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Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism
Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism Jobyl A. Boone After four years of planning and preparation, the panels of early 1980s, by which time a more experienced and unified Christo and Jeanne Claude’s Running Fence, Sonoma and environmental movement had adopted more sophisticated Marin Counties, California, 1972-1976 were unfurled. The strategies of operation for greater efficacy in the promotion eighteen-foot tall ribbon of white, nylon fabric wound its of their agenda. way over U.S. Route 101 and meandered more than twenty- It is in the context of these developments that this paper four miles through the rolling hills north of Petaluma, before considers Running Fence and Surrounded Islands through extending into the Pacific Ocean at Bodega Bay (Figure 1). the lens of the growth and maturity of the modern environ- Seven years later, the artists’ Surrounded Islands, Biscayne mental movement in the United States. These two projects Bay, Greater Miami, Florida, 1980-1983 was completed. bracket a moment of significant change in the American For two weeks in May, seven miles of Miami’s Intracoastal environmental movement and in associated attitudes about Waterway were energized by pink polypropylene coronas environmental responsibility and advocacy which occurred encircling eleven small, “spoil islands” sprinkled along the between the early 1970s and the early 1980s. The base bay on a north-south axis between Miami and Miami Beach of the environmental community’s activities shifted in this (Figure -
UCSC Special Collections and Archives MS 6 Morley Baer
UCSC Special Collections and Archives MS 6 Morley Baer Photographs - Job Number Index Description Job Number Date Thompson Lawn 1350 1946 August Peter Thatcher 1467 undated Villa Moderne, Taylor and Vial - Carmel 1645-1951 1948 Telephone Building 1843 1949 Abrego House 1866 undated Abrasive Tools - Bob Gilmore 2014, 2015 1950 Inn at Del Monte, J.C. Warnecke. Mark Thomas 2579 1955 Adachi Florists 2834 1957 Becks - interiors 2874 1961 Nicholas Ten Broek 2878 1961 Portraits 1573 circa 1945-1960 Portraits 1517 circa 1945-1960 Portraits 1573 circa 1945-1960 Portraits 1581 circa 1945-1960 Portraits 1873 circa 1945-1960 Portraits unnumbered circa 1945-1960 [Naval Radio Training School, Monterey] unnumbered circa 1945-1950 [Men in Hardhats - Sign reads, "Hitler Asked for It! Free Labor is Building the Reply"] unnumbered circa 1945-1950 CZ [Crown Zellerbach] Building - Sonoma 81510 1959 May C.Z. - SOM 81552 1959 September C.Z. - SOM 81561 1959 September Crown Zellerbach Bldg. 81680 1960 California and Chicago: landscapes and urban scenes unnumbered circa 1945-1960 Spain 85343 1957-1958 Fleurville, France 85344 1957 Berardi fountain & water clock, Rome 85347 1980 Conciliazione fountain, Rome 84154 1980 Ferraioli fountain, Rome 84158 1980 La Galea fountain, in Vatican, Rome 84160 1980 Leone de Vaticano fountain (RR station), Rome 84163 1980 Mascherone in Vaticano fountain, Rome 84167 1980 Pantheon fountain, Rome 84179 1980 1 UCSC Special Collections and Archives MS 6 Morley Baer Photographs - Job Number Index Quatre Fountain, Rome 84186 1980 Torlonai -
“Direct Cinema Is Anything but a Fly on the Wall”: a Conversation with Albert
i i i i DOI: 10.20287/doc.d20.en1 “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles Frank Verano* Albert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. With Albert behind the camera and David recording sound, the Maysleses sought a modern cinematic expression of both the everyday and the extraordi- nary that emphasized a spontaneous present-ness. Their early work exploring performativity and lives on the run set the stage: (Showman [1963], What’s Happening! The Beatles in the USA [1964], Cut Piece [1965], Meet Marlon Brando [1966] and A Visit With Truman Capote [1966]). Cut Piece was just the beginning of the Maysleses’ new cinematic engagement with modern art, which continued in the 1970s in a series of films with Christo and Jeanne- Claude: Christo’s Valley Curtain (1974), Running Fence (1978) and Islands (1986). Their suite of films in the late 1960s and early ’70s represents a furthe- ring of the concept of direct cinema, with an increased emphasis on reflexivity in each. -
Taste Bodega Bay Stay in Bodega Bay Shop & Play Bodega
Shop & Play Bodega Bay Discover Candy & Kites A happy little store specializing in being nice to you for 30 years! 1415 Hwy. 1, Bodega Bay (707) 875-3777 www.candyandkites.com ________________________ Bodega Bay... Diekmann’s Bay Store Groceries, Sporting Goods, Deli 1275 California 1 Bodega Bay (707) 875-3517 www.diekmannsbaystore.com There’s no place in the world quite like ________________________ East Shore Outfitters Your source for Bodega Bay Wear Bodega Bay on California’s beautiful 1795A Highway 1, Bodega Bay photo by Aidan Bradley (707) 377-4034 coastline. From world class golf and www.eastshoreoutfitters.com Local Color Artist Gallery ________________________ See the work of over 25 Bodega Bay Heritage Gallery Sonoma County artists. sportfishing to relaxing beaches and Historic California Art & Local Artists Eclectic Amanda 1580 Eastshore Rd., Bodega Bay 1785 Coast Hwy. 1, Bodega Bay Coastal Treasures, Antiques and Gifts. 707-875-2744 (707) 875-2911 1580 East Shore, Suite K, Bodega Bay www.localcolorgallery.com ocean view wining and dining, you’ll find BodegaBayHeritageGallery.com 800-528-6170 • Facebook.com/eclecticamanda ________________________ ________________________ ________________________ Bodega Bay Massage Horse ‘N Around Trail Rides Miss Anita Fishing Charters & your coastal wonderland at Bodega Bay! An eclectic blend of massage styles. All rides have ocean views! Fisherman’s Cove 1580 Eastshore Rd., #F, Bodega Bay 2660 Hwy One, Bodega Bay Bodega Bay’s first charter fishing Catamaran! (707) 876-3174 (707) 875-8849 Bodega Bay’s only Oyster Bar! Visit the site of Hitchcock’s classic film, www.bodegabaymassage.com horsenaroundtrailrides.com 1850 Bay Flat Rd, Bodega Bay ________________________ ________________________ (707)-875-FISH (3474) “The Birds”. -
Presentation for Christo and Jeanne Claude
Presentation for Christo and Jeanne Claude I Slide 1 A fun idea: You may want to wrap an object or package before the presentation. You can wrap it in plain fabric, white paper or colored wrapping paper. Make a big show of it and put it in a conspicuous place when you walk into the room on the day of the presentation. Do not mention it or refer to it. Do the students seem curious? How long before someone asks about it? Is the fact that they do not know what is inside intriguing? Does it make the object more interesting? As most of you know, in Art in the Classroom we look at art and discuss works of art. What is art to you? Let the children give their ideas. Some definitions you might suggest: Expression of what is beautiful Use of skill and creative imagination Art is something out of the ordinary, always incorporating new ideas and techniques. If it wasn’t, wouldn’t it be boring? Slide 2 Show Mona Lisa, Monet’s Bridge at Argentueil and “Yellow Store Front” by Christo Which of these is art? Let the children voice their ideas. What if I told you that they are all art? Today we are going on a trip around the world to look at a pair of artists that do very creative work on a very large scale. They transform the ordinary into something that makes people stop and look at things in a different way. Slide 3 Show “Wrapped bottles and cans” and “wrapped object” Can anyone tell me what these objects are? Is this how you normally see them? What is your initial reaction to it? What could be in the package on the right? Does it make you think and wonder? Why would an artist want to express themselves by wrapping or covering something? What comment would they be making? When we look at art, some of the tools we use to talk about it are the Elements of Art: Color, light, line, shape, texture and space (composition). -
Sonoma Coast State Park 3095 Highway 1 • Bodega Bay, CA 94923 • (707) 875-3483
Sonoma Coast State Park 3095 Highway 1 • Bodega Bay, CA 94923 • (707) 875-3483 Long sandy beaches below rugged headlands, a craggy coastline with natural arches, and secluded coves are features that make Sonoma Coast State Park one of California’s most scenic attractions. The beach extends 17 miles from Bodega Head to Vista Trail, located 4 miles north of Jenner. Beachcombers, anglers, sunbathers, and picnickers can access the beach from more than a dozen points along coast Highway 1. PARK FEES are due and payable upon entry campfires unattended. Do not gather firewood into the park. Use the self-registration system if in the park — the nutrients must be allowed the entrance station is closed. The campsite fee to recycle back into the ecosystem. You may covers one vehicle. There are additional fees for purchase firewood from the camp hosts. extra vehicles. OCCUPANCY: Each campsite may have up to 8 persons (including children). Two vehicles CAMPGROUND LOCATIONS: maximum are allowed per cmapiste. • Bodega Dunes Campground 2485 Highway 1, Bodega Bay 94923 VEHICLE PARKING: Vehicles may only be parked in your assigned campsite. They must • Wright’s Beach Campground remain on the pavement and must not extend 7095 Highway 1, Bodega Bay 94923 into the roadway or off the road. • Willow Creek Environmental Campground CHECK-OUT TIME is noon. Check-in is 2 p.m. Approximately ½ mile east of Highway 1 on Willow Creek Road SPEED LIMIT: The maximum speed limit is 15 mph. When pedestrians are present, even 15 mph might be too fast. Use good judgment. Remember not to drink and drive. -
November 2013 Master Calendar of Cultural Events & Activities
July 2014 Master Calendar of Cultural Events & Activities Cultural Services Department, City of Albuquerque Richard J. Berry, Mayor ABC Libraries Albuquerque Museum ABQ BioPark Balloon Museum Aquarium KiMo Theatre Botanic Garden Old Town Tingley Beach South Broadway Cultural Center Zoo Special Events CONTENTS Events & Activities – All Venues Pages 1-11 Exhibitions Page 11-12 Library programs - kids, teens, tweens, etc. Page 13-18 Ongoing programs for children and families Page 18 Ongoing events at your library Pages 18-24 Venues – locations and hours Page 24-25 EVENTS & ACTIVITIES – ALL VENUES 1 Main Library Military Research Day Tuesday 10:30 am – 2:30 pm Members of the Albuquerque Genealogical Society will be on hand to help you explore your family’s military history, and you will learn more about the military resources available from the Genealogy Center. This program features a discussion, Q/A session, and the opportunity to do your own research. Come for the whole time, or just drop in for a while. 2 Albuquerque Museum Free Wednesday: Film Series Wednesday 11 am Presented in conjunction with the Christo and Jeanne Claude: The Tom Golden Collection exhibition, please join us for a series of films by acclaimed documentary filmmakers Albert and David Maysies (Gimme Shlelter, Grey Gardens). The films dramatically explore the creation, installation and grandeur of the artists’ large-scale temporary works. The program is free. 2 KiMo Theatre Marilyn!!: Gentlemen Prefer Blondes (1954) Wednesday 7 – 8:30 pm Marilyn Monroe, Jane Russell and Charles Coburn star in this frothy tale of two singers, best friends Lorelei Lee and Dorothy Shaw, who travel to Paris pursued by a private detective hired by Lorelei’s fiancé’s disapproving father. -
Conclusions and Recommendations
CONCLUSIONS AND RECOMMENDATIONS CONCLUSIONS AND RECOMMENDATIONS SWEENEY RIDGE THE ROLE OF PORTOLÀ The “Historical Significance of the Discovery of San Francisco Bay” chapter of the Sweeney Ridge section of this study makes the case that Gaspar de Portolá’s discovery of the San Francisco Bay was one of the most important events of California and, in- deed, western history. The find became a central consideration among the Spanish as they began colonization of Alta California. It marked the beginning of the end for the hegemony of the native Californians, who had been here, inhabiting the land without interference, for thousands of years. When one considers the meaningful efforts the National Park Service has expended on the Anza Trail, it becomes a question - - why hasn’t Portolá received this kind of attention? Portolá was first to enter Alta California by land. His expedition resulted in the initiation of the Spanish settlement here. Anza’s exploration was certainly as amazing, considering the hardships of his overland journeys. His trail blazing tried to link Alta California with New Spain. In his second expedition, he took with him the original settlers destined for San Francisco. However, within five years his Anza Trail was closed by the Yuma Indians. Portolá not only already discovered the San Francisco Bay but had additionally helped the Franciscans establish the San Diego and Monterey missions. It seems that his legacy should be as much understood as Anza’s. At Sweeney Ridge the National Park Service possesses the very spot at which the mo- mentous discovery was made. While surrounded by urban growth, the Ridge remains open space and available for a variety of interpretive projects. -
CENSUS TRACT REFERENCE MAP: Marin County, CA
38.614293N 38.630635N 123.292599W 2010 CENSUS - CENSUS TRACT REFERENCE MAP: Marin County, CA 122.761035W LEGEND SYMBOL DESCRIPTION SYMBOL LABEL STYLE Healdsburg 33056 Federal American Indian Reservation L'ANSE RES 1880 Off-Reservation Trust Land, Hawaiian Home Land T1880 Oklahoma Tribal Statistical Area, Alaska Native Village Statistical Area, KAW OTSA 5340 Tribal Designated Statistical Area State American Indian Reservation Tama Res 4125 State Designated Tribal Statistical Area Lumbee STSA 9815 Alaska Native Regional Corporation NANA ANRC 52120 Austin Creek State Rec Area State (or statistically equivalent entity) NEW YORK 36 County (or statistically equivalent entity) ERIE 029 Minor Civil Division (MCD)1,2 Bristol town 07485 Consolidated City MILFORD 47500 101 Incorporated Place 1,3 Davis 18100 Windsor 85922 Timber Cove 78715 Census Designated Place (CDP) 3 Incline Village 35100 Census Tract 33.07 Armstrong Redwoods State Park DESCRIPTION SYMBOL DESCRIPTION SYMBOL Cazadero 12146 Interstate 3 Water Body Pleasant Lake U.S. Highway 2 Swamp or Marsh Okefenokee Swamp Guerneville 31470 State Highway 4 Marsh Ln Glacier Bering Glacier Other Road 4WD Trail, Stairway, R Military Fort Belvoir u Alley, Walkway, or Ferry ssia n Larkfield- Riv Southern RR Wikiup 40426 Raiload National or State Park, Yosemite NP Forest, or Recreation Area Pipeline or Power Line Inset Area A Ridge or Fence Property Line Outside Subject Area Nonvisible Boundary 116 or Feature Not 1 Elsewhere Classified Fulton 28014 Where state, county, and/or MCD boundaries coincide, the map shows the boundary symbol for only the highest-ranking of these boundaries. Forestville 24960 1 A ' ° ' following an MCD name denotes a false MCD. -
North Coaster
North Coaster Writing — Photography — Marin and Sonoma Coast Travel Directory North Coaster A journal for travelers along the Marin and Sonoma coasts The Greater Horror by Thomas Broderick Page 3 Bird identification made easy by Samantha KimmeyPage 5 Beach day by Jordan Bowen Page 7 Tule elk lament by Jim Pelligrin Page 7 The word by Samantha Kimmey Page 8 Ain’t misbehavin’ by Scott McMorrow Page 9 The new you by Samantha Kimmey Page 10 Travel directory Page 19 Print by Miguel Kuntz Page 21 Photographs by David Briggs Edited by Tess Elliott Published by the Point Reyes Light, LLC Box 210, Point Reyes Station, CA 94956 (415) 669.1200 ptreyeslight.com The greater horror By Thomas Broderick Last year, I had the pleasure of spotting Tippi Hedren, star of Alfred Hitchcock’s 1963 film “The Birds,” signing autographs at The Tides restaurant in Bodega Bay. She was my second celebrity encounter since moving back to Northern California last year, the first being a certain celebrity chef cutting me off on Highway 12. I later learned that Ms. Hedren’s appearance is an annual tradition, and that some of the money she makes from it goes to support her extensive charity work. Though I’ve never seen the film in its entirety, I learned the story through multiple trips to the restaurant and the Saint Teresa of Avila Church in Bodega. Even I, who spent the majority of my life in Middle Tennessee, feel local pride knowing these beautiful places are immortalized in such a loved and influential film. -
The Tom Golden Collection
The Tom Golden Collection 2001.51.1 “Running Fence‐‐Project for Sonoma and Marin Counties." Artist: Christo, 1974. Original drawing collage for Running Fence project. Signed: "CHRISTO, 1974", (lower left above title). L 28 x W 22. 2001.51.2 “Wrapped Walk Ways‐‐Project for Loose Park, Kansas City, Missouri." Artist: Christo, 1978. Original collages photograph by Wolfgang Volz. Signed: "CHRISTO, 1978" (Right 2001.51.3.1 “Surrounded Islands‐‐Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photograph. TWO PARTS (A‐B). Signed: "CHRISTO, 1983" (lower right 2001.51.3.2 “Surrounded Island Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photography. Two of two parts. Signed: "CHRISTO 1983" (lower right on sample fabric.) 2001.51.4 “The Pont Neuf, Wrapped‐‐Project for Paris." Artist: Christo, 1979. Collages photograph (pencil, enamel paint, crayon, charcoal, and photograph by Wolfgang Volz on paper). Signed: "CHRISTO, 1979" (Lower left). 2001.51.5 "For Tom Sept, 1985 Paris." Original instructional ink sketch is of a lamp post of Christo and Jeanne‐Claude, The Pont Neuf, Wrapped (Project for Paris). Artist: Christo, 1985. Signed across the bottom "For Tom Sept, 1985 Paris CHRISTO." 2001.51.6 "For Tom, With Love, Many Thanks." Artist: Christo, 1985. Original sketch was done to show how four barrel sculptures were to be reassembled in Basel, Switzerland and be photographed for documentation by Eeva‐Enkeri for Christo and Jeanne‐Claude. -
Appendix Screenings and Additional Resources
Appendix Screenings and Additional Resources The analyses of various films and television programmes undertaken in this book are intended to function ‘interactively’ with screenings of the films and programmes. To this end, a complete list of works to accompany each chapter is provided below. Certain of these works are available from national and international distribution companies. Specific locations in the United States, the United Kingdom and Australia for each of the listed works are, nevertheless, provided below. The entries include running time and format (16 mm, VHS, or DVD) for each work. (Please note: In certain countries films require copyright clearance for public screening.) Also included below are further or additional screenings of works not analysed or referred to in each chapter. This information is supplemented by suggested further reading. 1 ‘Believe me, I’m of the world’: documentary representation Further reading Corner, J. ‘Civic visions: forms of documentary’ in J. Corner, Television Form and Public Address (London: Edward Arnold, 1995). Corner, J. ‘Television, documentary and the category of the aesthetic’, Screen, 44, 1 (2003) 92–100. Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press, 1994). Renov, M. ‘Toward a poetics of documentary’ in M. Renov (ed.), Theorizing Documentary (New York: Routledge, 1993). 2 Men with movie cameras: Flaherty and Grierson Nanook of the North, Robert Flaherty, 1922. 55 min. (Alternative title: Nanook of the North: A Story