CONNEMARA ART AND ANTIQUES AUCTION Ballyconneely, Connemara

BANK HOLIDAY MONDAY 6TH AUGUST 2018 & TUESDAY 7TH AUGUST 2018 at 12.30pm daily

DAY ONE: Commencing at 12.30pm. Lot 1 - 334

DAY TWO: Commencing at 12.30pm. Lot 340 - 522

ENQUIRIES / BIDS Dolan’s Art Auction House Lissarulla, Carnmore, Co. Galway Tel: +353 (0)91 798 647 Email: [email protected] PSRA No. 001273

PREVIEW View online at www.dolansart.com

VIEWING Ballyconneely, Connemara Sunday 29th July, 12pm - 7pm Monday 30th July, 10am - 7pm Auctions Tuesday 31th July, 10am - 7pm start Wednesday 1st August, 10am - 7pm pm Thursday 2nd August, 10am - 7pm 12.30 Friday 3rd August, 10am - 7pm daily Saturday 4th August, 10am - 7pm Sunday 5th August, 10am - 7pm Monday 6th August, 10.00am to start of auction Tuesday 7th August, 10.00am to start of auction

All lots are sold subject to the terms and conditions of sale printed in this catalogue. Buyers premium 25% including VAT on each lot. Purchasers will not be charged the 4% artist resale levy. DOLAN’S

Carina Scott

Dolan’s have dedicated saleroom telephone lines for all enquiries and bids during the viewing and auction: Telephone 091 798647 086 4098015 Email [email protected] Website www.dolansart.com

N56

N56 Lough Leenane Ballinrobe Letterfack Mask Clifden Cong N56 R345 N84

Ballyconneely Recess R344 R341 N56 Lough R341 Corrib N56 Maam Oughterard Roundstone Cross

R336 N56 R340 DIRECTIONS

Carna N84 From Clifden, take the R341, signposted for Ballyconneely and Roundstone, and R336 Galway follow the road for 9km until you reach Spiddal Barna Ballyconneely village. Ballyconneely

2 6th AUGUST 2018 IMPORTANT INFORMATION FOR PURCHASERS BUYERS PREMIUM Buyers are reminded that there is a premium payable on the final bid price for each lot. The buyer shall pay a commission to the auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. The auctioneers are happy to execute bids on behalf of the buyer, but if successful, the purchase price payable will be the final bid price, together with the VAT inclusive premium chargeable thereon. VIEWING Please note that viewing finishes at 12.30pm on sale days, Monday 6th August & Tuesday 7th August. It will not be possible to view lots after this time. Please note that imperfections are not stated. It is the responsibility of the purchaser to inspect and ascertain the condition of any or all goods offered for sale in the auction. Ample opportunity for inspection of goods is given to buyers, and each buyer, by making a bid for a lot, acknowledges that they have satisfied themselves fully before bidding, by inspection or otherwise, as to the Conditions of Sale and the physical condition and description of the lot, including but not restricted, to whether the lot is damaged or has been repaired. Please note that all books are sold ‘with all faults’ and not subject to return. All electrical and mechanical items are sold ‘as is’, and no warranty or guarantee comes with these items. It is up to the buyer to satisfy themselves as to whether or not they are in working order. In relation to light fittings, furniture and garden furniture, buyers are reminded that removal of these items is solely at the buyer’s risk and expense. YOU DON’T HAVE TO ATTEND THE SALE TO BID If you are unable to attend the auction, Dolan’s offer the following ways in which you can bid before the sale: ABSENTEE BIDDING If you are unable to attend the auction you may complete an Absentee Bid form, and we will bid on your behalf subject to our Terms and Conditions of Sale. Tel 091 798647 for further details. TELEPHONE BIDDING You may choose to bid by telephone during the course of the auction (subject to our Terms & Conditions of Sale and the availability of telephone lines). Adequate notice is required in order to arrange telephone bidding. Tel 091 798647 for further details. ALL LOTS ARE SOLD SUBJECT TO OUR TERMS & CONDITIONS OF SALE Dolan’s Terms & Conditions of Sale are printed at the back of this catalogue and are available online at www.dolansart.com. VAT REGULATIONS No VAT is charged on goods sold in the auction. VAT is only applicable to the auctioneers’ commission charged to the purchaser (i.e. the buyers premium). All lots are sold within the auctioneers’ VAT margin scheme. Revenue regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer. PAYMENT All goods must be paid for, in full, before collection. All accounts must be discharged by certified cheque, bank draft or cash. The auctioneer reserves the right not to release goods until cheque payments have been cleared by the bank. Credit & debit cards are also accepted. Payment may also be made by electronic transfer of funds to Dolan’s bank account, full details on request. In certain circumstances, the Auctioneers may require payment to be made by account transfer. Purchasers will NOT be charged the artist’s resale levy, known as the droit de suite. COLLECTION OF LOTS Lots purchased at the sale may be collected on both sale days and on the following day Wednedsay 8th August, 10am - 5pm and thereafter from our office at Lissarulla, Carnmore, Co. Galway. DOLAN’S GUARANTEE OF AUTHENTICITY Dolan’s Art Auction House takes special care to ensure that all works of art offered are as described and are the work of the artists to whom they are attributed. In the event of any work sold from this catalogue to be subsequently proved to be a ‘deliberate forgery’, subject to our Terms and Conditions of Sale (and in particular Condition No 5), as printed in this catalogue, Dolan’s will cancel the sale and refund to the buyer the total amount paid by the buyer to Dolan’s for the item. This guarantee is provided for a period of seven years after the date of the auction and may be extended at Dolan’s discretion. SPECIAL NOTICE TO PURCHASER Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding, if they intend to import such items into another country. FURTHER INFORMATION www.dolansart.com Copyright © 2018 Dolan's Art Auction House. All rights reserved.

3 DOLAN’S Please Note: Lots 1 to 32 are being sold on behalf of the Dolan family.

1

2 3

6 4

5

9 8

7

10 12 11

14

13 15

4 IMPERFECTIONS NOT STATED 6th AUGUST 2018 Please Note: Lots 1 to 32 are being sold on behalf of the Dolan family.

16 17

20 19

18

21 22

1 Vintage Dinky Toy 7 Vintage Hanging Light 14 Vintage Artist's Box 20 Malaya Medal to Bulldozer Globe, approx 13.5" ¤30 - ¤40 “Sergeant Doherty”, ¤30 - ¤50 diameter and 3 WWII Medals & ¤60 - ¤80 15 Interesting Ship in a miniatures 2 Vintage Weighing Bottle, approx. 8” long ¤140 - ¤160 Scales with Brass 8 Vintage Ensign Box ¤150 - ¤200 Weights Camera, with Canvas 21 Sporting Interest, ¤50 - ¤70 Case 16 DW Dutton, Wooden Interesting French ¤25 - ¤35 model of Charington's Medal, 1925/1926, 3 Tiny Drawing Room Coal & Coke Merchants Agricultural Athletics Servants Bell with 9 Two Boxes of Child's Horse Drawn Wagon Championship Wooden Handle, Vintage Meccano Sets on Plinth, approx 23.5" (Championnat approx. 4.5” high ¤30 - ¤40 long, 11" high D'Athletisme Agricole) ¤60 - ¤80 ¤120 - ¤160 ¤50 - ¤80 10 Small Child's Leather Case 17 Contempory Design 22 19th Century Iron 4 Vintage Childs Set of ¤20 - ¤30 Chess Board together Skillet, approx 17.5" Building Blocks, with Chess Pieces diameter, 13" high Lott’s Bricks, 11 Black Forest Carved ¤150 - ¤200 ¤80 - ¤120 in original box Wooden Bear Ashtray, ¤60 - ¤80 inscribed Luzern, 18 Copper Bound Wood 23 Ornate Victorian approx 7" long Bucket with carrying Picture Frame 5 Good Heavy Cast ¤90 - ¤120 handle, approx 13.5" ¤40 - ¤50 Iron Door Stop, with 12 Pair of Vintage Book diameter carrying handle Ends, with Terrier dogs ¤180 - ¤250 ¤30 - ¤50 ¤140 - ¤180 19 Vintage Suitcase 6 Vintage Tri-Ang Ocean 13 Steamship in a Bottle, ¤30 - ¤40 Liner of RMS Orcades, approx 11.5" long approx. 19.5” Long, in ¤150 - ¤200 original box ¤150 - ¤200

5 DOLAN’S

24

25 26 27

27A 28 28 29

30 31 32 32

6 IMPERFECTIONS NOT STATED 6th AUGUST 2018

33

34 35

36 37 38 39 24 An Album of Mounted 27 After Jack B Yeats RHA 33 Gold Coins, Set of Five US, various Photographs, showing the daily WEST OF IRELAND VILLAGE, dates, 1873 to 1907, approx 2.3oz progress of the building of a 54 CHILDREN WITH DONKEY ¤2,000 - ¤2,200 ton trolley wagon for a rail gun Handcoloured Cuala Press Print at the Gateshead Works, Dated 9.25"x6.25" (23.5x15.5cm) 34 Gold Coins, Set of Four US, 1st-13th September 1914, showing ¤140 - ¤180 various dates, 1909 - 1926, approx the building of the wagon, the 2.2oz different crews employed in its 27A Cuala Press Print, Hand Coloured, ¤1,900 - ¤2,100 manufacture and the finished The New Ballad, approx 8.5"x6.5" carriage with canon, with all faults, ¤80 - ¤120 35 Gold Coin, Mexico, 1947, approx forty-seven photographs in all 1.5oz ¤1,000 - ¤1,500 28 Pair of Cuala Press Prints, Hand ¤1,300 - ¤1,400 Coloured, Nelson's Pillar and 25 My Grandchildren, Leather Bound College Green, approx. 5.25"x4.25" 36 Gold Coin, Austria, 1915, approx Volume of mostly Victorian ¤80 - ¤120 1.2oz Photographs, with all faults. ¤1,050 - ¤1,150 Interesting portrayal of Victorian life 29 Cuala Press Print, Hand Coloured, ¤80 - ¤100 The Four Courts, approx 9"x11.25" 37 Gold Coin, South Africa, 1978, ¤50 - ¤80 approx 1.2oz 26 Charlie Johnson Payne, Snaffles ¤1,050 - ¤1,150 1884 - 1967 30 Cuala Press Print, Hand Coloured, The Custom House, approx 38 Gold Coin, Canada, 1984, approx THE PATIENT FISHERMAN, “Ner 4.25"x5.5" 1.1oz a dam do ’e give for flies, be ’em ¤50 - ¤70 ¤950 - ¤1,050 wet or dry.” Coloured Print, Circa 1950 31 Cuala Press Print, Hand Coloured, 39 Gold Coin, George V English 5.75"x6.25" (14.5x15.5cm) Half a Bap, approx 5.25"x5" Sovereign, 1911, approx 0.3oz Initialed in Pencil ¤50 - ¤60 ¤300 - ¤350 ¤100 - ¤200 32 Cuala Press Prints, Waterford Tower & Christmas Hearth, approx 9"x6.5" & smaller [2] ¤50 - ¤70 7 DOLAN’S Please Note: Lots 40 to 107 are being sold on behalf of the Dolan family. 40 Irish Fiddle Pattern Silver Serving 51 Late Victorian silver faceted cream Spoon, Dublin 1812, maker probably jug, maker James Dixon & Sons, Carden Terry & Jane Williams, approx Sheffield 1900, approx 4.5" long 11.5" long ¤100 - ¤140 ¤300 - ¤500 52 A Silver Condiment Set, three piece, blue glass liners, Birmingham 1933, 41 George III Silver Wine Funnel, of with mustard spoon Birmingham plain tapering form, with three ribbed 1906 and salt spoon Birmingham 40 supports and engraved wild boar 1931 crest, maker 'EM (Edward Mayfield), ¤120 - ¤140 London 1808, approx 6" long 53 Cased Silver Christening Spoon and ¤500 - ¤700 Egg Cup, London 1921 ¤70 - ¤90 42 Irish Silver Fiddle Pattern Serving Spoon, Dublin 1808, maker Samuel 54 Pair of Silver Plated Coffee and Milk Neville, approx 8.75" long Pots, with ebonised handles, approx ¤180 - ¤220 6.5" high ¤80 - ¤100 43 Silver Cigarette Case, Birmingham 1918, approx 4.5" long 55 Cut Glass Globular Scent Bottle with 41 ¤140 - ¤160 an applied silver repousse cover, glass stopper, Birmingham 1912, 44 Five Assorted Georgian Silver Serving approx 4" high Spoons, various date marks, each ¤80 - ¤120 approx 8.5" long ¤180 - ¤220 56 Attractive Small Silver Plated Toast Rack, approx 3.5" long, 4" high 45 Late Victorian Silver and Ivory Paper ¤60 - ¤80 42 Knife with a reeded twist handle, Birmingham 1893, approx 11.75" long 57 Silver Pierced Drum Mustard Pot ¤70 - ¤90 with blue glass liner, London 1900, approx 2.25" high 46 Silver toddy ladle, London 1834, with Together with A Pair of Late Victorian spiral twist baleen handle, approx 10" Silver Fluted Oval Table Salts, long Birmingham 1901, approx 3.25" long ¤80 - ¤100 ¤140 - ¤180 58 Set of Six Georgian Silver Bright-cut 47 Matching Silver Sugar and Cream Teaspoons 43 Jug, the jug Henry Matthews, ¤100 - ¤150 Birmingham 1896, the sugar basket Thomas Ingleton London 1901, each 59 Silver Cigarette Case, Birmingham on oval base, jug approx 5.25" high 1923, approx 4" long ¤300 - ¤400 ¤70 - ¤90

48 Two Georgian Silver Serving Spoons, 60 Set of five Georgian Silver Teaspoons each approx 8.5" long ¤70 - ¤90 ¤100 - ¤130 61 Good Silver Plated Candlestick, 49 Silver sauce boat, Sheffield 1909, approx 12.5" long with shaped rim, on three hoof feet, ¤70 - ¤90 approx 5.5" long 44 ¤90 - ¤140 62 Cased Set of Silver Handled Butter 50 Two silver cream jugs, Knives, Sheffield 1904 approx 2" and 3" high, maker Stokes ¤80 - ¤100 & Ireland Ltd., Birmingham 1893, and Henry Stratford Ltd. Sheffield 1905, 63 Silver Plated Platter, approx 8.75" 45 each with part reeded body, the latter diameter, with an accompanying lid, with shoulder of embossed flowers with a figure of a cow mounted on and shells top, together with a good Oak based ¤140 - ¤180 Silver Plated Drinks Tray, approx 46 22.75" long ¤60 - ¤80

8 IMPERFECTIONS NOT STATED 6th AUGUST 2018 Please Note: Lots 40 to 107 are being sold on behalf of the Dolan family.

50 47 49 48

54 53 51 52

57

57 55 56

58 59 61 60

63

64 65

62 63A

63A Silver Ash Tray, 65 Silver Plated 66A Assorted Quantity approx 3.25”x3.25”, Christening Mug, of Silver Plate Sheffield 1951 approx 3" high ¤30 - ¤50 ¤50 - ¤80 ¤30 - ¤40

64 Cased set of Six Danish 66 Silver Plated Three Teaspoons stamped Piece Tea Set, teapot, 'W&S Sorenson' sugar & milk 66 ¤60 - ¤80 ¤80 - ¤100

9 DOLAN’S

67 68 69

67 Early 19th Century Inlaid 68 Victorian Mahogany Scottish 69 Oak Grandfather Clock, the Mahogany Cased Grandmother Drumhead Grandfather Clock, enamelled dial with a 13 1/2” Clock, with arched silvered with circular painted dial, by chapter ring, subsidiary seconds brass dial and two-train striking W. Davie, two-train striking and date dial, inscribed John movement, by Richard Midgley, movement, and bowed trunk Crane, Bromsgrove, beneath an long trunk door and raised on door, flanked by half round arch painted with a boy playing bracket feet, approx 81" high columns, with panelled base, with a hoop, the brass eight day, approx 83.5" high four pillar movement with bell, ¤3,000 - ¤4,000 approx 90” high ¤1,400 - ¤2,000 ¤800 - ¤1,200

10 IMPERFECTIONS NOT STATED 6th AUGUST 2018

70

69A 70

71A

71

72 73

69A Mahogany Apprentice's Corner 71 Edwardian painted rocking horse, 72 Attractive Cabinet, with four graduated on trestle support, approx 36" high Rocking Horse, drawers, height 20.5cm. ¤500 - ¤700 late 19th/early 20th century, approx ¤120 - ¤160 46” high, 54” long 71A Turned Ivory Chess Set, probably ¤1,200 - ¤1,600 70 Pair of Ornate Gilt Wood Pelmets, English, late 19th century, natural centred on a shell and scrolling and red stained pieces, height 73 French Brass Carriage Clock, foliage, each approx 56" wide of kings approx 3.75” high, in an marked "London Clock Company", ¤500 - ¤700 inlaid wooden box approx 4.75" high ¤350 - ¤450 ¤250 - ¤350

11 DOLAN’S

75

74

76 77 78 79

74 1930's Green and Gilt 78 Inuit Art, 82 The Insurgent, Patinated Figure Painted Display Cabinet, Walrus Tusk, circa 1900, carved of a Soldier, c. 1914/1916, with fitted with a series of with figures, boat and caribou, the his rifle, on an ebonised plinth, cupboards and drawers, reverse with a polar bear, walrus, approx 17" high, incl plinth approx 76" wide, 63.5" high hunters and a small settlement, ¤350 - ¤450 ¤750- ¤1,000 approx 17.75" long ¤450 - ¤550 82A Wycliffe Egginton RI, RCA 75 A JAPANESE CARVED 1875-1951 IVORY NETSUKE, 79 George III Mahogany Toilet Mirror, SWEET WILLIAM IN A VASE 19th Century, depicting a shield shaped, with bowfronted Watercolour sleeping monk, base, fitted with frieze drawers 19"x17" (48.5x43cm) approx 1.75" wide x 1.5" deep and raised on bracket feet, Signed x 1" high approx 18" wide Signed, Inscribed & Dated 1947 ¤500 - ¤700 ¤380 - ¤450 Verso ¤800 - ¤1,000 76 Scrimshaw, 80 17th Century Bronze Sundial, Sperm Whale Tooth carved with a engraved ‘Tempus Fugit’ about a 83 Pair of 19th Century Mahogany three masted ship and a narwhal, radiant sun, and furthur inscribed Hall Chairs, with shield shaped approx 5" high Walker, Bristol... Londini Fecit... and Scroll backs on serpentine ¤450 - ¤550 1673, approx 12" square seats, with carved, bolbous front ¤750 - ¤850 legs 77 Scrimshaw, ¤500 - ¤600 Sperm Whale Tooth carved with a 81 Pair of Garden Lions, in seated girl with a hoop, the reverse with position, approx 22.5" high 84 Pair of Large Victorian Copper Log three vignettes, approx 5.75" high ¤900 - ¤1,200 Bins, riveted, with brass handles ¤300 - ¤400 with lion mask backplates, approx 20” diameter ¤350 - ¤450

12 IMPERFECTIONS NOT STATED 6th AUGUST 2018

80

80

81 82

82A

84

84

83

13 DOLAN’S

85 86

89

87 88

90

92

91

89 Antique Letter Clip 91 Collection of Hummel with Oars, possible and two Lladro style 85 Late Georgian 87 Victorian Mahogany use as a Door Knocker, figurines Mahogany Rectangular Walnut Bedside approx 9” long ¤80 - ¤100 Breakfast Table, with Cabinet, with shallow ¤20 - ¤40 snap action, rounded gallery, well figured 92 Walker & Hall Oak corners and raised door and raised on Canteen of Silver Plated on downswept legs, turned legs, approx 90 Late Georgian Cutlery for six place terminating in brass 17” wide Mahogany Breakfast settings capped castors, approx ¤150 - ¤200 Table, the top with ¤240 - ¤28 53.5" long, 38.5" wide plum pudding veneers, ¤700 - ¤800 88 George III Mahogany snap action and raised 92A Giltwood Oval Wall Pembroke Table, with on a turned column, Mirror, decorated in 86 Continental Kidney frieze drawer and with three downswept relief with floral trails, Shaped Burr Walnut raised on tapered legs legs, terminating in approx 23”x26.5” Bedside Cabinet, with of square section, brass capped castors, overall 3 drawers, raised on terminating in brass approx 51" diameter ¤80 - ¤120 sabre legs with sabot castors, approx 34.5" ¤650 - ¤850 feet, approx 25” wide long 92B Crystal Cut Glass Fruit ¤300 - ¤400 ¤400 - ¤500 Bowl ¤25 - ¤35 14 IMPERFECTIONS NOT STATED 6th AUGUST 2018

94

93

95

97

98 96

99A

98A 99B

95 Victorian Walnut Revolving Piano Stool, with rise and fall action and raised on three cabriole legs 99C 99 ¤120 - ¤140 99 Walnut Turnover Top Card Table, 96 George III Mahogany Wine Table, 1930’s, raised on foliate carved with circular top, turned column and cabriole legs, approx 33.5” wide three downswept legs terminating in ¤250 - ¤350 pad feet, approx 14” diameter ¤90 - ¤130 99A Edwardian Brass Serpentine fronted Fender, approx 49” wide 97 George III Style Oak Dresser, ¤150 - ¤200 with delft rack, with three frieze drawers, with turned legs and 99B Edwardian Brass Fender, approx open potboard, approx 54” wide 43.75” wide 93 Walnut Writing Table, with ¤600 - ¤1,000 ¤100 - ¤200 serpentine front, fitted with a series of drawers and raised on 98 Victorian Walnut Pembroke table, 99C Victorian Bronze 2 Handled Tazza, angled cabriole legs terminating in with single frieze drawer, raised on dated 1865, a central rosette inside pad feet, approx 39” wide tapered reeded legs terminating in a greek key border, inscribed Art ¤800 - ¤1,200 brass castors, approx 44.75” long Union of London 1865 to base, ¤400 - ¤600 maximum diameter 26cm 94 Late Victorian Oak and Brass ¤120 - ¤180 mounted coal receiver, approx 98A Good Copper Victorian Coal 19.5” long Scuttle with shovel 99D Partial China Dinner Service ¤120 - ¤160 ¤175 - ¤225 ¤50 - ¤80 15 DOLAN’S

100 George III Style Gainsborough Chair, raised on foliate carved cabriole legs terminating in claw and ball feet ¤400 - ¤600

100A C.V. Parker RI DAFFODILS Watercolour 16.5”x18” (42x46cm) Signed Original Artist’s Label Verso ¤380 - ¤450

101 Victorian School BEAUTY IN THE MIRROR Oil on Canvas 100 100A 22.75”x15.25” (39x58cm) Signed In original gilt frame ¤800 - ¤1,200

102 19th Century Oak oval twin drop leaf gate leg table, with turned supports and raised on bun feet, approx 58” wide

¤550 - ¤750

102A Copper Preserve Pan, Victorian, with twin 102 handles, approx 19.75" wide

¤100 - ¤150

103 Large West Persian Carpet, with crimson ground, approx 139"x216"

¤600 - ¤800

101 102A

103

16 IMPERFECTIONS NOT STATED 6th AUGUST 2018

Mildred Anne Butler RWS 1858 - 1941

Born in 1858, Mildred Anne Butler lived most of her life at the family home, Kilmurry House, near Thomastown, Co Kilkenny. Indeed, Kilmurry was the inspiration for much of her work throughout her career, and its animals, birds and walled flower garden feature in much of her work. In 1885, she visited France, Switzerland and Italy sketching as she travelled and in 1886, studied under Paul Jacob Naftel in London. The Dudley Gallery in London showed her work in 1888 and she began to exhibit with the Watercolour Society of Ireland in 1892. In 1893, her work was included in the book of watercolours given by the Society of Lady Artists to Princess May, later Queen Mary, and Mildred Anne Butler later painted a tiny picture of crows for the Queeen’s dolls house at Windsor. She was regularly represented at the Watercolour Society of Ireland exhibitions and contributed more than 200 works. She exhibited widely including the Royal Hibernian Academy from 1891, and the Belfast Art Society. She was in Paris in 1894, and later travelled with May Guinness to study under Norman Garstin at Newlyn in 1894 and 1895. She exhibited at the Royal Academy in 1896, and in 1897, Lady Cadogan, the Vicereine in Dublin, presented one of her watercolours to the Princess of Wales. Mildred Anne Butler continued to travel regularly in Ireland and abroad, and in 1907, she exhibited at the new Dudley Gallery in London with Percy French, Claude Hayes and Bingham McGuinness. She continued to exhibit widely and lived out her final years 104 at Kilmurry, where she died in 1941. In 1978, much of her private collection came to light on the dispersal of Kilmurry’s contents and this collection became an important touring exhibition, which was sold in Christies in London and at subsequent Christies sales in Belfast and Dublin. Many fine examples of her work are included in the collections of the National Gallery of Ireland, the Hugh Lane Municipal Gallery of Modern Art and the Ulster Museum.

104 Mildred Anne Butler RWS 1858 - 1941

SUNLIGHT ON THE DAFFODILS & AZALEA AT KILMURRY Watercolour 10.25"x7" (26x18cm) Signed with Initials & Dated April 5th 1901 Provenence: The Collection of Doreen Archer Houblon

¤3,000 - ¤4,000 104

17 DOLAN’S

105

105A

105 Victorian Oregon Pine 105A Figure of an Elephant & Crescent Shaped Writing her Calf Entwined, approx Table, by Howard & 18" long overall Sons Ltd, Berners ¤100 - ¤150 Street, London, circa 1870, with leather inset 106 Chinese Chippendale Style top above three frieze Upholstered Mahogany drawers, raised on twin Library Chair turned end supports ¤600 - ¤800 with arched bases and leather cushions stretcher, stamped "Howard & 106A Good Ashword Bros. Sons, Berners Street". Meat Plate 73cm high, 122cm wide. ¤80 - ¤100 Provenance - Sotheby's Stokesay Court Country 106 House Sale 1994 (lot 341) ¤2,400 - ¤2,800

18 IMPERFECTIONS NOT STATED 6th AUGUST 2018

107

Nassau Blair Browne RHA 107 Nassau Blair Browne RHA 1867-1940 1867-1940

Nassau Blair Browne RHA was born CATTLE IN THE MEADOW in Co Kilkenny in 1867 and educated Oil on Canvas privately, before travelling to London 19.5”x26.5” (49.5x67cm) to study at the Slade School of Fine Art Signed and later at an English School of Animal Exhibited Royal Hibernian Academy, Painting, directed by W F Calderon. 1918, entitled Grazing, Exhibition No 70 He was closely associated with the Royal Hibernian Academy for many ¤4,000 - ¤5,000 years, becoming a full member in 1903 and serving as Secretary of the RHA from 1911 to 1924. It was during this period that the Academy’s building was destroyed by fire in 1916. In addition, he was a Governor of the National Gallery of Ireland from 1918 to 1924. He exhibited occasionally at the Royal Academy in London and made his name as an Animal Painter, well known in Dublin and in the period between 1894 and 1940 he was a constant exhibitor at the Royal Hibernian Academy.

107

19 DOLAN’S

James Cahill

James Cahill studied at the Crawford College of Art, Cork and later at the Putney School of Art, London, where he lived and worked as an artist, before returning to Cork to take up a three year post as resident artist in the Cork Public Museum, and later moving to Dublin, while continuing to exhibit throughout Ireland.

108 James Cahill b.1956

GIRL WITH RED HAIR Oil on Canvas Board 11.5"x9.5" (29x24cm) Signed

¤600 - ¤800

109 Mat Grogan

b.1947 PEONY ROSES Oil on Board 12.25"x10.25" (31x26cm) Signed 108 ¤800 - ¤1,000

110 Mat Grogan b.1947

WHITE ROSES & PEACHES Oil on Board 6.75"x4.75" (17x12cm) Signed

¤350 - ¤450

111 Mat Grogan b.1947 HYDRANGEA ON THE BOOKSHELF Oil on Board 4.5"x6.75" (11.5x17.25cm) Signed

¤350 - ¤450

Mat Grogan

Born in Dublin in 1947, Mat Grogan began his artistic career while away working in Australia, where he became a member of The Wildlife Artists Society. The recipient of various awards, he has been influenced by the work of Chardin and Vermeer, and his work is now increasingly sought after. 109

20 6th AUGUST 2018

110 111

112

113

114 114A 112 Mat Grogan 113 Mat Grogan 114 Mat Grogan 114A Mat Grogan b.1947 b.1947 b.1947 b.1947

AUTUMN FRUIT & MORNING SUNLIGHT HYDRANGEA, BLUE HARVEST OF PEARS FLOWERS Oil on Board & PINK Oil on Board Oil on Board 6.5"x4.5" Oil on Board 4.5"x6.5" 4.75"x6.75" (12x17cm) (16.75x11.5cm) 6.5"x4.5" (16.75x11.5cm) (11.5x16.75cm) Signed Signed Signed Signed

¤350 - ¤450 ¤350 - ¤450 ¤350 - ¤450 ¤350 - ¤450

21 DOLAN’S

Lots 115 & 116 are from the PRIVATE COLLECTION OF MARK O'NEILL

115 Robert Ryan b. 1963

HIGH AS HEAVEN, DEEP AS… Oil on Canvas over Board 22.5”x25.75” (57x65.5cm) Signed & Inscribed Verso

¤800 - ¤1,000

116 Soren Melchior Hansen (Danish) 1908-1978

EVENING SUNLIGHT Oil on Board 115 13.5”x19.5” (34.5x49.5cm) Signed & Dated 1967

¤800 - ¤1,000

117 Anne Merrins

CURRACHS BY MOONLIGHT Watercolour 11”x18.5” (28x47cm) Signed & Dated (19)83

¤250 - ¤350

117A Joseph William Carey

ERIFF VALLEY, CONNEMARA Watercolour 7”x8.5” (17.5x22cm) Signed & Inscribed with Title 116 Original John Magee Label Verso

¤400 - ¤500

117 117A

22 6th AUGUST 2018

118

118 Bernard de Hoog 1867-1943 MORNING LIGHT, COTTAGE INTERIOR WITH WOMAN & CAT Oil on Canvas 19.75"x16.75" (50x43cm) Signed Provenance Dr. Ir.A.M. de Wild, Holland, with various inscriptions and labels verso

¤3,000 - ¤5,000 118

23 DOLAN’S

119 Markey Robinson

A primitive painter, a colourful character, a man of great complexity - these are all descriptions which have been used to describe Markey Robinson over the years. Born in Belfast in 1918; Markey Robinson is regarded as one of the 120 great Northern Masters. In a sixty year career, Markey’s unique and vibrant paintings fully demonstrate his genius for composition. His signature style and his range of themes are readily identifiable - rural landscapes, women in shawls and sad-looking clowns. His work has been seen far & wide, as far back as 1956, Markey exhibited work at the Salon des Independants in Paris and he is represented in many public and private collections around the globe. Art Historian, Susan Stairs in her biography on Markey probably summed him up best when she said of him, ‘there is a genius in our midst’. 121 119 Markey Robinson 120 Markey Robinson 121 Markey Robinson 1918 - 1999 1918 - 1999 1918 - 1999

SHAWLIES WATCHING THE FIGURES BY THE SEA COTTAGES & VILLAGE, BOATS RETURN Mixed Media CONNEMARA Oil & Mixed Media 3.5"x12" (8.5x30.5cm) Mixed Media 23.25"x35" (59x89cm) Signed 5"x7.5" (13x18.5cm) Signed Signed ¤400 - ¤500 ¤4,500 - ¤6,500 ¤400 - ¤500

24 6th AUGUST 2018

Manus Walsh

Born in 1940, Manus Walsh began his career in the field of stained glass, working for the Abbey Stained Glass Studios in Dublin, in the sixties. It was during his time there that he met artist, George Campbell, who became his mentor and friend, and also encouraged him to take up painting full time. Among Manus’s many stained glass designs are five windows for Galway Cathedral, and more recently in St John’s Church, Ballyvaughan. The landscape of the Burren has been a constant inspiration to him for the past thirty years and more, and its barren limestone landscape continues to be a major influence on his work. Manus has travelled widely, spending considerable periods of time, in both Spain and Chile, and the Spanish landscape, together with the city of Valparaiso continue to be a significant influence. Walsh has exhibited widely at home and abroad, including four exhibitions in South America and numerous one man shows and he is widely regarded as an important contemporary artist.

122

122 Manus Walsh b.1940

VALPARAISO TERRACES & STEPS Acrylic on Canvas 30"x24" (76x61cm) Signed

¤700 - ¤1,000

123 Douglas Hutton b.1950

ATLANTIC COAST AFTER THE STORM Oil on Canvas 31"x38.75" (79x98.5cm) Signed Signed & Inscribed Verso

123 ¤800 - ¤1,200

25 DOLAN’S

124

124 Norman Teeling Norman Teeling b.1944 Dubliner Norman Teeling graduated from the National DUBLIN CITY, EVENING LIGHT College of Art and Design in the early 1960’s and is well ON GPO & CLERYS known for his commissioned series of paintings depicting the Oil on Board 1916 Easter Rising, which now hang in the GPO on O’Connell 31.5"x47.5" (80x120.5cm) Street, Dublin. In addition to painting, Teeling also works Signed as a film animator and illustrator. He has had numerous exhibitions of his work, including his one man show’s in ¤1,500 - ¤2,500 Dublin’s Prestigious Gorry Gallery.

26 6th AUGUST 2018

125

125 Norman Teeling 126 Graham Elliott 126A Graham Elliott b.1944 b.1943 b.1943 BOULES AT CARCASSONNE EVENING SUN ON COLLEGE CAFÉ ROUGE Oil on Canvas Board GREEN Oil on Canvas Board 9.5"x7.5" (24x19cm) Oil on Board 11.5"x11.5" (29x29cm) Signed 31.5"x47.5" (80x120.5cm) Signed Signed ¤300 - ¤400 ¤400 - ¤600 ¤1,500 - ¤2,500

126 126A

27 DOLAN’S

127 Basil Blackshaw HRHA RUA 1932 - 2016

ROOSTER Mixed Media 8.25"x10" (21x25.5cm) Signed & Inscribed

¤1,200 - ¤1,500

128 Manus Walsh b.1940

VALPARAISO STEPS & TERRACES Acrylic 15.25"x15.25" (39x39cm) Signed

¤500 - ¤800

127 129 Markey Robinson 1918 - 1999

FISHERMEN & BOATS and another similar Mixed Media Each 4.25”x5.75” (10.5x14.5cm) Both Signed

¤500 - ¤800

130 Markey Robinson 1918 - 1999

COTTAGES IN A LANDSCAPE and another similar Mixed Media Each 5”x7.5” (13x18.5cm) Both Signed

¤500 - ¤800

131 Seamus O'Beachtain

BOXING MATCH Bronze Sculpture on Marble Plinth 128 Approx 8" (20.5cm) high

¤200 - ¤300

129 129

130 130 131

28 6th AUGUST 2018

132

Charles Harper RHA

132 Charles Harper RHA Born on Valencia Island, Co. Kerry in 1943, Charles Harper b.1943 studied art at the Limerick School of Art and the National College of Art, as well as film making in Bonn. He has exhibited widely, ORGANISATION in countries such as India, Switzerland, Italy, Latvia, England, Acrylic on Canvas France, the US and Sweden and is the recipient of many National 45"x43" (114x109cm) Awards. Signed & Dated 2010 He was a founder of the EVA exhibitions in Limerick and also Signed & Inscribed Verso a founding member of Aosdana. Harper has been a member of the Royal Hibernian Academy since 2002, and for many years a ¤6,000 - ¤9,000 Lecturer at Limerick School of Art and Design.

29 DOLAN’S

133

133 Maggie Morrisson Maggie Morrisson b.1965 b.1965

SKYSCAPE ABOVE ME Maggie Morrisson was born in Dublin and attended the National College Oil on Canvas of Art, before going on to study Fine Art at the University of Southern 59"x59" (150x150cm) Illinois. She has exhibited regularly throughout Ireland since 1989, including the Crawford Gallery Cork and the Royal Hibernian Academy. Signed Verso A substantial contemporary artist, she is greatly influenced by her surroundings on the Western Seaboard and has received many awards for ¤2,500 - ¤3,500 her striking contemporary work.

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134

134 Maggie Morrisson b.1965

CRUACHÁN GOAT, ACHILL Oil on Canvas 59"x59" (150x150cm)

Signed & Inscribed Verso

¤2,500 - ¤3,500

31 DOLAN’S

135

135 Michael Morris b.1979

NEW YORK CITY I Oil on Board 19.25"x23.25" (49x59cm) Signed

¤800 - ¤1,200

Michael Morris

Born in Dublin in 1979, Michael Morris is a self taught painter whose travels have helped in honing a unique style that is individual and immediately recognizable. Following his own path, he gained a clear perspective on what he wanted to create. His travels took him through France, Rome, Venice and Spain, and while Ireland remains his main subject matter, his work has a vibrancy, which seems to be suffused with both French flair and Mediterranean light. He has exhibited widely throughout Ireland, including the Royal Ulster Academy Exhibition. It is little surprise that his work has been received to critical acclaim, he is clearly an emerging artist of substance.

32 6th AUGUST 2018

136 136 Michael Morris 137 Michael Morris 138 Michael Morris b.1979 b.1979 b.1979

NEW YORK CITY II NEW YORK CITY III NEW YORK CITY IV Oil on Board Oil on Board Oil on Board 19.25"x23.25" (49x59cm) 11.5"x9" (29x23cm) 9.5"x7.5" (24x19cm) Signed Signed Signed & Inscribed Verso

¤800 - ¤1,200 ¤400 - ¤500 ¤350 - ¤500

137 138 33 DOLAN’S

139

139 Charles Harper RHA Charles Harper RHA b.1943 Born on Valencia Island, Co. Kerry in 1943, Charles Harper ZULEIKA (ARTIST'S DAUGHTER) studied art at the Limerick School of Art and the National College Acrylic on Linen of Art, as well as film making in Bonn. He has exhibited widely, 39.25"x39.25" (100x100cm) in countries such as India, Switzerland, Italy, Latvia, England, Signed France, the US and Sweden and is the recipient of many National Signed, Inscribed & Dated 2008 Verso Awards. He was a founder of the EVA exhibitions in Limerick and also ¤6,000 - ¤9,000 a founding member of Aosdana. Harper has been a member of the Royal Hibernian Academy since 2002, and for many years a Lecturer at Limerick School of Art and Design.

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140

140 Rosemary Fallon b.1975

ROSE RED Oil on Canvas 30"x40" (76x101.5cm) Signed & Dated (20)14

¤3,000 - ¤4,000

141 Charles Harper RHA b.1943

SKELLIG MONKS Acrylic on Canvas 19.75"x27.25" (50x69.5cm)

Signed, Inscribed & Dated 2009 Verso

¤2,500 - ¤3,500 141

35 DOLAN’S

142

142 Rosemary Fallon b.1975 Rosemary Fallon

SWEET DREAMS A young emerging Galwayartist, Rosemary Fallon studied at the National Oil on Canvas College of Art & Design in the late 1990’s and pursued a career in 24"x29.75" (60.5x76cm) multimedia graphic design, digital art and animation. Her tremendous Signed & Dated (20)13 ability as an artist is evident in her distinctive bold and contemporary style. A name to watch out for in the world of Irish Art. ¤2,000 - ¤3,000

36 6th AUGUST 2018

143

143 Rosemary Fallon b.1975

LITTLE DID SHE KNOW Oil on Canvas 40"x30" (102x76cm) Signed & Dated (20)13

¤3,000 - ¤4,000

37 Lot 144 Arthur K Maderson 145 6th AUGUST 2018

[PREVIOUS DOUBLE PAGE] 144 Arthur K Maderson b.1942

LISMORE RIVER POOL Oil on Board 46"x62" (117x158cm) Signed Signed & Inscribed Verso

¤5,000 - ¤8,000

145 Arthur K Maderson b.1942

FRAGMENTED SUNLIGHT, SUD FRANCE Oil on Board 45.5"x30.5" (116x77cm) Signed Signed & Inscribed Verso

¤3,000 - ¤5,000

146 Arthur K Maderson b.1942

HEADING UPSTREAM, NEAR LISMORE Oil on Board 45.5"x30.5" (116x77cm) Signed Signed & Inscribed Verso

¤3,000 - ¤5,000 146 Arthur K Maderson

Irish by inclination, Arthur Maderson was actually born in London in 1942, and studied Fine Art from 1959 to 1963 at Camberwell School of Art, London, winning the Anna Berry Award in 1963, in open competition with leading Art Schools. Although Maderson continued to paint on a regular basis, it was only in 1982, at the age of 40 that he felt sufficiently confident to exhibit. From this period, he has enjoyed considerable success, and this success has been replicated in Ireland, where his reputation as a painter of distinction and passion is firmly established. He works at a frantic pace with dedication, determination and unflagging vigour, and now divides his time between Ireland and a small hamlet high in a largely unpopulated mountainous region of the Cevenne, in the South of France. As to this transition from Ireland to France, Maderson observes ‘It is curious to move from a world of low key, soft tertiary colours, borne of high levels of atmospheric moisture, to fiercely aggressive sunlight, cutting and dividing forms, into intense stabs of brilliant, heavily saturated colours … delicate salmon against bursts of intense electric blues … a world which takes on the appearance of having been formed by crushing jewels … what a challenge, to paint with crushed jewels!’ Arthur Maderson has exhibited at the Royal Hibernian Academy, The Royal West of England Academy and the Royal Academy and he has represented Ireland in many prestigious exhibitions. Maderson’s subtle exploration of a rich kaleidoscope of ‘raw’ visual information is achieved with a fierce determination, all part of his artistic 145 genius. An outstanding artist of his generation.

41 DOLAN’S

147

147 Arthur K Maderson 148A John Kingerlee b.1942 b.1936

REFLECTED SUNLIGHT, ANIMAL FIGURE STUDY TALLOW HORSE FAIR Mixed Media 3.75”5.5” Oil on Board (9.5x14cm) 30.5"x45.5" (77.5x115.5cm) Signed with Kingerlee Ideogram Signed Signed & Inscribed Verso ¤280 - ¤350

¤3,500 - ¤4,500

148 Liam Butler 149 Henry Morgan 148 b.1952 Bird on a Branch Welded Copper Sculpture WATERFALL Approx 15" High Oil on Canvas 27.75"x19.5" (70x49.5cm) ¤600 - ¤800 Signed & Dated

¤1,600 - ¤2,400

148A

42 Lot 149 HENRY MORGAN DOLAN’S

150

Henry Morgan

Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School of Art and was awarded a scholarship to Oslo University. Since his return to Ireland, having completed a BA in Fine Art, he has exhibited extensively both at home and abroad and has been a regular exhibitor at the Irish Exhibition of Living Art, The Royal Hibernian Academy, EVA in Limerick, among many others. Henry has been inspired by the local landscape from the Burren to the Clare Glens and the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art.

A contemporary artist of substance, his work is increasingly sought after by collectors & is now included in many public and private collections.

44 6th AUGUST 2018

151

150 Henry Morgan 151 Henry Morgan b.1952 b.1952

WATERFALL IN THE CLARE GLENS ABOVE THE FALLS, PLUNGING WATER Oil on Canvas Oil on Canvas 30"x38" (76.5x97cm) 30"x38" (76.5x97cm) Signed & Dated Signed & Dated

¤2,500 - ¤3,500 ¤2,500 - ¤3,500

45 DOLAN’S

152

152 Henry Morgan 154 Henry Morgan 156 Basil Blackshaw 158 Manus Walsh b.1952 b.1952 HRHA RUA b.1940 1932 - 2016 ATLANTIC SWELL AUTUMN POOL BURREN NOCTURNE Oil on Canvas Oil LANDSCAPE Mixed Media & Collage 23.75"x31.75" 19"x19" (48x48cm) Mixed Media 23"x23" (58x58cm) (60.5x80.5cm) Signed & Dated approx. 5.25"x7.25" Signed Signed & Dated (13x18.5cm) ¤800 - ¤1,000 Signed ¤500 - ¤800 ¤1,200 - ¤1,600 155 Henry Morgan ¤450 - ¤750 159 Douglas Hutton 153 Henry Morgan b.1952 b.1950 b.1952 157 William Mason DAYLIGHT PORTALS, GURTEEN BEACH, ROCK FACE, WATER NEWGRANGE SERIES HAZY DAY ON CONNEMARA (small) GATHERING Mixed Media, THE RIVER Oil on Canvas Board Oil Set of Three Pastel 11.5"x9.25" 19"x19" (48x48cm) Each 7.75"x11.5" 8.25"x10.5" (29x23.5cm) Signed & Dated (19.5x29cm) (21x26.5cm) Signed with Initials All Signed & Dated Signed with Initials Signed & Inscribed ¤800 - ¤1,000 & Dated (19)91 Verso ¤600 - ¤800 ¤300 - ¤500 ¤280 - ¤380

46 6th AUGUST 2018

153 154

155 155 155

156

157 158

47 DOLAN’S

160

160 Carina Scott b.1963

MOONLIGHT OFF ROUNDSTONE Oil on Canvas 20"x24" (50.5x60.5cm) Signed

¤1,000 - ¤1,500

48 6th AUGUST 2018

161

161 Carina Scott Carina Scott b.1963 Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality CONNEMARA, Irish sport horses. With a strong musical background, Carina, as an artist & painter, is MOONLIT WAVES largely self taught and her pedigree as a creative artist mirrors her success with her horses Oil on Canvas Board and Connemara ponies at the RDS and French Championships. Painting in both Ireland 20"x24" (51x61cm) and France, her adopted country, Carina Scott is continually inspired by the landscape & Signed light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced by the strong light and colour of southern Europe. With ¤1,000 - ¤1,500 her bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of paint and her palette knife work are exquisite, testament to the flair, vigour and enthusiasm with which she constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is well deserved.

49 DOLAN’S

162

162 Carina Scott b.1963

SUMMER LIGHT OFF ROUNDSTONE Oil on Canvas Board 18"x26" (45.5x66cm) Signed

¤1,000 - ¤1,500

50 6th AUGUST 2018

163

163 John Morris John Morris b.1958 Born in 1958, John Morris is known for his distinctive style and SUMMER IN CONNEMARA has exhibited widely for many years, culminating in a recent Oil on Board publication, and his work is included in many private and corporate 39.5"x39.5" (100x100cm) collections. Well known for unique contemporary work, his style has Signed developed and his range broadened in subtle and skillful ways and Signed & Inscribed Verso Summer in Connemara is a good example of this developing style and shows his suberb artistic ability. ¤1,800 - ¤2,500

51 DOLAN’S

164

164 Carina Scott b.1963 FIRST LIGHT NEAR DOGS BAY Oil on Canvas Board 15"x30" (38x76.5cm) Signed

¤1,000 - ¤1,500

Carina Scott

Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses and Connemara ponies at the RDS and French Championships. Painting in both Ireland and France, her adopted country, Carina Scott is continually inspired by the landscape & light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced by the strong light and colour of southern Europe. With her bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of paint and her palette knife work are exquisite, testament to the flair, vigour and enthusiasm with which she constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is well deserved.

52 6th AUGUST 2018

165

165 Carina Scott 166 Carina Scott b.1963 b.1963 MOONLIGHT OVER DOGS BAY ATLANTIC BLUES & GREEN Oil on Canvas Board Pair of Oils on Board 15"x30" (38x76.5cm) Each 13"x18" (33x46cm) Signed Both Signed

¤1,000 - ¤1,500 ¤1,400 - ¤1,800

166 166

53 DOLAN’S

167

168 169 169A

167 Yvonne King 168 Yvonne King 169 Yvonne King 169A Yvonne King b.1966 b.1966 b.1966 b.1966

INCOMING TIDE, DOGS BAY, GURTEEN BEACH ON WONDERFUL GREEN ERRISLANNIN CONNEMARA AN AUGUST DAY IN THE SEA AT Oil on Canvas Oil on Canvas Oil on Canvas MANNIN BEACH 14"x18" (35.5x45.5cm) 10"x14" (25x35cm) 10"x14" (25x35cm) Oil on Canvas Signed Signed Signed 10"x14" (25x35cm) Signed ¤350 - ¤450 ¤350 - ¤450 ¤350 - ¤450 ¤350 - ¤450

54 6th AUGUST 2018

Yvonne King

Yvonne King studied oil painting and drawing with the painter Douglas Anderson, later studying traditional Chinese brush work at The Hong Kong Academy of Fine Arts. Studying and painting for many years, Yvonne is a member of Visual Artists Ireland, and constantly draws inspiration from the landscape and energy of Connemara. She has painted and exhibited at home and abroad, from the Netherlands to Cape Cod, Boston and California. Her work is included in many collections including that of former Taosieach Enda Kenny, the Mayor of Boston & former US Ambassador to Ireland, Kevin O'Malley.

170 170 Yvonne King b.1966

SUMMER BEACH I Oil on Canvas Board 10”x14” (25x35cm) Signed

¤300 - ¤500

171 Yvonne King b.1966

SUMMER BEACH II Oil on Canvas Board 171 10”x14” (25x35cm) Signed

¤300 - ¤500

172 Yvonne King b.1966

THE RED KITE Oil on Canvas Board 10”x14” (25x35cm) Signed

¤300 - ¤500

172

55 DOLAN’S

173

174 175

176 177

56 6th AUGUST 2018

173 John Morris b.1958

INTO THE LIGHT, GURTEEN Oil on Board 17"x29" (43x73.5cm) Signed Signed & Inscribed Verso

¤1,000 - ¤1,500

174 John Morris b.1958

TRINITY, NIGHT LIGHTS Oil on Board 15.25"x15.25" (38.5x38.5cm) Signed Signed & Inscribed Verso

¤600 - ¤800

175 Ken O’Neill b.1967

LADIES IN RED Oil on Canvas 20"x24" (50.5x60.5cm) Signed 178

¤500 - ¤800

176 Ken O’Neill b.1967

RUN TO THE BORDER Oil on Canvas 20"x24" (50.5x60.5cm) Signed

¤500 - ¤800 179 179 177 Joan Webb 178 Arthur K Maderson 179 Peter Collis RHA b.1942 1929 - 2012 ROUNDSTONE HARBOUR FIGUERS CHATTING AGAINST LANDSCAPE STUDIES Watercolour THE EVENING LIGHT Pair of mixed Media 14.5"x21.5" (37x55cm) Mixed Media 4.25”x5” (11x12.5cm) Signed 14.5”x14.5” (37x37cm) & Similar Signed Both Signed ¤280 - ¤450 Signed & Inscribed Verso ¤600 - ¤800 ¤1,200 - ¤1,500

57 DOLAN’S

180

Harry Kernoff RHA (1900-1974)

Harry Kernoff is one of the most important Irish artists of the 20th Century. Born to Jewish parents in London in 1900, his father was a cabinet maker who set up business in Dublin. Kernoff attended night classes at the Dublin Metropolitan School of Art, winning the Taylor Scholarship in 1923 and was influenced and encouraged by Sean Keating, Patrick Tuohy and Maurice MacGonigal. Kernoff was one of the few artists to depict Dublin and its people, from the 1920’s on, and he did this in his own brilliant and remarkable style. Not only did he depict the great and the good of Dublin, he frequently painted the ordinary working people, in their everyday lives. In 1926, he began his association with the Royal Hibernian Academy and, with the exception of 1930 and 1931, he exhibited each year at the RHA until 1974, from his home in Stamer Street, Dublin, where his studio was in the attic. He became involved with many of the theatre and literary figures of the day, exhibiting their portraits at his one man shows at 7 St. Stephens Green Dublin, alongside his iconic images of Dublin. His travels took him as far afield as Paris and indeed on to Russia and he exhibited at the Royal Academy in London. Elected a member of the RHA in 1935, he exhibited widely, including exhibitions at the Victor 180 Harry Kernoff RHA Waddington Galleries, Dublin in 1936 and 1937. He later exhibited at the Grafton Gallery 1900-1974 and at the Oireachtas Exhibitions, at the Ritchie Hendriks Gallery, together with a show in 1947 in Castlebar, Co Mayo. He later exhibited in Switzerland and in Canada, having spent ACHILL ISLAND FROM a period painting in Nova Scotia. In his studio, he had painted a generation of Dubliners RENVYLE, CONNEMARA and many of his portraits are in the collection of the National Gallery of Ireland, including Watercolour Sean O’Casey, Peig Sayers and Brendan Behan. His work is included in the Waterford 10"x14" (25x35cm) Municipal Collection, the Crawford Gallery, Cork, Limerick City Gallery of Art, the Ulster Signed Museum, NUI Galway, the Hugh Lane Municipal Gallery of Modern Art and of course, in Signed & Inscribed Verso the National Gallery of Ireland, together with works in Irish embassies across the world and indeed also in Arus an Uachtarain. Harry Kernoff is without doubt, one of the most ¤1,200 - ¤1,800 important Irish Artists of the 20th Century.

58 6th AUGUST 2018

181 John Skelton 1923 - 2009

EVENING GLOW, LOUGH FEE, CONNEMARA Oil on Canvas 35.25"x27.5" (89.5x70cm) Signed Signed & Inscribed Verso, and Dated 2000

¤1,500 - ¤2,500 181

182 Robert Egginton b.1943

THE BALLYNAHINCH RIVER, CONNEMARA Watercolour 14.75"x22" (37.5x56cm) Signed

¤600 - ¤800 182

59 DOLAN’S Please Note: Lots 185 to 238 are being sold on behalf of the Dolan family.

183

183 Robert Egginton b.1943

OLD HARBOUR, ROUNDSTONE Watercolour 17.5"x23.5" (44.5x59.5cm) Signed

¤700 - ¤1,000

184 Robert Egginton b.1943

SUMMER LIGHT ON THE OLD HARBOUR, ROUNDSTONE Watercolour 13.5"x19.5" (34.5x49.5cm) Signed

¤600 - ¤800 184

60 6th AUGUST 2018 Please Note: Lots 185 to 238 are being sold on behalf of the Dolan family.

185

Maurice C Wilks RUA, ARHA

A landscape and portrait painter, Maurice Canning Wilks was born in Belfast in 1910. He attended Belfast School of Art. Still in his teens, he exhibited at the RHA and also at the Oireachtas. He was elected an associate of the Ulster Academy of Arts in 1935. He exhibited all over the world and is represented in many public and private collections including the Ulster Museum, Armagh County Museum and the Ulster Folk and Transport Museum.

185 Maurice C Wilks RUA ARHA 1910 - 1984

ROSAPENNA, CO DONEGAL Oil on Canvas 15.5"x19.5" (39.5x49.5cm) Signed In Original Frame, Victor Waddington, Dublin, Label Verso

¤6,500 - ¤7,500 185

61 DOLAN’S

186 186 Maurice C Wilks RUA ARHA 1910 - 1984

REFLECTIONS, EARLY MORNING, CONNEMARA Oil on Canvas 17.5"x35.5" (45x90cm) Signed Inscribed Verso

¤3,000 - ¤5,000

187 Frank Egginton RCA,FIAL 1908-1990 187 COTTAGES IN THE WEST Watercolour 9.75”x14” (24.5x35.5cm) Signed & Dated 1932

¤900 - ¤1,200

188 Arthur Twells RUA 1921 - 1996

FEEDING THE HENS Oil on Board 19.5"x27.25" (49.5x69cm) Signed

¤1,000 - ¤1,200 188

62 6th AUGUST 2018

189 189 Thomas Rose Miles 1844-1916

GALWAY BAY FROM KNOCK-NA-CARRA Oil on Canvas 13"x21" (33.5x53.5cm) Signed Inscribed with title verso with Combridge Galleries label

¤3,000 - ¤4,000

189A Allen Gwynne Jones RA 1892 - 1982 189A

CONNEMARA, THE TWELVE BENS Oil on Panel 10.25"x14"(26x36cm) Signed

¤150 - ¤250

190 Hans Iten RUA 1874 - 1930

BLUEBELL WOODS Oil on Board 5.75"x8.25" (14.5x21cm) Signed With another painting of a Swan verso

¤1,000 - ¤1,500 190

63 DOLAN’S

191

191 Kenneth Webb RWA FRSA ARUA b.1927

SWEETPEA IN BLOOM Oil on Canvas 20"x24" (50.5x61cm) Signed

¤9,000 - ¤10,000

64 6th AUGUST 2018

192

Kenneth Webb RWA FRSA RUA b.1927 192 Kenneth Webb RWA FRSA ARUA b.1927 Established with an international reputation and represented worldwide, Kenneth Webb is now 91 years of age. He has painted all of his life and SWEETPEA IN PINK & MAUVE has produced an outstanding body of work. Born in London, Webb came Oil on Canvas to the Ulster College of Art in 1953 as Head of the Painting School. In 10"x12" (25.5x30.5cm) 1957 he founded the Irish School of Landscape Painting. He has exhibited Signed at the RA, the RI and the RUA. In all of his works, there is real sense of place, a sense of the most subtle aspects of Ireland’s magical and ¤5,000 - ¤7,000 mysterious landscape fused with sensuality and colour.

65 DOLAN’S

Sean Keating 1889 - 1978

Born in Limerick, Sean Keating studied drawing at Limerick Technical School and won a scholarship in 1911 to the Dublin Metropolitan School of Art, where he studied under Sir William Orpen. In 1914 he won the Taylor scholarship and went to visit the Aran Islands with his friend Harry Clarke. It was a turning point in his career as the islands and their inhabitants, were to become the subjects of so many of his paintings and drawings. In 1915 he succeeded in showing three of his paintings at the RHA and was elected an associate in 1919 and a full member in 1923. In 1919 he also began to teach at the Dublin Metropolitan School of Art. He was represented at the Royal Academy in 1924, continuing to exhibit there for the next thirty years and he represented Ireland at the New York World’s Fair in 1939. At home, Keating exhibited in the important exhibitions of his day, including the Victor Waddington Gallery in Dublin, the Hendriks Gallery, the Oireachtas, etc. and had a successful one-man show in the Ritchie Hendriks Gallery on St Stephen’s Green in December 1956. He resigned from the presidency of the RHA in 1962 and the following year a retrospective exhibition was held at the Municipal Gallery of Modern Art, opened by President De Valera. As an artist and a teacher he always took a firm stand on the side of traditional painting and was outspoken in his rejection of the modern movement. This important work in pastel & charcoal, Fear Agus Bean Ón Oilean, is most striking and distinctive, presenting two powerful characters, with strong facial expressions and gestures and is typical of Keating’s style and genius. A strong and thought-provoking work, it portrays life in the West of Ireland, that Keating cherished. Interested in symbolic themes, he frequently portrayed individual characters with strong lines and attention to detail. Much of his work is associated with the period of the foundation of the State and he is widely regarded as one of the most significant Irish artists of the 20th century.

193

66 6th AUGUST 2018

193

193 Sean Keating PRHA, HRA, HRSA 1889 - 1977 FEAR AGUS BEAN ÓN OILÉAN Pastel & Charcoal 20.5"x28.5" (52x72cm) Signed Provenance James Adam & Sons, Sept. 1989

¤25,000 - ¤30,000

67 DOLAN’S

Charles Lamb RHA RUA 1893 - 1964

Charles Lamb was one of a group of Irish Artist’s who, during the 1920’s and 30’s found inspiration in the life and landscape of the West of Ireland. Born in Co Armagh in 1893, Charles Vincent Lamb was the eldest of seven children, who in 1913 had won a gold medal as best apprentice house painter of the year and in 1917 he won a scholarship to the Dublin Metropolitan School of Art where he studied for four years and came under the influence of Sean Keating. At this time, he became profoundly affected by the nationalist movement which dominated Dublin intellectual and artistic circles of the day. As such, he looked to the West of Ireland and to the people and traditions of the Gaeltacht, visiting Carraroe for the first time in 1921 and regularly in the years that followed. In these early years, Lamb had met Padraic O’Conaire from Connemara, who encouraged him to go West and paint the unspoilt landscape and life of the people, in the Carraroe area in particular, a remote Irish-speaking area, at that time.

In 1919, Charles Lamb had four works selected for the Royal Hibernian Academy and he continued to exhibit there for the rest of his life. Annual one man shows in Dublin followed and in 1923 he was appointed an associate of the Royal Hibernian Academy, and by 1924 he was exhibiting at the Magee Gallery in Belfast. In 1926 and 1927, he toured Brittany, painting peasant life in a manner derived from his experience in the West of Ireland. The following year, he was back in the West of Ireland, travelling around in a horse-drawn caravan. An exhibition in Boston USA followed in 1928 and in 1929 and 1930 in New York. Until the mid 1930’s he continued to produce important figure studies, there after he concentrated on landscapes, being elected a full member of the RHA in 1938. Through the 1930’s, he exhibited work in Dublin, London and Brussels and as far afield as Los Angeles in 1932, at the Olympic Art Exhibition and in 1933, at the Chicago World Fair.

Lamb had a house built of local stone in Carraroe in 1935, where he settled and started a Summer School, while continuing his summer exhibitions. He was also elected a member of the Royal Ulster Academy and in 1938, he exhibited at the Royal Academy in London. His work was included in the Contemporary Irish Painting exhibition to North America in 1950. As well as exhibiting at the Oireachtas exhibition in Dublin, he showed at the Munster Fine Art Club and was a member of the United Arts Club in Dublin. He continued to paint right up the end of his days and died in Carraroe in 1964. A number of summer exhibitions were held in the Carraroe studio in the years that followed and a memorial exhibition of his work was held at the Hugh Lane Municipal Gallery in 1969. It is thought that this work ‘Carraroe, Connemara’, was exhibited in the 1969 exhibition in Dublin under the title ‘Western Scene’. His work is included in many and varied important collections, including the Crawford Gallery, Cork, the Hugh Lane Municipal Gallery, and the National Gallery of Ireland, together with municipal and university collections across Ireland.

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194 Charles Vincent Lamb RHA RUA 1893 - 1964

AN CHEATHRÚ RUA Oil on Canvas 19.75"x23.5" (50x60cm) Signed In Original Frame

¤10,000 - ¤12,000

69 DOLAN’S

Maurice MacGonigal PRHA 1900 - 1979

Maurice MacGonigal was born in Dublin in 1900, and encouraged by his cousin Harry Clarke, he did an apprenticeship in his Uncles firm, in ecclesiastical decoration and stained glass. In 1917, he joined Na Fianna Eireann, subsequently being interned, first in Kilmainham Gaol for a period of one year until his release in 1921. He attended evening classes at the Dublin Metropolitan School of Art, where he won a scholarship to continue his education until 1926. The Taylor Scholarship was amoung various awards and medals which he won in the 1920’s, and he began teaching in the Royal Hibernian Schools and at the Metropolitan School of Art.

He first exhibited at the RHA in 1924, and every year thereafter until 1978. He became a full member in 1933, Keeper of the Academy in the late 1930’s, later Treasurer and finally President of the RHA from 1962 until 1977.

In the manner of Sean Keating, MacGonigal painted life in the west of Ireland, in Connemara, Aran and Achill. MacGonigal was also involved in stage design and book illustration, designing the sets for the 1935 Abbey Theatre production of Sean O’Casey’s The Silver Tassie. He had earlier received a commission to design a set for the Hospitals’ Trust Sweep and he was assisted in this regard by Harry Kernoff. He became associate Professor of Painting at the National College of Art in 1937, and Professor from 1954 until 1969. He had earlier been commissioned to paint a mural for the New York World Fair of 1939 and was again assisted by Harry Kernoff and Micheal de Burca.

In 1944, he held a one man show at the Victor Waddington Galleries in Dublin, while also exhibiting at the Oireachtas exhibition in Dublin, the Living Irish Art exhibition in London, the Ritchie Hendriks Gallery Dublin (1958) and the Dawson Gallery (1968). In 1969, he resigned from the National College of Art in protest against, ‘the erosion of the professional authority of the college’, caused by student unrest. Later in 1969, he strongly criticised the Government on its tax free concession to artists, as he felt it would fill the country with ‘the art parasites of Europe’. He was conferred with an honorary degree by UCD in 1970 and continued to exhibit at the Dawson Gallery and later at the Taylor Galleries. He became a member of the Watercolour Society of Ireland in 1972 and he was a member of the Board of Governors and Guardians of the National Gallery of Ireland. His last one man show took place at the Taylor Galleries a few months before his death in 1979 and he is buried in Gurteen Cemetery in Roundstone.

MacGonigal felt there was ‘nothing worse than living surrounded by one’s own paintings … they crowd you in … when a picture is finished, I like to get rid of it’. His work is included in major public collections throughout the country and he was certainly one of the most outstanding Irish artists of the 20th Century.

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195 Maurice MacGonigal PRHA 1900-1979

CONNEMARA HOOKER, ROUNDSTONE HARBOUR Oil on Board 19.5"x29.5" (50x75cm) Signed Signed, Inscribed & Dated 1972 Verso, In original Dawson Gallery frame with labels verso

¤11,000 - ¤12,000

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196

Cecil Maguire RUA

Cecil Maguire was born in Lurgan in 1930 and graduated from Queen’s University Belfast in 1951. Following a career as Senior English Master 196 Cecil Maguire RUA in Lurgan College, Maguire retired in 1981 to concentrate on painting b.1930 full time. In 1967 he became an associate of the Royal Ulster Academy and began exhibiting at the RHA in 1971. Cecil Maguire now lives SUN SETTING ON THE LONG WALK, and works for a great part of the year in Roundstone, Co. Galway, GALWAY, DIVIDING THE CATCH where he feels very much at home in an area which has always been Oil on Board the inspiration for much of his work - an area of tranquility and ever 23.5"x18.5" (59.5x47cm) changing landscape. His work is part of many public, private and major Signed & Dated (19)72 national collections including The National Self Portrait Collection and The Ulster Museum, and The United Nations Headquarters, New York. ¤6,000 - ¤8,000

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Kenneth Webb RWA FRSA RUA 197 Kenneth Webb RWA FRSA RUA b.1927 b.1927 Established with an international reputation and represented worldwide, COTTAGES IN THE CLADDAGH Kenneth Webb is now 91 years of age. He has painted all of his life and Oil on Canvas has produced an outstanding body of work. Born in London, Webb came 11.5"x17.5" (29x44.5cm) to the Ulster College of Art in 1953 as Head of the Painting School. In Signed 1957 he founded the Irish School of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his works, there is real sense ¤7,000 - ¤8,000 of place, a sense of the most subtle aspects of Ireland’s magical and mysterious landscape fused with sensuality and colour.

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Harry Kernoff RHA 1900 - 1974

Harry Kernoff is one of the most important Irish artists of the 20th Century. Born to Jewish parents in London in 1900, his father was a cabinet maker who set up business in Dublin. Kernoff attended night classes at the Dublin Metropolitan School of Art, winning the Taylor Scholarship in 1923 and was influenced and encouraged by Sean Keating, Patrick Tuohy and Maurice MacGonigal. Kernoff was one of the few artists to depict Dublin and its people, from the 1920’s on, and he did this in his own brilliant and remarkable style. Not only did he depict the great and the good of Dublin, he frequently painted the ordinary working people, in their everyday lives. In 1926, he began his association with the Royal Hibernian Academy and, with the exception of 1930 and 1931, he exhibited each year at the RHA until 1974, from his home in Stamer Street, Dublin, where his studio was in the attic. He became involved with many of the theatre and literary figures of the day, exhibiting their portraits at his one man shows at 7 St. Stephens Green Dublin, alongside his iconic images of Dublin. His travels took him as far afield as Paris and indeed on to Russia and he exhibited at the Royal Academy in London. Elected a member of the RHA in 1935, he exhibited widely, including exhibitions at the Victor Waddington Galleries, Dublin in 1936 and 1937. He later exhibited at the Grafton Gallery and at the Oireachtas Exhibitions, at the Ritchie Hendriks Gallery, together with a show in 1947 in Castlebar, Co Mayo. He later exhibited in Switzerland and in Canada, having spent a period painting in Nova Scotia. In his studio, he had painted a generation of Dubliners and many of his portraits are in the collection of the National Gallery of Ireland, including Sean O’Casey, Peig Sayers and Brendan Behan. His work is included in the Waterford Municipal Collection, the Crawford Gallery, Cork, Limerick City Gallery of Art, the Ulster Museum, NUI Galway, the Hugh Lane Municipal Gallery of Modern Art and of course, in the National Gallery of Ireland, together with works in Irish embassies across the world and indeed also in Arus an Uachtarain. Harry Kernoff is without doubt, one of the most important Irish Artists of the 20th Century.

198 Harry Kernoff RHA 1900 - 1974

OLD TIMER Oil on Board 8"x6" (20x15cm) Signed Inscribed Verso

¤2,800 - ¤3,500 198

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199 Kenneth Webb RWA FRSA ARUA b.1927

SUMMER PROFUSION OF COLOUR Oil on Canvas Board 23.5"x17.5" (60x44.5cm) Signed With Original Artists Label Verso, Blue Door Studio Label and James Bourlet Label Dated 1957

¤7,500 - ¤8,500

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John Shinnors

In this work by John Shinnors, the figure of the Owl confronts us in a landscape and the figure bestows a mystery. Its features are almost lost in the darks of the background. This is a scene of the extra-ordinary, full of a dramatic sense of the uncanny, of a foreboding. The literal - visual references made in the work are especially elusive and ambiguous. Strong dramatic tonal contrasts are here, with intense red, on white, beneath the owl, and the dark landscape beyond. This impressive work offers the sense of Shinnors at his most enigmatic.

200 John Shinnors

THE OWL (1984) Oil on Canvas, Laid on Board 17"x21" (43.25x53.5cm) Signed & Dated (19)84 In Original Frame, with Taylor Galleries Label Verso

¤8,000 - ¤10,000 200

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200

77 DOLAN’S

Patrick Hennessy RHA 1915 - 1980

Cork artist Patrick Hennessy is one of the most important Irish artists of the 20th Century. He won a scholarship to art college before travelling to study in Paris and Rome. He exhibited at the Royal Scottish Academy in 1939, returning to Ireland at the outbreak of the Second World War, exhibiting at the Royal Hibernian Academy from 1941 onwards. In Ireland, he divided his time between Dublin and Co Cork and became closely associated with the artist Harry Robinson Craig RHA. He exhibited extensively with almost 100 works shown in the Royal Hibernian Academy. His first one man show was at Thomas Agnew & Sons, Old Bond Street, London, in 1956 and the following year at the Ritchie Hendriks Gallery in Dublin. He continued his association with the Hendriks Gallery in subsequent years, exhibiting in Chicago in 1966. He travelled regularly in Cork, Kerry and Connemara and to France, Spain, Italy, Belgium and Holland, before moving to live in Morocco in his later years. His work is include of the collections of the National Gallery of Ireland, the National Self Portrait Collection, the Hugh Lane Municipal Gallery, the Crawford Art Gallery and the Ulster Museum. An artist of true substance, he has been considerable force in 20th Century Irish Art.

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201 Patrick Hennessy RHA 1915 - 1980

VIRGO & LETTER Oil on Board 9.5"x13.5" (24x34cm) Signed Provenance: 'Patrick Hennessy Exhibition', The Ritchie Hendriks Gallery Dublin, November 1960

¤10,000 - ¤12,000

79 DOLAN’S

Patrick Hennessy RHA 1915 - 1980

Cork artist Patrick Hennessy is one of the most important Irish artists of the 20th Century. He exhibited extensively with almost 100 works shown in the Royal Hibernian Academy. He travelled regularly in Cork, Kerry and Connemara and to France, Spain, Italy, Belgium and Holland, before moving to live in Morocco in his later years. His work is include of the collections of the National Gallery of Ireland, the National Self Portrait Collection, the Hugh Lane Municipal Gallery, the Crawford Art Gallery and the Ulster Museum. An artist of true substance, he has been considerable force in 20th Century Irish Art.

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202 Patrick Hennessy RHA 1915 - 1980

CONNEMARA BOGPOOLS Oil on Canvas 24.5"x29.5" (62x75cm) Signed

¤6,000 - ¤8,000

81 DOLAN’S

George Russell AE 1867 - 1935

Known primarily as a poet, George Russell was a central figure of the Irish Literary Revival, as well as being an accomplished artist. From Co. Armagh, Russell attended the Dublin Metropolitan School of Art in the 1880’s and it was at this time that he encountered George Moore and W.B. Yeats. (Russell’s portrait of Yeats is in the collection of the National Gallery of Ireland). Interestingly, in 1908 he exhibited his work alongside that of Countess Markievicz, Dermod O’Brien and William J Leech.

His work is included in most major national collections in Ireland, notably the National Gallery, the Hugh Lane Municipal Gallery, Armagh County Museum, Limerick City Gallery of Art, Cork’s Crawford Gallery, Trinity College, Dublin, The Abbey Theatre and The Ulster Museum.

203 George Russell AE 1867 - 1935

GIRLS ON A BEACH, IN PINK & BLUE Oil on Canvas 15.5"x20.75" (39.5x52.5cm) Signed with Monogram In Original Gilt Frame, Daniel Egan, Dublin Label Verso

¤8,000 - ¤10,000 203

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Cecil Maguire RUA

Cecil Maguire was born in Lurgan in 1930 and graduated from Queen’s University Belfast in 1951. Following a career as Senior English Master in Lurgan College, Maguire retired in 1981 to concentrate on painting full time. In 1967 he became an associate of the Royal Ulster Academy and began exhibiting at the RHA in 1971. Cecil Maguire now lives and works for a great part of the year in Roundstone, Co. Galway, where he feels very much at home in an area which has always been the inspiration for much of his work - an area of tranquility and ever changing landscape. His work is part of many public, private and major national collections including The National Self Portrait Collection and The Ulster Museum, and The United Nations Headquarters, New York.

203A

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203A Cecil Maguire RUA b.1930

BALLINASLOE HORSE FAIR, CO GALWAY 203B Cecil Maguire RUA, Oil on Board Towards a 17.5”x23.75” (44.5x60.5cm) Retrospective, Signed & Dated (19)87 Volume, Published, Signed, Inscribed & Dated Verso Signed by the artist

¤7,500 - ¤8,500 ¤50 - ¤80 203B

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204 James le Jeune RHA 204A Derek Biddulph 1910 - 1983 ROUNDSTONE HARBOUR LITTLE CHILDREN ON THE BEACH Oil on Canvas Oil on Canvas Board 20"x16" (50.5x40cm) 13.5"x17.5" (34.5x44.5cm) Signed Signed ¤400 - ¤500 ¤4,800 - ¤5,800

James le Jeune RHA 1910 - 1983

James le Jeune was born in Canada in 1910 of an Irish Mother and his father, a musician was of French and English decent. He studied art in London, Paris and New York, serving in North Africa during the Second World War. Exhibiting in London and Scotland in the late 1940’s, he moved to Ireland in 1950 and in 1951 began exhibiting at the Royal Hibernian Academy, where, with the exception of a few years, he was a regular exhibitor until 1982. Meanwhile, he continued to exhibit in London at the Royal Society of Portrait Painters, the Watercolour Society and the Royal Institute of Oil Painters. Le Jeune’s first one man show was held at the Victor Waddington Galleries, Dublin in 1954. By 1961 he had a studio at Baggot Lane and became a full member of the RHA in 1973. His many portraits included the comedian Jimmy O’Dea now in the National Collection. Perhaps, best known for his depiction of children playing on 204A the beach, the present work on offer demonstrates his outstanding ability.

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205 Robert Taylor Carson HRUA 1919 - 2008

WASH DAY IN THE ROSSES Oil on Board 10.5"x15.5" (26.5x39.5cm) Signed Signed, Inscribed & Dated (19)82 Verso

¤3,000 - ¤3,500 205

206 Robert Taylor Carson HRUA 1919 - 2008

BRINGING HOME THE GROCERIES Oil on Board 11.5"x15.5" (29x39cm) Signed Signed & Inscribed Verso

¤1,000 - ¤1,500 206

Robert Taylor Carson HRUA 1919 - 2008

Born in Belfast in 1919, Robert Taylor Carson studied art in Belfast where he specialized in drawing and painting the human form. After the Second World War he spent a year in the United States painting portraits and making a name for himself as an artist. Taylor Carson was a war artist for the American Airforce and exhibited with success in the United States. He broadened his style and subject matter, being most renowned for his character studies and his landscapes. He lived and worked near Downings in Co. Donegal and exhibited widely, including the Royal Ulster Academy and the Royal Hibernian Academy.

Robert Taylor Carson was made a member of the Royal Ulster Academy (1975) and the Ulster Water Colour Society (1983), exhibiting regularly throughout Ireland, America and Europe. His work is held in various notable collections, including The National Self Portrait Collection.

87 DOLAN’S

207 Robert Taylor Carson HRUA 1919 - 2008

PULLOVER, GIFT FROM AMERICA Oil on Board 19"x22.75" (48.5x57.5cm) Signed Signed, Inscribed & Dated 2003 Verso

¤1,200 - ¤1,800

208 Robert Taylor Carson HRUA 1919 - 2008

DOWNINGS BEACH, CO DONEGAL Oil on Board 19.5"x23.5" (49.5x59.5cm) Signed Signed, Inscribed & Dated 2002 Verso

¤1,000 - ¤1,500

207 209 Robert Taylor Carson HRUA 1919 - 2008

HORSE RACING ON THE BEACH Oil on Board 15.5"x19.5" (39.5x49.5cm) Signed Signed & Inscribed Verso

¤800 - ¤1,000

209A Robert Taylor Carson HRUA 1919 - 2008

WAITING Oil on Canvas 15.5"x19.5" (39.5x49.5cm) Signed Signed, Inscribed & Dated (19)92 Verso

¤700 - ¤800 208

209 209A

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210

Arthur Armstrong RHA 1924 - 1996

Born in Carrickfergus, Co. Antrim in 1924, his family moved to Belfast where Armstrong attended Queens University. After two years he departed and spent six months at Belfast College of Art evening classes, where he met Gerard Dillon, also becoming acquainted with George Campbell and Daniel O’Neill.

In 1946, he became a professional artist, but only surviving with clerical jobs, and in 1950 an exhibition of his work was held at the Grafton Gallery in Dublin. His work was also 210 Arthur Armstrong RHA exhibited in Belfast in a Group Show in 1951 and in a solo exhibition in 1956. 1924 - 1996

Armstrong first exhibited at the Royal Hibernian Academy in 1962 and up until 1995, NEAR DOGS BAY contributed a total of 74 works at the RHA, becoming a member in 1972. He also taught Oil on Board painting at the National College of Art and Design in Dublin. 19.5"x23.5" (49.5x59.5cm) Signed In 1981, a retrospective exhibition was organised by the Arts Council of Northern Ireland, covering the years 1950 - 80, and in 1988 a studio sale of his work was held in Dublin. ¤2,800 - ¤3,500

89 DOLAN’S

Douglas Alexander

Douglas Alexander was born in Limerick, the son of a Quaker family who owned a grocery and ship’s chandlery business at the corner of William Street and O’Connell Street. The Goodwin Galleries Limerick and The Victor Waddington Galleries Dublin both exhibited his work on a regular basis. He also exhibited in the RHA and the Dublin Sketching Club in the 1930’s. Although for several generations members of the Alexander family were prominent in Limerick in both business and philanthropic pursuits, Douglas, ended his days in poverty.

211

211 Douglas Alexander 1871 - 1945

EVENING REFLECTIONS ON DHU LOUGH, CONNEMARA Oil on Board 15.75"x19.75" (40x50cm) Signed Signed and Inscribed Verso with Victor Wadington Galleries Label

¤1,400 - ¤1,600

212 Douglas Alexander 1871 - 1945 212 EVENING, KYLEMORE, CONNEMARA Oil on Canvas Board 15.5"x19.5" (39.5x49.5cm) Signed Signed & Inscribed on Original Artists Label Verso, and Victor Waddington Galleries Label

¤1,600 - ¤1,800

213 Douglas Alexander 1871 - 1945

AMOUNG THE CONNEMARA HILLS Oil on Board 19.5"x23.5" (49.5x59.5cm) Signed Signed & Inscribed on Original Artists Label Verso, and Victor Waddington Galleries Label

¤1,600 - ¤1,800 213

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214 James Humbert Craig RHA RUA 1878 - 1944

James Humbert Craig RHA MOONLIGHT, CONNEMARA Oil on Board Born in Belfast in 1877, James Humberrt Craig was practically a 15"x20" (38.25x51cm) self-taught artist. He worked for a period in his father’s tea merchant Signed business before emigrating briefly to New York, where he worked for a period painting the Brooklyn Bridge. He returned home and ¤3,500 - ¤4,500 set up a studio in Co Antrim, while beginning to paint in Donegal and Connemara. He first exhibited at the RHA in 1915 and was a constant exhibitor for the rest of his life showing 130 works. He was appointed associate RHA in 1925 and a full member in 1928. He was also a member of the Ulster Academy. He exhibited at the Belfast Art Society, at the Magee Gallery, at the Fine Art Society London, alongside Paul Henry, at the Royal Academy and the Royal Institute of Oil Painters. In 1930, he exhibited in Brussels and in 1932, his work was included in the Olympic Art Exhibition in Los Angeles. He made various visits to the Continent, painting in Switzerland, Italy and the north of Spain. His work is included in the collection of the National Gallery of Ireland, the Municipal Gallery of Modern Art and the Ulster Museum, together with many other important collections. He died in 1944, and a memorial exhibition of his work was held in Belfast in 1945 and at the Combridge Gallery on Grafton Street in 1946. He is one of the leading artists among the cohort of Northern painters, who were dominant in the Irish art world in the mid-20th Century, and a retrospective of his work was presented at the Ulster Museum in the year 2000. 214

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215 John Behan RHA 216 Orla Egan b.1938 THE TURF MARKET, FISHERMEN IN THE WEST GALWAY Oil on Canvas Oil on Board 23.25"x17.25" (59.5x44cm) 5.75"x7.75" (15x20cm) Signed & Dated 2017 Signed

¤3,500 - ¤4,500 ¤350 - ¤450

216

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Grace Henry HRHA

Born in Scotland in 1868, the daughter of a church minister, her grandmother was a cousin to the poet, Lord Byron. Grace Henry studied at academies in Brussels and Paris, where she met Paul Henry and they married in London in 1903. She exhibited at the Royal Academy from 1904 and in 1910, she and Paul Henry first exhibited at the RHA. Two years later they made the extraordinary move to Achill Island which brought to the fore her talent as a colourist. They spent 7 years on Achill, during which time they held exhibitions in Belfast. In London, Grace exhibited at many leading galleries, including the Leicester Galleries, the London Salon, the Fine Art Society and occasionally at the Walker Art Gallery in Liverpool. She went on to rent a studio on Merrion Row in Dublin and exhibited work at the Irish Exhibition in Paris in 1922. Paul and Grace were founder members of the Dublin Painters, exhibiting there and at the Stephens Green Gallery in the early 1920’s together with the Magee Gallery Belfast. In the mid 1920’s, she lived in Paris, and in 1930, was exhibiting at the Brussels Exhibition of Irish Art, still from her Merrion Row address.

In 1934, she had a legal separation from Paul Henry, and through the 1930’s spent much time travelling abroad to Venice and other parts of Italy, to France and Spain, while continuing to exhibit in London and Dublin, including the Victor Waddington Gallery (1939, 1941 & 1943). Her last exhibition was at the Dawson Gallery Dublin in 1946. Altogether, she showed 30 works at the RHA and in 1939, was elected an honorary member of the RHA. She died in Dublin in 1953 and in 1991, a joint exhibition of the work of Paul and Grace Henry was exhibited at the Hugh Lane Gallery of Art in Dublin. Her work is included in major public collections throughout Ireland.

217 Grace Henry HRHA 1868-1953

STORM OVER THE LAGOON, VENICE Oil on Board 10.25"x12.75" (26x32.5cm) Signed Verso Original Dawson Gallery Label Verso

¤2,800 - ¤3,500 217

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218 John Behan RHA b.1938

LAUNCHING THE CURRACH Bronze Sculpture 20.5"(52cm) long Signed

¤7,500 - ¤9,000

219 A G Eskerri

FISHERMEN WITH CREELS Bronze Sculpture Approx 9.5” high Signed

¤600 - ¤800

219

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220 George Campbell RHA, RUA 1917 - 1979

WOMEN OF THE WEST Pen & Ink 5.75”x3.25” (15x8.25cm) Signed & Inscribed, West of Ireland, Dec. 1948 Provenance Victor Waddington Galleries

¤600 - ¤800

220 221 221 John Behan RHA b.1938

GOLDEN FLIGHT Polished Bronze Sculpture Approx 10" high on Plinth Signed & Dated

¤1,500 - ¤2,500

222 George Campbell RHA, RUA 1917-1979

CLIFDEN Mixed Media 222 12.5"x15.5" (32x39.5cm) Signed

¤1,000 - ¤1,250

223 Modern School

COASTAL VILLAGE Mixed Media 19.25"x25.25" (49x64cm) Signed & Dated (19)66

¤500 - ¤800 223

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224

Basil Ivan Rákóczi 1908 – 1979

Fiesta was painted in March 1952 in Menton, south east France, which was a regular haunt of the artist. His life had been hand to mouth for many years and he relied on exhibitions and friends to buy his paintings. However, it 224 Basil Ivan Rákóczi continued to be a prolific period for his painting. Fiesta is a clear example of 1908 - 1979 his style and content. It contains his trademark dream like figures, developed early in his Dublin period. He includes many of his classic features, the moon FIESTA & stars, birds, musical instruments and vases. There is also in this painting Oil on Canvas a sense of family and friendship. Music and laughter abound. He had by 19”x28.25” (48.5x72cm) now found a new lover in his life, following a number of turbulent post war Signed years, and also many new friends who stayed loyal for the rest of his and their Signed, Inscribed & Dated (19)52 Verso days. The trees look solid, the building is four square, the colours are strong, Rákóczi is literally finding his new feet. ¤3,000 - ¤4,000

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Gladys Maccabe RUA

Born in Co. Antrim during the First World War, Gladys Maccabe has painted all her life, establishing herself as one of the important Irish women artists of the 20th Century. Founder of the Ulster Society of Women Artists, she has been the recipient of many prestigious awards during her lifetime. Her distinctive style has broad appeal and her work is part of many major national collections including The Arts Council of Ireland, The National Self Portrait Collection and The Ulster Museum.

225 Gladys Maccabe HRUA b.1918

MOONLIGHT BANDSTAND Oil on Board 23.25"x17.25" (59x43.5cm) Signed

¤1,600 - ¤2,200

226 Norman Teeling b.1944

THE RED FEATHERS Oil on Board 32"x24" (81x61cm) Signed

¤600 - ¤800

225 227 Graham Elliott

CELLO PLAYER, NATIONAL CONCERT HALL Oil on Canvas Board 19.5"x19.5" (50x50cm) Signed Signed & Inscribed Verso

¤700 - ¤1,000

226

227

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Mark O’Neill 228 Mark O'Neill b.1963 Mark O’Neill was born in 1963 and lived in Mauritius, South Africa and Malta before he settled in London. He studied at the FIGS ON THE PANTRY SHELF Kingston College of Art and graduated with first class honours Oil on Board in Fine Art. He became an illustrator and worked for many 12.25"x15" (31x38.5cm) companies such as Harrods, Guinness and Warner Brothers. Signed & Dated 2006 He subsequently moved to Ireland in 1988 and established himself as an artist of outstanding ability, with many successful ¤1,800 - ¤2,800 sellout exhibitions. His success is richly deserved.

229 Georgian Oak pad foot dining table, twin drop flap, approx 42” wide, 50” long when extended. 229 ¤380 - ¤450

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230 George III Coopered Wine Cooler, of oval form, with brass bands and handles, approx 23.5” long

¤1,000 - ¤1,500

231 George III Mahogany and Brass Bound Peat Bucket, 230 with twin lion head brass handles, approx 16” diameter

¤700 - ¤1,000

232 Regency Mahogany Breakfast Table, the rectangular top with rounded corners, supported by a turned column with quatreform base and moulded legs, terminating in brass castors, approx 59.75" long, 47" wide

¤1,500 - ¤2,000

231

232

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233

234

235

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236

233 George III Mahogany Serving Table, 236 Mark O'Neill with crossbanded edge, blind fretwork b.1963 carved frieze and raised on legs of square section, with chamfered inside THE YARD INSPECTOR edge, approx 66" long, 32" deep Oil on Board 12.25"x19.25" (31x48.5cm) ¤1,400 - ¤1,800 Signed & Dated 2008 Signed, Inscribed & Dated Verso. Exhibited Mark O'Neill Exhibition, Adam's December 2008

234 An Aubusson Tapestry Style Rug, ¤2,800 - ¤3,800 principal colours beige, pink & green, approx 184" x 128"

¤600 - ¤800 Mark O’Neill

Mark O’Neill was born in 1963 and lived in Mauritius, South Africa and Malta before he 235 George III Mahogany Dining Table, settled in London. He studied comprising a pair of D ends & a at the Kingston College of Art centre drop leaf section, the top with and graduated with first class boxwood strung edge, supported by honours in Fine Art. He became a recessed frieze, with boxwood and an illustrator and worked ebony stringing and chequer inlay, for many companies such as with bellflower medallions to the Harrods, Guinness and Warner top of each leg and all supported by Brothers. He subsequently 12 tapered legs of square section, moved to Ireland in 1988 and terminating in spade feet, established himself as an artist approx 109" long extended, 48" wide of outstanding ability, with many successful sellout exhibitions. ¤1,400 - ¤1,800 His success is richly deserved.

101 DOLAN’S

236A Bridget Ryan

FARM HOUSE IN CONNEMARA Oil on Board 16"x19" (40.5x48cm) Signed

¤600 - ¤800

236B Bridget Ryan

FARM HOUSES ON THE HILL Oil on Board 15"x18.25" (38.5x46cm) Signed

236A ¤500 - ¤800

237 Arthur Twells RUA 1921 - 1996

MOONLIGHT Oil on Canvas 23.5"x47.5" (59.5x120.5cn) Signed

¤1,200 - ¤1,600

237A Desmond C Tallon

CHAROLAIS COW & HER CALF Oil on Board 6.5"x9.5" (16.5x24.5cm) Signed

¤600 - ¤800 236B

237 237A

102 6th AUGUST 2018

238

238 Nicholas St John Rosse STUDY OF AN OLD MAN Red Chalk Drawing 13"x9.25" (33x23.5cm) Signed ¤180 - ¤250

239 Mark O'Neill b.1963

ANCIENT DOORWAY, LITTLE ST. PAUL DE VENCE Oil on Board 9.5"x6.5" (24x16cm) Signed & Dated (20)06 Signed & Inscribed Verso

¤700 - ¤900

239 240 David ffrench le Roy b. 1971

WHITE TULIPS IN AN EARTHENWARE JUG Oil on Board 14.75"x10.25" (37.5x26cm) Signed & Dated 2010

¤600 - ¤800

241 Phyllis Del Vecchio

HARVEST FRUIT Watercolour 28.75"x21.5" (73x54cm) Signed

¤400 - ¤600 240 241

103 DOLAN’S

242

243

242 George Gillespie RUA 243 George Gillespie RUA 1924 - 1995 1924 - 1995

THE FERRYBOAT, CONNEMARA LISCANNOR, CO CLARE Oil on Canvas Oil on Canvas 23.5"x35.5" (60x90cm) 19.5"x29.25" (49.5x74.5cm) Signed Signed Artist's Label Verso Artist's Label Verso

¤4,000 - ¤6,000 ¤2,200 - ¤2,800

104 6th AUGUST 2018

244

Henry Morgan

Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the 244 Henry Morgan Limerick School of Art and was awarded a scholarship to Oslo University. b.1952 Since his return to Ireland, having completed a BA in Fine Art, he has exhibited extensively both at home and abroad and has been a regular SUNLIGHT ON THE FALLS exhibitor at the Irish Exhibition of Living Art, The Royal Hibernian Oil on Canvas Academy, EVA in Limerick, among many others. Henry has been 30"x38" (76x96.5cm) inspired by the local landscape from the Burren to the Clare Glens and Signed & Dated the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher ¤2,500 - ¤3,500 echelons of Irish Art. A contemporary artist of substance, his work is now included in many public and private collections.

105 DOLAN’S

245

245 Henry Morgan b.1952

AUTUMN RIVER LANDSCAPE Oil on Canvas 17.25"x23.25" (44x59cm) Signed & Dated

¤800 - ¤1,200

246 Henry Morgan b.1952

246 SUMMER RIVER LANDSCAPE Oil on Canvas 15.5"x19.5" (39.5x49.5cm) Signed & Dated

¤800 - ¤1,200

106 6th AUGUST 2018

247

248

247 Henry Morgan 248 Henry Morgan b.1952 b.1952

AUTUMN RIVER LANDSCAPE SUMMER SUNSHINE IN THE WOODS Oil on Canvas Oil on Canvas Board 18.25"x22.25" (46.5x56.5cm) 15.25"x19.25" (38.5x48.5cm) Signed & Dated Signed & Dated (20)13

¤1,200 - ¤1,400 ¤500 - ¤800

107 DOLAN’S

249

Robert Egginton

Born in 1943, into an artistic family, Robert Egginton is the nephew of Frank Egginton (1908–1990) and the grandson of Wycliffe Egginton, R.I. (1875-1951). Robert’s artistic lineage has stood him well and he has developed his own distinctive style. A superb watercolourist, strong on composition and technique, his depiction of the Irish landscape is vivid and robust, bridging the traditional and the contemporary. 250

250A 250B

108 6th AUGUST 2018

249 Ivan Sutton b.1944

ST MACDARA’S DAY, OFF ROUNDSTONE (MACDARA’S ISLAND) Oil on Canvas Board 19.25"x29.25" (49x74cm) Signed Signed & Inscribed Verso

¤1,400 - ¤2,000

250 Robert Egginton b.1943

DERRYCLARE LAKE, CONNEMARA Watercolour 13.75"x19.5" (35x50cm) Signed

¤600 - ¤800

250A Manus Walsh 251 b.1940

SOFT LIGHT ON THE BURREN Acrylic on Canvas 13”x16.25” (33x41cm) Signed

¤500 - ¤700 250B Henry Morgan b.1952 ROCK CUTTING NEAR LOOP HEAD Oil on Canvas 19.75"x12.5" (50x31.5cm) Signed & Dated

¤500 - ¤800

251 Rosemary Carr ROI

SUMMER CLOUD, SHADOWS OVER KILLARY HARBOUR Oil on Canvas 15.5"x19.5" (39.5x49.5cm) Signed & Dated (20)00

¤450 - ¤600 252

252 Rosemary Carr ROI Rosemary Carr ROI BLUE AND MIST IN THE BENS OVER ROUNDSTONE BOG Rosemary Carr has been painting in Ireland since 1965, and since 1989 Oil on Canvas has been a full time member of the Royal Institute of Oil Painters. She has 15.75"x19.75" (40x50cm) exhibited in London and Dublin, including the Royal Hibernian Academy, Signed & Dated (20)03 and of course in Connemara, where she lives. She always paints in the open Original Artists Label Verso air, and her use of paint and her palette knife work is exquisite. She captures the light and colour and mood of Connemara through each season, choosing ¤450 - ¤600 her titles in a careful and considered manner.

109 DOLAN’S

253

Rosemary Carr ROI

Rosemary Carr has been painting in Ireland since 1965, and since 1989 has been a full time member of the Royal Institute of Oil Painters. She has exhibited in London and Dublin, including the Royal Hibernian Academy, and of course in Connemara, where she lives. She always paints in the open air, and her use of paint and her palette knife work is exquisite. She captures the light and colour and mood of Connemara through each season, choosing her titles in a careful and considered manner.

253 Rosemary Carr ROI

VIEW TO GLENICMURRIN LOUGH, FROM FERMOYLE Oil on Board 9.5"x23.5" (24x59.5cm) Signed & Dated (20)07

¤400 - ¤600

254 Rosemary Carr ROI

SUNLIGHT THROUGH THE APPLE BLOSSOM, SCRAHALLIA, CASHEL Oil on Board 11.5"x8.75" (29x22cm) Signed & Dated (20)09

¤350 - ¤500 254

110 6th AUGUST 2018

255 Rosemary Carr ROI HAY NEARLY ALL CARRIED, RIDGEFIELDS, CLOONISLE Oil on Board 8.75"x11.5" (22x29cm) Signed & Dated (20)06

¤350 - ¤500

256 Rosemary Carr ROI DARK CLOUDS COLOURING THE SEA, THE SUN ADDING A SPARKLE, 255 256 BERTRABOY BAY Oil on Board 8.75"x11.5" (22x29cm) Signed & Dated (20)10

¤350 - ¤500 257 Rosemary Carr ROI

CASHEL SHOW, CLOONISLE FIELDS Oil on Board 8.75"x11.5" (22x29cm) Signed & Dated (20)03 257 258 ¤350 - ¤500

258 Rosemary Carr ROI A BRILLIANT BLUE DAY IN EARLY MARCH, CASHEL Oil on Board 8.75"x11.5" (22x29cm) Signed & Dated (20)05

¤350 - ¤500 259 Rosemary Carr ROI

SUNLIGHT AFTER THE RAINS, RIVER GOWLA 259 260 Oil on Board 8.75"x11.5" (22.5x29cm) Signed & Dated (20)10

¤350 - ¤500

260 Rosemary Carr ROI FARM BY WALLACE’S QUAY, CASHEL Oil on Board 8.75"x11.5" (22x29cm) Signed & Dated (20)00

¤350 - ¤500 261 262 261 Rosemary Carr ROI 262 Rosemary Carr ROI ALL IN BLUE FOR THE FIRST OF VIEW TO THE BENS, OVER A PINK MAY, FERMOYLE LOUGH & AMBER BOG, GOWLA Oil on Board Oil on Board 8.75"x11.5" (22x29cm) 8.75"x11.5" (22x29cm) Signed & Dated (20)09 Signed & Dated (20)10

¤350 - ¤500 ¤350 - ¤500

111 DOLAN’S

263

263 Henry Morgan b.1952

PURPLE RAIN Oil on Canvas 19.5"x23.25" (49.5x59.5cm) Signed & Dated

¤750 - ¤1,000

264 Ivan Sutton b.1944

KINVARRA, CO GALWAY Oil on Canvas Board 19.25"x29.25" (49x74cm) Signed 264 Signed & Inscribed Verso

¤1,400 - ¤2,000

112 6th AUGUST 2018

265

Carina Scott

Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses and Connemara ponies at the RDS and French Championships. Painting in both Ireland and 264 Ivan Sutton France, her adopted country, Carina Scott is continually inspired by the b.1944 265 Carina Scott landscape & light, by the seasons and the sensuality of nature all around b.1963 her. Her work is distinctive and vibrant, an Irish palette, influenced by KINVARRA, CO GALWAY the strong light and colour of southern Europe. With her bold use of Oil on Canvas Board NORTH BY NORTH WEST paint, Scott captures the light and mood of the Irish landscape and of the 19.25"x29.25" (49x74cm) Oil on Canvas creatures she portrays. Her use of paint and her palette knife work are Signed 19.5"x27.25" (50x70cm) exquisite, testament to the flair, vigour and enthusiasm with which she Signed & Inscribed Verso Signed constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is ¤1,400 - ¤2,000 ¤1,000 - ¤1,500 well deserved.

113 DOLAN’S

269 Aidan Bradley 274 Aidan Bradley b.1961 b.1961

ACHILL GEORGIAN LANDSCAPE III DOORWAY Oil on Board Oil on Board 19.25"x19.25" 13.75"x11.5" (49x49cm) (35x29.5cm) Signed & Dated Signed & Dated (20)06 (19)98

¤400 - ¤500 ¤300 - ¤400

270 Aidan Bradley 275 Aidan Bradley b.1961 b.1961

GEORGIAN GEORGIAN DOORWAY DOORWAY Oil on Board Oil on Board 13.25"x11.25" 11.5"x11.5" (34x29cm) (29x29cm) Signed & Dated ¤300 - ¤400 (19)98

271 Aidan Bradley ¤300 - ¤400 b.1961 GEORGIAN 276 Aidan Bradley DOORWAY b.1961 Oil on Board 11.25"x11.25" GEORGIAN (28.5x28.5cm) WINDOW Signed & Dated Oil on Board (19)99 11.5"x11.5" (29x29cm) ¤300 - ¤400 Signed & Dated (19)98 272 Aidan Bradley 266 b.1961 ¤300 - ¤400

267 Aidan Bradley DUBLIN 277 Aidan Bradley b.1961 DOORWAY b.1961 Oil on Board ACHILL 11.25"x11.25" THE YELLOW LANDSCAPE I (29x29cm) DOOR 266 Oil on Board Signed & Dated Oil on Board 266 George Campbell RHA, RUA 19.25"x19.25" (19)99 11.5"x11.5" 1917 - 1979 (49x49cm) (29x29cm) XAUEN, MOROCCO, 1964 Signed & Dated ¤300 - ¤400 Signed & Dated Oil on Board (20)06 (19)98 23.25"x17.25" (59x44cm) 273 Aidan Bradley Inscribed & Dated 1964 Verso ¤400 - ¤500 b.1961 ¤300 - ¤400

Provenance: de Veres Art Auction 268 Aidan Bradley DUBLIN 278 Aidan Bradley 17th May 2011, Lot 188 b.1961 DOORWAY b.1961 Oil on Board ¤2,000 - ¤3,000 ACHILL 11.25"x11.25" URBAN LANDSCAPE II (29x29cm) LANDSCAPE Oil on Board Signed & Dated Oil on Board 19.25"x19.25" (19)98 11.5"x13.5" (49x49cm) (29x34cm) Signed & Dated ¤300 - ¤400 Signed & Dated (20)07 (19)98

¤400 - ¤500 ¤300 - ¤400

114 6th AUGUST 2018

267 268 269

270 271 272

273 274 275

276 277 278

115 DOLAN’S

279

279 Graham Elliott b.1943

THE GLEANERS, APPROACHING STORM Oil on Canvas Board 15.5"x19.5" (39.5x50cm) Signed

¤600 - ¤800

280 Graham Elliott b.1943

HARVEST DAY Oil on Canvas Board 15.5"x11.5" (39x29cm) Signed

¤400 - ¤600

280

116 6th AUGUST 2018

281

281 Graham Elliott b.1943

BRINGING IN THE HAY Oil on Canvas Board 11.75"x15.5" (30x39.5cm) Signed

¤500 - ¤800

282 Norman Teeling b.1944

IN THE ROSE GARDEN Oil on Board 23.5"x19.5" (60x50cm) Signed

¤700 - ¤800

282

117 DOLAN’S

283

283 Arthur K Maderson b.1942

THREE MINUTES TO SUNSET, KILLDERRIHEEN WOODS, CO WATERFORD Oil on Board 30.25"x30.25" (77x77cm) Signed Signed & Inscribed Verso

¤2,000 - ¤3,000

284 Norman Teeling b.1944

SUMMER SHADOWS ON STEPHEN'S GREEN Oil on Board 19.5"x23.5" (50x60cm) Signed

¤750 - ¤850 284

118 6th AUGUST 2018

Please Note: Lots 285 to 310 are being sold on behalf of the Dolan family.

285

286 287

285 John Strevens 286 Tom Nisbet RHA 287 Fergus O'Ryan RHA 1902 - 1990 1909 - 2001 1911 - 1989

BY THE FOUNTAIN SUMMER MEADOWS THE OX THAT TREADS THE CORN Oil on Canvas Watercolour Oil on Board 15.75”x19.75” (40x50cm) 10.5"x14.5" (26.5x36.5cm) 10"x13" (25x33cm) Signed (Incised) Signed Signed & Inscribed Signed & Inscribed Verso Signed & Inscribed Verso. Signed & Inscribed Verso Exhibited at RHA Exhibition 1979 ¤900 - ¤1,200 ¤450 - ¤650 ¤380 - ¤450

119 DOLAN’S

288 Pierre Lavarenne b.1928

YOUNG WOMAN, NU BLEU Oil on Canvas 29"x23.75" (73x60cm) Signed Inscribed Verso

¤1,200 - ¤1,500

289 Arthur K Maderson b.1942

THE THREE GRACES, MONT PELLIER Oil on Board 16"x16" (41x41cm) Signed Signed & Inscribed Verso

¤1,400 - ¤2,000

289A Clifford Hall 1904 - 1973

CARNATIONS Oil on Board 8.5"x6.5" (22x16.5cm) Signed Chelsea Arts Society Exhibition Label Verso

¤400 - ¤600

288

289 289A

120 6th AUGUST 2018

290 Lucien Genin 1894 - 1958

FIGURES ON A PARISIAN STREET AT NIGHT Gouache 10.25"x13.5" (26x33.5cm) Signed & Inscribed “Hommage a Madame Frances Burck-R” Frances Burke Roche (1936-2004) was the maiden name of Frances Shand Kydd, mother of Diana, Princess of Wales. The inscription verso also suggests that this painting was exhibited by the artist in Chicago in 1932.

¤800 - ¤1,000

290

291 Arthur K Maderson b.1942

MARKET DAY, SOUTH OF FRANCE Oil on Board 10.75"x10.75" (27.5x27.5cm) Signed Signed & Inscribed Verso

¤1,000 - ¤1,200

292 Thomas Ryan PRHA b.1929 291 PINK SUMMER ROSE Oil on Canvas Board 10"x7.75" (25x20cm), Signed Signed & Dated (19)90 Verso

¤1,800 - ¤2,200

293 Marble Composition Figure of Venus, approx 63” high

¤600 - ¤800

292 293

121 DOLAN’S

294 Lorna Millar

SUMMER BEACH Oil on Board 19.5"x29.5" (49.5x75cm) Signed

¤600 - ¤850

295 Carol Ann Waldron b.1948

PERFECT COMPANY Oil on Canvas Board 11.5"x15.5" (29x39cm) Signed

¤600 - ¤800 294

296 Lorna Millar

THE RED DRESS Oil on Board 19"x29" (48x74cm) Signed

¤600 - ¤850

296A Sir Terry Wogan IF THIS IS ART, I AM A DUTCHMAN’, TERRY WOGAN, A SELF PORTRAIT Mixed Media 5.5”x7.75” (14x20cm) Signed & Inscribed

¤500 - ¤800 295

296 296A

122 6th AUGUST 2018

297 Annie Robinson b.1961

MARKEY & FRIENDS Pastel 9"x12" (22.5x31cm) Signed with Initial & Inscribed with Title

¤350 - ¤450

298 Robert Taylor Carson HRUA 1919 - 2008

SUMMER ROSES Oil on Canvas 12.5"x16.5" (32x42cm) Signed

¤700 - ¤900 297 299 Annie Robinson b.1961

DOG WALKING IN THE PARK Pastel 12"x9" (30.5x23cm) Signed with Initial & Inscribed with Title

¤350 - ¤450

299A Annie Robinson b.1961

MOONLIGHT VILLAGE Pastel 8.5"x11.25" (21.5x29cm) Signed with Initial

¤350 - ¤450

298

299 299A

123 DOLAN’S

300 Hermes Designer Silk Scarf, entitled ‘Equateur’, depicting animals and birds, approx 34" square

¤250 - ¤300 300

301 Hermes Designer Silk Scarf, Inscribed ‘Passi Flores’, approx 34" square

301 ¤150 - ¤250

124 IMPERFECTIONS NOT STATED 6th AUGUST 2018

302

302 Hermes Designer Black and Gilt-Metal Mounted Handbag, with three compartment interior, with brass logo buttons and stamp

¤2,800 - ¤3,800 302

125 DOLAN’S

303

303 Vintage Black Leather Handbag by Gucci, classic smooth leather finish, with the highly recognisable designer twin G monogram clasp, moiré silk lining and vintage vanity mirror

¤600 - ¤800

126 IMPERFECTIONS NOT STATED 6th AUGUST 2018

304 A Louis Vuitton bag, with outer cloth protective cover and original receipt, approx 15"x14" excluding handles

¤600 - ¤800

304 304

305 306

305 A Braccialini Italian Patent Leather Designer Handbag, 306 Leather Handbag, classic design in the form of a black swan, with Pewter and Enamel mounted neck and head supporting a five pointed crown. ¤100 - ¤200 Logo inside and on zip tongue

¤500 - ¤800

127 DOLAN’S

308

307

309

310

128 IMPERFECTIONS NOT STATED 6th AUGUST 2018

307 Ladies Full Length Fur Coat

¤400 - ¤600

308 Ladies Full Length Fur Coat

¤400 - ¤600

309 Elizabeth II, proof half sovereign, 2004, UNC.

¤140 - ¤180 311 310 Speckled Spinach Jade Graduated Bead Necklace, with screw clasp, approx 18" long

¤180 - ¤250

311 Diamond Solitaire Ring, Pear Cut Diamond, approx 0.75ct, with ring in 14ct Yellow Gold

¤2,000 - ¤3,000

312 Edwardian Style 9ct Yellow Gold Cubic Zirconia Eternity Ring

¤80 - ¤120

312

129 DOLAN’S

313 Elizabeth Cope b.1952

OWL, LOBSTER, WOODPECKER, PINK & YELLOW FLOWERS Oil on Board 23.5"x30" (60x76cm) Signed Signed & Inscribed Verso

¤1,500 - ¤2,500

314 Ken O’Neill b.1967

MONDRIAN VIEW Oil on Canvas 15.75"x19.75" (40x50cm) Signed

¤400 - ¤600

313 315 Mick Flaherty

WILD FLOWERS Oil on Board 23.5"x17.5" (59.5x44.5cm) Signed

¤600 - ¤800

316 John Schwatschke b.1943

FAMILY PICNIC Oil on Canvas 23.75”x19.75” (60x50cm) Signed with Monogram 314 315 Signed & Inscribed Verso

¤600 - ¤800

317 Ken O’Neill b.1967

BEIGE, BLACK & WHITE Oil on Canvas 14.25"x18" (36x45.5cm) Signed

¤400 - ¤500

316 317

130 6th AUGUST 2018

318

318 Graham Knuttel b.1954

ORANGE CAT Oil on Canvas 10"x14" (25x35cm) Signed

¤600 - ¤800

319 Elizabeth Cope b.1952

OWL, FLOWERS & FRUIT Oil on Boards 30.5"x17" (77.5x43.5cm) Signed

¤1,500 - ¤2,500

320 Graham Knuttel 319 320 b.1954 LOVE BIRDS Oil on Canvas 14"x10" (35x25cm) Signed Graham Knuttel

¤600 - ¤800 The Irish figurative painter and artist Graham Knuttel was born in Dublin in 1954 of German and English parents. Knuttel considers himself to be Irish or more specifically ‘A Dubliner’. He attended the Dun Laoghaire School of Art and Design, where he gained a Diploma in fine art painting and sculpture. Knuttel has now emerged as a painter with an international reputation, using colour and form to express the emotion of his figures, with work in many collections worldwide, including the Arts Council of Ireland, University College Dublin and the Hugh Lane Gallery.

131 DOLAN’S

321

322 322 322

321 Felim Egan 322 Gertrude Dagenhardt b.1952 WOMEN MUSICIANS STUDY IN ABSTRACT Coloured Etchings, Set of 3 Mixed Media on Canvas 19.25"x13.25" (48.5x34cm) 27.75"x27.75" (70.5x70.5cm) All Signed and Inscribed Signed & Dated 1987 Verso ¤250 - ¤350 ¤300 - ¤400 132 6th AUGUST 2018

323 324

325 326

323 John Behan RHA 324 John Behan RHA 326 Finola Graham b.1938 b.1938 b.1945

FRANCIS STUART, OCT 1981 IN DAY’S BAR, INISHBOFIN FRANCIS STUART PORTRAIT Mixed Media Mixed Media Colour Print 19.5"x16" (50x40.5cm) 15.75"x19.5" (40x50cm) 19.5"x19.5" (49.5x49.5cm) Signed & Dated 1981 Signed & Dated 1981 Signed verso Signed (in Galway) Verso by Fionola Graham was the third Francis Stuart & his second wife, ¤300 - ¤400 wife of poet Francis Stuart. In this Gertrude, on the occation of the portrait, she depicts Stuart wearing 40th Anniversery of their meeting 325 Gerald Davis a large silver medallion that he in Berlin. 1938 - 2005 won as a child for his prize-winning pullet at the RDS annual show. ¤400 - ¤600 FIGURE IN LANDSCAPE Finola Graham studied at La Grande Oil on Board Chaumiere and l’Ecole Nationale 11.5"x15.5" (29x39cm) Superiere Des Beaux Arts in Paris, Signed & Dated (19)87 1964-70.

¤300 - ¤400 ¤50 - ¤100

133 DOLAN’S

327 Douglas Hutton b.1950

PONIES NEAR RENVYLE, CONNEMARA Oil on Canvas 38.75"x31" (98.5x79cm) Signed with Initials Signed & Inscribed Verso

¤700 - ¤1,000

327A Elizabeth Brophy b.1926

SUMMER FLOWERS Oil on Board 11.25”x15.25” (28.5x38.5cm) Signed

¤400 - ¤600

328 Colin Gibson b.1948

CHRISTCHURCH CATHEDRAL, DUBLIN Oil on Board 11.5"x15.5" (29x39cm) Signed & Inscribed

¤300 - ¤350 327

327A 328

134 6th AUGUST 2018

Please Note: Lots 328 to 340 are being sold on behalf of the Dolan family.

329 Graham Bannister b.1954

VENETIAN REFLECTIONS Oil on Canvas 42"x35.75" (106.5x90.5cm) Signed & Dated 1983 Graham Bannister is an Associate of the Societe Nationale des Beaux Arts since 1993

¤700 - ¤1,000

330 John Fitzgerald Kennedy, Interesting Volume, published 1966, with all faults, illustrated throughout

¤40 - ¤60

331 Good Vintage Carriage Pram

¤150 - ¤250

332 Set of Irish Coins

¤15 - ¤25

333 Dolly/Dough Bin

¤30 - ¤40

334 Harry Neilson

The Foxes Breakfast 329 Coloured Print

¤60 - ¤80

330

331

135 DOLAN’S

CONNEMARA

DAY 2 Tuesday 7th August 2018

12.30pm

136 7th AUGUST 2018

340 Interesting Victorian Scrap Album, containing varius photographs of Connemara, with views of Clifden and Leenane

¤300 - ¤500 340 340

341 John Michael Nikolai b. 1968

AGAINST THE WIND, CONNEMARA Archival Print on Watercolour Paper 18"x27.25" (45.5x69cm) Signed on Mount

¤250 - ¤350 341

342 John Michael Nikolai b. 1968

BEACH FIGURES Archival Print on Watercolour Paper 18"x27.25" (45.5x69cm) Signed on Mount

¤250 - ¤350 342

343 John Michael Nikolai b. 1968

RAINY DAY PEOPLE Archival Print on Watercolour Paper 18"x27.25" (45.5x69cm) Signed on Mount

¤250 - ¤350 343

137 DOLAN’S Please Note: Lots 344 to 392 are being sold on behalf of the Dolan family.

344 School Bell, hand held, with wooden handle, approx 11" high ¤50 - ¤80

345 345 Pair of Cast Iron ‘Michelin’ Cars, each approx 10" long 346 ¤30 - ¤40

346 Vintage Singer Sewing Machine ¤40 - ¤60

344 347 Dinky, Corgi & Matchbox Cars [3] ¤25 - ¤35

349 348 Art Volumes, 347 “Whistler, A Retrospective”, published 1989, together with 348 “American Impressionists” (1991) ¤30 - ¤40

349 Silver Plated Four Piece Art Nouveau style Service, 351 Coffee Pot, Teapot, Sugar & Jug ¤70 - ¤80 350 350 Attractive small figure of a Pig, approx 11" long ¤40 - ¤50

351 Cast Iron Michelin & Shell Signs, approx 16" & 19" long [2] ¤40 - ¤50

352 Pair of Cast Iron Esso Figures, fashioned as Money Boxes, each approx 9.5" high [2] ¤40 - ¤50 353 353 “His Master's Voice”, attractive Cast Iron figure, approx 8.5" long 352 ¤30 - ¤40

354 Pair of Modern Candelabra, approx 12" & 10" high ¤30 - ¤40

355 Pair of Cast Iron Rabbit Doorstops, together with a Cast Iron Bird Door Knocker ¤30 - ¤40

356 Ornate Gilt Framed 3524 Bevelled Mirror ¤80 - ¤100

355

138 IMPERFECTIONS NOT STATED 7th AUGUST 2018

357 Pair of Oval Silver Plated Entrée Dishes and Covers, with engraved and oval cartouche bands within beaded borders, approx 12" long 358 ¤80 - ¤100 357

358 Anchor China, Indian Tree Pattern, Set of Coffee Cups & Saucers ¤40 - ¤50

359 Cast Iron Coco Cola figure, fashioned as a money box, approx 8" high ¤30 - ¤40 361 360 “Eileen Gray, Her Life 359 and Works”, volume, Thames & Hudson ¤25 - ¤35 360

361 George Jones Crescent China Part Tea Service, 362 decorated with floral swags ¤80 - ¤120

362 Silver Plated Sauce Boat, 363 approx 9.5" long, together with a smaller modern Sauce Boat, 364 approx 5.5" long ¤40 - ¤60 363 363 Set of 3 Painted Metal Figures of Kingfishers, together with a Set of 4 Egg Shaped Paperweights ¤50 - ¤70

364 Silver Plated Egg Cruet with spoons, with Toast Rack combined, together with a Silver Plated Condiment Set and an Oval Salt with liner. ¤50 - ¤70 365

365 Two Cased Sets of Six Silver Coffee Bean Spoons, 367 Birmingham 1924 and 366 Sheffield 1973 (Mappin & Webb) ¤80 - ¤100

366 Silver Plated Sauce Boat, 368 Set of 3 Cast Iron Doorstops of Mice, approx 8" long together with a Cast Iron Door Bell ¤30 - ¤50 ¤30 - ¤40

367 Oak Cased Set of Cutlery 369 Ornate Boot Scraper & & another similar in a Cast Iron Boot Pull Mahogany Case ¤40 - ¤60 ¤40 - ¤60

368

139 DOLAN’S

370

370 Good Large Persian Mashad Rug, approx 158" x 118"

¤650 - ¤850

371 Fine Ziegler Mahal Carpet, approx 136" x 98"

¤750 - ¤850

372 Good Quality Keshan Type Rug, approx 142" x 108"

371 ¤380 - ¤550

373 Persian Bakhtiari Carpet, approx 140" x 43"

¤380 - ¤450

374 Persian Nahavand Rug, approx 80" x 52"

¤650 - ¤850

375 Ziegler Type Carpet with beige ground, approx 109" x 79"

¤280 - ¤380

376 Ziegler Type Carpet with red 372 ground, approx 88" x 63"

¤300 - ¤450

377 Fine Persian Qum Rug, approx 100" x 61"

¤600 - ¤800

373

140 IMPERFECTIONS NOT STATED 7th AUGUST 2018

374

375

376

377

141 DOLAN’S

378 Fergus O'Ryan RHA 1911-1989

AVONMORE RIVER, NEAR AVOCA Oil on Board 11.5"x15.5" (29x39cm) Signed Original Artist's Label Verso, Signed & Inscribed

¤600 - ¤800

379 Frank Egginton RCA FIAL 1908 - 1990

AUTUMN, CO SLIGO Watercolour 14.5"x20.5" (37x52cm) Signed

¤600 - ¤800 378 380 Robert Egginton b.1943

CATTLE GRAZING AT BALLYCONNEELY Oil on Canvas Board 14.5"x20.5" (36.5x52cm) Signed

¤480 - ¤650

381 Arthur Twells RUA 1921 - 1996

SALMON FISHING Oil on Canvas 19.5”x27.5” (50x70cm) Signed

¤600 - ¤800 379 382 Henry Charles Fox RBA 1860-1929

FARM PATH WITH HENS & DUCKS Watercolour 13.25"x20.5" (33.5x52.5cm) Signed & Dated 1914

¤350 - ¤450

383 After Sir William Russell Flint RA 1880 - 1969

WASH DAY Coloured Print 15.25"x21.25" (38.5x54cm) Signed in Pencil by the Artist John McGee, Belfast, Label Verso

¤180 - ¤350 380

142 7th AUGUST 2018

381

382 383

383A Irish School

CONNEMARA MOTHER Charcoal Drawing 7.5"x10" (19x25.5cm) Signed with Monogram

¤100 - ¤200 383A

143 DOLAN’S

384 385

386 387

388 389 384 E Lyn Hope 386 E Lyn Hope 388 Richard Haworth CORNER OF THE HARBOUR, HARBOUR REFLECTIONS, TULLY MOUNTAIN, BUNBEG BUNBEG CONNEMARA Watercolour Watercolour Watercolour 11"x15.25" (27.5x38.5cm) 10.75"x14.75" (27x38cm) 14.25"x21.75" (36.5x52.5cm) Signed ¤350 - ¤450 Signed ¤350 - ¤450 ¤140 - ¤180 387 E Lyn Hope 385 E Lyn Hope LOOKING DOWN ON THE 389 Richard Haworth BUNBEG HARBOUR HARBOUR KILLARY HARBOUR Watercolour Pen & Ink & Watercolour Watercolour 6.75"x9.75" (17.5x25cm) 10.75"x15" (27x38cm) 14.25"x20.25" (36x51.5cm) Inscribed & Dated August 10th 1951 ¤350 - ¤450 Signed ¤350 - ¤450 ¤140 - ¤180

144 7th AUGUST 2018

390 391

392 393

394 395

390 Richard Haworth 392 Douglas Alexander 394 Eirenice Gore-Booth RENVYLE BEACH BOG STREAM, OUGHTERARD, KNOCKNARAE FROM Watercolour CO GALWAY RAUGHLEY, CO SLIGO 14.25"x20" (36.5x50.5cm) Watercolour Watercolour Signed 7"x10.5" (17.5x26.5cm) 8.75"x12" (22.5x30.5cm) Signed Signed & Dated 1994 ¤140 - ¤180 Original Artists Label Verso ¤80 - ¤120 ¤350 - ¤450 391 Howard Knee 395 Leon O’Kennedy WINTER STREAM 393 Yvonne King LAKE & MOUNTAIN WITH Watercolour b.1966 HEATHER 11"x14.5" (27.5x37cm) ATLANTIC LIGHT OFF Oil on Board Signed ROUNDSTONE 13.75”x19.25” (35x49cm) ¤140 - ¤180 Oil on Canvas Signed & Dated (19)53 10"x14" (25x35cm) ¤250 - ¤350 Signed ¤300 - ¤400 145 DOLAN’S

396

398

397

396 Graham Elliott 397 Graham Elliott 398 Norman Teeling b.1943 b.1943 b.1944

THE TIPPERARY HOUNDS NATIONAL PLOUGHING GATHERING FLOWERS Oil on Canvas CHAMPIONSHIP Oil on Board 15.5"x19.5" (39.5x49.5cm) Oil on Canvas Board 14.5"x17.5" (37x44.5cm) Signed 25"x22" (64x55.5cm) Signed Signed ¤700 - ¤1,000 ¤500 - ¤700 ¤700 - ¤1,000

146 7th AUGUST 2018

399 Norman Teeling b.1944

STUDY IN GOLD & ORANGE Oil on Board 23.25"x31" (59x79cm) Signed

¤750 - ¤1,000

400 Norman Teeling b.1944

SUNSET AT BURROW BEACH 399 Oil on Board 6.75"x8.75" (17x22cm) Signed

¤280 - ¤380

401 Norman Teeling b.1944

MORNING SUN NEAR SUTTON Oil on Board 7.5"x9.5" (19x24cm) Signed 400 401

¤280 - ¤380

402 James Cahill b.1956

BEDTIME Oil on Canvas 15.75"x23.5" (40x60cm) Signed RHA Label Verso ¤700 - ¤850

402

147 DOLAN’S

403 Robert Egginton b.1943

DOGS BAY, CONNEMARA Watercolour 14"x19.75" (35x50cm) Signed ¤600 - ¤800

404 Robert Egginton b.1943

MANNIN BAY, BALLYCONNEELY Watercolour 14.75"x21.75" (37.5x55cm) Signed ¤600 - ¤800

403 405 Robert Egginton b.1943

PURTEEN HARBOUR, ACHILL Watercolour 11.75”x15.75” (30x40cm) Signed

¤400 - ¤600

406 Robert Egginton b.1943 OLD FARM COTTAGE Watercolour 14.5"x21.75" (37x55.5cm) Signed

¤380 - ¤450

404

405 406

148 7th AUGUST 2018

407

407 Thelma Mansfield

SUMMER BEACH Oil on Canvas 13.5"x27" (34x69cm) Signed

¤500 - ¤800

408 Thelma Mansfield 408 FIELD OF POPPIES Oil on Canvas 13.5”x27.25” (34x69cm) Signed

¤500 - ¤750

409 Robert Egginton b.1943

OLD FARM COTTAGE NEAR WESTPORT Watercolour 14.5"x21.5" (36.5x54.5cm) Signed

¤480 - ¤650 409

149 DOLAN’S

410 Rosemary Carr ROI 416 Rosemary Carr ROI

FLOODED TRACKS, AUGUST GREEN ACROSS AUTUMN, GOWLA BOG THE CUTTINGS TO THE Oil on Canvas INAGH HILLS, GOWLA, 15.5"x19.5" (39.5x49.5cm) CONNEMARA Signed & Dated (19)94 Oil on Board 8.75"x11.5" (22x29cm) ¤400 - ¤600 Signed & Dated(20)10

411 Rosemary Carr ROI ¤350 - ¤500

ALL BLUE FOR JUNE, 417 Rosemary Carr ROI GOWLA LOUGH Oil on Board ACHILL, VIEW ACROSS 8.75"x11.5" (22x29cm) THE BAY TO CLAGGAN 410 Signed & Dated (20)11 MOUNTAIN Oil on Board ¤350 - ¤500 8.75"x11.5" (22x29cm) Signed & Dated (20)09 412 Rosemary Carr ROI ¤350 - ¤500 DEEP BLUE IN THE LAKE ON A LOVELY APRIL DAY, UPPER 418 Rosemary Carr ROI BALLYNAHINCH LAKE Oil on Board HILLS AND BOG ALL IN 8.75"x11.5" (22x29cm) WONDERFUL AUTUMN Signed & Dated (20)10 COLOURS, ATHRY Oil on Board ¤350 - ¤500 8.75"x11.5" (22x29cm) Signed & Dated (20)11 413 Rosemary Carr ROI 411 ¤350 - ¤500 CLOUDY FOR THE START OF JULY, INAGH VALLEY 419 Rosemary Carr ROI Oil on Board 8.75"x11.5" (22x29cm) LIGHT THROUGH MIST Signed & Dated (20)08 AND GRASSES, GOWLA BOG ¤350 - ¤500 Oil on Board 8.75"x11.5" (22x29cm) 414 Rosemary Carr ROI Signed & Dated (20)06

SHINE ON THE JULY BOG ¤350 - ¤500 GRASS, GOWLA RIVER Oil on Board 8.75"x11.5" (22x29cm) 420 Rosemary Carr ROI Signed & Dated (20)00 412 MID SEPTEMBER, GORSE ¤350 - ¤500 IN FLOWER, ROUNDSTONE BOG 415 Rosemary Carr ROI Oil on Board 8.75"x11.5" (22x29cm) AUTUMN COLOURS OF Signed & Dated (20)00 AMBER & GOLD, RIVER GOWLA ¤350 - ¤500 Oil on Board 8.75"x11.5" (22x29cm) 421 Rosemary Carr ROI Signed & Dated (20)10 ROUNDSTONE BOG, ¤350 - ¤500 CONNEMARA, TWELVE BENS BEYOND Oil on Board 413 8.75"x11.5" (22x29cm) Signed & Dated (19)91

¤350 - ¤500 150 7th AUGUST 2018

414 415

416 417

418 419

420 421

151 DOLAN’S

426 Susan Mary Webb b.1962

THE ROAD FROM BALLYCONNEELY Oil on Canvas 14.25"x29.5" (36x75cm) Signed & Dated (19)87 Blue Door Studio Label Verso

¤400 - ¤500

427 Susan Mary Webb b.1962

IN CONNEMARA Oil on Canvas 14.75"x30.5" (37.5x78cm) Signed & Dated (19)81

¤300 - ¤350

428 Thelma Mansfield 422 CHILDREN ON THE BEACH 422 George Gillespie RUA Oil on Canvas Board 1924 - 1995 7.5"x9.5" (19x24cm) Signed NEAR LETTERFRACK, CONNEMARA ¤300 - ¤400 Oil on Canvas 19.25”x29.25” (48.5x74.5cm) 429 Phyllis Del Vecchio Signed WINTER'S DREAM ¤2,000 - ¤2,400 Watercolour 21"x28.25" (53.5x72cm) 423 Henry Healy RHA Signed 1909 - 1982 ¤350 - ¤450 HOWTH HARBOUR 423 Oil on Board 430 Albert Meagle 19.5"x23.5" (49.5x60cm) Signed THE CATHEDRAL GARDENS, MALAGA & COMPETA VILLAGE ¤800 - ¤1,000 Pair of Watercolours Each 9.5"x12.5" (24x32cm) 424 Henry Healy RHA Both Signed 1909 - 1982 Albert Meagle is a Dublin Artist, who has lived and worked in SAVING THE HAY, Malaga, since the 1960’s, in CONNEMARA the white mountain village of Oil on Board Competa. Meagle was mentored, 19.5"x23.5" (49.5x60cm) as a young artist, by George Signed Campbell RHA

¤800 - ¤1,000 ¤200 - ¤300

424 425 Roland Byrne 431 Phyllis Del Vecchio

THE PLOUGHED FIELD MISTY LAKE Watercolour Watercolour 6.5"x21" (16x54cm) 10.25"x14.25" (26x36.5cm) Signed Signed

425 ¤200 - ¤300 ¤130 - ¤180

152 7th AUGUST 2018

426

427 428

429 430

430 431

153 DOLAN’S

432 Fran McCann b.1945

BANJO PLAYER Oil on Canvas Board 17.5"x13.5" (44.5x34.5cm) Signed

¤600 - ¤800

433 Mary Grogan b.1960

TWO FOR JOY Pastel 12"x16.25" (30.5x41cm) Signed

¤300 - ¤400

434 Clare Cryan 1936-2017

WATERLILLIES, CONNEMARA Watercolour 19.75"x27.5" (50x70cm) Signed & Dated (19)89 Exhibited Kenny Gallery, Galway

432 ¤400 - ¤600

435 Elizabeth Brophy b.1928

FLOWER SELLER Oil on Board 7.5"x5.5" (19x14cm) Signed

¤300 - ¤400

433

434 435

154 7th AUGUST 2018

436 Norman Teeling b.1944

NELSONS PILLAR & O'CONNELL STREET, 1916 Oil on Canvas 23.5"x23.5" (59.5x59.5cm) Signed

¤700 - ¤800

437 Douglas Hutton b.1950

A TIGHT FINISH Acyrlic on Canvas 23.75”x29.75” (60.5x75.5cm) Signed with Initials Signed & Inscribed Verso

¤600 - ¤900

438 Douglas Alexander 1871-1945 436

IN THE HEART OF CONNEMARA Oil on Board 14"x19" (36x48.5cm) Signed

¤250 - ¤350

439 Mary Grogan b.1960

SUMMER BLUES Pastel 18"x13" (45.5x33.5cm) Signed

¤250 - ¤350

437

79

438 439

155 DOLAN’S

Jack Donovan

An important contemporary artist, born in 1934, Jack Donovan was Headmaster of Limerick School of Art from 1962 to 1978, and included John Shinnors among his many former students. His unusual subject matter and strong bold use of colour combine to produce striking and unique work and it is no surprise that he firmly established a reputation nationally and internationally.

442 Manus Walsh b.1940 CEOL AGUS CRAIC Mixed Media 8.75"x12.25" (22x31.5cm) Signed ¤400 - ¤600

443 Jack Donovan 1934 -2014 CLOWN Oil on Board 19.5"x16.25" (50x41cm) Signed with Initials and Dated (19)99 ¤600 - ¤1,000

444 Jack Donovan 1934 -2014 440 PINK ROSES ON A WHITE TABLE Oil on Board 13.5"x11.25" (34x28.5cm) Signed with Initials Signed & Inscribed Verso ¤600 - ¤1,000

445 Manus Walsh b.1940 STUDIO TABLE, MANDOLIN STILL LIFE Mixed Media 9.5"x10.5" (24x27cm) Signed ¤300 - ¤500

446 Annie Robinson b.1961 MOONLIGHT COTTAGE Oil on Canvas 5”x7” (13x17.5cm) Signed ¤350 - ¤450 441 440 Jack Donovan 441 Manus Walsh 447 John Kingerlee 1934 -2014 b.1940 b.1936 WOLFE TONE PLAYING THE BLUES FIGURE STUDY IN ABSTRACT Oil on Board Mixed Media Mixed Media 18.25"x16.75" (46.5x42.5cm) 11.25"x15.5" (28.5x39.5cm) 5.5”x3.75” (14.5x9.5cm) Signed with Initials Signed Signed with Kingerlee Ideogram Signed & Inscribed Verso & ¤400 - ¤600 ¤200 - ¤300 Dated (20)06 ¤600 - ¤1,000

156 7th AUGUST 2018

442 443

444 445

446 447

157 DOLAN’S

448

448 Henry Morgan Henry Morgan b.1952 Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School THE BLACKHEAD CLIFFS, of Art and was awarded a scholarship to Oslo University. Since his return to Ireland, BETWEEN BALLYVAUGHAN having completed a BA in Fine Art, he has exhibited extensively both at home and AND DOOLIN abroad and has been a regular exhibitor at the Irish Exhibition of Living Art, The Oil on Canvas Royal Hibernian Academy, EVA in Limerick, among many others. Henry has been 27"x19.5" (68.5x49.5cm) inspired by the local landscape from the Burren to the Clare Glens and the coast Signed & Dated of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art. A contemporary ¤700 - ¤800 artist of substance, his work is now included in many public and private collections.

158 7th AUGUST 2018

449

450

449 Douglas Hutton 450 Douglas Hutton b.1950 b.1950

Douglas Hutton CHANGING LIGHT, BREAKING WAVES GURTEEN, CONNEMARA AT INISHNEE Doulgas Hutton was born in 1950 and attended Oil on Canvas Oil on Canvas Edinburgh Art College where he was influenced 23"x32.75" (58.5x83cm) 17.25"x23.25" (44x59cm) greatly by the Scottish Colourists. Hutton is Signed with Initials Signed living and painting in Ireland for nearly 30 Signed & Inscribed Verso Signed & Inscribed Verso years, and is inspired by the rugged landscape of Donegal, Connemara and Achill. ¤700 - ¤900 ¤600 - ¤800

159 DOLAN’S

451

452

451 Henry Morgan 452 Henry Morgan b.1952 b.1952

BURREN COAST, NEAR LAHINCH CRASHING WAVE, BURREN COAST Oil on Canvas Oil on Canvas 19.25"x27.25" (49x69cm) 19.25"x27" (49x69cm) Signed & Dated Signed & Dated

¤750 - ¤1,000 ¤800 - ¤1,200

160 7th AUGUST 2018

453

454 454

455 455 453 Henry Morgan 454 Henry Morgan 455 Henry Morgan b.1952 b.1952 b.1952

EVENING SKY ON THE BURREN BURREN COAST & ROCKPOOLS BURREN COAST Oil on Canvas Pair of Oils on Canvas Pair of Oils 20”x28” (50.5x71cm) 6.75"x9" (17x23cm) Each 5.25"x7" (13x18cm) Signed & Dated Both Signed & Dated Both Signed & Dated

¤750 - ¤1,000 ¤400 - ¤600 ¤400 - ¤600

161 DOLAN’S

456 457

458 459

456 James Cahill 457 Norman Teeling 458 Henry Morgan 459 James Cahill b.1956 b.1944 b.1952 b.1956

GIRL WITH SAPHIRE STROLLING DOWN GOLDEN LIGHT, EVENING GLOW EARRINGS GRAFTON STREET WOODLAND STREAM Oil on Canvas Board Oil on Canvas Board Oil on Board Oil on Canvas 9.75"x7.75" 13.5"x11.5" 23.5”x31.5” 9.75"x13.5" (24.5x19.5cm) (34.5x29.5cm) (60x80cm) (24.5x34.5cm) Signed Signed Signed Signed & Dated ¤650-¤750 ¤750-¤900 ¤800 - ¤1,200 ¤450 - ¤750

162 7th AUGUST 2018

460 461

462 463

463A 463B

460 Desmond Carrick RHA 462 Henry Morgan 463A Henry Morgan 1928 - 2012 b.1952 b.1952 FIELDS OF FRANCE DAPPLED LIGHT, MOUNTAIN EDGE OF THE ATLANTIC Oil on Canvas Board STREAM Oil on Canvas 15.5"x19.5" (39.5x49.5cm) Oil 13.5"x17.25" (34x44cm) Signed 7.5”x11.25” (19x28.5cm) Signed & Dated ¤750 - ¤900 Signed & Dated ¤500 - ¤700 ¤400 - ¤500

461 Norman Teeling 463 Henry Morgan 463B Henry Morgan b.1944 b.1952 b.1952 A POSY OF FLOWERS, GRAFTON SUNLIGHT IN THE WOODS BREAKING WAVE STREET Oil Oil on Canvas Oil on Board 7.5”x11.25” (19x28.5cm) 13.5"x17.5" (34.5x44.5cm) 19.5"x23.5" (50x60cm) Signed & Dated Signed & Dated Signed ¤400 - ¤500 ¤500 - ¤700 ¤750 - ¤850

163 DOLAN’S Please Note: Lots 465 to 522 are being sold on behalf of the Dolan family.

210 464 Henry McGrane b.1969 EARLY SUMMER IN THE BOYNE VALLEY Oil on Board 11.5"x15.25" (29cms x 39cm) Signed ¤700 - ¤1,000

465 After Charlie Johnson Payne, Snaffles, 1884 - 1967 AN IRISH YAWNER Original handcoloured print, Published by Fores, 1913 20”x27” (50.5x68cm) In Original Frame ¤300 - ¤400

466 Snaffles Print, Limited Edition – Great Banks There Was Below in the fields ¤150 - ¤200

467 Snaffles Print, 44 Limited Edition – The Biggest Walls In the Counthry Was in it ¤150 - ¤200

468 After Charlie Johnson Payne, Snaffles 1884 - 1967 THE INFORMERS Limited Edition Coloured Print 18.5”x22.25” (47x56.5cm) Bears Snaffle Imprint ¤150 - ¤200

466 367 469 After Charlie Johnson Payne, Snaffles, 1884 - 1967 IF THERE IS PARADISE ON EARTH, IS IT THIS? Limited Edition Print 17”x25.5”(43x62cm) Bears Snaffle imprint ¤120 - ¤180 164 7th AUGUST 2018

470

471 471 472

470 William Jackson 471 Pamela Searight 472 After Peter Curling b.1955 THE BLUE HILLS MONTE CARLO & JANE (Polo Oil on Canvas Board Ponies) A POINT TO POINT AT 15"x19" (38.5x48.5cm) Pair of Watercolours AGHABULLOGUE, CO.CORK Signed 13.25"x17.75" (33.5x45cm) Limited Edition Print Both Signed, Inscribed & Dated 16.5"x25" (42x63cm) ¤500 - ¤700 1936 Signed in Pencil by the Artist Provenance Major General Sir David Dawnay, Whitfield Court, ¤100 - ¤200 Waterford

¤250 - ¤350

165 DOLAN’S

473 Dennis Gilbert 477 Annie Robinson b.1922 b.1961

SUMMER DAYS SPRING TULIPS Oil on Canvas Pastel 27.5"x27.5" (70x70cm) 12"x9" (30.5x23cm) Signed Signed with Initial & ¤450 - ¤650 Inscribed with Title ¤350 - ¤450 474 Jorge Aguilar-Agon b.1936 478 Annie Robinson b.1961 GOLDEN VILLAGE Mixed Media SUNFLOWERS IN A 13.75"x17.75" (35x45cm) STARRY VASE Signed Pastel ¤350 - ¤500 12"x8.75" (30x22.5cm) Signed with Initial & 475 Gregory Moore Inscribed ¤350 - ¤450 SHEEPDOG Oil on Canvas Board 479 Annie Robinson 11.5”x19.5” (29.5x49cm) b.1961 473 Signed ¤400 - ¤600 SUMMER SAIL BOATS Pastel 8.75"x12.25" 476 Annie Robinson (22.5x31cm) b.1961 Signed with Initial & Inscribed with Title SUMMER FLOWERS ¤350 - ¤450 ON A CHEQUERED CLOTH 480 Annie Robinson Pastel b.1961 11.5"x8.5" (29x21.5cm) SUNFLOWERS & Signed with Initial STARS ¤350 - ¤450 Pastel 11.25"x8.5" (28.5x21.5cm) Signed with Initial & Inscribed ¤350 - ¤450 474 481 Annie Robinson b.1961

SUNFLOWERS Pastel 12.25"x8.75" (31x22.5cm) Signed with Initial & Inscribed with Title ¤350 - ¤450

482 Annie Robinson b.1961

TIDES OUT, WALKING THE DOGS Pastel 9"x11.75" (22.5x30cm) Signed with Initial & Inscribed ¤350 - ¤450 475

166 7th AUGUST 2018

478 476 477

479 480

481 482

167 DOLAN’S

484

483 483 Alexander Williams 487 Brass and Copper RHA Cylindrical Coal Bucket, 1846-1930 with carry handle, SOFT EVENING GLOW approx 20.5" high ON THE HILLS overall 485 Watercolour 10.25"x18.25" ¤140 - ¤180 (26x46cm) Signed

¤600 - ¤800

488 William IV Rosewood Circular Breakfast 484 Pair of Regency Oak Table, on a faceted Hall Chairs in the column, with circular manner of Gillows, with base and scroll feet, shell backs approx 54.25" diameter

¤700 - ¤800 ¤800 - ¤1,000

485 Early Victorian 489 Victorian Copper Coal Mahogany Breakfast Helmet, with carrying Table, rectangular, with handle 486 rounded corners, centre 487 turned column with ¤150 - ¤200 three downswept legs, terminating in scroll carved feet, approx 53.5” long, 46.5” wide

¤400 - ¤500

488 486 Victorian embossed brass coal helmet, with carrying handle, approx 16" high incl handle 489 ¤180 - ¤220

168 IMPERFECTIONS NOT STATED 7th AUGUST 2018

490 Henry Albert Hartland 1840 - 1893

MOUNTAIN LANDSCAPE WITH TURF CUTTERS Watercolour 13.5”x27.5” (34.5x70cm) Signed In Attractive Gilt Frame

¤800 - ¤1,000

491 Set of 4 Georgian Mahogany Chairs, in the hepplewhite style, with pierced splat backs and stuffover seats raised on tapered legs of square section 490

¤150 - ¤250

492 George III Mahogany Bowfronted Dressing Table, with rear upstand, fitted with a series of frieze drawers and kneehole, 492 raised on tapered legs of square section, approx 38” wide

¤450 - ¤550

493 Oak Side Table, circa 491 1930, with single drawer and raised on turned legs and stretchers, 31.5” wide

¤250 - ¤300

493 494 494 Early 19th Century Mahogany Extending Dining Table, with single leaf, with rounded corners, recessed fireze and raised on turned tapered reeded legs, approx 51” wide, 72.5” long

¤400 - ¤500 496 Irish International Airlines, Luck O' The 495 Brass Eagle Irish Sweepstakes, Paperweight, Coloured Advertising approx 6.25" hig Print, 12.5"x9.75"

¤50 - ¤70 ¤180 - ¤220 496 495

169 DOLAN’S

504 Mahogany Silver Table, with fretwork gallery, corner spandrels and legs of square section, united by stretchers, approx 24" wide 498 ¤300 - ¤400

505 Mahogany Tripod Table, in the George III Style, with petal shaped edge, turned column and three downswept legs, terminating in cloven feet, approx 25" diameter 497 Walnut Veneered Chest on ¤300 - ¤400 Chest, with moulded cornice, eight drawers with brass drop 506 Queen Anne style Side Table, handles and raised on bracket fitted with two drawers, with 497 feet, approx 32” wide brass drop handles and raised ¤400 - ¤500 on cabriole legs, terminating in pad feet, approx 19" wide 498 William IV mahogany palm ¤220 - ¤260 banded circular breakfast table, with centre turned 507 George III Mahogany 499 column, triform base and Dressing Table Mirror, short feet, approx 50” rectangular plate with diameter breakfront base, fitted with ¤600 - ¤800 a drawer and two dummy drawers and raised on short 499 Victorian Mahogany Circular turned feet, approx 22” wide Breakfast Table, with snap action, turned column and ¤180 - ¤240 three downswept legs, terminating in scroll feet, approx 42" diameter 508 Walnut Chest of Drawers with ¤280 - ¤350 four long graduated drawers, with brass drop handles and 500 19th Century Mahogany raised on bracket feet, approx Pembroke Table, with centre 23" wide sunburst medallion, each flap ¤280 - ¤380 with canted corners, frieze drawer and raised on tapered 509 Late George III Elm Dining legs, of square section, Chair, with pierced splat back terminating in spade feet, and drop in seat with rose approx 37.5" wide pattered woolwork and raised ¤160 - ¤220 on tapered legs of square 500 section united by stretchers. 501 19th Century Mahogany Dining Table, comprising two ¤100 - ¤150 D ends and one drop flap, raised on square tapered legs, 510 Mahogany Regency Style approx 64" long extended Dining Table, with single ¤700 - ¤1,000 leaf and raised on a turned column, with four downswept 501 502 Ornate Cast Iron Boot legs, terminating in brass Scraper, approx 14” Long castors, approx 64" long, ¤80 - ¤120 34.75" wide ¤350 - ¤500 503 Silver Plated Breakfast Dish, late 19th century, with part 511 Silver Plated Egg Cruet with reeded turnover lid with ivory spoons, together with a silver handle, supported on four plated toast rack. legs with stylised ionic capitals ¤60 - ¤80 and lion paw feet ¤80 - ¤100 502 503

170 IMPERFECTIONS NOT STATED 7th AUGUST 2018

505

504

506

507

508

510

511

509

171 DOLAN’S

512 Eastern Fringed Rug, principal colours beige, blue, green and red, approx 61" x 41" ¤140 - ¤180

513 Persian Rug, 20th century, with stylised geometric decoration against a brown and blue ground with borders of scrolling motifs, approx 58" x 38" ¤250 - ¤350

514 Eastern Fringed Woollen Runner, principal colours black and red, with multiple line border and centre rectangular medallion, approx 102" x 31.5" 512 ¤150 - ¤200

515 A Silky Pile small fringed rug, approx 57"x30" ¤130 - ¤160

516 Persian Design Multicoloured Rug, approx 81" x 50.5" ¤280 - ¤350

517 Persian Design Rug, 20th century, with stylised geometric motifs against a brown, caramel and blue ground with red border, approx 64" x 40" ¤130 - ¤160

513 518 Persian Rug, 20th century, with geometric motifs and bordered by a band of arches and further stylised borders, approx 58" x 37" ¤130 - ¤180

519 Turkish Rug, with geometric medallions against a cream, blue and salmon pink ground, approx 65" x 40" ¤90 - ¤120

514 520 Indian Fringed Wool Rug, patterned in Red, Blue & Beige, approx 76" x 48" ¤150 - ¤200

521 Eastern Rug, in rich dark blue, red & black, approx 69" x 46" ¤140 - ¤180

522 Turkish Red Ground Rug, 20th century, with two elephant foot medallions against a band of stylised borders, approx 55" x 39", together with an Eastern Wool Rug, with centre angular medallion, principal colours beige, red and brown, approx 57" x 41" [2] ¤150 - ¤200

515

172 IMPERFECTIONS NOT STATED 7th AUGUST 2018

517 516

518 519

520 521

522 522

173 DOLAN’S TERMS & CONDITIONS OF SALE

1. Definitions Auctioneer may at his sole discretion determine the to them either on their own premises or elsewhere In these Conditions, West of Ireland Art Auctions advance or bidding or refuse a bid. at their sole discretion and entirely at the owner’s Limited, trading as Dolan’s Art Auction House, who c) Each lot is put up for sale subject to any reserve risk. The Auctioneers shall not be liable for any loss act as auctioneers and agents for the vendor, are price placed by the vendor. Whether or not there is (including consequential loss) howsoever caused or called ‘The Auctioneers’ (which expression shall be a reserve price the seller has the right to bid either damage to goods of any kind including breakages, or deemed to include their servants and agents) and personally or by any other person (who may be the for unauthorised removal of goods. the representative of Dolan’s Art Auction House Auctioneer). 11. Right to Re-sell conducting the auction is called ‘The Auctioneer’. d) All conditions, notices, descriptions, statements The Auctioneer reserves the right to re-sell any item As auctioneers, Dolan’s act as agent for the seller. that has not been collected within fourteen days. A sale contract is made directly between the seller and other matters in the catalogue and elsewhere and the buyer. However, Dolan’s may own a lot (and concerning any lot are subject to any statements 12. Telephone bidding in such circumstances act in a principal capacity as modifying or affecting the same made by the Every effort will be made to facilitate persons wishing seller) and/or may have a legal, beneficial or financial Auctioneer from the rostrum prior to any bid being to bid by telephone at auction but the auctioneer interest in a lot. accepted for the lot. disclaims responsibility for any failures for whatever reason, in this regard. 2. Third Party Liability 5. Rescindment Every person at or on the ‘Auctioneers’ premises or Notwithstanding any other terms of these Conditions, 13. Absentee Bidding at any premises being used by the Auctioneer at any if within 12 months after the sale, the Auctioneers Every effort will be made to facilitate persons wishing time shall be deemed to be there entirely at his/her have received from the buyer any notice in writing to leave commission bids with the auctioneer but the own risk and shall have no claim whatsoever against that in his view the lot is a deliberate forgery and auctioneer disclaims responsibility for any failures the Auctioneers or their servants or agents in respect within twenty one days after such notification the for whatever reason, in this regard. of any accident or incident which may occur, nor buyer returns the same to the Auctioneers in the 14. Droit de Suite any injury, damage or loss howsoever arising and same condition as at the time of sale and by producing The artist’s resale levy, the droit de suite, where whether or not same is the subject of any allegation evidence, the burden of proof to be upon the buyer, applicable, will be deemed to be the responsibility of negligence. satisfies the Auctioneers that considered in the light of the vendor. Dolan’s Art Auction House will not of the entry in the catalogue the lot is a deliberate charge this levy to the purchaser. The vendor by 3. General forgery, then the sale of the lot will be rescinded and Whilst the Auctioneers make every effort to ensure entering his goods for sale with Dolan’s Art Auction the purchase price of the sale refunded. In the event House acknowledges that he/she is responsible for the the accuracy of their catalogue and the description of a dispute then the matter shall be settled by the of every lot: payment of this artist’s resale levy. Dolan’s Art Auction President of the Institution of Chartered Surveyors in House will not be responsible for payment of the droit a) Each lot as set out in the catalogue or as divided the Republic of Ireland. Both the buyer and the vendor de suite and the vendor by entering his/her goods for or combined with any other lot or lots is sold by the agree to be bound by the decision. sale acknowledges that he/she has accepted and agreed vendor with all faults, imperfections and errors of 6. Default to be bound by this condition of sale. Furthermore description. The Auctioneers disclaim responsibility for default Dolan’s Art Auction House accepts goods for sale b) The auctioneer shall not be responsible for any by either the buyer or the vendor because they act as from the vendor on the condition that the vendor discrepancies between the colour in the catalogue Agents for the vendor only and therefore do not pay authorizes Dolan’s Art Auction House to withhold illustration and that of the original work being out to the vendor until payment is received from the monies due for payment of the droit de suite from the offered for sale. buyer. Instructions given by telephone are accepted auction proceeds due to the vendor, and the vendor c) Any claim under any Statute must be received in at the sender’s risk and must be confirmed in writing further authorizes Dolan’s Art Auction House to pay writing by the Auctioneers within three months of forthwith. In the event of a sale by private treaty both the droit de suite, on the vendors behalf, to the artist. the sale. the vendor and the buyer agree to be bound by these Furthermore the vendor acknowledges that the droit conditions and any other special conditions of sale. de suite payment where applicable will be charged d) The Auctioneers shall not be liable for to the vendors account in addition to the vendors consequential or resultant loss or damage whether 7. Retention of Title All goods remain the property of the vendor until commission charged by the auctioneer and any sustained by a Vendor or a Purchaser or the owner illustration or other charges applicable to the account. of any item or their respective servants and agents paid for in full. The Auctioneers will not assume arising in any circumstances whatsoever and liability to discharge net proceeds arising from the 15. Special Conditions irrespective of any claim made by any party as to sale of goods until those goods have been paid for PURCHASER: negligence or lack of care of the Auctioneers or any in full. a) The purchaser shall pay a commission to the party acting on their behalf. 8. Instructions auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. e) All lots are made available for inspection for a All goods delivered to the Auctioneers’ premises reasonable period prior to auction. A buyer who will be deemed to be delivered for sale by auction b) The Purchaser acknowledges that the auctioneer makes a bid for any lot thereby acknowledges that and will be catalogued and sold at the discretion of may also receive a commission from the vendor. he has satisfied himself as to the physical condition, the Auctioneer and accepted by them subject to all c) All accounts must be discharged by certified state of repair or restoration, age and catalogue the Sale Conditions. By delivering the goods to the cheque, bank draft or cash. The auctioneer reserves description of such lot and also that he accepts these Auctioneers for inclusion in their auction sales the the right not to release goods until cheque payments conditions of sale. vendor acknowledges that he or she has accepted and have been cleared by the bank. Debit & Credit cards agreed to be bound by all these Conditions. Dolan’s knowledge, in relation to each lot, is are also accepted. partially dependent on information provided by 9. Collection and Deliveries d) Responsibility for items purchased passes the seller and Dolan’s are not able to, and do not, The Auctioneers do not normally undertake the to the purchaser on the fall of the hammer. carry out exhaustive due diligence searches on packing, collection or delivery of goods but will if The Auctioneers reserve the right to look for each lot. Bidders acknowledge this fact and accept requested use their best endeavours as Agent of the a 25% deposit on all goods. responsibility for carrying out inspections and Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection e) The buyer authorises the Auctioneer to use investigations to satisfy themselves as to the lots any photographs, drawings or illustrations of any they may be interested in buying. Bidders also and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will lot purchased by the buyer, and, to indicate the acknowledge the fact that many lots are of an age price paid at auction for the lot, and the buyer that they may not be in perfect condition. All lots are accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for acknowledges that same may be used for any offered for sale with any imperfections. Catalogue advertising, promotional or other such purposes. descriptions and condition reports may on occasions any damage to premises, fixtures or fittings therein make reference to particular imperfections of a lot, caused by such contractor or otherwise and the owner 16. Purchasers will NOT be charged the Artists but Bidders should note that lots may have other is responsive for all arrangements to verify that any Resale Levy. faults not expressly referred to in the catalogue or such contractor and the goods is/are appropriately 17. VAT Regulations: condition report. Illustrations are for identification insured. Unless instructions are received to the All lots are sold within the Auctioneers VAT margin purposes only and will not convey full information as contrary, charges (including VAT) for such services scheme. Revenue regulations require that the buyers to the actual condition of lots. will be charged to the vendor’s account or discharged premium must be invoiced at a rate which is inclusive through the Auctioneers by the purchaser as the case 4. The Auction of VAT. This VAT is NOT recoverable by any VAT may be. The Auctioneers’ liability (if any) will arise registered buyers. a) The Auctioneer has absolute discretion to divide any only where they themselves carry out packing and 18. Special Notice To Purchaser lot, to combine any two or more lots or to withdraw collection/delivery and only in the case of breakage Prospective purchasers are advised that several any lot or lots from the sale, to refuse bids, regulate or loss caused through deliberate negligence of their countries prohibit the importation of property bidding or cancel the sale without in any case giving employees and in any event in one single contract containing materials from endangered species, any reason or previous notice. He may bid on behalf and the Auctioneers’ liability will not exceed C=500. including but not limited to coral, ivory and of the vendor for all goods which are being offered Provided further the Auctioneers will not be liable for tortoiseshell. Accordingly, prospective purchasers subject to reserve or at the Auctioneer’s discretion. consequential loss in any circumstances whatsoever. should familiarize themselves with relevant customs b) The highest bidder shall be the buyer except in the 10. Loss or Damage and Storage case of a dispute. If during the auction the Auctioneer regulations prior to bidding , if they intend to import The Auctioneers reserve the right to store or arrange such items into another country. considers that a dispute has arisen, he has absolute for the storage of goods held by them or delivered discretion to settle it or to re-offer the lot for sale. The

174 7th AUGUST 2018

175 DOLAN’S ARTIST INDEX BY LOT NO. A H O Alexander, Douglas 211-213, 392, 438 Hansen, Soren Melchior 116 O'Beachtain, Seamus 131 Armstrong, Arthur 210 Harper, Charles 132, 139, 141 O'Kennedy, Leon 395 Aguilar-Agon, Jorge 474 Hall, Clifford 289A O'Neill, Ken 175-176, Haworth, Richard 388-390 314, 317 B Hartland, Henry Albert 491 O'Neill, Mark 228, 236, 239 Bannister, Graham 329 Healy, Henry 423-424 O'Ryan, Fergus 287, 378 Behan, John 215, 221, 323-324 Henry, Grace 217 Blackshaw, Basil 127, 156 Hennessy, Patrick 201-202 P Blair Browne, Nassau 107 Hope, E Lyn 384-387 Parker, C.V. 100A Biddulph, Derek 204A Hutton, Douglas 123, 159, 237, 437, Payne, After Charlie J 26, 465-469 Bradley, Aidan 267-278 449-450 Brophy, Elizabeth 327A, 435 R Butler, Liam 148 I Rakoczi, Basil Ivan 224 Butler, Mildred Anne 104 Iten, Hans 190 Robinson, Annie 297, 299-299A, 446, Byrne, Roland 425 Irish School 383A 476-482 Robinson, Markey 119-121, 129-130 C Russell, George 203 Cahill, James 108, 402, 456, J Ryan, Bridget 236A-236B 459 Jackson, William 470 Ryan, Robert 115 Campbell, George 220, 222, 266 Jones, Allen Gwynne 189A Ryan, Thomas 292 Carr, Rosemary 251-262, 410-421 Carey, Joseph William 117A K S Carson, Robert Taylor 205-209A, 298 Keating, Sean 193 Schwatschke, John 316 Carrick, Desmond 460 Kernoff, Harry 180, 198 Scott, Carina 160-162, 164-166, Cope, Elizabeth 313, 319 King, Yvonne 167-172, 393 265 Collis, Peter 179 Kingerlee, John 148A, 447 Skelton, John 181 Curling, After Peter 472 Knuttel, Graham 318, 320 Shinnors, John 200 Craig, James Humbert 214 Knee, Howard 391 Searight, Pamela 471 Cryan, Clare 434 Strevens, John 285 L Sutton, Ivan 249, 264 D Lamb, Charles Vincent 194 Davis, Gerard 325 Lavarenne, Pierre 288 T Dagenhardt, Gertrude 322 le Jeune, James 204 Tallon, Desmond 237A de Hoog, Bernard 118 Teeling, Norman 124-125, 226, 282, Del Vecchio, Phyllis 241, 429, 431 M 284, 398-401, 436, Donovan, Jack 440, 443-444 Maccabe, Gladys 225 457, 461 MacGonigal, Maurice 195 Twells, Arthur 188, 237, 381 E Maderson, Arthur K 144-147, 178, 283, Egan, Felim 321 289, 291 V Egan, Orla 216 Mason, William 157 Victorian School 101 Egginton, Frank 187, 379 Maguire, Cecil 196, 203A Egginton, Robert 182-184, 250, 380, Mansfield, Thelma 407-408, 428 W 403-406, 409 McGrane, Henry 464 Waldron, Carol Ann 295 Egginton, Wycliffe 82A McCann, Fran 432 Walsh, Manus 122, 128, 158, Elliot, Graham 126-126A, 227, 279- Meagle, Albert 430 250B, 441-442, 281, 396-397 Millar, Lorna 294, 296 445 Merrins, Anne 117 Webb, Joan 177 F Miles, Thomas Rose 189 Webb, Kenneth 191-192, 197, 199 Fallon, Rosemary 140, 142-143 Modern School 223 Webb, Susan Mary 426-427 ffrench le Roy, David 240 Moore, Gregory 475 Wilks, Maurice C 185-186 Flint, After, 383 Morgan, Henry 149-155, 244-248, Williams, Alexander 483 William Russell 250A, 263, 448, Wogan, Terry 296A Flaherty, Mick 315 451-455, 458, 462- Fox, Henry Charles 382 463B Y Morris, John 163, 173-174 Yeats, After Jack B 27 G Morris, Michael 135-138 Genin, Lucien 290 Morrisson, Maggie 133-134 Gibson, Colin 328 Gillespie, George 242-243, 422 N Gilbert, Dennis 473 Nikolai, John Michael 341-343 Gore-Booth, Eirenice 394 Nisbet, Tom 286 Grogan, Mary 433, 439 Grogan, Mat 109-114A Graham, Finola 326

REFERENCES: Theo Snoddy, Dictionary of Irish Artists, 20th Century

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