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Palmistry, 1974, Fred Gettings, 1851522549, 9781851522545, Chancellor Publications Limited, 1974
Palmistry, 1974, Fred Gettings, 1851522549, 9781851522545, Chancellor Publications Limited, 1974 DOWNLOAD http://bit.ly/1vGYafI http://en.wikipedia.org/wiki/Palmistry DOWNLOAD http://t.co/gTpLhQeqSN http://thepiratebay.sx/torrent/73618217623827 http://bit.ly/1vWZtAt Arthur Rackham , Fred Gettings, Arthur Rackham, 1975, Art, 192 pages. Astrology for Yourself How to Understand and Interpret Your Own Birth Chart: A Workbook for Personal Transformation, Douglas Bloch, Demetra George, 2006, Body, Mind & Spirit, 254 pages. Astrology for Yourself is designed to introduce you to the language, art, and science of astrology through a series of self-directed, program-learning exercises that will. The Hand Book , Neal Criscuolo, Tony Crisp, Nick Criscuolo, Dec 1, 1995, Fiction, 304 pages. Highlighting the art of Chinese palmistry, a step-by-step guide explains what such things as a thumb's length, the lifeline on the palm, and the white flecks on fingernails can. The Complete Illustrated Guide to Palmistry Discover Yourself Through the Ancient Art of Hand Reading, Peter West, Mar 1, 2011, Palmistry, 303 pages. Lavishly illustrated throughout, this comprehensive guide to palmistry explains all of the principles and practices necessary to read the palm of the hand.With sections. The Book of the Hand An Illustrated History of Palmistry, Fred Gettings, 1965, Palmistry, 217 pages. Scientific Hand Reading Text, Book 1 , Irma Denagy, Dec 1, 2008, Body, Mind & Spirit, 156 pages. Palmistry , Kristyna Arcarti, 1993, Palmistry, 103 pages. Palm Reading Discover the Future in the Palm of Your Hand, Bridget Giles, Jane Johnson, 2005, Body, Mind & Spirit, 192 pages. Originally published as: Collins gem palmistry. -
Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 Pm Exhibition Continues Through December 30, 2015
PRESS RELEASE Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 pm Exhibition continues through December 30, 2015 Cheim & Read is pleased to announce an exhibition of Donald Baechler’s early paintings and collages on paper. These works represent the genesis of the artist’s iconic vocabulary of symbols and techniques. The exhibition will be accompanied by a catalogue featuring an essay by David Rimanelli. Between 1980 and 1984, when Baechler was still in his mid-20s, his work was the subject of six solo exhibitions. By the end of the ’80s, his bold, expressive paintings were regarded as some of the most influential of their time—integral to the dialogue between a new generation of New York painters that included Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. The works currently on view at Cheim & Read embody this pivotal moment in Baechler’s career, when he developed a signature iconography and rose to international renown. Three Figures (Wall Street Week) 1980 graphite, spray enamel and oil-based enamel on paper 42 x 42 in Baechler’s work is known for striking compositions that center big, buoyant, thickly outlined forms on layered surfaces, either built up with paint or dense with collage. His subjects are recognizable the world over— flowers, faces, houses, globes, and other familiar objects take center stage. Isolated and magnified on large-scale canvases, they become emblems for universal themes like identity, sexuality, community, and mortality. But they are also uniquely Baechler’s. There is no -
Oriana Fallaci and the “Clash of Civilizations” Formatted: Font: +Body (Calibri)
This is a draft version of the article/chapter accepted for publication in Towards a global literature Formatted: Font: +Body (Calibri) = Verso una letteratura globalizzata published by Marcos y Marcos Formatted: Font: +Body (Calibri) Draft version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/31508 Formatted: Font: +Body (Calibri), Italic, Complex Script Font: Italic Formatted: Font: Italic, Complex Script Font: Italic Cannons and Rubberboats Formatted: Font: +Body (Calibri) Oriana Fallaci and the “Clash of Civilizations” Formatted: Font: +Body (Calibri) Francesca Orsini, School of Oriental and African Studies, University of London, UK Abstract Written in October 2001 as a “gut reaction” to the attack on the Twin Towers, first as a long article in the daily Il Corriere della Sera and then in book form (in its original shape, twice as long as the article) in December 2001, Oriana Fallaci’s pamphlet La rabbia e l’orgoglio (Anger and Pride) was in its 26th edition when I bought it in September 2004. Its follow-up, La forza della ragione (The Force of Reason), has already sold 800,000 copies since its publication in 2004. In other words, Oriana Fallaci has emerged after 9/11 as the strongest and most vocal Italian representative of the “clash of civilisations” theory. This essay analyses the constitutive elements of her discourse (Italian nationalism, values instead of history and politics, and violent speech conflating Islam, terrorism and immigrants) and tries to understand its appeal and the sources of its authority in Fallaci’s career, in order to outline the specific Italian version of the clash of civilisations “theory”. -
Bios of RED SPRING Curating the End of the World Contributors
Bios of RED SPRING Curating the End of the World Contributors RED SPRING is dedicated to living legend, Algernon Miller, a Father of Afrofuturist Art. Ekpe Abioto Ekpe (pronounced “eck-pay), a “musical philanthropist” and artistic director of GENIUS UNLIMITED, who specializes in children’s music and cultural entertainment. Since his career began in 1974, his motivational learning workshops on self-esteem, creative thinking, conflict resolution, drug prevention, and gang awareness have been well received by students, teachers, and administrators. As a musician, producer, recording artist, songwriter and arts educator, he plays African instruments such as the djembe drum, kalimba (thumb piano), shekere, and others, flute and saxophone. He gives entertaining and educational performances at schools, churches, festivals, colleges and universities, and is currently promoting his two CD’s entitled, “I AM A GENIUS” and “THE SPIRIT OF AFRICAN MUSIC.” His interactive music video “DON’T TOUCH A GUN” has been recognized and used as an effective means of keeping guns out of the hands of children. He is a part of The African Jazz Ensemble, a 10-piece band made up of some of Memphis' finest musicians. They've played together for over 40 years, and members have toured the world with Michael Jackson, Al Green, BB King, Eric Clapton, the Dells, Luther Allison, and Rufus and Carla Thomas. They formed the African Jazz Ensemble as a way to incorporate African influences into more traditional jazz, soul and R&B. Linda D. Addison is one of the most honored speculative poets of all time. Over the course of more than 300 published poems, stories and articles, Addison has been awarded the Horror Writer Association’s Bram Stoker Award six times. -
Jeremy Botts 614 South Hale Street • Wheaton Il 60187 • | | @Jeremybotts
Jeremy Botts 614 South Hale Street • Wheaton IL 60187 • www.behance.net/JeremyBotts | www.fiammascura.com |@ jeremybotts Personal Work working appropriately and imaginatively in relation to nature and with the nature and history of things and images visual polyphony occurring in the textures of written and printed text, including historical exemplars | palimpsests collaborative exploration of traditional hand media, printmaking, and digital and time-based media (video and sound) site specific structures | sculptural and collaborative, educational projects | liturgical spaces and installations Exhibitions, Performances, Publications & Works 2021 DICTUM EST | a collaborative, limited edition, CMYK color separated silkscreen print, May Each student in my class contributed a color separated image; I arranged them into the composite design; and we printed it together. 2021 ART AT WHEATON POSTCARDS | hand collaged Risograph prints made for prospective art majors, March As a way to welcome incoming art majors I collaged makeready Risograph prints to create forty unique postcards.. 2021 OUTSTANDING IN HIS FIELD | a limited edition silkscreen printed portrait of my grandfather, March Color separated into CMYK and with halftone linescreens, I made this print as a demonstration for my silkscreen class. 2021 DEEP CALLS TO DEEP | a series of Lenten videos created for Lombard Mennonite Church, February I created layered piano and accordion soundtracks to the abstract video with fragments of Palestrina, Sofia Gubaidulina, and traditional spirituals. 2021 POCHOIR SELF PORTRAIT | a hand cut pochoir printed illustration, January I created this two color stencil print as a demonstration for my silkscreen class. The composition was influenced by a Lucien Freud self portrait. 2021 THE WORLD’S LARGEST COUNTRY BAND | live, international online performance art piece, voice and pump organ, January I was invited and participated in a live, simultaneous performance of Hank Williams’ classic I’m So Lonesome I Could Cry. -
130 George Morgan and Scott Poynting (Eds.) with Global Islamophobia, George Morgan and Scott Poynting Present an Edited Volume
130 book reviews George Morgan and Scott Poynting (eds.) Global Islamophobia: Muslims and Moral Panic in the West. Farnham: Ashgate, 2012; Pp. 256. ISBN978-1-4094-3119-0. With Global Islamophobia, George Morgan and Scott Poynting present an edited volume that sheds light on a variety of anti-Muslim tendencies in differ- ent national and local settings. It departs from the definition that moral panics ebb and flow but typically leave long-standing institutional changes that con- tinue to negatively affect the marginalised and can be triggered by relatively minor and local incidents that come to stand for something much larger. One of the key features of moral panics is the creation of folk devils: individuals or groups of persons who are identified as deviant types posing a major threat to the moral fabric of a society. They are portrayed in highly stereotypical and negative ways, stripped of any favorable or neutral characteristics, demonised and presented as having nothing at all in common with the ‘moral majority’. Furthermore, the legislative and law enforcers “are expected to detect, appre- hend and punish the folk devils” (p. 85) and to secure the code of conduct of the state. This edited volume consists of an introduction, an index and twelve chap- ters. Each chapter presents a local case study of a moral panic that developed around the presence of Muslims: in Australia, the United States and six West European countries (Britain, Germany, France, Italy, the Netherlands, and Sweden). The contributors draw their case studies from different sources such as media, public policy as well as the misuse of anti-terrorism measures by police forces against demonstrators. -
Newsletter 2009
NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
ABQ Free Press, June 4, 2014
VOL I, Issue 4, June 4, 2014 WillWill YouYou BeBe ReadyReady forfor Chaos?Chaos? PAGE 2 ABQ’s Top Home Water Wrecking Our Users Schools? PAGE 5 PAGE 7 Ai Weiwei, Judy Chicago STARTING ON PAGE 10 FREE PAGE 2 • June 4, 2014 • ABQ FREE PRESS NEWS When the Big One Hits, ABQ Free Press Pulp News VOL I, Issue 4, June 4, 2014 Nobody Gets Hurt realize how central food is to our lives,” writes Lizzie Widdicombe of www.freeabq.com Will You Be Prepped? Brazil is telling tourists heading the New Yorker. www.abqarts.com to the World Cup, which begins in BY JIM WAGNER a few days, not to scream if they Editor: [email protected] Post-Apocalyptic Currency? are mugged. Why? So the robbery Cashing In IN THIS ISSUE oe figures he has prepared well doesn’t turn into a murder. Brazil has Associate Editor, Arts: [email protected] enough to survive for three In an era where money has no value, Former Fed Chairman Ben Bernanke, J one of the highest homicide rates in months. And so will his 35-year-old ATM cards don’t work and barter is the now a speaker on the lecture circuit, the world: 25 out of every 100,000 Advertising: [email protected] daughter and his 13-year-old grand- new normal, serious preppers say the pulls down $250,000 per speech. currency will be – bullets. Brazilians die as a result of homicide. daughter and a former wife and her That’s $53,000 more than he made NEWS Specifically, .22 caliber long rifle “Do not react, scream or argue,” says On Twitter: @freeabq friend. -
VINTAGE POSTERS FEBRUARY 25 Our Annual Winter Auction of Vintage Posters Features an Exceptional Selection of Rare and Important Art Nouveau Posters
SCALING NEW HEIGHTS There is much to report from the Swann offices these days as new benchmarks are set and we continue to pioneer new markets. Our fall 2013 season saw some remarkable sales results, including our top-grossing Autographs auction to date—led by a handwritten Mozart score and a collection of Einstein letters discussing his general theory of relativity, which brought $161,000 each. Check page 7 for more post-sale highlights from the past season. On page 7 you’ll also find a brief tribute to our beloved Maps specialist Gary Garland, who is retiring after nearly 30 years with Swann, and the scoop on his replacement, Alex Clausen. Several special events are in the works for our winter and spring sales, including a talk on the roots of African-American Fine Art that coincides with our February auction, a partnership with the Library Company of Philadelphia and a discussion of the growing collecting field of vernacular photography. Make sure we have your e-mail address so you’ll receive our invites. THE TRUMPET • WINTER / SPRING 2014 • VOLUME 28, NUMBER 2 20TH CENTURY ILLUSTRATION JANUARY 23 Following the success of Swann’s first dedicated sale in this category, our 2014 auction features more excellent examples by famous names. There are magazine and newspaper covers and cartoons by R.O. Blechman, Jules Feiffer, David Levine, Ronald Searle, Edward Sorel, Richard Taylor and James Thurber, as well as works by turn-of-the-20th-century magazine and book illustrators such as Howard Chandler Christy and E.W. Kemble. Beloved children’s book artists include Ludwig Bemelmans, W.W.