NAVJOT ALTAF Selected Biography
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Sea Change Hajra Waheed
INSTALLATION WHO ARE YOU DEFENDERS SEA CHANGE HAJRA WAHEED January 18 – March 2, 2013 Sea Change: A Short Film (1-14) / 2012, Polaroid Back, Collage and ink on paper, 4.5 x 7 in each, Suite of 14 works (detail) 60 61 INSTALLATION SEA CHANGE 62 63 INSTALLATION SEA CHANGE 64 65 ESSAY SEA CHANGE selves at this moment. You remark on the child’s smile that still resembles your friend’s today. Re- Sea Change member the old cars? The shoreline was so beautiful before they built the hotels. Why exactly then does it feel so unfamiliar, and challenging, to look at a series such as Hajra’s Sea Change, A Short Film (2012)? These cut fragments of sepia-tinted photographs, mounted on the I. backing of old Polaroid film, with little square tabs on the top right, mounted on twice-punched, perforated notebook paper. They areso utterly unyielding. [ . ] And how the future It begins poetically (with words slightly modified from lyrics by Twin Shadow). The first panel Takes shape in the sequence reads: “Some people say you are the golden light, but if I chase after you, [it] doesn’t too quickly. The permanent is ebbing. Is leaving mean that it’s true.” nothing in the way of The photographic components—our locus of information—have largely been cut and cropped trails. [ . ] away, leaving us with blank, black fields, and just mere traces of what we are looking at. Perhaps some sand and rocks, a small body of water, some distant mountains, clouds, arid hills, a fencepost. – Jorie Graham, Sea Change, 2008 The rest has been stripped away. -
IEEE Paper Template in A4
ISSN XXXX XXXX © 2017 IJESC Research Article Volume 7 Issue No.3 “E-€katrit”- An Android App as a Common Platform for Multiple Types of Donation Anushree Lonbale1, Minal Nikhade2, Neha Kumari3, Uma Thakur4 Student1, 2, 3, Assistant Professor4 Department of Computer Science & Engineering Priyadarshini Institute of Engineering & Technology, Nagpur, India Abstract: Serving for the general public through specialized and programming aptitude. Our application comprises of use of left over stuff or item which can be used by poor one. We will incorporate private individuals, hospitals, education foundations, eatery and so on which can help individuals like halfway house home, seniority home, and society help required individuals by their left over stuff. Everybody who needs to give left over stuff can enroll in this site. The general population who needs to give anything need to transfer points of interest on site. According to subtle elements we will send vehicle to get stack and send it to penniless individuals. Consequently individuals will help individuals and serve for advancement of society. As we are seen that there is a few NGO whose sites are working for a specific thing like eye gift, blood gift, training, old - age individuals, kids and so forth. Yet, we are outlining a site which contain all things in just a single site that is the reason our site is called as "e -€katrit". Our application will be the total tolerating stage for the things which individuals need to give without login into another destination. Likewise our site comprise of various required rundown from numerous NGO which will acknowledge our client's gift. -
Ranjit Hoskote: Signposting the Indian Highway Ranjit Hoskote
HERNING MUSEUM OF CONTEMPORARY ART Ranjit Hoskote: Signposting the Indian Highway Ranjit Hoskote You Can’t Drive Down the Same Highway Twice… …as Ed Ruscha might have said to Heraclitus. But to begin this story properly: two artists, two highways, two time horizons a decade apart in India. Atul Dodiya’s memorable painting, ‘Highway: For Mansur’, was first shown at his 1999Vadehra Art Gallery solo exhibition in New Delhi. The painting is dominated by a pair of vultures, a quotation culled from the folios of the Mughal artist Mansur; the birds look down on a highway that cuts diagonally across a desert. The decisiveness of this symbol of progress is negated by a broken-down car that stands right in the middle of it. The sun beats down on the marooned driver, whose ineffectual attempts at repairing his vehicle are viewed with interest by the predators. In the lower half of the frame, Dodiya inserts an enclosure in which a painter, identifiably the irrepressible satirist and gay artist Bhupen Khakhar, bends over his work. Veined with melancholia as well as quixotic humour, this painting prompts several interpretations. Does the car symbolise the fate of painting as an artistic choice, at a time when new media possibilities were opening up; is the car shorthand for the project of modernism? Or is this an elegy for the beat-up postcolonial nation-state, becalmed in the dunes of globalisation? In an admittedly summary reading, ‘Highway: For Mansur’ could be viewed as an allegory embodying a dilemma that has immobilised the artist, even as he contemplates flamboyant encounters with history in the confines of his studio. -
Nalini Malani: Can You Hear Me? October 19, 2019 – January 2, 2020 Gallery MMB, Goethe-Institut / Max Mueller Bhavan Mumbai
Nalini Malani: Can You Hear Me? October 19, 2019 – January 2, 2020 Gallery MMB, Goethe-Institut / Max Mueller Bhavan Mumbai Nalini Malani, Can You Hear Me? (2018), still On occasion of its 50th annual celebration the Goethe-Institut/ Max Mueller Bhavan Mumbai presents Can You Hear Me? a solo exhibition from the internationally celebrated Indian artist Nalini Malani. The upcoming exhibition, Can You Hear Me? is Malani’s first solo show in India in five years, and marks her return home to a hero’s welcome after she became the first Asian artist to win the prestigious Joan Miro prize in 2019. Can You Hear Me? contains more than fifty animations by Malani. The first animation, Dream Houses is from 1969, the year the Institut was established in Mumbai, and other works include the ongoing growing collection of animations called Notebooks from 2017/19. The solo expands on Malani’s history with the Institut – in 1993, Malani worked on a collaboration on German dramatist Heiner Mueller’s Medeamaterial (with Alaknanda Samarth), and later on Bertolt Brecht’s The Job in 1995. The title of the exhibition, Can You Hear Me? is taken from a 2018 animation about a minor girl who was raped but nobody heard her cry. This piteous cry, this voice of the dispossessed which is not being heard or is deliberately ignored, is presented in different registers of the ironical, and the absurd, with bright colours and quirky sounds tracks. Dream Houses is the very first film Malani made at the Vision Exchange Workshop in Bombay, which opened in 1969 (the year the Institut was established in Mumbai), just after she secured her diploma at the JJ School of Art. -
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog US English Sign In My Bookings US CITY GUIDES INTERNATIONAL TRAVEL INTERESTS TRAVEL TIPS TRAVEL STORIES MUST READ Namaste! Everythi… TRENDING STORIES BUDGET TRAVEL Home Asia India QUIZZES & INFOGRAPHICS MEET YOUR WRITERS POST CATEGORIES Image via Flickr CC - Rajarshi Mitra 0 Post Categories Exploring Mumbai During Monsoon Season Sandy Bornstein August 24, 2016 India 1 Comment When I booked my airplane ticket to Mumbai, India, I knew that I would be arriving during the monsoon season (mid June to mid September). While I’ve TRAVELING? SEE visited other regions of India in the summer, I was pretty clueless about the THINGS TO DO IN torrential rain that affected this part of the country. TOP US CITIES Like Mumbai — the historic, vibrant, and colorful city that’s home to playboy billionaires, s cialites, and Bollywood stars — sits in the pathway for the seasonal, moisture-laden, Indian Ocean winds. As a result, gray skies and rain are the norm. Without much warning, gusts of wind swooshed through the congested Mumbai streets as layered dark clouds released bountiful amounts of rain. Locals scurriedShare about as visitors looked on with amazement. Streets flooded. Gridlock occurred. Motorcycles weaved in and out as if they were racing down a slalom ski course. Horns blared non-stop while exuberant kids jumped in muddy puddles on side streets. https://www.cheapoair.com/miles-away/exploring-mumbai-monsoon/[4/30/17, 9:08:08 AM] Exploring Mumbai During Monsoon Season | Miles Away Travel Blog Don’t be discouraged if you also find yourself in Mumbai during the monsoon. -
India 2020 in Review
The impact of COVID-19 on older persons in India 2020 in review Highlights • India reported its first COVID-19 case on 30 January 2020 and its first COVID-19 death on 13 March 2020.1 As on 08 December 2020 India has the second highest number of reported cases of COVID-19 in the world and the third highest number of deaths due to COVID-19 globally.2 However, in terms of per capita mortality rate India is only 78th globally with 9.43 deaths per 100,000 population.3 • The Government of India (GoI) announced a countrywide lockdown from 25 March – 31 May 2020, after which restrictions were eased in a phased manner.4 • As per estimates on 13 October 2020 53 per cent of the deaths have occurred in the age group of 60 and above,5 though they accounted for only 12 per cent of COVID-19 positive cases as per data released in September.6 • A nation-wide survey of older persons in June 2020 indicated that the pandemic has adversely impacted the livelihoods of roughly 65 per cent of the participants. • An independent survey conducted in April 2020 concluded that 51 per cent of older persons surveyed were reported to have been physically or mentally mistreated during the pandemic.7 • India’s real GDP growth rate is expected to decline from 4.2 per cent in 2019 to –10.3 per cent in 2020.8 Data released by the National Statistical Office indicates that India has technically entered a recession, with the GDP of India declining by 7.5 per cent in the July- September quarter (Q2),9 following 23.9 per cent in the April-June quarter (Q1).10 • It is estimated that 400 million workers from India’s informal sector (of which 11 million are expected to be older persons) are likely to be pushed into extreme poverty.11 12 • The COVID-19 lockdown has impacted the livelihoods of a large proportion of the country’s nearly 40 million internal migrants.13 A majority of these migrant workers are daily wage labourers, who were stranded after the lockdown and started fleeing from cities to their native places. -
Clix Symposium Travel Advisory
CLIx Symposium Travel Advisory Contents Clix International Symposium: ....................................................................................................... 1 Getting to TISS, mumbai ................................................................................................................ 2 List Of Hotels Near TISS Campus .................................................................................................. 4 Mumbai: Useful Applications ......................................................................................................... 5 Mumbai: Arts &Entertainment ....................................................................................................... 6 Mumbai Transport: ......................................................................................................................... 7 Emergency Information .................................................................................................................. 9 Must Haves ..................................................................................................................................... 9 Safety Tips ...................................................................................................................................... 9 India: Facts .................................................................................................................................... 10 Mumbai City: History .................................................................................................................. -
NGO Charity Bib Allocation List. Avg Amt
SCMM 2015 - NGO Charity bib allocation list. Avg amt. in A ranking Total raised in B ranking Ranking Bib Ranking NGO Name Rs./Bib (A) (60%) Rs. (B) (40%) points allocation 1 Maharashtra State Women’s Council 51466.67 0.6 772000 0.4 1 45 2 The Akanksha Foundation 17257.14 1.2 604000 0.8 2 45 3 Yoga Prabha Bharati (Seva Sanstha) Trust 13960.10 2.4 418803 2.8 5.2 45 4 Magic Bus India Foundation 9820.02 10.8 491001 1.2 12 45 5 K.C. Mahindra Education Trust 10000.00 8.4 400000 3.6 12 45 6 Isha Education 10048.57 7.2 351700 5.2 12.4 45 7 Karunya Trust 11600.00 4.2 290000 10 14.2 45 8 The Society For Door Step Schools 9377.78 12 422000 2.4 14.4 45 9 Modern Educational Social & Cultural Organization 10000.00 9 350000 5.6 14.6 45 10 Ballygunj Society For Children In Pain (Chip) Mumbai 9000.00 14.4 450000 1.6 16 45 11 Shrimad Rajchandra Educational Trust 10880.00 4.8 272000 13.2 18 30 12 Mumbai Mobile Creches 10680.00 5.4 267000 14 19.4 30 13 Avasara Leadership Institute 15133.33 1.8 227000 18 19.8 30 14 Epilepsy Foundation 9085.71 13.2 318000 7.2 20.4 30 15 NASEOH, INDIA 8700.00 18.6 435000 2 20.6 30 16 ADAPT 8875.00 16.8 355000 4.4 21.2 30 17 Umang Foundation 10240.00 6.6 256000 15.2 21.8 30 18 Paragon Charitable Trust 10000.00 9.6 250000 16.4 26 30 19 Salaam Bombay Foundation 8240.00 24.6 412000 3.2 27.8 30 20 Lend-A-Hand India 12800.00 3 192000 25.6 28.6 30 21 Shrimad Rajchandra Sarvamangal Trust 8257.50 24 330300 6.4 30.4 30 22 Shraddha Charitable Trust 11800.00 3.6 177000 27.6 31.2 30 23 Cankids Kidscan 8288.51 22.8 290098 9.2 32 30 24 Udaan India Foundation 9080.00 13.8 227000 18.4 32.2 30 25 Concern India Foundation 8285.71 23.4 290000 9.6 33 30 26 N.K. -
CHRISTIE's ART JOURNEYS: a Colourful Odyssey Through India
CHRISTIE’S ART JOURNEYS: A Colourful Odyssey Through India 10 Days: 3rd – 12th November Mumbai – Delhi 10 Days: 7th – 16th November Delhi – Mumbai Join Abercrombie & Kent and Christie’s on a colourful journey through India, a diverse country that offers visitors a sensory and intoxicating overload. The palaces of regal Rajasthan conjure up princely images of the Maharajahs in a time gone-by, whilst the art scene of Mumbai reveals a new side to this exotic country. We’ll go behind the scenes of Mumbai’s burgeoning Contemporary Art scene with Christie’s expert Sonal Singh, who will introduce us to a renowned Indian artist. As well as being joined by a Christie’s expert in Mumbai, we’ll be accompanied by A&K expert guides throughout, whose insider knowledge shines a whole new light on this fascinating country. YOUR EXPERT A&K GUIDES MAHESH RAMNANI & ANSHUMAN TRIPATHI Having studied Tourism at Delhi University, Mahesh completed a Conducted Tourist Guide course in 1996 earning his status as a Government of India Approved Tour Guide. He has worked for A&K ever since, guiding clients of all nationalities around India. His experience and expertise is unrivalled, and he particularly enjoys taking guests on walking tours of Old Delhi, Colonial Delhi, the city’s temples and its fascinating museums. Originally from rural India, Anshuman completed post graduate degrees in History and Tourism Management before heading to Delhi to pursue a career in tour guiding, enabling him to show off his beloved country. An adrenaline- junkie at heart, Anshuman led trekking tours and wildlife expeditions TYEB MEHTA (1925-2009): UNTITLED (FALLING BULL) alongside tours of the Golden Triangle and around Rajasthan. -
Everyday Giving in India Report
EVERYDAY GIVING IN INDIA REPORT KEY FINDINGS HARNESSING THE POTENTIAL OF A BILLION GIVERS FOR SOCIAL IMPACT 2019 SUPPORTED BY: 1 CREDITS AND ACKNOWLEDGEMENTS Published by Sattva in April 2019. Supported by Bill & Melinda Gates Foundation and Rohini Nilekani Philanthropies Email [email protected] Website https://www.sattva.co.in/ Lead Researchers Aarti Mohan, Sanjana Govil, Ojas Malpani, Bhavin Chhaya Research, Analysis Preity Khandelwal, Palagati Lekhya Reddy, and Production Aashika Ravi, Nikita Damle, Vinnie Jain Project Advisors Hari Menon, Arnav Kapur (Bill & Melinda Gates Foundation) Rohini Nilekani, Gautam John (Rohini Nilekani Philanthropies) Rathish Balakrishnan (Sattva Consulting) Design and www.Ideasutra.in Typesetting Photo Credits GiveIndia, Daan Utsav, Bhumi, United Way Mumbai, Gayatri Malhotra, Bhavin Chhaya, iStock We are grateful to 106 individuals representing 79 organisations in the everyday giving ecosystem who generously shared their expertise and insights for this report. We are thankful to Pushpa Aman Singh (GuideStar India), Atul Satija (GiveIndia), Dhaval Udani (Danamojo), Ingrid Srinath (Centre for Social Impact and Philanthropy) and Venkat Krishnan for their continued guidance and support through the course of this study. This work is licensed under the Attribution-NonCommercial-ShareA- Like 4.0 International License Creative Commons Attribution: Attribution - You may give appropriate credit, provide a link to the license, and indicate if any changes were made. NonCommercial - You may not use the material -
Nalini Malani: Transgressions
NALINI MALANI: TRANSGRESSIONS In the Context of Its Exhibition at the Stedelijk Museum Amsterdam in 2017 Bachelor Thesis Name Minke van Schaik Student No. 5734215 Date 22 May 2018 10.500 Words Coordinator Dr Mary Bouquet Supervisor Dr Linda S. Boersma University College Utrecht Table of Contents Introduction ………………………………………………………………………………………………….………3 Theoretical Context………………………………………………………………………………………….……….4 Outline of the Thesis……………………………………………………………………………………………......5 1. Reading Transgressions: A Continuous Stream of Images …………………….……9 A Stream of Images ………………………………………………………………………………………………...10 A Cyclical Narrative.…………………………………………………………………………………………………11 Audio/Video Addition: Activating the Play ………………………………………………………………12 Conclusion……………………………………………………………………………………………………………….13 2. The Video/Shadow Play as Medium ………………………………………………………………21 Between Painting and Video …………………………………………………………………………………..22 The Use of Out of Date Techniques…………………………………………………………………………23 A Medium of Memory …………………………………………………………………………………………….24 Conclusion ………………………………………………………………………………………………………………27 3. Nalini Malani: Transgressions at the Stedelijk Museum Amsterdam ……...28 Visitor Guidance……………………………………………………………………………………………………….30 Involvement and Complicacy in Contemporary Act of Witnessing……………………………32 Political Activism…………………………………………………………………………………………………….. 33 Conclusion………………………………………………………………………………………………………………..35 Conclusion ………………………………………………………………………………………………………………………..39 Bibliography ……………………………………………………………………………………………………………………..43 Image List ………………………………………………………………………………………………………………………….44 -
Art in the Asia-Pacific
Art in the Asia-Pacifi c As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacifi c region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally. Larissa Hjorth is Professor in the Games Programs, School of Media & Communication, RMIT University, Australia. Natalie King is Director of Utopia at Asialink, The University of Melbourne, Australia. Mami Kataoka is Chief Curator at the Mori Art Museum in Tokyo, Japan. Routledge Advances in Art and Visual Studies 1 Ethics and Images of Pain 5 Manga’s Cultural Crossroads Edited by Asbjørn Grønstad & Edited by Jaqueline Berndt Henrik Gustafsson and Bettina Kümmerling- Meibauer 2 Meanings of Abstract Art Between Nature and Theory 6 Mobility and Fantasy in Visual Edited by Paul Crowther and Isabel Culture Wünsche Edited by Lewis Johnson 3 Genealogy and Ontology of the 7 Spiritual Art and Art Western Image and its Digital Education Future Janis Lander John Lechte 8 Art in the Asia-Pacifi c 4 Representations of Pain in Art Intimate Publics and Visual Culture Edited by Larissa Hjorth, Edited by Maria Pia Di Bella and Natalie King, and Mami James Elkins Kataoka