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2020 Writing09.11Metodichkareview
МІНІСТЕРСТВО ОСВІТИ І НАУКИ УКРАЇНИ ДЗ «ПІВДЕННОУКРАЇНСЬКИЙ НАЦІОНАЛЬНИЙ УНІВЕРСИТЕТ імені К. Д. Ушинського» Кафедра германської філології та методики викладання іноземних мов Т. Є. Єременко, О. О. Негрівода, Г. А. Слободянюк Writing in English. A Book of Practice Методичні рекомендації для самостійної роботи студентів молодших курсів Одеса, 2020 1 Рекомендовано Вченою радою ДЗ «Південноукраїнський національний педагогічний університет ім. К. Д. Ушинського» (протокол №4 від 26 грудня 2020 р.) Т.Є. Єременко, О.О. Негрівода, Г.А. Слободянюк Методичні рекомендації “Writing in English. A Book of Practice”. Одеса, 2020. – 92 с. Рецензенти: доктор педагогічних наук, професор О.В. Попова кандидат педагогічних наук, доцент Л.В. Першина Методичні рекомендації для самостійної роботи студентів молодших курсів факультету іноземних мов закладів вищої освіти містять практичні завдання з написання таких типів текстів як: дискурсивний нарис, відгук, біографія, оповідання, резюме та ін. Запропоновані вправи спрямовані на розвиток навичок писемного мовлення. 2 CONTENTS Preface………………………………………………………….…...………….. 4 Discursive Essay…………….………………………………………………….. 5 Opinion Essay……………………………………………..…………………….. 11 Argumentative Essay (Essay: for and against) …………………………………. 20 Review………………………………………………………………………….. 25 Curriculum Vitae (CV)………………………………………………………….. 32 Descriptive writing………………………………………………………………. 38 Narratives - Stories ……………………………………………………………... 48 Summary ………………………………………………………………………... 55 Literature ……………………………………………………………………… 63 Appendix A 64 Appendix -
Nat Geo Taps the A-List for Its Latest Premium Play, ‘Breakthrough’ Advances in Biotechnology
NOVEMBER / DECEMBER 15 Nat Geo taps the A-list for its latest premium play, ‘Breakthrough’ CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap USPS AFSM 100 Approved NUMBER 40050265 PRINTED IN CANADA POST AGREEMENT CANADA US $7.95 USD Canada $8.95 CDN Int’l $9.95 USD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF ALSO: VR – THE BIG PICTURE | AMY BERG TALKS JANIS GIJIKJK; A PUBLICATIONPUBLICATION OF BRUNICOBRUNICO COMMUNICATIONSCOMMUNICATIONS LTD.LTD. Realscreen Cover.indd 2 2015-11-09 4:33 PM Are you our next winner? Celebrating excellence in non-fi ction and unscripted entertainment Awards will be presented at the 2016 edition of Realscreen West, Santa Monica CA, June 9, 2016 Final entry deadline: Friday, February 5, 2016 To submit your entries go to awards.realscreen.com RS.27203.27200.RSARSW.indd 3 2015-11-10 10:05 AM contents november / december 15 DiscoveryVR intends to teach 13 viewers How to Survive in the Wild 22 through immersive content. BIZ Vice pacts with A+E, Rogers for cable channels; Montgomery set to lead ITV Studios U.S. Group ................................. 9 INGENIOUS Legendary rock icon Janis Joplin is the focal point of Amy Berg’s latest, Janis: Little Girl Blue. Amy Berg celebrates Janis Joplin .......................................................13 SPECIAL REPORTS 26 SCIENCE FOCUS Three science projects that tackle breakthroughs and big questions; a chat with Science Channel’s Marc Etkind ......................16 Couldn’t make it to Realscreen London? See what you VFX/ANIMATION missed in our photo page. Looking at the big picture for virtual reality content; Rebuilding history with CGI ..............................................................22 “It’s so diffi cult now to REALSCREEN LONDON deliver visual spectacle The scene at our UK conference’s second edition .............................26 that makes your eyes AND ONE MORE THING open again.” 18 Chris Evans talks Top Gear ............................................................... -
Technical Annex A: Purposes, Values and Scope November 2015
BBC Trust Response to the Department for Culture, Media and Sport’s Charter Review consultation Technical Annex A: Purposes, Values and Scope November 2015 Getting the best out of the BBC for licence fee payers BBC Trust Technical Annex A: Purposes, Values and Scope November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Contents Scope 1 Range of services and programmes 1 Opinions on what the BBC should do more of 6 Opinions on what the BBC should do less of 8 Universality 10 Mission 12 Purposes 20 Providing news and information to help people understand the world around them 21 Supporting education and learning 23 Reflecting and representing the whole UK population 27 Showing the most creative ideas and highest quality content 34 Growing the creative industries and promoting the UK abroad 35 Role of Technology 39 VALUES 44 November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Scope Range of services and programmes 1. In the quantitative research, as independently conducted and analysed by ICM Unlimited, respondents were asked about the range of services and programmes (see Figure 1 below). The public were in broad agreement that the BBC should provide more rather than less (56% compared to 7%1). Over a third believed that the range of services and programmes at the BBC is about right (37%). Figure 1: Quantitative research - Balance of services and programmes 2. The desire for the BBC to provide more services and content was especially strong among young people aged 16-34 (66%) and ethnic minorities (65%, compared to 55% among white people). -
Grammar for English Language Teachers
Grammar for English Language Teachers Second edition Martin Parrott ~CAMBRIDGE ~ UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, TrumpingtonStreet, Cambridge,United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, CambridgeCB2 2RU. UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road. Port Melbourne, VIC 3207,Australia Ruiz de Alarcon 13, 28014 Madrid, Spain Dock House, The Waterfront. Cape Town 8001, South Africa http://www.cambridge.org © Cambridge UniversityPress 2000 Copyright The law allows a reader to make a single copy of part of a book for the purposes of private study. It does not allow the copying of entire books or the making of multiple copies of extracts. Written permissionfor any such copying must always be obtained from the publisher in advance. First published 2000 Eighth printing 2004 Printed in the United Kingdom at the UniversityPress , Cambridge Typesetin 10.25\ 13pt Utopia [cE] A cataloguerecord for this book is availablefrom the British Library ISBN O 521 477972 paperback ISBN O 521 472164 hardback cover design by Mark Diaper Contents Thanks v Acknowledgments v Introduction 1 PART A Words Introduction to Part A 6 1 Nouns 9 2 Articles 25 3 Quantifiers 36 4 Adjectives 51 5 Adverbs 61 6 Comparatives and superlatives 79 7 Prepositions 94 8 Verbs (introduction) 106 9 Combining words 124 PART B More about verbs and related forms Introduction to Part B 138 10 Multiword verbs and verbal expressions 140 11 Modal verbs 152 12 . Infinitive and-ingforms -
BBC Estreia Novo Canal De TV No Brasil Por Gustavo Brigatto | De São Paulo
BBC estreia novo canal de TV no Brasil Por Gustavo Brigatto | De São Paulo Jana Bennett, presidente da BBC Worldwide: país é a prioridade em 2012 A BBC vai lançar um novo canal no Brasil. Trata-se do BBC HD, que terá em sua programação séries, documentários, música e outros tipos de conteúdo em alta definição produzidos pela rede britânica. Entre os títulos estão o seriado "Sherlock Holmes", o reality show "Dancing With the Stars" e o programa automobilístico "Top Gear". Será o segundo canal da companhia no país, ao lado do BBC World News. A diferença, diz Jana Bennett, presidente da BBC Worldwide Channels, responsável pelos canais da rede fora do Reino Unido, é que a grade de programação do BBC HD será feita sob medida para o mercado brasileiro, com legendas em português. Alguns programas serão dublados. "Temos muitas produções novas e antigas, que ainda não foram exibidas no Brasil em alta definição. E com o crescimento da TV paga no país, acreditamos que este é o momento apropriado para investir", diz a executiva ao Valor. A operação brasileira será comandada a partir de um escritório em São Paulo. Jana não revela quanto será investido no país, mas afirma que o Brasil é a prioridade da companhia em 2012. Mesmo com o mercado de alta definição engatinhando no país, Jana diz que é importante chegar ao país com a tecnologia, ao invés de estrear um canal com resolução mais baixa. "Somos grandes produtores em HD. E o mercado brasileiro está crescendo muito nesse segmento. Por isso podemos queimar uma etapa", diz a executiva. -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
WSFA Journal 69
. »x.'N ■ •*' p. l^-> = f/M'i/ilf'if'''-. ///" fiii: It I - . ■I»'• n, ll i.^/f f •] ! i W 'i j :i m y't ) ' ' / •* ' - t *> '.■; ■ *"<* '^ii>fi<lft'' f - ■ ■//> ■ vi '' • ll. F V -: ■ :- ^ ■ •- ■tiK;- - :f ii THE WSFA journal (The Official Organ of the Washington Science Fiction Association) Issue Number 69: October/November, 1969 The JOURNAL Staff — Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Maryland, .•U.S.A., 20906. ! Associate Editors: Alexis & Doll Gilliland, 2126 Pennsylvania Ave,, N.W., Washington, D.C., U.S.A., 20037. Cpntrib-uting Editors:- ,1 . " Art Editor — Alexis Gilliland. - 4- , . Bibliographer— Mark Owings. Book Reviewers — Alexis Gilliland,• David Haltierman, Ted Pauls. Convention Reporter — J.K. Klein. ' : . r: Fanzine Reviewer — Doll Golliland "T Flltfl-Reviewer — Richard Delap. ' " 5 P^orzine Reviewer — Banks.Mebane. Pulps — Bob Jones. Other Media Ivor Rogers. ^ Consultants: Archaeology— Phyllis Berg. ' Medicine — Bob Rozman. Astronomy — Joe Haldeman. Mythology — Thomas Burnett Biology — Jay Haldeman. Swann, David Halterman. Chemistry — Alexis Gilliland. Physics — Bob Vardeman. Computer Science — Nick Sizemore. Psychology -- Kim West on. Electronics — Beresford .Smith. Mathematics — Ron Bounds, Steve Lewis. Translators: . French .— Steve Lewis, Gay Haldeman. Russian — Nick Sizemore, German -- Nick Sizemore. Danish ~ Gay. Haldeman, Italian ~ OPEN. Joe Oliver. Japanese. — OPEN. Swedish" -- OBBN. Overseas Agents: Australia — Michael O'Brien, 158 Liverpool St., Holaart, Tasmania, Australia, 7000. • South Africa — A.B. Ackerman, P^O.Box 6, Daggafontein, .Transvaal, South Africa, . ^ United Kingdom — Peter Singleton, 60ljU, Blodc h, Broadiiioor Hospital, Crowthome, Berks, RGll 7EG, United Kingdom. Needed for France, Germany, Italy, Scandinavia, Spain, S.America, NOTE; Where address are not listed above, send material ^Editor, Published bi-monthly. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
Jana Bennett Appointed to Board of Acclaimed Theatre Company Headlong
PRESS RELEASE – Wednesday 03 July 2019 JANA BENNETT APPOINTED TO BOARD OF ACCLAIMED THEATRE COMPANY HEADLONG Headlong, one of the most ambitious and exciting theatre companies in the UK, has today announced that Jana Bennett OBE has been selected to join its board of trustees. Jana is a highly experienced Media Executive who previously led the BBC’s television service and went on to head the international channels for the BBC’s commercial arm, BBC Worldwide. Jana is currently a non-executive director on the Board of Pew Research Center, the Washington based non-partisan fact tank; and a Senior Advisor and Executive-at-Large for Ozy Media. She has also served as a Governor of the Royal Shakespeare Company (2006- 2016); a Trustee of The Natural History Museum (1996-2001); a Trustee of Comic Relief, and is a Fellow of the Royal Television Society and the Royal Geographical Society. She joins recently appointed board members Trevor Phillips OBE, Prasanna Puwanarajah, Cas Donald, Sarah Ellis and Jacqueline Hurt, alongside existing members Richard Huntrods, Nicky Jones, Donna Munday, Lesley Wan, Maggie Whitlum and Chair Robin Paxton. Trevor Phillips OBE is a writer and television producer. He is the co-founder of the data analytics consultancy Webber Phillips, and Chairman of Green Park Interim and Executive Search. He is the Chairman of the global freedom of expression campaign charity Index on Censorship; a Senior Fellow at the Policy Exchange think tank; and a Vice- President of the Royal Television Society. He was the President of the John Lewis Partnership Council until 2018, and founding chair of the Equality and Human Rights Commission. -
BBC Annual Report and Accounts 2012
PART 2 THE BBC EXECUTIVE’S REVIEW AND ASSESSMENT Drama Sherlock, starring Benedict Cumberbatch and Martin Freeman, returned for a second series in January 2012. CONTENTS AND SUBJECT INDEX Part 2 BBC Executive contents Managing the business Overview 2-28 Chief Operating Officer’s review 2-1 Director-General’s introduction 2-29 Working together 2-2 Understanding the BBC’s finances Governance 2-4 Performance by service 2-40 Executive Board 2-8 Television 2-42 Risks and opportunities 2-9 Radio 2-44 Governance report 2-10 News 2-47 Remuneration report 2-11 Future Media 2-52 Audit Committee report 2-12 Nations & Regions 2-55 Fair trading report Delivering our strategy Managing our finances 2-14 Distinctiveness and quality 2-58 Chief Financial Officer’s review 2-15 The best journalism in the world 2-59 Summary financial performance 2-16 Inspiring knowledge, music 2-60 Financial overview and culture 2-68 Collecting the licence fee 2-17 Ambitious drama and comedy 2-69 Looking forward with confidence 2-20 Outstanding children’s content 2-70 Auditor’s report 2-21 Content that brings the nation 2-71 Glossary and communities together 2-72 Contact us/More information 2-22 Value for money 2-23 Serving all audiences 2-26 Openness and transparency Subject Index Part 1 Part 2 Board remuneration 1-9/1-32 2-48 Commercial strategy 1-8 2-36 Complaints 1-3/1-19 2-55 Delivering Quality First 1-4/1-6 2-14 Digital switchover – 2-25 Distribution 1-17 2-25 Editorial priorities – 2-14 Editorial standards 1-3/1-18 2-38 Efficiency 1-6 2-59/2-61 Equality and diversity -
GEITF Programme 2010.Pdf
MediaGuardian Edinburgh International Television Festival 27–29 August 2010 Programme of Events ON TV Contents Welcome to Edinburgh 02 Schedule at a Glance 28 Social Events 06 Friday Sessions 20 Friday Night Opening Reception / Saturday Meet Highlights include: TV’s Got to Dance / This is England and Greet / Saturday Night Party / Channel of the ‘86 plus Q&A / The Richard Dunn Memorial Lecture: Year Awards Jimmy Mulville / The James MacTaggart Memorial Lecture: Mark Thompson Sponsors 08 Saturday Sessions 30 Information 13 Extras 14 Workshops 16 EICC Orientation Guide 18 Highlights include: 50 Years of Coronation Street: A Masterclass / The Alternative MacTaggart: Paul Abbott / Venues 19 The Futureview: Sandy Climan / EastEnders at 25: A Masterclass The Network 44 Sunday Sessions 40 Fast Track 46 Executive Committee 54 Advisory Committee 55 Festival Team 56 Highlights include: Doctor Who: A Masterclass / Katie Price: Shrink Rap / The Last Laugh Keynote Speaker Biographies 52 Mark Thompson / Paul Abbott / Jimmy Mulville / Sandy Climan Welcome to Edinburgh man they call “Hollywood’s Mr 3D” Sandy Climan bacon sarnies. The whole extravaganza will be for this year's Futureview keynote to answer the hosted by Mark Austin who will welcome guests DEFINING question Will it Go Beyond Football, Films and onto his own Sunday morning sofa. Michael Grade F****ng?. In a new tie-up between the TV Festival will give us his perspective on life in his first public and the Edinburgh Interactive Festival we’ve appearance since leaving ITV. Steven Moffat will THE YEAR’S brought together the brightest brains from the be in conversation in a Doctor Who Masterclass.