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NGI Annual Report 2009 Web NGI Annual Report2001
G AILEARAÍ N ÁISIÚNTA NA HÉ IREANN N ATIONAL G ALLERY of I RELAND T UARASCÁIL B HLIANTÚIL 2009 A NNUAL R EPORT 2009 GAILEARAÍ NÁISIÚNTA NA HÉIREANN Is trí Acht Parlaiminte i 1854 a bunaíodh Gailearaí Náisiúnta na hÉireann, agus osclaíodh don phobal é i 1864. Tá breis agus 13,000 mír ann: breis agus 2,500 olaph- ictiúr, agus 10,000 píosa oibre i meáin éagsúla, lena n-áirítear uiscedhathanna, líníochtaí, priontaí agus dealbhóireacht. Is ón gceathrú céad déag go dtí an la inniu a thagann na píosaí oibre, agus tríd is tríd léirítear iontu forbairt na mórscoileanna péin- téireachta san Eoraip: Briotanach, Dúitseach, Pléimeannach, Francach, Gearmánach, Iodálach, Spáinneach agus an Ísiltír, comhlánaithe ag bailiúchán cuimsitheach d’Ealaín ó Éirinn. Ráiteas Misin Tá sé mar chuspóir ag Gailearaí Náisiúnta na hÉireann an bailúchán náisiúnta a thais- peáint, a chaomhnú, a bhainistiú, a léirmhíniú agus a fhorbairt; chun taitneamh agus tuiscint ar na hamharcealaíona a fheabhsú, agus chun saol cultúrtha, ealaíonta agus intleachtúil na nglúinte reatha agus na nglúinte sa todhchaí a fheabhsú freisin. NATIONAL GALLERY OF IRELAND The National Gallery of Ireland was founded by an Act of Parliament in 1854 and opened to the public in 1864. It houses some 13,000 items: over 2,500 oil paintings, and 10,000 works in different media including watercolours, drawings, prints and sculpture. The works range in date from the fourteenth century to the present day and broadly represent the development of the major European schools of painting: British, Dutch, Flemish, French, German, Italian, Spanish and Netherlands, complemented by a comprehensive collection of Irish art. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Resource What Is Modern and Contemporary Art
WHAT IS– – Modern and Contemporary Art ––– – –––– – – – – – – – – – – – – – – – – – – – – – – – – – – ––– – – – – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theo- retical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as Conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the 03 inherent problems and contradictions that arise when attempting to outline or summarise the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, many of which emerged in opposition to such totalising tendencies. CONTENTS Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers and is neither definitive nor exhaustive. The inten- What is __? talks series page 03 tion is to provide background and contextual information about the art and Introduction: Modern and Contemporary Art page 04 artists featured in IMMA’s exhibitions and collection in particular, and about How soon was now? What is Modern and Contemporary Art? Contemporary Art in general, to promote information sharing, and to encourage -Francis Halsall & Declan Long page 08 critical thinking, debate and discussion about art and artists. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
20Th Century Irish Paintings
Gorry Gallery 7. GEORGE BARRET (detail) COVER: Nicholas Blakey (active 1739 – 1758) Catalogue Number 4 © GORRY GALLERY LTD. GORRY GALLERY requests the pleasure of your company at the private view of An Exhibition of 18th – 20th Century Irish Paintings on Wednesday, 24th June, 2009 Wine 6 o’clock This exhibition can be viewed prior to the opening by appointment and at www.gorrygallery.ie Kindly note that all paintings in this exhibition are for sale from 6.00 p.m. 24th June – 8th July 2009 4. NICHOLAS BLAKEY 4 4. NICHOLAS BLAKEY, (active 1739 – 1758) ‘Portrait of James Francis Edward Keith (1696-1758), three-quarter-length, in armour, a red sash at his waist’ Oil on canvas, 116.5 x 89 Signed and dated ‘N.Blakey pinxit / 1739’ Exhibited: Aberdeen, Aberdeen Art Exhibition, 1859, no. 98. London, National Portrait Exhibition, 1867, no. 2 Provenance: By descent in the Keith family to 14th Earl of Kintore from whom acquired by the present owner. Literature: Ellis Waterhouse, Dictionary of British Art, Volume II: British 18th Century Paintings in Oils and Crayons (Woodbridge 1981) Anne Crookshank and Desmond FitzGerald, Knight of Glin, The Watercolours of Ireland (London 1994) 24 Brian Stewart and Mervyn Cutten, Dictionary of Portrait Painters in Britain up to 1920 (Woodbridge 1997) 100 Anne Crookshank and Desmond FitzGerald, Knight of Glin, Ireland’s Painters (New Haven and London 2002) 42 In general for the life of Keith see: Sam Coull, Nothing but my Sword, The Life of Field Marshal James Francis Edward Keith (Edinburgh 2000) James Keith: A Fragment of a Memoir of Field-Marshal James Keith, written by Himself, 1714-1734 (edited by Thomas Constable for the Spalding Club, Edinburgh 1843) Anon: An Elegy on the universally lamented death of his Excellency James-Francis-Edward Keith, Field Marshal in the armies of the King of Prussia, &c. -
Landscapes from Permanent Collection June
LCGA Permanent Collection: Landscapes 29th June – 22nd October 2017 Featured artists: Eva Hamilton RHA; Letitia M Hamilton RHA; J. Humbert Craig RHA RUA; Charles Lamb RHA, RUA; Paul Henry RHA RUA; Seán Keating RHA; Maurice MacGonigal PRHA; Frank McKelvey RHA RUA; Walter Verling HRHA; Maurice C. Wilks ARHA RUA; Jack B. Yeats RHA; Old Thomond Bridge Unknown. Charles Lamb RHA, RUA (1893–1964): The Irish landscape artist, portrait and figure painter Charles Vincent Lamb was born in Portadown, Co. Armagh. and worked as a house painter before teaching art and painting professionally. He studied life-drawing in Belfast School of Art before winning a scholarship to the Dublin Metropolitan School of Art in 1917, where he came under the influence of Sean Keating. He began exhibiting at the Royal Hibernian Academy in 1919, and thereafter averaged about 4 paintings per show until his final years. In 1922 he went to Connemara, settling in a remote Irish-speaking part of County Galway, Carraroe. Lamb was one of a group of painters, including Sean Keating, Patrick Tuohy and Paul Henry, who found their inspiration in the West of Ireland, which was seen as the repository of true Irishness. In 1938 he was elected a full member of the Royal Hibernian Academy (RHA). He continued painting actively right up until his death in 1964. Maurice MacGonigal PRHA (1900- 1979): The landscape and portrait artist MacGonigal was born in Dublin, becoming a design apprentice in his uncle's firm, Joshua Clark, ecclesiastical decorator and stained glass artist. MacGonigal mixed politics with art studies, managing within a few years to be interned at Ballykinlar Camp, take drawing and figure drawing classes at the Dublin Metropolitan School of Art (now the National College of Art and Design) and win the Taylor Scholarship in painting. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
Resource What Is Public Art
WHAT IS– – Public Art – – –––– – – – – – – – – –– – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Irish Museum of Modern Art Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – –– – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theoretical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the inherent problems and contradictions in attempting to outline or summarise 03 the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, much of which emerged in opposition to such totalising tendencies. Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers, and is neither definitive nor exhaustive. The intention is to provide background and contextual information about the art and artists featured in IMMA’s exhibitions and collections in particular, and about Contemporary Art in general, to promote information sharing, and to encourage critical thinking, debate and discussion about art and artists. The talks series addresses aspects of Modern and Contemporary Art, spanning the period from the 1940s to the present. -
Jan 2002 Exhibition
Gorry Gallery 15. FRANCIS WILLIAM TOPHAM FRONT COVER: Samuel Lover R.H.A. 1797 - 1868 Catalogue Number 12. (Detail) © GORRY GALLERY LTD. GORRY GALLERY An Exhibition of 18th, 19th and 20th Century Irish Paintings 31st January – 8th February, 2002 1. HOWARD HELMICK 4 12. SAMUEL LOVER R.H.A. (1797-1868) ‘Procession to “The roiall iusts [jousts] holden in Smithfield, London.” A.D. 1390.’ Oil on canvas, 61 x 92 Signed and dated: ‘S. Lover 1825’ Framed in an Irish 1820s gilt frame. Illustrated front cover (detail) Exhibited: 1829, Royal Hibernian Academy Annual Exhibition (no.87). Catalogue entry affixed to the frame. Provenance: Private Collection, Dublin. Literature: Caffrey, P., ‘Samuel Lover’s Achievement as a Painter.’ Irish Arts Review, vol. III, no. 1, pp. 51-54. Caffrey, P., Treasures to Hold, Dublin, National Gallery of Ireland, pp. 135-139. Samuel Lover was born in Dublin where he was taught to paint by John Comerford (c.1770-1830). He attended some drawing lessons at the Dublin Society Schools although his name is not recorded in the lists of pupils educated there. He began exhibiting work at the Royal Hibernian Academy in 1826 and was elected a full academician in 1828. Lover worked in a wide range of media, painting full-scale oil pictures, as well as watercolours, drawing caricatures and painting miniature portraits. During the period 1815-1835 he worked mainly as a painter but throughout his life he wrote poetry, songs, operas, novels, plays and was a theatrical impresario. Historical subjects that were inspired by medieval history, literature and the 1820s vogue for the historical novel were the inspiration for many of Lover’s works. -
Connemara Greenway - Clifden to Oughterard Environmental Impact Statement Volume1- Main Report
Connemara Greenway - Clifden to Oughterard Environmental Impact Statement Volume1- Main Report May 2012 MGE0269CR0006 rpsgroup.com/ireland Connemara Greenway Project – Clifden to Oughterard Environmental Impact Statement Volume 2 - Appendices DOCUMENT CONTROL SHEET Client Galway County Council Project Title Connemara Greenway Project – Clifden to Oughterard Document Title Environmental Impact Statement – Volume 2 Appendices Document No. MGE0269RP0003 No. of DCS TOC Text List of Tables List of Figures This Document Appendices Comprises 1 - 140 - - 4 Rev. Status Author(s) Reviewed By Approved By Office of Origin Issue Date F01 Final P. Kearney W. Madden G. Carty Galway 14th May 2012 rpsgroup.com/ireland Appendix A Appendix A.1 - Constraints Stage Consultation Responses Received Appendix B Appendix B.1 - Bridge Assessment Appendix C Appendix C.1 - NPWS Designated Sites - Site synopsis Appendix C.2 - Freshwater Pearl Mussel Survey Appendix C.3 - Characterisation of Potential Impacts to Key Ecological Receptors Appendix D Appendix D.1 - Record of Monuments and Places within the Surrounding Area Appendix D.2 - Stray Finds Within the Surrounding Area Appendix D.3 - Protected Structures and NIAH Structures within the Surrounding Area Appendix D.4 - Legislative Framework Protecting the Archaeological Resource Appendix D.5 - Legislative Framework Protecting the Architectural Resource Appendix D.6 - Impact Assessment and the Cultural Heritage Resource Appendix D.7 - Mitigation Measures and the Cultural Heritage Resource Appendix D.8 - Photographs for Chapter 13 Archaeology, Architectural and Cultural Heritage. APPENDIX A Consultation Appendix A.1 - Constraints Stage Consultation Responses Received APPENDIX B Bridge Assessment Appendix B.1 - Bridge Assessment Galway County Council Bridge Assessment for Galway County Council Structural Review of 2 No. -
Rleabar IIIUIIIIII",,.IIIIIIII'iiiiiiiiiiiiiiiii"'IIIIIIIIIIIII'i11111111111111'1111'111111111111'111111111111111'11111,,' DUBLIN
VOL. XIX. No. 10 JULY, 1944 THREEPENCE See reland ForS ) BUILDING THE FAMILY CASTLE 1,,'rleaBar IIIUIIIIII",,.IIIIIIII'IIIIIIIIIIIIIIIII"'IIIIIIIIIIIII'I11111111111111'1111'111111111111'111111111111111'11111,,' DUBLIN BANK OF IRELAND N ESTABLISHED 1783 FACILITIES FOR TRAVELLERS AT Head Office: COLLEGE GREEN, DUBLIN s BELFAST .. CORK .. DERRY AND lOO TOWNS THROUGHOUT IRELAND "Where North meets South" PHONE: DUBLIN 71371 (6 Lines) EVERY DESCRIPTION OF FOREIGN EXCHANGE BUSINESS TRANSACTED Resident Manager T. O'Sullivan '11"11"1"'111'11111111111111111111'1'111'1111'1111111111111111111111111111111111111111'1111111111111111111.1111 •• Service, please Quick, efficient service throughout all departments i., the goal of the successful hotelier or r~stauratt::l1r to-day, In carrying out ~uch a plan equipment plays a major part, and this e~pecially applies to the kitchen. Put in the right equipmentl and food· properly cooked and eTved hot-will unfailingly Unrivalled for Cuisine and Service come out. Your guests will say: il Thanks, for good ~ervice." For kitchell equipment to suit your particular needs! consult Superb Cuisine makes the Clarence menus unrivalled and appetisinB. The service too which is p.rompt and courteous. will plea~e th~ H·. EVANS " SONS most exacting patrons. 'Phone 76178 152 Capel Street. Dublin 7he CLARENCE HOTEL Dublin _O·Keeffe•••••••••••••••••••..: SUBSCRIPTION: Wholesale from the Irish Tourist Association 5/- PER ANNUM and from (Post Free) Eason & Son, Ltd • InlSH COPIES FREE TO ALL • MEMBERS OF THE Retail from all News ASSOCIATION AND agents and from the OF ITS ASSOCIATE Irish Tourist Association DEPARTMENT TRAV'El Official Organ 01 the Irish Tourist Association and 01 the Irish Hotels Federation No. 10 VOL.