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Qatar Details Its WTO Challenge to Saudi Arabia's Failure to Stop
BUSINESS | 01 SPORT | 08 Vodafone Qatar Afif named Bestest rreportse highest 149% Player as Al Saddadd qquarterly net profit dominate QFAA growth in history Awards Wednesday 1 May 2019 | 26 Sha'baan 1440 www.thepeninsula.qa Volume 2424| | NumberNb 78787878 | 22Ri Riyalsl New Ooredoo tv Play like a pro Google, Android, Android TV, Chromecast and other related marks and logos are trademarks of Google LLC. Qatar details its WTO Amir meets participants of ACD Meeting challenge to Saudi Arabia's failure to stop copyright piracy QNA intellectual property rights, generally, DOHA and the global sports and media industries, in particular. In a global The Ministry of Commerce and economy whose growth depends on Industry announced yesterday that innovation and creativity now more it has filed and published its First than ever, strong intellectual Written Submission in the State of property protection is critical. Qatar’s challenge to the Saudi Of particular concern, a sophis- Arabia’s failure to protect intel- ticated Saudi-based broadcast pirate lectual property in accordance with named “beoutQ” has been pirating its international obligations as a copyrighted media content of a Member of the World Trade Organ- Qatari company - beIN Media Group ization (WTO). LLP - in Saudi Arabia and beyond, The dispute is currently being including through the sale of beoutQ Amir H H Sheikh Tamim bin Hamad Al Thani met at the Amiri Diwan yesterday evening with Their Excellencies the heads of considered by a WTO Panel, which subscriptions and set-top decoder the delegations taking part in the 16th Ministerial Meeting of the Asia Cooperation Dialogue (ACD), on the occasion of their will evaluate the multiple claims boxes at numerous retail outlets meeting in Doha. -
Annual Report 2017-18 Annual Report St St Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents
Annual Report 2017-18 Annual Report st st Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents 06 Introduction 08 Kochi Biennale Foundation 10 Board of Trustees 12 Kochi-Muziris Biennale 2018 Curator 14 Kochi Biennale Foundation Programmes 22 Fundraiser Auction 24 CSR Support and Kochi Biennale Foundation 24 Meeting of The Board of Trustees 24 Constitution of Internal Complaints Committee 26 Audit & Accountability 48 Kochi-Muziris Biennale 2016 Sponsors, Patrons & Supporters Front Cover: Parayi Petta Panthirukulam (2016), PK Sadanandan, at Aspinwall House, Fort Kochi 4 5 Introduction On behalf of the trustees of the Kochi replicated across India. Kochi Biennale The respected Indian artist Anita Dube Biennale Foundation, I’m pleased to Foundation is honoured by the trust was announced as curator for the 2018 present the annual report of the activities placed in us by the government of Kerala. edition of the Biennale. She has begun her of the organisation for the year 2017-18. research for the fourth iteration. Anita is This contains a summary of our activities We are an organisation founded by expected to travel to around 30 countries this year, as well as the audited balance artists, led by artists, and curated by outside of India for research and discussion sheet for the financial year. artists. Without support from the artists towards her exhibition. Given the nature community in India and outside, the of her art practice and her capacities as a I feel that the Kochi-Muziris Biennale Biennale would be impossible. They critical thinker in the art-world, I have no has raised the bar for public cultural have been with the Foundation from doubt that she will put together a strong and programmes in India. -
Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
0F5401520b5aa0736889b067d9
The Location of Culture ‘The work being done in my field, African and African-American Studies, is unimaginably richer because of Homi Bhabha’s stunning contribution to literary, historical, and cultural studies. The breadth and depth of his analysis, and the razor precision of his writing, push us all to be better, more innovative scholars, and I thank him for it.’ Henry Louis Gates, JR ‘The Location of Culture has been extraordinarily fertile for work in a variety of fields: literature, geography, architecture, politics among them. Homi Bhabha is at once radical and subtle in his method of argument and his insights have been fundamental to the flourishing of post-colonial studies.’ Gillian Beer, University of Cambridge ‘The Location of Culture is an exuberantly intelligent voyage of dis- covery and disorientation. Supple, subtle, and unafraid, its power lies in its remarkable openness to all that is challenging and unsettling in the contemporary world.’ Stephen Greenblatt, Harvard University ‘Bhabha is that rare thing, a reader of enormous subtlety and wit, a theorist of uncommon power. His work is a landmark in the exchange between ages, genres and cultures; the colonial, post-colonial, mod- ernist and postmodern.’ Edward Said ‘Homi Bhabha is one of that small group occupying the front ranks of literary and cultural theoretical thought. Any serious discussion of post-colonial/postmodern scholarship is inconceivable without refer- encing Mr Bhabha.’ Toni Morrison '\ L £ ~ () ~~ ct:o S Qrn r- • m • () ~ CI) ( m V ..q S 5 \ Routledge Classics contains the very best of Routledge publishing over the past century or so, books that have, by popular consent, become established as classics in their field. -
Current Affairs Q&A PDF 2019
Current Affairs Q&A PDF Current Affairs Q&A PDF 2019 Contents Current Affairs Q&A – May 2019 .......................................................................................................................... 2 INDIAN AFFAIRS ............................................................................................................................................. 2 INTERNATIONAL AFFAIRS ......................................................................................................................... 28 BANKING & FINANCE .................................................................................................................................. 51 BUSINESS & ECONOMY .............................................................................................................................. 69 AWARDS & RECOGNITIONS....................................................................................................................... 87 APPOINTMENTS & RESIGNS .................................................................................................................... 106 ACQUISITIONS & MERGERS .................................................................................................................... 128 SCIENCE & TECHNOLOGY ........................................................................................................................ 129 ENVIRONMENT ........................................................................................................................................... 146 SPORTS -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -