HOFSTRA UNIVERSITY MUSEUM Indian Art After Independence
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11 Indian Painting
MODULE - V Indian Painting Painting, Performing Arts and Architecture Notes 11 INDIAN PAINTING hen you go to the market or to a museum you will find many paintings, wall hangings or work done on terracotta. Do you know that these paintings have Wtheir origin in ouir ancient past. They depict the life and customs followed by the people of those times. They also show how the kings and queens dressed or how the courtiers sat in the royal assembly. Literacy records which had a direct bearing on the art of painting show that from very early times painting both secular and religious were considered an important form of artistic expression and was practised. This need for expression is a very basic requirement for human survival and it has taken various forms since prehistoric times. Painting is one such form with which you may have been acquainted in some way or the other. Indian painting is the result of the synthesis of various traditions and its development is an ongoing process. However while adapting to new styles, Indian painting has maintained its distinct character. “Modern Indian painting in thus a reflection of the intermingling of a rich traditional inheritance with modern trends and ideas”. OBJECTIVES After reading this lesson you will be able to: trace the origin of painting from the prehistoric times; describe the development of painting during the medieval period; recognise the contribution of Mughal rulers to painting in India; trace the rise of distinct schools of painting like the Rajasthani and the Pahari schools; assess -
NAVJOT ALTAF Selected Biography
1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 NAVJOT ALTAF Selected biography From Meerut, India. Education Fine and Applied Arts, Sir J.J. School of Arts, Mumbai, India Graphics, Garhi Studios, New Delhi, India Solo Exhibitions 2018 Lost Text, The Guild Gallery, Alibaug, India. Lost Text, Special Project, Art Fair, New Delhi, The Guild Gallery, India. 2016 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, Chemould Prescott Road Art Gallery, Mumbai, India. Catalogue. 2015 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, The Guild Gallery Alibaug, India. 2013 Horn in the Head, Sculpture Installation with audio and video, Talwar Gallery, New Delhi, India. 2010 TOUCH IV22 monitors video installation, Talwar Gallery, New Delhi, The Guild, Bombay, India. A place in NY, Photomontage, The Guild Gallery, Bombay and NY, USA. Catalogue. 2009 Lacuna in Testimony - Patricia and Phillip Frost Art Museum, Florida, USA. 2008 Touch 4 projection video installation and interactive sculptures, Sakshi Gallery, Bombay, India. Bombay Shots- Photomontage, The Guild Gallery, Bombay, India. Catalogue. 2006 Jagar Multimedia Installation, and Water Weaving, video Installation, Sakshi Gallery, Bombay, India. Junctions 1 – 2 – 3 Photo installation with sound, The Guild Gallery, Bombay, India. Catalogue. 2005 Water Weaving, Video Installation, Talwar Gallery, NY, USA. Catalogue. 2004 Bombay Meri Jaan and 'Lacuna in Testimony', video Installation, Sakshi Gallery, Bombay, India. Catalogue. 2003 In Response To, sculpture installation with photographs by Ravi Agarwal, Talwar Gallery, NY, USA. Catalogue. Displaced Self, Interactive project with artists from Israel and Ireland, Sakshi gallery, Bombay, India. -
New Regn.Pdf
LIST OF NEWLY REGISTERED DEALERS FOR THE PERIOD FROM 01-DECEMBER-08 TO 16-DECEMBER-08 CHARGE NAME VAT NO. CST NO. TRADE NAME ADDRESS ALIPUR 19604024078 19604024272 BAHAR COMMODEAL PVT. LTD. 16 BELVEDRE ROAD KOLKATA 700027 19604028055 MAHAVIR LOGISTICS 541/B, BLOCK 'N NW ALIPORE KOLKATA 700053 19604027085 P. S. ENTERPRISE 100 DIAMOND HARBOUR ROAD KOLKATA 700023 19604031062 19604031256 PULKIT HOLDINGS PVT. LTD. 16F JUDGES COURT ROAD KOLKATA 700027 19604030092 19604030286 R. S. INDUSTRIES (INDIA) 26E, TURF ROAD KALIGHAT 700025 19604026018 19604026212 RAJ LAXMI JEWELLERS 49/1 CIRCULAR GARDEN ROAD KOLKATA 700023 19604025048 19604025242 SAPNA HERBALS & COSMETICS PVT. LTD. 12/5 MOMINPUR ROAD KOLKATA 700023 19604029025 19604029219 SOOKERATING TEA ESTATE PVT. LTD. P-115, BLOCK-F NEW ALIPORE KOLKATA 700053 19604023011 SURFRAJ & CO. F-79 GARDENREACH ROAD KOLKATA 700024 ARMENIAN STREET 19521285018 19521285212 M/S. TEXPERTS INDIA PRIVATE LIMITED, 21, ROOPCHAND ROY STREET, 3RD FLOOR, KOLKATA 700007 19521286085 19521286279 TIRUPATI ENTERPRISES IST FLOOR, 153, RABINDRA SARANI, KOLKATA 700007 ASANSOL 19747189094 ARCHANA PEARLS 8, ELITE PLAZA G.C. MITRA ROAD ASANSOL 713301 19747194041 ASANSOL REFRIGERATOR MART 46 G.T. ROAD, DURGA MARKET, GIRIJA MOR ASANSOL 713301 19747182013 AUTO GARAGE FARI ROAD BARAKAR, ASANSOL 713324 19747178036 BADAL RUIDAS VIA- ASANSOL KALLA VILLAGE, RUIDAS PAR KALLA (C.H) 713340 19747175029 19747175223 BALBIR ENTERPRISES STATION ROAD BARAKAR 713324 19747179006 19747179297 BAZAR 24 24 G.T. ROAD (WEST) RANIGANJ SEARSOL RAJBARI 713358 -
Śāntiniketan and Modern Southeast Asian
Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art. -
American Beat Yogi
Linda T. Klausner Masters Thesis: Literature, Culture, and Media Professor Eva Haettner-Aurelius 22 Apr 2011 American Beat Yogi: An Exploration of the Hindu and Indian Cultural Themes in Allen Ginsberg Klausner ii Table of Contents Preface iii A Note on the Mechanics of Writing v Introduction 1 Chapter 1: Early Life, Poetic Vision, and Critical Perspectives 10 Chapter 2: In India 21 Chapter 3: The Change 53 Chapter 4: After India 79 Conclusion 105 Sources 120 Appendix I. Selected Glossary of Hindi and Sanskrit Words 128 Appendix II. Descriptions of Prominent Hindu Deities 130 Klausner iii Preface I am grateful for the opportunity to have been able to live in Banaras for researching and writing this paper. It has provided me an invaluable look at the living India that Ginsberg writes about, and enabled me to see many facets that would otherwise have been impossible to discover. In the spirit of research and my deep passion for the subject, I braved temperatures nearing 50º Celsius. Not weather particularly conducive to thesis-writing, but what I was able to discover and experience empowers me to do it again in a heartbeat. Since the first draft, I contracted a mosquito-borne tropical illness called Dengue Fever, for which there is no vaccine. I left India for a season to recover, and returned to complete this study. The universe guided me to some amazing mentors, including Anand Prabhu Barat at the literature department of Banaras Hindu University, who specializes in the Eastern spiritual themes of the Beat Generation. She and Ginsberg had corresponded, and he sent her several works including Allen Ginsberg: Collected Works, 1947 – 1980. -
AWARDS AWARDS Awards & Recognition- April Nations Educational, Scientific & Cultural Lyricist & Director Sreekumaran Thampi Has Been Organization‟S (UNESCO)
AWARDS AWARDS Awards & Recognition- April Nations Educational, Scientific & Cultural Lyricist & director Sreekumaran Thampi has been Organization‟s (UNESCO). selected for the J.C. Daniel Award, the Kerala The Council of Scientific & Industrial Research (CSIR) government‟s highest honour for lifetime contribution is awarded the National Intellectual Property (IP) to Malayalam cinema. The award comprises of Rs5 Award 2018 in the category “Top R&D Institution / lakh & a citation. Organization for Patents & Commercialization”. Dr Bollywood actor Anushka Sharma will be awarded the Girish Sahni, DG, CSIR & Secretary, DSIR received the Dadasaheb Phalke Excellence Award for her award at the hands of Mr. Suresh Prabhu, Minister of successful movies as a producer. Commerce & Industry. Veteran Hindi film actor Shri Vinod Khanna was Bollywood actors Bhumi Pednekar, Sonam Kapoor & awarded the Dadasaheb Phalke Award for his Akshay Kumar bagged the best actress & best actor contribution to Indian Cinema. This was announced awards respectively at the Dadasaheb Phalke awards, during the 65th National Film Awards. given by Dadasaheb Phalke Film Foundation, held in Veteran Bollywood actor Dharmendra will be Mumbai. Manisha Koirala won the „Most Versatile conferred with the prestigious Raj Kapoor Lifetime Actress‟ award. Veteran actor-director Rakesh Roshan Achievement & filmmaker Rajkumar Hirani with Raj was given the lifetime achievement award for his Kapoor Special Contribution awards. Maharashtra contribution to the industry as an actor, producer & a Culture Minister Vinod Tawde announced the names director. of the winners. Gujarati poet, playwright & academic Sitanshu Kolkata-based Bandhan Bank Ltd became one of the Yashaschandra was selected for 2017 Saraswati top 50 most valuable publicly traded firms in India. -
Syed Haider Raza Painter
Syed Haider Raza Painter S.H. Raza was born as Syed Haider Raza in the year 1922, in the state of Madhya Pradesh. One of the most distinguished artists of the Indian subcontinent, Raza has been settled in France since 1950. However, his ties with India remain as strong as ever. The paintings of Syed Haider Raza have been done mainly in oil or acrylic and have a very heavy usage of color. His wife is a French artist, Janine Mongillat. Know more about the biography and life history of S.H. Raza with this article: Raza received his formal training in painting at the Nagpur School of Art (Nagpur) and Sir J. J. School of Art (Mumbai). During his stay at the Sir J.J. School, he became a member of Progressive Artist Group. At that time, SH Raza experimented with the Western Modernism, which was moving away from expressionism and towards abstraction. Thereafter, he shifted to France to pursue his studies at the Ecole Nationale des Beaux-Arts of Paris. The paintings of Syed Haider Raza in the 1940s and 1950s revolved mainly around landscapes. His Style The paintings of S.H. Raza revolve mainly around nature and its various faucets. His paintings have evolved from being purely expressionist landscapes to abstract ones. He believes the Bindu (dot) to be the center of creation and existence and his works reflect this particular thinking. Even though the vibrancy of his paintings has become subtle, the dynamism remains as alive as ever. Achievements A painting by S.H. Raza was reportedly sold for US $1.4 million at an auction held in December 2006. -
The Gupta Empire: an Indian Golden Age the Gupta Empire, Which Ruled
The Gupta Empire: An Indian Golden Age The Gupta Empire, which ruled the Indian subcontinent from 320 to 550 AD, ushered in a golden age of Indian civilization. It will forever be remembered as the period during which literature, science, and the arts flourished in India as never before. Beginnings of the Guptas Since the fall of the Mauryan Empire in the second century BC, India had remained divided. For 500 years, India was a patchwork of independent kingdoms. During the late third century, the powerful Gupta family gained control of the local kingship of Magadha (modern-day eastern India and Bengal). The Gupta Empire is generally held to have begun in 320 AD, when Chandragupta I (not to be confused with Chandragupta Maurya, who founded the Mauryan Empire), the third king of the dynasty, ascended the throne. He soon began conquering neighboring regions. His son, Samudragupta (often called Samudragupta the Great) founded a new capital city, Pataliputra, and began a conquest of the entire subcontinent. Samudragupta conquered most of India, though in the more distant regions he reinstalled local kings in exchange for their loyalty. Samudragupta was also a great patron of the arts. He was a poet and a musician, and he brought great writers, philosophers, and artists to his court. Unlike the Mauryan kings after Ashoka, who were Buddhists, Samudragupta was a devoted worshipper of the Hindu gods. Nonetheless, he did not reject Buddhism, but invited Buddhists to be part of his court and allowed the religion to spread in his realm. Chandragupta II and the Flourishing of Culture Samudragupta was briefly succeeded by his eldest son Ramagupta, whose reign was short. -
Nalini Malani: Can You Hear Me? October 19, 2019 – January 2, 2020 Gallery MMB, Goethe-Institut / Max Mueller Bhavan Mumbai
Nalini Malani: Can You Hear Me? October 19, 2019 – January 2, 2020 Gallery MMB, Goethe-Institut / Max Mueller Bhavan Mumbai Nalini Malani, Can You Hear Me? (2018), still On occasion of its 50th annual celebration the Goethe-Institut/ Max Mueller Bhavan Mumbai presents Can You Hear Me? a solo exhibition from the internationally celebrated Indian artist Nalini Malani. The upcoming exhibition, Can You Hear Me? is Malani’s first solo show in India in five years, and marks her return home to a hero’s welcome after she became the first Asian artist to win the prestigious Joan Miro prize in 2019. Can You Hear Me? contains more than fifty animations by Malani. The first animation, Dream Houses is from 1969, the year the Institut was established in Mumbai, and other works include the ongoing growing collection of animations called Notebooks from 2017/19. The solo expands on Malani’s history with the Institut – in 1993, Malani worked on a collaboration on German dramatist Heiner Mueller’s Medeamaterial (with Alaknanda Samarth), and later on Bertolt Brecht’s The Job in 1995. The title of the exhibition, Can You Hear Me? is taken from a 2018 animation about a minor girl who was raped but nobody heard her cry. This piteous cry, this voice of the dispossessed which is not being heard or is deliberately ignored, is presented in different registers of the ironical, and the absurd, with bright colours and quirky sounds tracks. Dream Houses is the very first film Malani made at the Vision Exchange Workshop in Bombay, which opened in 1969 (the year the Institut was established in Mumbai), just after she secured her diploma at the JJ School of Art. -
Years Because of a #Metoo Scandal
1 CHAPTERS 1 AWARDS & HONOURS 2 FAMOUS BOOKS 3 APPOINTMENTS 4 INDIAN ECONOMY 5 BUSINESS & CORPORATE WORLD 6 BRAND AMBASSADORS 7 AGREEMENTS & MoU 8 SUMMITS 9 INDEX, RANKINGS & DISTINCTIONS 10 SPORTS 11 SCIENCE & TECHNOLOGY 11 YOJANAS & SCHEMES 12 MISCELLANEOUS 2 AWARDS & HONOURS 2018 Nobel Laureates 2018 2018 Nobel Prize were announced in 5 different fields viz. Physiology or Medicine, Physics, Chemistry, Peace, & Economic Sciences. This is for the first time that Nobel Prize for Literature was not given in 70 years because of a #MeToo scandal. Field Winners Key Points “for their discovery of cancer James P Allison (USA) therapy by inhibition of negative Physiology or Medicine & Tasaku Honjo(Japan) immune regulation” Arthur Ashkin (USA), Gerard Mourou (France) and Donna Strickland "for groundbreaking inventions Physics (Canada) in the field of laser physics" (a) one half to Frances H. Arnold (USA) (a) "for the directed evolution of (b) Other half jointly to George P. enzymes" Chemistry Smith (USA) & Sir Gregory P. (b) "for the phage display of peptides & antibodies" Winter (UK) “for their efforts to end the use of Denis Mukwege (Congo) & sexual violence as a weapon of war Peace Nadia Murad (Iraq) & armed conflict” (a) “for integrating climate change into long-run macroeconomic analysis” (a) William D.Nordhaus (USA) Economic Sciences (b) “for integratingtechnological (b) Paul M. Romer (USA) innovations into long-run macroeconomic analysis.” 3 Ramon Magsaysay Award Winners 2018 Ramon Magsaysay Award is an annual award established to perpetuate former Philippine President Ramon Magsaysay's example of integrity in governance, courageous service to the people, & pragmatic idealism within a democratic society. -
Jamini Roy & Somnath Hore
Jamini Roy & Somnath Hore: Figuration in the Bengal School November 1 – December 1, 2012 Press Preview & Reception: Thursday, November 1, 6:00pm – 8:00pm 35 Great Jones St., New York NY 10012 AICON GALLERY is pleased to present Jamini Roy & Somnath Hore: Figuration in the Bengal School, an exhibition exploring the extremes of representation and artistic vision within India’s Bengal School of Art. Based primarily in Kolkata and Santiniketan, the Bengal School was an artistic movement and painting tradition founded at the turn of the 19th century, which spread throughout India during the British Raj of the early 20th century. Originally an avant-garde and nationalist movement in reaction to previous academic styles, the Bengal School was led by Abanindranath Tagore (Indian, 1871- 1951) and sought to modernize Moghul and Rajput styles, to counter the influence of Western art traditions. Along with his brother Gaganendranath Tagore (Indian, 1867-1938) and pupil Nandalal Jamini Roy, Untitled (Three Figures), Tempera and cloth on board, Bose (India, 1882-1966), these artists represented the early 17.5 x 33 in. modernists of India. The Bengal School was often associated with Indian nationalism (swadeshi) as an official Indian art style, but also found support from British art institutions under the epithet of the Indian Society of Oriental Art (founded in 1907 by the Tagore brothers). From the 1920s onward, prominent Bengal School artists embarked on widely divergent, often aesthetically polarized paths. However, figuration remained the central focus for those at the forefront of the movement’s modernist evolution. Some embraced images of tranquility and nature, of myth and mysticism, depicting playful folk scenes during turbulent sociopolitical times, while others portrayed the darker forces of humanity, exploring famine, spiritual torment and violent conflict. -
Indian Art History from Colonial Times to the R.N
The shaping of the disciplinary practice of art Parul Pandya Dhar is Associate Professor in history in the Indian context has been a the Department of History, University of Delhi, fascinating process and brings to the fore a and specializes in the history of ancient and range of viewpoints, issues, debates, and early medieval Indian architecture and methods. Changing perspectives and sculpture. For several years prior to this, she was teaching in the Department of History of approaches in academic writings on the visual Art at the National Museum Institute, New arts of ancient and medieval India form the Delhi. focus of this collection of insightful essays. Contributors A critical introduction to the historiography of Joachim K. Bautze Indian art sets the stage for and contextualizes Seema Bawa the different scholarly contributions on the Parul Pandya Dhar circumstances, individuals, initiatives, and M.K. Dhavalikar methods that have determined the course of Christian Luczanits Indian art history from colonial times to the R.N. Misra present. The spectrum of key art historical Ratan Parimoo concerns addressed in this volume include Himanshu Prabha Ray studies in form, style, textual interpretations, Gautam Sengupta iconography, symbolism, representation, S. Settar connoisseurship, artists, patrons, gendered Mandira Sharma readings, and the inter-relationships of art Upinder Singh history with archaeology, visual archives, and Kapila Vatsyayan history. Ursula Weekes Based on the papers presented at a Seminar, Front Cover: The Ashokan pillar and lion capital “Historiography of Indian Art: Emergent during excavations at Rampurva (Courtesy: Methodological Concerns,” organized by the Archaeological Survey of India). National Museum Institute, New Delhi, this book is enriched by the contributions of some scholars Back Cover: The “stream of paradise” (Nahr-i- who have played a seminal role in establishing Behisht), Fort of Delhi.