India's Rockefeller Artists

Total Page:16

File Type:pdf, Size:1020Kb

India's Rockefeller Artists India’s Rockefeller Artists: An Indo-U.S. Cultural Saga November 7, 2017 - March 2018 DAG Modern, Fuller Building, 41 East 57th Street, Suite 708, New York Satish Gujral, Untitled, 1963, Encaustic on canvas, 17.2 x 22 in. Courtesy DAG Modern / India's Rockerfeller Artists. DAG Modern is pleased to present India’s Rockefeller Artists: An Indo-U.S. Cultural Saga in its New York gallery at 41 East 57th Street at the Fuller Building in Midtown, Manhattan. The exhibition showcases iconic works of the Indian painters and sculptors who travelled to the US on grants enabled by John D. Rockefeller III’s philanthropic vision, first through the JDR 3rd Fund (1963–1979) and then through the Asian Cultural Council. These artists were brought to the US to see and understand American art and also to share their own learnings and experiences through a cultural exchange that would enrich communities. The show examines why and how these artists were selected; their relationships with each other and the American art milieu; the impact of the experience on their body of work; and the creation of a community of Rockefeller artists. The grant benefited some of India’s most important artists, among them V.S. Gaitonde, whose work formed the subject of a retrospective at the Guggenheim, New York, in 2013; Tyeb Mehta, one of the most widely collected artists in private and public collections; Akbar Padamsee, Ram Kumar, Bal Chhabda and Krishen Khanna, all associates of the then Bombay-based Progressive Artists’ Group. Natvar Bhavsar, Jyoti Bhatt, K.G. Subramanyan, A.M. Davierwala, Avinash Chandra, Arun Bose, Paritosh Sen, K.S. Kulkarni, Vinod Dave, Bhupen Khakhar and Rekha Rodwittiya were some of the others whose contribution to Indian art practice in the twentieth century has been seminal. This exhibition is accompanied by a 500-page publication. A product of extensive research from the Rockefeller and artists’ archives, the documentation includes interviews with the living artists and surviving family members of others, along with rare photographs. Published by DAG Modern, the catalogue tells the stories of India’s Rockefeller artists and their art as a testimony to JDR III’s impact on the Indian art landscape. About DAG Modern DAG Modern has a history of over 20 years specializing in Indian modern art with locations in New Delhi, Mumbai and New York. The gallery is firmly established in the Indian art scene with its extensive program that includes historical museum quality exhibitions, a collection, publications, art fair presentations and educational outreach. For all press enquiries contact Pelham Communications Kim Donica | [email protected] +1 917 -607-5105 | @pelhamcomms Exhibition Facts Title: India’s Rockefeller Artists: An Indo-U.S. Cultural Saga Dates: November 7, 2017 – March 2018 Address: DAG Modern, The Fuller Building, 41 East 57 Street, Suite 708, New York, NY 10022 Telephone: +1 212 457 9037 Email: [email protected] Website: www.dagmodern.com .
Recommended publications
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • Secondary Indian Culture and Heritage
    Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture.
    [Show full text]
  • Introduction to Indian Art Kl Lifestyle Art Space Presents 3 Indian Artists
    INTRODUCTION TO INDIAN ART KL LIFESTYLE ART SPACE PRESENTS 3 INDIAN ARTISTS BY HIRANMAYII AWLI MOHANAN Indian art encompasses a variety of forms and originated about five thousand years ago, sometime during the peak of the Indus Valley civilisation. Largely influenced by a civilisation that came into existence in the 3rd millennium B.C., it blends the spiritual and the sensual, making it rather distinctive in form and appearance. However, progressively, Indian art has undergone several transformations and influenced by various cultures, making it more diverse and more inclusive of its people. PARITOSH SEN Paritosh Sen was a painter, illustrator, tutor and writer, who was a part of the world of Indian art, for close to four decades. He was born in Dhaka, the capital of Bangladesh on Oct 18, 1919 and was a founding member of the Calcutta Group — an art movement established in 1942 which played an important role in ushering modernism into Indian art. Allured by the pages of the Bengali art journal, Prabasi, Sen ran away to Madras, to learn art. Graduating with a Diploma in Fine Arts from the Government College of Arts and Crafts, Chennai, Sen moved to Calcutta in 1942, where he and a group of young Bengalis formed the Calcutta Group — an association of artists that sought to incorporate contemporary values in Indian art. In 1949, Sen left for Paris to pursue his passion, attending, among other institutes, the Ecole des Beaux Arts. He received a Fellowship for 1970-’71 from the John D. Rockefeller III Fund. The Indian artist’s visit to Paris in 1949 was what got him closer acquainted with European art and its artists.
    [Show full text]
  • Asian Art in Mumbai
    GALLERY ROUNDUP asian art 17 Asian Art in Mumbai recognised Indian and VOLTE visitors and art enthusiasts, in post-Independence India. By Caroline Eden international artists. Soon to launch its artist Gallery BMB houses a unique The gallery is housed in a Project 88 was one of the residencies, away from the art art bookshop with a dedicated hundred year old British The 3rdI ndia Art Summit, to be held between the first galleries in India to insist district of downtown reading area and onsite café. colonial building with a 20-23 of January 2011 in New Delhi, will showcase some on giving valuable space to Mumbai, Volte has been BMB’s holistic concept is for central gallery area of of the bestIndian modern and contemporary art as well cutting-edge video art, central to the Mumbai art the gallery to be a truly approximately 5000 square as provide a good opportunity for international art to be painting, photography, scene since its launch. Existing interactive space – a cultural feet as well as a smaller display received by a sizeable and judicious art audience. sculpture, and performance. to provide a platform for non- hub that welcomes and area within the larger space. Growing steadily year on year, in terms of size, The 4000 square feet gallery is traditional art and culture in connects people from different www.gallerychemould.com participation, attendance and sales of artworks, India Art located in a renovated the city, it is constantly walks of life with art. Artists Summit currently presents the single largest and most century-old metal printing striving to add to the arena of represented include Avinash PUNDOLE diverse showcase of art in the region.
    [Show full text]
  • Price List 2015.Indd
    Lalit Kala Publications 2015 Lalit Kala Akademi Rabindra Bhavan, New Delhi-110001 MONOGRAPHS The monographs in the Lalit Kala Series of Contemporary Indian Art have been undertaken by the Lalit Kala Akademi with the intention of popularising the works of India’s leading painters, sculptors and printmakers. Effort is made to present a bird’s eye view of the development of their artistic career. Each monograph is in the format 17.5 x 12 cms. on foreign art paper. It contains a brief introduction of the artist along with colour plates and b/w illustrations. Monographs Available Rs. 1. Dhanraj Bhagat 50 2. Prodosh Das Gupta 50 3. Biren De 50 4. L. Munuswamy 50 5. K. S. Kulkarni 50 6. Ram Gopal Vijaiwargiya 50 7. S. H. Raza 50 8. Y. K. Shukla 50 9. Ranvir Singh Bisht 50 10. V. P. Karmarkar 50 11. Bimal Das Gupta 50 12. Radhamohan 50 13. Sarat Chandra Debo 50 14. Goverdhan Lal Joshi 50 15. P. T. Reddy 50 16. K. Madhava Menon 50 17. Nicholas Roerich 50 18. Amarnath Sehgal 50 19. Chittaprosad 50 20. Kanwal Krishna & Devyani Krishna 50 21. J. Swaminathan 50 22. Gurcharan Singh 50 23. Piraji Sagara 50 24. M. Reddappa Naidu 50 25. Devki Nandan Sharma 75 26. A. P. Santhanaraj 75 27. R. K. Rao 75 28. Balbir Singh Katt 75 29. Sakti Burman 75 30. Kripal Singh Shekhawat 75 Monographs Large Format (Hard Bound 9”x9”) 31. J. Sultan Ali 100 32. Pilloo Pochkhanawala 100 33. Somnath Hore 100 34. V. S. Gaitonde 100 35.
    [Show full text]
  • A Fragile Inheritance
    Saloni Mathur A FrAgile inheritAnce RadicAl StAkeS in contemporAry indiAn Art Radical Stakes in Contemporary Indian Art ·· · 2019 © 2019 All rights reserved Printed in the United States o America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library o Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identi£ers: ¤¤ 2019006362 (print) | ¤¤ 2019009378 (ebook) « 9781478003380 (ebook) « 9781478001867 (hardcover : alk. paper) « 9781478003014 (pbk. : alk. paper) Subjects: ¤: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classi£cation: ¤¤ 7304 (ebook) | ¤¤ 7304 .384 2019 (print) | ¤ 709.54/0904—dc23 ¤ record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier o Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy o the artist. Duke University Press gratefully acknowledges the ¤ Academic Senate, the ¤ Center for the Study o Women, and the ¤ Dean o Humanities for providing funds toward the publication o this book. ¶is title is freely available in an open access edition thanks to the initiative and the generous support o Arcadia, a charitable fund o Lisbet Rausing and Peter Baldwin, and o the ¤ Library. vii 1 Introduction: Radical Stakes 40 1 Earthly Ecologies 72 2 The Edice Complex 96 3 The World, the Art, and the Critic 129 4 Urban Economies 160 Epilogue: Late Styles 185 211 225 I still recall my £rst encounter with the works o art and critical writing by Vivan Sundaram and Geeta Kapur that situate the central concerns o this study.
    [Show full text]
  • Alphabetical List of Recommendations Received for Padma Awards - 2014
    Alphabetical List of recommendations received for Padma Awards - 2014 Sl. No. Name Recommending Authority 1. Shri Manoj Tibrewal Aakash Shri Sriprakash Jaiswal, Minister of Coal, Govt. of India. 2. Dr. (Smt.) Durga Pathak Aarti 1.Dr. Raman Singh, Chief Minister, Govt. of Chhattisgarh. 2.Shri Madhusudan Yadav, MP, Lok Sabha. 3.Shri Motilal Vora, MP, Rajya Sabha. 4.Shri Nand Kumar Saay, MP, Rajya Sabha. 5.Shri Nirmal Kumar Richhariya, Raipur, Chhattisgarh. 6.Shri N.K. Richarya, Chhattisgarh. 3. Dr. Naheed Abidi Dr. Karan Singh, MP, Rajya Sabha & Padma Vibhushan awardee. 4. Dr. Thomas Abraham Shri Inder Singh, Chairman, Global Organization of People Indian Origin, USA. 5. Dr. Yash Pal Abrol Prof. M.S. Swaminathan, Padma Vibhushan awardee. 6. Shri S.K. Acharigi Self 7. Dr. Subrat Kumar Acharya Padma Award Committee. 8. Shri Achintya Kumar Acharya Self 9. Dr. Hariram Acharya Government of Rajasthan. 10. Guru Shashadhar Acharya Ministry of Culture, Govt. of India. 11. Shri Somnath Adhikary Self 12. Dr. Sunkara Venkata Adinarayana Rao Shri Ganta Srinivasa Rao, Minister for Infrastructure & Investments, Ports, Airporst & Natural Gas, Govt. of Andhra Pradesh. 13. Prof. S.H. Advani Dr. S.K. Rana, Consultant Cardiologist & Physician, Kolkata. 14. Shri Vikas Agarwal Self 15. Prof. Amar Agarwal Shri M. Anandan, MP, Lok Sabha. 16. Shri Apoorv Agarwal 1.Shri Praveen Singh Aron, MP, Lok Sabha. 2.Dr. Arun Kumar Saxena, MLA, Uttar Pradesh. 17. Shri Uttam Prakash Agarwal Dr. Deepak K. Tempe, Dean, Maulana Azad Medical College. 18. Dr. Shekhar Agarwal 1.Dr. Ashok Kumar Walia, Minister of Health & Family Welfare, Higher Education & TTE, Skill Mission/Labour, Irrigation & Floods Control, Govt.
    [Show full text]
  • The Paintings of Ram Kumar
    SWASTI RAM KUMAR SMRITI Raza Foundation 1 The Paintings of Ram Kumar Among the Indian painters today Ram Kumar is he strives after in his paintings would influence his perhaps the only one who has no imitators and no method of work. His hours are regular the fresh hours followers, for both his themes and method are simple. of the morning he spends in his studio in Karol Bagh in His themes are everyday subjects we in the cities see; Delhi. There he paints, sketches, thinks his way out of the poor, the oppressed, the destitute, the frustrated problems, always within reach and in the company of lower middle class, not necessarily or typically Indian, the finished work and the tools and implements of his but nevertheless alive and boldly stated in non- craft. This is a very necessary discipline, for the ground theatrical yet dramatic terms. of a great painting is craft, the knowledge of surfaces, textures, the limits there can be no heavenly bread he For all this there is nothing of the grotesque or the knows, too, that the spirit of man that destroys the ugly or the sentimental in his paintings. Subject matter enemy of essentially fragile in its desire for peace and and style are mutually supporting. With the minimum for love. He is content to depict the fragility of life and delineation of the human figure, he strengthens line people. He is a painter of the people, not the people of and perspective, allowing eye to see first things first, a the people of the countryside but of the city.
    [Show full text]
  • Gktoday May (1-31) 1
    Page 1 of 117 GKTODAY MAY (1-31) 1. Who is the author of the “Politics of Jugaad: The Coalition Handbook”? (Marks: 0) Saba Naqvi Madhu Trehan Shereen Bhan Patricia Mukhim The “Politics of Jugaad: The Coalition Handbook” has been authored by journalist Saba Naqvi. In it, the author examined the possibility of a coalition government after 2019 Lok Sabha polls. It traces the history of political alliances in the country taking into account their performance on economic and and social policies, among others. The book also makes a study of the Congress' "tryst with dynasty" with Priyanka Gandhi Vadra taking a plunge into active politics for the party helmed by her brother Rahul Gandhi. 2. The Belt and Road Forum (BRF - 2019) was recently held in which of the following Chinese cities? (Marks: 0) Tianjin Shanghai Beijing Hangzhou In China, the 2nd edition of Belt and Road Forum (BRF - 2019) was officially held in Beijing with theme “Belt and Road Cooperation: Shaping a Brighter Shared Future”. In it, 37 heads-of-state and 159 countries had participated along with United Nations Secretary-General Antonio Guterres and International Monetary Chief (IMF) Christine Lagarde. The BRF is part of the Belt and Road Initiative (BRI). The aim of BRI is to reinvent the ancient Silk Road to connect Asia to Europe and Africa through massive investments in maritime, road and rail projects. The initiative offers to bring much-needed modern infrastructure to developing countries, but critics say it mainly favours Chinese companies while saddling nations with debt and causing environmental damage.
    [Show full text]
  • Modern Art Day Sale Additionally, We Have Two Early G R Santosh Works from the 1950S
    9 - 10 1 9 - 10 www.prinseps.com Prinseps Note We are excited to bring to you our tenth auction at Prinseps which is our first day sale of Indian Modern art at Prinseps. This auction boasts of works made by Jamini Roy, F. N. Souza, Paresh Maity, B. Vithal, Ganesh Pyne and Shanti Dave amongst many others. Prinseps has an important painting by Abanindranath Tagore which was given to Pulin Behari Sen. Sen was one of the Directors of the Visva Bharati Granthana Vibhaga, the internal publication department at Santiniketan established in 1923. The work is pan asian in character and has elements of Chinese art. We have a work by M.V. Dhurandhar. Female figures were a common subject matter in his oeuvre. A Mohamedan Girl is an example of his photo realism and how he captured the everyday Indian woman in the traditional western academic style. Modern Art Day Sale Additionally, we have two early G R Santosh works from the 1950s. Both of them are 9 - 10 October 2019 landscapes inspired by Cezanne and Cubist artists. They are rare as most of his later works were inspired by tantra. These works are from a time when he was experimenting with different mediums and subject matter. Auction is open for proxy bidding Finally, we also have two sculptures by B. Vithal and J. Swaminathan in this modern art auction. Auction commences for live bidding at 10am on 9th October and ends as per schedule from 7pm the next day Research, Sales and Curatorial Team at Prinseps 5 9 - 10 6 - PRINSEPS - Modern Art Day Sale - 2019 7 1.
    [Show full text]
  • A Study of Dynamics of Himmat Shah's
    JUXTAPOSITION OF FIGURATIVE AND ABSTRACT: A STUDY OF DYNAMICS OF HIMMAT SHAH’S ART A Thesis Submitted to For the award of DOCTOR OF PHILOSOPHY (PhD) in FINE ARTS By Arjun Kumar Singh 41100144 Supervised By Dr. Abid Hadi LOVELY FACULTY OF BUSINESS & ARTS LOVELY PROFESSIONAL UNIVERSITY PUNJAB 2018 i DECLARATION I declare that the thesis entitled “Juxtaposition of Figurative and Abstract: A Study of Dynamics of Himmat Shah‟s Art” has been prepared by me under the guidelines of Dr. Abid Hadi. No part of this thesis has formed the basis for the award of any degree of fellowship previously. Arjun Kumar Singh 41100144 Lovely Professional University Phagwara, Punjab Date: ii CERTIFICATE I certify that Arjun Kumar Singh has prepared his thesis entitled “Juxtaposition of Figurative and Abstract: A Study of Dynamics of Himmat Shah‟s Art”, for the award of PhD degree of the Lovely Professional University, under my guidance. He has carried out the work at the Department of Fine Arts, School of Journalism, Film Production and Creative Arts, Lovely Professional University, Phagwara, Punjab. Dr. Abid Hadi Associate Professor Dept. of Fine Arts, A.M.U., Aligarh (U.P) Date: iii ABSTRACT The study explores the aesthetic sensibilities of Himmat Shah‟s art by analyzing the development of his artistic vision in the context of Post-Colonial Indian art. This broadly entails the life, training and major projects undertaken by him. His career span protracted from 1950‟s till date which has juxtaposed the nuances of all modern as well as contemporary practices. Through the analysis of Himmat Shah‟s art, this research seeks to explore his development in the context of modernity, materiality and individuality which are the key features of his art practice.
    [Show full text]