Jeremy Botts 614 South Hale Street • Wheaton Il 60187 • | | @Jeremybotts
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Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Bios of RED SPRING Curating the End of the World Contributors
Bios of RED SPRING Curating the End of the World Contributors RED SPRING is dedicated to living legend, Algernon Miller, a Father of Afrofuturist Art. Ekpe Abioto Ekpe (pronounced “eck-pay), a “musical philanthropist” and artistic director of GENIUS UNLIMITED, who specializes in children’s music and cultural entertainment. Since his career began in 1974, his motivational learning workshops on self-esteem, creative thinking, conflict resolution, drug prevention, and gang awareness have been well received by students, teachers, and administrators. As a musician, producer, recording artist, songwriter and arts educator, he plays African instruments such as the djembe drum, kalimba (thumb piano), shekere, and others, flute and saxophone. He gives entertaining and educational performances at schools, churches, festivals, colleges and universities, and is currently promoting his two CD’s entitled, “I AM A GENIUS” and “THE SPIRIT OF AFRICAN MUSIC.” His interactive music video “DON’T TOUCH A GUN” has been recognized and used as an effective means of keeping guns out of the hands of children. He is a part of The African Jazz Ensemble, a 10-piece band made up of some of Memphis' finest musicians. They've played together for over 40 years, and members have toured the world with Michael Jackson, Al Green, BB King, Eric Clapton, the Dells, Luther Allison, and Rufus and Carla Thomas. They formed the African Jazz Ensemble as a way to incorporate African influences into more traditional jazz, soul and R&B. Linda D. Addison is one of the most honored speculative poets of all time. Over the course of more than 300 published poems, stories and articles, Addison has been awarded the Horror Writer Association’s Bram Stoker Award six times. -
Nomination Form Answering All Eight Questions, the Nominee’S Résumé, and a High-Resolution Headshot of the Nominee to [email protected]
NOMINATION 20FORM 16 The ONE MKE Mission Our mission is to transform leadership and relationships in order to foster and retain a diverse pipeline of talent and improve cultural competence within the city PRESENTED BY of Milwaukee. The Diversity Leadership Society is a United Way donor network composed of diverse individuals working to ensure every family in the United Way four-county footprint has the opportunity to flourish; no matter their diversity of thought, gender, age, ethnicity, and geography. Through giving, advocating, and volunteering, members help position diversity and inclusion as the blueprint for a strong, successful community. POWERED BY The Driver Of Diversity Awards reception is an opportunity to highlight those individuals and corporations that embrace and understand the benefit of Driving diversity by fostering and retaining a diverse pipeline of talent and improving cultural competence in order to positively impact our city and work towards a ONE MKE. 1 Awards will be presented in the following categories: ONE MKE Driver of Diversity Professional of the Year ONE MKE Driver of Diversity Executive of the Year ONE MKE Driver of Diversity Entrepreneur of the Year ONE MKE Driver of Diversity Corporation of the Year ONE MKE Driver of Diversity Board Diversity Award POWERED BY ONE MKE Driver of Diversity Professional of the Year As this award is intended to showcase both the contribution by and the standing of the professional’s effort to drive diversity among professionals in Milwaukee’s economic and social well-being. The nominee should demonstrate eminent achievement and distinguished service through professional endeavors, particularly in the following areas: • The nominee’s outstanding service/activity should have culminated in the previous year and be the result of an outstanding cumulative effort over many years. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Signed Art & Photo Books
KAROL KRYSIK BOOKS 579 Kingston Rd. Suite 117. Mailbox 144 ∙ Toronto ON M4E 1R3 ∙ Canada T: 416.727.7718 E: [email protected] W: karolkrysikbooks.com HST/GST # 83266 – 8172 SIGNED ART & PHOTO BOOKS E-List 3 Terms All items are offered in Canadian Dollars. Canadian residents are subject to 5% GST. Returns within 7 days of receipt if not as described. Shipping and insurance extra. Libraries and institutions billed to suit their needs. Payments may be made by Visa, MasterCard, American Express, Wire Transfer, PayPal or Cheque. Adams, Katherine Couturier Dreams (Inscribed with Letter). Tucson, Arizona: Nazaraeli Press, 2005. First Edition. Folio. Hardcover. Introduction by Dana Friis-Hansen. Inscribed by Katherine Adams. Also enclosed: a handwritten note from the artist: "Greg: Couturier Dreams is a project that speaks of embodiment of spirit and blood memory. The woman in the front of the book is my grandmother 1942/Coney Island with my father. The following photograph is her at 6 yrs old. Best to you. Thank you for your interest. Katherine. [artists email at end]" Brown cloth boards with title to front board and spine stamped in blind. Dust jacket with a couple of light scuffs and a faint crease, a fine coy otherwise. [3974] $100.00 Aquin, Benoit Far East, Far West. Outrement, Quebec: Les Editions du Passage, 2009. First Edition. Oblong 4to. Hardcover. Bilingual texts by Olivier Asselin & Patrick Alleyn. Inscribed and dated with locale at the opening of his show Chinese Dust Bowl at the Stephen Bulger Gallery, Toronto. One corner and top edge of rear board bumped, otherwise a fresh copy in a fine dust jacket. -
Anglo-Saxon Sculpture and Rome: Perspectives and Interpretations
258 CHAPTER 6 Anglo-Saxon Sculpture and Rome: Perspectives and Interpretations Having seen the many and varied ways in which early Christian Anglo-Saxon architecture could articulate ideas of 'Rome', this chapter will turn to review the other public art form of the Anglo-Saxon landscape, the stone sculpture, to consider also its relationship with concepts of ‘Romanness’. This is an aspect that has emerged – more or less tangentially – from other scholarly analyses of the material, but it has not been used as a common denominator to interpret and understand Anglo-Saxon sculpture in its own right. In the course of the twentieth century, scholars from different disciplines have developed research questions often strictly related to their own circumstantial agendas or concerns when discussing this kind of material, and this has tended to affect and limit the information that could be gained. It is only recently that some more interdisciplinary approaches have been suggested which provide a fuller understanding of the artistic and cultural achievement conveyed through Anglo-Saxon sculpture. 6.1 The scholarship 6.1 a) Typology and Style1 Any discussion of Anglo-Saxon sculpture opens with an account of the work of W.G. Collingwood (1854-1932) 2 and the impact that it has had on the development of subsequent studies.3 As such, he is generally considered to have 1 For a recent and full discussion on the subject see the forthcoming work by A. Denton, An Anglo-Saxon Theory of Style: motif, mode and meaning in the art of eighth-century Northumbria (PhD, York, 2011); I am grateful to her for the chance of reading and discussing her work. -
(Jieu/8 ^Iettek 9
Ufie cAlincty - cAlines, $nc. INTERNATIONAL ORGANIZATION OF WOMEN PILOTS (Jieu/8 ^iettek International Headquarters — P. 0. Box 1444 — Oklahoma City, Oklahoma AIR TERMINAL BUILDING — WILL ROGERS FIELD----------------NOVEMBER, 1959 3oth ANNIVERSARY EDITION 9 5 9 (VWefca INTERNATIONAL OFFICERS President's Column Public Relations President November, 1959 Have you filled out and returned EUGENIA R. HEISE HAPPY ANNIVERSARY! We are 5019 N. Cumberland Blvd. the recipients of two most appropriate the questionaire? We have frequently Milwaukee 17, Wisconsin anniversary gifts. From Ruth Mugele been asked questions about ratings Vice President of the Colorado Chapter came the por of members and number of aircraft RUTH DEERMAN trait of Amelia Earhart which she owned or available to members and painted, to be hung in Headquarters. 405 Camino Real this information, when tabulated, will El Paso, Texas We have reproduced it on the first page. From the Zontians, we have give us accurate information to use. Secretary received two priceless scrap books. We also hope to obtain information LOUISE SMITH These date back to 1928 and the next which will be the basis for some news 421 Edgedale Dr. time you visit Headquarters you will stories. As stated, no information on High Point, North Carolina want to allow a couple of extra hours individual members will be used in to browse through them and relive Treasurer aviation as they have preserved it for any way, without her consent. All in BARBARA KIERNAN us. (Did we really ever wear such formation is kept at national head High Field hats?) Each of you will shortly receive quarters and only statistics will be Franconia, New Hampshire your personal anniversary gift, the generally used. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
THE CONCEPTUAL IMAGE CONCEPT: the Strength of a Tire Is Conveyed by the Surreal Juxtaposition of a Tire and a Bull Elephant
THE CONCEPTUAL IMAGE CONCEPT: The strength of a tire is conveyed by the surreal juxtaposition of a tire and a bull elephant. Armando Testa Poster for Pirelli, 1954 CONCEPT: A synthetic hand holding a rubber ball makes an appropriate image for a trade exhibition on plastics. Armando Testa Poster for plastics exhibition, 1972 CONCEPT: One word: No! alongside an image of a bomb’s destructive forces. Tadeus Trepkowski Anti war poster, 1953 Henry Tomaszewski, 1948 Roman Cieslewicz, 1962 Jan Lenica, 1964 The Polish Poster, 1950s Poster designs opted for an aesthetically pleasing approach, escaping from the somber world of tragedy and remembrance. Roman Cieslewicz, 1963 Roman Cieslewicz, 1964 Franiszek Starowiejski, 1973 The Polish Poster, 1960s – ‘70s A darker mood prevailed, partly owing to social restraints of a dictatorial regime, or simply despair and yearning for autonomy so often denied to Poland. Jerzy Janiszewski, 1980 Solidarnosc (Solidarity) In 1980, shortages of basic living needs led to the formation of the Solidarity labor union. The logo was an internationally known symbol of their struggle. In 1989, elections ended one-party communist rule. Milton Glaser, c. 1977 American conceptual images In the 1950s, photography had taken over the role of illustration through better lighting and image quality. Illustration took a more conceptual approach, putting art and words together to form a visual concept. Milton Glaser, 1976 American conceptual images The original concept sketch for the I-heart-New- York logo, Museum of Modern Art. Milton Glaser, 1967 Seymour Chwast, 1968 Edward Sorel, 1966 Push Pin Studio Reynolds Conceptual illustration began with a group of Ruffins, 1983 young artists from New York who sought to market their styles to advertising agencies . -
ORAL HISTORY PROGRAM DAVID BROOKS July 19, 2018
ORAL HISTORY PROGRAM DAVID BROOKS July 19, 2018 Interviewed by Sarah Dziedzic Storm King Oral History 018 © 2018 Storm King Art Center Use of Oral Histories in the Storm King Art Center Archives The Storm King Art Center Archives welcomes non-commercial use of the Oral History Program Special Collection in accordance with the Storm King Archives Use and Reproduction Policy at http://collections.stormking.org/about/UseAndReproduction. The following transcript is the result of a recorded oral history interview. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the person interviewed and the interviewer. The reader is asked to bear in mind that this is a transcript of the spoken word, rather than written prose. The Archives requires that researchers give proper credit when citing oral histories, including Oral history interview with ___________ (date of interview), pages _____, Oral History Program, Storm King Art Center Archives. Only the transcript may be used for citations. The recordings associated with this interview may be made available upon request. Timestamps corresponding with original audio files are included in the transcript at one-minute intervals. For commercial use of any sort, including reproduction, quotation, publication, and broadcast in any medium, distribution, derivative works, public performance, and public display, prior written permission must be obtained from the Storm King Art Center Archives. Permission will comply with any agreements made with the person interviewed and the interviewer and may be withheld in Storm King’s sole determination. Please contact the Storm King Art Center Archives with any questions or requests at [email protected] Thank you! David Brooks Storm King Art Center Conducted by Sarah Dziedzic 1 audio file July 19, 2018 Open for research use Audio File 1 Dziedzic: Today is July 19, 2018, and this is Sarah Dziedzic interviewing David Brooks for the Storm King Oral History Program. -
The Lockdown to Contain the Coronavirus Outbreak Has Disrupted Supply Chains
JOURNALISM OF COURAGE SINCE 1932 The lockdown to contain the coronavirus outbreak has disrupted supply chains. One crucial chain is delivery of information and insight — news and analysis that is fair and accurate and reliably reported from across a nation in quarantine. A voice you can trust amid the clanging of alarm bells. Vajiram & Ravi and The Indian Express are proud to deliver the electronic version of this morning’s edition of The Indian Express to your Inbox. You may follow The Indian Express’s news and analysis through the day on indianexpress.com DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI, JAIPUR, KOLKATA, LUCKNOW, MUMBAI, NAGPUR, PUNE, VADODARA JOURNALISM OF COURAGE FRIDAY, OCTOBER 9, 2020, NEW DELHI, LATE CITY, 20 PAGES SINCE 1932 `6.00 (`8 BIHAR &RAIPUR, `12 SRINAGAR) WWW.INDIANEXPRESS.COM TABLIGHIMATTER:GOVT SAYS CAN'T GAG SON TAKES OVER IN POLL-BOUND BIHAR Freedom of speech most abused: SC; slams Govt VeteranDalitleader, for its ‘evasive’ affidavit MinisterwithsixPMs, ing forpetitioner Jamiat-Ulama- ANANTHAKRISHNANG i-Hind whichsaid the Tablighi is- NEWDELHI,OCTOBER8 sue wasreportedinsuchaman- RamVilasPaswandies ner that it spread communal “FREEDOM OF speechand ex- hatred,submitted that the gov- pression maybethe most ernmentaffidavitaccuseditoftry- 50 yrs in public abusedfreedom in recent ing to muzzle freedomofspeech. times,’’ the Supreme Court ob- At this, the CJIsaid, “theyare life, blending servedThursdayasittook ex- entitled to makeany argument ‘I’M SPEAKING’ ception to what it calledan‘‘eva- likeyou peopleare.Thisfreedom principle with sive’’ affidavit filedbythe Centre of speechmay be the most Kamala Harris and MikePenceatthe US vice-presidential debate, at the University of Utah in in response to apetition alleging abusedfreedom in recent times". -
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3 "- C"5 96855;650:5 %;650:50 VRGR $"#(!#1')VCEBRS WWT!Pa!RT%&!$"#1$# 1./<)%1$'2 , , 0 2,5 6,51 / 8E5 +,),&E ),@)!E/,1/),".$.-.F !$.$, ",-+.-!/&# $+&-$+!$,1#) /&1/.,/, /).1.1&G,)+,-+1/), 1!).1,)1 )/+.).!) /+".')+ ",+)"! +F",)$"G.BF#" -/ "); 110' D1 6%,9::68 = & >! ! " # " ,#",-+. ! " ,#",-+. bilities after the elections in case the BJP gets more number n no mood to accept the he ambition of LJP chief of seats than the JD(U). It is ICentre's controversial farm TChirag Paswan to emerge as expected that since Kumar is Bills, the Congress has asked a major player in Bihar may facing serious anti-incumben- its State Governments to con- change the political landscape cy his strike rate will be much vene a special Assembly ses- of the State as the Lok Janshakti lower than the BJP. The pres- sions to pass a Bill to defer Party (LJP) on Sunday decided ence of LJP candidate will also implementation of the NDA to go it alone in the Assembly harm the prospects of JD(U) Government's farm laws polls starting month-end. candidates. The LJP is likely to cleared by Parliament during "Due to ideological differ- field a number of JD(U) rebels the Monsoon Session and ences with the Janata Dal and strategically utilise caste approved by President Ram (United) JD(U), a member of factors to inflict maximum Nath Kovind last month. the alliance at the national damage on the JD(U) candi- The draft version of the level and in the Assembly polls, dates. In such a scenario, Nitish farm related Bills sent to the the LJP has decided to fight the may struggle to retain his chair Congress-ruled States allows elections in Bihar separately post-elections even if the NDA the State Governments to from the alliance," a party were to form a Government in decide on the date of imple- statement said after its parlia- the State.