Anna Russell Collection of Yeats Material, [C.1925]-1976
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Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Graham, Catherine, February 2006, Keep Rejects
Catherine Graham Collection: February 2006, 1. Krans, Horatio Sheafe, William Butler Yeats and the Irish Literary Revival. London: William Heinemann, 1905. 2. Moore, George, Confessions of a Young Man. London and Toronto: William Heinemann, 1935. 3. Meredith, George, A Reading of Life: With Other Poems. Westminster: Archibald Constable, 1901. 4. Synge, J.M., (Robin Skelton ed.), Some Sonnets from “Laura in Death” after the Italian of Frencesco Petrarch. Dolmen Eds. Dublin: Dolmen Press Ltd., 1971. 5. Skelton, Robin (ed.), The Collected Plays of Jack B. Yeats. Indianapolis and New York: Bobbs-Merrill Co., 1971. 6. Johnston, Denis, The Brazen Horn: A Non-Book for those, who, in revolt today, could be in command tomorrow. Dublin: Dolmen Press, 1976. 7. Skelton, Robin, An Irish Album. Dublin: Dolmen Press, 1969. 8. Montague, John, All Legendary Obstacles. Dublin: Dolmen Press, 1966. 9. Synge, J.M., My Wallet of Photographs. Dublin: Dolmen Press, 1971. 10. Clarke, Austin, Mnemosyne Lay in Dust. Dublin: Dolmen Press, 1966. 11. O’Grady, Desmond, The Gododdin. Dublin: Dolmen Press, 1977. 12. Bickley, Francis, J.M. Synge and the Irish Dramatic Movement. Toronto: Musson Book Co. 13. Horton, W.T. and W.B. Yeats, A Book of Images. London: Unicorn Press, 1898. 14. Yeats, W.B. (ed.), Beltaine: An Occasional Publication. Nos. 1, 2, 3, 1899-1900. London: Sign of the Unicorn, 1900. 15. Poems and Ballads of Young Ireland, 1888. Dublin: M.H. Gill and Son, 1888. 16. Moore, George, Heloise and Abelard. In two volumes, V.I. New York: Boni and Liveright, 1921. 17. Raine, Kathleen, Yeats, The Tarot and the Golden Dawn. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
20Th Century Irish Paintings
Gorry Gallery 7. GEORGE BARRET (detail) COVER: Nicholas Blakey (active 1739 – 1758) Catalogue Number 4 © GORRY GALLERY LTD. GORRY GALLERY requests the pleasure of your company at the private view of An Exhibition of 18th – 20th Century Irish Paintings on Wednesday, 24th June, 2009 Wine 6 o’clock This exhibition can be viewed prior to the opening by appointment and at www.gorrygallery.ie Kindly note that all paintings in this exhibition are for sale from 6.00 p.m. 24th June – 8th July 2009 4. NICHOLAS BLAKEY 4 4. NICHOLAS BLAKEY, (active 1739 – 1758) ‘Portrait of James Francis Edward Keith (1696-1758), three-quarter-length, in armour, a red sash at his waist’ Oil on canvas, 116.5 x 89 Signed and dated ‘N.Blakey pinxit / 1739’ Exhibited: Aberdeen, Aberdeen Art Exhibition, 1859, no. 98. London, National Portrait Exhibition, 1867, no. 2 Provenance: By descent in the Keith family to 14th Earl of Kintore from whom acquired by the present owner. Literature: Ellis Waterhouse, Dictionary of British Art, Volume II: British 18th Century Paintings in Oils and Crayons (Woodbridge 1981) Anne Crookshank and Desmond FitzGerald, Knight of Glin, The Watercolours of Ireland (London 1994) 24 Brian Stewart and Mervyn Cutten, Dictionary of Portrait Painters in Britain up to 1920 (Woodbridge 1997) 100 Anne Crookshank and Desmond FitzGerald, Knight of Glin, Ireland’s Painters (New Haven and London 2002) 42 In general for the life of Keith see: Sam Coull, Nothing but my Sword, The Life of Field Marshal James Francis Edward Keith (Edinburgh 2000) James Keith: A Fragment of a Memoir of Field-Marshal James Keith, written by Himself, 1714-1734 (edited by Thomas Constable for the Spalding Club, Edinburgh 1843) Anon: An Elegy on the universally lamented death of his Excellency James-Francis-Edward Keith, Field Marshal in the armies of the King of Prussia, &c. -
Landscapes from Permanent Collection June
LCGA Permanent Collection: Landscapes 29th June – 22nd October 2017 Featured artists: Eva Hamilton RHA; Letitia M Hamilton RHA; J. Humbert Craig RHA RUA; Charles Lamb RHA, RUA; Paul Henry RHA RUA; Seán Keating RHA; Maurice MacGonigal PRHA; Frank McKelvey RHA RUA; Walter Verling HRHA; Maurice C. Wilks ARHA RUA; Jack B. Yeats RHA; Old Thomond Bridge Unknown. Charles Lamb RHA, RUA (1893–1964): The Irish landscape artist, portrait and figure painter Charles Vincent Lamb was born in Portadown, Co. Armagh. and worked as a house painter before teaching art and painting professionally. He studied life-drawing in Belfast School of Art before winning a scholarship to the Dublin Metropolitan School of Art in 1917, where he came under the influence of Sean Keating. He began exhibiting at the Royal Hibernian Academy in 1919, and thereafter averaged about 4 paintings per show until his final years. In 1922 he went to Connemara, settling in a remote Irish-speaking part of County Galway, Carraroe. Lamb was one of a group of painters, including Sean Keating, Patrick Tuohy and Paul Henry, who found their inspiration in the West of Ireland, which was seen as the repository of true Irishness. In 1938 he was elected a full member of the Royal Hibernian Academy (RHA). He continued painting actively right up until his death in 1964. Maurice MacGonigal PRHA (1900- 1979): The landscape and portrait artist MacGonigal was born in Dublin, becoming a design apprentice in his uncle's firm, Joshua Clark, ecclesiastical decorator and stained glass artist. MacGonigal mixed politics with art studies, managing within a few years to be interned at Ballykinlar Camp, take drawing and figure drawing classes at the Dublin Metropolitan School of Art (now the National College of Art and Design) and win the Taylor Scholarship in painting. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
SPECIAL COLLECTIONS Winthrop Palmer Collection of French & Irish Literature B
SPECIAL COLLECTIONS Winthrop Palmer Collection of French & Irish Literature B. Davis Schwartz Memorial Library C. W. Post Campus/Long Island University BrooKville, NY 11548 516/299-2880 The Irish Literary Renaissance Five Authors: Lady Gregory James Joyce Sean O'Casey John Millington Synge William Butler Yeats Gregory, Lady (Dame Isabella Augusta nee Persse) 1852-1932 Coole by Lady Gregory. Dublin: The Cuala Press, 1931. 1st edition. Limited to 250 copies printed on paper made in Ireland and published by Elizabeth Corbet Yeats. Prefatory poem "Coole Park" by W. B. Yeats, dated "September 7th 1929". Cloth. Coole by Lady Gregory. Completed from the manuscript and edited by Colin Smythe. With a foreword by Edward Malins. [Dublin : Dolmen Press, 1971]. Edition limited to 1, 050 copies printed on cartridge paper in Plantin type. Designed by Liam Miller. Includes the poem "Coole Park" by W. B. Yeats. Cloth. Illustrated lining papers. The Full Moon by Lady Gregory. London and New York : G. P. Putnam's Sons [1913]. 1st English and American edition. Signed by the author. Publisher's list facing title page: "A Complete List of Lady Gregory's Works". Paper wrappers. The Golden Apple, a play for Kiltartan Children by Lady Gregory. Illustrated by Margaret Gregory. London : John Murray, 1916. 1st edition. Inscribed by the author and dated: "Nov. 14- 1916." Pictorial Cloth. Frontispiece. Music at end of text. The Image; a play in three acts by Lady Gregory. Dublin : Maunsel & Co., 1910. 1st edition. Inscribed by the author and dated: "Xmas day, 1913." Re-bound in leather with gilt edges. Original paper wrappers laid in. -
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50 by Brandi Shantelle Goddard A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History of Art, Design and Visual Culture Department of Art and Design University of Alberta © Brandi Shantelle Goddard, 2016 Abstract In 1915, Ireland was on the brink of the revolutionary Easter Rising. By 1949, the nation was officially declared a republic, no longer part of the British Commonwealth. These years flank the creation of five paintings by the Irish artist Seán Keating in which the painter has included his own portrait within the various scenes. These paintings, as alle- gorical self-portraits, allow for a diachronic construction of an artistic identity based on the visual figure’s position vis-a-vis the dominant ideology of the period. Keating’s self-portraits transition from violent nationalist in Men of the West through a period of revolutionary disavowal and a flirtation with socialism in An Allegory and Night’s Candles are Burnt Out respectively. Finally, Ulysses in Connemara and Economic Pressure, or a Bold Peasant Be- ing Destroyed exhibit the artist in the role of an emigrant forced to leave Ireland due to lack of economic and social opportunities. Utilizing Louis Althusser’s theory of art and ideology from A Letter on Art in Reply to André Daspre, this thesis argues that Keating’s inclusion of his likeness within these five paintings may be understood as a visual com- mentary on the shifting and tumultuous ideological state of affairs in Ireland during the first half of the twentieth century. -
Online Hugh Lane UCD Lectures Series 2021 Exploring the Collection of the Hugh Lane Gallery
Online Hugh Lane UCD Lectures Series 2021 Exploring the Collection of the Hugh Lane Gallery A list of the artists and artworks looked at so far during this lectures series is included here for anyone who wishes to explore these artists further. The Gallery’s online collection is also a helpful resource and artists can be explored by searching the a-z tab: http://emuseum.pointblank.ie/online_catalogue/artists.php?letter=a Thursday 28 January 2021 2pm Exhibition in Focus: Worlds Without End: Stories Around Borders Lecturer: Victoria Evans, Exhibitions Curator Link to Worlds Without End Exhibition Guide with artist and artwork details: http://www.hughlane.ie/phocadownload/exhibitions/wwe%20guide_final.pdf Thursday 4 February 2021 2pm Pre-Raphaelite paintings and 19th century British artists in the Hugh Lane Gallery collection Lecturer: Yseult O’Driscoll Artists and artworks discussed John Singer Sargent, Sir Hugh Lane (1906) JE Millais, The Return of the Dove to the Ark (1850/1) JE Millais, The Return of the Dove to the Ark (1850/1) (The Ashmolean Museum, Oxford) JE Millais, Lilacs (1885) JE Millais, Bubbles! (1888/9) (V&A Museum) Arthur Hughes, Mariana in the Moated Grange (c1860) Simeon Solomon, The Finding of Moses (1862) Simeon Solomon, The Bride (1872) (DCG HL) Simeon Solomon, The Bridegroom (1873) Edward Burne-Jones, Stained Glass Designs (c1885) Edward Burne-Jones, The Sleeping Princess (1874) Albert Moore, Azeleas (1868) Lord Frederic Leighton, Study of a Draped Figure James MacNeill Whistler, The Artist’s Studio (1865) Diego Velazquez, -
Ruth Lane Poole Collection
Ruth Lane Poole collection National Gallery of Ireland: Yeats Archive IE/NGI/Y17 1. Identity statement area ............................................................................................... 3 2. Context area ..................................................................................................................... 3 3. Content and structure area ........................................................................................ 4 4. Conditions of access and use ...................................................................................... 4 5. Allied materials area .................................................................................................... 5 6. Description control area ............................................................................................. 5 1. Embroideries ................................................................................................................................ 6 1.1 Embroideries by Ruth Lane Poole........................................................................ 6 1.2 Embroideries by Lily Yeats ................................................................................... 7 2. Library of Ruth Lane Poole. ..................................................................................................... 8 2.1 Dun Emer and Cuala press publications .............................................................. 8 2.2 Published works by Elizabeth Corbet Yeats ....................................................... 12 2.3 -
Yeats Library: Supplemental Cuala Press Books
Yeats Library: Supplemental Cuala Press Books Last Number First name Title Place Publisher Date Notes name Sixteen Poems by William Allingham: Dun Emer 4001 Allingham William Dublin 1905 Selected by William Press Butler Yeats Translation of Cuala 4002 Be Thou my Vision Dublin [n.d.] an Old Irish Press hymn No. 37 of 450 Seven Winters by Cuala 4003 Bowen Elizabeth Dublin 1942 copies made Elizabeth Bowen Press Uncut Dafydd Ap Gwilym: Selected poems: Dafydd Ap Translated by Nigel Cuala No. 17 of 280 4004 Dublin 1944 Gwilym Heseltine with a Press copies preface by Frank O'Connor Dafydd Ap Gwilym: Selected poems: No. 105 of 280 Dafydd Ap Translated by Nigel Cuala 4004a Dublin 1944 copies made Gwilym Heseltine with a Press Uncut preface by Frank O'Connor Bookplate: Into the Light, and other Elizabeth Cuala 4005 Donaghy Lyle Poems by Lyle Dublin 1934 Corbet Yeats Press Donaghy 200 copies made Cuala 4006 Dowden Edward A Woman's Reliquary Dublin 1913 Uncut Press The Dun Emer Press 4007 and The Cuala Press 1932 1903-1932 250 copies made Uncut Inserted:'Songs by Francis Selections from the Ledwidge', The Cuala 4008 Dunsany Lord Writings of Lord Dublin 1912 Times, Aug Press Dunsany 1919 'To Captain the Lord Dunsany', New Ireland, Aug 18, 1917 Some Essays and Dun Emer 200 copies 4009 Eglinton John Passages by John Dublin 1905 Press made Eglinton; Selected by Yeats Library: Supplemental Cuala Press Books Last Number First name Title Place Publisher Date Notes name William Butler Yeats Love's Bitter-Sweet: Translations from the Irish Poets of the Cuala 500 copies 4010 Flower Robin Dublin 1925 Sixteenth and Press made Uncut Seventeenth Centuries, by Robin Flower 450 copies made Uncut Oliver St.