NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86)

We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. artists. A number of them came to the event to talk we are confi dent she will be a great asset. make the organization extremely effective. Without the among our Governors, and as part of a review of The Class of 2009 was undeterred by the especially about their work. Carrying on in the New York offi ce are Kate Haw, our Board of Trustees the whole place would not exist, and our governance procedures last fall the Governors cold and rainy (even for Maine) summer, and worked without the Board of Governors Skowhegan would not Skowhegan alumni continue to shine in the art world. Executive Director for Development & Administration, reaffi rmed our commitment to having nationwide on a wide variety of interesting and creative projects, maintain the qualities that make it the most sought after This year they have received awards and grants from Elise Gardella, Melissa Calderón, and Adrienne representation on the Board. To that end, we are both individually and collaboratively. residency program in the U.S. for aspiring visual artists. Creative Capital, the John Simon Guggenheim Memo- Snow, whose knowledge and dedication make our exploring ways to include more of our members who Members of both boards are unpaid for their services. This year’s group of 65 artists was drawn from a record- rial Foundation, the Pollock-Krasner Foundation, and jobs as board members a pleasure. Bill Holmes live in the Midwest or on the West Coast in activities breaking pool of 2,005 applicants from 42 States and many other honors. As impressive as this appears, remains the key to insuring that our Maine campus My present task is to tell you more about the Governors’ like the application review process. The new online 33 foreign countries. The accepted artists represented we think it is more impressive still that even those who is in good shape year round, and plays an important side. The most important task the Governors perform application will make this much easier, as we are no 18 countries in terms of origin or citizenship. This are pursuing their work more quietly are still actively role in working with the artists during the summer. is to choose the incoming participants. In recent years longer limited to reviewing images in the offi ce. diverse group, along with a stellar faculty of Resident Waneeta Marquis, our campus chef for the past nine engaged—in a recent survey of alumni, over 90% of there have been as many as 2,005 applicants for 65 Three among our ranks stepped down this year, and and Visiting Artists, came together to form an excep- years, continues a tradition of delicious meals. Judith those responding indicated that they continue to maintain positions. Skowhegan's Governors continue to insist we want to thank Tishan Hsu, Glenn Ligon, and Charles tional community in 2009. Stoodley has professionalized our library and helped a studio practice. That long-term commitment is the mark on examining each application as carefully as possible. Ray for their years of service. Additionally, Bill King, to make it an even better resource for the artists. Our year has been a busy one, with both longstanding of a true artist, and that is what Skowhegan is about. We have not cut corners as the numbers have grown. In a participant in 1948, 1951, 1952, a Visiting Artist in We benefi t greatly from all their skills and commitment, my experience there is no other arts organization aimed annual activities as well as new programs that are In April we welcomed Alan Wanzenberg to Skowhegan’s 1967 and 1975, and a Resident Artist in 1977, 1982, and look forward to continuing our work with them. at adult artists that reviews each image submitted by thriving. The annual Skowhegan Awards Dinner, held Board of Trustees. He has already made excellent and 1989, had been a Governor since 1972 when he each applicant separately. Two thousand applications, on April 28th at Cipriani Wall Street, honored another contributions to our work, drawing on his expertise as Of course, the past year has been a very challenging decided to retire from the board this year. In recognition ten images or fi ve minutes of video, a panel of four outstanding group of people. The Gertrude Vanderbilt an architect to inform our discussion of our facilities one at Skowhegan from a fi nancial point of view. In of his near lifetime of involvement with and service or fi ve Governors and incoming faculty members con- Whitney Award for Outstanding Patronage of the Arts needs. We look forward to working with him in the years light of the exceptionally diffi cult circumstances many to Skowhegan, the Governors established the role of sidering each image individually. Think about this: the was given to Philippe de Montebello, the Governors’ to come and are delighted to welcome him to the family. people have found themselves in, we are grateful for Governor Emeritus for Bill, and we are so pleased that Award for Outstanding Service to Artists to Bill Aguado, the support so many of you have provided to help us organization with one of the highest application rates he is still engaged in this way. and the Skowhegan Medals to Merce Cunningham, This year we celebrated the opening of two new build- continue to fulfi ll our mission. However, throughout in the country puts the most energy and care into each As Governors, our partner in tackling issues concerning Paul McCarthy, and Catherine Murphy. Over 350 friends ings: Brinn Cottage, a new residence made possible the year as we talk to artists, see exhibitions, and application. I have done these kinds of slide juries for Skowhegan’s program for the past ten years has and supporters joined us to celebrate the honorees’ by Trustee Mildred Brinn, welcomed its fi rst residents listen to lectures we are reminded in so many ways so many foundations and schools over the years, and been Linda Earle, the School’s Executive Director for accomplishments. The privilege of having been able to this year. The newly re-built Bearden Studio Building— of how important Skowhegan is to emerging artists. I haven't found any to compare to Skowhegan’s. Program. It’s hard to put into words how much Linda honor Merce for 90 years of achievement is especially featuring the Looker Family Studio, Palm Studio, and So we would be remiss not to ask you to please We are also deeply involved in discussions about all has done for Skowhegan, because on top of the poignant now, as we mark with respect and sadness Elizabeth Murray Studio made possible by Trustees help us keep our commitment to them by sending in our facilities on campus, and while waiting in line for tangible improvements she has overseen, she has his death on July 26th. Mary Looker and Robert Looker, Board President Greg the coupon at the back of this newsletter with your lobster rolls during July’s Trustees’/Governors’ weekend, brought so much that is intangible—and invaluable— Palm, and Skowhegan Governor Robert Gober and contribution or visiting us at www.skowheganart.org Our collaboration with the 92StY on the “Art and I got into an interesting conversation with one of this to the experience of artists during their nine weeks Donald Moffett, respectively—was also ready for artists (click SUPPORT). They need our help more than ever! Insight” series continued last February with a lively year’s participants about technology. Skowhegan is in on campus. Linda’s quiet strength and deep knowledge this session, providing new and needed studio space Thank you. conversation between Fred Wilson and Donna DeSalvo, the early planning stages of building a new media lab of the contemporary art world have helped guide for those working in various disciplines. These buildings and we look forward to the next event in the series, to accommodate the growing number of artists working the Governors as we address issues that affect the are two important ones in a series of recent improve- a conversation between video artist Mary Lucier in or eager to learn about electronic media. In addition participants, from facilities to faculty to scholarships, ments that are providing a more comfortable and and writer Irving Sandler next March. Further details to key equipment, this lab will probably house a number and she has shepherded hundreds of artists through accommodating environment for the artists who come will be provided on our website and by email. The of individual workstations for participants to use their the always challenging and sometimes diffi cult experi- to Skowhegan each summer. SkowheganTALKS and SkowheganWALKS series, I am suddenly able own computers to get online or edit video, etc. I asked ence of discovery that marks a Skowhegan summer. organized by the Skowhegan Alliance, continued with We are fortunate to have an outstanding staff who work this participant how many workstations we should have. The devotion to Linda of the Governors and of the events at Artists Space and the New Museum and year round to make sure that every summer session is now to work with ideas I was thinking about one or two dozen. She argued hard many artists who have passed through Skowhegan gallery tours in Chelsea and the Lower East Side. a success. This year, we sadly bid farewell to Linda Earle, I was never brave for 65. She said that virtually every participant delved during her tenure is a mark of the impact she has had The Alliance also planned Skowhegan’s fi rst-ever party who has been Skowhegan’s Executive Director for into digital media during the summer even if they came on this place. She will be missed, but we are reassured in Miami during Art Basel, which was a huge success. Program for the past ten years. Linda came to us with enough to touch before. in working exclusively in painting. I don’t know about by the fact that she leaves the program in a strong a wealth of experience with artists, and helped shape Finally, we inaugurated a new group of supporters: 2008 PARTICIPANT 65 workstations, but it’s Skowhegan’s mission to position, ready for someone new to build upon what the Skowhegan Council, which gathered in April Skowhegan’s program in important ways. Under her encourage experimentation and risk-taking. Skowhegan she has accomplished. Thank you, Linda, for all you for a special viewing of Skowhegan alum William tenure, the number of applicants more than doubled, should be the place where a video artist became a have brought to Skowhegan, and we wish you every Villalongo’s (’02) exhibition at Susan Inglett Gallery a testament to the strength of the program under her sculptor or vice-versa. Conversations like these provide success as you move on to new challenges.

2 3 TRUSTEE SPOTLIGHT

ANN GUND named Sandy Milliken. His mother was a Trustee, but, AG: Oh, I think it is enough, because even if you didn’t SKOW: You and Graham collect. Do you think Ann Gund has been dedicated to Skowhegan for over at the time, Sandy had no interest in getting involved go, you’d understand the purpose of Skowhegan being part of Skowhegan has affected the way you three decades, serving as a Trustee for the past 30 in Skowhegan. Eventually, I got him on the Junior and the meaning it has for the artists. A lot of the other look at collecting? years. We sat down with her to talk about her experi- Committee and he was made a Trustee before me. boards I sit on are “rubber-stamping” boards. There AG: Not so much these days, but when we’ve been ences with the School over all this time, and what she (He later went on to become Skowhegan’s President is no input, and you might as well not be there. up to Skowhegan we’ve loved what we’ve seen. One hopes for its future. and then its Chair!) Meetings are curious, but no one really gets to make year we bought something from a participant that he any decisions. As Skowhegan board members we do In those days the Skowhegan offi ces were in a wasn’t planning to sell but we couldn’t resist it and make decisions, which I think is good. brownstone on the Upper East Side. We would go he relented. It was a pink and purple polka-dot plywood in and work—we would answer phones, address SKOW: You are involved with many nonprofi ts, and cow that came with its own plywood grass. We had invitations—we did all sorts of stuff. Eventually I was no doubt each of them is different. How would you it in our back yard for years. We lived across the street asked to be a Trustee. The Junior Committee didn’t describe Skowhegan’s personality? from an elementary school and the kids just loved it. exist for much longer after that. Then, in the late 90s, AG: It’s great, because I think the people on the They would ask permission to come into the yard to Bailey Symington resurrected it. board are really dedicated to the cause. With many look at it. It fi nally succumbed to the elements. For a while after I became a Trustee there was real other nonprofi ts, trustees may be dedicated, but they SKOW: Did you know any of Skowhegan’s founders? turmoil on the board. There was divisiveness and we are also on those boards because the institution has AG: I knew Sidney Simon, who was wonderful. A little started to have pretty bad fi nancial problems. There a big name. Often people serve on boards to have cantankerous, but wonderful! Getting to know one of were people who were really mad, and it took a long something to add to a resume, and they don’t do any the creators of the place was terrifi c. He was so vested time to repair the damage done. Dealing with those work or come to any events. It’s frustrating. I’ve been in Skowhegan and loved telling stories about the early problems kept everyone engaged, but during that very careful about the boards I’ve gone on and I really days. Knowing Bernarda Shahn was also fabulous. In time I did think it might be a good time for me to leave. do try to work a lot for whatever the cause. addition, I got to know Sidney’s son, Mark, who I adore. Part of the problem was that it was (and is) hard to raise SKOW: I’ve seen some crazy photographs of parties in Mark, an architect, is a member of the AIA so together funds for a project that is out of town and out of sight— the Park Avenue Armory. They are pretty different from we planned a joint seminar at the New School with and of course at that time there was no internet, and we today’s Awards Dinners. Tell me about those parties. panels of artists and architects, and tours given by were doing things at “the kitchen table.” We all pitched AG: Oh, they were wild. One year there were elephants, O.K. Harris, Brendan Gill, and others. It was a great hit… in. It was good that I lived nearby! I have to say that maybe we should try to do something similar today. when it started to get back on track it was really great. and a designer (I can’t remember if it was Bill Blass or So many good things have happened at Skowhegan! somebody else), lent us some models who rode around on them. There was a keeper who came along with Before I became a Trustee there was a charrette for the elephants wielding a pooper-scooper, but no one the design of the sculpture shop which was such had thought about the other issue… and dancing was fun! The jury was John Morris Dixon (former editor of a little slippery and problematic! But it was amazing. Progressive Architecture), Charles Moore, Robert A.M. People didn’t know about Skowhegan but they sure Stern, and Graham Gund. Alex Katz and Sidney Simon knew about those parties. At the very fi rst one famous Above / Ann Gund at the 1988 Awards Dinner / were also on the jury to represent Skowhegan. I went photo by Jeanne Trudeau artists designed the costumes which they wore. After to Skowhegan for the charrette as Graham’s date and that the parties weren’t quite as elaborate. But spent a weekend watching the process. It was truly I remember one guest who was dressed as an SKOW: You have been a Trustee for 30 years, but fascinating and it got me hooked. The architects undertaker and pushed his friend around in a casket you were involved with Skowhegan even before that. involved were fi ery, and some who didn’t get the job all night. It couldn’t have been much fun for the guy What brought you to us? How has Skowhegan kept got really mad. There was stomping around and in the casket—he couldn’t even have a drink because you interested for so long? screaming in the Fresco Barn. he had to stay in character—but it was a great AG: I came to New York in about 1973 and I had SKOW: I want to go back and touch on something costume. They were great successes and we raised an empty plate. I had come to work for I.M. Pei and you mentioned a few minutes ago—the fact that a heck of a lot of money. Everyone got into it and Partners, and also take painting and etching at the Skowhegan can be sort of “out of sight, out of mind.” dressed up, and we fi lled that huge space in the Art Students League. A friend of mine asked me if I am really struck by the dedication people have to Armory. Those parties went on for a few years after I wanted to join the Junior Committee at Skowhegan Skowhegan when they only get to see the program I got involved, but then ended, I think because and made me chairman of the costume ball at the in action once a year. How is that different from of cost. The dinners—always at the Plaza until Armory. At the time the head of the committee was other nonprofi ts you are involved in, and is that one recently—are another story: they attract a totally Above / Ann Gund at the 2009 Awards Dinner / Jane Richards; I went to the event with a blind date weekend a year enough? different crowd. photo by Teri Slotkin

4 5 TRUSTEE SPOTLIGHT GOVERNOR SPOTLIGHT THANK YOU TO LONG-TERM CONTINUED BOARD MEMBERS SKOW: Are there any experiences with Skowhegan Another exciting thing DAVID REED Because of Bill’s enthusiasm I was very intent on being The dedication of our Boards of Trustees and artists you’ve had over the years that stand out to you? David Reed was a Skowhegan participant in 1966, accepted. I brought some small canvases and a roll of drawings to the New York offi ce when it was uptown Governors to Skowhegan is extraordinary. AG: One of my favorite stories about the Skowhegan is the greater involvement a Resident Artist in 1988, and has been a Governor and showed them to Jack Eastman [then Skowhegan’s We thank them for their generous and creative experience is going up to campus one year and since 1989. We asked him about his experience with of alumni through the Director] and the others on the staff. I talked my way contributions to the School, which come meeting an artist who lived under the Brooklyn Bridge Skowhegan in these various capacities over more in. Today, with the current level of competition and in many forms and are essential to keeping and only painted pictures of under the Brooklyn Bridge Alliance—they are than 40 years. higher standards, the work I showed could never have Skowhegan strong. until about his third or fourth week at Skowhegan fabulous—and through gotten me in. when he suddenly noticed the cows in the pasture. GOVERNORS After that he started painting the landscape, and it’s the website, where SKOW: How would you describe your experience as Stuart Diamond 20 years a case in point—you try something new up there. artists can add images a participant in 1966? Guy Goodwin 20 years Many of the artists can’t help but be affected by the DR: I love your word “participant.” In those days we David Reed 20 years of their work and list their landscape and by the experience of being out from were just students. I had only taken a few art classes Donald Baechler 15 years under the thumb of a teacher or mentor and being exhibitions or awards in college and was really very young and inexperienced. Robert Gober 15 years at Skowhegan with no one leaning over you telling you Twenty years old, I was just discovering my own direc- Robert Storr 15 years they have received. what you are doing is wrong. This is really key. tion. I arrived early, driving from the West Coast in Daniel Bozhkov 5 years Also, once when I was on campus a few years ago, my Volkswagen Beetle. Walking around, trying to fi nd we climbed the hill to watch one of the participants where to go, I met Bill Cummings, who recruited some TRUSTEES un-bale a huge block (about 8' square) of recycled/ SKOW: My hope for the future of Skowhegan is that of us to help prepare for the other arriving students. fl attened plastic containers she had gotten from He was very kind and welcoming. Because of him Eleanor Revson 35 years you’ll be involved for another 30 years. What is your a recycling center. The event was fi lmed as the hope for the future of Skowhegan? I always felt comfortable on campus. Ann Gund 30 years containers cascaded in weirdly slow motion onto the Susan Paul Firestone 25 years AG: Certainly in the short term we have to fi gure My “studio” was one of the outdoor sheds that were lawn. It was not only beautiful but it smelled good attached under a slanting roof to the side of a larger Wilson Nolen 20 years (detergent, etc. from the containers)! out ways to balance the budget. And we will; I know Nancy Sloan 20 years we will. In the longer term, I don’t want it to change. Above / Lillian Ball, David Reed, Ursula von Rydingsvard, studio. It was like a horse stall: open to the air on one And who can talk about Skowhegan without mentioning and Barbara Lapcek (with back to camera) in the Fresco side, two sides made of just a few wooden planks over Susy Wadsworth 10 years I think it’s really good. Why fi x it if it’s not broke, as Barn / 1988 Warren Cook 10 years the costume parties on campus?! It’s great to see they say. Clearly one thing we need to do is have more a sloping dirt fl oor. When it rained, which it did often, of Hugh J. Gourley III 5 years how creative the artists get in making their costumes, single rooms for participants and maybe to upgrade course, my studio was a little canyon of running muddy SKOW: You are one of several Skowhegan Governors and manage with so few resources and very little more of the facilities. But other than that, I don’t want water. The studios certainly have been much improved who are also alumni of Skowhegan’s program. time! Since they are so busy doing everything else, it to change. since then. I painted a few still lifes there and tried to many don’t start until the day before! Why did you decide to go to Skowhegan? work from the view of the woods in the distance, I’m convinced that one of the best things about DR: I fi rst heard about Skowhegan from the fi gurative but never managed to do much that was worthwhile. SKOW: How has Skowhegan changed over the time Skowhegan and why it works so well is that we have painter Willard Midgette, who was my professor at Reed you have been involved? a Board of Governors and a Board of Trustees. I don’t The following fall I was to start at the New York Studio College. Bill had graduated from Harvard, which didn’t School and I was very lucky in that several of the AG: It’s exciting to me how the staff has worked so think there are a lot of other institutions that have that have an art program in those days. Skowhegan was his Visiting Artists that summer were connected to the well together in recent years. We are so lucky to have setup. They may have artists on the board of trustees, education in art. He went three times, and his experi- Studio School, including one of the founders and such a small, tight group of people. And it’s great that but in our case it’s really important to have a Board ence formed him as an artist. He spoke of the program the force behind the Studio School, Mercedes Matter. Skowhegan is known so much more than it used to of Governors who feel they are respected and heard, often with his students and highly recommended, even So I was prepared when I started there. Elmer Bischoff be. Another exciting thing is the greater involvement and they are really the ones telling the Trustees what insisted, that I go. Later, Bill was a Resident Artist at was one of the Resident Artists and I admired his early of alumni through the Alliance—they are fabulous— is artistically appropriate, because while we can Skowhegan for two summers before very sadly he died, work. I also learned from talking with Walter Murch. and through the website, where artists can add images appreciate that, we haven’t been there ourselves much too young. The School meant so much to him Murch was a wonderfully shy and diffi dent man. I was of their work and list their exhibitions or awards they and we don’t know what the artists’ real needs are. that he chose to be buried in the cemetery up the road, amazed that in making his very precise realistic still have received. near the South Solon Meeting House, which is frescoed lifes he liked to walk on paper in his studio and then by artists who were his teachers. Often at meetings of use the smudged sheets to fi nd forms. James Brooks the Governors, I remember him and think that if he were gave a talk and from his descriptions of working still alive, we would be at the meeting together. I miss I still have a strong mental image of him on the fl oor his counsel and presence. with pours of paint, searching for an image. I had never heard of such a thing.

6 7 GOVERNOR SPOTLIGHT CONTINUED IN MEMORIAM My most important friend that summer was Richard students and faculty, Skowhegan is completely I think that Skowhegan DR: I think that Skowhegan is a learning experience In 2008 and 2009, Skowhegan lost several Mock, who came to Skowhegan as a student from the different. It’s a place of very intense relationships, that works, that helps young artists. This is very rare. members of our community: alum (’47/’48) Studio School. Dick and I drove together down to New not a country idyll, but aggressively urban. is a learning experience I don’t think anyone knows why it works, so I’m glad that and former Trustee Ray Alden; alumni the structure hasn’t been changed or meddled with York after the summer with our paintings and stretchers I should confess that as a student I was something Marilyn Dea Creighton (’58), Pat Fleisher (’49), that works, that helps over the years. The isolation, the number of participants tied to the roof of my Volkswagen. We got pulled over of a troublemaker. A student driving a car up the hill Paul Jansen (’69), Donald G. Ross (’52), and and the length of the experience have remained the by a policeman on the Massachusetts Turnpike and was forbidden, so I made a sign for my parking place: young artists. This is Toby Urbont (’58/’59); and faculty artists same. Maybe Skowhegan works because this structure I was arrested. When I appeared before the judge, he “Cézanne.” Jack Eastman caught me crossing a fi eld George Schneeman (’78/’79/’80) and very rare. has stayed the same and it is so fl exible, so variable seemed puzzled. The policeman winked at him and the with stolen lumber from the house that was being Harold Tovish (’57/’58/’71). We recently because of the different faculty and participants. judge asked me: “How long has it had been since you built for Ben Shahn. Another student and I had decided became aware that alumna Ingrid Muan (’86) had a haircut?” The father of a friend from Boston, who that a beam from his roof would be perfect for our I like the mentoring systems in the West Coast art passed away in Phnom Penh in 2005. was a lawyer, had to come to bail me out. I took the tree house. Being a teacher I felt strange being on Chen Shen was another such artist. He knew the schools. I feel that this makes for healthier relationships Our thoughts are with their families, friends, “Not Guilty” verdict to be true in an existential, as well the other side of this sometimes rebellious dynamic history of Chinese brush painting inside out and could between generations of artists than what we have and colleagues. as a legal sense. between generations. teach me about brushes and brushmarks. From the in New York. I give John Baldessari, who I saw give his talk as a Visiting Artist at Skowhegan, a lot of the SKOW: Although your work has become increasingly Luckily Guy Goodwin, an old friend, and I were on the beginning I’ve thought of him as a colleague and now credit, because of his belief in teaching, for this attitude abstract, when you went to Skowhegan in the 60s faculty together for the summer. He’s a natural teacher he is much more than that. His work is very important on the West Coast. I think that the gradual evolution you were painting landscapes. How did the natural and his insights into the students were very helpful to the history of Chinese abstract painting. I loved of Skowhegan from something more like a school to environment at Skowhegan affect your work, and do to me. During studio visits I usually work outward from talking with Hanneline Røgeberg because of the something more like a residency has been natural and you think Skowhegan played a role in the subsequent formal concerns, hoping to fi nally get to something fearless intensity with which she painted the fi gures good because this evolution encourages even more move toward greater abstraction? useful. Guy has an intuitive understanding of people and the narratives in her work. Once driving back to these intergenerational friendships. DR: Yes, I was very concerned about working from and can get right to the point. We talked over the the lake at night, I came across her limping on the side nature and what that means while I was at Skowhegan. students and their work. Sometimes we even fl ipped of the road in the pitch dark. She said that, frightened Trying to remember my experiences for this interview, I didn’t want to just paint ideas, but to interact with what a coin to decide who would be the good cop and who by not being able to see anything, she had decided I read through a notebook I kept during my time as I was seeing. Cézanne was my hero. Through painting, would be the bad cop. to overcome her fear by running down the road as fast a student in 1966. My notes make clear that I went as she could and had fallen, spraining her ankle. through some kind of a crisis while at Skowhegan. At I wanted to fi nd a way to bring thought, sensation, and There’s a tradition that the artists who will be on the fi rst it was hard for me to take the feelings and emotions action together. Coming from California, unfortunately, faculty that summer have a lot to say about which In those days all the Resident Artists together visited of that rather embarrassing 20 year old I found in the I had no feeling for the landscape in Maine, all that green. students are accepted. Egging each other on, Guy each student in their studio for a summing up—fi nal notebook very seriously. But reading the notes more Hardly anyone was using the sculpture studio—the and I argued that a number of applicants who were crits, a culmination of the intensity of the summer. carefully and being reminded of those times, I’ve open-air central common area was usually empty. doing strange, risky, off beat work be let in. Looking Our last visit was with a student who, pretending to realized how much that summer had to do with forming A model had been hired and since no one was using back, I now realize that another way of putting it would be dead, had hung himself by his feet in an old shack me the way I am now. I was challenged by different her I was able to pose her next to the rough blocks be that some of this work showed evidence of mental in the woods. It was just a performance, but it was points of view, struggling to think for myself, learning of stone, other materials, and tools. Her body with disturbance. In a studio visit with one of these students, unexpected and we worried that he had been upside not to accept the ideas of others, trying to use art to these crude, blunt forms related to how I was thinking I asked about a gun she had depicted in one of her down for too long and pleaded with him to let us cut bring acting and thought together. I think many other of my interactions as a painter with nature. My drawings paintings. She said that it was the gun she would use him down. He wouldn’t talk. Immediately afterwards, students, in their own way, go through similar or related were not at all accomplished, but I learned a lot. The to kill me and Guy. I told her that the red of the gun was exhausted and trying to get rid of all that tension, Guy experiences while at Skowhegan. Even though, as for following winter, I left New York and painted in the good, but I wasn’t sure about how she was handling and I paddled a canoe into a mounting storm on the me, these experiences might be painful at times, I do Southwest, drawn to the void, the big space of that the corners of the canvas and got out as quickly lake. Going with the wind we did okay, but then turning believe that it makes for better art. landscape. Maine made me miss the West. as I could. Luckily Barbara Lapcek, the director at the and trying to come back we capsized, laughing. SKOW: You were a Resident Artist at Skowhegan time, was very good with such situations. Barbara At the end of the summer the students buried a SKOW: As we prepare for Skowhegan’s 64th year, in 1988. Having been a participant, what was it like helped the student and she stayed for the full summer. time capsule. I wonder if it is still there. It’s hard to what do you hope for the School’s future? to see Skowhegan from the other side of the faculty/ From other students I learned more than I could give. comprehend how the time has passed. DR: Years ago there was talk of a Western Skowhegan. participant equation? It took me several visits with Jason Rhoades to SKOW: As you know, we received a record number I would love to see this happen—a clone of the School, DR: Sometimes I think that having been a student fi gure out that the whole of his studio was his artwork. of applications for our 2009 session—2,005. What repeated somewhere in the Western landscape. helped me with the teaching. (We still called ourselves I encouraged the alien spaceports he was building. do you think this suggests about the relevance of the I imagine the same isolation, number of participants teachers in those days.) I knew how intense an experi- I later understood his large installations because I knew residency experience in general or the Skowhegan and duration. Perhaps my fantasy Skowhegan could ence it could be. But it was also confusing. Sometimes how they had started and I loved watching the compli- experience in particular? take place during the winter in the Southwest. I wonder I thought I knew what was going on when I really didn’t cations of his thinking and the refi nement of his sense how the location would change the experience. at all. Every summer, because of the total change of of humor. It’s hard to comprehend that he is now gone.

8 9 FAREWELL LINDA ALUMNI REMEMBER SKOWHEGAN

After ten years as Skowhegan’s Executive At Skowhegan we are lucky to have a great deal of dance the night away listening to Edith Piaf records fi elds right behind us; the Fresco Barn; the meals facing Director for Program, Linda Earle will step down contact with our alumni and enjoy hearing stories from in the old Fresco Barn, to skinny dip at night in the cold the lake; the sounds of the loons at night; learning our in October to assume her new role as Executive them about their time on campus, whether it was fi ve waters of Lake Wesserunsett, to miss lunch because craft or sullen art in the studios seven days a week... Director of the New York Arts Program of Ohio years ago or 50 years ago. This year we asked alumni the painting was so insistent—nothing ever has We created a camaraderie of sharing growing pains Wesleyan University. Linda has left an indelible from throughout our history to share some of their matched the joyous exaltation of those summers. in learning about painting, sculpture, drawing; seeing mark on Skowhegan both professionally and thoughts about their experience at Skowhegan. We Anne Poor warned me one summer, “Don’t marry! the striking Borealis in the Maine skies at night; dancing personally, helping to carry us through this fi rst have been fascinated by the fact that while some things You’ll never be an artist if you do!” In 1952 when I did under the stars outside of the barn; the weekly guest decade of the 21st century with her experience have changed about the program (artists as young as get married, I was awarded one of the fellowships to lectures on Saturday night in the barn by icons of and grace. 16 were allowed to participate in the early years, and fresco the South Solon Meeting House. Regretfully, American painting—all became indelible living images up until the 1980s artists could attend more than one Among her many accomplishments at I had to refuse the opportunity to work with Bill King promoting our lives in subtle paths that defi ned the summer), much has remained the same—the challenge Skowhegan, a few that will have a permanent and others in order to follow my husband to his Navy coming years. and privilege of being surrounded by artists for nine impact on our work stand out. Linda’s commit- post. Hey, it was the 50s! So Anne had prescience. weeks, an appreciation of the landscape, and more. I was in my twenties then and now I am in my seventies, ment to seeing that all artists who are accepted But I went on to marry, grow a family, and still paint. but I cannot account for any loss of time. The Skowhegan to Skowhegan on the basis of their work be Most of my Skowhegan mentors, alas, are now gone, School united us all in this special Brigadoon of lasting able to attend found expression in her insistence JANET SHAFNER (’47/’48) but what they taught me about art and how to be an youth and artistic vitality because of its honesty, integrity that all main campus facilities be accessible artist are deep in my memory bank... The idyll of those of character, and the respect for individuality of discovery to people with disabilities. As a result, faculty, two summers remains, so thank you, Skowhegan. established by its founders. staff, participants, and visitors with disabilities can now comfortably navigate buildings on The thoughts of my time at Skowhegan in ’57 and campus. With fi nancial support from Trustee ’58 will remain with me as a unique symbiosis creating Susy Wadsworth, Linda also initiated the digitiza- That long ago summer, for me one immediate family of time alive, dynamic, tion of the library collection, which has not only and the following one, and refreshing. professionalized the operation of the campus There will not be any loss, just a parting of ways that library internally, but has also made it possible which Skowhegan so began back in time when we entered the Skowhegan for us to participate in inter-library loan services, generously underwrote, gates on Willard Cummings Road, then departing at Above / Linda Earle at Skowhegan’s 2009 Awards thus greatly expanding the resources available the end of the summer reborn to each other in ways Dinner / photo by Teri Slotkin to participants. Also under her leadership, the have been the magnetic we did not see possible when we met on the fi rst day number of Visiting Artists who come to campus north of my life. of summer. I had no idea what changes in my painting increased from four to fi ve and faculty honoraria would happen over this time. I thank you all for the Above / Janet Shafner in front of her work JANET SHAFNER were increased. privilege of being allowed to enter Skowhegan, as if just Linda’s easygoing warmth helped create an yesterday. The sun is yet to set in shadows and loss. Skowhegan is a wildly atmosphere of family among the Skowhegan In 1947 I read about Skowhegan in the now vanished BARRIE COOKE (’50/’52) Keep up the great work you all are doing at LOOK magazine and knew immediately that I had to be staff, and her great sense of humor ensured The university I had come from did not then have an Skowhegan, I am so proud of the time I experienced creative and invigorating there. I was still in high school and there was no way my that lunchtime in the offi ce was always fi lled with art department and so, for the fi rst time at Skowhegan, with you to this very day...my celebration continues! family could afford to send me for the whole summer. environment that forges laughter. Among alumni, former faculty, and I was exposed to students, some of the best in the At the interview and portfolio review, Sidney Simon Governors, Linda’s fans are legion. To them she country, who were as serious about painting as I community and awakens discovered that I was only 15. “But I’ll be 16 in August,” has been—in their own words—noble, maternal, was. This was of great importance to me. The whole CLARISSA SLIGH (’72) the oracle, and so much more. Linda has a I pleaded, and he fi nally agreed that I could attend for the often hidden or atmosphere of Skowhegan was (and I believe still is) Mine was a crooked path. I arrived at Skowhegan true love for artists and an unwavering respect one month. very special, as were the staff. It was my education. in the 1970s after completing a BFA in painting. I was guarded notion of coop- for creativity and freedom of expression. Her That long ago summer, and the following one, which a terrible painter, yet they admitted me. I was a refugee compassion is unsurpassed, and has helped Skowhegan so generously underwrote, have been the erative spirit inherent from a life in the Civil Rights Movement; a degree nurture over 700 artists through the challenges magnetic north of my life. LARRY WARSHAW (’57/’58) in mathematics had landed me a job at NASA in the to artists. a Skowhegan summer can present. To be surrounded by artists, to draw, paint, fresco, and My years at Skowhegan, the teachers including Henry manned space fl ight program; as a single parent 2008 PARTICIPANT As she moves on to her new position, Linda will learn with them, to have lunch every day with José De V. Poor, Anne Poor, Sidney Simon, Harold Tovish, etc., I traveled across Africa with my young daughter for continue to support new generations of artists. Creeft, and meet and talk with William Zorach, Herman are still a transparent page to me, allowing me to feel a year. Painting was my passion, but my family saw it Perhaps some of them will end up at Skowhegan Cherry, Abraham Rattner, and countless others, to and live the vibrancy of a day in the studio; the open as a frivolity. one day. We know they will be lucky to know Linda in the meantime. 10 11 ALUMNI REMEMBER SKOWHEGAN CONTINUED

At Skowhegan there was an expectation that of course ALEXI WORTH (’89) Chris Ware, who became, a few years later, my (and up your own way of working. I was able to recognize this you are an artist. For the fi rst time in my life there was everyone else’s) favorite cartoonist. What was he doing incredible freedom. no need to carry the mantle of a social movement. that summer? I hardly know. Now though, visiting grad As I look back, I realize that we were a bit wild up there: Mixing oil colors, dabbing paint, and making squiggly students’ studios, I squint at them a little harder, a little drinking, staying up late dancing in an abandoned studio marks in Maine was like breathing fresh air for the fi rst more charitably, wondering to myself, who’s the Chris that Rebecca Morris named Disco Van Gogh and spray time. I literally sat at the feet of the Visiting Artists— Ware here? painted with neon letters and stars. We slept in the Jacob Lawrence, Louise Nevelson, Philip Pearlstein, studios, out in the fi elds, in a nearby graveyard, in the and Alice Neel—as they talked. When they asked RUTH ROOT (’94) library. We went swimming late at night. We went wan- me about my images, I clumsily, in a most inarticulate dering through the fi elds and woods trying to scare each way, sought words for what I was trying to do. Spending Skowhegan was a great experience. It came at just the right time for me, helping me make the transition from other with fl ashlights and fake ghost sightings. And yet hours in the library with books and old periodicals I emerged from Skowhegan a much more serious artist, that I had never seen, I was a sponge absorbing being a student to being an artist on my own. I had fi nished grad school the year before and had just moved very sensitive to the value of a supportive community, everything in sight. and confi dent that I just had to keep going, keep making Above / Alexi Worth in his studio to New York. I was trying to fi gure out how to survive as an artist, trying to fi gure out all the parts of my life. paintings, stay true to my own way of working, and not be scared to make something new and undefi ned. Thinking back, 1989 was such a tumultuous year that Skowhegan was overwhelming when I fi rst arrived. our green, calm summer seems weirdly removed from its actual time. The Cold War was ending; a few weeks HERMAN VERHAGEN (’02) after we arrived in Maine, Chinese troops opened fi re in When I saw an ad for Skowhegan School of Art in my art Tiananmen Square. But in the pre-Internet era, we were school in the Netherlands I thought “Oh nice, let's go to insulated from the outside world—except, of course, New York.” It was much later that I found out that Maine for anxiety about the fate of the four Chinese students is not New York. amongst us. (Did Barbara Lapcek arrange all their visas single-handedly, as we suspected she had?) It was raining heavily the fi rst week and I was a bit lost on a new continent. But the people were great. And What was our summer like? “The best summer ever, of all how exciting it was to see all the participants’ work, time!” recalls one friend. Another remembers suffering in Above / Ruth Root in front of her work to get a studio, and to learn new words every day, like her studio, “trying to do something different… and failing ‘awesome’ or ‘whassup.’ Born and raised in a city, I got miserably.” Several sighed, remembering the “endless It seemed to be out in the middle of nowhere, the living very inspired in the middle of a forest with a big lake next parties.” I wish I remembered those! Instead, I was Above / Clarissa Sligh / quarters were pretty close. I remember the fi rst night's to my dorm. I made two of my best videos, both of which photo by Kimberly Purser preoccupied in my studio, listening to Terry Allen (thank slide show where each of the students presented their have that lake as a background. Another video I did used you, Kim Grady) and endlessly repainting a single large slides. I liked so much of the work, that of Sheila Pepe, Skowhegan’s forest sounds. The dripping of the rain as a Leaving Skowhegan was extremely diffi cult. I returned canvas. When Leon Golub came for crits and praised it, Carter, Laura Owens, Monique Prieto, Rebecca Morris. meter for the poetry of a forest during the day, to end with home to the DC area. I had been changed. Even I bawled him out for being too polite, for not giving the People started to work at different paces, some produc- a nocturnal chorus of frogs in the pond next to the library though I was like a fi sh out of water, I entered graduate kind of withering, boot-kick critique that I had expected. ing a lot of work, some just talking and hanging out. (these videos are on my website, www.jcherman.org). business school in Philadelphia. But from there, I was In retrospect, the real cause of my irritation was It was intense and carefree at the same time. I was so When back for my last year in art school in the Netherlands, offered a job in New York City, where I would never something else: Skowhegan was my introduction to excited to see what was in everyone's studios every day. I tried to encourage others to apply to Skowhegan too. It have moved to on my own. an art world that was not painting-centric. I was an Somehow Skowhegan taught me how to create a gave little response. Unfortunately Skowhegan is quite un- After a number of years, I met artists who also did especially narrow-minded twenty-fi ve year old, steeped community as an artist, a community that continues to known in Europe. After graduation I got some grants and political actions. Being around them ignited old hopes in obvious choices. From out of the corner of my eyes, be my friends. I liked that it was so different than grad returned to the USA, this time really to New York to make and dreams. Slowly I began to make art again, but it though, I was looking at everyone else’s work. By school. It was student driven; there was little formal a video there, with help of Skowheganians. I also visited was unrecognizable. But even though my life seemed osmosis, I slowly absorbed the news that reinventing structure; the faculty was there to be supportive, but not Skowhegan’s offi ce, and remember telling Linda [Earle], a contradiction to the place, the seeds planted inside Eric Fischl just wasn’t going to cut it. to set the agenda. It was the fi rst experience I had had who asked if I was planning to move to NYC, that I was me that summer at Skowhegan had not died. I knew I remember John Walker strolling carefully through all our where the faculty didn't function as authorities. There planning to move to Paris, France. Which two years later to trust the process even though I did not understand studios, giving the same conspiratorial advice: “Thez your were no deadlines or expectations, only one’s own I did. And where I still am. In the meantime, I discovered it. Today I accept that when you are open you will be painting right down there,” he would whisper, pointing motivation. Even though it becomes obvious later in life, that Paris, and maybe my life too, is a more open place changed. You may have trouble digesting it but your to the bright mess on a palette table. A reality check. In it was at Skowhegan that I realized that as an artist, you for crafts than for contemporary art. It made me decide to thoughts and actions will refl ect that new complexity. retrospect, the biggest reality check of the summer was are your own audience and your own critic, that you set start a pottery course. In 2010 I will be an ‘offi cial’ potter.

12 13 STEPPING OUT work with her since 2006, I wish her every success KATE HAW in her new role as Executive Director of the New York Executive Director, Development & Administration Arts Program for Ohio Wesleyan University, and I look forward to our friendship continuing for many years. Since I spend only a brief part of each summer The rest of the team—Bill Holmes, Grounds & with our participants on Skowhegan’s campus Maintenance Manager in Maine; Elise Gardella, in Maine, one of the highlights of my year is reading Offi ce & Board Relations Manager; Melissa Calderón, the “Dear Skowhegan” letters that the artists send Program Coordinator; and Adrienne Snow, Admin- to us each fall describing what that the program istrative Assistant—give Skowhegan their all and was like for them. The very personal and genuine will help ensure a smooth transition. Sometimes it words alumni write about how Skowhegan has amazes me what this small core of people is able affected their lives and work are always moving. to accomplish through dedication and creativity. One letter from last year has come to mind quite Above / Skowhegan’s New York staff: Kate Haw, Elise Gardella, Adrienne Snow, Linda Earle, Our year-round effort would fall fl at, however, were a bit in the past few months. An artist described her Melissa Calderón / photo by Teri Slotkin it not for our outstanding summer staff, many of Skowhegan experience as “disruptive in the most whom come back to Skowhegan year after year, positive sense imaginable.” It was especially gratifying much to our delight. And the Skowhegan Alliance, to read those words, because that is what we hope membership initiative of its kind at Skowhegan (you though they are all volunteers, really work for Skowhegan will be for artists: a time to step out of can read more about the Council on p. 26). It has Skowhegan, and share not only their ideas but their one’s normal way of working—maybe to be forced out been really exciting to share what we do with new time and energy to help us thrive. Working with them, Above / Class of 2009 with faculty and staff / of it—and open oneself up to new ways of thinking. friends who are eager to learn about emerging artists, photo by Ben Rush and we look forward to building the Council in the watching their careers develop, and getting to know ONWARD I suspect many of us would describe the past year years to come. Through their thoughtful, imaginative, them as individuals is a daily reminder of what we are LINDA EARLE Executive Director, Program as disruptive, though perhaps not in such a positive and energetic efforts, Byron Kim (’86), Chair of our all about. sense as this artist did. It has certainly been Board of Governors, and the Skowhegan Alliance, The Chronicle of Higher Education recently published buildings that retain the feel of this property’s history leave my post here after ten years and accept a new I’d be lying if I said this hasn’t sometimes been disruptive at Skowhegan, in all the same ways it our devoted alumni committee, helped us more than an article about the importance of campus design as a farm (and thus the metaphorical connection professional opportunity in the fall. Over the years as a nerve-wracking year. It has. But overall I am has been for nonprofi ts across the country. We are double—yes, more than DOUBLE!—the number of in creating multiple opportunities for learning, solitary to farming, growth, and nurturing) are also practical, I’ve nudged participants for their “Dear Skowhegan” convinced this disruption is good. It has inspired not immune to the consequences of economic alumni who support Skowhegan over last year, an refl ection, building a sense of community, and even adaptable, and constructed with great integrity in terms letters I’ve wondered why it can be so diffi cult to get the kind of forward thinking and creative doing that turmoil, and we do need your help. But I have found achievement of which they, and we, are very proud. creating memories of place that foster alumni support. of materials and design. The built environment here people who have expressed their feelings about the adds to Skowhegan’s strong foundation and ensures this disruption to be an oddly energizing—and We successfully reinvented our benefi t print project For universities and colleges campus plans are often is about harmony with the landscape and purpose; experience so freely and eloquently during the session that our next 64 years will be as strong as our fi rst. positive—experience. to generate substantial income for scholarships in the result of endless committee work, surveys, retreats, that doesn’t need to change. to write about it retrospectively. Now, faced with my It has galvanized us in our commitment to a place 2009 and beyond. We found ways to do more with that has been transformative for so many artists. and strategic plans—and well worth the thought, Despite some of the worst June and July weather in own Dear Skowhegan letter, I know why: you feel that We have for many years been very fortunate at less—nipping and tucking our budget wherever In causing us to look more carefully at ourselves, it attention, and resources dedicated to them. Creating a recent memory, the class and faculty of 2009 fi lled in some ways it isn’t really over until you acknowledge Skowhegan. We have extraordinarily committed possible, without compromising the program itself. has given us renewed passion to say to all of you sense of place that transmits the values and philosophy every space and every moment with creative activity the experience by putting it in writing. Boards of Trustees and Governors leading and supporting us in myriad invaluable ways. We have Accomplishments like these are always a group who help make the Skowhegan experience possible of an institution is essential to the accomplishment and an energy that emanated from their generosity. There’s so much to say and I feel so deeply connected an endowment which, while a bit battered at the effort, and we could achieve nothing without the that you are investing in something important, of mission. As I was reading the article, I couldn’t help The discussion of art was literally around the clock and to Skowhegan that I am at a bit of a loss about where moment (though thankfully far less battered than support of Skowhegan’s Trustees and Governors. needed, and greatly valued by artists around the thinking Skowhegan is very lucky to have had that in many languages. There were passionate discussion to begin. I will try to keep it simple. I have profound most), is still providing signifi cant income to help A look at the list of Trustee and Governor anniversaries world. We thank you. vision built in from the start, and how strongly and groups about painting, performance, video, and respect for the people who created Skowhegan support our program and will, in time and with on p.6 will give you an inkling of the commitment clearly it has been communicated from generation politics; expeditions; site-specifi c works on the lake, and the people who support it with their wisdom the expert guidance of our fi nance committee, they show to Skowhegan, and that kind of stability to generation. That vision has made campus planning in the woods, and at the center of campus; group crits; and their fi nancial resources. I am deeply grateful recover and grow. Beyond our immediate “family,” has served Skowhegan very well. a fairly organic process. The Trustees, Governors, and and screenings. The fresco program attracted more for the friendships I have made; for what I’ve learned we have a faithful group of supporters—individuals staff—especially the wonderful Bill Holmes—approach participation than I’ve ever seen here. Fifty-eight of from people courageous enough to make art; and I am a proud member of “Team Skowhegan” Skowhegan is a and foundations—who give each year to make projects with a commonly held respect for the ways the 65 participants participated and two new outdoor for the privilege of witnessing the births of so many (as we like to refer to our full-time staff in New York Skowhegan possible for generation after generation space to fail and fall, in which the architecture, landscaping, stewardship spaces were created for fresco on Reis Studio friendships, ideas, and so much work. I want to thank and Maine), a team which will undergo a big change of artists. We are lucky in all of those ways, and we of the woods, and even the placement of infrastructural and Fairfi eld Porter Cottage. Participants, faculty, the extraordinary Trustees and Governors, all of the this year. My co-director, Linda Earle, is moving don’t take these things for granted. and eventually stand elements support the work and needs of participants. and staff—this was truly a lovely, brilliant group. participants and faculty who have come through on to new challenges after ten years as Executive Our discussions of the campus plan are not nostalgic, I’ve watched a great deal of growth and change here Skowhegan, and all of my current and past colleagues But this year we have stepped out of our normal Director for Program. Though I am fully confi dent up again straighter and maintaining Skowhegan’s unique character is not and learned innumerable lessons about art, and about in the New York offi ce and on campus. My decade way of thinking—we’ve been forced out of it. We that we will fi nd the right person to continue and build and stronger. a mark of resistance to change. Like its embrace of myself. One of those lessons is that you have to stay of experience here will be a part of me wherever my recognized a need to broaden our base of individual upon the excellent work that Linda has done here, innovation and exploration in art practice, Skowhegan’s alive and receptive to possibility and new challenges. life and my work take me. I love Skowhegan, and I will supporters, and were delighted to be introduced I will miss her. Linda has been a trusted colleague, 2007 PARTICIPANT campus has changed and improved to support the The other half of that lesson is, of course, that change always be a friend and supporter of the people, the to Chiara Edmands, who has been instrumental a true partner in leading Skowhegan, and a good work artists are doing. The simple, beautifully crafted is not easy. I have made the very diffi cult decision to place, and the idea. And so…onward! in launching the new Skowhegan Council, the fi rst friend. I am grateful to have had the opportunity to

14 15 CAMPUS CONNECTION WANEETA’S BLUEBERRY POUND CAKE BILL HOLMES Grounds & Maintenance Manager “heaven.” Not without some challenges, as what occurs this summer. To my gals that keep things tidy and neat, the Library Dog for the past four years, hanging It’s moist and buttery, just as a pound cake This column is usually devoted to campus capital in real life before the fi nal day. Without failure you don’t thank you Pam and Carol for a great season. out behind my desk so quietly that many people are should be! projects, and there’s plenty to report on this year. know success! You’re the best! surprised to discover her there, danced with me in a “Skowhegan’s Got Talent” production, where we Makes 16 servings But I do want to mention the other side of our jobs in Congratulations to all the artists for all their hard work. To all the artists who have passed through Skowhegan’s Grounds & Maintenance—to help facilitate art work. It was only a short while into the session when the dining hall, I’m still at the stove making something tied for fi rst place (and ultimately ended up second). Ingredients: I spend a good deal of my time during the summer kitchen had requests for quart half-and-half containers yummy for a new someone just like you! Thank you all This year I again did a workshop on making goats' 1/4 cup white sugar advising participants on the safety and logistic issues to be saved, lots of cracked eggshells, tin cans, use of for wonderful summer. milk soap, which led to one of the participants coming 3 cups all-purpose fl our that come up around site-specifi c projects. My crew the kitchen for cake, gelatin molds, and crepe-making to my home to fi lm the goats and the soap-making 1 tsp. baking powder Make Art & Prosper!! and I feel very much part of the mission. We want to projects. I love food art! No ice sculpting though… process for a piece she is making. The soap from the 1/2 tsp. baking soda provide a safe, inviting environment and to help in any maybe next year? OXs Waneeta aka “Wan” workshop was distributed to any interested participants 1/2 tsp. salt way we can with the work that it inspires. This ranges during their fi nal week on campus. 1 cup plus 2 tbsp. butter Healthy comes to mind again this year. Soccer without from fi elding simple questions about location, place- 2 cups white sugar rules near the Fresco Barn, yoga at the Van Gogh JUDITH STOODLEY Librarian, Robert Lehman Library ment, and materials, to helping with the physical 6 eggs studios taught by Alisha, basketball with the artists and labor required by the piece. One project this summer Every summer at Skowhegan is full of little surprises 1 tbsp. vanilla the bunkhouse guys, lots of runners…fun and fi tness involved the removal of a large dead tree, helping the embedded within the biggest surprise, which is what 2 cups fresh blueberries was had by all. artist transport and transform it into a beautiful fl oating the last phase of our systematic safety code upgrades sort of community 65 artists, chosen on the basis of the Directions: sculpture on the lake, and then helping him return it and many small improvements. All the details are Each year I review the many dishes we serve over the art they submitted with their applications, will forge, and Preheat oven to 325 degrees. Grease a 10-inch to the upper campus where he refashioned it again important to maintaining the campus as an inspiring course of the summer to select one for you to make at how they will avail themselves of the resources of this tube pan with 2 tablespoons butter. Sprinkle to form the centerpiece of a large bonfi re at the end of home for artists. home when the need arises to remember your summer special place. The Class of 2009 proved to be a hard- pan with 1/4 cup sugar. the summer. Having known the tree when it was a at Skowhegan. This year I have selected the “Blueberry working collection of people who spent a lot of time Pound Cake” recipe made with Maine blueberries. We in the library. An astonishing 50 participants attended Mix together 2 3/4 cups fl our, baking powder, healthy part of the woods, and seen die and fall, it was WANEETA MARQUIS Food Service & Residence Manager served it multiple times throughout the summer and for the library orientation, and they continued to inhabit baking soda, and salt. Set aside. very satisfying to have taken part in its second life as a work of art. Salutations One & All, the fi nal “goodbye” dinner too. So when you are thinking the space in the fi rst week or so before the problems In a large bowl, cream together remaining butter of summer gone by make the cake, sit down with a big with wireless access were straightened out, and on This is all about the summer that almost never was… and sugar until light and fl uffy. Beat in the eggs We had a very busy fall and spring in preparation for this piece, and remember all the good times, hugs, and well into the seemingly interminable days and weeks of rain it arrived August 1st…fi nally! I always look forward to one at a time, then stir in the vanilla. Gradually summer. Work that had begun last year was completed wishes you all received here. we endured this summer. On the fi rst day that the sun the beginning of each new program, eyes wide open, beat in the fl our mixture. Dredge blueberries with on Brinn Cottage. The building, which replaced Bladen shone I expected that they would take some time off, ready for anything someone may ask me. But who remaining 1/4 cup fl our, then fold into batter and Cottage, features all single rooms, two bathrooms but still they came to use our books, periodicals, DVDs, asked for all that rain? It wasn’t raining when the group pour batter into prepared pan. and plenty of common space. We’ve been upgrading and lecture archive, as well as to request supplemental It was also a distinct pleasure to participate in the safety and comfort in all of the residences as part of an fi rst arrived but it started and didn’t stop for 40 days Bake in the preheated oven for 50 to 60 minutes, materials of various sorts. In fact, this year set a new open studio walk on July 29 and to see what sorts ongoing schedule of improvements, but it was a great and 40 nights. I heard someone joking about building or until a toothpick inserted into the center record, with 117 such items requested, many of which of things the participants worked on this summer, challenge and very rewarding to start from scratch and an ark, maybe not a bad idea. Despite the rain this of the cake comes out clean. Let cool in pan ended up being included in this year’s 150 new acquisi- as my home schedule doesn’t always dovetail with design and build a residence that incorporates all of the group hit the ground running; they started right in work- for 10 minutes, then turn out onto a wire rack tions, purchased with the continuing support of the this opportunity. ideal elements. We were able to salvage and restore ing on projects. This happened in between purchasing and cool. Looker Foundation. Bladen’s beautiful French doors and use them in the many rubber boots, rain jackets, and lots of umbrellas The library is starting to show its age a little (not unlike There were more formal and informal discussion Note: You may substitute frozen blueberries new structure. The building was the site of my accident in the fi rst couple of weeks. The rain just never stopped. this librarian!), but that only contributes to the comfort groups and fi lm screenings in the library this summer when they're not in season. Let them thaw two years ago and so it is a special milestone in my But that did not stop the creative fl ow! Gregory built a the participants feel in making use of it. All in all it was than in any of the previous eight that I have worked at in a colander overnight in the refrigerator. recovery for me to see it happily occupied. row boat that graced the waters of Lake Wesserunsett; a season of hard but satisfying work. he made it so fast—even the oars and oar-locks too. Skowhegan. These usually took place in the evenings We also completed work on the new Bearden studio Now that’s talent! Gregory and the boat came in handy when the library offi ce is closed, but I’m told they were building which is described elsewhere in this issue. when Theo launched his wooden stair way out into the sometimes noisy and impassioned (but bloodless) That project is the culmination of a lot of thought and lake. It was quite the production—over one hundred affairs, with diverse opinions being expressed. planning. In designing it I shared the Governors’ round tree slabs, numbered just as they were cut from Because I live off campus, I try to fi nd small ways concern that it be a harmonious and useful addition— the fallen tree…amazing sight. They danced on the I would like to take this opportunity to acknowledge to participate in the life of the community each year. and it was gratifying to see it become one of the most lake like ballerinas until the water skier ran right through my senior staff Jake, Jon, Justin, and Amy, for rocking To that end I brought my new French Bulldog puppy sought after studio locations on campus this summer. them, cutting the line that held them together. No fear— out the meals when we had Red Farm dinners. Thank to work with me when he arrived two weeks into the Skowhegan’s varied property is a beautiful and constant Alisha in her kayak and Theo in the boat made a you very much! Here’s to the rest of my “Kick Ass session. “Wiggin,” who loved everyone on sight, was gift. We will be taking a breather from major construction successful repair. Now that was a performance piece! Kitchen Staff” aka “KAKS” that make it all look so easy. declared the “Offi cial Sunshine” of the campus this during the upcoming year and focusing on completing Ian brought one more art piece lakeside—a stairway to So much gratitude and appreciation for all you’ve done summer. And my Doberman, Fiesta, who has been photos by Melissa Calderón

16 17 SKOWHEGAN CELEBRATES

Skowhegan held its annual Awards Dinner at Cipriani Wall Street on April 28, 2009. Three hundred fi fty SAVE THE DATE people attended to support Skowhegan and to Skowhegan’s 2010 Awards Dinner celebrate the achievements of our fi ve outstanding Tuesday, April 27 honorees. The evening was chaired by Ashton Hawkins and Ambassador Bill and Wendy Luers. Skowhegan Cipriani Wall Street, New York City 1 2 3 medals were presented to Merce Cunningham 2010 Honorees will be announced soon— (performance), Paul McCarthy (sculpture), and watch www.skowheganart.org for more Catherine Murphy (painting). Bill Aguado, former details. We look forward to seeing you in Executive Director of the Bronx Council on the Arts, April for another festive night of celebration! received the Governors’ Award for Outstanding Service to Artists; and Philippe de Montebello was given the Gertrude Vanderbilt Whitney Award for Outstanding Patronage of the Arts for his many contributions to PHOTO CAPTIONS arts and culture during his tenure as Director of the 1 / Agnes Gund and Skowhegan Governor Robert Gober Metropolitan Museum of Art. 2 / Skowhegan Chair Ann Gund 4 5 6 As has become tradition, Skowhegan alumni made 3 / Barbara Lapcek, Leonardo Drew (’89), and unique works of art for guests to take home. This Teresita Fernandez year, fi fteen artists transformed linen dinner napkins 4 / Skowhegan Grounds & Maintenance Manager into beautiful creations inspired by works at the Bill Holmes, Governor Janine Antoni, and Metropolitan Museum of Art. Skowhegan Governor Paul Ramirez Jonas Jane Hammond designed this year’s mug, a gift for 5 / Trustee Bob Gilson, Governor Daniel Bozhkov, guests that has become a much-anticipated aspect Trustee Lisa Richards, and Reuben Richards of the Awards Dinner. 6 / David Foley and Trustee Victoria Love Salnikoff The Awards Dinner is our most important fundraising 7 / Trustee Eleanor Revson and Dick Lord event of the year, and despite a sluggish economy, 8 / Award presenter Eliot Nolen and Gertrude Vanderbilt Whitney Award recipient Philippe de Montebello 7 8 9 the 2009 dinner raised well over $200,000 for scholarships and other elements of Skowhegan’s 9 / Skowhegan President Greg Palm and Chair Emeritus Mildred Brinn program. Scholarship need increases each year, and we are most grateful to all those whose support makes 10 / Skowhegan Medalist Merce Cunningham it possible for us to keep our pledge that any artist 11 / Nick Polsky, Skowhegan Council Chair Chiara Edmands, and Virginia Pierrepont (’85) accepted to Skowhegan on the basis of his or her work will be able to attend, regardless of fi nancial means. 12 / Ann Freedman, Skowhegan Medalist Catherine Murphy, and Frank Del Deo In 2009, 97% of participants required and received 13 / Skowhegan Governor and award presenter fi nancial aid. Emma Amos with Medalist Paul McCarthy 14 / Anne Skidmore, Nicole Chesney, Chris Skidmore, Executive Director for Development & Administration 10 11 12 There is nothing Kate Haw, and Trustee Libbie Masterson ordinary about 15 / Governors’ Award recipient Bill Aguado Skowhegan, because extraordinary people always surround you. 13 14 15 2007 PARTICIPANT All photos of the Awards Dinner by Teri Slotkin

18 19 FACULTY 2010

2010 Session: RESIDENT FACULTY ARTISTS June 12–August 14 Anoka Faruqee Martin Kersels Carrie Moyer Paul Pfeiffer Arthur Simms Application Deadline: is a painter who lives and works is a Los Angeles-based artist is a Brooklyn-based painter and Paul Pfeiffer’s videos, photos, Over the past two decades Arthur in Los Angeles. Her paintings are working on the fringes of sculpture, writer. Known for paintings that and sculptures address the many Simms has created a body of work February 1, 2010 created slowly and deliberately, performance, and photography. merge the gestures of mid-century problematic aspects of present rich with associations to his hybrid one handmade pixel at a time, His work ranges from the collabora- abstraction with the political and future worlds dominated by autobiography, art history, music, Details of the 2010 program and application but the dry monotony of repetition tive performances of the 80s and iconography of 20th-century radical astonishing revolutions in visual politics, and world culture. His process will be posted on Skowhegan’s website yields the possibility of complexity 90s with the group SHRIMPS to graphics, she has said that she representation. His transformation human-scale sculptures, which www.skowheganart.org by mid-November. and even spontaneity. One fi nds large-scale sculptures to intimate is interested in “expanding the of images and objects from televised incorporate found objects, are Only online submissions will be accepted. reference here to Los Angeles musical instruments for his gene pool of painting through the sporting and media events, fashion a playful yet serious inquiry into haze, unresolved computer “Orchestra for Idiots.” Leslie introduction of new technologies photography, and Hollywood concepts of origin and transforma- To request a postcard with program information, screens, optical painting, and the Dick has written that “…his work as well as contemporary social movies prompts us to reconsider tion. Through their formal rigor and email us at [email protected]. systems of early conceptual art. is articulated around his own and political concerns.” She is also conventional attitudes about issues the poetic associations that the Full and partial fellowships are available for Modular color and shape mimics being in the world…so fl awed, so one half of Dyke Action Machine!, of the body, race, identity, faith, recycled elements trigger, his work those with fi nancial need to help cover tuition, the fragmentation of experience vulnerable, so ridiculous, so strong. a public art project she founded and architectural space in narrates stories of personal identity, room, and board. Details about fi nancial aid inherent in our human attempts to Lately he’s been examining a further with photographer Sue Schaffner in contemporary society. Pfeiffer uses family, spiritual, and physical will be online in mid-November. understand phenomena. Faruqee’s dimension of that reality… America, 1991. Between 1991–2004, DAM!’s recent computer technologies to journeys, erotic tensions, and If you have questions, contact Skowhegan’s earlier work presented nearly where strength can mean potential culture-jamming campaigns dissect the role that mass media nostalgia for home. Simms repre- New York offi ce at 212.529.0505 or identical paintings as diptychs for violence, where vulnerability dissected mainstream visual culture plays in shaping consciousness and sented Jamaica, West Indies at [email protected]. and triptychs. In her current work, requires retaliation.” Kersels’ work by inserting lesbian images into contemplates an uneasy dialectic the 2001 Venice Biennial. Other Faruqee embodies digital and has been exhibited at many national recognizably commercial contexts. of presence and absence through exhibition venues include the natural processes: she models and international galleries. The Her paintings and public interven- acts of erasure, camoufl age, Irish Museum of Modern Art, the three-dimensional space by Santa Monica Museum of Art tions have been widely exhibited displacement, and reconstruction. Brooklyn Museum, the Neuberger navigating her body and gestures recently featured a survey show of and reviewed nationally and His works address the evolving Museum, the American Academy across a large canvas. She has Kersels’ work entitled “Heavyweight internationally. Her work has been effects of new digital technologies, of Arts and Letters, P.S.1 MoMA, exhibited her work in New York, Champion.” He is a recipient of recognized with numerous grants and rather than masking the use the American Academy in Rome, Los Angeles, San Francisco, Fellows of Contemporary Art and and residencies including the Artist of technology in his work, Pfeiffer and the Queens Museum, among Chicago, and Dhaka, Bangladesh. Guggenheim Fellowships. He teaches Pension Fund, Creative Capital, calls full attention to its presence. others. His many honors include Grants include the Pollock-Krasner and is co-director of the Program PS1’s National Studio Program, Pfeiffer’s work has been exhibited the Rome Prize; awards from the Foundation and Artadia. Faruqee in Art at CalArts. and the Peter Norton Foundation, internationally and he has received American Academy of Arts and currently teaches at CalArts, where among others. Moyer is a regular numerous awards and fellowships, Letters and the Louis Comfort she is also Co-Director of the FRANCES & SIDNEY LEWIS contributor to Art in America, most notably becoming the inaugural Tiffany Foundation; fellowships ENDOWED CHAIR Art Program. Faruqee attended Modern Painters, The Brooklyn recipient of The Bucksbaum Award from the Guggenheim Foundation Skowhegan in 1995. Rail, and other publications. She given by the Whitney Museum of and NYFA; a Bellagio Residency; teaches at the Rhode Island School American Art (2000). He received and grants from Creative Capital, JOHN WHITNEY PAYSON of Design (RISD) where she is The Alpert Award in for Visual Arts the Pollock-Krasner Foundation, ENDOWED CHAIR the coordinator of the Graduate this year. Pfeiffer is a member of and the Joan Mitchell Foundation. Painting Program. Moyer attended Skowhegan’s Board of Governors. Simms attended Skowhegan Skowhegan in 1995. in 1985. MILDRED C. BRINN JOHN EASTMAN, JR. ENDOWED CHAIR NANCY MCGRATH ENDOWED CHAIR ENDOWED CHAIR

CONTINUED ON NEXT PAGE

20 21 FACULTY 2010 CONTINUED

VISITING FACULTY ARTISTS PAUL MELLON DISTINGUISHED FELLOW Sanford Biggers Dara Birnbaum Dinh Q. Lê Catherine Opie Dana Schutz Teddy Cruz uses the study of ethnological Dara Birnbaum’s provocative was born in Ha-Tien, Vietnam in has produced a complex body of is a New York based painter whose Teddy Cruz’s groundbreaking objects, popular icons, and the video works are among the 1968 and studied art in the United photographic work, creating series work depicts activities that precede work integrates research, theory, Dadaist tradition to explore most infl uential contributions to States. The prevalent themes of images that explore notions an event, making visible the pictorial and design production to create cultural and creative syncretism, contemporary discourse on art explored in his video, sculpture, of communal, sexual, and cultural moment, frozen and deferred, before architecture, interiors, furniture, art history, and politics. An and television. In her videotapes and signature photo-weavings are identity. From her early portraits an image comes into being and form installations, public art, and accomplished musician, Biggers and multi-media installations, memory and mythology, especially of queer subcultures to her expan- becomes manifest. Schutz treats landscape interventions in a context often incorporates performative Birnbaum applies both low-end in relation to the way in which sive urban landscapes, Opie has the picture as a material, a malleable that embraces the complexities elements into his sculptures and high-end video technology the American-Vietnam war and the offered profound insights into situation where the rearrangement of cultural exchange and the and installations, resulting in to subvert the power of mass Khmer Rouge regime have been the conditions in which communities of objects is implied. Bodies are potential for design to transform multilayered works that act as media images and gestures. represented in media, government form and the terms in which they props and seem to have come from urban policy. He founded his anecdotal vignettes, at once full The critique implicit in her work propaganda, historical records, and are defi ned. All the while she a previous context. Some paintings architectural practice estudio teddy of wit and clear formal intent. defi nes and deconstructs by individuals. Through metaphor has maintained a strict formal rigor, depict suspended narratives in cruz in San Diego and the city’s Biggers has won several awards mythologies of culture, history, and manipulated documentary working in lush and provocative which the objects and characters porous cultural and demographic including: the Creative Time and memory embedded in popular footage, Lê’s work speaks to color as well as richly toned black appear to have been singed, border with Tijuana, Mexico, Travel Grant, Creative Capital media. Birnbaum is concerned contemporary global conditions and white. Infl uenced by social as if something terrible happened has inspired much of his practice Project Grant, New York Percent with the way art can provide a and speculates about the future documentary photographers from outside the frame. In Schutz’s and pedagogy. Reversing the for the Arts Commission, Art transformation of consciousness by interweaving imagery of sacred such as Walker Evans, Dorothea new work, preliminary information, dominant model for exchange Matters Grant, and the New York and allow alternative voices and iconography, recent natural Lange, and August Sander, Opie such as schematic stains and in which formal solutions trump Foundation for the Arts Award in unique ways of seeing within disasters, twentieth- and twenty- underscores and elevates the thumbnail sketches, remains visible the vernacular and improvisatory performance art/multidisciplinary developed technological societies. fi rst century warfare, ubiquitous poignant yet unsettling veracity of and is incorporated into the fi nished Cruz’s work brings the vibrancy work. His installations, videos, and Her work is shown in galleries brand labels, and present-day living her subjects. Last year the Guggen- paintings. Linear marks deface and practicality of informal performances have appeared in and museums worldwide, but conditions in Vietnam—including heim Museum, New York, mounted the picture. Features peel off architecture to projects on the U.S. venues throughout the U.S. and also within expanded networks how the country is perceived a major mid-career survey of their subjects. Spaces dissolve as side of the border. He is widely worldwide. He is currently engaged of distribution including television, from within and without. His work her work entitled Catherine Opie: washes misalign with patterned recognized for his collaboration in several new commissioned cable, radio, fi lm festivals, clubs, has been shown internationally. American Photographer. She has fi elds. As Schutz shows us around with nonprofi t community-based works for the New York Percent and dynamic public spaces. She Lê also co-founded Vietnam Art also had numerous solo and group the sunny and anxious territory organizations to create affordable for the Arts, Creative Capital, the is also widely recognized as an Foundation based in Los Angeles, exhibitions in the U.S. and interna- of her most recent fi ction, the housing solutions that support Kitchen, and Harvard University. important and constant advocate an organization that supports tionally including such venues paintings unmake themselves the development of a rich civic life. Biggers currently teaches in the of independent media arts. Vietnamese artists and promotes as: Museum of Contemporary Art, in front of us. Her work has been Cruz has also published essays Virginia Commonwealth University artistic exchange, and San Art, Los Angeles; ArtPace, San Antonio; shown internationally. Schutz in numerous architectural journals Sculpture and Expanded Media WILLIAM WARREN CUMMINGS a nonprofi t gallery in Ho Chi Minh The Photographers' Gallery, attended Skowhegan in 1999. and magazines and has received ENDOWED CHAIR program and is a visiting scholar City where he currently lives. London; Saint Louis Art Museum; the Rome Prize for Architecture. at Harvard. Biggers attended Walker Art Center; and Aldrich estudio teddy cruz has received Skowhegan 1999. SALLY & MILTON AVERY Contemporary Art Museum. Opie many awards for projects on ENDOWED CHAIR has been awarded numerous both sides of the border, and honors including a United States was most recently featured in the Artists Fellowship (2006). She lives American Pavilion at the 2008 and works in Los Angeles. Architectural Biennale in Venice. I’ll think about Skowhegan when I want to Cruz is an Associate Professor in imagine people working together and being Public Culture and Urbanism in the Visual Arts Department at UCSD generous… I could never have imagined that in San Diego. a community of artists could be so supportive of each other.

2007 PARTICIPANT

22 23 2009 PARTICIPANTS 2009 SKOWHEGAN CONGRATULATIONS ALUMNI ON RECENT PARTICIPANT DEMOGRAPHICS THANK YOU TO AWARDS, GRANTS, AND FELLOWSHIPS! 2009 FACULTY Lauren Adams, Painting Gregg Louis, Multimedia Fellowships / 97% of the participants received American Academy of New York Foundation Carmen Argote, Sculpture Matthew Mazzotta, fellowships The 2009 Resident Faculty were extraordinarily Arts and Letters for the Arts Fellowship Eduardo Tomás Installation Gender / 36 Women and 29 Men supportive and interactive, and the diversity Charles Cajori (’48/’54) Diana Al-Hadid (’07) Basualdo, Installation Nathaniel Meade, of their own practices and approaches to studio Age / The average age was 30, the age range was Susan Jane Walp (’71) Suzanne Broughel (’08) Keren Benbenisty, Painting visits enlivened the atmosphere at Skowhegan 23 to 42. Ken Buhler (’76) Multimedia Florian Meisenberg, immeasurably. All of the Visiting Faculty Art Matters Grant Tom Burckhardt (’86) Ashley Blalock, Painting Geographic Representation / 13 U.S. states and remarked on the atmosphere of excitement Nicole Cherubini (’02) Rosemarie Fiore (’99) Installation Matthew Metzger, 7 foreign countries: Argentina, Croatia, Denmark, and the energy, intelligence, and talent of Victoria Fu (’06) Judy Fox (’76) Heather Bursch, Painting France, Germany, The Netherlands, and Venezuela. the participants. In addition to their lectures, Kalup Linzy (’02) Installation Irvin Morazan, Multimedia Adam Frelin (’02) 29% of Skowhegan’s 2009 Participants claim Resident Faculty make as many as 195 studio Creative Capital Grant Maria Buyondo, Nyeema Morgan, Drawing Chitra Ganesh (’01) foreign citizenship or origin, representing visits over the course of the nine weeks and Shih Chieh Huang (’01) Video/Film Rosalind Murray, Drawing Hiroyuki Hamada (’98) 18 countries / Argentina, Brazil-Italy, Croatia, Visiting Faculty see as many as ten artists Krista Caballero, Tameka Norris, Fulbright Scholarship Moo Kwan Han (’08) Denmark, Germany, Greece, India, Ireland, Israel, a day. This year’s Visiting Faculty all went above Multimedia Multimedia Andrea Chung (’08) Heather Hart (’05) The Netherlands, New Zealand, Russia-Sweden, and beyond the call and made additional visits Kimberley Hart (’95) Nayari Castillo, Installation Brandon Norsted, when a mealtime conversation or a chance Adolph and Esther Gottlieb South Korea, Thailand, United Kingdom, Kirsten Hassenfeld (’97) Caleb Charland, Sculpture encounter led them in that direction. Foundation Grant and Venezuela. Frank Magnotta (’03) Photography Ann Oren, Multimedia Dozier Bell (’85) Resident Faculty: Tamy Ben-Tor, Katherine Charles McGill (’87) Colby Claycomb, Tara Pelletier, Multimedia 35% of 2009 Participants identifi ed their cultural Bradford, Hasan Elahi, Ester Partegàs, and John Simon Guggenheim Zoe Sheehan Saldana (’00) Installation John Pena, Multimedia background as African American, Asian, Central/ Ernesto Pujol. Memorial Foundation Fellowship Charlotte Schulz (’92) Mary Coble, Multimedia Bundith Phunsombatlert, South American & Caribbean. (Note: This is an Dike Blair (’74) Susanna Starr (’85) Brandon Cox, Multimedia Installation optional question on the application. Many applicants Visiting Faculty: Luca Buvoli, Leonardo Drew, Tom Burckhardt (’86) Rachel Fainter, Painting Sreshta Premnath, do not answer this question. Many applicants check Dr. Paul Farmer (Paul Mellon Distinguished Pew Fellowship in the Arts Joanna Malinowksa (’01) Amy Feldman, Painting Installation off more than one box.) Fellow), Katharina Grosse, Steve McQueen, Anthony Campuzano (’00) Stephanie Snider (’94) José Joaquín Figueroa Renata Poljak, Video/Film and Hanneline Røgeberg. Jennifer Levonian (’07) Shirley Tse (’95) Quintana, Painting Jaye Rhee, Multimedia In addition to the faculty listed here several Alexi Worth (’89) Pollock-Krasner Rosalinda González, Blithe Riley, Governors visited over the course of the Foundation Grant Multimedia Electronic Media William H. Johnson Prize, summer. Special thanks are due to Maria Diana Al-Hadid (’07) Jacob Gossett, Painting Christopher Robbins, William H. Johnson Foundation for Elena González, who returned to campus Harriet Korman (’68) Jane Fox Hipple, Painting Installation the Arts to complete a project begun when she was Shawne Major (’92) Cooper Holoweski, Jacolby Satterwhite, Jennie C. Jones (’96) a Resident Artist in 2005, and shared her Luis Romero (’89) Installation Video/Film Rema Hort Mann time with participants; and to Mel Chin who Andrea Sulzer (’01) Janelle Iglesias, Gretchen Skogerson, Foundation Grant ART & INSIGHT: facilitated Dr. Paul Farmer’s visit, gave a talk, Sarah Wagner (’05) Installation Multimedia Dave McKenzie (’00) and consulted with participants. They and Nova Jiang, Paul Stoelting, Installation MARY LUCIER & Marie Walsh Sharpe all the Governors and Trustees who visited Joan Mitchell Foundation Grant Art Foundation Electronic Media Clarissa Tossin, Sculpture IRVING SANDLER this summer demonstrated the reach and Laylah Ali (’93) Michael Berryhill (’07) Art Johnson, Multimedia Niels Vis, Installation MARCH 4, 2010, 8:15 PM commitment of Skowhegan’s community. Jenny Dubnau (’95) Benjamin Dowell (’06) Eva Jung, Performance Richard T. Walker, We also wish to thank writer Tracy Kidder and Sigrid Sandstrom (’00) Ishmael Randall Weeks (’07) Kyoung Eun Kang, Multimedia Join us for our annual “Art & Insight” event, painter Frances Kidder who participated in Kris Scheifele (’90) Rob Swainston (’07) Performance Ian Warren, Installation presented in collaboration with the 92StY the talks and studio visits during Dr. Farmer’s Shinique Smith (’03) Karla Wozniak (’03) Devin Kenny, Multimedia Brindalyn Webster, in New York City. Video artist Mary Lucier, stay, and were wonderfully generous. Julianne Swartz (’99) who was a Resident Artist at Skowhegan United States Artists Fellowship Ji Eun Kim, Painting Multimedia Jina Valentine (’05) in 2001, will discuss her work with writer Rodney McMillian (’00) Mie Olise Kjaergaard, Letha Wilson, Multimedia Painting Gregory Witt, Sculpture and critic Irving Sandler, Skowhegan’s 2003 Avi Krispin, Video/Film Jayoung Yoon, Installation Paul Mellon Fellow. Anna Kunz, Painting Nate Young, Installation Tickets can be purchased online Eva laCour, Sculpture Theodoros Zafeiropoulos, at www.92Y.org, or by calling the 92Y Jennifer Lee, Painting Installation at 212.415.5500. Dan Levenson, Painting

24 25 SKOWHEGAN COUNCIL SKOWHEGAN PARTIES IN MIAMI NEWS FROM THE CHAIRS OF THE SKOWHEGAN ALLIANCE IF WE ASKED YOU TO STEPHANIE DIAMOND (’00) & CATHERINE ROSS (’02) GIVE $10… In December of 2008, Skowhegan, through the hard It is our great pleasure to announce our new role as Museum, which generously recorded audio and video to be a Skowhegan alum (’97), entertained us with There are many ways to give to Skowhegan, work of the Skowhegan Alliance, realized a longtime the Co-Chairs of the Skowhegan Alliance. We are of the talks for our archive. Patrick Killoran (’08) and a history of his artists-run gallery. Our fi nal destination and all of them make a difference to our dream of bringing our alumni from around the world honored to continue the brilliant programming started Janine Antoni (Resident Artist ’08) prepared a diptych was Small A Projects on Broome Street, where success. When we say EVERY gift counts, together for a party during Art Basel. The setting was under the leadership of Abbey Williams (’04) and slide presentation which revealed a common trajectory Anissa Mack (’99) discussed concepts of memory and we mean it. the distinctive art deco Wolfsonian Museum in Miami Marc Swanson (’00). Thank you Marc and Abbey in their works and allowed the audience a delightful history that were behind her wonderful solo exhibition Beach, and 300 alumni and friends gathered to and all the other Skowhegan Alliance Chairs who peek at a true artist-to-artist connection. In May, we “Yours Past A Star.” We hope you will join us this fall If we asked you to give $120 that might not reconnect, watch performances by Skowhegan alumni came before us for setting the stones for our journey. experienced a unique presentation from Clifford Owens as we head out again for another SkowheganWALKS. be possible for you. But what if we asked Kalup Linzy (’02) and Shaun Leonardo (’04), dance (’04) and Donald Moffett (Resident Artist ’04). Owens Details to come! you to give $10? And what if you did that each As each summer comes to a close a conversation to the music selections of Skowhegan DJs Derrick Adams recreated his fi rst Skowhegan studio visit with Moffett month for a year? A few clicks for a secure begins among the participants about life after (’02) and Susanna Vapnek (’02), and get the fi rst glimpse in which Moffett was invited to photograph Owens as transaction on our website and you’d be set Skowhegan. Often heard at mealtimes are questions of a new video by Eve Sussman (alum ’89 and Visiting he quietly shaved and rinsed himself in a Nauman-esque for twelve months. such as, “What happens next?” or “What will life Artist ’05). The evening was topped off by the announce- fountain of water he drank from a water bottle. This be like now that our nine weeks are almost over?” What if every alum gave this way? To put it ment of the winner of a raffl e for a trip to Dubai to visit time the audience was the surprised spectator, entering As former participants, we recognize this desire for in perspective, we have nearly 2,000 active Above / William Villalongo (’02) talks about his work Art Dubai. John Houck (’08) held the winning ticket and the theater as Owens was performing, while Moffett a continuation of the Skowhegan summer experience. alumni. If each one gave $10 a month, that at the inaugural Skowhegan Council event / photo by enjoyed a great trip to Dubai in March. directed Owens’s gaze with his camera. It is with this sentiment in mind that the Skowhegan would amount to a scholarship for every artist Stephanie Diamond (’00) The party would never have been possible without Alliance considers our programming. We strive to We are currently programming the fall season of who needs one in the summer of 2010. The Skowhegan Council, launched in the spring of a very generous sponsorship from Jumeirah Hotels & provide an experience that builds on our unique time SkowheganTALKS III, and we hope you will join us for Now that’s a difference. this year under the leadership of Council Chair Resorts, who not only underwrote the event but in Maine and share it with a greater community. another dynamic conversation between Fred Tomaselli To make a gift, please visit Chiara Edmands, provides an entry into the world provided gift bags, designed by Katherine Mangiardi (Resident Artist ’00) & John O’Connor (’00) at the We approach our Alliance Co-Chair duties as leaders www.skowheganart.org and click SUPPORT. of contemporary art through private gallery tours, (’07), and the raffl e prize. We are also very grateful New Museum in December. Watch the Skowhegan among leaders, and as new Co-Chairs we fi rst studio visits, visits to private collections, and other to Domaine de Canton for generously providing the website for details. set out to expand our membership. We recruited events that highlight the work of our broad base signature drink for the evening. new members, increasing our group to over 20 alumni In the fall 2008 SkowheganWALKS focused around Above / Patrick Killoran (’98) and Janine Antoni of alumni and former faculty members. These include who represent the classes 2000–2009. With our Chelsea, and was organized by David Coggins (’01). (Resident Artist ’98) at SkowheganTALKS / photo by exciting young artists who are just emerging onto Catherine Ross (’02) new growth, this spring we were able to organize the We began with a visit to Fredericks & Freiser Gallery the art scene, as well as more established artists Alliance into committees and, in doing so, we have with a solo exhibition by Zak Smith (’98). Smith’s who have built substantial careers over the past established a framework that we believe will sustain drawings and paintings evoked intriguing conversation We look forward to another full and inspiring year of decade or more. A special privilege of members of the Alliance for many years to come. detailing his life in the adult fi lm industry alongside programming and events and to continuing with our the Council is an invitation to Skowhegan’s annual his career as an artist. We continued with a visit intention of supporting Skowhegan’s mission and Trustees’/Governors’ Weekend on our campus in Our second charge was to embark upon alumni to a one-person show by Nandini Chirimar (’91) and the notion of community it fosters by organizing special Maine. During this weekend, members of the Council fundraising! Steered by Pasqualina Azzarello (’08) a project space by Peter Bocour (’70) at Allen Gallery. programs and events for alumni and the broader have a chance to meet a wide range of emerging and Adam Shecter (’06), our mission was to create It was a delight to speak with alumni spanning so Skowhegan community. and mid-career artists and see Skowhegan in action— temporary class offi cers (for the classes 1997–2008), many years! We ended our journey at Magnan Projects If you would like to receive emails for our programming, a rare opportunity given the private nature of whose purpose was to increase the number of with Amelia Biewald (’04), where we were drawn fi nd out more about the Alliance, and/or become Skowhegan’s residency program. alumni gifts with a personal email campaign. We are into Biewald’s intimate world of fables, art histories, a class offi cer and assist with next year’s alumni appeal, Spring 2009 events included a private viewing of delighted to report that this has proven exceptionally and theories. successful, more than DOUBLING the number please contact the Skowhegan offi ce at William Villalongo’s (’02) exhibition at Susan Inglett This spring SkowheganWALKS brought together 25 Above / John Houck (’08), winner of the raffl e prize / of gifts that had been received at this time last year. [email protected]. Gallery, where the artist discussed his work, and photo by Joe Mama-Nitzberg alumni for a Lower East Side gallery tour, organized a visit to the private collection of Skowhegan Trustee 2008–09 was a charmed year for the second season by Jeanine Oleson (’00). We began with a visit to Sue George Ahl, with several of the Skowhegan artists of SkowheganTALKS. Last fall, we set the program Scott Gallery for a show entitled “Subverted Genres” represented in his collection there to talk about their in motion with two outstanding conversations at Artists featuring two Skowhegan alumni, Liz Magic Laser (’08) work. This fall we are planning studio visits and SKOWHEGAN ON FACEBOOK Space between LaToya Ruby Frazier (’07) & Lorraine and Elena Sisto (’76). Although these alumni had only a cocktail party and special viewing of the Editions/ O’Grady (Resident Artist ’99), and Esperanza Mayobre met briefl y once before, there was an immediate Artists Book Fair, among other events. Do you Facebook? Keep up on current events (’05) & Maria Elena González (Resident Artist ’05). connection between the artists that inspired an engaging We look forward to growing this group in the years at Skowhegan and connect with fellow alumni In the spirit of SkowheganTALKS both pairings presented conversation about portraiture. The next stop was a to come. If you are interested in learning more about by becoming a fan of our Facebook page. a brief history of their own work and then engaged gorgeous painting show, "Arcana," by artist Carrie Moyer the Skowhegan Council, please contact Kate Haw Go to www.facebook.com/skowhegan to join. each other in questions that only artists know to ask (’95) at CANADA. Although Moyer was unable to join at [email protected]. other artists. In February we moved to the hi-tech New us, the gallery's co-director Phil Grauer, who happens

26 27 ALUMNI: ALUMNI NEWS 2008 –2009 SUBMIT YOUR NEWS TO THE ART REGISTRY ON SKOWHEGAN’S WEBSITE 1953 1957/1958 1959/1961 1971 1974/1976 James McGarrell Suzanne Hodes Abigail Shahn Elliott Bassman Robert Flynt EXHIBITIONS Astronomies EXHIBITION Paintings and EXHIBITIONS Habitations EXHIBITIONS Anyone Can Fly EXHIBITIONS 3 / Haven Update your personal listing in the Art Registry and Pleasures, A Modern Prints / Common Space Gallery, (group show) / L.C. Bates / Aaron Davis Hall, City College Arts Center, Bronx, NY / Ragamala / Religare Arts Artists West, Waltham, MA / Museum, Hinkley, ME. Empty of New York, New York, NY 11/07/2008–12/13/2008. section of the website! Keep us current with Initiative, New Delhi, India / 05/16/2009–07/30/2009. Walls and Windows, (group / 03/30/2009–05/30/2009. John Brecht ’73 Eight West Steve Miller: Photographs / Body-Scan/Infl uences / news and images of your work. Skowhegan’s 11/08/2008–12/09/2008. Island Artists / Courthouse show) / Waterfall Arts, Belfast, Without Faces / Caribbean Eighth / 2007 / oil and graphite heartgalerie, Paris, France Hours and Seasons, A New Galllery Ellsworth, ME / ME / 06/02/2009–08/02/2009. Literary and Cultural Center, Robin Rice Gallery, New York, on paper / 5¼ x 21" NY / 09/16/2009–10/25/2009. / 03/20/2009-04/14/2009. website lets you add your news at any time Ragamala / Heriard-Cimino 06/15/2009–07/15/2009. Paintings And Other Things / Brooklyn, New York / Mankind / Werkstattgalerie, during the year so people know what you’re Gallery, New Orleans, LA / Stadler Gallery, Kingfi eld, ME / 05/04/2009–07/31/2009. Alan Singer Berlin, Germany / 04/03/2009– 05/02/2009–06/02/2009. 08/29/2009–09/18/2009. Flushing Town Hall Celebration EXHIBITION Juried National Michael Tcheyan 05/15/2009. Afterglow; doing in the art world. Suzanne Hodes ’57 / ’58 United States Court of Appeals / Flushing, New York / Show / Bowery Gallery, 1956/1957 EXHIBITION Curator of Art Four Photographers and Approaching the City / 2006 / for the District of Columbia 07/10/2009–09/02/2009. New York, NY / 07/30/2009– the Hand-Held Light / Carrie All the news for this year’s Newsletter was Penelope Jencks oil / 36 x 48" Circuit, for a portrait of Judge in the Garden 2009 / Reeves 08/15/2009. Botanicals / EXHIBITION The 184th Susan Jane Walp Reed Arboretum, Summit, NJ / Haddad Photographs, Hudson, taken from the website. We no longer rely on David Tatel. (traveling from Hunt Library NY / 07/16/2009–08/31/2009. ANNUAL: An Exhibition of AWARD American Academy of 05/30/2009–09/06/2009. for botanical documentation) Contemporary American Art, Paul Jansen Arts and Letters. RESIDENCY Bogliasco other sources—the website is the sole source Sylvia Snowden 1973 Pittsburgh, PA / Members Exhibition / National EXHIBITION Recent Works / Fellowship / Bogliasco EXHIBITIONS Something 1972 Judith Amdur 10/10/2009–07/30/2010. Foundation, Italy. of news for this listing. Please note that space Academy Museum, New York, to Look Forward To / Morris Corridor Gallery, Brooklyn, NY / NY / 04/16/2009–06/10/2009. 02/05/2009–04/01/2009. Philip Ayers EXHIBITION Eastside is limited and alumni news includes information Museum of Art, Augusta, GA EXHIBITION The Painting Printmakers / LouWe Gallery, for the period of November 1, 2008–October 31, Heidi Nitze / 2008. Invitational Exhibition / Marilyn Propp Center: Philip Ayers and Pasadena, CA / 03/06/2009– HUB Robeson Galleries, Penn 04/20/2009. Emalie Lorens ’48 Self-Portrait EXHIBITION New York Art Expo AWARD Illinois Arts Council William Itter / The Painting 2009, only. Some editing of material may 2009 / Javits Center, New York, State University, University Finalist Award. EXHIBITIONS Center, New York, NY / / 2008 / pastel on paper / 18 x 24" Mary Block have been necessary. Thank you for keeping NY / 02/26/2009–03/03/2009. Park, PA / 2008. Invitational Journey / St. James Cathedral, 05/26/2009–06/20/2009. New Group Show / School of the Exhibition / Flint Institute of Arts, Chicago, IL / 02/27/2009– COMMISSIONS 5 Cats and your online profi le current. Museum of Fine Arts, Boston, Flint, MI / 2008. 04/24/2009. Remarkable Joan Branca a Fountain / Private Residence, 1948/1954 MA / 11/10/2008–12/08/2008. Women / Peltz Gallery, EXHIBITIONS Group Exhibition Chicago, IL. Unstructured Charles Cajori 1966 / Gallery North, Setauket, NY Children’s Amphitheater. Five Exhibition / Gallery 668, David Reed Milwaukee, WI / 07/24/2009– AWARD Jimmy Ernst Award for Greenwich, NY / 08/10/2008– 08/29/2009. Small Works/Big / 08/21/2009–09/18/2009. Cats and A Fountain / Private Lifetime Achievement, American EXHIBITION La Rose Pourpre Group Exhibition / Islesford Collection, Barringtion, IL. 08/23/2008. COMMISSIONS 2 du Caire—Making of et Bande Ideas / Morpho Gallery, Chicago, Academy of Arts and Letters. portrait drawings / 2008–2009. IL / 05/22/2009–06/20/2009. Artists Gallery, Islesford, ME / Annonce; Art Contemporain 07/10/2009–08/22/2009. et Cinéma / Musée d’Art et GRANT Community Arts d’Archéologie, Aurillac, France / Assistance Program grant 05/15/2009–11/14/2009. from the Chicago Dept of Cultural Affairs. James McGarrell ’53 TRANE 1963 1967 / 2007 / oil on canvas / 60 x 80" Sandy Walker Edgar Franceschi 1969/1971 / photograph courtesy of ACA EXHIBITION Alumni Show EXHIBITION Open Studio: Frederick Loomis Galleries, NYC / New York Studio School, New Sculpture / EXHIBITION White Columns New York, NY/ 05/28/2009– 06/19/2009–07/24/2009. 40th Anniversary Benefi t Auction 08/01/2009. Concerning the / White Columns, New York, NY / 1959 Forest: the Work of Sandy 1968 04/24/2009–05/16/2009. Harriet Korman Robert Koffl er Walker / Meridian Gallery, San 1970 Gary Jameson ’72 Maryland Landscape / 2009 / acrylic on wood EXHIBITIONS Exhibition / Francisco, CA / 09/12/2009– GRANT Pollock-Krasner / 48 x 6 x 23" Foundation. David J. Einstein New Hope Sidetracks Gallery, 11/07/2009. California in Relief: EXHIBITION Works On Paper / New Hope, PA / 02/01/2009. A History in Wood and Linocut 1969 Eleonore Austerer Gallery, Landscapes / Carrie Haddad Prints / Hearst Art Gallery, Marilyn Propp ’69 The Certainty of ThingsJohn Brecht/ 2009 / oil on wood / Hetty Baiz Palm Desert, CA / 17 x 45½" EXHIBITIONS 34th Annual Gallery, Hudson, NY / St. Mary’s College, Moraga, EXHIBITIONS 2009 International 01/05/2009–02/01/2009. 1974 1975 07/30/09–08/30/09. CA / 07/25/2009–09/20/2009. Juried Art Show / Anderson Biennale at Incheon, Korea / Arts Center, Anderson, SC / Dike Blair Dennis Aufi ery The Nature of Landscape Incheon, Korea / 08/01/2009– FELLOWSHIP John Simon EXHIBITIONS National / San Francisco Studio Gregg Renfrow 04/17/2009–05/29/2009. 9th Renata Schwebel ’51 Model 08/08/2009. This Very Body / Guggenheim Memorial Competition / Bowery Gallery, School, San Francisco, CA EXHIBITIONS Gregg Renfrow / Annual Juried Exhibition / The for Ground Piece / model 1999, Tenri Cultural Institute, New York, Foundation. New York, NY / / 02/12/2009–04/30/2009. Sabina Lee Gallery, Los Angeles, Mack, McCormick Arts Council, realized 2000 / aluminum / NY/ 03/05/2009–03/26/2009. 07/28/09–08/15/2009. Surface and Substance/ works CA / 03/05/2009–04/04/2009. McCormick, SC / 01/31/2009– David Rich 53 x 125 x 37" on paper / San Francisco Jon R. Friedman Gregg Renfrow / Toomey-Tourell 02/28/2009. 30th Annual EXHIBITIONS Paintings, David Studio School, San Francisco, COMMISSIONS Commission Gallery, San Francisco, CA / Juried SC Artists Competition Rich / University of St. Thomas, CA / 11/06/2008–01/29/2009. from the the National Portrait 05/07/2009–06/02/2009. / Pickens County Museum of Minneapolis, MN / 11/07/2008– 1950/1952 The Artists of ZYZZYVA / Mina Gallery, subject to be Art and History, Pickens, SC / 01/30/2009. Process (Faculty Clarissa T. Sligh 04/18/2009–06/11/2009. Barrie Cooke Dresden Gallery, San Francisco, announced. Kavli Foundation EXHIBITIONS Rare Editions: Exhibition) / Minneapolis College EXHIBITIONS Portraits, Barrie CA / 06/20/2009–07/18/2009. for a portrait of founding The Book as Art / Lehman Steve Miller of Art and Design, Minneapolis, Cooke / The Butler Gallery, RESIDENCY Red Cinder president Fred Kavli. Norwegian College Art Gallery, Bronx, NY EXHIBITIONS OCTET / Pera MN / 08/28/2009–09/29/2009. Kilkenny Castle, Ireland / 2009. Creativity Center / Big Island, HI. Academy of Science and / 02/10/2009–05/20/2009. Museum, Istanbul, Turkey / Paintings, David Rich / 801 Barrie Cooke / Purdy Hicks Letters for a portrait of Fred Gallery, Minneapolis, MN / 1964 Double Exposure / DePaul 08/12/2009–10/04/2009. Gallery, London, England / 2009. Kavli. Royal Society of England 06/13/2009–09/30/2009. James Kielkopf University Museum, Chicago, IL Deviant Specimens Amanda Barrie Cooke / Claremorris for a portrait of Fred Kavli. RESIDENCIES Visiting Artist, James Kielkopf: / 04/16/2009–06/14/2009. Out Means, Steve Miller, Gary Gallery, Mayo, Ireland / 2009. EXHIBITION National Academy of Sciences Hartford Art School / Hartford, Then and Now / Thomas Barry of the Incubator: Collaborations Schneider / Howard Yezerski Barrie Cooke / Fenton Gallery, for a portrait of President Ralph CT. Visiting Artist, Riverland Fine Arts Gallery, Minneapolis, from Women’s Studio Workshop Gallery, Boston, MA / Cork, Ireland / 2009. Cicerone. University of Penn- Community College / Austin, MN / 01/17/2009–02/21/2009. / Islip Art Museum, Islip, NY / 07/07/2009–08/16/2009. sylvannia for a portrait of Larry 02/11/2009–04/19/2009. MN. Visiting Artist, University of Alan Singer ’73 An Auslander / Heidi Nitze ’56 / ’57 Dove of Peace / 2006 / drawing for a photo- Kaiser, former chairman of the Minnesota / Minneapolis, MN. 2008 / monoprint / 16 x 21" collage designed in collaboration with Laurel Marx (given to Kofi Annan Department of Surgery. Swarth- David Einstein ’70 Caverns of Visiting Artist, Bethel University / for his service to the United Nations-from NGOs / 24 x 30" more College for a portrait of Time / 2008 / ink and oil stick on St. Paul, MN. Alfred Bloom, retiring president. paper/ 11 x 8 ½" 28 29 Helen Glazer John A. Germain Carol Perroni / Islesford Dock Restaurant Robert L. Pollien Lynda Frese Design, Los Angeles, CA / EXHIBITIONS The Sky Is Not EXHIBITION Recent Work / EXHIBITIONS MasterWorks and Gallery, Ilseford, ME / EXHIBITION New Work / EXHIBITION Group Show / 04/18/2009–06/14/2009. the Limit / Pyramid Atlantic Windsor Art Gallery/ Miami, of New Mexico / EXPO 06/15/2009–09/15/2009. Dowling Walsh Gallery, Rockland, Mark Wooley Gallery, Portland, Pairs / Inaugural Show, Ambient Art Center, Silver Spring, MD / FL / 12/01/2008–01/01/2009. NM, Hispanic Arts Building, ME / 04/15/2009–05/09/2009. OR / 05/01/2009–05/29/2009. Art Projects, Las Vegas, NV 12/04/2008–01/23/2009. Group FACULTY APPOINTMENT Albuquerque, NM / 04/04/2009- 1983 RESIDENCY American / 02/20/2009–03/21/2009. shows / Steven Scott Gallery, Painting & Drawing Instructor 04/25/2009. Collect: Inside 8 / Marsha Goldberg Academy in Rome / Rome, Italy. GRANT Durfee Foundation, Owings Mills, MD / 04/01/2009– / DASH (Design & Architecture Center For Contemporary Arts, EXHIBITIONS Marsha ARC / Los Angeles, CA. Marilyn Friedman 09/27/2009. Two-Person Show Senior High School), Miami, FL. Santa Fe, NM / 04/10/2009– Goldberg: Paintings & Drawings / Harbor Court Hotel, Baltimore, GRANT Peter S. Reed 04/26/2009. Wish You Were / Beard and Weil Galleries, FACULTY APPOINTMENT Alexi Worth MD / 09/05/2009–12/03/2009. Foundation / New York. Here / Butler Institute of Wheaton College, Norton, MA / Sculpture Instructor / National EXHIBITION Eye to Eye / American Art, Youngstown, 09/13/2009–10/07/2009. Academy School of Fine Arts, DC Moore Gallery, New York, 1977 OH / 05/01/2009–06/21/2009 New York, NY. NY / 11/13/2008–12/20/2008. Anita Curtis Glesta Charles Pompilius FELLOWSHIP John Simon and Western Colorado Center EXHIBITION Michigan Masters Sarah Haviland EXHIBITIONS Video Installation/ For the Arts, Grand Junction, Guggenheim Memorial New Works / Five Myles Gallery, / Kresge Art Museum, East EXHIBITIONS Meditations: Foundation CO / 07/01/2009–07/25/2009. Lansing, MI / 06/06/2009– Sculptures by Sarah Haviland Brooklyn, NY / 03/29/2009– Ouray Artists' Exhibition / Ouray 05/03/2009. 2-Person Exhibition 08/06/2009. Personal Territory / / Garden Gallery at the 1990 Community Center, Ouray, CO / David Klein Gallery, Birmingham, Health Center, Peekskill, NY Gregory W. Coates / Five Myles Gallery, Brooklyn, NY 07/31/2009–08/08/2009. / 03/29/2009–04/30/2009. MI / 03/07/2009–04/07/2009. / 06/06/2009–08/01/2009. EXHIBITIONS Rubin 1979 Abundance: Brooklyn Waterfront Chapelle Presents Gregory Melanie Kozol ’80 Woods / Jay Shinn 1984 Paula S. Heisen Ken Beck Artists Outdoor Sculpture Coates at The ICFF / Rubin 2008 / mixed media on panel EXHIBITIONS Spatial Shifts / Claire C. Burke EXHIBITIONS Open Studio EXHIBITION Ken Beck— Show / Fulton-Ferry State Park, Chapelle, New York, NY / / Greenpoint, NY / (dates / 9 x 12" Marty Walker Gallery, Dallas, TX / EXHIBITIONS Important Brooklyn, NY / 07/25/2009– 05/10/2009–06/26/2009. Paintings / William-Scott 05/07/2009–06/06/2009. Things / The Little Gallery tentative). Group Show / Prince Gallery, Provincetown, MA / 09/11/2009. Garnerworld Permission: Gregory Coates / Street Gallery, New York, NY/ Salmagundi: Works on Paper Under the Stairs, Lynn, MA Invitational / GAGA Art Center, Gr N’Namdi Gallery, Chicago, 06/23/2009–10/31/2009. / 06/27/2009–08/24/2009. 06/16/2009–07/03/2009. Open 1981 / Addison Ripley Gallery, Garnerville, NY / 10/16/2009– IL / 02/06/2009–04/03/2009. We Are Made of Dreams and City / New York Studio School, Ralph Helmick Candida Alvarez Washington, D.C. / 11/15/2009. GRANT PSC Textures / Surface Library Bones / LynnArts, Lynn, MA Robert Pollien ’84 Late Snow New York, NY/ 05/26/2009– RESIDENCY McColl Center for EXHIBITION SubCity Projects: 04/18/2009–05/30/2009. CUNY Research Award. Margaret Libby ’87 Memorial Wall for Colby Women, 1875 –1900 / 2006 / installation: Gallery, East Hampton, NY / 08/31/2009–10/09/2009. / 2009 / oil on panel / 8 x 8" 08/01/2009. Allure of the Object Visual Art / Charlotte, NC. Hellsehen / The Dark Fair RESIDENCY Habitat for Artists / DVD projection, collage, silverpoint drawings, gessoed panels, canvases, and mortared / 06/25/2009–07/26/2009. Mothers Who Create / The Little / Washington Art Association, 09, Cologne, Germany / Ellen M. Soffer Historic Huguenot Street, bricks / various dimensions FACULTY APPOINTMENT Janice Kasper Gallery Under the Stairs, Lynn, Washington Depot, CT / 04/23/2009-04/25/2009. EXHIBITIONS Southern Open New Paltz, NY. Artist Instructor, Summer RESIDENCY Isle Royale National MA / 02/02/2009–03/10/2009. 05/02/2009–05/31/2009. RESIDENCY Ragdale / / Acadiana Center for the Arts, 1985 Program / School of Visual Arts, Park / Houghton, MI. Members Show / Arsenal Center Megan Marlatt Lake Forest, IL. Lafayette, LA / 05/09/2009– Dozier Bell 1986 06/19/2009. Alberto Giacometti 07/09/2009–07/24/2009. New York, NY. Helen Glazer ’75 Rise (Cloud 1978 for the Arts, Watertown, MA / EXHIBITION Paintings and 1980 07/25/2009. Point of View / EXHIBITION Portland Museum Tom Burckhardt as seen through the lens of Dear Delhi and Rajasthan: Series) / 2007 / oil and wax Peter Dudek Larry Deyab 12/02/2008 Works on Paper / Lilian Garcia-Roig Melanie Kozol Cerulean Gallery, Dallas, TX / of Art Biennial / Portland FELLOWSHIPS John Simon Herbert Matter (curator) / Street Photography of India on polymer modifi ed gypsum / EXHIBITION Peter Dudek / EXHIBITIONS REGAINING Sweet Briar College, Virginia / EXHIBITIONS Space , Unlimited EXHIBITIONS Faculty Exhibition / 06/27/2009–08/09/2009. Nancy M. Cohen Museum of Art, Portland, ME Guggenheim Memorial Manhattanville College Gallery / Berkeley Public Library, 45 x 39 x 6" Kolok Gallery, North Adams, MA ABSTRACTION / The Bow 03/26/2009–05/24/2009. / Art Museum of the Americas, Weill Gallery, 92nd ST Y, EXHIBITIONS Perspectives / 04/09/2009–06/07/2009. Foundation. New York of Fine Art, Purchase, NY / Central Branch, Berkeley, CA / / 08/22/2009–08/22/2009. Street Gallery, Cambridge, MA Washington, D.C. / 02/20/2009– New York, NY / 11/03/2008– on Salinity: River from Within Dozier Bell: New Drawings / Ann Reichlin Foundation for the Arts, 02/09/2009–02/26/2009. 11/08/2008–12/30/2008. Photo / 04/30/2009–05/15/2009. 04/12/2009. Nature of Being Tamara E. Krendel 01/02/2009. New Paintings / / Katonah Museum, Katonah, DFN Gallery, New York, NY EXHIBITION Translucent Home Printmaking/Drawing/Book Arts. From Africa to America: Visual Real: Unique Human Interactions 1976 surrealismS / The Bow Street There: Lilian Garcia-Roig / EXHIBITION Insecta Poetica, Triomphe, NY / 01/05/2009– NY / 03/29/2009–06/28/2009. / 04/09/2009–05/02/2009. / Sculpture Space, Utica, NY / Refl ections on the African & Provocative Environments / Elizabeth Awalt Gallery, Cambridge, MA / Jennifer K. Moses Bob Rauschenberg Gallery, Poetical Interpretations of Bugs 12/31/2009. FACULTY Mark of the Hand / Spanierman Dozier Bell: Navigator / Sarah 11/07/2008–04/30/2010. Diaspora / Brother Kenneth Dalva Gallery, San Francisco, EXHIBITION Insecta Poetica, 04/01/2009–04/15/2009. Sauter EXHIBITION Juried Show / Ft. Myers, FL / 11/20/2008– from 6 Diverse Artists / The APPOINTMENT Foundation and Modern Gallery, New York, NY Moody Gallery of Art, University Chapman Gallery, Iona College CA / 07/21/2009–09/20/2009. Poetical Interpretations of Bugs En Marge: Larry Deyab, Robert Susanna Starr Bowery Gallery, New York, NY/ 01/17/2009. Autumn Essex Art Center, Lawrence MA Portfolio Development Pre-College / 03/03/2009–04/04/2009. of Alabama / 07/07/2009– Arts Center, New Rochelle, NY Returning to El Centro: Street from 6 Diverse Artists / The Filliou, Gina Pane. Oeuvres de la 07/28/2009–08/15/2009. Spectacles: Lilian Garcia-Roig / / 03/06/2009–05/01/2009. / Pratt Institute, New York, NY. Global Warning: Artists 09/04/2009. GRANT Adolph FELLOWSHIP New York / 01/26/2009–02/26/2009. Photography of Mexico City / La Essex Art Center, Lawrence, MA collection du Fond regional art Valley House Gallery, Dallas, TX and Climate Change / and Esther Gottlieb, Individual. Foundation for the Arts, Crafts. Leslie Roberts FACULTY APPOINTMENT Pena Theatre Gallery, Berkeley, / 03/06/2009–05/01/2009. contemporain / Faculté Victor / 01/23/2009–03/15/2009. Next Zilkha Gallery, Wesleyan EXHIBITION The Remains Guest Lecturer Drawing Adjunct CA / 02/09/2009–03/31/2009. Segalen, Centre de resources, Chicago Art Fair / Douz and Lois Bender University, Middletown, CT of the Day / Lyons Weir Ortt Faculty / Manhattanville College, Brest, France) / 02/13/2009– 1989 Mille / 04/30/2009–05/03/2009. FACULTY APPOINTMENT / 04/28/2009–05/24/2009. Gallery, New York, NY / Purchase, NY. FELLOWSHIP 03/27/2009. Donation Jeunet Connie Hayes Watercolor Painting Workshops Multiple/Incremental/Repetition 08/03/2009–08/16/2009. New York Foundation for the Kris Scheifele @ Musee d’Art et d’Histoire Kitty Alward ’83 Dotted Swiss EXHIBITIONS Connie Hayes / Wolffer Estate Vineyards, / Delaware Valley Arts Alliance, Arts, Crafts. RESIDENCY GRANT Joan Mitchell / Neuchatel, Switzerland / / 2008 / oil on canvas / 8½ x 6" Gail Spaien Paintings / Dowling Walsh Bridgehampton, NY. Teaching Narrowsburg, NY / 05/15/2009– Museum of Art and Design, Foundation. 06/28/2009-08/30/2009. EXHIBITION Economies Gallery, Rockland, ME / Watercolor Summer 2009 06/06/2009. The Innerworld of Open Studio Program / Les uns et les autres: of Scale / Miller Block 08/15/2009–09/01/2009. Course / Sag Harbor Florist, Leslie D. Wilkes the Outerworld of the Innerworld New York, NY. Jinnie Seo Le portrait dans tous ses états / Gallery, Boston, MA / Connie Hayes Paintings / New Sag Harbor, NY. EXHIBITIONS Sequels / Barry / Von Lintel Gallery, New York, EXHIBITION End Of Musée d’art et d’histoire 06/17/2009–08/01/2009. 1988 Era Gallery, Vinalhaven, ME Whistler Gallery, Dallas, TX / NY / 11/06/2008–01/29/2009. The Rainbow / Mongin Ken Buhler Saint-Brieuc, France / Philip Krohn / 07/18/2009–08/12/2009. 06/06/2009–08/01/2009. Leslie 1987 Art Center, Seoul, Korea / FELLOWSHIP New York 06/20/2009–09/30/2009. EXHIBITIONS Under Connie Hayes Paintings / Wilkes / Red Flag Project Space, Dianne J. Dickeman Margaret Libby 05/21/2009–07/19/2009. Foundation for the Arts, EXHIBITION The Artists Construction 2 / Berkeley Center Coastal ME Botanical Garden, RESIDENCY MacDowell Chet Jones Santa Fe, NM / 02/20/2009– EXHIBITIONS Colby Fall Faculty Printmaking/Drawing/Book Arts. of Artech / Wright Exhibition for New Media, Berkeley, CA Boothbay, ME / 08/13/2009– Colony / Peterborough, NH. EXHIBITION Chet Jones 04/17/2009. Leslie Wilkes / Exhibition / Colby College Space, Seattle, WA / / 07/22/2009–07/22/2009. 09/11/2009. R.S.V.P. Invited Kelly Detweiler / William-Scott Gallery, Gallery Nord, San Antonio, TX Museum of Art / 11/13/2008– 10/01/2009–12/12/2009. Orchard Ladder / Kuhl Art, New England Artists / George Kate Shepherd EXHIBITIONS Marking Time / Provincetown, MA / / 11/15/2008–01/10/2009. 01/18/2009. Where Are the Oakland, CA / 12/05/2008– Marshall Store Gallery, York, ME AWARDS Jill Marino Fellowship, Triton Museum, Santa Clara, 08/21/2009–08/28/2009. Inaugural ’09 / Barry Whistler James C. Forsythe Women Reprised: Dedication 02/01/2009. The Kindling / 07/18/2009–08/23/2009. Publishing Residency, Lower CA / 05/16/2009–07/12/2009. Gallery, Dallas, TX / AWARD Merit Artist / Rockport of the Wormser Reading East Side Printshop / New Margaret M. Lanzetta / Rouge et Noir Factory, Show Mi Festival / Gana 01/24/2009–02/28/2009. Center For the Arts, Texas. Room / Wormser Room, Luis Romero York, NY. EXHIBITIONS EXHIBITIONS RoCoCoPop / Petaluma, CA / 03/21/2009– Art Center, Seoul, Korea / EXHIBITION Eye Infection / Miller Library, Colby College / GRANT Pollock-Krasner Stack Shack / Glenn Horowitz Dean Project, New York, NY / Andy Yoder 06/21/2009. Sticker Ridge / 05/12/2009–05/19/2009. K Space Contemporary 04/06/2009–05/01/2009. Foundation. Bookseller, East Hampton, NY 02/19/2009–04/12/2009. How EXHIBITION Man Cave / ICB Gallery 111, Sausalito, CA / Ralph Helmick ’79 Alice Zinnes / Corpus Christi, TX / / 2008. Schroeder Practices / Betsy Dovydenas To Live Elsewhere / New York, Winkleman Gallery, New York, NY Charles A. McGill 07/06/2009–08/01/2009. Carrie Ungerman Constellation / 2008 / cast EXHIBITIONS Druid Dreams 04/04/2009–05/15/2009. Dieu Donne Papermill, EXHIBITION Untitled / NY / 01/24/2009–03/01/2009. / 09/10/2009–10/17/2009. EXHIBITIONS Sex and Spirit / EXHIBITIONS Super Elastic / urethane resin, stainless of The Danaka / Chi Contem- Stacy Levy New York, NY / 2008. In the Stonover Gallery, Lenox, MA / Mindi Katzman Barbara Ann Levy Gallery at the Phantom Galleries LA, Long steel coated cable, steel / porary Fine Art, Brooklyn, NY / Michael Scott 1981/1982 EXHIBITION Riverine / Niigata, Spring / Anthony Meier Fine 08/08/2009–09/26/2009. EXHIBITION Working in Wax / Bridge Art Fair, Art Basel, Miami, Beach, CA / 02/05/2009– 15' diameter x 66'h / LMN 04/09/2009–05/03/2009. It’s a EXHIBITIONS And then he tried David K. Little Japan / 07/01/09–12/01/09. Art, San Francisco, CA / 2008. Bedford Gallery, Walnut Creek, FL / 12/04/2008–12/07/2008. 04/12/2009. Shrinkwrap / Judy Fox Architects, Seattle; RIM Wonderful Life / Sideshow Gal- to swallow the world / Gering & EXHIBITIONS David Little ’69 Sculpture Painting / Galerie CA / 05/03/2009–06/25/2009. Broadacre City/Usonia: The Ilona Sturm Delaware Valley Arts Alliance, FELLOWSHIP New York Architects, Anchorage; Dena’ina lery, Brooklyn, NY / 01/10/2009– Lopez Gallery, New York, NY / / Gruss Center of Visual Arts, Ideal Suburban Home Featuring EXHIBITIONS Street Narrowsburg, NY / 07/10/2009– Lelong, Paris, France / 2009. Foundation for the Arts, Civic and Convention Center, 02/22/2009. Modern Romantics: 06/18/2009–08/21/2009. Lawrenceville School, NJ / Wendy Klemperer the Work of Frank Lloyd Wright Photography: A Portrait of 08/01/2009. 3 Solo Projects: Blue / James Graham & Sons, Sculpture. Anchorage; photograph Spiritual Expressions in Paint / 05/01/2009–05/31/2009. Fairfi eld EXHIBITION Re-Imagined: (co-curator) / Manhattanville Stockton / Delta Center for the Lynn Aldrich, Jessica Rath, New York, NY / 2009. Women courtesy of Clements/Howcroft The Painting Center, New York, Porter, Island Artists, Great Spruce Sculpture by Wendy Klemperer College Gallery of Fine Art, Arts, LH Horton Jr. Gallery, Carrie Ungerman / Ben Maltz In Print / Susan Sheehan Gallery, NY / 09/02/2009–09/26/2009. Head Island / Corthouse Gallery, / Coastal ME Botanic Gardens, Gallery, Otis College of Art and New York, NY / 2009. Dozier Bell ’85 Falling, 5 / 2008 / charcoal on mylar / 3 x 3½" Purchase, NY / 05/21/2009– Delta College, Stockton, CA / Ellsworth, ME / 06/14/2009– Boothbay Harbor, ME / 07/14/2009. Group Exhibition 07/11/2009–10/12/2009. 30 31 Rita Sirignano Shawne Major Saya Moriyasu 1996 Gallery, Denton, TX / 01/20/2009– The End / The Andy Warhol Stephanie Syjuco Art Installation / San Francisco, Saeri Kiritani Superfi ne / Morgan Lehman, EXHIBITION The Relevance EXHIBITIONS Shawne EXHIBITION Parallel Lines, Wing Patrick Abbey 02/21/2009. Coin Toss (site Museum, Pittsburgh, PA / EXHIBITIONS Tech Tools of CA / 02/18/2009–03/01/2008. EXHIBITION Best of New New York, NY / 07/09/2009– of Feminism / The Marquee Major: Love Calls Us to the Luke Asian Museum / Wing EXHIBITION Stumped / PDX specifi c installation) / Dallas 02/07/2009–05/03/2009. the Trade: Contemporary New The Magic Story Table / The York/ Skowhegan ’98 / NY 08/07/2009.Opportunities / Room, Calgary, Canada / Things of This World / Irvine Luke Asian Museum, Seattle, Contemporary Art , Portland, Cowboys Stadium, Arlington Media Art / DeSaisset Museum, Ingenuity Festival, Cleveland, Arts Magazine, New York, NY / BravinLee Programs, New York, 11/06/2008–11/28/2008. Contemporary, Washington, WA / 06/13/2009–12/17/2009. OR / 10/01/2009–10/31/2009. TX / 06/16/2009-06/16/2029. Toni Jo Coppa Santa Clara University, CA OH / 07/10/2009–07/12/2009. 09/01/2009–09/15/2009. NY / 06/26/2009–07/24/2009. D.C. / 04/11/2009–06/13/2009. RESIDENCY Pratt Pilchuck FACULTY APPOINTMENT EXHIBITIONS Girl, Investigated / 04/23/2009–06/17/2009. 49 Stories on The Magic Story Beautiful Decay; A–Z / Kopeikin Michele Brody Tim Lewis 1991 Aspect:Ratio2 / Irvine Scholarship / Stanwood, WA. Professor / University of North / William Laporte Gallery, Craftwerk 2.0 / Jonkoping Table / The Pirate Store, San Gallery, Los Angeles, CA / Nandini Chirimar Contemporary, Washington, EXHIBITIONS Tea Cart Stories Texas College of Visual Arts and Southwick Public Library, Lans Museum, Sweden / Francisco, CA / 03/06/2009– EXHIBITIONS New Work / 03/12/2009–04/18/2009. Erika Ranee EXHIBITIONS Objects of D.C. / 01/24/2009–02/14/2009. / Lower East Side Tenement Design. RESIDENCY Artist in Southwick, MA / 02/02/2009– 09/01/2009–10/30/2009. 03/25/2009. FELLOWSHIP Haus Gallery, Pasadena, CA / Worship / Allen Gallery, New Muses / Heriard Cimino EXHIBITION Elsewhere / Museum, New York, NY / Residence / Monash University, 01/31/2009. Group Exhibition / Total Fabrications: Stephanie Marcus Visual Arts / Montalvo 05/07/2009–05/30/2009. Jon D. Rappleye York, NY / 11/06/2008– Saltworks Gallery, Atlanta, GA 07/14/2009–12/01/2009. Fresh A.I.R. Gallery, Columbus, EXHIBITIONS End of Nature Gallery, New Orleans, LA / Melbourne, Australia. Syjuco / Contemporary Arts Arts Center, Saratoga, CA. Sharon Molloy 11/19/2008. Erasing Borders / / 04/25/2009–06/06/2009. Tea House Productions in Art OH / 02/18/2009–04/11/2009. / John Michael Kohler Center 01/03/2009–02/20/2009. Museum Houston, TX / EXHIBITION Infra-Structure Traveling Exhibit: Dowd Gallery, GRANT Pollock-Krasner RESIDENCY Artist in Residence, in Odd Places / New York, 1997 12/11/2008–02/22/2009. It’s Sanford Biggers for the Arts, Sheboygan, WI NY; Crossing Art Gallery; Aicon Abrons Arts Center, Henry Street NY / 10/09/2009–10/25/2009. Nicole Awai Heather Cox EXHIBITION NeoHooDoo: / CAS Art Society, Livingston / 11/23/2008–06/21/2009. Foundation. RESIDENCY EXHIBITIONS Nonpareil Not Us, It’s You / Institute for Manor, New York / Gallery; Queens Museum of Art Omi / Ghent, NY. Settlement / New York, NY. Project Glow Installation at EXHIBITION The Borders Contemporary Art San Jose, Art for a Forgotten Faith / The Good News: Art by Universtiy Art, New York, NY; Gallery at the DUMBO Art Under the / Amelie A. Wallace Gallery, Project / Nina Freudenheim Menil Collection, Houston, TX 02/28/2009–04/11/2009. of Wisconsin Alumni / University 1994 Gallery, Buffalo, NY / CA / 04/28/2009–05/29/2009. Penn College, PA / 02/27/2009– Tricia McLaughlin Bridge Fesival / Brooklyn, NY / SUNY at Old Westbury, NY / / 06/27/2008–09/21/2008. Christopher Sollars of Wisconsin, Madison, WI Dave Hullfi sh Bailey 09/12/2009–10/17/2009. 1969 / P.S.1 Contemporary 12/13/2009. Cultural Memory: EXHIBITIONS The 2009 07/14/2009–07/14/2009. 03/25/2009–04/23/2009. Art Center, New York, NY / Prospect 1: US Biennial / Old EXHIBITIONS And For / 06/05/2009–07/21/2009. Transdiasporic Art Practices / International Incheon Women EXHIBITIONS Ditch/School / Site Specifi cs at the Carriage US Mint, New Orleans, LA Forgotten Planet / Jeff Bailey Lois Johnson 10/22/2009–12/31/2009. All This,Nature Is Never Woman Made Gallery, Chicago, Artists' Biennale / Incheon, Mesler & Hug, Los Angeles, Beth Campbell House / Islip Art Museum, Islip, / 11/01/2008–03/02/2009. Gallery, New York, NY / CA / 11/21/2008–01/10/2009. EXHIBITIONS Lois Johnson / EXHIBITIONS Biennial NY / 06/06/2009–07/26/2009. Frieze Projects / Frieze Art Fair, Spent / Pelham Art Center / IL / 09/04/200–10/10/2009. South Korea / 08/01/2009– London, England / 10/12/2009– Peculiar Institutions / Solvent 03/13/2009–04/25/2009. C Red 04/22/2009–05/23/2009. 08/31/2009. Recession Dave Hullfi sh Bailey / The Schlueter Art Gallery, Cuvee 09, World Selection Space Gallery / Richmond, VA Give Them What They Never Jeff Krueger Suburban, Oak Park, IL / Center for Arts and of Contemporary Art / OK Alessandra Exposito 10/19/2009. Inappropriate Blue J Screening / SFMOMA Special / CSV Cultural & EXHIBITIONS My First Love / Covers / List Visual Art Center, / 01/16/2009–02/28/2009. / 11/04/2008–12/02/2008. Knew They Wanted / Jeff EXHIBITIONS Sculpture Educational Center, New York, 03/15/2009-05/12/2009. Dave Performance, Wisconsin Center for Contemporary Art, Carnival Within / Berlin, Germany Bailey Gallery, New York, NY / as Analogy to Landscape / Hullfi sh Bailey / David Pestorius Lutheran College, Milwaukee, Linz, Austria / 02/27/2009– Mixed Greens, New York, NY / Brown University, Providence, RESIDENCY Headlands Center NY / 07/17/2009–08/01/2009. 11/13/2008–12/22/2008. RI / 04/01/2009–06/01/2009. / 03/28/2009–05/03/2009. for the Arts, Sausalito, CA. 07/01/2009–08/07/2009. Truly, SCA Contemporary, Pelham Art Center / Pelham, NY Projects, Brisbane, Australia WI / 01/16/2009–02/13/2009. 04/26/2009. Social Interactions: Conundrum / The Kitchen, Madly, Deeply / Spencertown Albuquerque, NM / 09/11/2009– / 05/09/2009–06/20/2009. Beth Campbell / Stephen Willats Kirsten Hassenfeld Unsolicited Fabrications: 1999 / 05/15/2009–06/27/2009. Jennie C. Jones Shareware Sculptures / Pallas New York, NY / 04/16/2009– Academy Arts Center, 11/18/2009. Southwest Green Platform: Art, Ecology, / Seiler & Seiler & Mosseri- FELLOWSHIP New York 04/17/2009. Sanford Biggers / Becca Albee Spencertown, NY / 07/02/2009– Biennial / Albuquerque Charlotte Schulz Sustainability / Centro di Cultura AWARD William H. Johnson Marlio, Zurich, Switzerland / Contemporary Projects, Prize, William H. Johnson Foundation for the Arts, Portland Art Museum / Portland, RESIDENCY Lower Manhattan 08/02/2009. Backyard / Sam Museum, Albuquerque, NM / EXHIBITIONS Lucid Contemporanea Strozzina, 12/13/2008–02/07/2009. Beth Sculpture. Dublin, Ireland / 05/01/2009– Cultural Council Workspace Foundation for the Arts. 06/01/2009. Milan Triennale OR / 05/16/2009–08/30/2009. Lee Gallery, Santa Monica, CA 07/23/2009–07/23/2009. Dreaming / Michener Art Florence, Italy / 04/24/2009– Campbell / James Harris Gallery, Hidden Cities / Philadelphia, PA / 2009–10 Session. / 07/11/2009–08/22/2009. The Museum, Doylestown, PA 07/19/2009. Surrounded EXHIBITIONS The Walkman Seattle, WA / 05/07/2009– Max-Carlos Martinez / Triennale Design Museum, Kathryn Lynch Compositions / Smack EXHIBITION Of Thee I See, Milan, Italy / 03/01/2009– 05/30/2009–06/28/2009. Dress Brian Alfred Next Century: Distinguished / 01/16/2009–04/12/2009. by Squares / Raven Row, 06/06/2009. Newageriot / Code: Clothing as Metaphor / Alumni Exhibition / Nora Eccles EXHIBITION Untitled / Sears Insight: Contemporary London, England / 09/04/2009– Mellon Gallery, New York, NY Country Club, Los Angeles, CA / Max-Carlos Martinez, Paintings, 04/15/2009. The Village EXHIBITIONS Majic Window / Peyton Gallery, New York, NY / / 01/17/2009–02/16/2009. 1994–2007 / Sangre de Cristo (Small Encampments) / James Katonah Art Museum, Bedford, Studio La Citta, Verona, Italy / Museum of Fine Art, Utah Approaches to Drawing / Ann 01/17/2010. For The Blind Man 05/14/2009–07/04/2009. NY / 07/12/2009–10/04/2009. State University, Logan, UT / 02/09/2009–02/09/2009. Rebecca Morris ’94 Untitled (#17– 07) / 2007 / This-Has-Been / On Stellar Art Center, Pueblo, CO / Harris Gallery, Seattle, WA / 03/28/2009–05/04/2009. The Street Gallery, Newburg, NY In The Dark Room Looking RESIDENCY Visiting Assistant 03/23/2009–03/25/2009. oil & spray paint on canvas / 49½ x 48" Rays Gallery, New York, NY 01/17/2009–05/16/2008. 04/28/2009–05/27/2009. Figure and Dr. Freud / Haunch Lily Prince / 07/18/2009–08/29/2009. For The Black Cat That Isn’t Professor of Visual and FACULTY APPOINTMENT There / Contemporary Art / 07/15/2009–07/15/2009. Of Venison, New York, NY / Jean Shin AWARD President’s Award for Elsewhere / Saltworks Gallery, Steed Taylor Environmental Studies / Excellence in Scholarship/Creative Adjunct Instructor / Parsons the Museum St. Louis, St. Louis, 07/08/2009–08/22/2009. EXHIBITIONS Jean Shin: Maria Yoon Marie K. Watt Atlanta, GA / 04/25/2009– EXHIBITIONS Invasive / Road Harvard University, Cambridge Expression / William Paterson New School for Design, New MO / 09/11/2009–01/03/2010. Common Threads / Smithsonian EXHIBITION Find Me / Cue AWARD Willamette University 06/20/2009. State of the Art: Tattoo commissioned by the MA / 01/2009 Rosemarie Fiore University, Wayne, NJ. FACULTY York, NY. FELLOWSHIP New American Art Museum, Carter Carter Foundation, New York, NY Art Commission / Salem, OR. New York / Urbis, Manchester, North Carolina Museum of Art, EXHIBITION Pyrotechnics APPOINTMENT Associate York Foundation for the Arts, Sebastiaan Bremer Washington D.C. / 05/01/2009– EXHIBITION Leg opens / 10/08/2009–10/08/2009. EXHIBITIONS Pendleton Center England / 11/13/2008– Sculpture Park of the North / Priska Juschka Fine Art, Professor / William Paterson Printmaking/Drawing/Book Arts. EXHIBITIONS Final Exhibition 07/26/2009. Contemporary door / 1963 / Yvon Lambert, GRANT New York State for the Arts / Pendleton, OR 03/01/2009. Red, Bird, Blue Carolina Museum of Art, Raleigh, New York, NY / 04/02/2009– University, Wayne, NJ. NC / 06/17/2008–06/17/2015. / Het Vijfde Seizoen, The 05/16/2009. FELLOWSHIP Outlook: Seeing Songs / 1993 Paris, France / Arts Council. RESIDENCY / 09/23/2009–10/23/2009. / Atlanta Contemporary Netherlands / opens 08/27/09. Museum of Fine Arts, Boston, Laylah Ali Dragon Blessings / Road Tattoo New York Foundation for the 1992 11/04/2008–12/06/2008. The Studio of Key West / Currents: Native American Art Center, Atlanta, GA / Sebastian Bremer / Bravin Lee MA / 07/01/2009–02/21/2010. GRANT Joan Mitchell Florida, Key West. Forces in Contemporary 06/26/2009–08/16/2009. Commission, Chinese Biennial Arts, Printmaking/Drawing/Book Diana Guerrero-Macia Mark Ferguson Projects, New York, NY / Dress Codes: Clothing as EXHIBITION Devoured By Foundation. Art / Center for Visual Art, Tone & Temperament: 2008 Beijing, Beijing, China Arts. GRANT BRIO, Printmaking/ RESIDENCY Edward F. Albee 1995 Fall 2009. Sebastian Bremer / Metaphor / Katonah Museum Symbols / Tony Wight Gallery, Metropolitan State College Contemporary Sound Art / / 08/30/2008–08/30/2010. Drawing / Bronx Council on the Sohyun Bae Foundation / Montauk, NY. Ingrid Calame Hales Gallery, London, England / of Art, Katonah, NY / Chicago, IL / 06/24/2009– of Denver, Denver, CO / Art Currents Institute, New York, Broken Chain / Road Tattoo Arts, NY. EXHIBITIONS SoHyun Bae, EXHIBITIONS Step on a Crack, Fall 2009. RESIDENCY Het 07/12/2009–10/04/2009. 06/24/2009. RESIDENCY Stephen Giannetti 08/27/2009–11/07/2009. I Like NY / 06/18/2009–07/18/2009. Commission, Mesa Art Center, Fathi Hassan / Skoto Gallery, Break Your Mother’s Back Vijfde Seizoen / The Netherlands. Desiree Holman X: 10th Anniversary Exhibition / Senior Residency / Oregon EXHIBITION Sextuple / Marx & Winners: Sport and Selfhood Bacon, Egg, Toast & Lard Mesa, AZ / 10/25/2008– New York, NY / 03/26/2009– / Albright Knox Art Gallery, EXHIBITION 2008 SECA Award Mixed Greens Gallery, New York, College of Arts & Crafts, Zavattero, San Francisco, CA / / Shepard Fine Arts Gallery (Audio Collaboration with 10/25/2012. Votive / Editions Renay Egami 05/02/2009.Triple Light: SoHyun Buffalo, NY / 09/25/2009– Exhibition / San Francisco NY / 07/09/2009–08/14/2009 Portland, OR. 07/11/2009–08/22/2009. Reno, NV / 01/19/2009– Deborah Grant) / Berkeley Fawbush, New York, NY / EXHIBITION Boundaries: Modern Museum of Art, San Bae, Shin-Il Kim, Ran Hwang 02/28/2010 and Frith Street 02/13/2009. Portraits / Greg Museum Of Art and Pacifi c 11/27/2008–11/27/2009. Road University of British Columbia Julianne Swartz Keith Hale / Museo Nacional de Artes Mark Masyga Gallery, London, England / Francisco, CA / 02/14/2009– Kucera Gallery, Seattle, WA Film Archive, Berkeley, CA / Tattoo Commission / Saint Okanagan, Faculty Show 05/15/2009. RESIDENCY GRANT Joan Mitchell EXHIBITION A Thin Slice / Visuales, Montevideo, Uruguay / EXHIBITION cwow Metro 05/07/2009–06/17/2009. / 11/13/2008–12/24/2008. 05/31/2009–09/15/2009. Rose College, Albany, NY / / Kelowna Art Gallery, Foundation. Baer Ridgeway Exhibitions, 09/03/2009–10/04/2009. 26 Show / Newark, NJ / Headlands Center for the Arts / Jenny Dubnau Heirloom / Missoula Museum of 10/12/2009–10/12/2015. British Columbia, Canada / San Francisco, CA / 02/09/2009–02/09/2009. Yoshiko Kanai Sausalito, CA. Mary Temple Vladimir Cybil Charlier GRANT Joan Mitchell Art Missoula, MT / 03/19/2009– 11/14/2008–01/11/2009. 05/01/2009–05/31/2009. RESIDENCY Edward Albee EXHIBITIONS Investigating Deborah Wasserman EXHIBITIONS X, 10th EXHIBITIONS Negritude Foundation Grant. 06/27/2009. Forget-Me-Not / GRANT Canada Council for Andrew Johnson Foundation Residency / Utopia / Humanities Gallery, EXHIBITIONS Paper in the Anniversary Exhibition / Mixed Annetta Kapon / Exit Art, New York, NY / Northwest Museum, Spokane, the Arts, Project Grant. EXHIBITIONS Gestures / Montauk, NY. Kimberley Hart Long Island University, Brooklyn, Wind / Thomas Jaeckel Gallery, Greens Gallery, New York, NY/ EXHIBITIONS Laundry / 05/01/2009–06/01/2009. WA / 04/25/2009–10/26/2009. Mattress Factory, Pittsburgh, FELLOWSHIP New York New York / 03/02/2009– New York, NY / 07/09/2009– Hiroyuki Hamada 07/09/2009–08/14/2009. The Numismatic Museum, Athens, Recasting Paradise: New Stephanie B. Snider Untitled / Fabric Workshop PA / 07/25/2009–01/10/2010. Foundation for the Arts, 03/28/2009. Listen To Utopia / 07/31/2009. Trans- Positions EXHIBITIONS Exhibition / Ghosts of Coleridge / Terminal Greece / 05/19/2009– Collaborative Works by Vladimir EXHIBITION New Drawings / and Museum, Philadelphia, Bailout Biennial / Golden Belt, Sculpture. SpaceLab, Spaces, Cleveland, along the Queensboro Bridge List Gallery, Swarthmore, PA / Warehouse, NY/ 05/07/2009– 06/29/2009. Curator: The Edges Cybil Charlier and Andre Juste Danese Gallery, New York, NY PA / 10/01/2009–10/31/2009. Durham, NC / 01/16/2009– OH. / 03/06/2009–04/03/2009. / Henry DeFord Gallery, 11/06/2008–12/14/2008. 03/16/2009. To Be or Not 05/27/2009. Currency / of the West / Artower Gallery, / Skoto Gallery, New York, NY / / 01/08/2009–02/07/2009. Carrie Moyer Redefi ning the Canvas: Edda Citibank, Long Island City, NY FAWC Former Visual Arts Fellows To Be: A Painter's Dilemma Brooklyn Museum, Brooklyn, Athens, Greece / 05/18/2009– 9/10/2009–10/17/2009. FELLOWSHIP John Simon EXHIBITIONS Carrie Moyer: Renouf, Ramona Sakiestewa Annette Lawrence / 06/10/2009–08/03/2009. 95–96 / Fine Arts Work Center, / Stedman Gallery, Rutgers NY / 03/07/2009–03/09/2009. 06/29/2009. Bougada / Guggenheim Memorial Painting Propaganda / American & Marie Watt / Eight Modern, AWARD Dallas Museum of Art Warren Craghead FACULTY APPOINTMENT Provincetown, MA / 05/29/2009– University, Camden, NJ / First Week / Museum of Arts Center for Contemporary Foundation. RESIDENCY University Museum, Washington, Santa Fe, NM / 07/24/2009– Awards to Artists. EXHIBITIONS EXHIBITIONS The Dot & Adjunct professor / The College 06/16/2009. Hiroyuki Hamada 03/27/2009–04/25/2009. & Design, New York, NY/ Art, Thessaloniki, Greece / MacDowell Colony / D.C. / 01/24/2009–03/22/2009. 08/30/2009. Twisted Path / Free Paper @ Flatbed / Austin, The Line / Migration Gallery, of New Jersey. / Salomon Contemporary, East Zoo Logic / Lake George Arts 07/07/2009–12/30/2009. 09/11/2009–10/23/2009. Peterborough, NH. Carrie Moyer: Arcana / Abbe Museum, Bar Harbor, TX / 01/16/2009–02/06/2009. Charlottesville, VA / 01/03/2009– ME / 12/04/2008–01/05/2010. 1998 Hampton, NY / 10/11/2009– Project, Lake George, NY / According to Speculative Logic RESIDENCY Montalvo Arts CANADA, New York, NY / Decoding Identity / Museum 11/01/2009. Hiroyuki Hamada / Western Bridge, Seattle, WA 06/27/2009. Impera et FELLOWSHIP Bonnie of the African Diaspora, San J.D. Beltran 07/11/2009–08/14/2009. Center / Montalvo, CA. Divide (curator) / Second Street 05/07/2009–06/07/2009. / Berkshire Community College, / 04/02/2009–05/22/2009. Bronson Fellowship Award / Francisco, CA / 01/23/2009– AWARDS “Downtown Mirror,” Julia Randall Gallery, Charlottesville, VA / Shirley Tse Pittsfi eld, MA / 09/02/2009– Linear Abstraction / McKenzie Portland, OR. GRANTS Career 03/08/2009. On the Body: San Jose, CA, named Top EXHIBITIONS Give Them What 03/06/2009–04/25/2009. FELLOWSHIP John Simon 10/02/2009. FELLOWSHIP Fine Art, Inc., New York, NY/ Opportunity Grant, Oregon Selected Work from the Public Art Project in the United They Never Knew They Wanted Guggenheim Memorial Arts Commission. Individual States 2009. EXHIBITIONS New York Foundation for the 01/08/2009–02/07/2009. Rachofsky Collection / The Ingrid Calame ’95 From #258 Drawing (tracings from the / Jeff Bailey Gallery, New York, Foundation. Artist Project, Regional Arts and San Francisco Mirror Public Arts, Sculpture. University of North Texas Art Indianapolis Motor Speedway and the L.A. River) / 2007 / enamel NY / 07/01/2009–08/07/2009. Culture Council / Portland, OR. paint on aluminum / 72 x 120" / photograph by Fredrik Nilsen 32 33 Allison Wiese 30: Home, Place, Space / Project Museum in Harlem, New York, Gallery, Canada / 09/18/2009– Union / 02/17/2009– 09/03/2009–10/04/2009. Steve Locke University Gallery, Rochester, Museum, Ridgefi eld, CT / 07/28/2009. FACULTY Green, London, England / David Hardy EXHIBITIONS Animal Art / Row Houses, Houston, TX / NY / 11/15/2008–06/13/2009. 10/31/2009. Wunderland 02/22/2009. RESIDENCY 5: Multiplicity of Contemporary EXHIBITIONS Casual Male MI / 05/15/2009–06/19/2009. 06/21/2009–01/03/2010. Kyung APPOINTMENT Adjunct 06/09/2009–06/09/2009. EXHIBITION It’s grey, it’s grey / The New Children’s Museum, 03/27/2009–06/21/2009. Carnival Within / Berlin, Germany with KUNSTrePUBLIK, e.V. / Sculpture Space / Utica, NY. Art from South Korea / Mary / Sherman Gallery at boston FACULTY APPOINTMENT Jeon, Mischief & Melancholy / Faculty and Critic / Parsons Levels of Undo / Location Art in General, New York, NY / San Diego, CA / 10/08/2009– / 03/01/2009–06/10/2009. Skulpturenpark Berlin-Zentrum Ryan Gallery, New York, NY / University, Boston, MA / Assistant Professor Of Digital Trois Gallery, Savannah College School of Design, Design & One, New York, NY / 03/20/2009–05/02/2009. 09/08/2010. Angle of Repose Angelina Gualdoni Make Room: Karyn Olivier, / 10/01/2009–11/30/2009. Nathan Boyer 06/18/2009–08/28/2009. 09/15/2009–10/15/2009. Art / John Jay College, of Art & Design, Atlanta, GA Technology Department, New 09/09/2009-09/30/2009. / Optical Project, Houston, TX EXHIBITIONS Proposals Amanda Ross-Ho, Lisa Sigal RESIDENCIES ARCUS / Ibaraki, EXHIBITION Lots of These VOLTA 5 / Markthalle, City University of New York. / 08/10/2009–07/28/2009. York, NY. GRANT Professional RESIDENCY Location Vera Iliatova / 03/14/2009–04/18/2009. for Remnants / Kavi Gupta / Atlanta Contemporary Japan. Outhouse at Outpost / Planets are Pretty Nice / Joanna Malinowska Viaduktstrasse 10, Basel, I Stepped Into The Room / Development, Rhode Island One Virtual Collaborative. EXHIBITIONS Closer Than They Vista / Luis De Jesus / Seminal Gallery, Chicago, IL / Art Center, Atlanta, GA / Norwich, England. Lumenhouse, Brooklyn, NY FELLOWSHIP John Simon Switzerland / 06/08/2009– Catherine Ross Tina Kim Gallery, New York, School of Design. Appear / Monya Rowe Gallery, Projects, San Diego, CA / 03/27/2009–05/09/2009. 02/01/2009–04/01/2009. / 11/22/2008–12/13/2008. Guggenheim Memorial 06/13/2009. FACULTY EXHIBITIONS Polymer / Hunter NY/ 06/25/2009–09/12/2009. Karla Wozniak New York, NY / 02/25/2009— 05/08/2009–06/13/2009. Constellations: Paintings from Rudy Shepherd GRANT School of the Museum Foundation. APPOINTMENT Assistant Museum of Art, Chatanooga, RESIDENCY Atlantic Center for Sabeen Raja RESIDENCY Marie Walsh 04/11/2009. Figuratively Seeing the MCA Collection / Chicago, Melissa Oresky EXHIBITION Rudy of Fine Arts Traveling Scholars. Professor / Massachusetts TN / 03/01/2009–03/31/2009. the Arts / Daytona Beach, FL. RESIDENCY Millay Colony Sharpe Art Foundation. / Stephen D. Payne Gallery, Tamasha Williamson IL / 07/23/2009–10/18/2009. EXHIBITION Of Or Relating Shepherd: Portraits / Sharon Paz Digital Showcase / Austin for the Arts / Austerlitz, NY. Massachusetts College of Art, James Davis EXHIBITION Is This A Good Day College of Art and Design, Hong Zhang EXHIBITIONS Sticks and Stones RESIDENCY International To The Sky Or Visible Heavens / Location One, New York, NY / Boston, MA. GRANT LEF Museum of Digital Art, Austin, Noah Klersfeld Boston, MA / 01/23/2009— / NEIU Fine Art Gallery, Chicago, Studio and Curatorial Program / Western Exhibitions, Chicago, 07/06/2009–07/06/2009. EXHIBITION Full Spectrum To Start A War / Arttransponder, TX / 03/01/2009–03/31/2009. EXHIBITIONS Reveille Toi / Claudia Sbrissa EXHIBITION Tight / A.I.R. 03/21/2009. Yo Mamma: / ArtLab Gallery, University Berlin, Germany / 09/12/2009– Foundation Contemporary EXHIBITIONS Solo, Utopia Gallery, Brooklyn, NY / IL / 02/09/2009–03/07/2009. Brooklyn, NY. IL / 01/09/2009–02/14/2009. Work Fund. Centre of Contemporary Sheila Pepe and Friends / If I Didn’t Care: Multigenerational Edra Soto of Memphis, Memphis, TN / 10/02/2009. GRANTS The Fund Culture, Barcelona SPAIN is Hard / Courthouse Gallery, 10/01/2009–11/01/2009. Dust Gallery, Las Vegas, NV / Artists Discuss Cultural Histories Ridley Howard Kanishka Raja EXHIBITIONS The Chacon 03/05/2009–06/06/2009. for Video-Art and Experimental (with Samson Projects, Boston, Lake George Art Project, Lake 02/20/2009—03/29/2009. EXHIBITION Ridley Howard / EXHIBITION Master Of Reality —Soto Show / Museum of Cinema in Israel / Tel Aviv, Israel. George, NY / 01/17/2009– 2004 / The Park School, Baltimore, Amy Finkbeiner MA) / 12/02/2008–12/28/2008. Negar Ahkami MD / 01/30/2009–03/30/2009. Leo Koenig Gallery, New York, / Rose Art Museum, Brandeis Contemporary Art, Chicago,IL Israel National Lottery Council SIMULTAN05 Video and 02/21/2009. Degrees of Patrick Jackson NY / 03/06/2009–04/11/2009 University, Waltham, MA / / 06/06/2009–06/28/2009. EXHIBITIONS Leave Me, for the Arts. Density / Kentler International EXHIBITION Negar Ahkami: EXHIBITION Second Nature: Desire, (Drawing Installation) / Media Arts Festival / Pride and Fall / Leila Taghinia- 2000 01/14/2009–04/05/2009. FloorLength&Tux / Erik Brown & Timisoara, Romania / Drawing Space, New York, NY The Valentine-Adelson Melissa Brown A. Jane Johnston Invisible NYC, New York, NY. Andrea Sulzer Milani Heller Gallery, New York, I Have Seen The Enemy And Catie Olson host / 02/28/2009– 05/21/2009–05/23/2009. / 06/06/2009–07/13/2009. Collection / UCLA Hammer EXHIBITIONS Paper Fortune AWARD Fiscal sponsorship from It Is Eye / Galerie Mirchandani 02/28/2009. Edra Soto and Solo Installation / Lenfest Center GRANT Pollock-Krasner New York, NY / Lana Santorelli NY / 03/04/2009–03/28/2009. Museum, Los Angeles, CA / / CANADA, New York, NY NYFA for a documentary on and Steinrucke, Mumbai, India / Noble Street Art Students / for the Arts, Washington and Foundation. Frank Magnotta Gallery, New York, NY / 07/19/2009—10/04/2009. economic development issues Lee University, Lexington, VA William Cravis / 06/11/2009–07/12/2009. 02/04/2009–03/06/2009. Second Bedroom Project / Nicole Tschampel EXHIBITION Grand Optimist / 05/09/2009–07/27/2009. FACULTY APPOINTMENT How To Win The Lottery in New York state. FACULTY 03/20/2009–04/12/2009. / 09/01/2009–10/02/2009. Derek Eller Gallery, New York, Wrapped, site specifi c Joel C. Kyack APPOINTMENT Adjunct Zoe Sheehan Saldana 122 for $122 / PS122 Gallery, EXHIBITIONS Queens Visiting Assistant Professor, EXHIBITIONS 2008 California (performance) / Nuit International 4 / Queens, New NY / 06/03/2009–06/03/2009. installation / Cryptic Canvas Ceramics/Sculpture / St. Cloud Blanche,Toronto, Canada / Assistant Professor / Pratt MWP, EXHIBITIONS Dress Codes: 2001 New York, NY / 12/13/2008– FELLOWSHIP New York Gallery, Toronto, Canada / Biennial / High Desert Test Utica, NY. Clothing as Metaphor in Sophia Ainslie 12/21/2008. Plenty of Room York / 01/24/2009–04/26/2009. State University, MN. Sites, Joshua Tree, CA / 10/03/2009–10/03/2009 What Surrounds Us: Finding and Foundation for the Arts, 05/07/2009–01/04/2010. Contemporary Art / Katonah EXHIBITIONS Land Marks / on the Couch / Eastern Printmaking/Drawing/Book Arts. Ephemerality / Schuylkill Penny Davis 11/07/2008—11/09/2008. Anthony Campuzano Dave McKenzie Museum of Art, Katonah, NY Kingston Gallery, Boston, MA District, Brooklyn, New York / Making Home / New York, NY / Material Boundaries / Deborah GRANT Rema Hort Mann 01/07/2009–02/07/2009. Environmental Center, EXHIBITIONS Pattern EXHIBITIONS Rich Text / / 07/12/2009–10/04/2009. / 02/03/2009–02/28/2009. 06/26/2009–07/18/2009. Gabriel Martinez Philadelphia, PA / Recognition / The City Page Projects, Austin, TX / Fleisher/Ollman Gallery, Foundation. Market Forces / Galerie Erna Faculty Drawing Exhibition / New Fresh Asphalt / Gallery Levity / On Stellar Rays, EXHIBITIONS Camina a 03/07/2009—04/30/2009. New York, NY / 06/24/2009– 01/08/2009–05/08/2009. Gallery, Leicester, England / Philadelphia, PA / Rodney McMillian Hecey, Brussels, Belgium / England School of Art & Design, Satori, New York, NY / Zacatecas / Antiguo Templo de 06/20/2009–10/24/2009. By Desert Sexy / The Constant 01/22/2009–02/21/2009. 05/23/2009–08/08/2009. Boston, MA / 06/15/2009– 07/08/2009–08/16/2009. 06/24/2009. Levity / Hendershot San Agustín, Zacatecas, México Michael Scoggins Gallery, Los Angeles, CA / FELLOWSHIP United States Gallery, New York, NY / Appointment Only / 279 Mary In the Pines / David Risley Artists. Craftwerk 2.0 / Jönköping Läns 08/01/2009. Against the Wall / 06/05/2009–08/22/2009. EXHIBITIONS Wall Rockets: Street, Birmingham, England / 07/11/2009—08/18/2009. Gallery, Copenhagen, Denmark Museum, Jönköping, Sweden / Gallery 360, Northeastern Chitra Ganesh 06/25/2009–08/15/2009. Salvavida, Collaborative Contemporary Artists & Ed Perform! Now! / Chinatown, AWARDS Printed Matter 06/27/2009–07/12/2009. / 04/18/2009–05/16/2009. Frank Meuschke / 09/19/2009–01/16/2010. University, Boston, MA / 2002 Performance Event with Roxana Ruscha / FLAG Art Foundation, Los Angeles, CA / Stars! / Salon 94 Freemans, RESIDENCIES MacDowell FELLOWSHIP New York 01/23/2009–02/17/2009. Emerging Artists’ Award / Noah Klersfeld ’03 subway cars and passengers passing in front of Pérez-Méndez, No Soul for New York, NY / 01/02/2009– Kyle Durrie 07/25/2009—07/25/2009. New York, NY. Artist Honoree, Nicole Cherubini New York, NY / 07/23/2009– Colony / Peterborough, NH. Foundation for the Arts, GRANT Art Matters. a ceramic tile wall (R 9FO A) / 2008 – 09 / video still / dimensions variable Sale—A Festival of Independents 04/18/2009 and Albright-Knox EXHIBITIONS New York Not Los Angeles / Fellows of 08/28/2009. Drawing In The Weir Farm Art Center at the Weir Interdisciplinary Works. Betsy Alwin Brooklyn Art:Work: BRIC / X-Initiative, New York, NY. Art Gallery, Buffalo, NY / Stationery Show / Javits Center, Contemporary Art, Los Angeles, World / University of the Arts, Farm National Historic Park / EXHIBITIONS Figment, City Contemporary Art Gala / David Michael DiGregorio / 06/27/2009–07/26/2009. 07/24/2009–10/25/2009. Hello New York, NY / 05/17/2009– CA / 09/26/2009—11/24/2009. Sigrid Sandstrom of Dreams / Governor’s Island, Brooklyn, NY. EXHIBITIONS Philadelphia, PA / 01/22/2009– Wilton, CT. EXHIBITIONS in the room 3: Cyriaco Lopes 2003 Gabriel Martinez / Allcott Dear Friends / Seomi & Tuus 05/20/2009. Renegade Craft RESIDENCY MacDowell Colony 02/20/2009. Touch Sensitive: GRANT Joan Mitchell New York, NY / 06/12/2009– Moment as Monument / Special Sung Hwan Kim, dogr Shiva Ahmadi Gallery, University of North Gallery, Seoul, South Korea Fair / Brooklyn, New York / / Peterborough, NH. Karyn Olivier Foundation. 09/14/2009. Flora / U.S. Exhibition, Indian Art Summit, EXHIBITIONS Social (Virus) / Anthony Campuzano / Institute (aka David Michael DiGregorio), NURTUREart, Brooklyn, NY EXHIBITIONS Iran Inside Out / Carolina at Chapel Hill, NC / / 04/03/2009–05/01/2009. 06/06/2009–06/07/2009. EXHIBITION The Mood Back Botanical Garden, Washington, with Thomas Erben Gallery at Byungjun Kwon / Images Chelsea Art Museum, New York, Gwenessa Lam of Contemporary Art University Home / Momenta Gallery, Daniel Seiple / 06/01/2009–06/20/2009. 10/02/2009–11/28/2009. Obsession! 09 / ADLER & Co. Gabriel Fowler of Pennsylvania, Philadelphia, D.C. / 05/28/2009–10/05/2009. Travancore Palace, New Delhi, Festival, Gallery TPW, NY / 06/25/2009–09/05/2009. Gallery, San Francisco, CA EXHIBITION Windows / Brooklyn, NY / 02/24/2009– EXHIBITIONS Building Berlin Quality Service / The Cooper India / 08/16/2009–09/03/2009. Achtung-Attention-Cuidado Roxana Perez-Mendez EXHIBITION Paul Republic Gallery, Vancouver, PA / 01/19/2009–03/29/2009. / Kitchener-Waterloo Art Toronto, Canada / / Duncan Art Gallery, Stetson Zelzeleh / Leila Heller Gallery, / 07/02/2009–09/03/2009. 05/13/2009. Collected / Studio Solo Presentation, FIAC /Haas 04/03/2009–04/04/2009. New York, NY / 05/27/2009– EXHIBITIONS Aljira Emerge 10 Hornschemeier at Desert Canada / 06/11/2009— Broad Shoulders and Brotherly University, DeLand, FL. / Beautiful/Decay: A To Z Island (Curator) / Desert Island, Love / Hyde Park Arts Center, and Fischer Zurich, Switzerland 08/20/2009. Ahmadi & Zhang / Aljira Contemporary Art Center, / Kopeikin Gallery, West 07/25/2009. RESIDENCY and Paris, France / 10/21/2009– Adam Frelin 04/10/2009–04/24/2009. Newark, NJ / 07/25/2009– Brooklyn, NY / 06/05/2009. Yaddo / Saratoga Springs, NY. Chicago, IL / 01/18/2009– VOX V / Vox Populi Gallery, / Feldman Gallery, Portland, Hollywood, CA / 10/25/2009. FELLOWSHIP New FELLOWSHIP New York OR / 11/06/2008–12/24/2008. 09/26/2009. Fall Solos / 03/29/2010. FELLOWSHIP Foundation for the Arts, Philadelphia, PA. / 07/10/2009– 02/21/2009–04/21/2009. Pew Fellowship in the Arts, York Foundation for the Arts, FELLOWSHIP Kresge Arlington Art Center Arlington, Printmaking/Drawing/Book Arts. Sculpture. 08/08/2009. British Film Festival VA / 09/11/2009–11/07/2009. Shinique Smith Works on Paper. / Redondo Beach Performance Artist Fellowship. Leonora Hennessy Invented: (un)Realities: Part 2 GRANT Joan Mitchell Megan Cump Ulrike Heydenreich Art Center, Los Angeles, CA. t s Beall / Gershman Y, Philadelphia, Foundation. AWARD ZVAB-Phönix EXHIBITIONS Die Die Die / / 06/05/2009–06/08/2009. EXHIBITION Space Delawab EXHIBITIONS Currents in Transmision Gallery, Glasgow, PA / 06/11/2009–08/05/2009. Contemporary Photography / / Tutzing, Germany. 17 Days Video Series / Atrium / Belfast, United Kingdom X-Intitiative, No Soul for Sale / Ben Woodeson EXHIBITIONS Drawing Actions Scotland / 06/09/2009– Gallery at the Richmond / 05/08/2009–06/05/2009. AWARD Prize winner at the Flanders Art Gallery, Raleigh, 06/27/2009. The Human Arc Representing Vox Populi Gallery, NC / 01/24/2009–02/28/2009. / De Halle, Geel, Belgium / Center for Visual Arts at Western RESIDENCY Islington New York, NY / 06/24/2009– Creekside Open 2009 / APT 02/27/2009–03/01/2009. / Video art event by The Open Michigan University, MI. / Mill Art Academy / Gallery, London, England. State of Consciousness / Eye Club, Tramway, Glasgow, 06/28/2009. No Soul for Sale Collective Gallery, New York, Ulrike Heydenreich / Galerie 07/28/2009–07/28/2009. Manchester, England. Performance with Gabriel EXHIBITIONS Creekside Open Conrads, Dusseldorf, Germany Scotland / 11/20/2008– I Can’t Get No Satisfaction: / APT Gallery, London, England NY / 06/06/2009–07/08/2009. 11/20/2008. A Temporary Crystal Z. Campbell Martinez / X-Initiative, New York, It’s Still Life / RayKo Gallery, / 05/23/2009–07/18/2009. Contemporary Views On The NY / 06/27/2009–06/27/2009. / 06/04/2009–06/21/2009. Hoch Hinauf—Alpinismus in End / Intermedia Gallery at Everyday / Apex Art, New York, AWARD UCIRA Visual Arts Stumble / Electrohype Gallery, San Francisco, CA / the CCA, Glasgow, Scotland / Practice and Research Award. 08/06/2009–09/22/2009. der zeitgenössischen Kunst / NY / 06/01/2009–07/10/2009. Meridith Pingree Malmo, Sweden / 09/25/2009– Kunstforum Montafon, 02/20/2009–02/28/2009. SIGN, Art in Odd Places / EXHIBITION Lui Velasquez / EXHIBITIONS Object Direct / 10/25/2009. Watching TV by Stephanie Diamond Schruns, Austria / New York, NY / 10/01/2009– Tijuana, Mexico / 07/26/2009– Heskin Contemporary, Candlelight / Heron Corn Mill, Amana Johnson 07/26/2009. EXHIBITIONS Open House 06/27/2009–08/08/2009. EXHIBITION Internal Climates / 10/31/2009. Big Bronze Statues New York, NY / 11/20/2008– Beetham, Cumbria, England Street Fair / The Bronx Thelma Harris Gallery, Oakland, / Le Petite Versailles, New York, Kyung Jeon 01/03/2009. Playing Through / 04/11/2009–04/11/2009. Museum of the Arts, Bronx, Shih Chieh Huang NY / 07/01/2009–07/31/2009. / Industry City, Brooklyn, NY Forårsudstillinge, The GRANT Creative Capital. CA / 11/09/2008–01/15/2008. EXHIBITIONS Kyung Jeon, NY / 06/21/2009–06/21/2009. Contemporary Flanerie: Mischief & Melancholy / Pinnacle / 05/30/2009–05/31/2009. Spring Exhibition / Kunsthal Rest (in 3 rhythms) / Ramis Shin Il Kim Kalup Linzy Reconfi guring Cities / Oakland Gallery, Savannah College of Rece$$ / Crossing Art, Queens, Charlottenborg, Copenhagen, Barquet Gallery, New York, NY EXHIBITIONS Triple Light AWARD William H. Johnson Art and Design, Savannah, GA NY / 05/05/2009–06/05/2009. Denmark / 04/04/2009– / 12/15/2008–01/14/2009. / Museo Nacional de Artes Prize, William H. Johnson / 03/18/2009–05/03/2009. Green Monster / BakerIE, 06/01/2009. Evacuation / Cheep Fast and Out of Control Visuales, Montevideo, Uruguay / Foundation for the Arts (fi nalist). Pretty Tough: Contemporary Greenwich, CT / 03/01/2009– Borstal Space, Hackney, / SCOPE Art Foundation, GRANT Art Matters. Storytelling, Curated by 09/01/2009. Scattered Logic London, England / 06/12/2009– SCOPE Art Fair, New York, NY / Monica Ramirez-Montagut / Texas Firehouse, Long 06/26/2009. Chutney 3: The Marie Lorenz ’04 The Inner Sea (Melissa) / 2009 / performance & 03/16/2009–03/19/2009. Round / The Aldrich Contemporary Island City, NY / 07/25/2009– Voice of Chutney / Camberwell photo blog: theinnersea.net Karen Olivier ’00 It’s not over ‘til it’s over / 2004–09 /steel, wood, fabric, rope lighting, motor, casters, chair / 14 x 24' 34 35 Shaun El C. Leonardo Saya Woolfalk Berlin, Germany / 4th Annual Festival Prague Tina The Thirteenth Day: Ben Kinsley 09/17/2009–10/10/2009. Eun Hyung Kim 01/05/2010. Proyectos / Caitlin Berrigan NY / 09/13/2009–02/07/2010. Christian Maychack EXHIBITIONS Nuit Blanche EXHIBITIONS Storytellers / 03/28/2009–05/03/2009. B / Prague, Czech Republic / & Jessica Langley / Skaftfell Subjective Projections / EXHIBITION Breaking Out, Galeria Revolver, Lima, Peru EXHIBITIONS Metro Poles: Marginal Utility / Basekamp EXHIBITION Christian (12 hour presentation of Paperwork Gallery, Baltimore, Uncharted / University of 10/08/2009–10/26/2009. News, Art Center, Seyðisfjörður, Bielefelder Kunstverein, Bielefeld The AHL Foundation / 08/01/2009–09/01/2009. Art in Action, collaboration / Gallery / Philadelphia, PA / Maychack: HOST / Jeff Bailey “Battle Royal”) / Toronto, MD / 12/12/2008–01/23/2009. Albany Museum, Albany, NY / Undated / Puerto Lumbreras, Iceland / 04/11/2009– / 09/23/2009–10/23/2009. 2008 Visual Arts Awards Landscape / Eleven Rivington Jamaica Arts Center, Jamaica, 07/21/2009–07/21/2009. Gallery, New York, NY / Canada / 10/03/2009– Losing Yourself / Welch School 09/15/2009–12/13/2009. Murcia, Spain / 04/03/2009– 06/07/2009. Manipulating Learn to Read Art: A History Winners / New York, NY / Gallery, New York, NY / NY / 11/13/2008–01/13/2009. Artists in Residence Spotlight 05/27/2009–06/29/2009. 10/04/2009. Sleeping Giant: of Art & Design Gallery, Georgia 06/30/2009. Haunting The Reality / Centro di Cultura of Printed Matter / Badischer 11/20/2008–12/20/2008. 04/07/2009–05/24/2009. And Things of That Nature Exhibition / The Center for New Works by Shaun El C. State University, Atlanta, GA / Valeria Maculan City: The Document As Contemporanea Strozzina, Kunstverein, Karlsruhe, Germany Trofeos / Zona Maco Sur, / Mills Gallery, Boston, MA Book Arts, New York, NY / Navin Norling Leonardo / Rhys/Mendes 10/01/2009–11/19/2009. EXHIBITIONS Untitled / Braga Liaison Between The Artist Fondazione Palazzo Strozzi, / 07/03/2009–09/06/2009. Jennifer Levonian Mexico City, Mexico / / 05/15/2009–06/07/2009. 04/01/2009–04/30/2009. RESIDENCY Socrates Sculpture Gallery, Minas Gerais, Brazil / Living and Dreaming / Menendez Art Gallery, Buenos And The Urban Environment Florence, Italy / 09/25/2009– BCAST / BCAT Television and FELLOWSHIP Pew Fellowship 04/21/2009–04/28/2009. RESIDENCY PROGRAM / Park 2009 Emerging Artist 05/16/2009–07/24/2009. Bronx Museum, Bronx, NY / Aires, Argentina / 03/11/2009– / The LeRoy Neiman Gallery, 01/17/2010. RESIDENCY MTV Supersound, Brooklyn, in the Arts, Media Arts. Trabajo de Espacio / Arroniz Berlin, Germany. Asuka Goto Fellowship Exhibition / 06/21/2009–09/13/2009. If I 04/15/2009. Southern Exposure Columbia University, School Skaftfell Artist Residency / NY / 05/31/2009–06/07/2009. RESIDENCY Millay Colony Arte Contemporaneo, Mexico FELLOWSHIP Vermont Studio Long Island City, NY. Catherine Lepp Didnt Care: Generational Artists / Dumbo Art Center, Brooklyn, of the Arts, New York, NY / Seyðisfjörður, Iceland. RESIDENCY Bemis Center of for the Arts / Austerlitz, NY. City, Mexico / 02/01/2009– Suzanne Broughel Center Full Fellowship / Vermont EXHIBITION New York Studio NY / 11/30/2008–12/30/2008. AWARD Smack Mellon Hot Studio Center, Johnson, VT. Hoyun Son Discuss Cultural Histories / 02/13/2009–03/05/2009. Public Contemporary Art / Omaha, NE. Sandy Litchfi eld 04/15/2009. RESIDENCIES RESIDENCIES MacDowell School Alumni Show / New York The Park School, Baltimore, Improvisations / Fabbrica del Yvonne Lung Marie Walsh Sharpe Art Pick 2009 (Studio Program). GRANT Pennsylvania Council Studio School, New York, NY / Shervone Neckles EXHIBITION Fleisher Wind Alexandre Singh EXHIBITIONS Broken Appeal EXHIBITION Uncharted on the Arts Individual Creative Colony / Petersborough, MD / 01/30/2009–03/30/2009. EXHIBITIONS 6@30 / Gordon Vapore, Fondazione Ratti, Milan, for Balance / Herter Gallery, Foundation. La Curtiduria / NH. Sandnes kommune and 06/26/2009–08/01/2009. Playing Around / Brattleboro Italy / 12/04/2008–01/31/2009. Challenge 3 / Fleisher Art EXHIBITIONS Fax / The Oaxaca, Mexico. Territory / part of Sight Artist Fellowship / Philadelphia, Parks Gallery, The College Memorial, Philadelphia, PA Drawing Center, New York, University of Massachusetts, Specifi c Projects, Oualie Arts, PA. RESIDENCY Vermont Studio Rogaland fylkeskommune / Ivan Monforte Art Museum, Brattleboro, VT of New Rochelle, Bronx, NY By the Roll of a Dice / 211 Amherst, MA / 09/15/2009– Sandnes, Norway. / 04/05/2009–07/26/2009. Collective, New York, NY / / 05/08/2009–07/03/2009. NY / 04/17/2009–07/23/2009. Tiffany Sum Orange, NJ / 05/01/2009– Center / Johnson, VT. Lower EXHIBITION Tainted Love / / 02/18/2009–04/10/2009. RESIDENCY Art Omi The Columns Held Us Up, 10/12/2009. Way Finding / Akus EXHIBITION Spatial Effect: 05/31/2009. FELLOWSHIPS Manhattan Cultural Council La MaMa Gallery, New York, NY/ Making It / Deutsch Bank Group Exhibition / Iona College 03/01/2009–09/01/2009. Gallery, Eastern Connecticut Monika Sziladi New York, NY / 04/01/2009– International Artists / The Invited (Cordially Uninvited) New Media / Detroit, MI / A.I.R. Gallery Fellowship Workspace / New York, NY. EXHIBITIONS Market Forces / 06/04/2009–06/28/2009. Gallery, New Rochelle, NY / Benjamin Dowell Ghent, New York. / Artists Space, New York, NY / State University, Willimantic, 01/14/2009–04/30/2009. 2009–2010 / Brooklyn, NY. 08/01/2009. Hanging By a 02/06/2009–03/14/2009. CT / 10/15/2009–11/25/2009. Lydia Greer Galerie Erna Hecey, Brussels, David Politzer Thread / Arts Westchester, RESIDENCY Marie Walsh 07/08/2009–08/01/2009. New York Foundation for the Belgium / 05/28/2009– Sharpe Art Foundation. Monica Martinez À corps et à textes / La Galerie, FACULTY APPOINTMENT Rob Swainston Arts, Sculpture. EXHIBITION What We Can AWARD Nesnadny & Schwartz White Plains, NY / 03/20/2009– Jacob Rhodes EXHIBITIONS MFA Thesis Visiting Professor / Mount RESIDENCY Marie Walsh Live With / The Berkeley Art 08/29/2009. Glam Shackle Visiting Curator Program 05/02/2009. Pulse / Taller EXHIBITION Mixtape / Federal Noisy-le-sec, Paris, France / & Spice / Gallery SATORI, Patricia Esquivias Exhibition / RISD/Providence 06/02/2009–07/25/2009. Holyoke College. Sharpe Art Foundation. Christopher Carroll Museum, Berkeley, CA / selection / MOCA Cleveland. Boricua, New York, NY / Art Project, Los Angeles, CA / EXHIBITIONS Younger than Convention Center / EXHIBITION You, Me, and 05/15/2009–06/15/2009. New York, NY / 06/05/2009– FACULTY APPOINTMENT 03/20/2009–05/02/2009. 07/09/2009–07/31/2009. Jesus / New Museum, New 05/14/2009–06/30/2009. Molly Springfi eld Valerie Molnar 2008 Synesthesia / Doran Gallery, 07/03/2009. Photo Biennial Visiting Professor of Next Post / Rupert Ravens York, NY / 04/08/2009– RISD MFA Sculpture / EXHIBITIONS Translation / EXHIBITIONS Salon 1 / Amanda Alfi eri Boston, MA / 03/24/2009– Moo Kwan Han / Institute of Contemporary Photography / Youngstown Amanda Schoppel Marine, Santa Monica, CA EXHIBITIONS Off The Strip: FELLOWSHIP New York Art, Dunaújváros, Hungary / Contemporary, Newark, NJ EXHIBITIONS Touch Point / 06/03/2009. Reads Like the WORK Gallery, Brooklyn, NY Steven Wolf Fine Arts, San 03/27/2009. State University. RESIDENCY / 02/28/2009–04/11/2009. Paper 2005–2009 / Midway / 09/04/2009–09/21/2009. Francisco, CA / 02/13/2009– / 09/26/2009–10/25/2009. Two Weeks of Performance and Foundation for the Arts, 04/23/2009–06/01/2009. Millay Colony / Austerlitz, NY. Toronto, Canada / Sean Slemon ’07 Public New American Paintings No81 Video / Las Vegas, Nevada / Andrea Chung Digital/Electronic Arts. Saya Woolfalk: No Place / UB 01/15/2009–03/01/2009. Contemporary Art, Minneapolis, Graduate Sculpture Exhibition / 03/21/2009. Letters, Words, Jonathan VanDyke Art Gallery, Center for the Arts, MN / 04/04/2009–05/31/2009. Sol Koffl er Gallery, Rhode Island and Phrases / Goucher College, Property: Elm Tree / 2007–09 / / Printed Juried Exhibition / 04/02/2009–04/17/2009. Low EXHIBITIONS Securicorp Daniel Rich Three Holes / Calgary, Canada / elm tree, plexiglass, wood / 06/01/2009–07/23/2009. Lives / FiveMyles, Brooklyn, NY; / Mauritius / 10/24/2009– John Houck EXHIBITIONS Gloved EXHIBITIONS Downburst Buffalo, NY / 02/26/2009– 05/01/2009–06/01/2009. School of Design, Providence, RI Baltimore, MD / 03/23/2009– EXHIBITION Nightengale / Impediment / HQ Gallery, 05/09/2009. More Art Less Maya Freelon Asante / 01/22/2009–02/15/2009. 04/26/2009. X LIBRIS: The 72 x 32 x 6” Diaspora Vibe Gallery, Miami, 11/21/2009. See You Again / Perry Rubenstein Gallery, EXHIBITIONS The Beauty Meredith Nickie FL; labotanica, Houston, TX / Last Year / ARTSCAPE/Gallery Workspace 2601, Los Angeles, Brooklyn, NY / 05/02/2009– New York, NY / 12/11/2008– Filler / Vanderbilt University, Jina Valentine Repurposed Book / Traffi c EXHIBITIONS Whitney Museum CA / 05/02/2009–05/10/2009. 06/26/2009. The Hole in Space 204, Nashville, TN / GRANT Joan Mitchell of Now / Reginald F. Lewis Emily Mast Zone Center, Minneapolis, MN 08/08/2009–08/08/2009. at CCBC Catonsville, Baltimore, 01/24/2009. Transitions- Museum of African American EXHIBITION Everything, Independent Study Program MD / 07/07/2009–08/07/2009. the Palm of Your Hand / Painting at the (Other) End of 06/05/2009–07/31/2009. Foundation. / 09/01/2009–10/16/2009. 2007 Exhibition / Art in General, Scaramouche Gallery, New York, GRANTS Puffi n Foundation History and Culture, Baltimore, Nothing, Something, Always Leaded: The Materiality and Diana Al-Hadid GRANT 2008–2009 Fulbright Art / Collezione Maramotti, Sarah Wagner MD / 05/13/2009–08/16/2009. (Walla!) / USC Roski Fine Art New York, NY / 05/09/2009– Scholarship / Mauritius. NY / 09/12/2009–11/02/2009. Reggio Emilia, Italy / / Long Island, NY. Lower Metamorphosis of Graphite EXHIBITION the Station / Miami, 05/17/2009. Open Studios / San EXHIBITIONS Natural Blunders / Double Exposure: African Gallery, Los Angeles, CA / FL / 12/04/2008–12/07/2008. 05/24/2009–10/31/2009. Manhattan Cultural Council de Saisset Museum, Santa Clara / Yellowstone Art Museum, Francisco Art Institute, Santa Fe, Fund for Creative Communities. Americans Before and 03/05/2009–03/05/2009. Billings, MT/ 04/24/2009– Unveiled: New Art from the Rattled by the Rush / Andrew University, CA / 01/24/2009– Behind the Camera / DePaul NM / 07/23/2009–07/30/2009. Rafacz Gallery, Chicago, IL / RESIDENCY Harvestworks New Katja Mater 08/02/2009. Sondheim Prize Middle East / Saatchi Gallery, FACULTY APPOINTMENT 03/20/2009. Open House with Art Museum, Chicago, IL / London, England / 01/30/2009– 05/16/2009–07/11/2009. Works / New York, NY. Jon Brumit / Skydive Gallery, EXHIBITIONS Cumulus at Finalist Exhibition / Baltimore Visiting Assistant Professor / 04/16/2009–06/14/2009. Museum of Art, Baltimore, MD 05/09/2009. Invitational 2005 Houston, TX / 02/12/2009– FELLOWSHIP Sonja Haynes the Artis Library / Artis Library, University of Hartford / Hartford, Rachel Roske Amsterdam, The Netherlands / 06/20/2009–08/16/2009. Exhibition / American Academy CT. FELLOWSHIP Jackie EXHIBITIONS The Armory Show Heather Hart 03/11/2009. GRANT Pollock- Stone Center Artist Fellowship / of Arts and Letters, New York, FELLOWSHIP New York Krasner Foundation. / 11/26/2008–11/29/2008. Translation / Thomas Robertello McLean Fellowship / Hartford, / with Parker Jones Gallery, The University of North Carolina Gallery, Chicago, IL / 09/11/2009– NY / 03/12/2009–04/05/2009. Foundation for the Arts, Crafts. at Chapel Hill, NC. Décadrage / Musée des CT. GRANTS Ontario Arts New York, NY / 03/05/2009– 2006 Beaux Arts de Caen, France / 10/17/2009. The 2009 Trawick 9th Sharjah Biennial / Sharjah, Council Emerging Artist Grant / 03/08/2009. Rastadental, David Herbert Elena Bajo Victoria Fu 12/08/2008–12/14/2008. Het Prize: Bethesda Contemporary United Arab Emirates / Toronto, Canada. RESIDENCY JMOCA / Los Angeles, CA EXHIBITIONS David Herbert: EXHIBITIONS When You Cut GRANT Art Matters. Proces / ACF Amsterdams Art Awards / Bethesda, MD 03/19/2009–05/16/2009. BAM Santa Fe Art Institute. / 02/15/2009–02/28/2009. Nostalgia for Infi nity / Into The Present The Future Centrum voor Fotografi e, / 09/02/2009–10/03/2009. Next Wave Festival / Brooklyn Incognito / Santa Monica Postmasters Gallery, New York, Leaks Out, Production of Space Nayef Homsi Amsterdam, The Netherlands Leaded: The Materiality and Academy of Music, Brooklyn, Alison O’Daniel Museum of Art / Santa Monica, NY / 05/22/2009–06/28/2009. / P.S. 1/MoMA, New York, NY / EXHIBITION Beirut / 11/22/2008–12/06/2008. Metamorphosis of Graphite NY / 09/05/2009–01/01/2010. EXHIBITIONS Betamax / UC CA / 05/17/2009–05/24/2009. Carnival Within / Uferhallen, 05/17/2009–06/21/2009. The Tangents / Kleio Projects, Logement 11 part 2 in situ / / The Palmer Museum of In the Between / Istanbul, Turkey Irvine Room Gallery, Irvine, CA New York, NY 10009 / / 09/10/2009–10/10/2009. New / 02/19/2009–03/06/2009. Siebren Versteeg Logement, Borgerhout, Belgium Art, Pennsylvania State 07/21/2009–07/21/2009. / 03/26/2009–04/06/2009. University, State College, PA Weather / USF Contemporary Waterproof / Workspace 2601, AWARD Kennedy Endowment Art Museum, Tampa, FL / Los Angeles, CA / 03/16/2009– for Visiting Artists / University Zerek Kempf Juntos acordaron adelantar / 09/15/2009–11/29/2009. eloscurecer / Fundacion Sa FELLOWSHIP DCCAH/NEA 11/07/2009–03/12/2010. 03/28/2009. We Hear Without of South Florida. EXHIBITIONS EXHIBITIONS Juntos FELLOWSHIP New York Eyes (screening) / 533, Incidents and Accidents / Acordaron Adelantar Nostra, Palma de Mallorca, Artist / Washington, D.C. Spain / 05/08/2009– Foundation for the Arts, Los Angeles, CA / 04/04/2009– Hogar Collection, Brooklyn, El Oscurecer / Mallorca, Spain / Joe Winter Sculpture. GRANT Pollock- 04/04/2009. FELLOWSHIP NY / 08/07/2009–09/05/2009. 05/01/2009–05/30/2009. 06/06/2009. La Maison des EXHIBITION State of the Poupées / Historic Museum Krasner Foundation. Lynne Miles Fellowship / No Longer Empty / New York, Art: New York / URBIS Irvine, CA. NY / 07/30/2009–08/30/2009. Haegeen Kim Arnhem, The Netherlands Michael Berryhill EXHIBITION Smooth Surface Center, Manchester, England Broadcast / The Ronna / 06/06/2009–08/23/2009. / 04/09/2009–09/06/2009. RESIDENCY Marie Walsh Denise Prince and Eric Hoffman Gallery of / Seoul, South Korea / Flux-S Festival / Eindhoven, Sharpe Art Foundation. EXHIBITION Intimate Distance 01/22/2009–02/14/2009. GRANT New York State Contemporary Art, Portland, The Netherlands / 09/10/2009– Council on the Arts Individual Soldier/Adulterer / Performance- Monika Sziladi ’08 Untitled (Real), from the series Receivers / 2009 / archival ink jet print / 15 x 37” OR / 09/09/2009–12/19/2009. 09/13/2009. Black Cube #11 Katie Herzog Installation at Bridge Art Fair, Ben Kinsley Artist Grant. RESIDENCIES EXHIBITIONS Art As Experience Identifying Hedges / EXHIBITIONS Street With A Film Festival / Arti, Amsterdam, MacDowell Colony / Art Basel, Miami, FL / The Netherlands / / Whittier Public Library, Whittier, Hallwalls, Buffalo, NY / View / Agency for Small Claims, Peterborough, NH. Lower 12/02/2008–12/07/2008. Steffani Jemison Jacob Yanes 06/12/2009–07/19/2009. 10/09/2009–10/09/2009. CA / 02/02/2009–02/28/2009. Avantika Bawa Nicholas Fraser Bureau for Open Culture, CCAD, Manhattan Cultural Council VOX V / Vox Populi, Philadelphia, Ishmael Randall Weeks EXHIBITIONS Retail Nullifi ed EXHIBITION Art in Odd FELLOWSHIP CORE Museum RESIDENCY Fine Arts Work Abbey Williams Columbus, OH / 06/22/2009– Adam Shecter Swing Space / New York, NY. PA / 07/10/2009–08/02/2009. EXHIBITIONS Slash / Museum / University of the South, Places / Various sites along of Fine Arts Houston / Center / Provincetown, MA. EXHIBITION (STILL) / Bellwether 07/17/2009. Public/Private / EXHIBITIONS New Atlantis / FELLOWSHIP Molesworth of Arts and Design, New York, Sewanee, TN / 09/04/2009– 14th Street, New York, NY / Houston, Texas. Gallery, New York, NY / Arlington Arts Center, Arlington, Eleven Rivington, Institute / Storrs, CT. NY / 10/07/2009–04/01/2010. 10/03/2009. Perfect Distortions 10/01/2009–10/31/2009. VA / 01/30/2009–04/04/2009. New York, NY / 09/02/2009– Nery Gabriel Lemus 04/09/2009–05/09/2009. RESIDENCY Thematic Havana Bienal / Havana, Cuba / / Saltworks Gallery, Atlanta, GA / EXHIBITION Friction of Distance 10/03/2009. Buddy List / Residency: Why are Conceptual 03/27/2009–05/27/2009. 07/21/2009–07/21/2009. Hadassa Goldvicht Space 414, Brooklyn, NY / EXHIBITIONS Fresh Direct: / Steve Turner Contemporary, Artists Painting Again? Because Des-Habitable / Galeria OTR, Los Angeles, CA / Ernest Bryant III ’05 coiffeur pour l’hommes / 2005 / natural Jewish Ritual in Art / The Jewish They Think it is a Good Idea / The Madrid, Spain / 10/09/2009– 07/18/2009–08/15/2009. elements / size: human head Banff Centre, Alberta, Canada. Museum, New York, 36 37 WE THANK OUR MANY SUPPORTERS FOR HELPING TO KEEP SKOWHEGAN STRONG

BENEFACTORS • Daphne Cummings, Libby Wadsworth CONTRIBUTORS • Sandra F. Blum • Robert N. Flynt • Gwen Kerber, in memory of • Christopher A. Norris • Sean Slemon • Skowhegan Alum in honor of Linda Earle Alan Wanzenberg • Mara Bodis-Wollner • Rachel Frank Elizabeth Murray • Brandon Norsted • Clarissa T. Sligh Mildred Brinn, L & L Foundation Anonymous Benefactors: $25,000 + Catherine & Doug Davis Gordon VeneKlasen, • Willard Boepple • Nicholas Fraser Dr. Arnold D. & Mrs. Berta B. • John O’Connor • Adam Parker Smith Agnes Gund Regine Basha & Gabriel Luc De Bruecker Michael Werner, Inc. • Susan M. Boscarino • Maya Freelon Asante Kerr, in memory of • Alison O’Daniel • Stephanie B. Snider, Ann & Graham Gund Pérez-Barreiro Patrons: $10,000–$24,999 Jane Debevoise Linda C. Wick • Douglas Bosch • Lynda Frese Milo Merle Naeve • Yukako Okudaira in honor of Barbara Lapcek Jumeirah Holly Block Frank Del Deo, • Allison K. Wiese Bowdoin College Museum of Art • Jon R. 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38 39 EVERY GIFT to Skowhegan benefi ts emerging artists and Skowhegan needs you more than ever. A NEW PRINT EDITION Please consider making a contribution, and know BY POLLY APFELBAUM that gifts of any amount are greatly appreciated!

PATRON $10,000–24,999 SUPPORTER $500–999 BOARD OF TRUSTEES Alison Saar SUMMER STAFF 2008 Skowhegan is pleased to announce Beverly Semmes SPONSOR $5,000–9,999 CONTRIBUTOR $250–499 Ann Gund, Chair Susan Shatter The summer staff makes it all the release of Night Flowering by Gregory K. Palm, President possible. Their professionalism, DONOR $1,000–4,999 FRIEND $1–249 Alexis Smith Polly Apfelbaum, the most recent Richard T. Prins, Treasurer Kiki Smith commitment, and sense of Susan Paul Firestone, Secretary Robert Storr humor support the community in our series of benefi t prints. Since To give specifi cally for scholarships, please choose George W. Ahl III Julianne Swartz and individuals on campus 1970, we have had the pleasure of Jan Aronson Ursula von Rydingsvard in countless ways. an amount below. We will write to tell you about the artist Grace G. Bowman William Wegman EDUCATION publishing a number of benefi t print who received your scholarship in the 2010 session. Mildred C. Brinn, Chair Emeritus Fred Wilson Warren C. Cook Victoria Fu (’06), Dean editions which help us raise money Steve Locke (’02), Dean FULL SCHOLARSHIP $5,500 Andrea Crane for scholarships. Over the years, Katherine Gass ADVISORY COMMITTEE FRESCO artists such as Josef Albers, Peter HALF-SCHOLARSHIP $2,750 Robert Gilson Daniel Bozhkov (’90) Douglas S. Cramer Hugh J. Gourley III Nicholas Sean Glover (’02) Doig, Janet Fish, Yvonne Jacquette, QUARTER-SCHOLARSHIP $1,375 Philippe de Montebello Tonya Ingersol Nadia Ayari (’06) Mary M. Looker David Driskell Jasper Johns, Anish Kapoor, Name as you wish to be listed Robert L. Looker Kathy Halbreich LIBRARY Whitfi eld Lovell, Robert Mangold, Victoria Love Salnikoff John L. Marion Judith Stoodley, Librarian Street Address Libbie J. Masterson Kynaston McShine Raymond Haddock, Assistant Brice Marden, Louise Nevelson, Richard E. Oldenburg Wilson Nolen MEDIA LAB Joel Shapiro, Fred Tomaselli, and John W. 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Susy Wadsworth Rachel Frank (’05) FOOD & RESIDENCE Alan Wanzenberg Victoria Fu (’06) SERVICE click on SUPPORT or call us at My one-time gift $ Brad Hampton (’03) Waneeta Marquis, Manager, Food & Residence Service 212.529.0505. BOARD OF GOVERNORS David Hardy (’04) My monthly gift $ Vera Iliatova (’04) Alexander Haff, Assistant Chef Byron Kim, Chair Becky Kinder (’04) Shawn Thornton (’02), Baker (Note that monthly gifts will continue for 12 months unless the donor notifi es Fabian Marcaccio, Vice Chair Ellie Krakow (’08) Patrick Bownes Skowhegan to terminate them.) Emma Amos Liz Laser (’08) Carol Campbell Janine Antoni Dan Levenson (’09) Pamela Fuller I wish to make my gift in HONOR/MEMORY Anne Arnold Katherine Mangiardi (’07) Patrick LeClair Jonathan Logan (please circle one) of Donald Baechler Jeanine Oleson (’00) Daniel Bozhkov Meredith Pingree (’03) Alisha Rose Marquis Name Mel Chin Birgit Rathsmann (’04) Jacob Marquis Daphne Cummings Catherine Ross (’02), Co-Chair Justin Williams Martha Diamond Adam Shecter (’06) GROUNDS & MAINTENANCE METHOD OF PAYMENT Stuart Diamond Nicole Tshampel (’01) Kevin Flanagan, Carpenter Lois Dodd Susanna Vapnek (’02) Larry Gray, Grounds Staff Donate online at www.skowheganart.org or Janet Fish Peter Jillson, Grounds Staff Robert Gober Ron Pinkham, Grounds Staff My check, payable to Skowhegan, is enclosed Maria Elena González YEAR-ROUND STAFF Guy Goodwin Please charge my credit/debit card Linda Earle, Executive Director, Richard Haas Program photography Jane Hammond Kate Haw, Executive Director, AmEx MasterCard* Visa* Yvonne Jacquette Mary Coble Development & Tameka Norris Bill Jensen Administration Card # William King, Governor Emeritus Elise Gardella, Offi ce & Board design Joyce Kozloff Relations Manager Security Code* Expiration Date Tommy Lanigan-Schmidt William Holmes, Campus PS NewYork Whitfi eld Lovell Grounds & Maintenance www.psnewyork.com * MC/Visa only, last 3 digits on back of card, inside signature bar. Kerry James Marshall Polly Apfelbaum Manager Night Flowering Suzanne McClelland Melissa Calderón, printing Name as it appears on card Dave McKenzie Program Coordinator 2009 Alix Pearlstein Adrienne Snow, Penmor Lithographers Multicolor woodblock print on Kozo (Japanese triple-thick handmade paper) Signature Paul Pfeiffer Administrative Assistant www.penmor.com 16 in. x 16 in. (image and paper size) Howardena Pindell Edition of 55, with 8 APs and 8 PPs signed and numbered by the artist David Reed Billing Address Christy Rupp Allen Ruppersberg $1,200 (if different from above) (price will be raised after the fi rst 25 prints in the edition are sold)

Please return this form in the enclosed envelope with photo by Robert Lorenzson your gift. All contributions are fully tax-deductible. THANK YOU! 40 SKOWHEGAN SCHOOL OF Non-Profi t Org. PAINTING & SCULPTURE U.S. Postage PAID 200 PARK AVENUE SOUTH Lewiston ME SUITE 1116 Permit No. 82 NEW YORK, NY 10003 –1503