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2020 Writing09.11Metodichkareview
МІНІСТЕРСТВО ОСВІТИ І НАУКИ УКРАЇНИ ДЗ «ПІВДЕННОУКРАЇНСЬКИЙ НАЦІОНАЛЬНИЙ УНІВЕРСИТЕТ імені К. Д. Ушинського» Кафедра германської філології та методики викладання іноземних мов Т. Є. Єременко, О. О. Негрівода, Г. А. Слободянюк Writing in English. A Book of Practice Методичні рекомендації для самостійної роботи студентів молодших курсів Одеса, 2020 1 Рекомендовано Вченою радою ДЗ «Південноукраїнський національний педагогічний університет ім. К. Д. Ушинського» (протокол №4 від 26 грудня 2020 р.) Т.Є. Єременко, О.О. Негрівода, Г.А. Слободянюк Методичні рекомендації “Writing in English. A Book of Practice”. Одеса, 2020. – 92 с. Рецензенти: доктор педагогічних наук, професор О.В. Попова кандидат педагогічних наук, доцент Л.В. Першина Методичні рекомендації для самостійної роботи студентів молодших курсів факультету іноземних мов закладів вищої освіти містять практичні завдання з написання таких типів текстів як: дискурсивний нарис, відгук, біографія, оповідання, резюме та ін. Запропоновані вправи спрямовані на розвиток навичок писемного мовлення. 2 CONTENTS Preface………………………………………………………….…...………….. 4 Discursive Essay…………….………………………………………………….. 5 Opinion Essay……………………………………………..…………………….. 11 Argumentative Essay (Essay: for and against) …………………………………. 20 Review………………………………………………………………………….. 25 Curriculum Vitae (CV)………………………………………………………….. 32 Descriptive writing………………………………………………………………. 38 Narratives - Stories ……………………………………………………………... 48 Summary ………………………………………………………………………... 55 Literature ……………………………………………………………………… 63 Appendix A 64 Appendix -
Blue-Gray Game Chicago All-Star Lions America Bowl
All-StarAll-Star GamesGames MEMPHIS 1961: Bill Robertson, End 1969: Dan Pierce, Quarterback BLUE-GRAY GAME Bob Parker, Guard 2001: Marcus Smith, Defensive Back Total Players: 4 1967: Dale Brady, Wingback Ryan White, Kicker 2000: Marcus Bell, Nose Tackle LIONS AMERICA BOWL Total Players: 5 Michael Stone, Defensive Back 1996: Marvin Thomas, Defensive End 1976: Ricky Rivas, Receiver Ken Newton, Center 1975: Jerry Dandridge, Linebacker COACHES ALL-AMERICA GAME 1995: Jerome Woods, Defensive Back 1974: Ed Taylor, Cornerback 1970: Bob Parker, Guard 1994: Marcus Holliday, Running Back James Thompson, Receiver 1965: Harry Schuh, Tackle James Logan, Defensive End 1969: David Berrong, Safety 1993: Isaac Bruce, Wide Receiver Jerry Todd, Cornerback Total Players: 2 1992: Larry Bolton, Center 1968: Dean Lotz, Center 1990: Jeff Fite, Punter 1989: Tory Epps, Nose Guard Total Players: 7 CHALLENGE BOWL 1988: Marlon Brown, Linebacker 1963: John Fred Robilio, Tackle 1987: Scott Dill, Offensive Guard SENIOR BOWL 1962: Fred Moore, Tackle 1985: Jeff Walker, Offensive Tackle 1984: Derrick Burroughs, Defensive Back 2000: Michael Stone, Defensive Back Total Players: 2 1979: James Stewart, Defensive Back 1996: Marvin Thomas, Defensive End 1977: Keith Butler, Linebacker 1994: Ken Irvin, Defensive Back Keith Simpson, Cornerback 1993: Joe Allison, Placekicker HULA BOWL 1976: Bob Rush, Center *Steve Matthews, Quarterback 2002: Joe Gerda, Offensive Guard Eric Harris, Cornerback 1992: Jeff Sawyer, Defensive End 1993: *Steve Matthews, Quarterback Eary Jones, Tackle Russell -
Technical Annex A: Purposes, Values and Scope November 2015
BBC Trust Response to the Department for Culture, Media and Sport’s Charter Review consultation Technical Annex A: Purposes, Values and Scope November 2015 Getting the best out of the BBC for licence fee payers BBC Trust Technical Annex A: Purposes, Values and Scope November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Contents Scope 1 Range of services and programmes 1 Opinions on what the BBC should do more of 6 Opinions on what the BBC should do less of 8 Universality 10 Mission 12 Purposes 20 Providing news and information to help people understand the world around them 21 Supporting education and learning 23 Reflecting and representing the whole UK population 27 Showing the most creative ideas and highest quality content 34 Growing the creative industries and promoting the UK abroad 35 Role of Technology 39 VALUES 44 November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Scope Range of services and programmes 1. In the quantitative research, as independently conducted and analysed by ICM Unlimited, respondents were asked about the range of services and programmes (see Figure 1 below). The public were in broad agreement that the BBC should provide more rather than less (56% compared to 7%1). Over a third believed that the range of services and programmes at the BBC is about right (37%). Figure 1: Quantitative research - Balance of services and programmes 2. The desire for the BBC to provide more services and content was especially strong among young people aged 16-34 (66%) and ethnic minorities (65%, compared to 55% among white people). -
Grammar for English Language Teachers
Grammar for English Language Teachers Second edition Martin Parrott ~CAMBRIDGE ~ UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, TrumpingtonStreet, Cambridge,United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, CambridgeCB2 2RU. UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road. Port Melbourne, VIC 3207,Australia Ruiz de Alarcon 13, 28014 Madrid, Spain Dock House, The Waterfront. Cape Town 8001, South Africa http://www.cambridge.org © Cambridge UniversityPress 2000 Copyright The law allows a reader to make a single copy of part of a book for the purposes of private study. It does not allow the copying of entire books or the making of multiple copies of extracts. Written permissionfor any such copying must always be obtained from the publisher in advance. First published 2000 Eighth printing 2004 Printed in the United Kingdom at the UniversityPress , Cambridge Typesetin 10.25\ 13pt Utopia [cE] A cataloguerecord for this book is availablefrom the British Library ISBN O 521 477972 paperback ISBN O 521 472164 hardback cover design by Mark Diaper Contents Thanks v Acknowledgments v Introduction 1 PART A Words Introduction to Part A 6 1 Nouns 9 2 Articles 25 3 Quantifiers 36 4 Adjectives 51 5 Adverbs 61 6 Comparatives and superlatives 79 7 Prepositions 94 8 Verbs (introduction) 106 9 Combining words 124 PART B More about verbs and related forms Introduction to Part B 138 10 Multiword verbs and verbal expressions 140 11 Modal verbs 152 12 . Infinitive and-ingforms -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
Alternate Americas: Science Fiction Film and American Culture
Alternate Americas: Science Fiction Film and American Culture M. Keith Booker PRAEGER Alternate Americas Science Fiction Film and American Culture F M. Keith Booker Library of Congress Cataloging-in-Publication Data Booker, M. Keith. Alternate Americas : science fiction film and American culture / M. Keith Booker. p. cm. Includes bibliographical references and index. ISBN 0–275–98395–1 (alk. paper) 1. Science fiction films—United States—History and criticism. I. Title. PN1995.9.S26B56 2006 791.43'615—dc22 2005032303 British Library Cataloguing in Publication Data is available. Copyright # 2006 by M. Keith Booker All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005032303 ISBN: 0–275–98395–1 First published in 2006 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 For Benjamin Booker Contents Introduction 1 1 F The Day the Earth Stood Still 27 2 F Forbidden Planet 43 3 F Invasion of the Body Snatchers 59 4 F 2001: A Space Odyssey 75 5 F Planet of the Apes 91 6 F Star Wars 109 7 F Close Encounters of the Third Kind 125 8 F Alien 141 9 F E.T. the Extra-Terrestrial 157 10 F Blade Runner 171 11 F The Terminator 187 12 F Robocop 203 13 F The Abyss 219 viii u Contents 14 F Independence Day 233 15 F The Matrix 247 Conclusion: Science Fiction Film and American Culture 265 Index 269 Photo essay follows chapter 7. -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
WSFA Journal 69
. »x.'N ■ •*' p. l^-> = f/M'i/ilf'if'''-. ///" fiii: It I - . ■I»'• n, ll i.^/f f •] ! i W 'i j :i m y't ) ' ' / •* ' - t *> '.■; ■ *"<* '^ii>fi<lft'' f - ■ ■//> ■ vi '' • ll. F V -: ■ :- ^ ■ •- ■tiK;- - :f ii THE WSFA journal (The Official Organ of the Washington Science Fiction Association) Issue Number 69: October/November, 1969 The JOURNAL Staff — Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Maryland, .•U.S.A., 20906. ! Associate Editors: Alexis & Doll Gilliland, 2126 Pennsylvania Ave,, N.W., Washington, D.C., U.S.A., 20037. Cpntrib-uting Editors:- ,1 . " Art Editor — Alexis Gilliland. - 4- , . Bibliographer— Mark Owings. Book Reviewers — Alexis Gilliland,• David Haltierman, Ted Pauls. Convention Reporter — J.K. Klein. ' : . r: Fanzine Reviewer — Doll Golliland "T Flltfl-Reviewer — Richard Delap. ' " 5 P^orzine Reviewer — Banks.Mebane. Pulps — Bob Jones. Other Media Ivor Rogers. ^ Consultants: Archaeology— Phyllis Berg. ' Medicine — Bob Rozman. Astronomy — Joe Haldeman. Mythology — Thomas Burnett Biology — Jay Haldeman. Swann, David Halterman. Chemistry — Alexis Gilliland. Physics — Bob Vardeman. Computer Science — Nick Sizemore. Psychology -- Kim West on. Electronics — Beresford .Smith. Mathematics — Ron Bounds, Steve Lewis. Translators: . French .— Steve Lewis, Gay Haldeman. Russian — Nick Sizemore, German -- Nick Sizemore. Danish ~ Gay. Haldeman, Italian ~ OPEN. Joe Oliver. Japanese. — OPEN. Swedish" -- OBBN. Overseas Agents: Australia — Michael O'Brien, 158 Liverpool St., Holaart, Tasmania, Australia, 7000. • South Africa — A.B. Ackerman, P^O.Box 6, Daggafontein, .Transvaal, South Africa, . ^ United Kingdom — Peter Singleton, 60ljU, Blodc h, Broadiiioor Hospital, Crowthome, Berks, RGll 7EG, United Kingdom. Needed for France, Germany, Italy, Scandinavia, Spain, S.America, NOTE; Where address are not listed above, send material ^Editor, Published bi-monthly. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
I010(40,1Eiztorleo
BSSG 'Warriors' MEB Marines return from desert Page A-2 Go SPIE Rigging Page A-3 9 golfers picked for All-Marine tryouts Page B-1 i010(40,1eiztorleo Big training changes set for FY89: Marine Basic Skills Training CMC OKs new version of Battle Skills (Preparing the Rear Guard capable of defending them- HQMC, Washington, sidered by the Commandant "This mission orientation STAGE 1 STAGE 3 D.C.- A revised version of to be a vital warfighting will require enhanced combat selves in combat, In the Basic Warrior Training Marine Leadership Battle Skills Training for initiative, and the single skills for all Marines regard- Marine Air Ground Task (BWT) Implemented Feb Force scenario Training (MLT) Sched- Marines has been approved most important training less of their MOS or unit it was evident ruary 1988 - Covers two uled implementation by Gen. A.M. Gray, Com- program in the Marine Corps assignment," Wray contin- that the Corps was not weeks of field training at capable of providing infantry Fetaruary 1989 - One mandant of the Marine today. ued. "Specifically, it now Marine Corps Recruit week of field training to Corps. means that all Marines must battalions to the rear areas Depots. "Since the Marine Corps is to defend them. To solve teach SivCos combat be capable of effectively leadershik skills to lead a "It now means that all looked upon as the nation's this problem, the Comman- force in readiness, the Corps serving in a rifle squad in de- platoon-size element into Marines must be capable of fensive or offensive combat dant wants to upgrade the STAGE 2 will continue to concentrate combat skills of all Marines Marine Combat Training combat. -
Is L Ireaj Cem< 'Moi Gan Si Etery Rally R »Ays ? Visit Right'
FewBic<igSkyi^c'ospects fc^orNFLdIraft toda]?y; USFL. jDoints fajrfallplav ' R - C i i z : k Teaichers: GemiTec on D o wV skids ^ To hhone theeir skillIs - Bl b o g k gaiilin - DI I i UT i t m i gl— ^ . 25" ' 8080th year. No. 126 Tw lnF allsHs. Idaho • Tuesday,T April 30.1985, IReajgan si»ays 9 cem<etery? visit m B |1 i I ‘moirally right’r By TICRRNCEHUNT The Associated Press EEditorial d — A 4 WASHINGTON.. -— *• Pre.sldenl ■ i S l — ni£iagaii.:on:uic:evc Ofrdepartingfor:a. d .7 ^ ^ 10-day E uropean trip, dlilociarcd lirm ly ext ■buncioy”allTie Kolmeshohe Monday he will visil aiGorwmicemo- ( “ miilory,fry at Bitburg. near the Lux- rg border. Among the nearly tery w here Nazi SS:S soldiers .ire ombourg 1 raves are those of 49 soldiers buried, saying 11 wwa.s ■■morally 2,000 eravi frorri. thehe W affen SS, the elite Nazi rig h t.” t u’hlch ran M lM Hc also said the up:jproar over the ‘corps Ado}f controversial slop willill not ruin his H lH .erswi concentration i camps, sh leaders and American ■ i;- summit meeting withI sSI. other world ^ i - M l 1 groups have condemned . I leaders, i's planned appearance at the I Vice P resid en t GcorecG Bush. Ronean'si try. A resolution signed by 82 I meanwhile, called on„ 11,0 nation ti cemctory. rs urged Reagan to reassess L _support Rengnn.lnlwhaaal ho said ''has ________ erary. and'257 m em bers of the * I been a very difflciIciilt tim e lor of R epresentatives w rote Kohl I everyone and especialUHJsotortho lloiisoofn urging him to w llhdraw the invitation I president,” / Igan lo Bitburg.