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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Contemporary Art in Indian Context
Artistic Narration, Vol. IX, 2018, No. 2: ISSN (P) : 0976-7444 (e) : 2395-7247Impact Factor 6.133 (SJIF) Contemporary Art in Indian Context Dr. Hemant Kumar Rai Richa Singh Asso. Prof., Research Scholar Deptt. of Drawing & Painting M.F.A. M.M.H. College B.Ed. Ghaziabad, U.P. Reference to this paper should be made as follows: Abstract: This article has a focus on Contemporary Art in Indian context. Dr. Hemant Kumar Rai Through this article emphasizesupon understanding the changes in Richa Singh, Contemporary Art over a period of time in India right from its evolution to the economic liberalization period than in 1990’s and finally in the Contemporary Art in current 21st century. The article also gives an insight into the various Indian Context, techniques and methods adopted by Indian Contemporary Artists over a period of time and how the different generations of artists adopted different techniques in different genres. Finally the article also gives an insight Artistic Narration 2018, into the current scenario of Indian Contemporary Art and the Vol. IX, No.2, pp.35-39 Contemporary Artists reach to the world economy over a period of time. key words: Contemporary Art, Contemporary Artists, Indian Art, 21st http://anubooks.com/ Century Art, Modern Day Art ?page_id=485 35 Contemporary Art in Indian Context Dr. Hemant Kumar Rai, Richa Singh Contemporary Art Contemporary Art refers to art – namely, painting, sculpture, photography, installation, performance and video art- produced today. Though seemingly simple, the details surrounding this definition are often a bit fuzzy, as different individuals’ interpretations of “today” may widely vary. -
INSIDE the Prabhakhaitanfoundationchronicle Their Musicto Life Words to Bring Melodies in Authors String on Musiciansas World Ofbooks Dive Into the POETRY of LIFE 14
The Prabha Khaitan Foundation Chronicle January 2020 I Issue 10 Dive into the world of books on musicians as authors string melodies in words to bring their music to life POETRY OF HINGLISH ROMANCE IS LIFE BABU WRITE 14 15 13 INSIDE 2 INSIDE MITHILA Music, Memories STORIES 18 and More “If winter comes, can spring be far behind?” — GAMECHANGER Percy Bysshe Shelley. LAUNCH Spring has definitely arrived, bringing with it renewed zeal and spirit, and the Foundation 20 has been taking advantage of the same. It has been our constant endeavour to feature new writers and showcase new genres and WINNING narratives. And like spring, our bouquet of literary events also embodied the new — both WOMAN in terms of essence and faces. Music was the flavour of the season. We 26 have been privileged to host some of the greatest luminaries from the world of music. Their stories unveiled the ordinary behind the A ROOM WITH A extraordinary legends of timeless melodies. Sessions featured maestros of classical music, VIEW stalwarts of the Bollywood music industry, music queens who broke all stereotypes 34 and more. While their stories awed us, their words humbled us. Hope you enjoy reading MANISHA JAIN the extraordinary tales of some of the best of Communications & Branding Chief, music. CAUSE OF THE Prabha Khaitan Foundation Alongside putting together our regular MONTH events, we are busy gearing up for the Ehsaas Conclave. The mantra of the Conclave is 38 ‘Learning, Linking and Leadership.’ Ehsaas Women from all over India and abroad will be coming together at the conclave to bond CELEBRATING over ideas and experiences. -
Shuvaprasanna Bhattacharya — Concise Bio
Shuvaprasanna Bhattacharya — Concise Bio Major Solo Exhibitions − 2011 'Shuvaprasanna: Recent Works', Centre of International Modern Art (CIMA), Kolkata − 2011 Traveling Retrospective at Lalit Kala Akademi; Art Indus; Gallery Nvya, New Delhi; Tao Art Gallery, New Delhi − 2008 ‘Night Watch’, Art Alive Gallery, New Delhi − 2007 ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong − 2006 ‘Evocative Expressions: In Quest of Krishna’, Art Alive Gallery, New Delhi − 2006 ‘Evocative Expressions: In Quest of Krishna’, ITC Sonar Bangla Art Gallery, Kolkata − 2006 ‘The Divine Flute’, Aicon Gallery, USA − 2005 ‘The Golden Flute’, organized by Indian Fine Art at Cymroza Art Gallery, Mumbai − 2004 ‘Lila’, organized by Art Indus, New Delhi at Shridharni Art Gallery, New Delhi − 2004 ‘The Divine Flute’, Gallery ArtsIndia, New York − 2002 ‘Icons and Illusions’, Gallery Arts India, New York − 2002 ‘Madhura’, Art Indus, New Delhi − 2000 ‘Shuvaprasanna’s Icon and Retrospective’, organized by Art Indus at Indira Gandhi National Centre for the Arts, New Delhi − 2000 Fine Art Company, Mumbai − 2000 Gallery Sumukha, Bangalore − 2000 Art world, Chennai − 1998 ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings, British Council, Kolkata − 1998 Art Indus, New Delhi − 1995 Painters Home Gallery, Kolkata − 1995 Gallery Sanskritii, New Delhi − 1994 Vadhera Art Gallery, New Delhi − 1994 Galerie Grewal Mohanjeet, Paris, France − 1993 ‘Metropolis’, Portraits of Calcutta, Centre for International Modern Art (CIMA), Kolkata -
Syllabus of Arts Education
SYLLABUS OF ARTS EDUCATION 2008 National Council of Educational Research and Training Sri Aurobindo Marg, New Delhi - 110016 Contents Introduction Primary • Objectives • Content and Methods • Assessment Visual arts • Upper Primary • Secondary • Higher Secondary Theatre • Upper Primary • Secondary • Higher Secondary Music • Upper Primary • Secondary • Higher Secondary Dance • Upper Primary • Secondary • Higher Secondary Heritage Crafts • Higher Secondary Graphic Design • Higher Secondary Introduction The need to integrate art s education in the formal schooling of our students now requires urgent attention if we are to retain our unique cultural identity in all its diversity and richness. For decades now, the need to integrate arts in the education system has been repeatedly debated, discussed and recommended and yet, today we stand at a point in time when we face the danger of lo osing our unique cultural identity. One of the reasons for this is the growing distance between the arts and the people at large. Far from encouraging the pursuit of arts, our education system has steadily discouraged young students and creative minds from taking to the arts or at best, permits them to consider the arts to be ‘useful hobbies’ and ‘leisure activities’. Arts are therefore, tools for enhancing the prestige of the school on occasions like Independence Day, Founder’s Day, Annual Day or during an inspection of the school’s progress and working etc. Before or after that, the arts are abandoned for the better part of a child’s school life and the student is herded towards subjects that are perceived as being more worthy of attention. General awareness of the arts is also ebbing steadily among not just students, but their guardians, teachers and even among policy makers and educationalists. -
Notification No. 1 Dated : 30-03-2021
RESULT OF GNM 3RD YEAR (3 Year Course - New Syllabus) EXAM HELD IN JANUARY 2021 NOTIFICATION NO. 1 DATED : 30-03-2021 The result published here are only for immediate information to the examinees, though every care has been taken in publishing the result. But candidates are advised to rely on the mark sheets issued by the PNRC office for accurate information. If you find any mistake in the student / Father's Name please contact to PNRC office within Ten ( 10 ) Days from the declaration of this result. R' - Means R-Appear in the subject (s) RL' Means Result late AB' Means Absent in the Subject (s) S. No. College Name R. No. Name Father's Name Result Division 1 SCHOOL OF NURSING, GMSH-16, 534480 ABHISHEK RAJU 1287 FIRST CHANDIGARH 2 SCHOOL OF NURSING, GMSH-16, 534481 ANKITA BAUDDH PRIYA 1231 SECOND CHANDIGARH KATHERIYA 3 SCHOOL OF NURSING, GMSH-16, 534482 DEEKSHA PARKASH LUXMI 1247 SECOND CHANDIGARH 4 SCHOOL OF NURSING, GMSH-16, 534483 GURPREET SINGH RAVINDER SINGH 1114 SECOND CHANDIGARH 5 SCHOOL OF NURSING, GMSH-16, 534484 HIMANI HARBANS LAL 1250 SECOND CHANDIGARH 6 SCHOOL OF NURSING, GMSH-16, 534485 KANCHAN KULDEEP SINGH 1381 FIRST CHANDIGARH 7 SCHOOL OF NURSING, GMSH-16, 534486 KHANIL MEHRA RAJKUMAR 1245 SECOND CHANDIGARH 8 SCHOOL OF NURSING, GMSH-16, 534487 MANSI MADAN LAL 1338 FIRST CHANDIGARH 9 SCHOOL OF NURSING, GMSH-16, 534488 MEGHA JANESHWAR DAYAL 1315 FIRST CHANDIGARH 10 SCHOOL OF NURSING, GMSH-16, 534489 MUSKAN VISHAL VINEET VISHAL 1301 FIRST CHANDIGARH 11 SCHOOL OF NURSING, GMSH-16, 534490 NEHA ROHILLA NARESH KUMAR 1223 SECOND CHANDIGARH ROHILLA 12 SCHOOL OF NURSING, GMSH-16, 534491 PAYAL NEGI SOBAN SINGH NEGI 1296 FIRST CHANDIGARH 13 SCHOOL OF NURSING, GMSH-16, 534492 PRATIBHA RAWAT JAGMOHAN SINGH 1266 FIRST CHANDIGARH RAWAT 14 SCHOOL OF NURSING, GMSH-16, 534493 SAPNA SHER SINGH 1221 SECOND CHANDIGARH Page 1 of 216 RESULT OF GNM 3RD YEAR (3 Year Course - New Syllabus) EXAM HELD IN JANUARY 2021 S. -
Result of Gnm 1St Year Exam Held in December - 2018
RESULT OF GNM 1ST YEAR EXAM HELD IN DECEMBER - 2018 NOTIFICATION NO. 1 DATED : 31-05-2019 The result published here are only for immediate information to the examinees, though every care has been taken in publishing the result. But candidates are advised to rely on the mark sheets issued by the PNRC office for accurate information. If you find any mistake in the student / Father's Name please contact to PNRC office within Ten ( 10 ) Days from the declaration of this result. R' - Means R-Appear in the subject,(s) RL' Means Result late AB' Means Absent S. College Name Roll No Name Father Name Result No. 1 SCHOOL OF NURSING, GMSH-16, 483001 ABHISHEK RAJU 354 CHANDIGARH 2 SCHOOL OF NURSING, GMSH-16, 483002 ANKITA BAUDDH PRIYA 315 CHANDIGARH KATHERIYA 3 SCHOOL OF NURSING, GMSH-16, 483003 DEEKSHA PARKASH LUXMI 334 CHANDIGARH 4 SCHOOL OF NURSING, GMSH-16, 483004 GURPREET SINGH RAVINDER SINGH 312 CHANDIGARH 5 SCHOOL OF NURSING, GMSH-16, 483005 HIMANI HARBANS LAL 332 CHANDIGARH 6 SCHOOL OF NURSING, GMSH-16, 483006 KANCHAN KULDEEP SINGH 366 CHANDIGARH 7 SCHOOL OF NURSING, GMSH-16, 483007 KHANIL MEHRA RAJKUMAR 328 CHANDIGARH 8 SCHOOL OF NURSING, GMSH-16, 483008 MANSI MADAN LAL 356 CHANDIGARH 9 SCHOOL OF NURSING, GMSH-16, 483009 MEGHA JANESHWAR DAYAL 347 CHANDIGARH 10 SCHOOL OF NURSING, GMSH-16, 483010 MUSKAN VISHAL VINEET VISHAL 355 CHANDIGARH 11 SCHOOL OF NURSING, GMSH-16, 483011 NEHA ROHILLA NARESH KUMAR 324 CHANDIGARH ROHILLA 12 SCHOOL OF NURSING, GMSH-16, 483012 PAYAL NEGI SOBAN SINGH NEGI 346 CHANDIGARH Page 1 of 304 RESULT OF GNM 1ST YEAR EXAM HELD IN DECEMBER - 2018 S. -
Kalanidhi Kalakosa Janapada Sampada Kaladarsana
ANNUAL REPORT April 1, 2014-March 31, 2015 Contents Page No, Introduction 3 Organisation 4 Formation of the Trust 5 Highlights 5 KALANIDHI 7 Programme : Reference Library 8 : Reprography Unit 9 : Slide Unit 9 : Cultural Archives 9 Conservation Unit 12 Media Centre 13 Cultural Informatics Lab 14 KALAKOSA 17 Programme A : Kalatattvakosa 17 Programme B : Kalamulasastra 18 Programme C : Kalasamalocana 19 Area Studies 20 JANAPADA SAMPADA 25 Programme A : Ethnographic Collection 26 Programme B : Adi Drishya 27 Programme C : Lifestyle Studies 29 North East Study Programme 34 KALADARSANA 37 Exhibitions 38 Seminars/Conferences/Workshops 39 Public Lectures 42 Performances 43 Other Events 46 REGIONAL CENTRES 50 Eastern Regional Centre, Varanasi 50 Southern Regional Centre, Bengaluru 52 SUTRADHARA 57 ANNEXURES I: The Indira Gandhi National Centre for the Arts Board of Trustees 58 (as on March 31, 2015) II: The Indira Gandhi National Centre for the Arts Members of the 59 Executive Committee (as on March 31, 2015) III: List of Exhibitions held in IGNCA from April 1, 2014 to March 31, 2015 60 IV: List of Lectures and other programmes held in IGNCA 62 from April 1, 2014 to March 31, 2015 V: List of IGNCA Publications from April 1, 2014 to March 31, 2015 76 VI: List of officers of IGNCA, including Senior /Junior Research 77 Fellows/Consultants in the IGNCA (as on March 31, 2015) INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS Annual Report 2014-15 INTRODUCTION The Indira Gandhi National Centre for the Arts (IGNCA), established in the memory of Smt. Indira Gandhi in 1987, is visualised as an autonomous national institution encompassing the study and experience of all the arts - each form with its own integrity, yet within a dimension of mutual inter- dependence and inter-relatedness with nature, the social structure and cosmology. -
Contemporary Art of India from the Chester and Davida Herwitz Collection June 22 - September 17, 2000
Haggerty Museum of Art u Marquette University Timeless Visions Contemporary Art of India from the Chester and Davida Herwitz Collection June 22 - September 17, 2000 The exhibition Timeless Visions cele- brates the modern and contemporary work of thirteen artists from India. As a group, these artists have probed such profound themes as the nature of cre- ation and representations of the divine, the essence of being human, the charac- ter of the heroic, and such formal con- cerns as color, form and space. As a country India, which gained inde- pendence from British rule in 1947, Jamini Roy, Untitled, undated ranks second after China in terms of Tempera on newspaper, 103/4 x 163/4 in. In Hinduism, cattle are sacred and revered. population and is home to the world’s largest film industry. While collections of the traditional arts of India such as Hindu and Buddhist temple sculpture and Indian miniatures are well established in museums throughout the world, the importance of the art of post-colonial India has only recently begun to be recognized. Contemporary Indian art represents a radical break from the past because Indian artists are no longer subordi- nate to patrons or trained solely as apprentices in established styles. Color, form, texture and line once deployed only for narrative purposes sometimes take precedence—or become—the content. Four of the artists represented in this exhibition (Dave, Goud, Reddy and Rodwittiya) were trained at the newly established fine arts department at Maharaja Sayajirao University in Baroda. This program is not limited to traditional European or Indian approaches to art, but was designed to be international in its scope and training. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions.