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October 2001

2001 Next Wave Fest'va I

Brooklyn PhilHarmontc

Denise Green, For Merce 2000

BAM Next Wave Festival sponsor:

PHiliP MORRIS ~lAGf8lll COMPANIES INC- Brooklyn Academy of Music

Bruce C. Ratner Chairman of the Board Alan H. Fishman Chairman, Campaign for BAM Karen Brooks Hopkins President Joseph V. Melillo Executive Producer presents Company B Belvoir / Black Swan Theatre

Approximate BAM Harvey Lichtenstein Theater running time: Oct 2-6, 2001 at 6:30pm 5 hours with one Oct 7 at 2pm 45 minute meal break and one Adapted by and Justin Monjo 20 minute From the novel by intermission Directed by

Set design Robert Cousins Costume design Tess Schofield Lighti ng design Composer lain Grandage Sound design Gavin Tempany Choreography Assistant director Anatoly Frusin Assistant designer/costume supervisor Georgina 'Babs' Yabsley

American stage manager Kim A. Beringer

Next Wave Down Under is presented in partnership with the Council for the Arts, the Department of Foreign Affairs and Trade through the Australia International Cultural Council, and the Australian Film Commission. Support is provided by The Australian Consulate-General. Qantas Airways is the official airline for Next Wave Down Under. Opening night support is provided by Jacob's Creek Wines and Wyndham Estate Wines.

Cloudstreet is presented with the financial support of the Australia Council and Queensland government. This presentation of Cloudstreet is supported by the Commonwealth through the Cultural Development The actors in Programme of the Department of Communications, Information Cloudstreet are Technology and the Arts. National and international tour produced by Arts appearing with the Projects Australia. The world premiere of this production was staged with permission of Actors' the support of the1998 Festival and the 1998 Festival of Perth Equity Association. and was assisted through the Major Festivals' initiative of the Australia The American stage manager is a mem­ Council, the Australian Government's arts and funding advisory body. ber of Actors' Equity Association. BAM thanks Theatre Development Fund for its support of this production.

25 Performers Sam Pickles/Mr. Wentworth Black man/American pilot Wayne Blair Hattie LambNeronica/Merle/Pansy Mullet Anna Brockway Chub Pickles/Doctor/Angry father/Fred Blunt/Sarge Andrew Crabbe Lester Lamb/Lawyer John Gaden Rose Pickles Claire Jones Oriel Lamb/Mrs. Tisborne Gillian Jones Lon Lamb/Wogga McBride/Headley John Leary Red Lamb/Barmaid/Darleen/Anthea/Mrs. Clay Eliza Logan Elaine Lamb/Lucy Wentworth/Meredith Ted Pickles/Gerry Clay!Toby Raven Travis McMahon Dolly Pickles/AI ma Kris McQuade Quick Lamb Christopher Pitman Fish Lamb Daniel Wyllie Musician Matthew Hoy

Additional Production manager Heather Clarke production Company manager Miranda Jacques credits Stage manager Mary Macrae Deputy stage manager Brigid Collaery Deputy stage manager Juliette Kingcott Head electrician Peter Herbert Head mechanist Byron Shaw. Mechanist Phil McNaughton Production photographer Heidrun Lohr

Adaptors' Note from Nick Enright and Justin Monjo The idea for this play began with Justin Monjo, who had adapted another Winton novel, That Eye the Sky, with for a Sydney production in 1994, which subsequently toured Australia. Justin invited Nick Enright to work on this adaptation, on which we embarked in 1996. We had much help and encouragement at every stage of the process. Neil Armfield and his cre­ ative team were our constant and generous collaborators; indeed the design and staging approach evolved in tandem with the text, before, during, and after a two-week workshop in May 1997, in which we also drew on the advice and participation of a remarkable company of actors, some of whom later formed the nucleus of the original cast. From this workshop emerged the present three-act shape of the piece, and the characters' use of third-person narration as a kind of matrix for this wide-ranging twenty-year story. We did further rewriting during the first rehearsal period (November/December 1997). The book was a constant presence in rehearsal (indeed there seemed to be a well-thumbed copy under every actor's chair!). It was not only the source of nearly all the words spoken on the stage; it offered a view of human relations and of the life of our country which informed the process of making this play. The present text incorporates new cuts and changes made for the 1999 and 2001 tours. Sydney audiences who saw the original season will notice significant revisions to the third act. We thank all those who have worked with us at every stage and acknowledge the help of Douglas Hedge, who made an exhaustive synopsis of the book and assisted us through the early stages of adaptation. Tim Winton showed us around Perth, then left us to our work. We thank him not only for his astonishing novel but also for trusting us to do our best by it.

26 While we were preparing for the original production of Cloudstreet in 1998, Tim Winton took us around a number of stretches on the Swan River near Fremantle that had been important to him as a child growing up, and that he was wanting to pass on as an experience to his children.

He told us how Cloudstreet had begun out of an impulse he'd had, before leaving Australia some years ago to take up residency overseas, to visit all the places around the river and Perth that were sacred to the history of his family-places that confirmed his identity because of the family stories that stayed alive there. They were nearly all gone, Tim said. Knocked down, rebuilt, dug up, concreted over, eradicated.

"We're going to have nothing to pass on to our children but the sky," Tim said. "No sense of place or the growing inherited sense of culture that gathers around a city or a particular physical environment. The memory is being lost, and without that memory there is uIti mately no civiIization."

Why is it that in Australia places often don't even last half a generation before they get rubbed out and started again? What is this insecurity? Are we so fearful of the past that we keep breaking it up and covering it over? I wrote these notes the morning that the Senate met to discuss the government's new "Wik" legislation. They all seemed hellbent on eradicating the "insecurity" of Native Title: white Australians seem to be asking (wen, demanding) that black Australians forget their culture as well. They'll throw money at them hoping they will just go away rather than sit down and talk about a solution that looks after everyone, the land especially.

What I love about Cloudstreet is the generosity of its embrace, its spirit of inclusion and its sense of the accidents of love that create life and ·make us who we· are. The big old house at No. 1 Cloud Street is Australia perhaps, and Tim's story, if we're open to it, is a kind of map for the future.

In the four years of Cloudstreet's development and performance, a number of artists and technicians have lived and worked within its walls, and the show now bears the imprint of many hands.

Beyond the current family, I want to thank , , Irma Woods, , Leith Taylor, John Moore, and Anna Borgehsi from the original workshop, and Adam Quinn, Cait Ryan, Zoe Backes, Toni Glynn, Gerard McLaughlin, Simon Lyndon, , , Julie Forsyth, Steve Rodgers, Stephen Hawker, Sam Hawker, Matt Weston, Katrina Pickering, Shane Phillips, Stephanie Blake, Lee Standeven, MattCawse, Lisa Webb, Desrae Ngatai, , and many other friends and supporters in Australia and around the world.

-Neil Armfield

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Tim Winton (writer), one of Australia's most pop­ Uncle Vanya, Death and the Maiden (Sydney ular and exciting writers, was born in Perth in Theatre Company); Love Burns (Seymour Group); 1960. The author of eighteen books, including six Angels in America Parts I and II, novels and two short story collections, his literary (Melbourne Theatre Company); (Welsh reputation was established early when his first National Opera//Canadian Opera); novel, An Open Swimmer, was joint winner of the The Demon (Bregenz Festival Austria, Zurich 1981 AustralianNogaI Award. His second novel, Opera); The Prisoner (); Shallows, won the Miles Franklin Award in 1984, The Marriage of Figaro (). and his third book, Scission, a collection of short For Opera Australia Armfield has directed stories, won the West Australian Premier's Prize in Whitsunday, Tristan and Isolde, Kf1tya Kabanovf1, 1985. The Eighth Wonder, The Makropulos Case, The Turn of the Screw, The Cunning Little Vixen, and Cloudstreet, Winton's fifth novel, was a huge liter­ Jenufa. Television: Edens Lost and Naked: Stories ary and commercial success. A bestseller since its of Men (Coral Island and The Fisherman's Wake). publication in 1991, Cloudstreet's awards include Film: Twelfth Night and The Castanet Club. the 1991 Deo Gloria award (U.K.), and in 1992 the Miles Franklin Award and the National Book Armfield won the Sydney Theatre Critics Circle Council Banjo Award. Cloudstreet was adapted for Award for Best Director (Glengarry Glen Ross and the stage by Nick Enright and Justin Monjo and Uncle Vanya); Best Director and Production played to sell-out houses at both the Sydney and (Ghosts, Hamlet); Best Production (The Diary of a Perth Festivals in 1998. Winton's new novel Dirt Madman, The Tempest); the Major Award for Music will be published in November 2001 in Significant Contribution to Sydney Theatre, 1989; Australia and in Europe and the U.S. in 2002. for Away, Hate, Turn of the Screw, Angels in America Parts I and II, Hamlet, Neil Armfield (director), artistic director of The Makropulos Case, A Cheery Soul, Billy Budd, Company B, graduated from Sydney University in and Cloudstreet; AFI Award for Best Direction 1977 and became co-artistic director of the (Edens Lost); the Helpmann Award for Best Nimrod Theatre in 1979. Three years later he Direction of an Opera, and the Sidney Myer joined South Australia's Lighthouse Theatre Performing Arts Award for Outstanding Company. Armfield has directed for Company B Achievement in the Performing . Signal Driver, State of Shock, Aftershocks, Master Builder, The Diary of a Madman, Diving for Roy Billing (Sam Pickles/Mr. Wentworth). Career Pearls, The Tempest, Ghosts, Hate, No Sugar, highlights-theater: Scam (Christine Dunstan Hamlet, The Blind Giant is Dancing, The Productions); Chilling and Killing My Annabel Lee Alchemist, WASP, , The Governor's (Griffin Theatre Company); After Play and Death Family, As You Like It, The Judas Kiss, The Small Defying Acts (Marian St. Theatre) and The Deal, Poppies, Suddenly Last Summer, The Marriage of Man of the Moment, Other People's Money, and Figaro, and Emma's Nose. Company B joint pro­ Boys Next Door (Ensemble Theatre). Television: ductions have included Love Burns (Company B/ , Australians at War, Wildside, Opera Australia); Picasso at the Lapin Agile and , All Saints, and Water Rats. Film: The Up the Road (Company B/Playbox); Dead Heart Dish, The Magic Pudding, Siam Sunset, and Cloudstreet (Company B/Black Swan); Night Erskineville Kings, Doing Time for Patsy Cline, on Bald Mountain (Company B/STCSA); and A Thank God He Met Lizzie, and Rabbit Proof Fence. Cheery Soul (Company B/STC). Wayne Blair (Black man/American pilot). Career Armfield's other theater credits include Upside highlights-theater: West Side Story, The Three Down at the Bottom of the World, Traitors, Sisters, The Rover, Touched, As You Like It, and Clouds, Inside the Island, Volpone, Scanlan, The Fanshen (Queensland University of Technology); Choir, Eyes of the Whites, Teeth In' Smiles Load-ed Stories, Black-ed Up, and The Sunshine (Nimrod); Signal Driver, Spellbound, Squirts, Club ( Company); Romeo & Twelfth Night, The Blind Giant Is Dancing, Romeo Juliet (Bell Shakespeare Company); Black Shorts and Juliet, The Season at Sarsaparilla, The (Kooemba Jdarra); As You Like It (Warana Festival) Conquest of Carmen Miranda, Shepherd on the and The Sunshine Club (Sydney Theatre Rocks, Dreams in an Empty City, Jonah (State Company). Television: Wildside, All Saints, and Theatre Company of South Australia); Signal Water Rats. Driver, A Cheery Soul, The Marriage of Figaro (Queensland Theatre Company); The Country Anna Brockway (Hattie LambNeronica/Merle/ Wife, The Government Inspector, Ham Funeral, Pansy Mullet) Career highlights-theater: The Bell 28 (continued on page 33) \ALba'c \ALba _ (continued from page 28) Shakespeare Company, Barking Gecko Theatre both won Melbourne Green Room Awards for best Company, Theatre De LUnite (Le Marriage), Spare new play. Enright has won the Australian Writer's Parts Theatre Company, 100% Local Productions, Guild Gold AWGIE four times and in 1999 was Australian Shakespeare Company). Television: Fast honored by the Sydney Performing Arts Award. He Tracks, The Gift, and Ship to Shore. also works as a performer and teacher.

Kate Champion (choreographer) has experience as Anatoly Frusin (assistant director). Career high­ a collaborator, performer, and assistant including lights-theater: assistant director for Tartuffe work with and London's DV8 (); The Seagull, Physical. In Australia she has created, performed, Cloudstreet, and The Judas Kiss (Company B and toured her solo work Face Value, and directed Belvoir); The Cunning Little Vixen and Jenufa and devised Under the Influence for Legs on the (Opera Australia). Director for Intolerance (for Wall. She has worked with The Australian Dance Pulse 10 at the Sydney Theatre Company); Theatre (Adelaide), Dance North (Townsville) and Careless Love (Vince and Judy's); Racine's The One Extra Company (Sydney). Andromache (Sydney Theatre Company's Directory Programme); The Little Cherry Orchard Heather Clarke (production manager) was stage (Company B); The Rape of Lucretia and Come manager for Tin Symphony and Deep Sea Back to the Five and Dime, Jimmy Dean, Jimmy Dreaming for the Olympic Games opening ceremo­ Dean (Queensland University of Technology); ny. She worked as production manager for Meryl The Threepenny Opera (WAPPA); Little George Tankard Australian Dance Theatre and is currently and Convict Women-Lifetime Exile (Kropka the production manager for Theft of Sita. Theatre). Associate director: The Small Poppies (Company B). Brigid Collaery (deputy stage manager) has since 1998 been working in Ireland as stage manager John Gaden (Lester Lamb/Lawyer). Career high­ for Dance Theatre of Ireland, which has toured to lights-theater: The Unexpected Man (Company Bulgaria, Germany, Northern Ireland, and Britain. B/Melbourne Theatre Company); Picasso at the Collaery also works regularly as the stage and tour Lapin Agile, Signal Driver (Company B); The manager for Barnstorm Theatre Company. White Devil, Love for Love, Who's Afraid of Virginia Woolf, As You Like It, Coriolanus, Arcadia, Robert Cousins' (set designer) work as set designer St. Joan, Death and the Maiden, and The Secret includes the original production of Cloudstreet and Rapture (Sydney Theatre Company); Money and the 1999 national and international tours, As You Friends (Queensland Theatre Company). Direction: Like It, Twelfth Night, and Aliwa (Company B), associate director of the Sydney Theatre Company, The Dreamed Life (Comeout 01) and House artistic director of the State Theatre South Among the Stars (State Theatre South Australia). Australia. With Richard Wherret co-directed Nicholas Nickleby. Awards: three-time winner of Andrew Crabbe (Chub Pickles/Doctor/Angry the Sydney Critics' Circle Award for Best father/Fred Blunt/Sarge). Career highlights-the­ Performance in Lead Roles. This year Gaden was ater: Martin Crimps' The Misanthrope, Reason to awarded a Helpmann Award for Best Actor in a Believe, and Art of Penetration (Hair of the Dog); Play (The Unexpected Man). In 1986 he was Pentacost (Sydney Theatre Company); One Nation awarded an Australian Medal for Services to the (Stables Theatre); The Upper Hand (Downstairs Theatre. ); and Savage in Limbo (Old Fitzroy). Television: Murder Call, Water Rats, All lain Grandage (composer). Career highlights­ Saints, , Dags, and Blabbermouth. compositions for Caucasian Chalk Circle Film: The Three Stooges, The Table, How to Win (Company B), Plainsong, Year of Living Friends and Kill People, and Horizontal Hold. Dangerously, and Merry-Go-Round in the Sea (Black Swan). Scores for BBC Radio 3 and Radio Nick Enright (adaptor) trained for the theater at 4, ABC radio. Musical direction; Corrugation. School of the Arts, where he Concert compositions: Australian Voices, St. studied playwriting with Israel Horowitz. His plays Peter's Chorale, Australian Boys' Choir, Collegium include , Goodworks, and Mongrels. He Musicum, WA Youth Orchestra, and the West has written for musical theater, and for radio, Australian Symphony. television, and film. His screenplay (with George Miller) for Lorenzo's Oil was nominated for WGA Peter Herbert (head electrician). Theater: Phantom and Academy Awards. Goodworks and Cloudstreet of the Opera, , The Buddy Holly 33 \A/bo'c: \A/bo'-----__

Story, Annie, Singing in the Rain, and The White Gillian Jones (Oriel Lamb/Mrs. Tisborne). Career Devil. He has also worked for Cameron Macintosh, highlights-theater: Oedipus Rex, The Tempest, the Really Useful Company, the Gordon Frost and Macbeth (Performance Syndicate); A OrganisaHon, Sports and Entertainment Limited, Midsummer Night'S Dream, Spellbound, Mother Sydney Theatre Company, International Courage, Blood Wedding, Twelfth Night, The Management Group, Ben Gannon, Robert Fox, Marriage of Figaro, and The Blind Giant Is and David Atkins Productions. Dancing (Lighthouse Theatre); Of Mice and Men, 1841, The Revenge's Tragedy, Dance of Death, Mark Howett (lighting design). Career highlights­ Mixed Doubles, Big and Little, and The Precious theater: Cloudstreet and Dead Heart (Company B/ Woman (Sydney Theatre Company); A Cheery Black Swan); Up the Road, No Sugar, Buzz, The Soul, Suddenly Last Summer, The Alchemist, The Popular Mechanicals, Pop Mechs 2, As You Like Governor's Family, The Seagull, Night on Bald It, and Aliwa (Company B). Opera: Opera Mountain, A View from the Bridge, The Blind Australia, Queensland Theatre. Company, Western Giant Is Dancing, Hamlet, Dead Heart, Australia Opera Company, and Auckland Opera. Aftershocks, The Birthday Party, Teeth and Dance: Aboriginal Islander Dance Theatre (AIDT), Smiles, and A Visit with the Family (Company B). Danceworks, and One Extra Company. Television: Film: Heatwave, Echoes of Paradise, Twelfth Rites for the Australian Ballet and Bangarra Night, Shame, Lover Boy, What I Have Written, Dance Theatre. TerraNova, and Oscar and Lucinda.

Matthew Hoy (musician). Career highlights:..­ Juliette Kingcott (assistant stage manager) has national and international tours with both the worked for companies including Sydney Theatre Australian Youth Orchestra and Camerata Company, Sydney Gay and Lesbian Mardi Gras, Australia; recipient of a Big Brother Movement Railway St. Theatre, and on such events as Aus­ Scholarship; traveling to the U.K. in 1994 to study tralian Fashion Week, the opening and c1osingcer­ with William Pleeth, Raphael Wallfisch (Guildhall), emonies of the Sydney Olympic Games, Centenary and David Strange (The Royal Academy). He has of Australian Federation, and Australia Day. collaborated with U.S. premiere orchestral artists including Kurt Masur, Zdenek Macal, George John Leary (Lon Lamb/Wogga McBride/Headley) Manahan, and participated in master classes with has appeared in The Marriage of Figaro (both the members of the New York Philharmonic, New Queensland Theatre Company production and Jersey, Boston, and Chicago symphonies. Film: Company B 2000 Olympic Arts Festival produc­ 15 Amore. tion) and has performed as part of the Australian National Playwrights Conference. Leary's television Miranda Jacques (company manager) is a free­ credits include , Breakers, lance company manager based in Melbourne. In Wildside, Water Rats, and Cushion Kids. 2000 she worked as tour manager for Company B's production of The Small Poppies, which toured Eliza Logan (Red Lamb/Barmaid/Darleen/ to the Dublin Theatre Festival. She has also Anthea/Mrs. Clay). Career highlights-theater: The worked extensively for the Melbourne International Laramie Project (Company B); Wanna Go Home, Festival. Baby, Polly Blue, and Hard Swallow (Siren Theatre Co.); Rope (Cabin Crew); Bus (The Stables); He Claire Jones (Rose Pickles). Career highlights­ Died with a Felafel in His Hand (SLEM theater: The Arbor, White Paper Flowers, Julius Productions); and The Wild Party (Melbourne Caesar, and A Midsummer Night's Dream International Comedy Festival). Film and televi­ (Magpie Theatre); Lost Weekend, Diving for sion: Changi, Water Rats, , Hit or Pearls, Long Time ... No See (Raindancers); Cosi, Myth, and If Seven People Wish It. Sex Diary of an Infidel, Under Milkwood, School for Scandal, and Morning Sacrifice (State Theatre Mary Macrae (stage manager). Company B credits South Australia); Diving for Pearls (Deckchair include A Cheery Soul (Company B/STC); Burnt Theatre/Black Swan); Love Child (Theatre Piano, The Seagull, The Governor's Family, and West/Black Swan); Teatro del Mondo (Blue Night on Bald Mountain. Macrae has stage man­ Room); Voices, Nevesinka 17, and La Heroina del aged for Sydney Theatre Company, Griffin, Pact Dolor (Deckchair Theatre); and The Ham Funeral Youth Theatre, Australian People's Theatre, Sydney and A Cheery Soul (Company B). Television: Festival, Festival of the Dreaming, NAISDA, Dance Water Rats and Sweat. Film: Two Days Later and Nepean, and was production coordinator for the Small· Fictions. Olympic and Paralympic Arts Festivals.

34 \I\Lho'c \I\Lho~ _

Rebecca Massey (Elaine Lamb/Lucy Wentworth/ He has since worked for the Sydney Theatre Meredith). Career highlights-theater: The Small Company, Melbourne Theatre Company, and has Poppies (Sydney Festival and Dublin Festival pro­ appeared in several Australian television dramas. ductions), The Caucasian Chalk Circle, The Seagull, WASP, and The Alchemist (Company B); Tess Schofield (costume design) Previous work for Borderlines and Ship of Fools (Griffin Theatre) and Company B includes Suddenly Last Summer, The Henry IV (parts I and II) (Bell Shakespeare). Judas Kiss, The Governor's Family, The Seagull, Night on Bald Mountain, Hamlet, The Cockroach Travis McMahon (Ted Pickles/Gerry Clay/Toby Opera, The Diary of a Madman, Knuckledusters: Raven). Career highlights-theater: Away, Romeo The Jewels of Edith Sitwell, Les Enfants Du & Juliet, and Kid Stakes (Melbourne Theatre Paradis, Gertrude Stein and a Companion, A Lie Company), Rupture (Sydney Theatre Company), of the Mind, and As You Like It. Other design Trelawny of the Wells (MTC/STC), and An credits include The Government Inspector, The Unseasonable Fall of Snow (Old Fitzroy). Trackers of Oxyrhynchus, and The Mortal Falcon Television: Blue Heelers, Good Guys Bad Guys; (Sydney Theatre Company); costumes for The Halifax f.p., All Saints, and Stingers. Film: Dope. Triple Bill (English Nationa~ Opera); Jenufa and Whitsunday (Opera Australia); The Golden Age Phil McNaughton (mechanist, Cloudstreet (NIDA); The Wedding Song (NIDA Company); International Tour). Career highlights-theater: Chess (Theatre Royal) and set and costume for Grease (head flyman), South Pacific (technical The Caucasian Chalk Circle and Spring Awakening manager), Les Miserables (head flyman), Steel (Australian Theatre for Young People). Her cos­ City (head mechanist), Pan (technical manager), tume designs for film include Radiance, Bootmen, and Opening and Closing Ceremony of the Sydney Subterano, Diana and Me, Mr. Reliable, Cosi, Olympic Games (head mechanist). Greenkeeping, and Spotswood.

Kris McQuade (Dolly Pickles/Alma). Career high­ Byron Shaw (head mechanist). Theater: Miss lights-theater: A Cheery Soul, Mourning Becomes Saigon, Crazy for You, Sweet Charity, My Fair Lady, Electra, The Rain Dancers, Too Young for Ghosts, Cats Run Away to the Circus, Steel City, The New and The Butterfly Man of Kalimantan (Sydney Rocky Horror Show, and Countdown: the Musical. Theatre Company); Hamlet, The Marriage, and The International: IPI IMPTOMBI and OBA OBA. Ambassador (Thalia Theatre Company); and , The Orestian Trilogy, and Rockola (Nimrod). Gavin Tempany (sound design). Theater: Television: Wildside, G.R, Blue Heelers, Fields of Cloudstreet, Pageant, BlackSwan's Popcorn, and Fire, Palace of Dreams, A Country Practice, and Plainsong. Tempany often works with bands Home & Away. Film: Mullet, Better Than Sex, around the country and overseas as tour manager Billy's Holiday, Milk, Strictly Ballroom, Resistance, and sound engineer. He also has worked in sound Lonely Hearts, and Buddies. post production for film and as a foley recordist and music mixer. Justin Monjo (adaptor) is both a writer and actor. As a writer his stage credits include an adaptation Daniel Wyllie (Fish Lamb) Career highlights­ of Tim Winton's That Eye the Sky, which toured theater: The Alchemist, Suddenly Last Summer, Australia. For television his credits include The and Twelfth Night (Company B); A-Framed (Old Butterfly's Wings, Wildside, and Farscape. Fitzroy); Black Rock (Sydney Theatre Company); Monjo's first film, Cement, was completed in Los Child Dancing (Griffin Theatre Company); and Angeles. He has numerous other film projects in Criminals in Love (Crossroads). Film: Chopper, development including The Thirty Third Parallel Unconditional Love, Moulin Rouge, Holy Smoke, (Fox Studios), The Drowner (Black i), and The The Thin Red Line, Cosi, Muriel's Wedding, Dark Ages (Arena Films). He is currently writing a , Flash Dance, and Spotswood. screenplay, World Enough and Time, for Miramax Films and his first children's book, Three Kinds of Georgina 'Babs' Yabsley (assistant designer/cos­ Scared, will be published by Allen and Unwin in tume supervisor) Theater: The Governor's Family, October. As You Like It, Suddenly Last Summer, The Marriage of Figaro, and Twelfth Night (Company Christopher Pitman (Quick Lamb) graduated from B); Music, Mandy and Scott (Mandy Bishop); the Western Australian Academy of Performing Love for Love (Sydney Theatre Company); and Arts in 1997. Cloudstreet for the 1998 Sydney Rent (Cameron Maclntosh/STC). Film: My Mother Festival was Pitman's first professional theater role. Frank and The Gift.

35 The originality and energy of Company B Belvoir productions arose out of the unique action taken to save the Nimrod Theatre building from demolition in 1984. Rather than lose a performance space in inner city Sydney, more than 600 arts, entertainment, and media professionals formed a syndicate to buy the building. The syn­ dicate included nearly every successful person in Australian show business.

Company B is one of Australia's most prestigious theater companies. Under the artistic leadership of Neil Armfield, the company performs in major arts centers and festivals both nationally and internationally and from its home, Belvoir St Theatre in Surry Hills, Sydney. Company B engages Australia's most prominent and promising directors, actors and designers to present an annual artistic program that is razor-sharp, popular, and stimulating.

Sold-out productions like Cloudstreet, The Judas Kiss, The Alchemist, The Diary of a Madman, Hamlet, and The Small Poppies have consolidated Company B's position as one of Australia's most innovative and acclaimed theater companies.

COMPANY B BOARD Monica Attard, Anne Britton, John Kitney, Craig Hassall, Louise Herron, Adrian Read, Brian Thomson, and Peter Watts.

BELVOIR 5T THEATRE BOARD Hugh Barry, Andrew Cameron, Max Cullen, Tim Game, Yvonne Kux, Russell Mitchell, and Geoffrey Murray. Artistic Director Neil Armfield Technical Manager Tristan Ellis General Manager Rachel Healy Head Mechanist Jan S. Goldfeder Downstairs Technical Manager Jason Geer Administration and Programming Artistic Administrator Nigel Smith Front of House Downstairs Theatre Director Lynette Wallis Front of House Manager Marc Psaila Literary Manager Christopher Mead Deputy Front of House Manager Samantha Hawker Administration Coordinator Annika Korsgaard Cleaner Reecie Harter

Finance Box Office Business Manager Michael O'Brien Box Office Manager Emma Harris Financial Administrator Ann Brown Deputy Box Office Manager Sassica Baker

Marketing and Development Peter Summerton Foundation Marketing Manager Peter Wood Associate Director Rachel McDonald Marketing Coordinator Lisa Montgomery Publicist Sarah Thomas COMPANY B BELVOIR Development Manager Leith Douglas 25 Belvoir Street Surry Hills NSW 2010 web www.belvoir.com.au Production Tel: 61 2 9698 3344 Production Manager Brenna Hobson Production Coord'inator Georgina 'Babs' Yabsley

.~I~ APA (Ian Scobie, Director) is an arts and event management company which oper- ,. ,. ates both as a producer and presenter in its own right and as a project manager ~~ IIIIL~ for cultural organizations, government agencies, companies, and event organizers. arts . AU~~~JAe~~~ Recent projects and tours undertaken by APA include tours by Ballet Preljocaj, Batsheva Dance Company, Les Arts Sauts, Cloudstreet 1999 tour, Hotel Pro Forma, Diamanda Galas, and Philip Glass Ensemble, as well as producer of the Australia Council's Australian Performing Arts Market, Womadelaide, and the Melbourne Moomba Festival.

25A King William Rd, Unley 5061, South Australia, Tel: 61 8 8271 1488, Fax: 61 8 8271 [email protected] Brooklyn Academy of Music Henry Christensen III Kitty C. Linder Ex-Officio Beth Rudin DeWoody John Lipsky Hon. Rudolph Giuliani Chairman of the Board Charles M. Diker Laurie Mallet Hon. Howard Golden Bruce C. Ratner Robert W. Donohue Cathy-Ann Martine Hon. Herbert E. Berman Vice Chairman of the Board/ Brendan J. Dugan Martin F. Mertz Hon. Schuyler G. Chapin Chairman of The Campaign Mallory Factor Sarah G. Miller BAM Archive Chairman for BAM Ronald E. Feiner, Esq. Jean-Marc Moriani Barbara B. Haws, C.A. Alan H. Fishman Thomas A. Florio John Morning Susan Foote Ti mothy U. Nye BAM Endowment Trust President Robert L. Forbes Evelyn Ortner Karen Brooks Hopkins Robert M. Green berg Steven C. Parrish Chairman Richard B. Fisher Chairman of the Charles J. Hamm David L. Ramsay, M.D., M.Ed. Executive Committee Rita Hillman Jonathan F.p. Rose Vice Chairman William I. Campbell George R. Hornig Samuel H. Scripps Norman L. Peck Dr. Edison O. Jackson John C. Simons Secretary Mary Kantor Paul Smith, D.Min. Members Joseph V. Melillo Stanley H. Kaplan Nora Ann Wallace Henry Christensen III Frank L. Coulson Jr. President Emeritus James E. Kelly Elaine Weinstein Anthony T. Dean Harvey Lichtenstein Manny Kladitis Franklin R. Weissberg Dan Klores Vaughn C. Williams, Esq. Alan H. Fishman Members David C. Kotheimer Charles J. Hamm Honorary Trustees Robert J. Baker I. Stanley Kriegel Elizabeth Holtzman Seth Faison Norman J. Buchan Edgar A. Lampert Nora Ann Wallace Leonard Garment, Esq. Neil D. Chrisman Franc;ois Letaconnoux

Karen Brooks Hopkins Executive Producer's Office General Management Lewis Resnick President Stonie Darling Patrick J. Scully Head Electrician, HT Joseph V. Melillo Assistant to the Associate General Manager Bill Horton Jr. Executive Producer Executive Prod ucer Mario LaMothe Master of Properties, HT Alice Bernstein Shoshana Polanco Assistant General Manager Henry Beckman Executive Vice President & Administrative Assistant Sara Mandel Utility Man General Manager Fiscal Coordinator Alison Dabdoub Greg Picard Sound Engineer, HT Nancy Blechman Education and Humanities Project Coordinator Ernest Southerland Vice President for Finance Jayme Koszyn Charisse Williams House Maintenance and Chief Financial Officer Programming Consultant Administrative Assistant Peter Gee Suzanne Youngerman Artist Services Vice President for Operations Director, Department of Production Mary Reilly Jeffrey Levine Education and Humanities Colman Rupp Director of Artist Services Vice President for Marketing Lynne M.H. Hutton Director of Production Danielle Dybiec and Communications Assistant Director Don Coleman Jessica Shapiro Lynn M. Stirrup Joe Salvatore Assistant Production Artist Services Vice President for Planning Education and Manager Representatives and Development Humanities Manager Holly Drastal Charisse Williams Elizabeth Mills Theater Management President's Office Administrative Manager Philip Naude Bob Riordan Theater Manager Kimberly Reynolds Harold Lehmann Laura Steib Production Coordinators Christine Gruder Assistant to the President Program Associate Betsy Carroll Associate Theater Manager Matthew Buchholz Alicia Dhyana House Production Office Manager Sonia Clayton Cinematek Manager Humanities Associate Jacqueline David Cory Plowman Joel Alleyne Stage Crew Leroy Houston Cinematek Assistant Education Assistant Thomas Paulucci Theater Staff Supervisors Raymond W. Torres Crew Chief Patrick Conlon Ci nema Intern Programming and Curatorial Cyrus Similly BAMbus Manager Lane F. Czaplinski Head Carpenter, OH BAM Rose Cinemas Program Manager Timothy Fuller Finance and Administration Efi Shahar Wayne Ashley Flyman,OH Katina Jackson Cinema Manager Manager of New Media James D'Adamo Director of Human Resources Linda Choi Adrienne Mancia Head Electrician, OH Eric Nord Duane Wizzard Film Curator at Large Jack Gelbart Controller Assistant Cinema Managers Florence Almozini Electrician, OH Claudette Griffith Michael Katz Associate Film Curator Howard Larson Accounting Manager Master of Properties, OH Jeff Winfield Limor Tomer Tonya Cobb Carl Wurzbach Budget Manager Projectionists BAMcafe Programming Sound Engineer Cynthia Smith Danny Kapilian Mary Lou Houston Payroll Manager Music Consultant Wardrobe Supervisor Tameka White James Kehoe Accounts Receivable Head Carpenter, HT Bookkeeper 18 Tiffany Nguyen Rendell Blount Camilla Murray Fiscal Unit Fiscal Coordinator Angelo Borrero Intern Beryl Jolly Gregoriana Isaac Maurice Coles Ticket and Customer Services Fiscal Manager Administrative Assistant! Ismael Colon G. Scott Kubovsa k Robin Bowie Human Resources Associate Ti mothy Fortner Director of Ticket and Fiscal Administrator Latasha White Joel Isaac Customer Services Aude Albiges Accounts Payable Richard James Robert M. Speck Fiscal Coordinator Bookkeeper Lionel Stevens Ticket Services Manager Diana Frazier Jose Noel Vega Membership Receptionist and Information Technologies Telemarketing Manager Barbara Olsen Administrative Assistant Lloyd Nesbitt Royda C. Duncan Director of Individual Gifts Pamela Ford Director Ticket Services Aimeelyn Calandria Human Denese Adrade Assistant Manager Membership Manager Resource Assistant Administrative Assistant Crystal Backus Kozue Oshiro Brandon Nguyen Patrick Moody Brienne Blenman Individual Gifts Associate Finance Assistant Technical Support Manager Jessica Desmond Jeong-Yeun Yang Roger Gray Trina Evans Membership Coordinator Capital Projects/Operations Silvio Niculescu Daman Harun Jack Dobson Network Analysts Karinne Keithley Patron Services Director of Operations Abigail Baptiste Den ise Lewis Irene Chow Albert Reefer Brian W. Grundstrom Shutika Makins Patron Services Manager Construction Coordinator Programmer/Analysts Latasha McNeil Angela Romualdez Joseph O'Hara Michael Mitchell Patron Services Coordinator Fiscal Coordinator Marketing and Lillian Odom Walida Simone Bailey Maribel Chusan Communications Elsie Pacella Linda Barkenbush Administrative Assistant Box Office Li-An Previn Patron Services Assistants Fred Dorso Sharell Rogers Building Operations Treasurer Terri Shaw Special Events Israel Moreno Marsha Rosenberg Michelle Taylor Lori O'Keefe Director of Security First Assistant Treasurer Ticket Services Special Events Director Eddie Morales Victor A. Jouvert Representatives Levke Haas Security Operations Manager Kevin McLoughlin Helena Davis Senior Special Events Daniel J. Dier Charlie Dolce Sam Gordon Coordinator Building Services Assistant Francis Oestricher Josie McKee Michael Hambouz Elsie Compere Assistant Treasurers Horacio Rodriguez Special Events Coordinator Administrative Assistant Bob Yarnall Communications Telemarketers Accountants HVAC and Repair Services Sandy Sawotka Deloitte and Touche LLP Planning and Development Lazzaro Curato Dinrtor of Q:>rnmunications HVAC Supervisor Melissa Cusick Elizabeth Bias Bookseller Angel Ova lies Senior Publicity Manager Development Assistant Shakespeare & Co. Anthony Shields Dewonnie Frederick Deborah Bowie Courtney Harris Public Relations Assistant! Receptionist!BAMart Classical Music Consultant Coordinator Paul Rosenblum William Knapp Bazaar Coordinator Monika Wunderer Security Molly Gross Design Consultant Cinema Publicity Manager Special Projects Manager Melvi n Patterson Richard Serrano Pentagram Fateema Jones Shirley Phillips Research Manager Senior Public Relations Supervisors Raphaele Andriuzzi House Photographers Kenneth Aguillera Manager Stephanie Berger Tamara McCaw Laura Fino Damon Armstrong Richard Termine Audience Development Tracey Gay Collie Dean Manager Shalema Henderson Dwight Richardson Magnet Mcl ntosh Film Buyer Kila Packett Senior Attendant Guards Gabriel Miller-Phillips Jeffrey Jacobs Terrence Caldeira Publicity Associate Jacobs Entertainment, Inc. Susan Yung Candice Russell Maria Hernandez Interns Immigration Counsel Theophilus Johnson Publications Manager Endowment Jonathan Ginsburg, Anthony Pi rrone Fettman, Tolchin and Jose Rodriguez Design Denis Azaro Eric Olson Majors, PC Derrick Tinglin Endowment and Director of Design Attendant Guards Development Director Clara Cornelius I-Hsuan Tseng Insurance Marsh USA Inc. Custodial Services Sen ior Designer Endowment Assistant Ramon Cabassa Camilo Rojas-Lavado Designer Legal Counsel Supervisor Grantwriting Kaufmann, Feiner, Yamin, Megan Mcintire William Lynch Calvin Brackett Gildin & Robbins Carl Cato Project Manager Grants Director Franklin Fernandes Michaela Goldhaber Market Research Harold Heath Marketing Grants Coordinator George Wachtel Ron Rathan Shana Mathur Hsin-Yu Lin Audience Research Director of Marketing Winston Smith Grants Assistant & Analysis Lucinda Montgomery Harvey Theater Marketing Manager for Sponsorship Medical Consultant Barry Jackson Print Media M. Lourdes Marquez Jonathan Lorch, M.D. Building Services Alva French Sponsorship Director Supervisor Marketing Manager for Elizabeth Hand Restaurateur Electronic Media Sponsorship Coordinator J.A.M. Catering Services LLC Scott Sullivan Joseph Sinnott Marketing Associate Sponsorship Assistant 20 The Campaign for BAM was initiated in 1992 to create needs into one unified effort and achieved the endowment Brooklyn Academy of Music's first endowment. Phase One goal of $20 million. (1992-1995) established a $12 million nucleus which has provided BAM with a strong financial foundation and The continued growth of the endowment is critical to the supports all BAM operations through annual distribution success and future of BAM. Phase Three (2001-2005) of interest income. of the Campaign is now underway with a goal of expand­ ing the endowment to the level of $40 million. BAM sin­ Phase Two (1996-2000) combined operating, endow­ cerely thanks the many contributors who have made ment, institutional development, and building renovation major gifts to the endowment effort. Endowment $1,000,000 and above The Horace W. Goldsmith $50,000 and above $10,000 and above Doris Duke Charitable Foundation Robert & Joan Catell Alfa Mechanical Corp. Foundation Alex Hillman Family Kathleen & Neil Chrisman Bloomberg News Radio Emily H. Fisher Foundation Mr. & Mrs. Henry Mr. & Mrs. Norman J. Richard B. Fisher & Maxwell Family Fund in Christensen III Buchan Jeanne Donovan Fisher Community Funds, Inc. European American Bank Mrs. Margaret A. Conklin & The Ford Foundation Fund The Andrew W. Mellon HSBC Bank USA Mr. David Sabel to Support Collaborative Foundation Rita J. & Stanley H. Kaplan Ms. Anne Delaney Creativity Among Foundation, Inc. Beth Rudin DeWoody U.S. Artists $100,000 and above KeySpan Foundation Dwight & Ann Ellis The Howard Gilman Michael Bailkin, Marvin John Lipsky & Gail Erickson & Christa Rice Foundation Levine, Jesse Masyr, Zsuzsanna S. Karasz Mallory & Elizabeth Factor Philip Morris/Next Wave David Stadtmauer Evelyn & Everett Ortner Joan Fields Forward Fund The Harkness Foundation Arthur Ross Foundation Charles H. & Seena Fish Bruce C. Ratner for Dance Lindsay & Brian Shea Mrs. M. Derene Frazier The Peter Jay Sharp Fund Francena T. Harrison The Starr Foundation Mr. John M.Goldsmith for Opera and Theater Performance Fund Ms. Regina M. Griffin Lila Wallace-Reader's William Randolph Hearst $25,000 and above Jane Holzka &Mark Winther Digest Endowment Fund Endowment for Amanda M. Burden H. Michael Howell for Community, Education and Gerard Conn & Carol Yorke Mr. & Mrs. Richard Hulbert Educational, & Public Humanities Programs Brendan & Barbara Dugan William Kistler Affairs Programs Independence Community Mr. & Mrs. G. Martin Fell Kelvin & Kathryn Kostohryz Bank Forbes, Inc. Albert &Joan Kronick $500,000 and above Annie Leibovitz & Studio William & Mary Greve Eric & Amala Levine Judith R. & Alan H. Leo Burnett, USA Foundation Mr. & Mrs. Eugene H. Fishman Sarah G. Miller & Mr. & Mrs. Sidney Kantor Luntey Michael Bancroft Goth Frank L. Coulson Miriam E. Katowitz & Mr. Jeffrey L. Neuman Endowed Annual The Morgan Stanley Arthur J. Radin Jonathan Newcomb Performance Fund Community and Rosemarie & Francis J. John Michael Powers Jr. Mary &Jim Ottaway Jr. Educational Fund Kazeroid Mr. & Mrs. David Puth in honor of Ruth J.P. Morgan &Co. Charlotte & Stanley Kriegel Susan & Kanti Rai Blackburne Ottaway Incorporated Ticket Assistance Fund Mr. Roger Seasonwein Rockefeller Brothers Fund May & Samuel Rudin Mr. & Mrs. Edgar A. The Silverweed Foundation Jonathan F. P. & Family Foundation Lampert Mr. James Sollins Diana V.C. Rose Mr. & Mrs. Ame Vennema W. P. McMullan & Liliane & Jose Soriano Verizon Communications Rachel McPherson Barbara H. Stanton $250,000 and above The Isak and Rose Robert C. Rosenberg Nora Ann Wallace The Bohen Foundation Weinman Foundation The Marion Petschek Smith Terilynn & Jeff Walsh William I. Campbell & in honor of Madame Fund for Choreographers Charlene Magen Weinstein Christine Wachter Ulliana Teruzzi Hon. Franklin R. Weissberg The Charles & Valerie & Judge Marylin G. Usting as of Diker Dance Diamond August 1, 2001 Endowment Fund The Ford Foundation Challenge In May 2000 The Ford Foundation awarded BAM a new May 2005. Most importantly, the matching funds must be $1 million grant to support the endowment campaign, to raised from new and/or increased gifts from individuals. establish a cash reserve, and to help fund the commission­ ing and presentation of new works by American artists. Please help BAM to achieve the matching goal by calling BAM Membership at 718.636.4194 and making a special To earn the $1 million grant from The Ford Foundation, pledge over and above your current giving to BAM. BAM must raise matching funds totaling $3 million by 22 BAM sincerely thanks its many contributors listed below whose notation (E). BAM major individual supporters are noted gifts over the past year are greatly appredated. This listing (NS) for Next Society. Members of BAM Patron Councils are primarily recognizes support for BAM's annual operating needs identified as Chairman's Circle (CC) and Producers Council (PC). and also acknowledges endowment contributions with the

$500,000 or more $50,000 or more $25,000 or more $10,000 or more Australia Council for the Arts; Accenture Absolut Vodka Academy Foundation The Department of Foreign Edith and Frances Mulhall American Airlines The Aeroflex Foundation Affairs and Trade through the Achilles Memorial Fund Lily Auchincloss Foundation, Arts & Business Council Australia International The Vincent Astor Foundation Inc. Asia Society Cultural Council; The Anne H. Bass (NS) Rose M. Badgeley Residuary Asian Cultural Council Australian Film Commission Bloomberg Radio AM 1130 Charitable Trust, HSBC Bank ASM Mechanical Systems Brooklyn Borough President Robert Sterling Clark Foundation USA, Trustee Australian Consulate Howard Golden Con Edison Baldwin Piano Ava Shypula Consulting Inc. Brooklyn Delegation of the Deutsche Bank Bowne of New York AXA Foundation New York City Council Charles & Valerie Diker (NS) British Airways Susan Baker & Michael Lynch Doris Duke Charitable Dime Savings Bank of The Louis Calder Foundation (NS) Foundation (E) New York, FSB Mary Flagler Cary The Barker Welfare Foundation Richard B. Fisher & Jeanne Fleet Bank Charitable Trust Mr. Harvey Bayer Donovan Fisher (E) (NS) The Ford Foundation Credit Suisse First Boston Bear Stearns & Co., Inc. The Howard Gilman French Ministry of Foreign Mr. & Mrs. Henry Elaine Berger Foundation (E) Affairs through AFAA and the Christensen III (E) (NS) Berkley Foundation New York City Department of Cultural Services of the The Eleanor Naylor Dana British Council USA Cultural Affairs French Embassy in New York Charitable Trust Norman J. & Terri Buchan (E) New York City Department of The Horace W. Goldsmith The Irene Diamond Fund, Inc. Kenneth & Maria Cuomo Cole Design and Construction Foundation Etant donnes, the French­ The Aaron Copland Fund for The Peter Jay Sharp Senator Roy M. Goodman American Fund for the Music, Inc. Foundation (E) The Francena T. Harrison Performing Arts Ms. Anne Delaney (E) (NS) Foundation Trust Mr. & Mrs. G. Martin Fell Deloitte & Touche LLP (PC) $100,000 or more Rita Hillman (NS) (E) (NS) Beth Rudin DeWoody AT&T Independence Community Roger Ferris and Partners, LLC Discover General Contracting William I. Campbell & Foundation Forbes Inc. (NS) Max & Victoria Dreyfus Christine Wachter (E) (NS) Rita J. and Stanley H. Kaplan Assemblyman Roger L. Green Foundation Citigroup Foundation Agnes Gund & Daniel Eastern Exterior Wall Credit Lyonnais KeySpan Foundation Shapiro Systems Inc. The Gladys Krieble Delmas The Lepercq Foundation Charles Hayden Foundation Electric Light & Power Inc. Foundation John Lipsky & lsuzsanna S. Heckscher Foundation Mallory and Elizabeth Judith R. & Alan H. Karasz (E) (NS) for Children Factor (NS) Fishman (NS) L:Oreal USA Inc. Independent Film Channel Finlay Printing Forest City Ratner Companies MAT Foundation (NS) Kaufmann, Feiner, Yamin, Flack & Kurtz Consulting The Florence Gould The Andrew W. Mellon Gildin & Robbins Engineers, LLP Foundation Foundation (E) Dan Klores (NS) Mr. Michael Fuchs (NS) The Harkness Foundation The Joyce Mertz-Gilmore Emily Davie & Joseph S. Ann and Gordon Getty for Dance (E) Foundation Kornfeld Foundation Foundation HSBC Bank USA Metropolitan Life Foundation James S. Marcus Foundation GGMC Parking, LLC JP Morgan Chase The Ambrose Monell New York Community Trust Glyndebourne Opera Festival MetroTech Downtown Fund Foundation The New Yorker Goethe-I nstitut New York! Sarah G. Miller & Frank L. Morgan Stanley The Laura Pels German Cultural Center Coulson (E) (NS) National Endowment for the Arts Foundation (NS) William T. Grant Foundation Natural Heritage Trust Samuel!. Newhouse The Picower Foundation The Green Fund Inc. New York State Council Foundation, Inc. Podesta Associates The Greenwall Foundation on the Arts The Edward John Noble Mr. Bruce C. Ratner (NS) William & Mary Greve The New York Times Company Foundation Jonathan EP. & Diana V.C. Foundation (E) Mary & Jim Ottaway Jr. (NS) The Barbro Osher Pro-Suecia Rose (NS) The Helen Hotze Haas Philip Morris Companies Inc. Foundation May and Samuel Rudin Foundation Rockefeller Brothers Fund (E) Qantas Airways Limited Family Foundation, Inc. Harmon Limited The Rockefeller Foundation RIGA Interactive Scandinavian Airlines System Buck Henry (NS) The Fan Fox & Leslie R. Serge Sorokko Gallery The Scherman Foundation, Inc. IATSE - Theatrical Stage Samuels Foundation, Inc. Joseph and Diane Steinberg The Evelyn Sharp Foundation Employees Local 4 Mr. and Mrs. Samuel H. SCripps Foundation The Harold and Mimi JAM Consultants Inc. The Shubert Foundation, Inc. Time Warner Inc. (E) (CC) Steinberg Charitable Trust JLS Industries Inc. The Starr Foundation (E) Bernard Venet Surdna Foundation, Inc. JKW Foundation, Alberto Vilar (NS) Verizon Communications E.M. Warburg, Pincus Jean Stein (NS) The Joseph LeRoy & Ann C. Nora Ann Wallace & & Co., Inc. Mr. William Josephson & Warner Fund Jack Nusbaum (NS) Vaughn C. Williams (NS) Ms. Barbara Haws The Norman & Rosita Winston The Isak and Rose Weinman The Robert W. Wilson Kenneth Cole Productions, Inc. Foundation Foundation, Inc. (E) Foundation, Inc. Andrew Klink Estate of Martha lalles Irwin & Carole Lainoff (NS) Robin & Edgar Lampert (NS) Lehman Brothers 38 (continued on page 42) BAM 2001 Next Wave Festival is Festival Supporters: Next Wave Down Under is presented in sponsored by: New York City Department partnership with of Cultural Affairs FOREIGN PHILIP MORRIS Brooklyn Borough President AFFAIRSAND COMPANIES INC. ..TRADE Brooklyn Delegation of the Austra" CouncIl ~forlheArts through the Australia New York City Council International Cultural New York State Council on the Arts Council Programming in the BAM Howard Gilman National Endowment for the Arts Opera House is supported and endowed The Peter Jay Sharp Foundation by The Howard Gilman Foundation Richard B. Fisher & Jeanne Donovan Fisher Programming in the BAM Harvey Theater The Fan Fox and Leslie R. Samuels Support provided by The Australian is supported and endowed by the Doris Foundation, Inc. Consulate-General Duke Charitable Foundation The Florence Gould Foundation The Rockefeller Foundation Official airline: Endowed funds supporting The Ford Foundation the Next Wave Festival: The Starr Foundation Next Wave Forward Fund The Shubert Foundation, Inc. Philip Morris / Founding Sponsor ­ The Gladys Krieble Delmas Foundation Word Down Under supported by: "Supporting the JPMorgan Chase The New York Times Spirit of Innovation" The SHS Foundation The Ford Foundation Fund- Anne H. Bass Additional support for Next Wave Down to Support Collaborative Creativity HSBC Bank USA Under: Marienberg Wines from Mclaren Among U.S. Artists The Samuel I. Newhouse Vale; Lindemans Winery Australia; Grant The Peter Jay Sharp Fund for Opera Foundation Inc. Burge Wines; Jacob's Creek Wines; and Theater The Ambrose Monell Foundation Wyndham Estate Wines; Alice White; Michael Bancroft Goth Endowed Annual The Horace W. Goldsmith Foundation and Eight Mile Creek Restaurant Performance Fund The Dime Savings Bank of New The Bohen Foundation to Support the York, FSB Next Wave Down Under Honorary Next Wave Forward Fund Francena T. Harrison Foundation Trust Committee: Consul-General Ken Allen, The Charles and Valerie Diker Dance The Robert W. Wilson Foundation, Inc. Robert Archibald, Michael Baume, Geoffrey Endowment Fund Bowne of New York C. Bible, Jennifer Bott, Grant Burge, The Marion Petschek Smith Fund The Harold and Mimi Steinberg Alexander Downer, Richard B. Fisher & for Choreographers Charitable Trust Jeanne Donovan Fisher, Anne O. Fulford, Rose M. Badgeley Residuary Terry D. Hill, Jennifer Johanningmeier, Next Wave German programs sponsor: Charitable Trust Teresa Keleher, Mari Ann Lewis, Diane Chrysler McNulty, John Melick, Jon Moramarco, The Atlantic Monthly Deutsche Bank Roberta Perillo, Ambassador Michael IZl Goethe-Institut New York/German Thawley, and William H. Webb Cultural Center BAMdialogues sponsor: Asian Cultural Council BAMcafe music events sponsored by The Aaron Copland Fund For Music, Inc. Mary Livingston Griggs and Mary Griggs Burke Foundation (§ Community development programs at James E. Robison Foundation conEdlson BAM are made possible through a special The Billy Rose Foundation Major support provided by The Lepercq grant from Capezio / Ballet Makers Dance Foundation with additional support from Foundation Inc. Mary Flagler Cary Charitable Trust and BAM Next Society The Greenwall Foundation BAM Chairman's Circle BAM Producers Council Your tax dollars make BAM programs BAMmarquee sponsor: Friends of BAM possible through funding from: ~ BAMfans cltlgroUpJ Next Wave dance supporters: Official broadcast sponsor: The Harkness Foundation for Dance The Joyce Mertz-Gilmore Foundation P}~~,rg The BAM facility is owned by the City of New York and is funded, in part, with public funds provided Giant Empty is funded in part by the www.bam.org sponsor: through the New York City Department of Cultural Affairs National Dance Project of the New England with support from the Brooklyn Delegation of the New York City Council and the Brooklyn Borough President. Foundation for the Arts, with lead funding IIRIGA from National Endowment for the Arts and Doris Duke Charitable Foundation. Official hotel: Embassy Suites Hotel, Additional funding provided by The Andrew New York City W. Mellon Foundation, Philip Morris Companies Inc., Pennsylvania Council on Official piano for BAM: Baldwin the Arts, and The British Council. RG. Peterson & Ellen Flamm Theodore S. Bartwink (PC) Semone Grossman (PC) Sasha Cutter Nye & (E) (CC) Mr. Gene Bates H&L Electric, Inc. Timothy U. Nye (PC) Antonia Pew (CC) Alan & Leslie Beller (PC) Adrienne Harris & Mr. David C. Olstein John M. Powers Jr. (CC) Belrose Fire Suppression Inc. Robert Sklar (PC) Ilana Pachter Wynn (PC) Pryor Cashman Sherman & George E. Berger, P.E. (PC) Mr. and Mrs. Gilbert W. Steven C. Parrish (PC) Flynn LLP Geoffrey C. Bible (PC) Harrison Ms. Christine Pedersen Rajika & Anupam Puri (CC) David Bither & Elizabeth Bailey Ms. Molly K. Heines & William A. Perlmuth, Esq. (PC) Ms. Dina Reis (CC) (PC) Thomas J. Moloney Mrs. Carmen Perocier Remy Amerique Michael R. Bloomberg (PC) Cheryl Henson (PC) Mr. Ralph J. Perocier The Jerome Robbins The Bloomingdale's Fund of Marieluise Hessel (PC) Stanley & Diane Person (PC) Foundation, Inc. the Federated Department High-Rise Electric Inc. Barbara G. Pine (PC) Mr. & Mrs. David Stores Foundation Barbara Hoffman (PC) Diana Elzey Pinover Rockefeller (CC) Sallie & Martin Blumenthal (PC) Joel S. & Lily M. Hoffman (PC) Ms. Masha Plotnitsky & Ross & Cohen, LLP Etta Brandman, Esq. (PC) Mr. Steven L. Holley (PC) Mr. Rens Lipsius (PC) Martha A. & Robert S. Rubin H.K. Brodie, M.D. (PC) Jane Holzka & Mark Winther (E) Podell Schwartz Schechter & (CC) Ms. Jane Brody & Mr. Richard John & Karen N. Horn (E) (PC) Banfield Mr. Daniel D. Rubino Engquist Ms. Pamela Howard (PC) Mr. & Mrs. Leon B. Polsky (PC) Schindler Elevator Corporation Robert & Julie Jensen H. Michael Howell (E) Mr. Richard L. Posen Ruben & Jeanette Selles (E) Bryan (PC) Mr. Derrick M. Hussey Prince Carpentry, Inc. Mr. Tad Sennott & Ms. Jennifer Mr. & Mrs. Nick Bunzl Phyllis S. Hyde M.D. & Mr. Tim Purcell (PC) Kellogg (CC) The Caliban Foundation Jan Thomas Hyde (PC) Mr. & Mrs. David Puth (E) Brian J. & Lindsay D. Shea Capezio-Ballet Makers IG Federal Electrical Supply RCC Concrete Corp. (CC) Dance Foundation Corporation Rad & D'Aprile, Inc. Ms. Patricia J.S. Simpson (CC) Caruso Painting & Decorators Dr. & Mrs. Edison O. C. Raimondo Ltd., Inc. Linda & Stephen Singer Robert B. Catell (PC) Jackson (E) (PC) Mr. Donald Redfern (PC) Brian & Lavinia Snyder (CC) Mr. & Mrs. Thomas M. Cerabino Bianca Jagger (PC) Mr. Joseph Regan Jr. (E) (PC) Melissa & Robert Soros (CC) Mr. Allan Chasanoff (PC) Mr. & Mrs. Peter H. Jakes Rep Heating & Air Conditioning Ellen & Samuel Sporn Chelsea Garden Center Mr. Randolph Jonakait (PC) Ripco Real Estate IV Corp. (E) (E) (CC) Lucinda Childs Dance Mr. & Mrs. William K. Joseph Alexis J. Rivera Esq (PC) Sprint Recycling Inc. Fdtn., LTD. Junior's Restaurants Robert C. Rosenberg & Axel & Lili Stawski (CC) Joan Hardy Clark (PC) K&M Architectural Window Fran Kaufmann (PC) Thornton-Tomasetti Marshall and Maureen Cogan Products John A. Ross (PC) John & Narcissa Titman (PC) Mr. & Mrs. Abraham E. Cohen Mr. & Ms. Howard Kelberg (PC) Ms. Jennifer Samsel Coralie S. Toevs (PC) Costas Kondyl is & Pa rtners LLP James E. & Marcia Kelly (PC) Joseph E. & Norma Saul James Truman, Conde Nast Constance A. Cranos (PC) Ms. Jessie Kelly (PC) Foundation Publications (CC) Edgar Foster Daniels (PC) Mr. Robert J. Kheel Ms. Ann McGovern Scheiner The Alice Tully Foundation Max Dannis & Linda Gatter (PC) Knopf (PC) Umbra Philip Sedgwick Deely & Kelvin & Kathryn Kostohryz (E) Lynn Schneider & Nathan Vintage New York Hilary Somers Deely (PC) Joan & Albert Kronick (PC) Joseph (PC) Margo & Anthony Viscusi (CC) Robert W. Donohue (PC) Hugh & Betsy Lamie (PC) Amy Schulman & David Ms. Joan Waricha (PC) Frederick N. & Michele Oka Sanford and Cathleen Leff (E) Nachman (PC) Dietrich & Philippa Weismann Doner (PC) Ms. Mary Kay Lewis (PC) Eleanor Schwartz (PC) (CC) Double MArts & Events (PC) Mr. Robert F. Lide (PC) Dr. & Mrs. Thomas Sculco John Wendell (CC) Gordon Douglas (PC) Kitty C. Linder (PC) (E) (PC) James D. Wolfensohn (CC) Brendan & Barbara Dugan (PC) Mr. Anthony Lockwood & Martin E. SegalfThe Segal I. Peter Wolff (CC) Ms. Lonti Ebers (PC) Ms. Ruth Keating Company (PC) Wooden Nickel Foundation (CC) Asher Edelman & Michelle Ms. Lourdes Lopez Ysrael A. Seinuk, P.C., Wyndham Estate Wines Vrebalovich (PC) Lovett Silverman Consulting Engrs. Mary Anne & Richard Yancey Edison Parking Corp. Jeanne M. Luboja & Rena & Michael D. Shagan (PC) (E) (PC) Edwards and Zuck, P.C. John C. Timm Harold & Myra Shapiro (PC) Dwight & Ann Ellis (E) Mr. Eugene H. Luntey (PC) Manya & Harold Shapiro (PC) $1,500 or more Empire City Iron Works Richard Lynn & Carol & Ted Shen (PC) Ms. Michele L. Abeles (PC) Empire Sand & Stone Corp. Joseph Evall (PC) Ms. Anne Sidamon-Eristoff (PC) Active Sprinkler Caryl S. Englander Macro Consultants, Inc. John C. Simons (PC) Chris Ahearn & Marla Mayer Seth S. & Sarah R Faison (PC) Mr. Richard H. Maidman Ian & Manon Siome (PC) (PC) Farad Concrete Corp. Brett Malak Stephen R Smith & Allee King Rosen & Fleming Inc. Mrs. M. Derene Frazier (E) Martin & Selma Mertz (PC) Ford Rogers (PC) Mr. Donald Allison & Friars ·Foundation Donald & Gwen Arner Mr. James Sollins (E) (PC) Ms. Sumiko Ito (PC) Bea Friedland (PC) Moffat (PC) Ruth Cummings Sorensen (PC) Mark Allison & Ms. Gail Furman Charles Monheim (PC) Liliane & Jose Soriano (PC) Stephanie Holmquist (PC) Mr. & Mrs. John L. Furth Barbara Mosbacher Annaliese Soros (PC) American Stair Corporation Gilsanz Murray Steficek, LLP Roger D. Netzer & Mr. Charles S. Sullivan (PC) Aperture Magazine Goldstein Associates Frances Campbell Zygmunt Staszewski (PC) Arent Fox Kintner Plotkin & Goodkind & O'Dea, Inc. Tayla Nevo-Hacohen (E) (PC) Swanke Hayden Connell Kahn, PLLC Gordon & Mary Gould (PC) Ms. Jane F. Nishimura (E) Architects ASF Glass, Inc. Stephen R Greenwald & Helen G. & Peter Norfleet Juliet Taylor & James Walsh (PC) Ms. Norma K. Asnes (PC) Rebecca A. Sullivan (PC) Ms. Marie Nugent-Head Marias David Toscano (PC) Mr. & Mrs. Joseph T. Baio Andrew G. Grossman (PC) & Mr. James C. Marias

43 Treasurers & Ticket Sellers Lane Czaplinski &Jackie Davis Mrs. Dorothy Louise Johnston Mr. Benito Romano Union Local 751 (PC) John S. & Lois D'Alimonte Jordan Panel Systems Corp. Andre Spears &Anne Rosen (E) US Engineering Labs Mr. Paul Daniels Mr. Peter Judd Mr. Philippe M. Salomon & Sue Erpf Van de Bovenkamp Mr. Peter Davenport Ms. Christine M. Kim Ms. PaulaJ. Mueller (PC) Ms. Cecile Defforey Mr. Leonard M. Klehr Samantha Viacom Inc. Mr. & Mrs. Richard K. DeScherer Mr. & Mrs. Martin B. Klotz Ms. Anne M. Saunier (E) Raymond W. Wagner (PC) Hester Diamond & Ralph Betty &Arthur Kowaloff Mr. Jonathan Scheuer & Mr. & Mrs. William E. Kaminsky Kravchenko & Associates Ms. Debra Granik Wallace Jr. The DiPaolo Foundation Robert E. Lee III (E) Peter W. Schmidt, Esq. Terilynn &Jeff Walsh (E) Jo Ann & Peter Dolle (E) Ms. Bokara Legendre Roberta & Irwin Schneiderman Weiskopf & Pickworth David Dorfman Dance Anna &Jonathan Lehman (E) Consulting Engineer Company Mr. Julius Leiman-Carbia Ms. Ann SetteI (E) Mr. Allen Weitzman Marie V. Driscoll Marie Louise & M. Michael Rosamond Shannon Alice White Francisco Duque (E) Lerner (E) Marilyn Shapiro Ms. Tracy A. White (PC) Eastern Waterproofing Ms. Kate D. Levin & Mr. Leonard Shaykin Linda Cheverton Wick (E) Ms. Lauren Effron Mr. Mark di Suvero Michael E. Sherman (E) Susan R. Witter (PC) Mr. Christopher J. Elliman Mr. Ronald Levin Professor Stuart Sherman Sr. Wolkow Braker Roofing Corp. Ms. Constance C. Ellis Mr. Jeffrey S. Lewis Ms. Georgia Shreve Ms. Joan P. Young Gail Erickson & Christa Rice Liberty Electrical Ms. Joanne S. Siff Matthew & Myra Joan & Peter Faber Supply Co, Inc. Ellen F. Silverstein M.D. Zuckerbraun (E) (PC) James & Anna Fantaci Robert W. & Carol Linn Sive Paget Riesel Mr. Daniel B. Ferris L.K. Comstock &Company, Inc. Mr. Michael Skolnik $1,000 or more Dr. Michael B. First & Mr. Howard M. Lorber Ms. Ellynne Skove Ace Wire & Cable Co., Inc. Susan G. Babkes (E) The Lowell Mr. & Mrs. Rich Somerby Kenneth & Diana Adams French & Parrello Associates John R. MacArthur & Sonnabend Gallery, Inc. American Chai Trust Richard J. Furman (E) Renee N. Khatami Joan & Laurence Sorkin Mr. Frank B. Arisman Mr. Paul A. Gangsei Earle & Carol Mack Dr. & Mrs. Rogelio Sosnick Ms. Sarah Jean Avery Mr. & Mrs. Steven J. Gartner William & Phyllis Mack Ms. Irene Speiser (E) Philip Baloun Mr. Nelson D. George Joshua Madan Barbara H. Stanton Ms. Hyatt Bass Ms. Virginia P. Gliedman (E) Maspeth Welding, Inc. Dr. Stefan Stein, M.D. Ms. Patricia A. Bell Mrs. Barbara Goldfarb- Adam E. & Diane Max Mr. Joseph A. Stern Ms. Carol Bellamy Tepperman Mr. & Mrs. David J. McCabe Mr. Oliver M. Stevens Big Apple Wrecking & Mr. I. Michael Goodman & Ms. Jennifer McConnell Mr. Willard B. Taylor Construction Corp. Ms. Judith Uman Dr. James & Jane McGroarty Mr. Frederick J. Tetzeli Mr. Jeffrey B. Bishop Mr. & Mrs. William J. Grant Jr. Mr. Gordon McLeod Mr. & Ms. Robert Thomas Frederick Bland/Beyer Blinder Mr. & Mrs. Ronald Guttman Meet The Composer Sandra J. Thomson Belle (E) Mr. & Mrs. Scott M. Hand Ms. Leigh Merinoff Dr. Irena Toeino (E) Mr. James P. Bodovitz Mr. & Mrs. Peter J. Hanlon Mr. & Mrs. Winthrop R. Munyan Urbitran/Rosenbloom Architects Mr. Edward R. Bradley Jr. Mr. & Mrs. Edward Hansen John & Bonnie Nuzum Bernardette Vaskas Ms. Cecilia M. Brancato Harbor Electric Fabrications & The George Oliver Family (E) Mr. Stuart Venner & Brawta Caribbean Cafe Tool, Inc. Mr. Hank O'Neal & Ms. Grace Chang Ms. Sally R. Brody Ms. Judith M. Hoffman Ms. Shelley Shier Mr. Franklin J. Walton & Robert Buckholz & Li Fontaine Mr. David D. Holbrook Sandy & Steve Perl binder (E) Ms. Callie J. Herzog Ernest Brunswick Hole Cutting, Inc. Photography in New York, Inc. Mr. Gordon Wasserman The John R. & Dorothy D. Mr. Frank M. Holozubiec Henry Pillsbury & Mr. George H. Waterman III Caples Fund Mr. Alexander F. Horn Barbara Watson Mr. & Mrs. Earl D. Weiner Capsouto Freres Ms. Consuelo Hudgins (E) Ms. Linda Nochlin Pommer Esther RedmounV Nina & Peter Cobb The Robert J. Hurst Foundation Post Road Iron Works Harry White (E) Mr. Edwin C. Cohen Jaffe Holden Scarbrough Mr. & Mrs. Paul M. Poster Ms. Jill Weinstein (E) Ms. Margaret A. Conklin & Mr. & Mrs. William H. Janeway Mr. Larry G. Remmers (E) Mr. Walter J. Wilkie Mr. David Sabel (E) Ms. Penelope Jay Ms. Nancy Roblee Richardson Ms. Mary Ellen Williams Ms. Janice Coughlan Jenkins & Huntington Inc. River Cafe The Zeitz Foundation Constans Culver Foundation Mr. Douglas Johnson The Rockefeller Group Hon. Mario M. Cuomo Mr. T. Radey Johnson & Alvin J. Rockwell Listing as of August 1, 2001 The Cygnet Foundation Inc. Ms. Jane Platt Charitable Trust

Planned Giving-BAM Angels BAM Angels recognizes Estate of Bettina Bancroft Judith R. & Alan H. Phyllis Holbrook individuals who have made Robert & Joan GateII Fishman Lichtenstein planned gifts to the BAM Neil D. Chrisman Rita Hillman Scott C. McDonald endowment. For information Mr. & Mrs. Henry William Josephson Evelyn & Everett Ortner call Denis Azaro at Christensen III Charlotte & Stanley Kriegel Frank J. & Adeline Pannizzo 718.636.4193. Mallory Factor Edgar A. Lampert Alex Wagman Harvey Lichtenstein Hon. Franklin R. Weissberg

44 The Dorothea L. Leonhardt Lisa & Sanford EhrenkranZ/ Securities Industry Ronald Finkelstein (CC) Foundation, Inc. Nina W. Werblow Charitable Automation Corporation Arthur & Susan L. Mr. Allwyn J. Levi ne Trust (NS) Shakespeare & Co Booksellers Fleischer (PC) Phyllis & Harvey Lichtenstein Eight Mile Creek Elizabeth Sidamon-Eristoff (NS) B.D. Fox & Friends, Inc. (NS) Fidelity National Title SMI-Owen Steel Company Betty Freeman (CC) Madison Magazine Insurance Co. Seth Sprague Educational and Fresh Meadow Mechanical Corp. Mark Asset Management Corp. Fiduciary Trust Company Charitable Foundation Fubu Mr. & Mrs. Hamish InternationaI Duncan & Susan Stewart Gage & Tollner Inc. Maxwell (NS) Film Finances, Inc Ti mes Mirror Egon Gerard (CC) Medco Plumbing Goldman, Sachs & Co. Jane M. Timken Foundation Barbara L. Goldsmith (CC) Edward S. Moore Foundation Great Northern Brokerage Corp. (NS) John M. Goldsmith (CC) Henry & Lucy Moses Fund, Inc. Ms. Regina M. Griffin (E) (CC) The Tomorrow Foundation (NS) Grant Burge Wines New York Land Services, Inc. Mary Livingston Griggs & Trollback & Company Robert M. Greenberg & The New York Times Company Mary Griggs Burke Foundation John T. Underwood Foundation Corvova Choy Lee (CC) Foundation, Inc. John-Gary & Margaret Hewitt Wendy vanden Heuvel (NS) Rodney D. Gibble (E) Perkins Eastman Architects, P.C. (E) (PC) Village Voice David Gruber (CC) Pfizer Inc. Hollywood Foreign Press Assoc. Vivendi Universal Charles J. & Irene Hamm (CC) Mr. & Mrs. Edward Pressman The Hyde &Watson Foundation Charlene Magen Weinstein Hugh & Tiziana Hardy (PC) (NS) Island Acoustics, LLC (E) (E) (CC) Heritage Air Systems, Inc. David L. Ramsay, M.D., Ms. Paula Jarowski & Hon. Franklin R Weissberg Diana & John Herzog (CC) M.Ed. (NS) Mr. Earl Black &Judge Marylin G. William T. Hillman (CC) Helena Rubinstein Foundation Mary Kantor (PC) Diamond (CC) Barbara Warner-Howard Schulte Roth & Zabel, LLP Kelley Drye & Warren LLP Ms. Cornelia T. Winthrop & (E) (CC) The Silverweed Foundation Mr. & Mrs. Kevin Kennedy Ms. Margaret Stillman (NS) Richard and Dorothy Hulbert Mr. Joshua Sohn KleinKnecht Electric Company, Irene Worth (NS) (CC) Mr. & Mrs. Howard B. Sosin Inc. Carol Yorke & Gerard Conn Charles Ingham (CC) Consulate General of Sweden Charlotte & Stanley Kriegel (CC) (E) (NS) International Creative in New York Eric & Amala Levine (E) (CC) Management (CC) Titleserv NY Liberty Marble, Inc. $2,500 or more Jacob's Creek Wines Trust for MutualUnderstanding John Lichtenstein (NS) Advanced Contracting Corp. J&A Concrete Corporation Michael C. Tuch The Liman Foundation Inc. AMEC Construction Miriam E. Katowitz & Foundation, Inc. Mr. Kenneth Lipper (NS) Management, Inc. Arthur J. Radin (CC) Turner Construction Company RH. Macy's &Co., Inc. Arts International KAZUKO.COM (E) (CC) United Technologies/Otis Elevator Marsh & McLennan Companies A Table Cuisine Du Pays Mr. Nizam Peter Kettaneh Urban Substructures, Inc. Hale Matthews Foundation A. Williams Construction William Kistler (E) Woodcock Foundation (E) (CC) McGraw-Hili, Inc. Barney Skanska USA Edward & Norma Kleinbard Wurth U.S.A., Inc. W.P. McMullan & Jayne Bentzen & Benedict (PC) Zwicker Electric Co., Inc. Rachel McPherson (E) Silverman (CC) Bruce R Kraus (CC) Medgar Evers College Gifts Berkshire Opera Charlotte & Stanley Kriegel $5,000 or more and Grants Mr. Raphael Bernstein (CC) Fund at the New York ABC, Inc. Merrill Lynch & Co. Foundation, Charles R Bjorklund (CC) Community Trust (E) ADF Steel Corporation Inc. Judith W. Blumert (CC) Kenneth S. Kuchin (CC) Allstate Insurance Company Merrill Lynch / The Scherer Canadian Consulate General Mark & Lisa Lane (CC) Almar Plumbing & Heating Group (NS) Chanel, Inc. Nancy Lassalle (CC) Corp. Nastasi & Associates, Inc. Chelsea Lighting, Inc. LeBoeuf, Lamb, Greene & The American-Scandinavian New England Foundation Clermont Communications MacRae, L.L.P. (CC) Foundation for the Arts Corp. Lehrer McGovern Bovis Stanley & Suzanne Arkin New York Fire Detection, Inc. Coca-Cola Bottling Company Frances A. Lewis (CC) Atlantic-Heydt Corp. New York Stock Exchange of New York Lindemans Winery Australia Axe-Houghton Foundation Foundation Control Point Associates, Inc. Marienberg Wines from Mr. & Mrs. Sid R Bass (NS) Eliot Nolen & Tim Bradley (NS) Ranny Cooper & McLaren Vale The Bay Foundation Nortel Networks David Smith (CC) Scott C. McDonald (E) (CC) Roger & Brook Berlind (NS) Evelyn & Everett Ortner (CC) The Cowles Charitable Trust Dr. Monica Menell-Kinberg Breeze Carting Corp. Port Morris Tile & Marble Corp. Mr. Douglas S. Cramer (PC) Ph.D. & Jud Kinberg (PC) Amanda M. Burden (E) Prudential Securities Dorothy & Lewis B. Mr. & Mrs. Richard L. 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42 Denise Green, BAM's 2001 Next Wave Festival Artist, was born in Melbourne in 1946 and currently resides in New York. In Paris, she attended both the Ecole Superieure des Beaux-Arts and La Sorbonne (Universite de Paris) before earning an MFA at in New York. She studied with color-field master and abstract expressionist . Her paintings are informed by these esteemed professional associations as well as by the paintings of Aboriginal artists from her native Australia. Green has had 70 solo exhibitions since 1972. Her paintings have been included in approximately 100 group exhi­ bitions, and belong in dozens of private collections as well as 43 public collec­ tions, including the Australian National Gallery, Canberra; The Solomon R. Guggenheim Museum; and Graphische Sammlung Albertina, Vienna. Green's Denise Green work is the subject of a nine-venue traveling retrospective, entitled "Resonating: For Merce 2000 Denise Green," which was inaugurated at P.S. 1 Contemporary Art Center in 76" x 94", acrylic and New York City (now part of the ), with additional venues marble dust on canvas in Poland, Australia, Hungary, Austria, and Germany. Both curator Katrina Rumley and art historian Tiffany Bell contributed essays to the catalogues for For BAMart information these touring exhibitions. contact Deborah Bowie at 718.636.4138 or For Merce 2000 is part of Next Wave Down Under, a celebration of Australian [email protected] culture at BAM during October 2001. The painting has been donated to BAMart, a program which facilitates the selection, exhibition, and sale of original, donated, or commissioned works of art to benefit BAM. BAMart also publishes limited edi­ tion prints and portfolios, and recently pUblished the BAM Photography Portfolio, comprising images by eleven of the world's best-known photographers. 4