theo Zafi eropoulos dislodge a dead tree from the we promoted harmony creating a community in Maine that lives and thrives for effort to attend each other’s openings; when out-of- woods for a piece he wanted to make; soup-making over everything. years afterward, all over the world. towners visit New York, mini-reunions are organized; parties in the sculpture yard; a “Green Cube” show on and they have a regular series of studio visits with the soccer fi eld at the end of the session. Referring to one another. In July of this year, the 2009 community Theo’s project, Blithe recalled, “There was this sense “There was a core of about ten people who did the bulk Skowhegan is not united to put together one of the most comprehensive that ‘we can do this.’ One of us can’t, but we can.” of the planning, including myself, Jane Fox Hipple, Mie projects ever organized by a single Skowhegan There were social experiences, of course, but also Olise, Letha Wilson, Jacob Gossett, Irvin, Gregg, and an isolated, static, class: “I Know What You Did Last Summer,” a six-day discussion groups and informational events. As Rachel others. But really by the end of the show, everyone had exhibition of their work held in Brooklyn. Fainter and Tara Pelletier remember, “People realized contributed in some fashion,” said Blithe. “It took a little instant experience, The sense of community among the class germinated early on what a gift everyone else was to them and we bit of effort from a lot of people,” Gregg commented. promoted harmony over everything.” but rather something early on in their summer at Skowhegan. “I remember All of that effort by all of those people resulted in four being a little bit surprised, actually, when I got to About six months after leaving Skowhegan, Gregg fl oors of outstanding painting, drawing, sculpture, you take with you into campus that there wasn’t really a sense of competition Louis started thinking about organizing a group show installation, sound, video, and performance work. and throughout your among us,” remarked Blithe Riley, who was one of including all alumni and faculty for 2009. “I had this idea Welcoming visitors to the show was Gregg’s “Welcome the key organizers of the show. Janelle Iglesias made to do an exhibition of all of our work, but I didn’t know to Neverland” banner, hung over the entrance. Blithe life as an artist. special note of a comment by Resident Artist Ernesto if people would be that into it,” he said. So he tested the installed a surround sound piece she began at 2009 PARTICIPANT Pujol, who started off the summer by talking about water over the following weeks, fl oating the idea to a Skowhegan, featuring the voice of Resident Artist Kathy handful of classmates as he saw them. People seemed Bradford. Christopher Robbins also fi nished a piece Below / Zero Knot, 2010, by Sreshta Rit Premnath / interested, so he proposed the idea to the whole class that he started at Skowhegan and showed it for the photo by the artist via their email list. “Right after I sent the email, everyone fi rst time at St. Cecilia’s. Mie Olise included a video said yes immediately, from all around the world. Some referencing abandoned spaces that was particularly people said yes multiple times because they forgot resonant since it was shown in the basement laundry they had already responded. I had about eighty emails room of what is itself a nearly abandoned space. Eva within 24 hours.” People were into it, indeed. la Cour created and presented a video piece that A series of meetings among the class members who responded to the exhibition venue—it was made and live in New York was organized during which tasks shown in the stairwell of St. Cecilia’s. And there was so were defi ned and assigned, taking care not to pile too much more, by so many artists. The opening reception much work on any one person. Irvin Morazan had been was attended by about 250 people and over the run in an exhibition at the former St. Cecilia’s Convent in of the show there were artist talks, video screenings, Greenpoint, Brooklyn, and arranged for “I Know What performances, and guided tours. Alumni took turns You Did Last Summer” to take place there in exchange staffi ng the venue, and over the six days of the show, for a donation to the parish. “We knew that we weren’t an estimated 400 people came through. A few artists going to have a big budget—it was kind of a DIY project— were unable to participate for one reason or another, so St. Cecilia’s seemed like a good fi t. We needed but in the end, 57 of the 65 members of the class and a lot of space for a 60-person show, so it was really two of the fi ve Resident Artists were included. Many serendipitous that we were able to fi nd a place we artists planned trips to be in New York for the show, could afford that could accommodate that,” Gregg said. from Denmark, Boston, California, Chicago, Baltimore, Above / Show announcement card by Gregg Louis Everyone pitched in $25 to cover the donation for the and elsewhere. “People took the show very seriously,” space and PR materials for the show. Gregg said. “It’s part of why it worked out so well, Top Right / Jacolby Satterwhite performing at the exhibition opening / photo by Christopher Robbins because no one was going to let it fall apart.” Bottom Right / The Hierarchy of Relevance, 2010, by Richard T. Walker / photo by Christopher Robbins

4 5 TRUSTEE SPOTLIGHT BOARD MEMBER ANNIVERSARIES GEORGE AHL Clarke, former Executive Director for Development of colors, blood red featured most prominently. and a continuing link to the real world. The second The dedication of our Boards of Trustees and George Ahl is an avid collector of contemporary art & Administration at Skowhegan, and that interplay Pretty amazing. The next time I saw this has been the incorporation of photography, video, Governors to Skowhegan is extraordinary. and has been a Trustee of Skowhegan since 2000. cemented our relationship. Cecilia suggested that participant’s work was in a group show at Pace and mixed media with the hallowed mediums of We thank them for their generous and creative We asked him about his experience with the School I get to know Skowhegan where the emphasis Gallery on 22nd Street. painting and sculpture. Finally, I’d say that both was on the creative process and assisting the next the participants and the faculty have become more contributions to the School, which come over the years. SKOW: You have been collecting the work of generation of visual artists. I was intrigued after international in their purview and orientation. in many forms and are essential to keeping emerging artists for quite some time. What draws my fi rst meeting and there was no turning back after Skowhegan strong. you to this type of work? And has being a part SKOW: What do you hope for the future I visited the Maine campus. of Skowhegan infl uenced the way you collect? of Skowhegan? TRUSTEES SKOW: What is it about Skowhegan that has held GA: I feel that the future of Skowhegan may John W. Payson 35 years GA: The artists that I favor tend to be well grounded your interest over the years? include venues outside of its Maine campus. Not Judson P. Reis 20 years in art history and participants in the evolution of GA: What’s held my interest is the intense creativity only do I think our orientation should become more Robert F. Shapiro 20 years the pictorial surface, moving from Giotto through that’s fostered by Skowhegan. Most of a given international—similar to the way the Whitney has George Ahl 10 years Cézanne and into a number of artists working today. summer’s participants have never had a nine-week moved away from a biennial focused on “American” Richard T. Prins 10 years While this might be a generalization, Skowhegan period where they were completely free of art (is there such a thing?)—we may want to consider Katherine Gass 5 years encourages new paths and non-derivative expectations, deliverables, and deadlines. As a experimentation. As a result, I too have moved transcribing Skowhegan’s mission statement and result, there’s almost always a seven to ten day beyond the familiar and am drawn to the model into other regions of the world, including Asia GOVERNORS adjustment period. After that, however, the talent “what’s next.” and the Middle East. However, being ever mindful Lois Dodd 30 years that’s been assembled every summer motivates the of the gem that’s been cultivated and nurtured by SKOW: What other organizations have you been Governor Emeritus entire group, including the faculty, and encourages generations of artists and their supporters, if such involved with? Howardena Pindell 30 years risk, moving out of one’s comfort zone. an idea were to be considered, it would have to be GA: I’m a Trustee at MASS MoCA and the Chair done slowly, thoughtfully, and with great care. Susan Shatter 30 years SKOW: You have attended many of Skowhegan’s of the Visiting Committee (board) of the Williams Ursula von Rydingsvard 20 years annual Trustees’ and Governors’ Weekends on College Museum of Art; I’m also on Dia’s Art Council. Mel Chin 15 years campus. What are some of the most memorable With regard to the theatre, I’m an enthusiastic Fred Wilson 15 years experiences you’ve had in Maine? supporter of The Wooster Group and haven’t Suzanne McClelland 10 years Above / George Ahl at Skowhegan Awards Dinner Beverly Semmes 10 years with Carolee Schneeman and Marella Consolini / GA: While every year is different, there is often a missed one of their performances in nearly 15 years. photo by Teri Slotkin theme that characterizes a particular summer’s I believe that Skowhegan Maria Elena González 5 years SKOW: What advice do you have for new Trustees group of participants and how they embrace the Alix Pearlstein 5 years of Skowhegan? is the leader and pioneer Paul Pfeiffer 5 years Maine experience. There are “gallery ready” groups that are on campus to hone existing styles and GA: Get up to the Maine campus as soon as of the art world. SKOW: You have been a Trustee of Skowhegan for artistic direction; conversely, there’ve been other you’re able; you’ll leave feeling overwhelmed and 10 years, but your involvement started a few years 2009 PARTICIPANT years where experimentation infects the campus exhausted, yet completely enthralled. I would also earlier when you were a member of the Committee and unexpected collaborations arise—a conceptual encourage new Trustees to follow the progress for the 21st Century, a group of alumni and young video artist with a meticulous draftsman, most of the participants once they leave campus. It’s patrons of the arts. How did you fi rst learn about us? comfortable in charcoal, for example. On the been exciting for me to see how artists’ works have GA: I was at an American Federation of Arts cocktail crazier—or at least unexpected—side, one year developed over a 10+ year period. party in a townhouse on the Upper East Side, I was visiting the studio of a younger participant SKOW: Have you seen the School change in the engaged in a lively conversation with a woman who who looked liked he might be just as comfortable at 15 years or so that you have been involved? was hosting the event. I had recently returned from a tennis camp. He asked if I liked video (yes) and living in Europe for three years and was looking to if I would like to check out what he’d been working GA: The two things that I’ve noticed both have re-engage with the contemporary art scene in the on for the past six weeks (sure). He then asked to do with the availability of and access to new U.S. The woman became frantic upon realizing that whether violence bothered me (depends), and then technologies. The internet plays a far bigger role there were no cheese knives at the party and the how I might like to kill the male fi gure on his screen— on campus than it did 15 years ago. As a result, guests were arriving en masse. I suggested that we axe, knife, machine gun, more … (huh, maybe you isolation compelling introspection has been could “borrow” a few from the restaurant next door, should go fi rst). It turned out to be a really cool replaced by real time availability of a broad array which fortunately had outdoor seating and attractive video. As the fi gure, who was dressed in white, was of research materials (more than just the stacks!), silverware; problem solved. The woman was Cecilia wasted, the screen fractured into a kaleidoscope limitless imagery (no longer fi rst-hand encounters),

6 7 GOVERNOR SPOTLIGHT IN MEMORIAM

FRED WILSON FW: It was great. Maine is so different from any place isolated one participant was, and how misunderstood They get a lot of this by osmosis at Skowhegan. Skowhegan remembers the members of our community who passed away during the Fred Wilson was a Resident Artist at Skowhegan in New York or New Jersey or Connecticut. The natural another one was. A diverse environment helps create Sometimes it can be sobering, but it’s important. last year: Alumni Stephen P. Brown (’72) and in 1995 and has been a Governor since that year. world is completely present, it’s the opposite of a city a free-fl owing dialogue where people learn about each SKOW: What artists were particularly important Eduardo Rosario (’73, ’74), Trustee Margaret We sat down with him to talk about his experience environment. I absorbed that—I loved it. I didn’t see other very naturally and feel comfortable being who mentors to you when you were a young artist? C. Skidmore, former Trustee Milo Naeve, over the past 15 years. a moose or any big animals that summer, but just the they are because there is a such a rich mix of different insects and the birds really engaged me—watching backgrounds and perspectives of the world. I also think FW: Tony Smith was great. It could have been all and Charles Gunther, Grounds & Maintenance the patterns of what they do. I can get into that. It has it’s important for participants who are not usually in façade because I was young and I didn’t know Manager of Skowhegan from 1974–1991. what older artists’ lives were really like, but there’s nothing to do with my work, but I really love that. I the minority to experience an environment where there Our thoughts are with their families and friends. did make a fresco with images of slugs in it, but that is such a variety of different people working at a high a calmness about an artist who has been through was it. And slugs actually ate some of my drawings level—and often art schools are not like that. It makes a lot and has reached a place where he just is who so maybe there was some sort of collaboration there! it all more interesting, and I really support that. When he is. Those artists can look at you as a young artist there are groups of artists from different backgrounds and give you the sense that maybe you don’t need SKOW: The fall after you taught at Skowhegan you —no “minorities”—ideas and art cross-pollinate on an to worry so much—this is just one little moment in were invited to be a Governor. Did you have any equal footing. It also prepares the participants for an your life, and there will be other moments. It was hesitation about taking on this kind of role? increasingly diverse, international art world. nice being around Tony Smith. And certainly Robert FW: Oh, no! Right after the experience you’re like, Morris had this vital-ness, and he had been in the SKOW: You are almost always involved in the meetings “YES! I have drunk the Kool-Aid! I’m ready!” thick of the art world for a long time when I met him. where the faculty is selected for Skowhegan’s summer He provided me with a context for rigorous, intellectual, SKOW: Right! And Skowhegan seems to have kept program. What has that experience been like? visual thinking. Also the famous Uruguayan printmaker, you engaged because even beyond that initial FW: There is a lot of passion in those discussions, and Antonio Frasconi, who I studied with in college, enthusiasm, you’ve remained very active on the board the number of great ideas for faculty generated among inspired me without words to believe that being for these 15 years. the group of Governors has been quite high. I think a different from the mainstream was a gift, but also an FW: Yes. I’m on several boards, and the good thing real strong point of Skowhegan is that artists choose opportunity, and a responsibility. Above / Fred Wilson at Skowhegan Awards Dinner / about them is that they are very different from one the faculty. I don’t think it would work any other way It is good to see what a life can be after the striving, photo by Teri Slotkin another. Most of them are exhibiting or funding in this environment. Artists come to a consensus very the desire to have your visual voice heard, and to get organizations, so being involved with a place like differently from any other group of individuals having somewhere. Older artists have done that. They have Skowhegan is great, and having been on the faculty to make similar decisions. It is a great strength of the a lot under their belts that you can gain something from. SKOW: You taught at Skowhegan in 1995. Had you made a big difference in seeing that it really does organization. And it doesn’t hurt that some of the best At Skowhegan they impart that to younger artists with known about Skowhegan before you were invited what it says it does. And seeing participants grow artists in America are Governors. the grace that comes with experience. to teach? the way they do—being a part of that growth is quite One thing I found useful as a faculty member in 1995 special. Also, the camaraderie among artists—it’s SKOW: Why would you tell a young artist to come FW: Oh yes, I knew all about it because I knew people was the age diversity of the faculty. Having someone very diffi cult to have that in New York City. Skowhegan to Skowhegan? What are some of the most valuable who had been here, and I had actually come to who is older, someone who has been an artist for a is a very safe space for that—a challenging, but things you think artists gain from the experience here? Skowhegan on visitors weekend in 1985 because my long time and has a very different perspective from also safe space for it. The environment and all the partner Whitfi eld Lovell was a participant that year. It someone my age or certainly from someone in their FW: The high quality of the work of the participants interactions that happen at Skowhegan make it seemed like such a great place and I was a little jealous 30s, is very important. It’s so important for younger who arrive there is really astounding. However, it gives possible to truly make a difference in people’s lives. that when it would have been a good time for me to artists to spend time with someone who is of an older you space to create and do what you really want to do, Being part of the Governors is an extension of how go I didn’t really know anything about it. In those days generation and has seen the ups and downs and push past the boundaries of your comfort zone, what I see giving back to make that happen. people used to come when they were younger, and ebbs and fl ows of the art world and of the larger world you’ve done before. It allows you to be in an idyllic place by the time I learned about Skowhegan I was in my SKOW: Is there anything that has become especially and how you negotiate those changes. Skowhegan where the great ideas can bubble up. But it’s not as if late 20s so it seemed a little late. Of course now artists important to you in your work as a Governor? more than anything else is a community of people you’re alone like some residencies that are more like come to Skowhegan in their late 20s, and also when retreats. Skowhegan is not for someone who believes FW: The strong diversity of the program is very with different experiences. Even though it’s a “hotbed” they are in their 30s or even 40s. they know exactly what they are doing, and wants to important to me. Skowhegan has been way ahead of of contemporary art and lots of people want to get keep doing that thing. They just need the time to be SKOW: You were born in the Bronx and have lived in the curve on diversity since the beginning—way back in because it seems like so many successful people alone and do it. It’s a different moment in one’s career, New York and Westchester your whole life. What was with Jacob Lawrence in the 1950s. My educational come out—like it’s the magic place—what it does for when you need the stimulation of other interesting it like for you living and working in a rural environment experience was not diverse at all. And actually when participants is that they see what a life can be as an artists and other thinkers, but you also need the time like Skowhegan for a couple of months? I was on the faculty at Skowhegan, for some reason artist. By living around older artists, they see beyond without the distractions of daily life. It may be the the class was not very diverse that year, which is the moment of being really hot and they understand antidote to an MFA. I think Skowhegan is a great model unusual. I saw what happened because of that—how the trajectory of a life, and how you negotiate your life. for learning to be an artist. 8 9 WELCOME SARAH ALUMNI REMEMBER SKOWHEGAN

In January of this year, Skowhegan welcomed SHOICHI KAJIMA (’55) painting. Today the Foundation provides fi nancial The Red Farm was full of childhood memories for Sarah Frances Workneh as the new Executive assistance for research and publication for both western me—the home my grandfather bought when the Director for Program, succeeding Linda Earle who and oriental art. A grant to the Japanese collection depression hit, putting the family to work tending two held the position from 2000–2009. Sarah oversees of the Museum of Fine Arts in Boston is indicative thousand chickens. It was the much-loved site of family all aspects of Skowhegan’s summer residency of our support. In 1989, I sponsored the fi rst Kajima holidays and gatherings, full of family history and lore program for emerging artists, spending the summer Sculpture Competition as part of our company’s 150th and lovingly tended by my uncle Bill Cummings. on our Maine campus and the remainder of the anniversary. It is held once every two years under the But at seventeen, fresh out of high school, with my year in our New York offi ce. She joins Kate Haw, theme of the intimate relationship between sculpture eyes set on becoming an artist, the farm for me Executive Director for Development & Administration, and architecture. It has since evolved into an indoor became Skowhegan, the legendary School of Painting in Skowhegan’s leadership. sculpture contest and attracts considerable interest & Sculpture. I imagined Skowhegan was the fi rst shot here and abroad. It may well be one of the outcomes of Prior to coming to the greater world had at calling my bluff—to be an artist. my time spent studying sculpture at Skowhegan. Skowhegan, Sarah spent And so it proved to be. eight years at Ox-Bow, In closing, I want to thank the faculty and fellow Both scared witless and exhilarated, the daily exposure school of art and artists’ classmates for my Skowhegan experience. These are to serious criticism from so many of my fellow residency, in Chicago, memories which I will treasure forever. Above / Shoichi Kajima with friends on the participants and the likes of Alex Katz, Philip Evergood, Illinois, and Saugatuck, Skowhegan campus Nick Carone, Ben Shahn, and the divine Isabel Bishop, Michigan. Positions of to name a few, was thrilling. If artists learn from artists increasing responsibility WILLARD BOEPPLE (’63) In 1955 I was pondering how I might spend the (a true fact), this was total immersion and it began right there culminated in her upcoming summer vacation. At that time I was a It was 1963 and I had a fellowship to Skowhegan. at the start—actually before the start for the fellowship serving as Associate graduate student at Harvard Graduate School of Lucky me. And what a wild and eye-opening ride it group. One morning while I was painting the little shed Director from 2004– Design. A noted Japanese architect, Kiyoshi Seike, was. In those days fellowship artists came a week or so that became the library, Carone stopped by, watched 2009. In that position she who was then in Boston, advised me to take a course early to help open up, sweeping out the dorms, barns, me for a while, and mused out loud what good practice oversaw programming in summer school. The question was where. A friend and studios, painting, raking, mowing, and sprucing house-painting was for an artist: the load and lay of for Ox-Bow’s 11-week who was a painter recommended that I attend the things up. We felt we were a privileged band: well-fed the brush; the even, rhythmic stroke. He left me to it, Above / photo by summer program and workers given an early chance to get our bearings, test Nicholas Johnston Skowhegan School of Painting & Sculpture. advising me to “make good use of it.” And so began 2-week winter program, the lake’s waters, fi nd our spots. one of the most challenging, rich, inspiring, confusing, And so, I found myself at Skowhegan on this scenic working closely with both rewarding, complicated, and beautiful times of my life. faculty and resident artists in roles that parallel the lake in Maine. Looking back, the community struck work she is now doing at Skowhegan. She has served me as what I had pictured to be the typical American Below / Willard Boepple in his studio on numerous panels addressing issues relating to countryside. While there, I took classes mainly in artists’ communities for the College Art Association, drawing and sculpture. I believe these courses were the Alliance of Artists Communities, and other a signifi cant complement to what I believed to be organizations. Sarah has a BA in Linguistics and my study of architecture as part of a comprehensive Russian Language from the University of Maryland at curriculum at GSD. The days were fi lled with wonderful College Park and has pursued Master’s level course- memories. For example, I vividly remember swimming I imagined Skowhegan work in Interdisciplinary Studies at DePaul University. in the lake and going across it to the theatre with was the fi rst shot classmates. I fully enjoyed these times in America. Sarah has quickly become an integral part of the the greater world had Skowhegan team. Within days of her arrival, she was After fi nishing at GSD in 1957, I traveled to Europe, working closely with the Board of Governors to begin the Middle East, and Southeast Asia for the next at calling my bluff— selecting the 2011 faculty and she oversaw the review year and a half. After returning home, I joined Kajima to be an artist. And so of a record 2,043 applications for the 2010 program. Corporation and then was also involved in a publishing No sooner had she settled in New York than she was fi rm which was one of Kajima's subsidiary companies. it proved to be. off to Maine. During her fi rst summer at Skowhegan, I published a number of books not only on the fi ne she was able to observe campus life and generate arts but also on architecture. scores of creative new ideas for the program. In 1982, I established The Kajima Foundation for the We are delighted to have Sarah on board and look Arts, carrying out the wishes of my deceased mother forward to working with her in the years to come. who had worked to promote the fi ne arts, primarily

10 11 ALUMNI REMEMBER SKOWHEGAN CONTINUED RALPH HELMICK (’79) Of course we learn most from our peers, and that was perspective about integrating my life as an artist, NICOLE AWAI (’97) When Bill T. Jones spoke complete. Actually, Skowhegan felt like a womb with its true at Skowhegan. But for me the greatest revelation mother, spouse, and teacher. Seeing how she managed safe environment, where all my needs were well cared was exposure to older, more accomplished, already to balance so many competing desires and demands to us and said that we for. My only task left was to grow. I took notes every day celebrated artists. I hadn’t met many. gave me the confi dence and courage to take it on. were the future of the art and that’s what I still cherish to have back home. Like us, they could be generous, phlegmatic, talented, Painting and sculpture were segregated at the time All the distractions were constructive, my work and petty, brilliant, overrated, and kind. Above all they were in ways that seem bizarre now. Stuart Diamond was world, I could believe it. play defi nitely go well together. I felt active, motivated, real unvarnished individuals, and they were role models the painter on the faculty with the strongest interest trusting in the inspiring environment with such a for what to do—and what not to do—on what is surely in sculpture. As he watched me repaint the surfaces proactive group. I was conscious of being part of an improbable career path. of my work repeatedly over the weeks he made a a group of 65 people without grouping within. The Most signifi cant and enduring is my community of artist rather casual comment about how an orange was not general group dynamic organized and structured itself Looking back, I see that Skowhegan encouraged us friends, fellow participants from that year. We have just a color but a texture and a surface as well. That naturally, by being subconsciously guided in an almost to trust both ego and doubt. And the place fueled moved forward together and continue to be supportive conversation about the tactility of color is one I revisit instinctive way. Because of my playful character and ambitions for a life in art while, paradoxically, providing of each other’s artistic endeavors and continuing with regularity in my studio and my teaching. mentality, which is pretty outgoing and open, I feel at an antidote to art-world myopia. successes. Some of these artists include Karen Heagle, home in the States. Being from the Netherlands I’ve When I run into another alum from Skowhegan 1984 Alessandra Expósito, Heather Cox, Beth Campbell, There’s a lot of oxygen at Skowhegan, a lot of light, never felt like an outsider. I know I have solid friends all there is a sense of community even with those people Nadine Robinson, Steed Taylor, Max Martinez, and and of course the waters of Lake Wesserunsett. Good around the world now, and many have found their way I don’t know well. Being an artist isn’t easy, and that Kristen Biles. conditions for growth. to Amsterdam already. kindred feeling goes a long way. Above / Nicole Awai Skowhegan was a utopian environment for me. It NANCY COHEN (’84) LINDA MOLENAAR (’07) helped me fi nd belief in my own work and in the power in performance. Now three years after, I graduated In 1984, the sculpture studios were open-air and semi- I submitted my application to Skowhegan a month after from a Master in Performance program called DasArts. private. There was another sculptor working on either I completed my MFA in multi-media art at the University I call my work living installations or objects. I physically side of me and a painter whose studio window was my of South Florida in Tampa. I had no idea what was next inhabit the body of the animal, almost as if I was born in studio wall. I was housed in a triple in the dorm. It was or how to proceed. I was having one of those moments the wrong body. Above / Ralph Helmick with his work / the most communally I‘d lived or worked in years and Disorders of Magnitude: Portrait of Werner Heisenberg of lamentation when you doubt your sanity, and in the most exposed—it was hard to adjust. my case, my well-indoctrinated sense of West Indian That said, the intense interactions were extraordinary responsibility, and ruminated on my decision to get an Skowhegan was a Artists are egomaniacs with low self-esteem. It’s a from the start, and the conversations and friendships MFA as opposed to an MBA. cliché, but it’s true enough. Students, faculty, visiting that resulted from them have been Skowhegan’s lasting My Skowhegan experience was exactly what I needed utopian environment artists, and scholars—everyone arrived at Skowhegan legacy for me. at that point in time. Suddenly, everything seemed for me. It helped me expectant and a bit guarded. It was a pastoral setting, Barbara Zucker was our sculpture teacher. She was immediate and attainable—actually possible. I felt so but still, inevitably, a competitive one. generous with her time, thoughtful and dead-on in at ease in my “skin” as an artist. Everyone was so fi nd belief in my own Then something happened. her criticism. She held evening seminars where we amazingly talented. When Bill T. Jones spoke to us and Above / Nancy Cohen work and in the power Perhaps it was the place itself, providing a rural spin on discussed sculpture, as well as the art world and our said that we were the future of the art world, I could Above / Linda Molenaar / Chicken Necklace / 2009 in performance. what is more typically the urban pursuit of artmaking. place in it. A conversation on whether or not artists believe it. Loon calls as backdrop to late night discussions. needed to live in New York literally determined how and I was inspired and invigorated by the diverse range of where fellow students chose to live after the summer. As I stepped out of the van with my new fresh New Perhaps it was the culinary ministrations of Minnie ... the intense interactions experience and backgrounds of the students, teachers, and visiting artists. Talking to Fabian Marcaccio in his York friend on fi rst arriving at Skowhegan, to my great Harville. (The class before ours had made t-shirts Barbara laid things out for me to think about right off were extraordinary from surprise, I immediately was made to feel at home when reading “Skowhegan: Art Between Meals.”) the bat—issues she felt I needed to contend with: how studio about painting and color then later sitting with the small sculptures I was prone to make existed in the start, and the conver- Tommy Lanigan-Schmidt in his little drawing room all of the staff addressed us by our fi rst name, and that Maybe it was the novelty of experiencing three seasons the physical space of the viewer and how materials discussing the “Pedagogy of the Poor” as he worked is where it all started. I arrived in a perfect state ready in nine weeks. themselves have meaning. These were tough issues sations and friendships on collage/assemblage works with beading and for input and hungry for new experiences. Whatever the factors, it seems that over the course of for me to wrestle with then and remain present in my that resulted from them found objects; participating in Deborah Kass’s spirited Slowly but surely I invited myself, supported by the a summer our egos were tempered a bit, and our self- mind today. and engaging discussion group; the “afterglow” I guidance of the mentors and participants, to dare have been Skowhegan’s experienced following my blissfully transcendent studio esteem raised a notch. It was, as they say, serious play. Barbara’s connection to us as a group remained strong taking new steps with joy. All my needs were provided visit with Adrian Piper. Critical play. after the summer ended. She helped me maintain lasting legacy for me. for through the schedule, which was well organized and

12 13 Those moments of triumph and failure are not mutually OUR PLACE at Skowhegan. Even on a cold, bleak day in March with That strong sense exclusive at Skowhegan; they are linked in their past, KATE HAW no one else around one can sense the amazing energy present, and future, and that is really the most remarkable Executive Director, Development & Administration that has seeped into every board and tree and blade both of belonging aspect of this experience. of grass of that campus over the past 64 years, and it’s I was in my twenties when I moved to New York, easy to understand that great things happen there. to Skowhegan and In the fi rst year of any job, one relies on the expertise, and as my friends and I all seemed to be much more Skowhegan belonging patience, and generosity of those already in place. mobile in those days, I had visitors to my tiny studio I now think of Skowhegan, like New York, as my The staff in the New York offi ce, my co-director Kate apartment about once a month. In those early years place, and it was such fun to share with Sarah the to us is common Haw, and Elise Gardella, Adrienne Snow, and Andrea of living here I loved nothing more than showing day it fi rst began to become her place, too. There among everyone Poropatich, have been unendingly kind in helping me to off “my” city. Taking friends around allowed me to is a wonderful feeling of community in knowing that get adjusted to this new experience. The much beloved discover New York all over again, and it was exhilarat- so many of us think of Skowhegan in the same way. involved here. Bill Holmes has set a great example in managing the ing. Eventually I did write my own little tourist guide That strong sense both of belonging to Skowhegan balance between helping participants realize their and began sending my visitors off to discover the and Skowhegan belonging to us is common among In my close work with our Board of Trustees I have ambitious goals and maintaining a constancy in the work city without me (it turns out going to the top of the everyone involved here—the founders’ families, the fortuity to get to know its members well enough that must be completed to keep the campus running. Empire State Building does become tedious after a Trustees and Governors, alumni, staff, and our to gain a true understanding and appreciation of Waneeta Marquis kept us all fed and healthy day in and few years), but I still remember clearly many of those supporters far and wide. It’s why the School still their steadfast commitment—expressed in many day out with nutritious meals and just the right number moments of wide-eyed wonder when I realized all works, largely unchanged, in its seventh decade. ways—to the success of Skowhegan. Being a Trustee of cookies. The summer staff—Daniel Bozhkov (’90), over again that I actually LIVE in this amazing place. That deep sense of stewardship of the land, the is about much more than writing checks (though Christopher Carroll (’08), Christopher Crowley, Craig Looking back, I recognize that what kept making the buildings, the history, and most of all the program they do that very generously), and I have profound Above / Class of 2010 with faculty and staff / photo by Christopher Carroll and Nicholas Johnston Drennen (’06), Victoria Fu (’06), Meredith Gaglio, Sean city fresh and new was sharing it with people who continues to be a part of many who have crossed respect for the responsibility they take for preserving Glover (’03), Nicholas Johnston, Lilly McElroy (’06), were, even in some small or transient way, making Skowhegan’s path. Skowhegan’s excellence. The past year also brought Elizabeth Mooney, Judith Stoodley, Shawn Thornton New York their city, too. You will read about many of our goings on in Ann me the opportunity to work much more closely than (’02), and Raphael Zollinger (’02)—have likewise offered and Greg’s letter and in other articles throughout the usual with our Board of Governors. Facilitating the LESSONS IN LISTENING their knowledge and support over the course of the newsletter, but I do want to acknowledge the recent search for the new Executive Director for Program SARAH WORKNEH summer. As a result of their commitment, even in the face changes in our Board of Trustees. As you’ve read, and trying (no easy task!) to fi ll Linda Earle’s shoes Executive Director, Program of new challenges and a fair amount of handholding they Trustee Margaret Skidmore passed away last fall. in the months between her departure and Sarah’s had to do, the experience of Skowhegan this summer Every Trustee brings something different and I am sitting on the porch of the campus offi ce as I write, their arrivals on June 12. They have embraced every arrival allowed me a much deeper involvement in the was just as transformative and seemingly organic to the important to an organization. One thing Margaret with a very vocal owl somewhere directly behind me aspect of life here at Skowhegan—interacting with program side of Skowhegan than I have in a normal 65 participants who joined us this year. brought was an unmatched wealth of experience in in the woods. This is a new sound, here in early August the environment, the historic buildings, the town— year. I got to know many of the Governors much It is not always easy being the new guy, I learned this fundraising, and she was an invaluable mentor to me. (there are always new sounds). I asked a participant and it seems clear that this experience will change better than I had in the past, and though I already year. Sometimes you struggle with the simple things She also brought a warmth and positive spirit that if he thought the screeching was from an animal; he how they think, how they work, and how they knew that they contribute a great deal to Skowhegan, like re-learning how to use a PC or how to work the fax was inspiring and infectious. It is hard knowing that reassured me that it was a drill from the sculpture shop. interact as humans in the outside world. I have seen I had the privilege of spending time with them and machine. Sometimes, there are bigger lessons to learn. she is gone. The retirements of Nancy Sloan, Bailey I suppose, even in Week Eight of the session, we still incredible moments of generosity and striking levels gaining an even greater appreciation of just how vital It seems like it should be intuitive that you won’t know Symington, and Susy Wadsworth, all of whom we cling to our urban selves. of sophistication in art-making, as well as a lot of their role is here. gratefully keep in the extended Skowhegan family, simply dear or funny interactions. everything when you start a new job, but when you At this moment, it seems incredibly powerful to think have been working for awhile, that sense of unknowing gave us an opportunity to remember the unique We would not have come through the transitions of about how many individuals—staff, new director, Daphne Cummings, artist, Skowhegan Governor, and is hard to give into. But then you encounter a place like Above / Skowhegan’s New York staff: Adrienne contributions each of them made to the board during the past year nearly as happily as we have without participants, and faculty alike—have experienced a daughter of Skowhegan founder Willard Cummings, Skowhegan, a group like this, risk-taking and forward- Snow, Kate Haw, Sarah Workneh, Elise Gardella / their long tenures, from preserving a studio in the the dedication and hard work of our full-time staff in photo by Andrea Poropatich Week Eight here at Skowhegan; how many people gave a history lecture this summer. She described the thinking like that which has taken place here, and you sculpture yard to starting the Committee for the Maine and New York. Bill Holmes keeps things running may have heard this particular owl from this very same vision of Skowhegan’s founders, who wanted to offer quickly remember the discomfort that everyone felt on 21st Century (now the Skowhegan Alliance and the like clockwork on campus even when no one else is spot. Though the quality and the daily-ness of the an opportunity for emerging artists to focus on their Day One eight weeks ago, and how that change, that This year I got to show off of another place I love. Skowhegan Council) to encouraging and making around. Elise Gardella and Adrienne Snow are pillars experience is different, I feel quite lucky to be able to practices with mentorship, guidance, and challenge, one little step outside of our regular lives and into the My new co-director Sarah Workneh arrived in our New it possible for us to embrace technology in a wide of the New York offi ce who cheerfully took on extra have a similar newness and wonder at this place as but also without the worries of daily life, the marketplace, unknown, really allows for growth beyond what you York offi ce in mid-January, just in time to dive into variety of ways. responsibility when we were short-staffed, ensuring the 2010 participants. or school. Much in the outside world, and in the art could ever expect. You remember that we take risks for board meetings, 2011 faculty selection, and the review The beauty of working with boards is that when that we stayed on top of things after Linda’s departure world specifi cally, has changed in the 64 years since Eight weeks ago, a very remarkable group of artists a reason and that tradition and history should always of 2,043 applications. When she fi nally surfaced in late you lose someone, you also gain someone, and we and warmly helping Sarah settle into her new job. And Skowhegan’s founding, but the consistency of the made their way to this place so rich with history. Though form the base for opening up new paths. Living and March we traveled to Maine together so she could see are all enjoying working with our newest Trustees: speaking of Sarah, we are delighted to have her on experience at Skowhegan has remained strong, and they were strangers to each other, the landscape, and working, whether as a participant, staff, faculty, or new the campus and meet some of our Maine staff. Driving Marianne Boesky, Chiara Edmands, Libbie Team Skowhegan! all that has been accomplished this summer is a result the experience, they took to it within days. As a result, director, at a place that prioritizes, inspires, that move- onto campus in the role of tour guide (one I quickly Masterson, and Alan Wanzenberg. Their fresh Is Skowhegan your place? When you attend or teach of the purity of that vision. The strength of the vision of they have been incredibly connected to each other, ment is not only critical to the future of art-making, but relinquished to Bill Holmes, who knows the lay of the perspectives and creative energy help us to see at or work at or give to Skowhegan you make it our founders is directly translated into the sometimes to their work, and to understanding the impact of an incredibly generative on an individual basis. The screech land better than any of us) I felt the same wonder and Skowhegan through new eyes, and we look forward yours. Every year we broaden the number of people successful and sometimes beautifully unsuccessful experience like this on their personal practices, as well owls (or drills), the dark, quiet lawn at night, the hum excitement as the fi rst time I turned into the driveway to their long association with the School. who make it theirs, too. To all the “yous” in “ours”— vision of the artists who spend their summers here. as on the greater culture of art-making that preceded of insects just make that distinction all the more clear. thank you.

14 15 CAMPUS CONNECTION GRIDDLE KING CHRIS’S WHOLE WHEAT BANANA-PECAN PANCAKES BILL HOLMES the ground. The “grounds/property” markers have baked goodies. Thank you to my housekeeping Even more importantly, when this project is fi nished we Grounds & Maintenance Manager been painted a beautiful hue of lavender. Giant infl ated staff, my “Caddies,” Pam, Carol, and Laurie for an will have a complete and accessible list of our holdings Makes 20 four-inch pancakes in this area, and we will have an accurate count of them; The summer of 2010 began delightfully differently plastic bags bob on the lake at sunset. We have outstanding summer. You ALL make my job a pleasure! been blessed with beautiful summer weather! Muchas A job well done!! at current projections it should be between three and Dry Ingredients: from the past several years. We had an early spring, gracias, Mother Nature! fi ve thousand. In concert with the 7,200 catalogued 1 ½ cups white fl our which dried up the landscape leaving it lush but not Cheers to assistant chef Chris Crowley and a huge items in the library’s database, we are coming ever 1 cup whole wheat fl our soggy. Studio move-in day was sunny and bright. I look to the suggestion and comment sheet for ideas thank you for always covering my back. You are closer to knowing exactly what the library owns. ¼ cup sugar The woods and fi elds walking tours were practically to select a popular recipe to include in the newsletter an asset to the production and a great friend. 2 tsp. baking powder bug-free. Instead of incessant rain, we had plenty of that will bring back the summer of culinary pleasure. Thank you, Chris! While the number of requests fi lled through interlibrary loan topped out at a whopping 41 books, making the 1 tsp. baking soda sunny weather to start the session. Much to the kitchen’s surprise the most requested item To all the artists: make art and prosper, have a was … drum roll please … BANANAS! library offi ce look like a shipping department at times, ½ tsp. salt The participants were busy from day one. Maybe it wonderful year, and stay in touch! the collection continues to benefi t from the largesse of ½ cup toasted pecans was the auspicious start weather-wise. The fi elds, The recipe is as follows: order one case (40 pounds) Best Regards, the Looker Foundation, and we added 130 items to our Wet Ingredients: the woods, and even the buildings were used from of bananas, wait until they are delivered, remove top Chef Waneeta A. Marquis collection, many of which were suggested by faculty, 3 large beaten eggs the beginning. My crew (Kevin, Peter, Ron, and Larry) of case, place in basket, and serve. Yummy! safer, more comfortable housing. staff, and participants. 1 ½ cups buttermilk and I assist whenever we can. We provide expertise, No, all kidding aside, breakfast was the meal with the As you read this, we are currently building a media JUDITH STOODLEY 3 medium bananas, chopped resources (both on campus and in the local area), repeated requests for … another drum roll please … lab on the site of the Day-Blake studios, which, before Librarian, Robert Lehman Library 1 tbsp. vanilla transport of materials, and physical assistance. This scrambled eggs. We went through 15 dozen eggs a day becoming studios was the campus library. Also, year one participant involved in interactive architecture for almost the entire summer. That’s a LOT of eggs! This is my tenth summer working in the library at the Philbrick Cottage is being renovated with new wanted to signifi cantly alter a building. We developed Skowhegan and my tenth newsletter report! Directions: a plan whereby this project could come to fruition bathrooms, a fi re alarm system, and a sprinkler system. In medium bowl combine all dry ingredients and and yet the building could be returned to its original This will complete the safety upgrades on the cottages The Class of 2010 was fun to work with, and the library whisk together. In a separate bowl beat eggs, state afterwards. In another project, we removed that we have carried out over the past several years. was an integral part of the Skowhegan experience add remaining wet ingredients and combine for many again this summer. While the lecture archive the windows and screen from a studio to allow the As you have read elsewhere in this newsletter, Charlie well. Combine wet and dry ingredients, whisking saw a little less interest than in past years, the fi lm participant to construct his own piece in their place. Gunther passed away this summer. I worked with until just mixed. and book collections were more taxed, and requests We used the tractor to move earth and sod from Charlie from 1978 through 1985. He was a talented man for supplemental materials, which are fi lled through Lightly grease a griddle. When the griddle is excavations in the bonfi re fi eld. We set up a portable who could fi x most anything, which made him the right interlibrary loan, Netfl ix, or by acquisition, were up by medium hot, pour on ¼ cup of batter for each generator for a photo shoot deep in the woods. man at the right time for Skowhegan. And, like the rest 15%, with a record-breaking 127 such requests made pancake. We transported materials throughout campus and of us, Skowhegan was good for him. into town for a date with a steamroller. We provided by 41 different borrowers. These requests covered a Flip the pancakes as small bubbles begin to sur- old doors, windows, concrete blocks, rope, etc., to broad range of subjects, but also made it clear that we We also conducted a survey of the participants this face and the bottom is golden brown. Continue enable projects. This, I think, is part of the magic of WANEETA MARQUIS may want to further bolster the collection in such areas year which addressed areas of interest and concern. to cook until the middle of the pancake is dry, Skowhegan. We are not just caretakers of the campus; Food Service & Residence Manager as performance, video, and philosophy. I was pleasantly surprised to learn that, not only is about 3 minutes. we are co-caretakers of the idea. The maintenance Hard to believe … as I write this letter it is already the The library assistant’s position was more than ably the requirement that books and magazines remain in Serve immediately or hold in a 200 degree oven, staff and the kitchen staff are integrally woven into the fi rst of August! It is with anticipation each year, when fi lled by Meredith Gaglio, who brought organizational the library not a problem, but the 2010 participants covered loosely, until ready. Top with real maple tapestry of a Skowhegan summer. the participants are about to arrive, that we wonder Okay, repeated breakfast requests for pancakes also skills, internet resources, and her many personal and preferred it that way since it meant that all items syrup. YUMMY!! what lies ahead for the ensuing nine weeks … or as resounded. This group loved their pancakes. Whole professional talents to the position. Martha Campbell, were available all the time. Among the other things This past off-season we completed the renovation of the which came to light through the survey were: an (This recipe can be easily doubled or tripled.) Guston Cottage. In its previous life, Guston was a horse we refer to it, “camp.” This adventure is one of a kind! wheat buttermilk pancakes with bananas & pecans a local resident, was instrumental in helping to get Each person is given the opportunity to participate (their fave!) made morning so much happier after the library in proper shape for the arrival of this year’s overwhelming number of participants felt that they barn. The upstairs or hayloft was one large barracks- would have benefi ted from JSTOR accessibility (which style room. We expanded the second fl oor out over the in this community with gratefulness, appreciation, a long day and night of work. So when you walk by participants; and Elizabeth Mooney fi lled in for two and exploration. Collectively they share a once-in-a- the produce section and the bananas are beckoning, weeks after Meredith’s early departure so that the we are in the process of negotiating); and we need lower bedrooms and the deck, then reconfi gured it to to address the library needs of the night owls whose have six single rooms upstairs. The three downstairs lifetime experience. go ahead, buy those bananas and make yourself the library’s hours of service would remain unchanged. best darn pancakes this side of the Mississippi … waking/working/sleeping patterns don’t dovetail with rooms became singles also. The same number of At camp it is all about art of course, and the lakeside The library was the fi rst choice of many for their monitor normal working hours. Most of the regular daytime people occupies Guston, but each now has his or her is a place that sports a few art projects each summer. Skowhegan-style (see Chris’s recipe in this newsletter)! assignment, and we ended up with a record-setting Don’t forget the pecans. users felt their needs were met between the library’s own room. And with the second fl oor cantilevered over Abe had a number of days painting lakeside and a few fi ve of them this year. Not only did the monitors shelve holdings and our ability to borrow additional materials the deck we now have a protected outdoor area which other painters did also. A pirate’s fl ag was attached I would like to take this opportunity to thank my entire books, but they used their laptops to generate lists of through interlibrary loan or by purchasing them. Almost reduces the temptation to smoke inside on rainy days. to the fl oat. Some stalagmites were created in the Kick Ass Kitchen Staff, aka “KAKS;” “The Bunkhouse the single-artist monographs and exhibition catalogues everybody gave the library building top marks! During the renovation, a hardwired fi re alarm system “swamp” near the Evergood cottage … hmm … what is Guys” Jake, Jon, Justin, and Patrick B.; Alisha, Taylor, from which I created labels that would make the job of and a sprinkler system were installed. Guston is now that all about? Almost looks like teeth coming up from Patrick L., and Lacey; and Shawn for all those delicious shelving these small but important items much easier. photos by Nicholas Johnston

16 17 SKOWHEGAN CELEBRATES

Skowhegan held its annual Awards Dinner at Cipriani Wall Street on April 27, 2010, where a festive and SAVE THE DATE celebratory crowd honored the achievements of our Skowhegan’s 2011 Awards Dinner four outstanding honorees. The evening was chaired by Ann and Graham Gund and Greg and Susie Palm. Tuesday, April 26 Skowhegan Medals were presented to Ron Gorchov New York City 1 2 3 (painting), Joan Jonas (performance and video), 2011 Honorees will be announced soon—watch and Cy Twombly (sculpture). Norma Munn, founder www.skowheganart.org and your mailbox for of the Artists Community Federal Credit Union and more details. We look forward to seeing you chair of the New York City Arts Coalition, received the in April for another festive night of celebration! Governors’ Award for Outstanding Service to Artists. Skowhegan alumni once again made unique works of art for guests to take home. This year, 16 artists made drawings, paintings, photographs, prints, and other PHOTO CAPTIONS framed works. Former Skowhegan Governor Rackstraw 1 / Allison Mignone, Skowhegan Trustee Jud Reis, Downes provided the image for this year’s mug, a gift Ted Pettus, and Lisa Hess 4 5 6 for guests that has become a much-anticipated aspect 2 / Skowhegan Chair Ann Gund and Chair Emeritus of the Awards Dinner. Mildred Brinn 3 / Auctioneer Benjamin Doller and Skowhegan The Awards Dinner is our most important fundraising Governor Jane Hammond event of the year, raising millions of dollars over 4 / Skowhegan Governors Byron Kim (Chair), Iñigo the years for scholarships and other elements of Manglano-Ovalle, and Fabian Marcaccio (Vice Chair) Skowhegan’s program. Scholarship need increases 5 / Award Presenter Douglas Crimp and Skowhegan each year, and we are most grateful to all those whose Medalist Joan Jonas support makes it possible for us to keep our pledge 6 / James Cuno presenting and accepting the that any artist accepted to Skowhegan on the basis Skowhegan Medal for Cy Twombly of his or her work will be able to attend, regardless of 7 / Award presenter Jenny Dixon and Governors’ Award 7 8 9 fi nancial means. Since 2000, 94% of participants have Recipient Norma Munn required and received fi nancial aid. 8 / Josie Browne, Edwin and Alicia Meulensteen, and Katayoun Vaziri (’10) 9 / Former Skowhegan faculty members Kara Walker and Leonardo Drew 10 / Award presenter Lynda Benglis and Skowhegan Medalist Ron Gorchov I left Skowhegan 11 / Patricia Phelps de Cisneros, John Elderfi eld, and Jeanne Collins a stronger person, 12 / Rackstraw Downes with this year’s mug featuring an image of his work 10 11 12 a better artist, a 13 / Skowhegan Trustee Robert Looker and Kevin Salatino changed, improved 14 / Ted Berger, Susie Palm, John Ettinger, version of how and Skowhegan Trustee Grace Bowman 15 / Skowhegan Trustee Andrea Crane, BB Friedberg I had started. Reis, and Skowhegan Trustee George Ahl

2009 PARTICIPANT

13 14 15 All photos of the Awards Dinner by Teri Slotkin

18 19 FACULTY 2011

2011 Session: RESIDENT FACULTY ARTISTS June 11–August 13 Daniel Bozhkov Cheryl Donegan Marlene McCarty Dave McKenzie Michael Smith Application Deadline: was born in Aytos, Bulgaria and received her BFA in painting at the is both a visual artist and a designer. works in performance, sculpture, is a performance/video/installation currently lives and works in New Rhode Island School of Design and She trained as a designer in Basel, and installation, exploring the artist who uses humor to explore February 1, 2011 York. He received his BFA from the an MFA at Hunter College in New Switzerland, and later founded delicate balance between the public the tensions and complexities inher- Academy of Arts in Sofi a, Bulgaria York. Donegan’s work integrates the design and art production and the private. Subtly raising ent in everyday life. The personas Details of the 2011 program and application and his MFA from Hunter College. the time-based, gestural forms of studio Bureau with Donald Moffett. questions about underlying social Smith inhabits often test the bound- process will be posted on Skowhegan’s website Bozhkov’s work spans a variety performance and video with forms Bureau has done an array of codes, covert political structures, aries of human interactions with www.skowheganart.org by mid-November. of media, including performance, such as painting, drawing, and commercial projects, including and how we are shaped by or move an innocence that is both comedic Only online submissions will be accepted. video, painting, drawing, and installation. Direct, irreverent, and designing the titles for a number of around and through them in our and uncomfortable as they move sculpture. His interdisciplinary take infused with an ironic eroticism, fi lms and working for clients ranging daily lives, McKenzie offers his through their worlds with varying To request a postcard with program information, on art-making seeks to explore Donegan’s works put a subversive from MTV to Doctors without audience a platform for acknowledg- iterations of the same existential email us at [email protected]. overarching cultural themes such spin on issues relating to sex, Borders. Her work as a designer ment. His work can be narrative questions about modernity, hope, Full and partial fellowships are available for as globalization, ideas of masculinity, gender, art-making, and art history. informed her work with the activist/ or participatory and has, at times, and failure. He works with a visual those with fi nancial need to help cover tuition, the spiritual, and our relationship Using her body as metaphor in artist collective Gran Fury, which offered his audience a chance to language that is conventional and room, and board. Details about fi nancial aid with the natural world. It often her earlier works, Donegan’s often used the tropes of advertising make specifi c choices in open- familiar, extrapolating from a variety will be online in mid-November. involves working collaboratively performative actions before the to produce propaganda aimed at ended scenarios. In any format, of sources including television, If you have questions, contact Skowhegan’s with experts in other fi elds including camera resulted in or related to illustrating the group’s outrage over McKenzie’s work is always rooted advertising, and DIY manuals. In New York offi ce at 212.529.0505 or Turkish pretzel makers, Walmart process paintings and drawings. the AIDS pandemic. Her work in in the questions of negotiation. 2007–08 Smith’s retrospective, [email protected]. greeters, geneticists at Sloan- More recently, the paintings often painting and drawing touches on McKenzie’s work has been shown Mike’s World: Michael Smith & Kettering Cancer Center, and others. lead the video work as Donegan sociopolitical relationships question- at Institute of Contemporary Art Joshua White (and other Bozhkov’s work is most often derives abstraction from debased ing how we understand gender, in Boston, Small A Projects, The collaborators) was exhibited at the site-specifi c and research-based; images of consumer objects and sexuality, and violence between Studio Museum of Harlem, Susanne Blanton Museum in Austin and at he inhabits a specifi c history of a spaces. As critic Nick Stillman family members. She is represented Vielmetter in Los Angeles, and the Institute of Contemporary Art, location or cultural phenomenon, writes in Artforum, “Donegan’s by Sikkema Jenkins & Co, and the Aspen Art Museum, and has Philadelphia. He was included in one that is often already laden with recent work remains acidic, but has exhibited internationally. She been included in Performa 07, the 2008 Whitney Biennial and The commonly shared historiography it has turned abstract.” Her work has received the John Simon and Prospect 1 New Orleans. He Pictures Generation: 1974–1984 (whether truthful or not). He seeks has been exhibited internationally Guggenheim Memorial Foundation studied at the University of the at the Metropolitan Museum of Art to create a new narrative that including at the 1995 Whitney Fellowship and a fellowship from Arts in Philadelphia and has had in 2009. Smith’s work has been illuminates and dissects that history, Biennial; the Museum of Modern the Pollock-Krasner Foundation. residencies at the Studio Museum shown extensively internationally which like the original can continue Art; New York Film and Video In 2003, she was an American of Harlem and the P.S.1 National and is in the collections of the to be reinterpreted over time. Festival; the 1993 Venice Biennale; representative in the Istanbul Studio Program and was a Walker Art Center, the Museum Bozhkov has exhibited internation- and the Biennale d’Art Contempo- Biennial. She has taught at New participant at Skowhegan in 2000. of Modern Art, and the Centre ally and has won many prestigious rain de Lyon, France. Donegan has York University, the Rhode McKenzie joined Skowhegan’s Georges Pompidou, among others. honors, including the Chuck Close had one-person shows at Hidde Island School of Design, and the Board of Governors in 2007. He was educated at Colorado Rome Prize of the American van Seggelen Gallery, London; Cooper Union. College and studied in the Whitney Academy in Rome and grants from Galerie Vidal Cuglietta, Brussels; JOHN WHITNEY PAYSON Museum’s Independent Study ENDOWED CHAIR the National Endowment for the Arts and Oliver Kamm 5BE Gallery, New FRANCES & SYDNEY LEWIS Program. Currently he is on faculty ENDOWED CHAIR and the Andy Warhol Foundation. York; among others. She lives in at the University of Texas at Bozhkov currently teaches at Yale New York with her two sons and Austin and has taught at a number University and Columbia University. husband, writer Kenneth Goldsmith. of schools and universities. He attended Skowhegan as a participant in 1990, has worked NANCY G. MACGRATH JOHN EASTMAN JR. ENDOWED CHAIR ENDOWED CHAIR as Skowhegan's Fresco Instructor since 1995, and joined Skowhegan’s Board of Governors in 2004. CONTINUED ON NEXT PAGE

MILDRED C. BRINN ENDOWED CHAIR

20 21 FACULTY 2011 CONTINUED 2010 SKOWHEGAN VISITING FACULTY ARTISTS PAUL MELLON DISTINGUISHED FELLOW PARTICIPANT DEMOGRAPHICS Vito Acconci Suzan Frecon Chris Ofi li Judy Pfaff David Lang fi rst began his career in art as a was born in Pennsylvania in 1941. is known for his vibrant, technically received a BFA from Washington is a composer who seeks to stretch poet, later translating his written In the past four decades, she has complex, and meticulously executed University, Saint Louis, and an MFA the defi nition of music. Working in Fellowships / 88% of the participants work into a visual practice. Known become known for her large-scale paintings and works on paper. from Yale University. Balancing opera, orchestra, chamber, and solo received fellowships. for his challenging and sometimes abstract oil paintings and watercol- While his early works were pre- intense planning with improvisational compositions, Lang’s pieces are Gender / 33 women and 32 men. controversial and subversive ors that are at once reductive dominantly abstract, he has since decision-making, Pfaff creates both content-rich and deeply Age / The average age was 30, the age range works, Acconci is highly regarded and expressive. Composed with developed a signature fi gurative exuberant, sprawling sculptures and analytical of the structure of was 23 to 51. for the intense use of his own body subtle, interacting arrangements style that bridges the gap between installations that weave landscape, traditional musicality. His works in his art. Through performance, of color, each work is the result of sacred and profane and by exten- architecture, and color into a tense are multifaceted—at the same time Geographic Representation / 13 U.S. states installation, fi lm, and architecture, a thoughtful, laborious process. sion, between high art and popular yet organic whole. A pioneer of simple, yet extraordinarily diffi cult to and 3 international (current) residents: Acconci looks to dissolve the Frecon fi rst sketches a composition culture. His works center around installation art in the 1970s, Pfaff play, familiar in sound, but completely Colombia, Denmark, and Germany. boundaries of intimacy; to test according to precisely defi ned the relationship between form and synthesizes sculpture, painting, new in form and structure. His work 14% of Skowhegan’s 2010 participants reaches of power structures; to spatial relationships and then content, often using layers of paint, and architecture into dynamic has been called “ominous, ethereal, claim foreign citizenship or origin, grind notions of public and private proceeds gradually, guided by resin, glitter, collage elements, and, environments in which space seems urgent, hypnotic, unsettling, and representing 9 countries / Colombia, space against each other; and to intuition. Her almost tactile use of occasionally, elephant dung. Ofi li to expand and collapse, fl uctuating emotionally direct” and offers a Denmark, France, Iran, Japan, Norway, engage both willing and unknowing color heightens the visual experi- enlists sexual, racial, and religious between the two- and three- unique intersection between the Philippines, South Korea, and Ukraine. participants in his actions as a way ence of the work, and depending references to create aesthetic and dimensional. Pfaff’s site-specifi c formal auditory experience and a 26% of 2010 participants identifi ed their to dissect human relationships. In on the light source and viewing strong physical works that expose installations pierce through walls new psychology of sound. Lang’s cultural background as African American, the 1970s, his interest in the spatial angle, different perceptions the darker undercurrents of society. and careen through the air, achieving works have been performed globally Asian, Central/South American or Caribbean. constructions of writing and his emerge. Her forms, notably, will Drawing on a range of sources, lightness and explosive energy. by the Santa Fe Opera, the New (Note: This is an optional question on the exploration of physical space change from positive to negative, Ofi li’s subjects frequently employ Her work is a complex ordering York Philharmonic, the Kronos application and many applicants do not through sculpture and performance and colors and surfaces vary in racial stereotypes in order to of visual information composed of Quartet, and at the 2000 Sydney answer it. Many applicants check off more began to manifest in architectural terms of density and refl ectivity. challenge them. His most recent steel, fi berglass, and plaster as well Olympics, Lincoln Center, the than one box.) projects. He opened Acconci Following a degree in Fine Arts at paintings refl ect his interest in the as salvaged signage and natural Kennedy Center, and the Paris Studio, an architectural fi rm based Penn State University, Frecon spent landscape and mythology of the elements such as tree roots. She Opera Ballet, among others. He in Brooklyn, in 1989. Acconci three years at the École Nationale Caribbean. Born in Manchester, has extended her interest in natural has won many awards including has shown extensively around the Supérieure des Beaux-Arts in England, in 1968, Ofi li studied at motifs in a series of prints integrating the Pulitzer Prize for his composition United States and internationally, in Paris. Her work was the subject the Chelsea School of Art and vegetation, maps, and medical The Little Match Girl Passion, the both galleries and major museums. of a major solo exhibition at the the Royal College of Art. He won illustrations, and has developed her Rome Prize, and grants and He has received numerous grants Menil Collection in Houston, form, the Turner Prize in 1998 and repre- dramatic sculptural materials into fellowships from the John Simon and awards, including multiple color, illumination: Suzan Frecon sented Britain in the 2003 Venice set designs for several theatrical Guggenheim Memorial Foundation, National Endowment for the painting, 2008, which traveled to Biennale. He has exhibited his stage productions. Pfaff has the National Endowment for the Arts, Arts fellowships, a John Simon the Kunstmuseum Bern, Switzer- work worldwide, including recent received many awards, including a the New York Foundation for the Guggenheim Memorial Foundation land. She was included in the 2010 solo shows at Tate Britain, London, John D. and Catherine T. MacArthur Arts, and the American Academy Fellowship, an honorary Doctorate Whitney Biennial, and her works and the Studio Museum in Harlem, Foundation Award, a Bessie, and of Arts and Letters. Lang is the of Fine Arts from the Pratt Institute, are represented in the permanent New York. His works are represented fellowships from the John Simon co-founder and co-artistic director and the Skowhegan Medal for collections of prominent institutions, in prominent international collections Guggenheim Memorial Foundation of the music festival Bang on a Can outstanding achievement in Video including the National Gallery including the British Museum; and the National Endowment for the and his work has been recorded and Performance in 1980. Acconci of Art, Washington; the Museum the Carnegie Museum of Art; the Arts. She has had major exhibitions by many labels, including Sony received both a BA and an MA of Modern Art, New York; and the Museum of Contemporary Art, Los at the Elvehjem Museum of Art, Classical, Harmonia Mundi, BMG, from Holy Cross College and an Fogg Art Museum in Cambridge, Angeles; the Museum of Modern University of Wisconsin, Madison; and Argo/Decca. MFA from the University of Iowa. Massachusetts. She lives and Art, New York; Tate, London; and Denver Art Museum; Saint Louis He was a Visiting Artist at works in New York. the Walker Art Center, Minneapolis. Art Museum; Albright-Knox Art Skowhegan in 1998. Ofi li lives and works in Trinidad. Gallery, Buffalo; and the Whitney Museum, New York. Pfaff The 2011 roster of Visiting Faculty SALLY & MILTON AVERY represented the United States in ENDOWED CHAIR is still in formation at the publication the 1998 São Paolo Bienal. of this newsletter. Please watch our

WILLIAM WARREN CUMMINGS website for updates to the faculty. ENDOWED CHAIR 22 23 2010 PARTICIPANTS THANK YOU TO 2010 CONGRATULATIONS ALUMNI ON RECENT FACULTY AND PARTICIPANTS AWARDS, GRANTS, AND FELLOWSHIPS! Haseeb Ahmed, Sarah McMenimen, Just as consistency and tradition are part American Academy of New York Foundation Installation Photography of Skowhegan’s distinct culture, so too is the Arts and Letters for the Arts Fellowship Olga Balema, Multi Media Hiroshi McDonald Mori, constant refreshing and reimagining of our Julianne Swartz (’99) Lui Shtini (’07) Tatiana Berg, Painting Sculpture summer community. In the summer of 2010, Mary Temple (’99) Brooke Berger, Eliza Myrie, Sculpture we had fi ve incredibly smart, challenging, Anonymous Was a Woman Award Kyoung eun Kang (’09) Photography Julie Ann Nagle, supportive, and funny faculty members: Patricia Cronin (’91) Christine Birchfi eld, Sculpture Anoka Faruqee (’95), Martin Kersels, Pollock-Krasner Art Matters Grant Foundation Grant Drawing Rosemarie Padovano, Carrie Moyer (’95), Paul Pfeiffer, and Arthur LaToya Ruby Frazier (’07) Anindita Dutta (’05) Strauss Bourque- Sculpture Simms (’85). They all moved through the Chitra Ganesh (’01) Mark Ferguson (’94) LaFrance, Installation Jill Pangallo, Performance summer—studio visit after studio visit, Donna Huanca (’06) Paul Jansen (’69) Sara Bright, Painting Jonathan Peck, Drawing discussion groups, screenings, fi eld trips— Binod Shrestha (’05) Kyung Jeon (’03) Tim Campbell, Painting Gary Pennock, Electronic without a bat of an eyelash, continually giving J. William Fulbright Grant Anthony Krauss (’58) Carlos Castro, Installation Media critical yet supportive feedback and pushing Nathan Boyer (’01) Julia Kunin (’84) Lili Chin, Installation Signe Schmidt Petersen, this year’s participants to think and see Diane Edison (’84) Stephen Mueller (’68) Lauren Cohen, Painting Sculpture further. They asked all the right questions, Paul Santoleri (’91) Erin Curtis, Painting Gala Porras-Kim, understood the virtue of silence when John Simon Guggenheim Jeff DeGolier, Multi Media Multi Media necessary, have encyclopedic knowledge Memorial Foundation Fellowship Marie Walsh Sharpe Ximena Diaz, Electronic Matthew Rich, Painting on a variety of subjects, and most of all, they Helen O'Leary (’94) Art Foundation Media Claudia Salamanca, have huge hearts. They worked in a perfect Charlotte Schulz (’92) Anna Kunz (’09) Sara Eliassen, Video/Film Video/Film balance with each other, with the participants, Luke Lamborn (’06) William H. Johnson Prize, Cayetano Ferrer, Christopher Samuels, and with the Visiting Faculty, Sanford Biggers Daniel Rich (’04) William H. Johnson Foundation for Sculpture Sculpture (’98), Dara Birnbaum, Teddy Cruz, Dinh Q. the Arts Louis Comfort Tiffany David Flaugher, Sculpture Oscar Santillan, Sculpture Lê, Catherine Opie, and Dana Schutz (’99). Sanford Biggers (’98) Foundation Grant Santiago Forero, Mike Schuwerk, Though only on campus for four days each, Rema Hort Mann Derrick Adams (’02) Photography Video/Film it was amazing to witness the ease with which Foundation Grant Diana Al-Hadid (’07) Tracey Goodman, Jessica Segall, all of the Visiting Faculty integrated in the Alexandre Singh (’06) Dawolu Jabari Anderson (’06) Installation Perfomance community—it was as if each one had been Beth Campbell (’97) Joan Mitchell Foundation Grant Heidi Hahn, Painting Nataliya Slinko, Sculpture there all along. There wasn’t the slightest Gedi Sibony (’99) Carrie Moyer (’95) Kyung Woo Han, Mitchell Squire, Sculpture hesitation at matching the level of generosity, Sheila Pepe (’94) United States Artists Fellowship Installation Luke Stettner, Sculpture discourse, or sincere friendship already Stephanie Syjuco (’97) Diana Al-Hadid (’07) Sarah Hotchkiss, Drawing Abraham Storer, Painting present on campus, and as a result, their Nari Ward (’91) Dave McKenzie (’00) Ahram Jeong, Multi Media Devin Strother, Painting experience and voices were an additional Matt Kennedy, Fabian Tabibian, gift to the summer. Photography Electronic Media Another part of the constant shift at Yui Kugimiya, Video/Film Tomoe Tsutsumi, Skowhegan is the different group of 65 Anna Chiaretta Lavatelli, Video/Film participants that join us each summer. Installation Katayoun Vaziri, Drawing SKOWHEGAN ON FACEBOOK This year’s class worked hard, supported Grimm Lee, Sculpture Cullen Washington Jr., each other, and engaged fully in the Keep up on current events at Skowhegan, learn about opportunities for David Leggett, Painting Drawing experience, pushing themselves consistently artists, and connect with alumni and other fans of Skowhegan by “liking” our Chris Lipomi, Installation Jess Wheelock, to keep things moving. It was a fantastic Facebook page. Go to www.facebook.com/skowhegan to learn more. Benjamin Love, Multi Media summer, and they are a remarkable and Sculpture Alex P. White, Performance dynamic group of people. Marisa Mandler, Phil Whitman, Drawing Multi Media Scott Wiener, Photography Dominic Mangila, Painting Matthew Wilson, Mary Mattingly, Sculpture Multi Media Carmen Winant, Drawing Brian Zegeer, Multi Media

24 25 SKOWHEGAN COUNCIL SKOWHEGAN AT 92YTRIBECA: NEWS FROM THE CHAIRS OF THE SKOWHEGAN ALLIANCE IF WE ASKED YOU TO AN ALUMNI EXHIBITION STEPHANIE DIAMOND (’00) & CATHERINE ROSS (’02) GIVE $10… WITH CONTRIBUTIONS FROM ALLIANCE MEMBERS PASQUALINA AZZARELLO (’08), ADAM SHECTER (’06), BECKY KINDER (’04), AND ELLIE KRAKOW (’08) The Skowhegan Council, launched in the spring of Skowhegan’s ongoing relationship with the 92Y The past year has been a model one for the Skowhegan We look forward to another full and inspiring year There are many ways to give to Skowhegan, last year under the leadership of Council Chair expanded this year to the 92Y’s new branch in Tribeca, Alliance. Boasting 19 alumni members from the classes of programming and events, continuing our mission and all of them make a difference to our Chiara Edmands, provides an entry into the world where we collaborated on an exhibition featuring work 2000–2009, we were thrilled to present ambitious of supporting Skowhegan and the notion of community success. When we say EVERY gift counts, of contemporary art through private gallery tours, by Skowhegan alumni from the classes of 1999–2008. programming that engaged and celebrated the amazing it fosters by organizing special programs and events we mean it. studio visits, visits to private collections, and other The exhibition, which opened on January 21st and ran work of Skowhegan’s past participants. for alumni and the broader Skowhegan community. events that highlight the work of our broad base through March 3rd, was a big success for all involved. If we asked you to give $120 that might not New this year was the Alliance’s monthly e-newsletter. If YOU would like to receive emails for our of alumni and former faculty members. These include be possible for you. But what if we asked The exhibition’s curatorial team, selected by Vanessa Compiled by Rachel Frank (’05) and Katherine programming, fi nd out more about the Alliance, and/ exciting young artists who are just emerging onto you to give $10? And what if you did that each Cohen and Michele Thompson of the 92YTribeca in Mangiardi (’07) from the alumni registry on Skowhegan’s or become a class offi cer and assist with next year’s the art scene, as well as more established artists month for a year? A few clicks for a secure collaboration with Skowhegan’s Executive Directors, website, the newsletter highlights exhibition openings alumni appeal, please contact the Skowhegan offi ce who have built substantial careers over the past transaction on our website and you’d be set consisted of Grace Evans, director and partner at Zach and currently on-view shows by alumni in the U.S. at [email protected]. decade or more. A special privilege of members of for twelve months. Feuer Gallery; Christina Ray, founder and director of and abroad. (If you are an alum and wish to have your the Council is an invitation to Skowhegan’s annual Christina Ray Gallery (formerly Glowlab); and Marisa upcoming exhibitions listed, be sure to update your What if every alum gave this way? To put it in Trustees’/Governors’ Weekend on our campus in Sage, founder of Like the Spice Gallery and president of alumni page on the Skowhegan website by the 15th perspective, we have over 2,000 active alumni. Maine. During this weekend, members of the Council the Williamsburg Gallery Association. The curators re- of each month.) Above / SkowheganWALKS at the studio of If each one gave $10 a month, that would have a chance to meet a wide range of emerging viewed the submissions of nearly 200 artists, selecting Marc Swanson (’00) / photo by Stephanie Diamond (’00) Every day brought at amount to a scholarship for every artist who Pasqualina Azzarello (’08) and Adam Shecter (’06) and mid-career artists and see Skowhegan in action— eleven—Katarina Burin (’01), Asuka Goto (’08), Heather needs one in the summer of 2011. continued to wow us again this year with their creative a rare opportunity given the private nature of Hart (’05), Courtney Jordan (’05), Noah Klersfeld (’03), least one unforgettable Now that’s a difference. Skowhegan’s residency program. charge of alumni fundraising. On behalf of the Alliance, Masterfully organized by Becky Kinder (’04) and Dan Bennett Morris (’07), Matthew Northridge (’00), Carol Pasqualina and Adam have been collaborating with Levenson (’09), SkowheganWALKS took a new spin conversation about To make a gift, please visit The 2009–2010 season of Skowhegan Council events Pereira (’02), Julia Randall (’99), Adam Parker Smith William Pope.L (Alum ’96 and Resident Artist ’04) on out of the galleries and into the artists’ studios. Fall www.skowheganart.org and click SUPPORT. included tours of the studios of 14 Skowhegan alumni, (’08), and Mary Temple (’99)—for inclusion in the show. the creation of a special limited edition of “credit cards.” and spring tours of alumni dens of production were art and our different The sustaining giving program is growing— a tour of the Whitney Biennial, visits to the private Featuring drawings, photographs, video, installation The cards will be offered this fall at an affordable price organized around NYC hubs of creativity: the Gowanus be a part of it! aspirations for what collections of Trustee George Ahl and collector and work, and sculpture, Skowhegan at 92YTribeca: An (and no interest fees!), fi rst to Skowhegan alumni and and Bushwick neighborhoods of Brooklyn. philanthropist Agnes Gund, cocktails at Skowhegan Alumni Exhibition represented the wide range of work later to the public. All proceeds from this project will it could be. Every day at 92YTribeca: An Alumni Exhibition, and a visit to the The Gowanus tour began at the studio of Vera Iliatova being made by Skowhegan’s alumni. We were delighted benefi t Skowhegan and the Alliance. (’04) where we discussed her paintings, fi guration, Editions|Artists’ Book Fair. We have a new series of to build a working relationship with the 92YTribeca and brought new discoveries, exciting events planned for the 2010–2011 season. The Alliance was honored to be able to continue landscape, and the infl uence of fi lm. We then visited another exhibition is planned for 2011! its relationship this year with the New Museum, Christian Maychack (’08) and mused over the evolution new debates, and the If you are interested in learning more about which generously hosted the third season of of ideas and objects through sculpture. Next stop was the Skowhegan Council, please contact Kate Haw SkowheganTALKS. Last fall, Birgit Rathsmann (’04) the amazingly dense archive of Stephanie Diamond burgeoning of new ideas. at [email protected]. organized a talk between alum John O’Connor (’00) (’00) where we were set free to browse and discuss 2009 PARTICIPANT Below / Visitors to the exhibition in front of Julia Randall’s and faculty member Fred Tomaselli (Resident Artist ’00) her photographs and projects. We fi nished with the 2003 drawing Compact and this spring David Hardy (’04) presented a dynamic video work of Blithe Riley (’09) where we talked about discussion with former faculty members Jessica collaboration with both living and dead partners. Second Annual Stockholder (Resident Artist ’96) and Judy Pfaff The Bushwick tour started with the sculptural work Skowhegan at 92YTribeca (Resident Artist ’83, ’86, ’94, and Visiting Artist ’11), of Marc Swanson (’00) where we discussed the Alumni Exhibition with special guest Cheryl Donegan (Resident Artist ’11). complicated role of biography and infl uence on making January–March, 2011 This year our reunion committee, Ellie Krakow (’08), objects. From there we moved on to the studio of Ann 92YTribeca Susanna Vapnek (’02), and Victoria Fu (’06), took Oren (’09) where we saw videos that questioned the advantage of the fact that many alumni come to town gaze and self-presentation. We continued to the studio 200 Hudson Street for Armory weekend to gather people together. Scores of Kai Vierstra (’05), whose sculptural work explores New York City of alumni joined us at NYC’s Hallo Berlin to reminisce natural phenomenon and cultural conspiracy, and we Free admission about a long lost summer on the lake and catch up on fi nished with the kinetic sculptures of Meridith Pingree the latest news. (’03) where we talked about how materials inspire Watch our website and Facebook page for form and ideas. exact dates and the announcement of the artists who will be included in the show!

26 27 ALUMNI: ALUMNI NEWS 2009 –2010 SUBMIT YOUR NEWS TO THE ART REGISTRY ON 1963 1969 1972 1975 1976 SKOWHEGAN’S WEBSITE Sandy Walker Paul Jansen Philip Ayers Chris Duncan Lois Bender EXHIBITION Art in the GRANT Pollock-Krasner EXHIBITION Found in Nature: EXHIBITIONS 185th Invitational FACULTY APPOINTMENTS Update your personal listing in the Art Registry Embassies / Athens, Greece Foundation. Philip Ayers and William Itter: Exhibition of Contemporary Ameri- Rockland Community College / 07/28/2008–07/28/2010. Paintings and Drawings / Lamar can Art / The National Academy, / Suffern, NY. Applied Arts section of the website! Keep us current with Concerning the Forest: the Work Candace Knapp Dodd School of Art, University New York, NY / 02/17/2010– School / East Hampton, NY. EXHIBITION My installation news and images of your work. Skowhegan’s of Sandy Walker / Meridian of Georgia, Athens, GA / 06/08/2010. Chris Duncan RESIDENCY Women’s Studio Gallery, San Francisco, CA at “Navel Gazing” / Brevard 06/04/2010–07/24/2010. Recent Work / Mandeville Gallery, Workshop / Rosendale, NY. website lets you add your news at any time / 09/12/2009–11/07/2009. Art Museum, Melbourne, FL / Union College Schenectady, NY / 01/30/2010–04/11/2010. Joan Branca Kelly Detweiler during the year so people know what you’re Dynamic Equilibrium / San James Kielkopf ’64 Balius 03/18/2010–05/09/2010. Francisco Studio School Gallery COMMISSION Daydream- EXHIBITIONS Group Exhibi- EXHIBITION Kelly Detweiler / / paper on plaster and wood / ers Mobiles in All Children’s tion / Islesford Artists Gallery Jeanette Fintz Sandra Lee Gallery, San Francisco, doing in the art world. / 02/23/2010–04/30/2010. 2009 / 29.5 x 29.5" It's Our Nature / The Thoreau Hospital Emergency Room, St Islesford, ME / 07/02/2010– EXHIBITIONS Its a Wonderful CA / 05/01/2010–05/29/2010. Ken Beck ’79 Mercury Mask / All the news for this year’s Newsletter Center, San Francisco, CA / Petersburg, FL / All Children’s 08/28/2010. Local Color / 10th Anniversary / Sideshow Gal- oil on canvas / 2007 / 50 x 42" 08/10/2010–10/07/2010. Hospital, St Petersburg, FL. Gallery North, Setauket, NY / lery, Brooklyn, NY / 01/09/2010– was taken from the website. We no longer 1965 08/27/2010–09/26/2010. 02/20/2010. View Four / Nicole Mark Oxman Judith Amdur ’73 KOI XX / Fiacco Gallery, Hudson, NY rely on other sources—the website is the EXHIBITION The Decimation of Gary J. Jameson 1979 oil on canvas / 2007 / 36 x 24" / 02/22/2010–03/20/2010. Ken Beck sole source of news for this listing. Please 1964 Professor Richard Fink / Kirby EXHIBITION Gary Jameson: Prince Street Gallery 40th An- Carol Beckwith Theatre, Amherst College, Recent Works / Martino AWARD Faculty Award for Ex- note that space is limited and alumni news niversary Exhibition / New York, cellence in Teaching / Boston, AWARDS Spanish Geographical Amherst, MA / 09/18/2010– Gallery, Maryland Hall for the NY / 06/22/2010–07/10/2010. Society Image Award / Madrid, 09/18/2010. Creative Arts, Annapolis, MD / 1974 MA. EXHIBITION Unwrapped: includes information for the period of Robert Flynt Cowgirls of the Hudson Valley Selected Ken Beck Works on Spain. Wings WorldQuest Lifetime 03/12/2010–04/22/2010. III / BRIK Gallery, Hudson, NY / November 1, 2009–October 31, 2010, only. Achievement Award / New York, EXHIBITION Memento / Werkst- Paper 1979–2009 / Gallery at Thomas McAnulty 08/14/2010–09/04/2010. The the Piano Factory, Boston, MA / NY. Lowell Thomas Award for 1966 attgalerie, Berlin / 06/04/2010– Some editing of material may have been FACULTY APPOINTMENT Breakfast Club / Greene County 03/06/2010–03/28/2010. Exploration & Photography / Terrence Coffman 07/10/2010. RESIDENCY necessary. Thank you for keeping your online Head of the Sculpture/ collaboration with Pavel Zustiak/ Council on the Arts, Catskill, NY / Explorers Club, New York, NY. EXHIBITION Coffman: New 09/26/2009–11/14/2010. Sue Collier EXHIBITION Surma, Karo, Ceramics department / Adelphi Palissimo / Baryshnikov Arts profi le current. Paintings / Tory Folliard Gallery, University, Garden City NY. EXHIBITION Some Notion of Dinka: Peoples of the Wilderness Milwaukee, WI / 10/01/2010– Center, New York, NY. Helen Glazer Perfection / Ceres Gallery, / Deletaille Gallery, Brussels, 11/11/2010. Michael Tcheyan Michiko Itatani EXHIBITION Two-Person Show New York, NY / 06/22/2010– Belgium / 06/09/2010– FACULTY APPOINTMENT / Harbor Court Hotel, Baltimore, 07/17/2010. David Reed EXHIBITIONS Personal Codes 06/30/2010. Co-Chair Mayor’s Partnership MD / 09/05/2009–12/03/2009. EXHIBITIONS Works on Paper / Walsh Gallery, Chicago, IL / Gwendolyn Kerber for Public Art / Summit, NJ. 02/10/2010–04/18/2010. Cosmic Will Brown / Peter Blum Soho, New York, Richard Saba ’67 Ken Buhler ’76 Notes from EXHIBITION 48 Stunden- EXHIBITIONS Charles Isaacs NY / 01/13/2010–03/06/2010. Wanderlust / Illinois Wesleyan Neuköln / Berlin, Germany / No Return / acrylic on canvas / University, Bloomington, IL / the Edge of the World #8 / Photographs at AIPAD David Reed / Galerie Schmidt 2009 / 60 x 48" ink and graphite on paper / 06/25/2010–06/27/2010. (Association of International Maczollek, Cologne, Germany / 1973 09/02/2010–09/30/2010. Minia- Frank Hyder ture Itatani—Cosmic Wanderlust / 2008 / 26 x 20" Celeste Roberge Charles Cajori ’48, ’54 Sequence / oil on linen / 2007 / 50 x 40" Photographic Art Dealers) / 09/04/2010–11/06/2010. EXHIBITION Poems of a Corbett vs Dempsey, Chicago, IL EXHIBITIONS The Mill-ennial Park Avenue Armory, New York, Marilyn Propp NY / 03/18/2010–03/21/2010. Threatened Eden / The Noyes / 09/08/2010–09/30/2010. 2010 / Saco Museum, Saco, EXHIBITIONS Evanston + Museum of Art, Oceanville, NJ / RESIDENCY Visiting Artist / 1977 ME / 04/02/2010–06/13/2010. Common Ground: Eight 1967 Vicinity Biennial Exhibition / 1947 1957/1958 Philadelphia Photographers 09/11/2009–01/11/2010. Ox-Bow, Saugatuck, MI. Anita Curtis Glesta CMCA 2010 Biennial Juried Janet Shafner Suzanne Hodes Edgar Franceschi Evanston Art Center, Evanston, in the 1960s and 1970s / EXHIBITIONS Climate Change Exhibition / Center for Maine EXHIBITION Seduced by the AWARD Honorary Phi Beta EXHIBITION You Need To IL / 05/23/2010–06/27/2010. Alan Singer David Rich Summit 16 / Mexico City, Contemporary Art, Rockport, Philadelphia Museum of Art, Know Your History / Greenwich Remarkable Women / Peltz EXHIBITION Botanicals / EXHIBITION Smell of God / Sacred / Manell JCC Galleries, Kappa Award for art career/ Philadelphia, PA / 09/12/2009– Mexico / 07/17/2010. San Jose ME / 05/29/2010–07/17/2010. West Hartford, CT / Harvard/Radcliffe Reunion. House Pottery, New York, NY / Gallery, Milwaukee, WI / Traveling from Hunt Library Obsidian Arts, Minneapolis, MN Digital Biennale / San Jose, CA Granite Sofa / Farnsworth 01/31/2010. 05/20/2010–06/24/2010. 07/24/2010–08/25/2010. for Botanical Documentation, / 05/28/2010–07/31/2010. Dike Blair ’74 Untitled / 10/05/2010–11/22/2010. EXHIBITION Paintings (curated gouache and pencil on paper / / 07/17/2010–07/17/2010. Art Museum, Rockland, ME by Artana Gallery) / Fidelity Globalization: Imagine Every- Pittsburgh, PA / 10/10/2009– RESIDENCIES Visiting Artist, 2010 / 18 x 24" Paula S. Heisen / 07/06/2010–11/06/2010. Space, Fidelity Investments, where / A + D Gallery, Chicago, IL 07/30/2010. College of Visual Arts / St. “Piles” / AD Projects, New York, 1948/1951/1952 World Trade Center, Boston, 1968 / 08/12/2010–09/18/2010. Cogs Paul, MN. Visiting Artist, Bethel EXHIBITION Open Studio / William King Brooklyn, NY / 04/17/2010. NY / 07/08/2010–07/11/2010. MA / 12/1/2009. A Community Stephen Mueller and Wheels: Industrial Recon- Philip Ayers ’72 Self- University / St. Paul, MN. Visiting RESIDENCY Baie Ste.-Marie EXHIBITIONS William King / of Artists / Danforth Museum, EXHIBITION New Paintings structions / Fine Art Gallery, State Destructive Machine / oil on Artist, University of Minnesota / Pamela Williams Gallery, Christina Hutchings Artist Residency / Nova Scotia, Framingham, MA / 06/01/2010. / Lennon Weinberg Gallery, College of Florida, Bradenton, wood panel / 1996 / 32 x 56" Minneapolis, MN. EXHIBITIONS Bermuda Biennial Canada. Amagansett, NY / 07/17/2010– New York, NY / 10/21/2010– FL / 10/15/2010–11/10/2010. 08/17/2010. 2010 / The Bermuda National 11/27/2010. GRANT Pollock- Roadtrips and Shadowplay: Gallery / 06/18/2010–11/27/2010. 1958 Krasner Foundation. David Jones & Marilyn Propp / Christina Hutchings / Master- State Street Gallery at Robert Julia Kunin Lorna Ritz works Museum, Bermuda / 1953 Morris University, Chicago, IL / GRANT Pollock-Krasner EXHIBITION U.S. Dept. of 08/06/2010–09/01/2010. James McGarrell Foundation. 10/22/2009–12/06/2009. EXHIBITION James McGarrell, State, Art-in-Embassies Charles Marburg Window Jazz Inventions / Program / American Embassy EXHIBITIONS Group show in Caracas, Venezuela / ACA Galleries, New York, NY / 1970 / Dutch Kills Gallery, Long 12/12/2009–01/31/2010. 1959 06/01/2010–06/06/2012. Island City, NY / 01/09/2010– Mimi Gross FACULTY APPOINTMENT David J. Einstein EXHIBITIONS 33 of 5 installation 01/31/2010. Selected gallery COMMISSION Artwork for Bill Richards ’59 Stream Visiting Guest Critic / Vermont artists group show / Jeffrey Robert Venable Park / Brooklyn, Space 22 / Acrylic on canvas / / Eleonore Austerer Fine Art, 1956/1957 Studio Center, Johnson, VT. Leder Gallery , Long Island City, NY. FACULTY APPOINTMENT 2010 / 74 x 66" / photograph by Palm Desert, CA / 03/04/2010– Heidi Nitze NY / 10/03/2010–11/04/2010. McMillian/Steward Chair in Charlene Richards Kenneth Rush 03/30/2010. Artrageous 2010 / EXHIBITION Gallery 804, Painting / Maryland Institute EXHIBITION A Sense of Place Palm Springs Art Museum, CA Hot Springs, AK / 08/01/2010– College of Art. / Southern Vermont Art Center, / 03/23/2010. David Einstein 9/30/2010. Manchester, VaT / 07/24/2010– Recent Work / Eleonore 1978 David Moore ’78 Ceide Robert Koffl er 08/24/2010. Austerer Gallery, Palm Desert, Carol Perroni Field XXIX / oil on linen / 2008 EXHIBITION The Hand / CA / 04/01/2010–05/01/2010. EXHIBITION Wish You / 58 x 60" Salon des Amis, Malvern, PA / Group Exhibition / Michael H. Were Here / Mansfi eld, OH / 05/17/2010–06/19/2010. Lord Gallery, Palm Springs, CA / 06/20/2010–07/25/2010. 07/15/2010–09/30/2010. 28 29 1980 1983 Wendy Klemperer Charles A. McGill Darrell Petit 1990 1991 Jeff Krueger Mark L. Power 1994 Melanie Kozol Kitty Alward EXHIBITIONS Re-Imagined: Out- EXHIBITIONS Artifacts from EXHIBITION 5 + 5: New Lilian Garcia-Roig Nandini Chirimar EXHIBITION Sculpture as EXHIBITION Lime, Tangerine, Dave Hullfi sh Bailey EXHIBITIONS New Paintings EXHIBITION Kitty Alward / door Sculpture by Wendy Klem- The Former Black Militant Golf Perspectives, 50th Anniversary EXHIBITIONS Florida Visual Arts EXHIBITIONS Erasing Borders Analogy to Landscape / SCA Jetson: New Drawings / LZ EXHIBITIONS For the blind / Triomphe, NY / 01/05/2009– Thiel College, Greenville, PA / perer / Maine Audubon Society, and Country Club / Russell Special Exhibition / Fellowship Traveling Exhibition / / Traveling Exhibit: Dowd Gallery, Contemporary, Albuquerque, NM Project Space, New York, NY / man in the dark room looking 12/31/2009. New Paintings / 09/15/2010–10/01/2010. Falmouth, ME / 06/05/2010– Projects, Richmond, VA / Mountainville, NY / various locations throughout Florida NY; Crossing Art Gallery, Flushing, / 09/11/2009–11/18/2009. 03/02/2010–03/27/2010. for the black cat that isn't there Bussaco, Brooklyn, NY / 05/15/2010. Outdoor Sculpture 03/29/2010–05/01/2010. 06/05/2010–06/05/2012. / 02/06/2010–12/31/2010. Caught NY; Aicon Gallery, New York, NY; / Museum of Contemporary Barbara Neulinger Charlotte Schulz 04/05/2010–08/23/2010. Marsha Goldberg / Southern Vermont Art Center, Beyond Appearances / Lehman in the Act of Looking: Post-Modern Queens Museum of Art, Flushing, Art, Detroit, MI / 02/01/2010– FACULTY APPOINTMENT EXHIBITION Illusive Balance: Manchester, VT / 07/01/2010– College Art Gallery, Bronx, NY Plein-Air / Broward College Gallery, NY; Gallery at Penn College, EXHIBITION PRESENT TENSE EXHIBITIONS Cognitive 04/04/2010; de Appel, Amster- Pre-College Painting and Drawing Transcendental Surface and 11/01/2010. Sculpture / Visions / 09/10/2009–12/01/2009. Hollywood, FL / 03/04/2010– Williamsport, PA / 02/27/2009– / A.P.E. Northampton, MA / Unconscious / Lesley Heller dam / 02/13/2010–03/28/2010; / Pratt Institute, Brooklyn, NY. Layered Pattern / Douglass West Gallery, Livingston, MT / Vessels (featuring The Former 04/16/2010. Escape Into Nature: 12/13/2009. Erasing Borders 2010 11/03/2009–11/30/2009. Workspace, New York, NY / Culturgest, Lisbon, Portugal / Library Galleries, Rutgers 04/28/2010–06/06/2010. Secret 09/15/2010–10/31/2010. Black Militant Golf and Country Selections from the Permanent (includes collaborative site specifi c Paul Santoleri 05/29/2010–08/29/2010; Con- University, New Brunswick, NJ RESIDENCY Sias University In- Club Satellite Pro Shop) / Rupert Collection / Corpus Christi, TX / mural) / Visual Arts Center of New Drawings / Palo Alto Art Center, temporary Art Museum St. Lou- / 03/17/2010–06/07/2010. EXHIBITIONS Paul Santoleri / Palo Alto, CA / 06/19/2010– 1981 ternational Sculpture Residency / Ravens Contemporary, Newark, 03/30/2010–08/30/2010. Jersey / 04/09/2010–06/04/2010; Ligne13 Gallery, Paris, France. is, St. Louis, MO / 09/11/2009– Sias University, Xinzheng, Zheng- NJ / 10/23/2009–01/01/2010. A Mysterious Clarity (Burggraf, Twelve Gates Gallery, Philadelphia, 09/05/2010. The Uneven Inten- 01/03/2010; ICA London / Kim T. Abraham Group Show / Studio55, Paris, sities of Duration / Wake Forest FELLOWSHIP Ballinglen zhou, Henan Province, China. Garcia-Roig & Messersmith) / PA / 06/12/2010–07/24/2010; France. GRANT Pollock- 12/23/2009–01/31/2010. Sci-Fi 1984 Museum of Florida Art, Deland, FL The Guild Gallery, Manhattan, NY / University, Winston-Salem, + Fantasy; Mud, Salt Crystals, Foundation / Ireland. Brett Reichman Krasner Foundation / Kohler, NC / 10/07/2010–12/05/2010. Claire C. Burke 1988 / 06/11/2010–08/22/2010. Into the 08/03/2010–08/24/2010. Rocks, Water; Wind; Rotation; EXHIBITION Silence, Cunning, Arts in Industry. RESIDENCY Charlotte Schulz / Smack Mel- Candida Alvarez AWARD Exceptional Work Brent A. Crothers Wild / Carol Jazzar Gallery, Miami, Cite des arts / Paris, France. Revolution / Krome Gallery, EXHIBITION Hangin’ Together Award, Mothers Who Create and Exile / Sonoma Valley FL / 10/16/2009–12/07/2009. In- Oliver Comerford lon, Brooklyn, NY / 09/25/2010– Berlin, Germany / 04/30/2010– Museum of Art, Sonoma, CA / EXHIBITIONS Crossroads: EXHIBITION Terror and the 11/07/2010. FELLOWSHIP (curated by Kerry James / The Little Gallery Under the Determining the Authentic augural Exhibition / Florida Museum Nari Ward 06/12/2010. Abstract Derive 05/01/2010–07/25/2010. Wendy Klemperer Sublime: Art and Politics in an Age The John Simon Guggenheim Marshall) / Koplin Del Rio Stairs, Lynn, MA / 02/01/2010. ’84 Swimming Elk / steel / 2005 / Visual Voice / Rowan University, for Women Artists, Deland, FL / GRANT Joan Mitchell Foundation. / Ludlow 38, New York, NY / Gallery, Culver City, CA / EXHIBITIONS Voices: Mothers approx. 80 x 90 x 70" of Anxiety / Crawford Gallery, Cork, Memorial Foundation. Brenda Zlamany Glassboro, NJ / 01/18/2010– 11/13/2009–02/14/2010. TIME & Jane E. Zweibel 05/23/2010–06/27/2010. Sur- 07/24/2010–09/04/2010. Who Create II / The Little Gallery Ireland / 11/21/2009–02/28/2010. COMMISSION Anchovies 03/12/2010. Sculpture 1275: TEMP: surveying the climate of cur- EXHIBITIONS The Stuffed rounded by Squares / Raven Under the Stairs, Lynn, MA / Along the FDR Drive / Bike Brent Crothers / 1275 Penn- rent painting in South Florida / Art Patricia Cronin Row, London, United Kingdom / Larry Deyab Sarah Haviland 1986 Paintings Survey Show / 1993 02/06/2010– 04/10/2010. Off the Lane between 25th and 27th St sylvania Avenue, Washington, and Culture Center of Hollywood, AWARD Anonymous Was A 09/04/2009–01/17/2010. EXHIBITIONS Papillon / Bow EXHIBITIONS Nature Rules: Tom Burckhardt Chaffers Gallery, New Zealand Sohyun Bae Wall / Danforth Museum of Art, along the FDR Drive. D.C. / 03/22/2010–05/21/2010. FL / 11/16/2009–01/10/2010. Woman Award. EXHIBITIONS Street Gallery, Cambridge, MA Framingham, MA / 06/12/2010– BWAC Outdoor Sculpture Show EXHIBITION Elements of a / 02/26/2010–03/24/2010. EXHIBITION Abundance: Carter / 02/25/2010–03/18/2010. / Governor’s Island, New York, Painting / Tibor De Nagy Gallery, GAPS / Greater Reston Christina Haglid Look Again / Marlborough Gallery, Midlife Mermaids (Solo) / EXHIBITION Erased James 08/08/2010. Arsenal Center, Arts Arts Center, Reston, VA / New York, NY / 01/13/2010– SoHyun Bae / Kang Collection LARRY DEYAB: Return to Primi- Member Show / Watertown, MA / NY / 06/05/2010–10/10/2010. New York, NY / 06/14/2010. EXHIBITION Art Chicago / Leslie’s Artgallery, Luxembourg Korean Art, New York, NY / Franco / screening and tivism / Bow Street Gallery, Sculpture Now in Lee 2010 / Lee, FACULTY APPOINTMENT 06/24/2010–07/31/2010. The Ann Nathan Gallery, Mer- 02/13/2010. Patricia Cronin: / 12/03/2009–12/23/2009. discussion with Carter and 11/05/2009–01/02/2010. Language of Objects / Catholic Brent Crothers ’88 Water Harriet Hosmer, Lost and Found / 05/20/2010–06/04/2010. Cambridge, MA / 04/27/2010– MA / 06/12/2010–10/31/2010. Anderson Ranch / Snowmass, CO. Wars #2 / used garden hoses chandise Mart, Chicago, IL / James Franco. 05/27/2010. Pleasure & Paint: Nancy M. Cohen Contemporary Sculpture at University, Washington, D.C. / 04/30/2010–05/03/2010. Brooklyn Museum, Brooklyn, NY / Warren Craghead Yvonne Estrada 07/01/2010–09/30/2010. Bilat- / 2008 / 66 x 34 x 34" / 06/05/2009–01/24/2010. Single Mark Ferguson Burliuk, Deyab, Lewczuk, EXHIBITION As you like it / Chesterwood / Stockbridge, MA / photograph by Joseph Hyde 1992 EXHIBITIONS Cut-Click / East Resnick, Seliger & Parks / Bow Heidi Cho Gallery, New York, 06/19/2010–10/11/2010. EXHIBITION Present Tense / eral Engagement / Art Museum Jinnie Seo Lady / Jenny Salomon, Brooklyn, Diana Guerrero-Macia Coast School Of Art & Design, GRANT Pollock-Krasner Foundation. Street Gallery, Cambridge, MA NY / 05/27/2010–06/26/2010. A.P.E. at Window, Northampton, of the Americas, Washington, EXHIBITION Metal Soundscape NY / 06/08/2010–06/29/2010. RESIDENCY Burren College Grimsby, United Kingdom / Julia Jacquette MA / 11/01/2009–11/29/2009. D.C. / 07/01/2010–09/30/2010. / Horim Art Center, Seoul, South Because We Are / Station Muse- Lynn Koble / 07/15/2010. Comme Des Rois of Art Visiting Artist / 01/19/2010–02/10/2010. EXHIBITIONS Emerging Artist Mages: Sélection d’œuvres Dianne J. Dickeman EXHIBITIONS Nothing Gold Janet and Walter Sondheim 1989 Korea / 01/11/2010–03/28/2010. um of Contemporary Art, Houston, New Waves / Contemporary Jennifer K. Moses Adu A. Gindy Ballyvaughn, Ireland. Fellowship ’09 / Socrates des Frac Basse-Normandie, EXHIBITION The Artists of Can Stay / Robert Goff Gallery, Prize Semi-Finalist Exhibition / TX / 06/19/2010–09/19/2010. Art Center of Virginia / Artech / Wright Exhibition New York, NY / 06/30/2010– RESIDENCY Roswell New Mexico Decker Gallery, Maryland Insti- EXHIBITIONS Selections From Kate Shepherd Behind The Green Door / Keith Hale Sculpture Park, New York, NY / Bretagne et Pays de la Loire / Artist Residency / Roswell, NM. EXHIBITIONS Paper Works / Devin 02/05/2010–03/28/2010. 09/13/2009–03/07/2010. Centre d’art du Pays de May- Space, Seattle, WA / 07/31/2010. Sweetness and Light tute Gallery of Art, Baltimore, the Collection: Worldviews- Harris Lieberman, New York, NY / EXHIBITION New Work / Borden Hiram Butler Gallery, Hous- Saya Moriyasu Capacity / Venetia Kaperne- enne, La Chapelle des 10/01/2009–12/12/2009. / Hampden Gallery, University of Gail Spaien MD / 07/11/2010–08/01/2010. Legacy of Artists Teaching / 06/24/2010–07/30/2010. Gallery Paule Anglim, San David Hacker ’84 hootchie ton, TX / 02/11/2010–04/22/2010. kas Gallery, New York, NY / Calvairiennes, France / Massachusetts at Amherst, MA / EXHIBITION In Winter / Miller Cullowhee, NC / 05/23/2010– FACULTY APPOINTMENT Francisco, CA / 06/16/2010– EXHIBITIONS SOIL in Residence Diane Edison coo / welded steel / 2009 / 32 Michael C. Miller Relation to and yet not (homage to 10/28/2009–12/19/2009. 11/06/2009–12/13/2009. 09/19/2010–10/14/2010. Block Gallery, Boston, MA / 08/30/2010. Bits and Pieces— Associate Professor received 07/10/2010. / Seattle Design Center, Seattle, AWARD J. William Fulbright Grant x 36 x 13" EXHIBITIONS Michael Miller: Mondrian) / The Phillips Collection, 02/05/2009–03/04/2010. A Visual Journal / 506 West Tenure / Brooklyn College, WA / 03/11/2010–06/05/2010. Mark Masyga Jean Koeller / Sophia, Bulgaria. EXHIBITIONS Whitfi eld Lovell Today I am Thankful for all I Have Michigan St., Duluth, MN / Washington, D.C. / 06/09/2010– Annetta Kapon Henry Art Gallery—Gift Shop GRANT Maine Arts / University Gallery Texas, The City University of New York. EXHIBITIONS In Williamsburg / EXHIBITION Jean Koeller / REAL(ists) / The Selby Gallery at GRANT Nancy Graves Foundation. 08/05/2010–10/25/2010. 09/05/2010. Blue / James EXHIBITIONS Shells, Prisms Project—collaborative installation Ringling School of Art and Design Commission Visibility Grant. A&M University-Commerce, Graham & Sons, New York, NY Elizabeth Hazan / Glendale College Art Gallery, Fleetwing Gallery, Brooklyn, NY Keny Galleries, Columbus, OH / Yukako Okudaira / Henry Art Gallery, Seattle, WA in Sarasota, FL / 01/15/2010– 1985 TX / 02/01/2010–04/30/2010; Connie Hayes / 06/10/2010–07/18/2009. Held EXHIBITIONS Paper Works Glendale, CA / 03/06/2010– / 01/08/2010–03/07/2010. The 06/09/2010–07/16/2010. EXHIBITION Wish You Were / 03/19/2010–04/11/2010. Blow Death of Painting is Dead / Hite 02/16/2010. Get With The Dozier Bell Moody Gallery / 07/10/2010– EXHIBITIONS CMCA 2010 Up By Columns / Renwick Gallery, / Janet Kurnatowski Gallery, 04/24/2010. Laundry public Up! / G. Gibson Gallery, Seattle, Margaret M. Lanzetta Program / George Adams Gallery, EXHIBITIONS Dozier Bell: Here / A.I.R. Gallery, Brooklyn, 1987 08/07/2010; Barry Whistler Biennial Juried Exhibition / Center New York, NY / 06/24/2010– Brooklyn, NY / 01/22/2010– installation / Boston Harbor Ship- Institute, University of Louisville, NY / 06/23/2010–07/18/2010. WA / 05/20/2010–07/03/2010. KY / 01/14/2010–02/14/2010. EXHIBITIONS Emblem/ Symbol New York, NY / 07/09/2010- Momenta / Center for Maine Margaret Libby Gallery, Dallas, TX / 09/11/2010– for Maine Contemporary Art, 08/31/2010. 2010 Intersections: 02/21/2010. Summer Love yard / 06/12/2010–09/12/2010. Clay Throwdown! Biennial / / Local Projects Gallery, Long 08/15/2010. Summer Show: Contemporary Art, Rockport, EXHIBITION Metamorphoses: 10/09/2010.Ranchero Deluxe: Rockport, ME / 05/29/2010– Barbara Penn Relation to and yet not (homage to / Janet Kurnatowsl Gallery, Shawne Major Bellevue Arts Museum, Bellevue, Rebecca Morris Island City, NY / 10/15/2010– New and Classic / George ME / 08/04/2010–09/26/2010. Graphic Apparitions / Runnals Selections of Works on Paper by 07/17/2010. Connie Hayes EXHIBITIONS Fwd: Drawing Mondrian) / The Phillips Collection, Brooklyn, NY / 07/16/2010– EXHIBITION Tickle: New Works WA / 08/28/2010–01/16/2011. EXHIBITION Ambigu: Contempo- 11/26/2010. SUCCESSION: Adams Gallery, New York, NY / Dozier Bell: New Work / Auco- on Paper / Galleri se Konst, Lobby, Strider Theater, Michael Miller / V.O.D. Dallas, TX Paintings / Dowling Walsh Gallery, Washington, D.C. / 07/15/2010. 08/15/2010. Different Views Two-person exhibition / G. rary Painting Between Abstraction Works 1990–2010, solo 07/13/2010–08/20/2010. Profes- cisco Gallery, Portland, ME / Colby College, Waterville, ME / / 05/20/2010–07/20/2010. Rockland, ME / 09/03/2010– by Shawne Major / Heriard/ Falun, Sweden / 07/24/2010– AMIGA DE UN AMIGO / Galeria / Washington Art Associa- Cimino Gallery, New Orleans, Gibson Gallery, Seattle, WA / and Narration / Kunst Museum retrospective / Cantor Art Gal- sori di Cortona Exhibition / Gallery 10/01/2010–10/23/2010. 08/24/2010. Ground Game / 11/10/2009–01/16/2010. 09/30/2010. Elvira Gonzalez, Madrid, Spain / tion, Washington Depot, CT / 09/02/2010–10/09/2010. Fixed St. Gallen, St. Gallen, Switzerland lery, College of the Holy Cross, at Chastain Arts Center Atlanta, LA / 05/01/2010–05/29/2010. University Memorial Gallery, Patrick M. Neal 11/20/2009–01/06/2010. 07/17/2010–08/15/2010. Chaos / Montserrate College of / 06/04/2010–09/12/2010. Worcester, MA / 10/15/2010– GA / 07/16/2010. Mosaic Project: Abraham Elterman EXHIBITION Abraham University of Colorado, Boulder EXHIBITION Patrick Neal: Art, Boston, MA / 10/30/2009– 12/15/2010. Diane Edison / The Pennsylvania / 08/23/2010–09/23/2010. 07/15/2010. Helen O’Leary College of Art and Design, Phila- Elterman Paintings and Works Paintings / Eric Wolf, New York, EXHIBITION Where things Deirdre Leber delphia / 10/01/2010–11/27/2010. on Paper / Los Angeles, CA / Virginia C. Pierrepont NY / 05/14/2010–06/12/2010. Erika Ranee settle / Central Cultural Irlandais EXHIBITION New Paintings 03/11/2010–03/27/2010. RESIDENCY Exploring Vermont Kim Turos EXHIBITION Sweet Talk / / 06/20/2010–07/01/2010. / 721 Gallery, Kingston, NY / James C. Forsythe Landscape / Vermont Studio Slate Gallery, Brooklyn, NY FELLOWSHIPS Central Cultural 08/07/2010–08/31/2010. EXHIBITIONS Winner’s Show Lynda Frese EXHIBITION Spill Out AWARDS Awards to Louisiana Center, Johnson, VT. (performance collaboration: / 05/14/2010–06/27/2010. Irlandias / Paris, France. from 2009 Independents Show / AIRspace/Artist-in-Residence / The John Simon Guggenheim Artists and Scholars, to publish Ann Reichlin Bouchard,Turos, E.A.R. Unit) Art Center of Corpus Christi, TX / Abrons Arts Center, New York, Memorial Foundation. 07/01/2010–07/30/2010. Seed book Pacha Mama: Earth EXHIBITIONS Sculpture Court / Binary Cities/Biennale 2010, 1982 The Lab, San Francisco, CA / NY / 05/20/2010–07/31/2010. RESIDENCIES Centre Culturel Paul C. Smith Flower Fruit: Jim, Sharon and Realm by Lynda Frese / Project (working title) / Munson- Louisiana. EXHIBITIONS Lost 10/02/2010. Single Lady: Salon show Irlandais / Paris. Cill Rialaig / EXHIBITIONS Drawn Together Daniel Forsythe / Ida Green Gallery, Williams-Proctor Arts Institute, (curated by artists Kate Kerry, Ireland. / Leslie-Lohman Gallery, Austin College, Sherman, TX / and Found, the Art of Collage Utica, NY / 09/11/2010– Carrie Ungerman / University of Kentucky Art Gilmore, Jenny Salomon, and New York, NY / 02/17/2010– 09/01/2010–10/08/2010. Robert 01/11/2011. Translucent Home EXHIBITIONS Neither Hot Red On Stellar Rays gallery director, Sheila Pepe 04/03/2010.The Brucennial / Cockerall and Jim Forsythe: Dys- Galleries / 07/15/2010– / Sculpture Space, Utica, NY / [n]or Screeching Yellow GRANT Joan Mitchell Foundation. 08/25/2010. Masters of Collage Candice Madey) / Brooklyn, NY 350 W Broadway, New York, lexic/Vision / Hot Spot-K Space 11/07/2008–04/30/2010. (In Collaboration With Megan / 06/08/2010–06/29/2010. Contemporary, Corpus Christi, TX / Northern Kentucky University, Maria Yoon NY / 02/26/2010–05/08/2010. Arthur Simms Geckler) / Windward School, FACULTY APPOINTMENT EXHIBITIONS Maria the Korean / 10/03/2009–11/07/2009. Seed, Highland Heights, KY / Los Angeles, CA / 01/18/2010– 08/23/2010–09/24/2010. EXHIBITION Global Caraîbes / Adjunct Professor NYU / Bride Live in Hawaii / The Mani- Flower, Fruit: Art of Jim, Sharon 02/12/2010. From Patterns Steinhardt School / Art and Art and Daniel Forsythe / Heritage RESIDENCY Julia and David MIAM, Sète, Musée International fest, Honolulu, HI / 05/30/2010. des Arts Modestes, Sète, France to Pathways / Los Angeles Professions. Maria the Korean Bride Live Park House Gallery, Corpus Christi, White Artists Colony / International Airport (Terminal 3) / TX / 10/04/2009–11/30/2009. Costa Rica. / 06/12/2010–10/17/2010. in Alaska / Anchorage, AK / 08/18/2010–01/02/2011. 12/23/2009–12/24/2009. Sarah Haviland ’85 I Saw the Wind Within Her / steel and mesh Carrie Ungerman ’89 silverfl ow 2010 / plastic water bottles, plastic food wrap, Mylar / 2010 / / 2009 / 6 x 8 x4' 14 x 14 x 28' (variable) / photograph by Wayne McCall 30 31 1995 Eric Hongisto 1999 Anthony Campuzano Karyn Olivier Rudy Shepherd Ingrid Calame FACULTY APPOINTMENT Becca Albee EXHIBITIONS Read-Only- EXHIBITIONS Inbound: EXHIBITION Falling Together / EXHIBITION Step on a Crack... Associate Professor / University of EXHIBITIONS Held Up Memory / Winkleman Gallery, Houston / Houston, TX / Mixed Greens Gallery, / Albright Knox Art Gallery, San Francisco, CA. By Columns / Renwick Curatorial Research Lab (orga- 10/26/2009–11/22/2009. New York, NY / 06/03/2010– Buffalo, NY / 09/25/2009– Gallery, New York, NY / nized by Stamatina Gregory), 30 Seconds off an Inch / 07/09/2010. John Parot 02/28/2010. 07/08/2010–08/06/2010. Piles New York, NY / 01/08/2010– The Studio Museum in Harlem, Edra Soto EXHIBITIONS Let there be Geo / / AD Projects, New York, NY / 02/13/2010. Broad Shoulders New York, NY / 11/12/2009– George Ferrandi A + D Gallery, Columbia College, 07/15/2010. Inconsciente óp- and Brotherly Love / Hyde 03/14/2010. Road Signs / EXHIBITIONS It Is It (project EXHIBITION PERFORMANCE Chicago, IL / 03/04/2010– tico / 713 Arte Contempoãneo, Park Arts Center, Chicago, IL Moores Opera House, room) / Berezdivin Collection Wherever There is Water: a 04/24/2010. Hobbies / Western Buenos Aires, Argentina / / 01/18/2009–03/29/2010. University of Houston, TX / Espacio 1414, Santurce, PR night procession / 11/14/2009. Exhibitions, Chicago, Illinois / 07/29/2010–09/01/2010. All Right—Still! / Fleisher/Oll- 11/16/2009. Rockstone and / 01/26/2010–12/26/2010. 05/08/2010–06/12/2010. Looking Forward, Feeling Back- man Gallery, Philadelphia, PA Bootheel / Real Art Ways, Puerto Rico: Geografi a Clayton Merrell Humana—Imagenes del EXHIBITION Clayton Merrell Alicia Paz wards / PPOW, New York, NY / / 05/06/2010–06/12/2010. New Hartford, CT / 10/29/2009–12/05/2009. Summer Studio with Anthony 11/19/2009–03/14/2010. siglo XXI / Museo de Arte de & Stephen Pentak / Concept EXHIBITION Casanova Forever Puerto Rico, San Juan, PR / Art Gallery, Pittsburgh, PA / / L.A.C. Sigean, in collaboration Campuzano / Institute of Con- Nao Bustamante temporary Art, University of Melissa Oresky 08/21/2009–08/01/2010. 04/17/2010–05/16/2010. with FRAC Languedoc-Roussillon / EXHIBITION Silver & Gold / EXHIBITIONS Where There Is / Homily / Ebersmoore, Chicago, 06/26/2010–10/03/2010. Pennsylvania, Philadelphia, PA / Carrie Moyer Sundance 2010, Park City, UT / 07/01/2010–07/31/2010. OQBO Gallery, Berlin, Germany IL / 09/24/2010–10/30/2010. 01/24/2010–01/28/2010. / 06/12/2010–07/31/2010. GRANT Joan Mitchell Foundation. Doug Ross Marcelino Stuhmer GRANT Nancy Graves Foundation. Saul Chernick IAAFBJHMJNMOMRSATSW / Marie K. Watt Marie Watt ’95 Engine (in collaboration with The Fabric Workshop & Museum, Philadelphia) / wool felt, wood, video / Desiree Holman EXHIBITION Saul Chernick: Bor- Fountain Studios, Brooklyn, NY EXHIBITIONS Sum Total: EXHIBITIONS Migrations: 2009 / variable dimensions Christopher Sollars EXHIBITIONS Five Centimeters rowed from the Charnel House / / 09/18/2010–10/23/2010. UW-Milwaukee Faculty New Directions in Native Art EXHIBITIONS 2929 A Double Short / Rupert Goldsworthy Max Protetch Gallery, New York, On Paper / Gahlberg Gallery, Exhibition / Inova Arts Center, / Sheldon Museum of Art, Take / A New Museum, San Gallery, Berlin, Germany / NY / 06/10/2010–07/30/2010. College of DuPage, DuPage, Milwaukee, WI / 10/23/2009– Lincoln, NE / 01/08/2010– James Scott Ogden Marjan Laaper Steed Taylor Sanford Biggers Francisco, CA / 01/01/2010– 01/16/2010–02/10/2010. Seven IL / 10/15/2009–11/21/2009. 11/13/2009. Jeune Creation 04/25/2010. Forget-me-not/ EXHIBITION Dan Miller—MAKE EXHIBITIONS As time goes by EXHIBITIONS Community AWARD William H. Johnson 01/17/2010. Paper! Awesome! / Easy Steps / Horton Gallery Megan Cump Rock Gardens / Western 2009 / Centquatre: Center Holter Museum of Art, Helena, Skateboards—4 decks / Ricco / MKgalerie Berlin, Germany Knot Road Tattoo / Orange, NJ / Prize, William H. Johnson Baer Ridgeway Exhibitions, San (Sunday L.E.S.), New York, NY / EXHIBITIONS Tragic Sense of Exhibitions, Chicago, IL / for Contemporary Art, MT / 01/29/2010–04/25/2010. Maresca and White Columns, / 01/15/2010—03/20/2010. 05/22/2010–05/22/2011. Road Foundation for the Arts. Francisco, CA / 02/20/2010– 11/01/2009–03/29/2010. Capri- Life / Westchester Community 10/16/2009–11/14/2009. Paris, France / 11/04/2009– Marker / PDX, Portland, OR New York, NY / 06/17/2010– Never ending stories / MKgalerie Tattoo Study In Three Windows / 03/27/2010. Global/National— cious: Looking Forward, Feeling College Fine Arts Gallery, Vahal- Streaking, with Carrie Gunders- 11/08/2009. / 03/01/2010–03/31/2010. 08/20/2010. Rotterdam, The Netherlands / Mixed Greens Gallery, New York, Sebastiaan Bremer The Order of Chaos / EXIT ART Backwards / PPOW, New York, la, NY / 02/01/2010–04/16/2010. dorf / Proof Gallery, Boston, Distaff Tool Kit (curated by Rickie 02/27/2010—04/04/2010. NY / 06/03/2010–09/03/2010. EXHIBITIONS Heads or Tails / / 03/13/2010–05/01/2010. NY / 11/01/2010–12/05/2009. Human Nature: Megan Cump MA / 11/07/2009–12/12/2009. Solinger) / traveling exhibition INVASIVE Road Tattoo; com- Mary Ryan Gallery, New York, NY Decalogue: Films You Can Reborn / Hammer Museum, & Thierry Kupferschmid / Col- Max-Carlos Martinez / 06/24/2010–08/27/2010. The Los Angeles, CA / 11/08/2009– lective Gallery, New York, NY / Amy Pryor / 04/04/2008–09/04/2010. 1997 missioned by the North Carolina Count on Two Hands / Winkle- EXHIBITIONS Buffalo Girls, Pencil of Nature / Julie Saul Gallery, 01/31/2010. GRANT Investing in 04/03/2010–05/04/2010. One RESIDENCY Artist in When Dog Turns to Wolf / David Nicole Awai Museum of Art / Sculpture Park man Gallery, New York, NY / Solo Show, New Work / CSID New York, NY / 07/01/2010– Artists Grant from the Center for Hour Photo / American University Residence / Frans Masereel Krut Projects, New York, NY / EXHIBITIONS Pool Art Fair— of the North Carolina Museum of 03/27/2010–05/01/2010. Other 06/01/2010–06/30/2010. idea detectives Sàrl Route Art, Raleigh, NC / 06/17/2008– 08/20/2010. Sebastiaan Bremer / Possibilities: Alison Pebworth / Cultural Innovation. Museum, Katzen Art Center, Centrum, Kasterlee, Belgium. Sex Objects / Gershwin Hotel, de Combremont-le-Grand Galeria Leme, Sao Paolo, Brazil / Washington, D.C. / 05/08/2010– Currents: Native American Forces New York, NY / 03/05/2010– 06/17/2015. Portrait of a Road Tat- Michael Rosenthal Gallery, San Andrew Johnson Kanishka Raja in Contemporary Art / Center / 06/09/2010–06/24/2010. too / Gallery Plan B, Washington, 09/16/2010–10/16/2010. Baruch Francisco, CA / 04/10/2010– 06/06/2010. UNSEEN / Randall 03/07/2010. Global Caraîbes / London Biennale NYC in the Sky with Diamonds / Kunst- EXHIBITION Gestures / Mat- Scott Gallery, Brooklyn, NY / EXHIBITION Against Integration for Visual Art, Metropolitan State MIAM, Sète, Musée International D.C. / 06/23/2010–07/25/2010. 05/08/2010. Head Performanca / tress Factory, Pittsburgh, PA / / Greenberg Van Doren Gallery, College of Denver, Denver, CO Satellite Event / Christopher hal KaD, Amersfoort, The Nether- David Wilson’s Ribbons UKIAH / Julia Randall ’99 Lick Line #23 / 10/22/2009–11/21/2009. des Arts Modestes, Sète, France Dragon Blessings: Road Tattoo 07/25/2009–01/10/2010. color pencil / 2005 / 16 x 12" New York, NY / 09/11/2010– / 08/27/2009–11/07/2009. Henry Gallery, New York, NY Commission / Chinese Bien- lands / 10/01/2010–11/01/2010. 07/19/2010–07/19/2010. Census / 06/12/2010–10/17/2010. Global / 08/05/2010–08/31/2010. Caroline Gundersdorf 10/23/2010. Forget-Me-Not / Tamastslikt Caribbean: Focus on the Con- nial 2008 Beijing, Beijing, China / Hiroyuki Hamada Serca / O n O Gallery, Oakland, Joan Linder EXHIBITIONS P’s & Q’s / Hyde Cultural Institue, Pendleton, OR / Collected, Privately Collected 08/30/2008–08/30/2010. Broken CA / 08/08/2010–09/05/2010. EXHIBITIONS Cost of Living / Jonathan Santos temporary Caribbean Visual Art Works by Center Artist Alumni EXHIBITIONS Aureus Con- Park Art Center, Chicago, IL / 10/01/2010–01/11/2011. Twisted Landscape / Haitian Cultural Arts Chain: Road Tattoo Commission temporary at Scope Basel / Chris Sollars / Brooklyn Exhibi- Mixed Greens, New York, NY / Gedi Sibony Cynthia Underwood 02/28/2010–06/06/2010. New EXHIBITION Department of Path / Abbe Museum, Bar Harbor, / McColl Center for Visual Art, / Mesa Art Center, Mesa, AZ / tions / 09/11/2010–10/03/2010. 04/22/2010–05/31/2010. House GRANT Louis Comfort Tiffany EXHIBITIONS Artomatic / Micro-Urbanism: Temporary Alliance, Miami, FL / 12/04/2009– Charlotte, NC / 09/04/2009– Basel, Switzerland / 06/15/2010– Icon / Loyola Museum of Art / ME / 12/04/2008–01/05/2010. 03/31/2010. 10/25/2008–10/25/2012. Votive / 06/19/2010. Aureus Contempo- Open Futures: Spinning In My Head / Kunsthallen Brandts, Foundation. TBA, Washington D.C. / Chicago, IL / 06/05/2010– Storefront Library / Storefront: 01/09/2010. Marinetti’s Wheels / SFMOMA / Odense, Denmark / 04/30/2010– 10/15/2010–12/15/2010. 640 Washington Street, Boston, Editions Fawbush, New York, NY / rary at Art Chicago / Art Chicago, Julianne Swartz 08/01/2010. New Work, Julius Beth Campbell Stephanie Syjuco 11/27/2008–11/27/2009. Aureus Contemporary, Chicago, IL 11/07/2009. Arthur Allan / 08/15/2010. All In the Family / Cynthia Underwood / Home- Caesar / Chicago, IL / 08/01/2010– MA / 10/14/2009–12/31/2009. GRANT Louis Comfort Tiffany 667 Shotwell & Hallway Projects, Judi Rotenberg Gallery, Boston, AWARD American Academy of 1996 EXHIBITIONS Never Can Say / 07/19/2010. Sculpture by Hiroyu- body in Washington D.C. / 08/29/2010. 12 x 12, New Daniel Seiple Foundation. Deborah Wasserman San Francisco, CA / MA / 05/27/2010–06/19/2010. Arts and Letters. Michele Brody Goodbye: Never Records / ki Hamada / art sites, Riverhead, 10/30/2010–01/29/2011. Work/ New Artists / Museum of EXHIBITIONS Solo show / EXHIBITIONS Fabrications / EXHIBITIONS Homeward Found 11/07/2009–12/13/2009. Beyond/In Western NY / Albright Heather Carson old Tower Records building, NY / 08/28/2010–10/10/2010. Mary Temple Allison Wiese Contemporary Art, Chicago, IL / Markus Winter Galerie, The Newport Mill, Newport, NH / Bineth Gallery, Tel Aviv, Israel / Knox Art Gallery, Buffalo, NY / EXHIBITIONS Eye Spy, Playing EXHIBITIONS 12 Gauge: New York, NY / 01/02/2010– 04/08/2010–05/10/2010. Babel / EXHIBITIONS Here Not There: 08/06/2010–08/29/2010. Berlin, Germany / 01/09/2010– / 06/26/2010–09/26/2010. Tea 02/07/2010. notMOMA / 09/24/2010–12/31/2010. With Perception / Peabody Rapid-Fire Study of Art in Los Space 37, Jackson Heights, NY / San Diego Art Now / Museum Karl Haendel 02/12/2010. Wunderland Cart Stories / Lower East Side Angeles Today / The Torrance Washington State University, Laura Lobdell Essex Museum, Salem, MA / with KUNSTrePUBLIK, e.V. / Rudy Shepherd ’00 The Tenement Museum, New York, 06/16/2010–07/01/2010. of Contemporary Art, San Diego EXHIBITIONS Sir Ernest Healers: Frantz Fanon / acrylic Art Museum, Torrance, CA / Pullman, WA / 02/12/2010– EXHIBITION Traces of Color / 06/19/2010–05/31/2011. Day to / 06/06/2010–09/19/2010. Skulpturenpark Berlin Zentrum, NY / 07/14/2009–12/01/2009. 03/28/2010. Beg, Borrow, Steal Day / Martos Gallery, New York, Shackelton and All The Clocks in on canvas / 2009 / 57 x 36 ½" 03/25/2010–03/27/2010. Sum- Share With…, Montauk, NY / Animal Art / The New Children’s My House / Susanne Vielmetter Germany / 10/01/2009– Timothy Hutchings mer Installation: light/ALBERS / Catharine Clark Gallery, San 05/29/2010–06/30/2010. NY / 06/29/2010–07/31/2010. Museum, San Diego, CA / 11/30 /2009. Fontäne / Francisco, CA / 04/10/2010– 1998 First Week (commissioned Projects, Los Angeles, CA / EXHIBITION The Play Gener- / Ace Gallery, Los Angeles, J.D. Beltran 10/08/2009–09/08/2010. 01/15/2010–02/15/2010. Cracked Skulpturenpark Berlin Zentrum, CA / 04/02/2010–08/31/2010. 05/15/2010. Wunderkammer / Jean Shin installation) / Museum of Arts Germany / 10/26/2008– ated Map and Document AWARD ID Magazine 2010 EXHIBITIONS Pattern Folds— 2010 California Biennial / The / Lever House, NY / 02/11/2010– Archive / www.plagmada.org / Light Action: light/ALBERS / Zero1 Festival, San Jose, CA / & Design, New York, NY / Orange County Museum of Art / 09/01/2010. 06/01/2010–07/01/2011. 1969 / Award, Annual Design Review, Calvin Klein, NYC / Calvin Klein, 07/07/2009–12/31/2010. Beam, 03/15/2010. Blind Mirror / Galleria 06/12/2008–06/27/2012. Ace Gallery, Los Angeles, CA / Interactive Design. EXHIBITIONS 10/23/2010–03/13/2011. Raucci/Santamaria, Naples / 10/03/2009–11/18/2009. P.S.1 Contemporary Art Center, New York, NY / 05/12/2010– Board, Breath: An Investigation of Zoe Sheehan Saldana Yoshiko Kanai New York, NY / 10/22/2009– Unexpected Refl ections / Merid- 06/03/2010. Theatrical Properties Trees / Sun Valley Center for the 03/06/2010–04/03/2010. EXHIBITIONS Craftwerk 2.0 / FELLOWSHIP 2011 COLA ian Gallery, San Francisco, CA / Haunted / Guggenheim Museum, EXHIBITIONS American Story / Individual Artist Fellowship / 12/31/2009. FACULTY / bitforms gallery, New York, NY Arts, Sun Valley, ID / 07/09/2010– Jönköping Läns Museum, Kohler Arts Center, Sheboygan, 01/22/2010–03/26/2010. Artists / 06/24/2010–08/06/2010. The 09/03/2010. Look Again / 2000 NY / 03/26/2010–09/06/2010. Jönköping, Sweden / Los Angeles. APPOINTMENT Adjunct Sarah Brenneman WI/ 04/05/2009–05/20/2010. Faculty / California College of Teaching Artists / Diego Rivera Collaborative Print: Works from Southeastern Center for Contem- Beg, Borrow and Steal / Rubell 09/19/2009–01/16/2010. The 25th Anniversary Salon / Lehman Toni Jo Coppa Gallery, San Francisco Art Institute SOLO Impression / National porary Art, Winston-Salem, NC EXHIBITION Wall To Wall / Family Collection, Miami, FL Craft: Handmade Aesthetics the Arts, San Francisco, CA. Daniel Weinberg Gallery, College Arrt Gallery, Bronx, NY / EXHIBITIONS Recycled GRANT Joan Mitchell / 08/30/2010–09/04/2010. rE/ Museum of Women in the Arts, / 07/15/2010–10/10/2010. TBA / 12/02/2009–05/29/2010. in Contemporary Art / Lehman 05/20/2010–06/04/2010. A Light into Joy / William Laporte visioning the Collection: New Washington, D.C. / 06/25/2010– / Mixed Greens, New York, NY Los Angeles, CA / 06/05/2010– Picturing the Studio / School College Art Gallery, Bronx, Foundation. RESIDENCY 08/14/2010. at the End of the Tunnel / Scope Gallery, Southwick Public Artadia Fellowship Residency Perspectives Through Sound 09/13/2010. Contemporary / 10/14/2010–11/13/2010. False of the Art Institute of Chicago / NY / 10/06/2010-12/16/2010. Basel Video, Basel, Switzerland / Library, Southwick, MA / at the ISCP / Brooklyn, NY. and Media / San Francisco, Outlook: Seeing Songs / Museum Documents and Other Illusions / Barbara Campbell Thomas 12/12/2009–02/13/2010. Ethics + Aesthetics = Sustain- CA / 09/10/2010. FACULTY 06/15/2010–06/19/2010. 04/01/2010–04/30/2010. of Fine Arts, Boston, MA / Portland Museum of Art, Portland, EXHIBITIONS Painting: in part, Dave McKenzie able Fashion / Pratt Manhat- NEVER THINK small—Redux! APPOINTMENT San Francisco 07/01/2009–02/21/2010. Jean ME / 10/30/2010–01/02/2011. tan Gallery, New York, NY Annette Lawrence Heather Carson ’97 Light Action: lightCONCENTRIC / 72 and in pieces / 1708 Gallery, FELLOWSHIP United States Artists. / Climate Gallery, Queens, NY Art Institute, Faculty in the Film, Shin and Brian Ripel / Scottsdale FELLOWSHIPS Saint Gaudens Richmond, VA / 01/08/2010– / 11/20/2009–02/20/2010. EXHIBITION Coin Toss (site Design, New Genres, and Interdis- fl uorescent fi xtures, 30 sodium vapor fi xtures, aluminum pipe, / 04/03/2010–04/26/2010. Speed-Rail, conduit, junction boxes, conduit clamps, and digital Museum of Contemporary Art, Fellowship. New York Foundation 02/13/2010. Mother/mother / Frank Meuschke Workspace Program Exhibi- specifi c installation) / Dallas All Female Group Show / The ciplinary Studies Programs, and Scottsdale, AZ / 10/09/2010– for the Arts. GRANTS Basil Alka- EXHIBITION Urban Essence / tion / Dieu Donne Papermill, Cowboys Stadium, Arlington, relay switches—(with) computer control / 2007 / 9'7" x 10'3" x 60' A.I.R. Gallery, Brooklyn, NY / RANT Gallery, Chicopee, MA / Director of the City Studio Program 01/02/2011. GRANT Settings / zzi Award. New York Foundation 12/03/2009–01/03/2010. GALLERY 61, New York, NY / New York, NY / 12/03/2009– TX / 06/16/2009–06/16/2029. 07/03/2010–07/31/2010. / San Francisco, CA. PS/IS 276 Battery Park School, for the Arts Fellow in Painting. 09/09/2010–10/07/2010. 12/23/2009. New York, NY. 32 33 Billie Grace Lynn Steve Locke Catherine Ross Raphael Albert Zollinger Claudia Sbrissa Becky Kinder Saya Woolfalk Shervone Neckles Elena Bajo EXHIBITIONS Dead or Alive EXHIBITIONS Man Up / Judi EXHIBITIONS Seven Easy EXHIBITION interstitial EXHIBITIONS Wrapped, site EXHIBITIONS Daniel EXHIBITIONS Losing Yourself EXHIBITIONS Emerged / Gallery EXHIBITIONS Elena Bajo / / Museum of Art and Design, Rotenberg Gallery, Boston, MA / Steps: Technological Innova- members / 1 Grand Army specifi c installation / Cryptic Hesidence Curates / Tracy / Welch School of Art & Design @ The Theater for the New City, London, United Kingdom / New York, NY / 04/27/2010– 04/29/2010–05/22/2010. All tions / Horton Gallery, New Plaza, Brooklyn, NY / Canvas Gallery, Toronto, Williams Ltd., New York, NY Gallery, Georgia State Univer- New York, NY/ 01/06/2010– 04/07/2010–05/23/2010. The 10/24/2010. SHIFT: Kinetic Gallery Artists / Judi Rotenberg York, NY / 01/04/2010. Culture 06/04/2010–10/03/2010. Canada / 05/07/2009– / 07/09/2010–08/06/2010. sity, Atlanta, GA / 10/01/2009– 04/16/2010. Suspensions of Horizon Line is Here / Naples, Sculpture / Delaware Center Gallery, Boston, MA / 05/26/2010– Shock: Video Interventions 01/04/2010. Solo, Turning Still, Jubilee: Becky Kinder paint- 11/19 /2009. Saya Woolfalk, Gei- Disbelief / The Hudson Guild Gal- Italy / 05/20/2010–09/10/2010. for the Contemporary Arts, 06/19/2010. Group Exhibition / at the QET / Queen Elizabeth William “Amaru” Cordova outdoor installation / Schuylkill ings, Bill Abbott sculptures / 16 sai Miami / Pulse Art Fair, Miami, lery, New York, NY / 02/18/2010– 36 Dramatic Situations / Wilmington, DE / 09/18/2009– McIninch Art Gallery, Southern Theatre (Lobby) Hamilton Street EXHIBITION laberintos: Environmental Center, Van Dyke Street, Brooklyn, NY / FL / 12/03/2009–12/07/2009. 03/27/2010. The Young and the Louis V E.S.P., Brooklyn, NY 11/19 /2009. Animal Instinct: New Hampshire University, at West Georgia, Vancouver / william cordova / Sikkema Philadelphia, PA / 12/21/2009. 12/12/2009–01/16/2010. Restless II / Arts on the Move, / 05/28/2010–07/04/2010. Allegory, Allusion, & Anthropo- Manchester, NH / 09/04/2010– 01/22/2010–03/21/2010. Jenkins & Co. New York, NY / The Bronfman Center Gallery at Pastiche: When a Tree Falls morphism / John Michael Kohler 10/30/2010. Gallery Artists Unusual Behavior / Santa Bar- 10/24/2009–11/20/2009. Michael Scoggins Joel C. Kyack NYU / 04/07/2010–05/14/2010. in the Forrest… / Sølyst EXHIBITIONS Desire / Blanton EXHIBITION Not Los Angeles 2005 Arts Center, Sheboygan, WI / Special Exhibition / Mendes bara Contemporary Arts Forum Anindita Dutta Emerged / BID Gallery 597, Slotspark, Jyderup, Denmark / 10/18/2010–01/23/2011. Wood Gallery, Sao Paulo, Brazil / / 11/14/2009–01/17/2010. Museum of Art, The University of / Fellows of Contemporary Art, New Rochelle, NY / 06/26/2010– 05/28/2010–09/12/2010. Texas at Austin / 02/05/2010– Los Angeles, CA / 09/26/2009– GRANT Pollock-Krasner 09/25/2010–12/12/2010. Inter- 2003 Foundation. 07/17/2010. I’ll Cut Thru / The Love Letters to a Surrogate / Jessica Plattner sexions / Cushing-Martin Gallery Rachel Schuder Kyung Jeon 04/25/2010. I’m Building My 11/24/2009. Center for Book Arts, New York, Los Angeles, CA / 06/26/2010– EXHIBITIONS Featured Artist EXHIBITION Untitled / Jack Doomsday Machine / 13, rue at Stonehill College, Easton, MA / EXHIBITIONS Kyung Jeon / Gwenessa Lam Rachel Frank NY / 07/07/2010–09/11/2010. 07/10/2010. Discretion/ and Judge / Wallowa Valley 11/09/2009–12/11/2009. Rapture/ the Pelican, Brooklyn, NY / Tina Kim Gallery, New York, NY / des Arquebusiers, Paris, France EXHIBITIONS Sleep of Reason FELLOWSHIP Robert Blackburn Determination (curated by Festival of Art, Joseph, OR / 10/23/2009–11/19/2009. / 02/13/2010–03/13/2010. EXHIBITION Shadow / Republic New Work / Samson, Boston, 06/03/2010–07/03/2010. Pretty Gallery, Vancouver, Canada / (Theatrical performance piece) Printmaking Workshop / New Caroline Soyez-Petithomme) / 06/04/2010–06/06/2010. Fact MA / 11/11/2009–01/30/2010. Tough: Contemporary Storytelling I’m Building My Doomsday / The Bushwick Starr Space, York, NY. GRANT Manhattan La Salle de Bains, Lyon, France or Fancy: Paintings by Jessica Machine—the sequel / 13, rue Michael Scoggins ’03 09/17/2010–10/30/2010. FACULTY APPOINTMENT Visit- (curated by Monica Ramirez- RESIDENCIES Banff Centre / Brooklyn, NY / 03/06/2010. Graphics Center / New York, NY. / 07/19/2010–07/31/2010. Marc Swanson ’00 Untitled (Black Fighting Bucks) / polyurethane Plattner / Common Sense des Arquebusiers, Paris, France George Washington Crossing ing Artist Professor in Residence / Montagut) / The Aldrich Contem- Banff, Alberta, Canada. MacDow- Departure/Arrival / La Esquina, Perform! Now! / Los Angeles, foam, jet crystals, adhesive / 2009 / 32 x 58 x 24" / photograph by Gallery, Edmonton, AL, Canada / 03/20/2010–04/10/2010. the Delaware / graphite and Jon Rajkovich Stonehill College, Easton, MA. porary Museum, Ridgefi eld, CT / ell Colony / Peterborough, NH. Kansas City, MO / 04/02/2010– CA / 07/28/2010-08/01/2010. Joe Mama-Nitzberg / 09/10/2010–10/09/2010. 06/21/2009–01/03/2010. Faces Papyrophilla / Charlie Smith lon- prismacolor on paper / 2009 / 05/22/2010. GRANTS Puffi n EXHIBITIONS Gold in Braddock 67 x 51" Group Show / White Columns, GRANT Faculty Scholars & Facts: Korean Contemporary don, London, United Kingdom / Shaun El C. Leonardo Foundation / Teaneck, NJ. / Unsmoke Systems Artspace, NY / 09/11/2009–11/02/2009. Summer Stipend / Eastern Art in New York: Into the Life / 05/07/2010–05/29/2010. Rook- EXHIBITIONS Man Up! / Judi Franklin Furnace Archive, Inc. Braddock, PA / 05/01/2010– When you cut into the Oregon University. Sylvia Wald & Po Kim Art Gallery, ies & Pros / George Krevsky Rotenberg Gallery, Boston, / Brooklyn, NY. RESIDENCY 06/05/2010. Not Biodegradable Present the Future leaks out Marc Swanson Nathan Boyer Gallery, San Francisco, CA / / Whitespace Gallery, Atlanta, EXHIBITIONS Dark Room (in AWARD J. William Fulbright Nicole Tschampel New York, NY / 12/11/2009– MA / 04/29/2010–05/29/2010. Women’s Studio Workshop / (Production of Space) / PS 1 02/19/2010. GRANT Pollock- 05/08/2010–06/19/2010. Word: 2004 Greater New York: 5 Year Re- Rosendale, NY. GA / 08/06/2010–09/04/2010. / MoMA, Long Island City, NY collaboration with Neil Gust)/ Grant: Fulbright-quartier 21/MQ EXHIBITIONS The Video Potential Language and Contemporary COPY0909 / COPY0909 Gal- St. Louis Art Museum, St. Louis, Artist-in-Residence Award / Mu- of Experimental Sequential: Krasner Foundation Grant. Neil Bender view / PS1, Long Island City, NY / 09/19/2009–12/19/2009. Art / Peters Street Gallery, EXHIBITION Circa PR Interna- / 05/07/2010–10/18/2010. AVIFF Iva Gueorguieva lery, London, United Kingdom / MO / 01/01/2010–05/15/2010. seums Quartier Vienna, Austria. International Streaming Festival / Noah Klersfeld EXHIBITION new weather / Elena Bajo / Sebastien D & T Atlanta, GA / 05/14/2010– tional Art Fair / San Juan, Puerto Cannes 2010, International 09/09/2010–03/10/2011. Project Brussels, Belgium / Slag / Prichard Art Gallery, Den Haag, Netherlands and Milan, EXHIBITIONS 4 Cultures 07/02/2010. Forward Motion Contemporary Art Museum, University of Idaho, Moscow, Amy Finkbeiner Italy / 06/01/2010–06/30/2010. Rico / 01/01/2010–01/07/2010. Film Festival / Cannes, France Amanda Schoppel 10/28/2010–12/23/2010. EXHIBITIONS “artistsFOR: Media Gallery / E4C—Seattle / SCAD Gallery, Hong Kong / / 05/15/2010–05/18/2010. University of Southern Florida, ID / 02/24/2010–04/10/2010. The Legacy Exhibition / New York, WA / 01/01/2010–01/01/2011. 06/08/2010–07/31/2010. This Amelia Biewald Tampa, FL / 11/06/2009. EXHIBITION Grid / Port Loggia Donna Huanca Dead or Alive: Nature Haiti,” Benefi t Auction for NY / 06/01/2010–06/30/2010. X-treme Studio / A + D Gallery, Gallery, Nova Scotia College Doctors Without Borders / Skowhegan at 92Y Tribeca: an is the Book I Have Written for EXHIBITIONS The Sixth Columbia College, Chicago, IL / GRANT Art Matters. Revisited / Museum of Art Bushwack / Brooklyn, New York / alumni exhibition / 92Y Tribeca, Borough (No Longer Empty) / Heather Hart of Art and Design University, Envoy Enterprises, New York / You (Text Based Art Show) / 06/24/2010–07/21/2010. S EXHIBITIONS Skowhegan at and Design, New York, NY / 06/05/2010–06/26/2010. New York, NY / 02/01/2010– Park Life, San Francisco, CA / Governor's Island, New York, Halifax, Canada / 08/11/2010– Zerek Kempf 04/27/2010–10/24/2010. Kurt 02/07/2010. Kentucky Derby Art WET presented by The Center elected Visions, PortugalArte10 92YTribeca: An Alumni Exhibi- 08/29/2010. GRANT Ontario EXHIBITIONS A Failed Auction / Smack Mellon Gallery, 02/28/2010. If You See Some- 06/11/2010–07/22/2010. NY / 06/05/2010–10/10/2010. / Lisbon, Portugal / 07/16/2010– (in collaboration with Joe Mama- for Outdoor Contemporary Art / thing Say Something / The Gallery To Be Continued / Rosalux Gal- tion / 92Y Tribeca, New York, NY Arts Council—Mid Career Grant Entertainment / Neiman Gallery, Nitzberg) / Seattle Art Museum / Brooklyn, NY / 05/01/2010. Brooklyn, NY / 08/28/2010. Shinique Smith 08/15/2010. RESIDENCY / 01/21/2010–03/03/2010. Juju / Toronto, Canada. Columbia University, New York, “Two Degrees of Separation” / at Invisible Dog, Brooklyn NY / lery, Minneapolis, MN / through McColl Center for Visual Art / 05/13/2010–09/06/2010. Marc 05/22/2010–07/25/2010. The EXHIBITION Menagerie / Miami 09/30/2010. Perfect From Now for the Blood: A Mix Your Own NY / 01/29/2010–02/19/2010. Swanson / Kemper Museum of Gallery Satori, New York, NY / Museum of Contemporary Art / Charlotte, NC. Power Workshop with Heather Binod Shrestha Weigh of Fall (Waltz) / Eyebeam, 12/10/2009–01/24/2010. 1020 Performance Intermedia On, MagnanMetz Gallery, New GRANT Art Matters. Contemporary Art, Kansas City, 2002 Festival / The National Museum of 09/16/2010–11/19/2010. York, NY / opens 11/01/2010. Ivan Monforte Hart / Elizabeth Foundation New York, NY / 03/04/2010– for the Arts Project Space, MO / 08/20/2010–12/24/2010. Chitra Ganesh Derrick Adams Ulrike Heydenreich Szczecin, Poland / 06/16/2010– FACULTY APPOINTMENT RESIDENCY Artist In Sarah Wagner 03/27/2010. 2-UP #3: Zerek ’01 Panoramarings / objects with pencil Thomas Burke New York, NY / 04/13/2010. Between Spaces / MoMA-P.S.1 EXHIBITION Harlem Postcards GRANT Louis Comfort Tiffany drawing / 2010 / 38 x 38 x 6" 06/20/2010. 16th Annual Chicago Lecturer / Yale University, Residence, Smack Mellon / GRANT Pollock-Krasner Kempf and Cathy Park Hong Contemporary Art Center, Long / Studio Museum in Harlem, Foundation. Underground Film Festival / Gene School of Art. EXHIBITION New Paintings / Brooklyn, NY. The New Numinous Negro: Foundation. / Triple Canopy, Brooklyn, Island City, NY / 10/08/2009– Western Project, Culver City, CA an interaction by Heather Hart NY / 04/30/2010. ’Round the New York, NY / 11/12/2009– Siskel Film Center, Chicago, IL / MiYoung Sohn 04/05/2010. Unnatural Rubber 03/13/2010. GRANT Art Matters. Donna Conlon 11/15/2009 –11/16/2009. / 03/06/2010–04/10/2010. David Politzer / MoMA PS1, Long Island City, Mulberry Bush / New York Art / Andy Warhol Museum, EXHIBITIONS Recycling the Nicola Lopez Katherine Taylor EXHIBITION Moolah / The Arts EXHIBITION Sole Mates / New NY / 06/12/2010. Barter Town Residency & Studio Foundation, Ulrike Heydenreich Looking Glass: trash art— Gabriel Martinez Guild of Rahway, Rahway, NJ / William Cravis Mexico Museum of Art, Santa Fe, (Trading Post V: Juneteenth) / 2006 Pittsburgh, PA / 10/18/2009– EXHIBITIONS Embrace! / EXHIBITIONS Beyond the Brick- EXHIBITION Overlook / Kiehle Dawolu Jabari Adams Brooklyn, NY / 05/15/2010– 01/31/2010. Other Arrange- EXHIBITIONS Zeitreise—Arbeit- found objects / Art Society, Denver Art Museum, CO / yard / Archie Bray Foundation for EXHIBITION Gabriel Martinez 11/15/2009–12/11/2009. NM / 04/01/2010–08/31/2010. Duarte Square, New York, 05/16/2010. Lost and Found / en auf Papier / Jutta Kleinknecht, Oslo, Norway (touring Norway) / Allcott Gallery, University of Gallery, Saint Cloud State Univer- RESIDENCY Northern Arizona NY / 06/19/2010. Chance: 6th GRANT Louis Comfort Tiffany ments (in collaboration with Joe 09/04/2009–04/04/2010. the Ceramic Arts, Helena, MT / Alessandra Torres sity, St. Cloud, MN / 11/16/2009– Foundation. Waag Society, Amsterdam, Mama-Nitzberg and organized Kunsthandel, Düsseldorf, Ger- / 04/05/2008-12/20/2009. Nicola Lopez : Urban Transfor- 01/30/2010–03/14/2010. 18th North Carolina at Chapel Hill, FACULTY APPOINTMENT Museum of Art / Flagstaff, AZ. Annual Art in Odd Places The Netherlands / 11/20/2009. many / 07/10/2010–08/14/2010. Projeto Americanidade apresenta NC / 10/02/2009–11/28/2009. 12/11/2009. FELLOWSHIP Artist Festival / Along 14th Street by Diana Thater) / Pacifi c Design mations / Chazen Museum of San Angelo National Ceramic Sculpture Professor / Maryland in Residence / Vermont Studio Daniel Rich Center, Los Angeles, CA / Ulrike Heydenreich / Galerie van Donna Conlon / Museu de Arte Art, Madison, WI / 10/16/2009– Competition / San Angelo, TX / Institute College of Art. New York City from Avenue C to der Mieden, Antwerp, Belgium / Contemporánea, Fortaleza, Brazil Roxana Perez-Mendez Center, Johnson, VT. EXHIBITION 1989–2009, the Hudson River / 10/01/2010– 11/06/2009–12/15/2009. 01/03/2010. Phantom Sightings 04/16/2010–06/20/2010. Down EXHIBITIONS Fall Solos / RESIDENCY Prague Summer 3 Airports / Andrew Rafacz 10/20/2010–11/27/2010. / 11/12/2009–01/14/2010. / Museo de Arte de Zapopan, Every Side Street: New Directions Theater Program / Prague, Penny Davis 10/10/2010. RESIDENCY Ann Toebbe Arlington Art Center, VA / Gallery, Chicago, IL / Franconia Sculpture Park / Shih Chieh Huang David Michael DiGregorio Guadalajara, MEXICO / in Southwestern Art / Las Cruces, 09/11/2009–11/07/2009. Czech Republic. EXHIBITION Separation Anxiety 10/31/2009–11/29/2009. EXHIBITION TBA / Steven 11/26/2009–01/22/2010. NM / 09/03/2010-11/20/2010. / The Great Central, Leicester, Minnesota. Zevitas Gallery, Boston, MA / EXHIBITIONS Resurrectine EXHIBITION dogr: In Korean Wilds RESIDENCY Sculpture Space Hong Zhang GRANT Marie Walsh Sharpe Art / Ronald Feldman Gallery, And Villages / Sonig Records, From the Ground Up / Las Cru- Residency / Utica, NY. United Kingdom / 07/12/2010– Foundation, Space Program. David Herbert 10/08/2010–11/14/2009. Lynn Palewicz ces Museum of Art, Las Cruces, EXHIBITIONS The Tao of Now / 07/18/2010. New York, NY / 05/15/2010– Cologne, Germany / 06/09/2009- EXHIBITION selves / Rush White Rabbit Gallery, EXHIBITION Uncharted / Uni- 06/26/2010. Arts and Cities: 12/31/2009. NM / 09/04/2009–11/07/2009. Meridith Pingree Rachel Roske versity of Albany Museum, NY / Arts Gallery, New York, NY / EXHIBITION Meridith Pingree / Sydney, Australia / 02/07/2010– Vera Iliatova EXHIBITIONS Tenants / Aichi Triennial 2010 / Nagoya, Red Heat: Contemporary Work EXHIBITIONS Recent Paintings 09/15/2009–12/13/2009. 2001 Linda M. Ford 01/29/2010–03/20/2010. in Clay / Tulsa, OK / 09/30/2010– Central Utah Art Center, Ephraim, 07/30/2010. The Kansas City 106 Green, Brooklyn, NY / Sophia Ainslie Japan / 08/20/2010–10/31/2010. Collection / Bishop-McCann / LaMontagne Gallery, Boston, Taipei Biennial 2010 / Taipei, EXHIBITION Pornography in the Nicole Parcher 10/30/2010. Jingdezhen UT / 10/09/2009–11/10/2009. 03/07/2010–04/04/2010. Saskia Jorda EXHIBITION TBD / Kings- City / James Gallery, Graduate LLC, Kansas City, MO / MA / 04/03/2010–05/08/2010. 10 Summer Hits / Blythe EXHIBITIONS Contemporary Taiwan / 09/04/2010–11/14/2010. EXHIBITION Luscious Puddles Contemporary International Rebecca Potts Tenants, (curator) / 106 Green, ton Gallery, Boston, MA / Center at CUNY / 01/20/2010. of Joy: new paintings and Ceramics Exhibition / Jingdezhen, 06/01/2010–12/31/2010. Where Projects, Los Angeles, CA / Forum 2009 Grant Recipients 03/02/2010–03/28/2010. Living in Evolution: Busan Bien- EXHIBITION Please Jump Around Am I? Artists Explore Spaces Brooklyn, NY / 03/07/2010- nial 2010 / Busan, South Korea / works on paper / Dutch Kills China / 10/18/2010–11/20/2010. 07/08/2010–08/07/2010. Exhibition / Phoenix Art Museum Leonora Hennessy Here (curated by Jessica Duffett) / and Places / Ulrich Museum of 04/04/2010. Precarity and the / 05/05/2010–05/30/2010. Open Betsy Alwin 09/11/2010–11/20/2010. Lucid / EXHIBITIONS Another Opening Gallery, Long Island City, NY / William Villalongo Storefront Gallery, Brooklyn, NY / Butter Tower / CTRL Gallery, Siebren Versteeg 03/06/2010–03/28/2010. Art, Wichita State University, KS for Business / Arizona State EXHIBITIONS Buy What You The Arc Biennial Brisbane, Aus- / Nomis Kitchen, Glasgow, EXHIBITIONS BAM New Wave 06/25/2010–07/11/2010. / 07/29/2010–06/01/2011. Houston, TX / 05/07/2010– EXHIBITION Broadcast / The Love / Jack Shainman Gallery tralia / 10/09/2009–11/21/2009. University Art Museum, Tempe, Scotland / 04/17/2010– Lauren Portada Art Exhibition / Brooklyn Acad- 06/19/2010. Insomnia / Pace Ronna and Eric Hoffman Gallery AZ/ 10/08/2010–01/29/2011. (Rema Hort Mann Fnd), New E W / Siggraph Asia, Yokohama, 05/01/2010. Hell For Leather / Juan Recamán Michael Zheng University Art Gallery, New York, of Contemporary Art, Portland, EXHIBITION Unreal city, Unreal emy of Music, NY / 09/22/2010– EXHIBITIONS Ambingapa / GRANT Project Grant / Arizona. York, NY / 01/28/2010. Recent Japan / 12/14/2009–01/18/2010. The Project Room, Glasgow, country / Camel Art Space, 11/02/2010. Bathing Nymph / EXHIBITION Vancouver NY / 11/04/2009–11/24/2009. OR / 09/09/2009–12/19/2009. Artists from Sculpture Space, Scotland / 09/11/2009– Galleria Katariina, Helsinki, Finland Biennale 2009 / Vancouver, Valeria Maculan Ryan Humphrey Brooklyn, NY / 01/08/2010– Susan Inglett Gallery, New York, / 09/22/2010–10/10/2010. Images Patrick Jackson Zachary Wollard Utica’s Utopia / Islip Art 09/25/2010. GRANT Scottish 02/06/2010. NY / 10/21/2010–12/04/2010. Canada / 11/10/2009– EXHIBITIONS Dia de Caza / Museum, NY / 02/17/2010– EXHIBITION Early American / Multiples, Festival de 3 Continents 06/10/2011. EXHIBITION Tchotchke Stacks EXHIBITION Recent Paintings / Jon Cuyson ’06 Dream Sequence: Scene #22 DCKT Contemporary, New York, Arts Council, Artist Develop- FACULTY APPOINTMENT Paris, France / 09/04/2010– 03/25/2010. ment Fund / Scotland. / Lieu unique, Nantes, France / / Nicole Klagsbrun Gallery, Larissa Goldston Gallery, 10/04/2010. Sismo / 19 Center, (No Bread and No Roses) / video monitor, acrylic and medium on NY/ 05/07/2010–06/06/2010. Lecturer-Graduate Coordinator / 11/25/2009–12/02/2009. New York, NY / 09/10/2010– New York, NY / 02/19/2010– Yale University, New Haven, CT. CRAC, Montbéliard, France / canvas, found objects, and hardware / 2009 / varied dimensions 10/23/2010. 03/18/2010. 09/11/2010–10/11/2010. 34 35 Ben Kinsley Daniela Rivera Mark Taber Sean Slemon Suzanne Broughel Christian Maychack 2009 Nova Jiang Eva la Cour Blithe Riley AWARD Smack Mellon 2010 EXHIBITIONS Calculated EXHIBITIONS New Prints EXHIBITION Project Exhibition EXHIBITION Natural Renditions / EXHIBITION The Tiller Effect Carmen Argote EXHIBITIONS I Know What EXHIBITIONS I Know What You EXHIBITION Market Estate Proj- “Hot Pick” / Smack Mellon Risks (new works by faculty on Artslant / The internet / / Brodie/Stevenson, Johan- Marlborough Chelsea, New York, ( curated by Emmy Mikelson) EXHIBITIONS 720 sq. ft. x 2731 You Did Last Summer / Did Last Summer / St. Cecilia’s Con- ect / London, United Kingdom / Studio Program, Brooklyn, NY. artists) / Davis Museum, 07/19/2010–12/31/2010. nesburg, South Africa / NY / 06/03/2010–07/09/2010. / New York Studio Gallery, W. Francis Avenue: House- St. Cecilia’s Convent, Brooklyn, vent, Brooklyn, NY / 07/08/2010– 02/17/2010–03/07/2010. I Know EXHIBITIONS Map Marking / Wellesley College, Wellesley, 01/14/2010–02/14/2010. New York, NY / 02/11/2010– hold Mutations / 2731 Francis NY / 07/08/2010–07/14/2010. 07/14/2010. The Piccadilly Exhibition What You Did Last Summer / Montana Torrey Christopher Carroll Pace University Digital Gallery, MA / 09/15/2010–01/07/2011. 03/13/2010. Avenue, Los Angeles, CA / 01SJ Biennial / San Jose / Company vol. 2 / Aarhus & Aalborg / St. Cecilia’s Convent, Brooklyn, Tiffany Sum New York, NY / 04/06/2010– Foster Prize 2010 / Institute EXHIBITIONS Bambi Biennial / EXHIBITIONS The Echo as 08/08/2010–08/22/2010. 09/04/2010–09/19/2010. 08/20/2010-10/31/2010. Udkast NY / 07/08/2010–07/14/2010. Navin Norling 05/07/2010. Detour / SPACES of Contemporary Art, Boston Philadelphia, PA / 07/01/2010– EXHIBITIONS Counter Original Sound: The Self Made 720 sq. ft. x g727: Household RESIDENCY Tough Art / Ikast, Denmark / 09/17/2010– RESIDENCIES Experimental Gallery, Cleveland, Ohio / / 09/22/2010–01/10/2011. 08/01/2010. Decadence and Intelligence / Luckman Gallery, Man in the American Landscape EXHIBITION White Wash / Mutations / 727 S. Spring Residency / Children’s Museum 10/17/2010. RESIDENCY Television Center / Owego, 05/14/2010–07/16/2010. GRANT Colman Award / Decay: The Mansion Project / California State University, / fi vesevendelle Gallery, Boston, Corridor Gallery, Brooklyn, NY / Street, Los Angeles, CA / of Pittsburgh. Participant at The Arctic Circle; NY. Institute for Electronic Arts Manipulating Reality / Centro di Boston, MA. Paul Robeson Gallery, Rutgers Los Angeles, CA / 11/21/2009– MA / 05/01/2010–05/30/2010. 11/22/2009–01/17/2010. 09/25/2010–11/06/2010. interdiciplinary artist program / / Alfred University, Alfred, NY. University, NJ / 09/08/2009– 01/23/2010. Sculpture on Hong TBA / Grizzly Grizzly, Philadelphia, Eva Jung Cultura Contemporanea Gina Siepel Svalbard / The Noorderlicht (ship). Gallery Aferro / Newark, NJ. Strozzina, Fondazione Adam Shecter 11/11/2009. Kong Sea / Repulse Bay, Hong PA / 10/01/2010–10/30/2010. Nayari Castillo EXHIBITION Zapped Up Void / EXHIBITIONS Keep on Moving, Kong / 11/29/2009. SIGGRAPH EXHIBITIONS The Echo as EXHIBITIONS Smuggling to Soho20 Gallery, New York, NY / Christopher Robbins Palazzo Strozzi, Florence, Andrea Chung Original Sound: The Self Made Italy / 09/25/2009–01/17/2010. Don’t Stop / Public Screens, Asia 2009 / Yokohama, Japan / Paradise / Ofi cina #1 Centro de 11/13/2009. AWARD Ghana Think Tank Stavanger, Norway / 12/16/2009–12/19/2009. EXHIBITIONS Liminal Space Man in the American Landscape Arte Los Galpones, Caracas, Shortlisted for Frieze Foundation Mapping, Memory, and Motion 2007 Caitlin Berrigan ’08 Kyoung eun Kang 02/01/2010–05/01/2010. Citty / The Lay-Up, Brooklyn, NY / / fi vesevendelle project space, Venezuela / 05/08/2010– Cartier Award 2010 / London, in Contemporary Art / Katonah Diana Al-Hadid Transfers / performance for video, HD video, silent / 2009 / Rob Swainston / Eyebeam Window Gallery, 01/22/2010–02/18/2010. In Boston MA / 05/14/2010– 06/06/2010. Passerby/Itinerante/ EXHIBITIONS Happy Birthday / United Kingdom. EXHIBITIONS Museum of Art, Katonah, New AWARD Nucci Award, Univer- 30 minute loop New York, NY / 04/29/2010– EXHIBITION Propositions / Between / Penelec Megahan 05/29/2010. Beyond Purview Zeitlich / GBGarts, Caracas, Ven- A.M Richard Fine Art, Brooklyn, Cambridge Arts Council Public York / 10/03/2010–01/09/2011. sity of Southern Florida Graphic David Krut Projects, New York, Bowman Art Galleries, Allegh- / New Art Center, Newton, MA NY / 05/07/2010–06/13/2010. RESIDENCY Bemis Center for 05/22/2010. The Bit Plane Will Studio. EXHIBITIONS BAM ezuela / 05/13/2010–07/03/2010. Art Award 2010, Exhibition of Not Appear on Radar / DEPO / NY / 09/07/2010–10/16/2010. eny College, Meadville, PA / / 09/20/2010–10/22/2010. ArteBA’10.Contemporary art Fair I Know What You Did Last Finalists (WPA–2010) / Cambridge Contemporary Art / Omaha, NE. Next Wave Festival / Brooklyn 01/26/2010–02/16/2010. GRANTS Puffi n Foundation Summer / St. Cecilia’s Convent, 08/03/2010. Academy of Music, Brooklyn, LaToya Ruby Frazier Meredith Nickie / La Rural, Buenos Aires, Argen- Arts Council, Cambridge, MA / Luke Lamborn GRANT Art Matters. EXHIBITIONS Cartographies Artist Grant. Berkshire Taconic tina / 06/25/2010–07/29/2010. Brooklyn, NY / 07/08/2010- 04/01/2010–06/01/2010. Bringing Alexandre Singh NY / 09/05/2009–01/01/2010. Nicholas Fraser GRANT Marie Walsh Sharpe Art of Desire / A Space Gallery, 2008 Community Foundation Artist's Modern Negative/ Negativa 07/14/2010. FELLOWSHIP New back the WPA, b/c the government EXHIBITION Alexandre Singh: New Weather / University of Katie Herzog EXHIBITION Escape from Resource Trust Grant. York Foundation for the Arts. Foundation, Space Program. Southern Florida Contempo- Toronto, Canada / 01/08/2010– Kuba Bakowski New York / Paterson, NJ / Moderna / Henrique Faria Fine has not! / Wassaic, Queens & Performa Biennial 09 / White EXHIBITIONS Ecstasy of 02/13/2010. Afro Blue / PS122, EXHIBITION A Part of No-Part: rary Art Museum, Tampa, FL Municipality / Whittier City 05/15/2010–06/19/2010. Hoyun Son Art, New York, NY / 07/08/2010– Ji Eun Kim Jamaica, Queens / 05/01/2010– Monica Martinez Columns, New York, NY / New York, NY / 03/13/2010– Parallelisms Between Then and Jane Fox Hipple ’09 faking it / 11/07/2009–03/12/2010. Hall, Whittier, CA / 01/15/2010– RESIDENCY Santa Fe Art 08/13/2010. I know what you did AWARD 1st Prize, AHL 08/31/2010. Re:Group: EXHIBITIONS 44 International 11/14/2009–11/18/2009. GRANT 04/04/2010. This is Going Down Now / Chelsea Art Museum, Hadassa Goldvicht / egg tempera on panel / 2009 The Silk Road / Lille, France / 02/19/2010. Architecture Institute / Santa Fe, NM. last summer / Saint Cecilia Con- Foundation 7th Annual Visual Beyond Models of Consensus / Art Cologne / Gentili Gallery, Rema Hort Mann Foundation. / Vox Populi, Philadelphia, PA / New York, NY / 05/07/2010– EXHIBITION Reinventing Ritual vent, Brooklyn, NY / 07/09/2010– / 18 x 21" Eyebeam Atelier, New York, NY / Cologne, Germany / 10/20/2010–01/16/2011. School Dropout / Southern Art Competition / New York. Molly Springfi eld Does City Munster Matter? 06/04/2010–06/27/2010. Sugar, 06/19/2010. e-Flux Video Rental / The Jewish Museum, New Monika Sziladi 07/14/2010. HomeBaseV Berlin EXHIBITIONS I Know What 06/10/2010–08/07/2010. WPA Ja- 04/21/2010–04/25/2010. California School of Architec- / Fondazione Giuliani Per l’Arte York, NY; Contemporary Jewish AWARDS Winner of the EXHIBITIONS The Five / Center for Contemporary Sugar / I.D.E.A Space, Colorado / Pankow, Berlin, Germany / You Did Last Summer / St. Dan Levenson maica Offi ce Opens July 1 / 90–26 International Land Art Meeting / ture Cafe, Los Angeles, CA / College, Colorado Springs, CO / Contemporanea, Rome, Italy / Museum, San Francisco, CA / Philadelphia Museum of Art Year Plan / Steven Wolf Fine Art, Munster, Germany / 04/15/2010–06/15/2010. 08/28/2010–10/12/2010. Cecilia’s Convent, Brooklyn, EXHIBITIONS Nothing Up My 161st Street, Jamaica, Queens / Pordenone, Italy / 05/15/2010– 11/23/2009–01/21/2010. 05/09/2010–07/23/2010. 09/13/2009–02/07/2010. 2010 Photography Portfolio FELLOWSHIP Research 07/01/2010–08/22/2010. I Know 05/23/2010. Arts, San Francisco, CA / 10/01/2010–02/01/2011. June Gloom / Country Club, NY / 07/08/2010–07/14/2010. Sleeve / Participant Inc., New York, 01/21/2010–02/13/2010. On/Off Water Thief / UCLA Hammer Competition / Philadelphia Fellowship of the Free State of The Moment of Transposition What You Did Last Summer / St. FACULTY APPOINTMENT Los Angeles, CA / 06/24/2010– Alison O’Daniel Avantika Bawa Asuka Goto Museum of Art. Juror’s Pick, NY / 11/08/2009–12/21/2009. I the Grid / Irvine Contemporary, Museum, Los Angeles, CA 06/27/2010. Like a Soft EXHIBITION Nine Stories EXHIBITIONS Retail Nullifi ed / RESIDENCY HomeBase V / Thüringen / Jena, Germany / / ILMIN Museum of Art, Seoul, Know What You Did Last Summer Cecilia’s Convent, Brooklyn, NY / Guest Instructor for the Work-in-Process Prize, 05/01/2010. RESIDENCY Rondo 07/08/2010–07/14/2010. Ghana Artist in Education Program / Washington, D.C. / 02/13/2010– / 05/15/2010–08/15/2010. Summer Rain / Post, / LA>Palmer Museum of Art, 11/07/2009–03/12/2010. In EXHIBITION Visionary Sanctu- 06/07/2010–10/18/2010. Lush / Art In General, New York, NY / WY. I-Park / East Haddam, CT. Purchase College. RESIDENCY Common Ground / Nieuw Dako- Pennsylvania State University, the Between / Istanbul, Turkey ary (curated by Alison Beth Life (curated by Omar Lopez EXHIBITIONS Exchange / tecture of Space (curated by Amy Feldman Center / Gyeonggi, South Korea. The Wassaic Project Residency Institute of Contemporary Art at 06/11/2010–06/26/2010. RIP- Darren Ching and Debra Klomp Anna Kunz ta, Amsterdam, The Netherlands State College, PA / 09/15/2009– / 09/10/2009–10/10/2009. Levy) / Art Connects New Chahoud and Franklin Evans) TIDE: Performances and Screen- EXHIBITIONS Born to Die / Ann Oren / Wassaic, NY. York, permanent art exhibition / Collete Blanchard Gallery, Maine College of Art, Portland, Ching) / Flash Forward Festival, EXHIBITION I Know What You / 05/01/2010–06/20/2010. 50 11/29 /2009. FAX / Contempo- FELLOWSHIP United States ings by the Whitney Independent Second Home Projects, EXHIBITIONS Color Occurrence Richard Walker Artists Photograph The Future / rary Museum, Baltimore, MD Artists. GRANT Louis Comfort at Mercy First / 06/14/2010– New York, NY / 07/08/2010– ME / 01/20/2010–04/11/2010. Toronto, Canada / 10/06/2010– Berlin, Germany / 06/12/2010– Did Last Summer / St. Cecilia’s Culture Shock: Video Interven- Study Program’s 2009–10 Studio 10/10/2010. FELLOWSHIP Alice Convent, Brooklyn, NY / / MediaLab Prado's LED facade, AWARD Artadia / San Francisco- Higher Pictures, New York, NY / / 09/21/2009–12/20/2009. Tiffany Foundation. 05/25/2055. 08/15/2010. Guatavita / Eleven Program Participants / The Kitch- 06/29/2010. I Know What Madrid, Spain / 05/14/2010. Qui Rivington Gallery, New York, tions at the Olympics / Queen Kimball English Traveling Fellow- 07/08/2010–07/14/2010. Bay Area, CA. EXHIBITIONS 05/07/2010–07/03/2010. Both The Drawing Room / Mireille Jennifer Rose Levonian en, New York, NY / 06/15/2010. You Did Last Summer / Vive? 2nd Moscow Biennale for Richard T. Walker / Angels Ends Burning / Galerie Martin Mosler, Ltd., New York, NY / NY / 07/14/2010–08/13/2010. Elizabeth Theatre, Vancouver, ship / Yale School of Art, Yale St. Cecilia’s Convent, Brooklyn, GRANT Marie Walsh Sharpe Art EXHIBITION Her Creative Slip BC / 01/22/2010–03/21/2010. Biennial of Young Artists—Police University, New Haven, CT. Foundation, Space Program. young art / The State Museum- Barcelona, Barcelona, Spain / van Zomeren, Amsterdam, 12/15/2009–01/29/2010. Found & Altered / The the Police / Bucharest, Romania / NY / 07/08/2010–07/14/2010. Reserve Tsaritsyno, Moscow / is Showing / Fleisher-Ollman Guggenheim Gallery, Chap- Float: Buoyant things, a sinking 05/12/2010–07/17/2010. I Know The Netherlands / 06/05/2010– Gallery, Philadelphia, PA / 10/07/2010–10/10/2010. George Terry 07/01/2010–07/30/2010. I Know What You Did Last Summer / St. 07/09/2010. Density Drawings man University, Orange, CA / feeling / Program Gallery, Berlin, EXHIBITIONS Episodic / 02/25/2010–03/27/2010. Germany / 01/28/2010. Ava- What You Did Last Summer / St. Cecilia’s Convent, Brooklyn, NY / / Galerie Martin van Zomeren, 08/30/2010–10/08/2010. Ish- Nery Gabriel Lemus Cave, Detroit, MI / 04/03/2010– Cecilia’s Convent, Brooklyn, NY mael Randall Weeks / Federica lanche / Maribel Lopez Gallery, EXHIBITIONS Black is Brown 07/08/2010–07/14/2010. RESI- Amsterdam, The Netherlands Sandy Litchfi eld 04/24/2010. The Wassaic / 07/08/2010–07/14/2010. E4C DENCY Djerassi / Woodside, CA. / 09/04/2010–10/01/2010. EXHIBITION Way Finding / Akus Schiavo Galler, Rome, Italy / Berlin, Germany / 01/29/2010– and Brown is Beautiful / Charlie Project Summer Festival 2010 03/13/2010. What will the / 4CULTURE Gallery, Seattle, yhpargotohP / Foam_Photog- Gallery, Eastern Connecticut 09/30/2010–11/13/2010. Slash James Gallery, Los Angeles, CA / / Wassaic, NY / 08/13/2010– WA / 12/03/2009–12/03/2010. Letha Wilson raphy Museum Amsterdam, State University Willimantic, CT / / Museum of Arts and Design, future bring? ( curated by Ina 07/24/2010–08/21/2010. El Grito 08/22/2010. Inaugural Exhibition EXHIBITIONS Magicality / Helen Otzko) / Grimmuseum, RESIDENCY NES Residency / The Netherlands / 11/26/2009– 10/15/2009–11/25/2009. New York, NY / 10/07/2009– / Little Rock Art Gallery, The Uni- / Grizzly Grizzly, Philadelphia, Skagastönd, Iceland. Platform Gallery, Seattle, WA / 02/28/2010. Constructions 04/01/2010. Des-Habitable / Berlin, Germany / 04/30/2010– versity of Arkansas / 08/16/2010– 07/01/2010–08/05/2010. Day James Melinat PA / 12/04/2009–01/07/2010. of Colour / Heden, Den Haag, Galeria OTR, Madrid, Spain / 05/30/2010. “...they go round 10/15/2010. The Seventh House RESIDENCY Harold Arts: Tara Pelletier Glow / Nudashank Gallery, The Netherlands / 12/06/2009– EXHIBITIONS CAPITALISM 10/09/2009–01/05/2010. Gim- and round.” (curated by Carson / Project Row Houses, Houston, EXHIBITION I Know What Baltimore, MD / 08/07/2010– IN QUESTION (because it is) Survival Session 2010 / 01/09/2010. RESIDENCIES nasio / Galeria Revolver, Lima, Chan) / 0047 Gallery, Oslo, Nor- TX / 10/09/2010–02/27/2011. Chesterhill, OH. You Did Last Summer / St. 08/28/2010. Vertical / liaison MacDowell Colony Residency / / Nichols Gallery, Pitzer Art Peru / 11/05/2009–12/06/2009. way / 04/23/2010–05/23/2010. OZ: New Offerings From Cecilia’s Convent, Brooklyn, NY / controverse, Dusseldorf, New Hampshire. O’ Residenze / Galleries, Claremont, CA / RESIDENCY ART OMI / Ghent, LA Freewaves 20th Anniversary Angel City / Regional Museum Jonathan VanDyke 07/09/2010–07/14/2010. RESI- Germany / 09/10/2010– Milan, Italy. 01/28/2010–03/18/2010. New York. / LACMA, Los Angeles, CA / of Guadalajara, Mexico / EXHIBITION The Hole in the DENCY Swing Space, Lower 10/17/2010. Stand Here and Primer / Luckman Gallery, 06/26/2010–06/27/2010. Her- 11/27/2009–01/10/2010. Palm of Your Hand / Scar- Manhattan Cultural Council / Lui Shtini Listen / James Hotel, New York, Jason Mortara California State University, ring Under a Fur Coat / Program amouche Gallery, New York, NY Governor's Island, New York, NY. NY / 09/30/2010–12/15/2010. EXHIBITION Jason Mortara Los Angeles, CA / FELLOWSHIP New York Gallery, Berlin, Germany / MaryKate Maher / 09/12/2009–11/02/2009. / Schalter, Berlin, Germany / 04/10/2010–05/27/2010. Foundation for the Arts. 11/19/2009–12/21/2009. EXHIBITIONS Among Darkened Jaye Rhee Jayoung Yoon Woods / Factory Fresh, Brooklyn, Jacob Yanes EXHIBITIONS Shallow Graves / 01/08/2010–02/28/2010. Mary Simpson RESIDENCY Clowes Founda- EXHIBITIONS Irrelevant / tion Fellowship Residency NY / 07/08/2010–07/25/2010. EXHIBITION Selections from Rush Arts Gallery, New York, NY / Arario Gallery, New York, NY / EXHIBITION Whitney ISP Socrates Sculpture Park EAF10 the Hammer Contemporary 04/01/2010–05/29/2010. The Art- Studio Program Exhibition / / Vermont Studio Center, 07/01/2010–08/06/2010. Montana Torrey ’06 Portable Widow’s Walk / Johnson, VT. Exhibition / Socrates Sculpture Collection / Los Angeles, CA / Mie Olise Kjaergaard ’09 Taking off into the Sky / acrylic and ists Body / Space C, Seoul, South Containment / Garfo Art acrylic on hand-cut canvas / 2008 / 36" x 40' Art in General, New York, NY / Park, Long Island City, NY / 07/03/2010–01/23/2011. oil on canvas / 2009-10 / 170 x 90" Korea / 05/06/2010–06/30/2010. 06/11/2010–06/26/2010. Center, Salt Lake City, UT / 09/12/2010–03/07/2011. 07/09/2010–09/10/2010. 36 37 WE THANK OUR MANY SUPPORTERS FOR HELPING TO KEEP SKOWHEGAN STRONG

BENEFACTORS DONORS David Rockefeller, Sr. CONTRIBUTORS • Pasqualina Azzarello Lois Dodd • Patrick Jackson • Valerie Molnar • Susan Shatter • Skowhegan Alum Susan & Elihu Rose Foundation, • Kathryn McDaniel Babcock • James Dowdalls • Gary J. Jameson • Jenny Monick & • Gedi Sibony • Adam Shecter Jan Aronson & Edgar Bronfman Eleanor Acquavella • Anonymous, in memory of Benefactors: $25,000 + The Brown Foundation, Inc. Karen & Marc Adler in honor of Nancy Sloan Bill Cummings • David Hullfi sh Bailey • Aaron Dubrow • Mary Born Jenkins • Ann-Michele Morales • Kate Shepherd of Houston Isabella Amdur Peter L. Sheldon • Mary A. Armstrong • Elena Bajo • Jennifer Dudley, in honor • Diana Jensen • Nyeema A. Morgan • Anne Kesler Shields Patrons: $10,000–$24,999 • Deborah Jones Buck & Mindy Aronovitz Dr. Andrew Siderowf • Sarah Bedford • Paul Banas of Skowhegan 2006 • Kyung H. Jeon • Carrie Moyer • Jean Shin Christopher Buck Bank of America Louis H. Skidmore, Jr., Madeleine Bennett • D. Otis Bardwell • Christopher Duncan • Nova Jiang • Kumiko Murakami • Binod Shrestha Sponsors: $5,000–$9,999 Gustavo Cisneros & Patricia Mr. & Mrs. James A. Block, in memory of • Dike Blair • Matthew D. Barolo • Renay Egami • Chester Jones • Tina Vice Murano • Peter Simensky Donors: $1,000–$4,999 Phelps de Cisneros in honor of Nancy Sloan Margaret C. Skidmore Holly Block • Elliot Bassman • David J. Einstein • Saskia Jorda • Catherine Murphy • Arthur Simms Larry Gagosian Marianne Boesky Nancy Sloan • Joan Branca • Avantika Bawa • Angela Ellsworth • Mary Judge • Rosalind Murray Renée Simon Supporters: $500–$999 • Ken Beck • Patricia Esquivias James D. Julia Auctioneers • Kayo Nakamura • Alan Singer Agnes Gund Bowdoin College Museum Paul Sokoloff Charles Bronfman & Bonnie Contributors: $250–$499 Ann & Graham Gund of Art Andy Sylvester Roche-Bronfman, in honor of • Dozier Bell • Takehito Etani • Yoshiko Kanai • Corinne Nelson • Gretchen Skogerson Mildred C. Brinn, Grace & Sam Bowman Eugene V. Thaw Jan Aronson & Edgar Bronfman • J.D. Beltran • Hersha Evans • Annetta Kapon • Debra Nicholas • Clarissa T. Sligh Friends: $1–$249 David Twohig • Keren Benbenisty • Rachel Fainter • Nils Karsten • Donna Nield • Paul C. Smith L & L Foundation Ashley E. Bradley Hilary P. Califano, in memory of Gifts given from 9/1/09–8/31/10 Wilson & Eliot Nolen The Broad Art Foundation Gordon VeneKlasen Margaret C. Skidmore • Christy Bergland, in honor Farnsworth Art Museum • Yuki Kasahara • Brandon Norsted • Shinique Smith Greg & Susie Palm, Florence V. Burden Foundation Jack & Susy Wadsworth Rebecca J. Cook & of Ric Haynes and in memory • Amy Feldman • Nina Kayem • James Scott Ogden • Stephanie B. Snider Every effort has been made to The Palm Foundation Karen & Ted Casey Debra Ward Bernard Dickens of Vry Corscaden • Mark Ferguson • Gwen Kerber • Karyn Olivier • Ellen M. Soffer ensure the accuracy of this list. Mr. & Mrs. Judson P. Reis Wendy Chaikin Julia Whitfi eld • Patricia Cronin • Daniel Berhanemeskel • Sara Ferguson • James Kielkopf • Ann Oren • Kathleen Soles Fred Wilson & • Whitfi eld Lovell Bill Berkson & Connie Lewallen • Jeanette Fintz • Lucy Kim • Melissa Oresky • Taylor Spence Please contact us at Lisa & Reuben Richards James V. Chaps • David Driskell Christie’s Jeanne Collins & • Margaret Bernstein • Rosemarie Fiore • Becky Kinder Katie & Lew Ouilette • Molly Springfi eld 212.529.0505 or e-mail PATRONS Colby College Museum of Art SUPPORTERS John Elderfi eld • Caitlin Berrigan • Janet I. Fish • William King The Paper Klip • Christopher Sproat [email protected] if we have listed you incorrectly. George W. Ahl III Liz & Alan Danniels Camilo Alvarez Mr. & Mrs. Richard M. Feldman, • Amelia Biewald-Low • Sharon Fishel • Benjamin Kinsley • Herbert Parsons • Aaron T. Stephan Andrea Crane Catherine & Doug Davis Donald Baechler in honor of Nancy Sloan • David E. Black Fleisher Ollman Gallery • Mie Olise Kjaergaard Ester Partegàs • Faith Stern H. King & Jean Cummings Dean Jensen Gallery Elizabeth C. Baker Helen Frankenthaler • Ashley V. Blalock • Robert N. Flynt • Noah Klersfeld Alix Pearlstein & • Bill Adams • Paul Stoelting Charitable Trust Jean-Marc Drut Theodore S. Berger • Mark Grotjahn • Sandra F. Blum • Kathy Forer • Candace Knapp Bruce Pearson Barbara Sullivan Robert Gober & Donald Moffett Alexandra Edsall Michela Bondardo • Ralph Helmick • Mara Bodis-Wollner • Rebecca Fortnum • David J. Knoebel • Tara Pelletier • Tiffany Sum The Horace W. Goldsmith Judy Esterow Louise Bourgeois • Leslie Hewitt • Cynthia Richards Borsa • Johnston Foster • Robert S. Koffl er • Barbara A. Penn • Jane Sutherland Foundation Jeanne Donovan Fisher Katherine Bradford & James Hunt • Douglas Bosch • Rachel Frank • Elizabeth Krakow Gabriel Pérez-Barreiro & Grace Sutton Philippe Laub • Pat Fleisher Jane O’Wyatt • N. 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Capobianco • Jacob Gossett • Joan Linder • Kanishka Raja • Carrie Ungerman Maine Arts Commission, • Tonya & Kempton Ingersol Credit Union • Jose Antonio Smith, in • Jennifer Sullivan Carney • Asuka Goto • Sandy Litchfi eld • Jon Rajkovich University of Maine an independent state • Matthew Jackson • Susan Paul Firestone memory of Priscilla Tallman • Polly Carpenter • Lydia Greer • Steve Locke • Birgit Rathsmann Museum of Art agency supported by • Shoichi Kajima Gardner Russo & Gardner • Joan Steinman • Christopher Carroll • Iva Gueorguieva • Nan Hall Lombardi • David F. Reed • Jonathan J. VanDyke the National Endowment Jennifer Klahn James Goodman Gallery • Marc Swanson & • Heather Carson • Caroline Gundersdorf • Nicola Lopez • Jaye Rhee • Siebren Versteeg for the Arts Kornelia Tamm Fine Arts Kate Haw, in memory of Joe-Mama Nitzberg • Nayari Castillo • Karl Haendel Angela Lorenz • Daniel Rich • Kai Vierstra Bailey W. Symington Guillermo Kuitca Margaret C. Skidmore • Nicole Tschampel Center for Maine • Christina Haglid • Yvonne Lung • Blithe Riley • Richard T. Walker Alan Wanzenberg Jo Carole & Ronald S. Lauder • Susan G. Jacoby • Susanna G. Vapnek Contemporary Art Jane Hammond • Billie Grace Lynn • Angela Ringo • Sandy Walker • Eun Woo Cho • Bang Geul Han • Jennifer Macdonald • Christopher Robbins Ware-Butler, Inc. Peter Lawson-Johnston • Alex & Ada Katz • Constance Walsh SPONSORS Toby Devan Lewis • Byron Kim & • Lisa Sigal • Mary Coble • Moo Kwon Han • Robert MacDonald • Celeste Roberge, in memory Lumber & Building Supply • David Coggins • Gail A. Hansberry • Anissa Mack of Conrad & • Ian Warren Chiara Edmands The Arthur Loeb Foundation June Kelly Gallery FRIENDS • Nancy M. Cohen Susan Hapgood • Katherine Mangiardi Mary Ellen Roberge • Sheri Warshauer Gesso Foundation Mary M. Looker Knoedler & Company • Patricia Abbott-Ryan • Sue A. Collier • Lynne Harwood Iñigo Manglano-Ovalle • Pablo Rodriguez • Marie K. 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Winston Sumner Rulon-Miller III Otter Island Fund, in memory • Heidi Nitze Emma Amos • Daphne Cummings • Hana Hillerova Harper • Esperanza Mayobre • Jonathan Schipper • Gregory Witt Mrs. Lily Safra of Margaret C. Skidmore Tom Otterness & • Eric Angles The Overbrook Foundation Coleen Fitzgibbon Janine Antoni • Megan Cump • Jane Fox Hipple • Matthew Mazzotta Carolee Schneemann • Lisa Wolfi nger Mark Owens Portland Museum of Art • Ian Arenas • Lucy F. Currie • Suzanne Hodes, in memory • Dave McKenzie • Carrie Schneider • Zachary Wollard The Pace Gallery Cindy & Howard Rachofsky Are You Ready to Party?? • Greg Curry of Mariana Pineda • Rodney McMillian • Monique Schubert • Alexi Worth Tessa Perutz Amy Schwartzman Artist & Craftsman Supply • Onda F. D’Urso • Stephen Hoke Donna McNeil • Charlotte Schulz • Suzanne Wright Stuart Polwart • Robert Michael Scoggins, Jr. Richard Artschwager • Jacqueline Davidson, • Julee Ann Holcombe • Emil A. Mellow II • Renata M. Schwebel • Eva Wylie Nathlie Provosty Sonnabend Gallery • Colleen Asper in memory of Bill Cummings • Jennine Hough • Frank Meuschke & • Beverly Semmes • Gordon Yee Marina Purcell Sharon & Thurston Twigg-Smith • Dennis Aufi ery Mr. & Mrs. Aaron M. Diamond • Bryan Elliot Hundley • Betsy Alwin • Janet Shafner • Andrew Yoder Melissa Raso Dorsey Waxter • Nicole Awai • Stephanie Diamond • Vera Iliatova • Richard P. Miller • Abigail Shahn • Monika Zarzeczna Eleanor W. Revson Yvon Lambert Gallery • Elizabeth Axtman • David Michael DiGregorio • Michael L. Jackson • Wesley Miller • David Shapiro 38 39 EVERY GIFT to Skowhegan benefi ts emerging artists and Skowhegan needs you more than ever. BOARD OF TRUSTEES ADVISORY COMMITTEE SUMMER STAFF 2010 COMING SOON... Please consider making a contribution, and know Ann Gund, Chair Douglas S. Cramer Skowhegan’s summer program Gregory K. Palm, President Philippe de Montebello would not be possible without that gifts of any amount are greatly appreciated! Richard T. Prins, Treasurer David Driskell our summer staff. Their LIMITED EDITION PRINT Susan Paul Firestone, Secretary Kathy Halbreich professionalism, commitment, BENEFACTOR $25,000+ George W. Ahl III John L. Marion and sense of humor support BY GLENN LIGON Jan Aronson Kynaston McShine the community and individuals PATRON $10,000–24,999 SUPPORTER $500–999 Marianne Boesky Richard E. Oldenburg on campus in countless ways. to benefi t the Skowhegan SPONSOR $5,000–9,999 CONTRIBUTOR $250–499 Grace G. Bowman Linda Shearer PROGRAM COORDINATOR Scholarship Fund. DONOR $1,000–4,999 FRIEND $1–249 Mildred C. Brinn, Chair Emeritus Lowery Sims Warren C. Cook Nicholas Johnston Watch your mail, email, Andrea Crane EDUCATION To give specifi cally for scholarships, please choose SKOWHEGAN ALLIANCE Chiara Edmands Craig Drennen (’06), Dean and www.skowheganart.org an amount below. We will write to tell you about the artist Katherine Gass Stephanie Diamond (’00), Victoria Fu (’06), Dean who received your scholarship in the 2011 session. Robert Gilson Co-Chair for more information. Hugh J. Gourley III Catherine Ross (’02), Co-Chair FRESCO Tonya Ingersol Pasqualina Azzarello (’08) Daniel Bozhkov (’90) FULL SCHOLARSHIP $5,500 Mary M. Looker David Coggins (’01) Nicholas Sean Glover (’03) HALF-SCHOLARSHIP $2,750 Robert L. Looker Rachel Frank (’05) Nadia Ayari (’06) Victoria Love Salnikoff Victoria Fu (’06) QUARTER-SCHOLARSHIP $1,375 Libbie J. Masterson David Hardy (’04) LIBRARY Wilson Nolen Vera Iliatova (’04) Judith Stoodley, Librarian Name as you wish to be listed John W. Payson Becky Kinder (’04) Meredith Gaglio, Assistant Noah Klersfeld (’03) Judson P. Reis MEDIA LAB Ellie Krakow (’08) Eleanor W. 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