November 2013 Master Calendar of Cultural Events & Activities
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism
Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism Jobyl A. Boone After four years of planning and preparation, the panels of early 1980s, by which time a more experienced and unified Christo and Jeanne Claude’s Running Fence, Sonoma and environmental movement had adopted more sophisticated Marin Counties, California, 1972-1976 were unfurled. The strategies of operation for greater efficacy in the promotion eighteen-foot tall ribbon of white, nylon fabric wound its of their agenda. way over U.S. Route 101 and meandered more than twenty- It is in the context of these developments that this paper four miles through the rolling hills north of Petaluma, before considers Running Fence and Surrounded Islands through extending into the Pacific Ocean at Bodega Bay (Figure 1). the lens of the growth and maturity of the modern environ- Seven years later, the artists’ Surrounded Islands, Biscayne mental movement in the United States. These two projects Bay, Greater Miami, Florida, 1980-1983 was completed. bracket a moment of significant change in the American For two weeks in May, seven miles of Miami’s Intracoastal environmental movement and in associated attitudes about Waterway were energized by pink polypropylene coronas environmental responsibility and advocacy which occurred encircling eleven small, “spoil islands” sprinkled along the between the early 1970s and the early 1980s. The base bay on a north-south axis between Miami and Miami Beach of the environmental community’s activities shifted in this (Figure -
Newsletter 2009
NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. -
ABQ Free Press, June 4, 2014
VOL I, Issue 4, June 4, 2014 WillWill YouYou BeBe ReadyReady forfor Chaos?Chaos? PAGE 2 ABQ’s Top Home Water Wrecking Our Users Schools? PAGE 5 PAGE 7 Ai Weiwei, Judy Chicago STARTING ON PAGE 10 FREE PAGE 2 • June 4, 2014 • ABQ FREE PRESS NEWS When the Big One Hits, ABQ Free Press Pulp News VOL I, Issue 4, June 4, 2014 Nobody Gets Hurt realize how central food is to our lives,” writes Lizzie Widdicombe of www.freeabq.com Will You Be Prepped? Brazil is telling tourists heading the New Yorker. www.abqarts.com to the World Cup, which begins in BY JIM WAGNER a few days, not to scream if they Editor: [email protected] Post-Apocalyptic Currency? are mugged. Why? So the robbery Cashing In IN THIS ISSUE oe figures he has prepared well doesn’t turn into a murder. Brazil has Associate Editor, Arts: [email protected] enough to survive for three In an era where money has no value, Former Fed Chairman Ben Bernanke, J one of the highest homicide rates in months. And so will his 35-year-old ATM cards don’t work and barter is the now a speaker on the lecture circuit, the world: 25 out of every 100,000 Advertising: [email protected] daughter and his 13-year-old grand- new normal, serious preppers say the pulls down $250,000 per speech. currency will be – bullets. Brazilians die as a result of homicide. daughter and a former wife and her That’s $53,000 more than he made NEWS Specifically, .22 caliber long rifle “Do not react, scream or argue,” says On Twitter: @freeabq friend. -
“Direct Cinema Is Anything but a Fly on the Wall”: a Conversation with Albert
i i i i DOI: 10.20287/doc.d20.en1 “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles Frank Verano* Albert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. With Albert behind the camera and David recording sound, the Maysleses sought a modern cinematic expression of both the everyday and the extraordi- nary that emphasized a spontaneous present-ness. Their early work exploring performativity and lives on the run set the stage: (Showman [1963], What’s Happening! The Beatles in the USA [1964], Cut Piece [1965], Meet Marlon Brando [1966] and A Visit With Truman Capote [1966]). Cut Piece was just the beginning of the Maysleses’ new cinematic engagement with modern art, which continued in the 1970s in a series of films with Christo and Jeanne- Claude: Christo’s Valley Curtain (1974), Running Fence (1978) and Islands (1986). Their suite of films in the late 1960s and early ’70s represents a furthe- ring of the concept of direct cinema, with an increased emphasis on reflexivity in each. -
Presentation for Christo and Jeanne Claude
Presentation for Christo and Jeanne Claude I Slide 1 A fun idea: You may want to wrap an object or package before the presentation. You can wrap it in plain fabric, white paper or colored wrapping paper. Make a big show of it and put it in a conspicuous place when you walk into the room on the day of the presentation. Do not mention it or refer to it. Do the students seem curious? How long before someone asks about it? Is the fact that they do not know what is inside intriguing? Does it make the object more interesting? As most of you know, in Art in the Classroom we look at art and discuss works of art. What is art to you? Let the children give their ideas. Some definitions you might suggest: Expression of what is beautiful Use of skill and creative imagination Art is something out of the ordinary, always incorporating new ideas and techniques. If it wasn’t, wouldn’t it be boring? Slide 2 Show Mona Lisa, Monet’s Bridge at Argentueil and “Yellow Store Front” by Christo Which of these is art? Let the children voice their ideas. What if I told you that they are all art? Today we are going on a trip around the world to look at a pair of artists that do very creative work on a very large scale. They transform the ordinary into something that makes people stop and look at things in a different way. Slide 3 Show “Wrapped bottles and cans” and “wrapped object” Can anyone tell me what these objects are? Is this how you normally see them? What is your initial reaction to it? What could be in the package on the right? Does it make you think and wonder? Why would an artist want to express themselves by wrapping or covering something? What comment would they be making? When we look at art, some of the tools we use to talk about it are the Elements of Art: Color, light, line, shape, texture and space (composition). -
The Tom Golden Collection
The Tom Golden Collection 2001.51.1 “Running Fence‐‐Project for Sonoma and Marin Counties." Artist: Christo, 1974. Original drawing collage for Running Fence project. Signed: "CHRISTO, 1974", (lower left above title). L 28 x W 22. 2001.51.2 “Wrapped Walk Ways‐‐Project for Loose Park, Kansas City, Missouri." Artist: Christo, 1978. Original collages photograph by Wolfgang Volz. Signed: "CHRISTO, 1978" (Right 2001.51.3.1 “Surrounded Islands‐‐Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photograph. TWO PARTS (A‐B). Signed: "CHRISTO, 1983" (lower right 2001.51.3.2 “Surrounded Island Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photography. Two of two parts. Signed: "CHRISTO 1983" (lower right on sample fabric.) 2001.51.4 “The Pont Neuf, Wrapped‐‐Project for Paris." Artist: Christo, 1979. Collages photograph (pencil, enamel paint, crayon, charcoal, and photograph by Wolfgang Volz on paper). Signed: "CHRISTO, 1979" (Lower left). 2001.51.5 "For Tom Sept, 1985 Paris." Original instructional ink sketch is of a lamp post of Christo and Jeanne‐Claude, The Pont Neuf, Wrapped (Project for Paris). Artist: Christo, 1985. Signed across the bottom "For Tom Sept, 1985 Paris CHRISTO." 2001.51.6 "For Tom, With Love, Many Thanks." Artist: Christo, 1985. Original sketch was done to show how four barrel sculptures were to be reassembled in Basel, Switzerland and be photographed for documentation by Eeva‐Enkeri for Christo and Jeanne‐Claude. -
Appendix Screenings and Additional Resources
Appendix Screenings and Additional Resources The analyses of various films and television programmes undertaken in this book are intended to function ‘interactively’ with screenings of the films and programmes. To this end, a complete list of works to accompany each chapter is provided below. Certain of these works are available from national and international distribution companies. Specific locations in the United States, the United Kingdom and Australia for each of the listed works are, nevertheless, provided below. The entries include running time and format (16 mm, VHS, or DVD) for each work. (Please note: In certain countries films require copyright clearance for public screening.) Also included below are further or additional screenings of works not analysed or referred to in each chapter. This information is supplemented by suggested further reading. 1 ‘Believe me, I’m of the world’: documentary representation Further reading Corner, J. ‘Civic visions: forms of documentary’ in J. Corner, Television Form and Public Address (London: Edward Arnold, 1995). Corner, J. ‘Television, documentary and the category of the aesthetic’, Screen, 44, 1 (2003) 92–100. Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press, 1994). Renov, M. ‘Toward a poetics of documentary’ in M. Renov (ed.), Theorizing Documentary (New York: Routledge, 1993). 2 Men with movie cameras: Flaherty and Grierson Nanook of the North, Robert Flaherty, 1922. 55 min. (Alternative title: Nanook of the North: A Story -
MCASD Annualreport FY14 Si
Cover: Liza Lou, Color Field (detaiL), 2010-2013, gLass beads, stainLess steeL, PersPex, 20’ x 20’ (dimensions variabLe). Courtesy the artist. Photo: PabLo mason © Liza Lou 2010-2013 / this Page: LiLiana Porter, el pintor (detaiL), 2007, 3 15/16 x 1 15/16 x 1 15/16 in. ColleCtion museo tamayo arte ContemPoráneo INBA-CONACuLTA. © 2008 LiLiana Porter , image Courtesy of barbara KraKow gallery, boston Table of ConTenTs Letter from the director ............................................................ 4 exhibitions > La Jolla ................................................................... 8 exhibitions > downtown .............................................................10 acquisitions ................................................................................... 12 education Programs ..................................................................28 membership ..................................................................................38 fundraisers .................................................................................. 40 Contributions ...............................................................................42 donors ........................................................................................... 44 board of trustees ...................................................................... 46 staff ................................................................................................ 48 financial statements ................................................................ 50 reflecting -
Katalog for NKK Rogaland Lørdag (PDF, 4MB)
Norsk Kennel Klubs INTERNASJONALE UTSTILLING 29. AUGUST 2020 ROGALAND Foto: Vibeke Brath Vibeke Foto: HOVEDSAMARBEIDSPARTNERE: Medlemsfordeler BREEDERS CLUB VIGTIGE FORDELER 40% rabatt ved kjøp av minimum 7 sekker av største produktenhet til medium/store raser 40% rabatt ved kjøp av minimum 3 sekker til små raser 25% rabatt ved kjøp av 1 sekk Bred by experts.Fed by experts. Fraktfritt levert på din adresse ved bestilling av 7 sekker Som medlem av Eukanuba Breeders BREEDERS Club får du GRATIS valpepakker til CLUB dine kull A5_annoncer_joints_jogging_agility_breeder_fordele.indd 3 06/02/19 14:22 NKK Rogaland 2020 omfatter flere atskilte arrangementer (4 pr. dag) På grunn av koronapandemien er arrangementene ikke åpne for publikum. Du kan kun delta om du er frisk, ikke har luftveissymtomer, er i karantene eller i isolat ifm. COVIDǦ 19. Er du usikker – bli hjemme slik at du ikke risikerer å smitte andre! Husk god håndhygiene og hold minst 1 meters avstand til øvrige deltakere. Skulle du bli syk og få påvist COVIDǦ19 etter at du har deltatt på et av våre arrangementer i Rogaland ber vi deg umiddelbart gi NKK beskjed til arrangementsansvarlig Bjørg W. Andreassen på tlf. 90678692 eller på epost [email protected] slik at vi får varslet andre deltakere. NKKs arrangement i Rogaland helgen 29. og 30. august 2020: Gå direkte til det området der ringen du skal stille hund i befinner seg. Skal du stille hund i flere områder, må du sjekke ut av ditt første område, for så å sjekke inn i det neste. Alle områder vil ha en inngang og en utgang. -
NEW YORK: AFTER SANDY by Gema Álava Photos by Arne Svenson, Gema Álava and Chriss Cobb
NEW YORK: AFTER SANDY By Gema Álava Photos by Arne Svenson, Gema Álava and Chriss Cobb 7pm. Tuesday, November 6th. Queens, New York. The neighborhood gas station must be out of gas because the cars that were in line for more than four hours have disappeared from Alderton Street along with their honks made in the USA. The police had to intervene twice. At the kitchen window, Sara told me an hour ago how two drivers—who were not at the wheel—were throwing fists around. -Why are they hitting each other, mom? -Because people are a little hysterical these days with the mixture of the storm and the elections. They don’t know what to do with all the accumulated tension, and they think that they’re going to fix it by giving punches, but if they punch the policeman, they are going to get such a ticket… -Why would they hit the policeman? -They don’t want to, but when fists begin to fly, especially if you are very upset, after a while you don’t see where they go. Besides, the policeman must be even more tired than the drivers, and he only has one more hour to vote. The fact is, there is a lot of tension in the air and we New Yorkers don’t know what to do with it. Hurricane Sandy surprised us because what we see doesn’t appear only in the newspaper but also around the corner, and when important things appear so suddenly and closely we react in contradictory ways in order to move forward, only later to question ourselves: Is this what I should have done? “Without tension there is no sound,” artist Roberto Lange told me inside a subway car on our way to the Lehman College Art Gallery in the Bronx, a year ago, while he was holding a small suitcase filled with microphones surrounded with white fluff, which would soon be recording the sounds of my hammer on a 20 foot high wall, from the top rung of an orange ladder. -
The Inventory of the David Maysles Collection #1763
The Inventory of the David Maysles Collection #1763 Howard Gotlieb Archival Research Center Maysles, David #1763 1/4/10 Preliminary Listing I. Film and Video. Box 1 A. VHS tapes unless noted; may include DVD. [Loose] 1. “The Beatles: The First U.S. Visit - Long Version,” runtime 81:10, 1991. 2. “Celia - Respect - Girls Just Wanna Have Fun – Funky Cold Medina,” n.d. 3. “Christo In Paris,” runtime 58 minutes, 2 copies, 1990; includes English subtitled version. 4. “Christo’s Islands,” runtime 57 minutes, 1986. 5. “Christo’s Running Fence,” runtime 58 minutes, 1978. 6. “Christo’s Umbrellas,” runtime 80 minutes, 1995. 7. “Christo’s Valley Curtain,” 28 minutes, 1974. 8. “Conversation with the Rolling Stones,” runtime 23:45, 1994. 9. “DCM Memorial Piece – Maysles Films,” runtime 18:30, 1/28/87. 10. “DCM Memorial Service,” n.d. 11. “Gimme Shelter: The Rolling Stones,” 2 copies, 1970; includes digitially remastered verison, 2000. 12. “Grey Gardens,” runtime 94 minutes, 2 copies, 1974. 13. “The Independent Film Festival of Boston Celebrates the Career Achievements of Albert and David Maysles,” DVD, 4/23/05. 14. “International Documentary Association 10th Annual Lifetime Achievement Awards - Albert and David Maysles,” 10/28/94. 15. “Music of the Sixties - Pilot, with David and Albert Maysles - Tom Bywaters Productions, Inc.” n.d. 16. “Orson Welles - Spain,” runtime 9:45, 1996. 17. “Primary: A Time/Life Film by Richard Leacock, Albert Maysles, D.A. Pennebaker, T. McCarthy-Filton,” n.d. 18. “Salesman,” n.d. 19. “Showman,” runtime 53 minutes, black and white, 1963. 20. “To The Best: The Men and Women of Chrysler,” n.d.