Newsletter 2010
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Event Winners
Meet History -- NCAA Division I Outdoor Championships Event Winners as of 6/17/2017 4:40:39 PM Men's 100m/100yd Dash 100 Meters 100 Meters 1992 Olapade ADENIKEN SR 22y 292d 10.09 (2.0) +0.09 2017 Christian COLEMAN JR 21y 95.7653 10.04 (-2.1) +0.08 UTEP {3} Austin, Texas Tennessee {6} Eugene, Ore. 1991 Frank FREDERICKS SR 23y 243d 10.03w (5.3) +0.00 2016 Jarrion LAWSON SR 22y 36.7652 10.22 (-2.3) +0.01 BYU Eugene, Ore. Arkansas Eugene, Ore. 1990 Leroy BURRELL SR 23y 102d 9.94w (2.2) +0.25 2015 Andre DE GRASSE JR 20y 215d 9.75w (2.7) +0.13 Houston {4} Durham, N.C. Southern California {8} Eugene, Ore. 1989 Raymond STEWART** SR 24y 78d 9.97w (2.4) +0.12 2014 Trayvon BROMELL FR 18y 339d 9.97 (1.8) +0.05 TCU {2} Provo, Utah Baylor WJR, AJR Eugene, Ore. 1988 Joe DELOACH JR 20y 366d 10.03 (0.4) +0.07 2013 Charles SILMON SR 21y 339d 9.89w (3.2) +0.02 Houston {3} Eugene, Ore. TCU {3} Eugene, Ore. 1987 Raymond STEWART SO 22y 80d 10.14 (0.8) +0.07 2012 Andrew RILEY SR 23y 276d 10.28 (-2.3) +0.00 TCU Baton Rouge, La. Illinois {5} Des Moines, Iowa 1986 Lee MCRAE SO 20y 136d 10.11 (1.4) +0.03 2011 Ngoni MAKUSHA SR 24y 92d 9.89 (1.3) +0.08 Pittsburgh Indianapolis, Ind. Florida State {3} Des Moines, Iowa 1985 Terry SCOTT JR 20y 344d 10.02w (2.9) +0.02 2010 Jeff DEMPS SO 20y 155d 9.96w (2.5) +0.13 Tennessee {3} Austin, Texas Florida {2} Eugene, Ore. -
FOR IMMEDIATE RELEASE Transparent Studio: Chitra Ganesh
FOR IMMEDIATE RELEASE Chitra Ganesh, A Magician and Her Muse, 2011, 9.5 x 36 feet, site-specific installation created for Samtidigt Tennis Palace Museum, Helsinki Transparent Studio: Chitra Ganesh Residency dates: 18 June – 16 July 2013 Open Studio & Artist Talk: Thursday, 11th July 6-9pm Brooklyn, NY --- Transparent Studio at Bose Pacia is pleased to announce the current artist-in- residence, Chitra Ganesh. Her drawing, installation, text-based work, and collaborations seek to excavate and rewrite hidden narratives typically excluded from official canons of history, literature, and art. Her work is inspired by mythology, folklore, sci-fi, Bollywood, comic books and graffiti. During the month long residency, Ganesh will use the space to develop her wall drawings by exploring the use of sculptural elements, printmaking technique and collage ephemera. The public is invited to an Open Studio and Artist Talk on 11th July from 6-9pm. Please contact the gallery to arrange for a visit to the studio between June 18th and July 16th. Born in Brooklyn, New York, Chitra Ganesh received her BA in Comparative Literature and Art Semiotics in 1996 and her MFA from Columbia University in 2002. Ganesh’s work has been exhibited widely at venues including PS 1/MOMA, Brooklyn Museum, the Asia Society, and the Andy Warhol Museum, Fondazione Sandretto in Italy, Nature Morte Berlin, ZKM in Germany, and the Gothenburg Kunsthalle. She is the recipient of numerous awards including the Joan Mitchell Awards for Painting and Sculpture, and a John Simon Guggenheim Creative Arts Fellowship. Ganesh will be the 2012-2013 artist-in-residence at New York University’s A/P/A Institute with Mariam Ghani for their work, Index of the Disappeared. -
888: Portraits of Taiwan Exhibition at the Museum of Contemporary Art, Taipei January 19–February 29, 2012
888: Portraits of Taiwan Exhibition at the Museum of Contemporary Art, Taipei January 19–February 29, 2012 Brenda Zlamany’s “888” (2011–12) is a multimedia installation that incorporates aspects of traditional artwork (portraiture; watercolor), performance art (living the production of the work; enlisting strangers to participate; ritually photographing them with the finished portrait), and conceptual art (production according to quotas and timetables; the recursive inclusion of the painted portrait in a new portrait when the subject is photographed holding it). The exhibition consists of the following elements. The Map of 888: Taiwan A mural-size map charts the locations where the portraits were made. The distribution of Taiwan’s indigenous tribes is highlighted. All 888 portraits are shown in thumbnails and are connected to the places in which they were painted. Virtual Talking Sketchbook An interactive virtual sketchbook allows the viewer to see the 888 portraits on a monitor by swiping the screen to turn the pages. Selected portraits automatically talk, allowing the viewer to hear stories about the subjects and about the situations in which the paintings were created. 1 888: Portraits in Taiwan A fifty-four-minute documentary video shows the portraits being painted throughout Taiwan. The video is available online: vimeo.com/35855480. 888 Watercolor Portraits Displayed in cases are fourteen Moleskine books each containing sixty portraits in watercolor and pencil on watercolor paper and one Moleskine book containing forty-eight portraits in watercolor and pencil on watercolor paper. Each of the portraits is dated, beginning on July 4, 2011, and ending on September 27, 2011. -
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MoMA PRESENTS SCREENINGS OF VIDEO ART AND INTERVIEWS WITH WOMEN ARTISTS FROM THE ARCHIVE OF THE VIDEO DATA BANK Video Art Works by Laurie Anderson, Miranda July, and Yvonne Rainer and Interviews With Artists Such As Louise Bourgeois and Lee Krasner Are Presented FEEDBACK: THE VIDEO DATA BANK, VIDEO ART, AND ARTIST INTERVIEWS January 25–31, 2007 The Roy and Niuta Titus Theaters NEW YORK, January 9, 2007— The Museum of Modern Art presents Feedback: The Video Data Bank, Video Art, and Artist Interviews, an exhibition of video art and interviews with female visual and moving-image artists drawn from the Chicago-based Video Data Bank (VDB). The exhibition is presented January 25–31, 2007, in The Roy and Niuta Titus Theaters, on the occasion of the publication of Feedback, The Video Data Bank Catalog of Video Art and Artist Interviews and the presentation of MoMA’s The Feminist Future symposium (January 26 and 27, 2007). Eleven programs of short and longer-form works are included, including interviews with artists such as Lee Krasner and Louise Bourgeois, as well as with critics, academics, and other commentators. The exhibition is organized by Sally Berger, Assistant Curator, Department of Film, The Museum of Modern Art, with Blithe Riley, Editor and Project Coordinator, On Art and Artists collection, Video Data Bank. The Video Data Bank was established in 1976 at the School of the Art Institute of Chicago as a collection of student productions and interviews with visiting artists. During the same period in the mid-1970s, VDB codirectors Lyn Blumenthal and Kate Horsfield began conducting their own interviews with women artists who they felt were underrepresented critically in the art world. -
Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Roysdon Cv Tranzit
Emily Roysdon Education University of California Los Angeles, MFA, Interdisciplinary Studio, 2006 Whitney Museum Independent Study Program, New York, NY 2001 Hampshire College, BA, Amherst, MA 1999 Solo Projects 2012 not yet titled, Tate Live Performance Room, Tate Modern (London) not yet titled, Tramway (Glasgow) not yet titled, Visual Art Center, University of Texas (Austin) 2011 POSITIONS, New Commissions, Art in General (New York) (catalog forthcoming) A Gay Bar Called Everywhere (with costumes and No Practice), The Kitchen (New York) 2010 If Donʼt Move Can You Hear Me?, Matrix 235, Berkeley Art Museum Sense and Sense, Konsthall C (Stockholm) 2008 Work, Why, Why not, Weld (Stockholm) Select Exhibitions 2012 Abstract Possible; The Stockholm Synergies, Tensta Konsthall (Stockholm) Coming After, The Power Plant (Toronto) Photography Is, Higher Pictures (New York) Nothing is forgotten, some things considered, UKS (Oslo) Social Choreography, Gallery TPW (Toronto) In Numbers: Serial Publications by Artists Since 1955, ICA London Read, Look, We promise itʼs not dangerous, Emily Harvey Foundation (New York) Millennium Magazines, Museum of Modern Art Library (New York) 2011 Abstract Possible, Museo Tamayo (Mexico City) (catalog) Time Again, Sculpture Center (New York) (catalog) Dance/ Draw, ICA Boston (catalog) Untold Stories, Kunsthalle Talinn NY Temporary, Center for Photography and the Moving Image (New York) Always The Young Stranger, Higher Pictures (New York) Through Symbolic Worlds, International Project Space (Birmingham, UK) Symposion, -
Heretics Proposal.Pdf
A New Feature Film Directed by Joan Braderman Produced by Crescent Diamond OVERVIEW ry in the first person because, in 1975, when we started meeting, I was one of 21 women who THE HERETICS is a feature-length experimental founded it. We did worldwide outreach through documentary film about the Women’s Art Move- the developing channels of the Women’s Move- ment of the 70’s in the USA, specifically, at the ment, commissioning new art and writing by center of the art world at that time, New York women from Chile to Australia. City. We began production in August of 2006 and expect to finish shooting by the end of June One of the three youngest women in the earliest 2007. The finish date is projected for June incarnation of the HERESIES collective, I remem- 2008. ber the tremendous admiration I had for these accomplished women who gathered every week The Women’s Movement is one of the largest in each others’ lofts and apartments. While the political movement in US history. Why then, founding collective oversaw the journal’s mis- are there still so few strong independent films sion and sustained it financially, a series of rela- about the many specific ways it worked? Why tively autonomous collectives of women created are there so few movies of what the world felt every aspect of each individual themed issue. As like to feminists when the Movement was going a result, hundreds of women were part of the strong? In order to represent both that history HERESIES project. We all learned how to do lay- and that charged emotional experience, we out, paste-ups and mechanicals, assembling the are making a film that will focus on one group magazines on the floors and walls of members’ in one segment of the larger living spaces. -
A Lower East Side Gallery Guide
A LOWER EAST SIDE GALLERY GUIDE In the last 15 years, the scene on New York’s Lower East Side has slowly flourished—lower rents and the 2007 arrival of the New Museum being major factors. Just this month marks the arrival of an expansive new space from Richard Taittinger Gallery (yes, he’s an heir to the champagne dynasty of the same name), which joins a spate of big-name galleries (Sperone Westwater, Lehmann Mapuin, Boesky East) and early 2000s pioneers (Nicelle Beauchene, Invisible Exports, Miguel Abreu, Canada, Rachel Uffner). For gallery director Risa Needleman of Invisible Exports, the arrival of the more established guard is a great thing, bringing even more diversity, not to mention footfall, to the LES—there’s room for everyone here. Below is a guide to things up this weekend, as there are a lot of not-to-be-missed shows closing soon. Consider taking a spin on Sunday: While the Chelsea galleries all close that day, the LES is in full swing. WHERE THE GALLERISTS AND ARTISTS EAT & DRINK: While Vanessa’s Dumpling House and Cup & Saucer on Canal are popular and comfortingly kitschy choices for daytime eats, below are a couple of the insider’s after-hours haunts. Grey Lady: Lobster Rolls, Seafood Stew and Dark N’ Stormy’s are popular favorites at this Nantucket-inspired bar and restaurant. Fig. 19: Appropriately tucked behind Envoy Enterprises on Chrystie Street, many a gallery after party is known to take place here. BOESKY EAST !20 Clinton St. | 212.680.9889 Robert Elfgen: There and After All (March 29th through April 26th) Gallerist Marianne Boesky made her first entry east just last Spring, giving her stable of established artists—Roxy Paine, Melissa Gordon, Barnaby Furnas—a space to connect with a downtown crowd. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
ALF.TNC.LESFA.2021.Artist List
ARTIST WORKS CONTACT TITLE MEDIUM DIMENSIONS PRICE ARTIST STATMENT Adrian 1,2,3 [email protected] “BATTLE” BONDED 7.5” DIAMETER $1200.00 DiMetriou BRONZE “A MIDSUMMER BONDED 3.25” X1.5” $150.00 NIGHTS DREAM” BRONZE X0.5” “QUARNTINOPLIS” BONDED 4” DIAMETER X $150.00 BRONZE .05” Andrew 1 [email protected] Breaking Point Oil paint, price upon I define my style as subconscious abstract, painting without consideration of the end result. I do not Charcoal, request believe in mistakes or editing the way I have manipulated the surface. Using music as a rhythm and flow Hockenberry to my paintings, I make each piece balanced while experimenting with alternative applications and string,Canvas, materials. It’s as simple as paint on surface, surface being anything to hold paint, paint being anything to wood, make an impression on surface. Anna Pasztor 1,2,3 [email protected] “Hidden Blue” Acrylic on 8” x 8” price upon ARTIST STATEMENT of ANNA PASZTOR for the Exhibition Canvas and request “SURVIVING COVID” The year spent under the lockdown because of COVID was a very strange year for me. I belonged to the Wood lucky ones. The lockdown opened up new possibilities for me that were life saving and life changing. In April of 2020, I joined the Lab Ensemble of NowNetArts and participated in weekly presentations through the Internet until the end of June. The ensemble was originated by a sound research program, “For Synthesis” Acrylic on Wood 8” x 8” price upon and most of the members are musicians. request Our “demonstration presentations” were concerts with structured music improvisation. -
Newsletter 2009
NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. -
2019-2020 Year in Review
YEAR in REVIEW July 1, 2019– June 30, 2020 BOWDOIN COLLEGE MUSEUM OF ART BRUNSWICK, MAINE C FROM THE CO-DIRECTORS The Bowdoin College Museum of Art serves as an invaluable educational resource for the campus and beyond. It is a champion of the visual arts, a place for reflection and dialogue, and an engine for the production and diffusion of knowledge. During the past academic year, the Museum dedicated itself to reaching out to and engaging with students, faculty and staff, and the wider community. On March 16, 2020, the Walker Art Building—home of the Museum of Art—closed to the public as a precaution against COVID-19. Yet, the Museum has continued to embrace its mission. We are proud of the work done by our colleagues to support remote teaching and learning on the part of faculty and students and by the commitment to create educational resources for the public. The Museum’s new landing page features many of our new digital assets, including online exhibitions, program recordings, publications, and our new “Visit from Home” portal. The past year has brought greater public attention to the long-standing problem of systemic racism in the United States. We feel it is imperative to renew our commitment to inclusivity and equity. Towards this end, the Museum has organized an Anti-Racism Task Force and has inaugurated an Anti-Racism Action Plan, which will guide further outreach and change. Through these twin pandemics, we recognize more than ever that artists are essential workers. We miss seeing their work in person, though appreciate that the arts have much to offer in fostering dialogue and building community.