Paintings from the ESB Collection Auction Tuesday 16Th December 2014 | 6Pm
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Issue Id: 0002007/G/10 Other Submissions Processed Between 30-Nov-2007 and 06-Dec-2007 Index of Submission Types
ISSUE ID: 0002007/G/10 OTHER SUBMISSIONS PROCESSED BETWEEN 30-NOV-2007 AND 06-DEC-2007 INDEX OF SUBMISSION TYPES B10 - CHANGE IN DIRECTOR OR SECRETARY B2 - CHANGE OF REGISTERED OFFICE B25 - HIGH COURT ORDER RESTORING COMPANY B4 - NOTICE OF INCREASE IN NOMINAL CAPITAL B5C - ALLOTMENT OF SHARES FOR CASH B5N - INCREASE IN ISSUED CAPITAL, ALLOTMENT OF SHARES FOR CASH -NO FEE B7 - (FORM 28)NOTICE OF CONSOLIDATION, DIVISION, CONVERSION TO STOCK, REDEMPTION OR CANCELLATION. G1AA - SR ALTERATION TO MEMORANDUM OF ARTICLES G1B4 - B4 AND A SPECIAL RESOLUTION TO INCREASE SHARE CAPITAL G1C - SR INCREASE IN NOMINAL SHARE CAPITAL G2- - OR INCREASE IN NOMINAL SHARE CAPITAL H1 - RESTORATION OF A COMPANY H1R - RESTORATION TO REGISTER OF COMPANY STRUCK OFF CRO GAZETTE, FRIDAY, 07th December 2007 3 OTHER SUBMISSIONS PROCESSED BETWEEN 30-NOV-2007 AND 06-DEC-2007 Company Company Document Date Of Company Company Document Date Of Number Name Registration Number Name Registration 1674 BRITVIC MUNSTER LIMITED B10 25/09/2007 16413 NILFISK-ADVANCE LIMITED B10 02/10/2007 2311 BRITVIC NORTHERN IRELAND LIMITED B2 07/09/2007 16907 WAVIN IRELAND LIMITED B10 12/10/2007 3446 WATERFORD NEWS & STAR LIMITED B10 28/09/2007 17113 TEMPLE PRINTING COMPANY LIMITED B5N 02/11/1999 4305 EDWARD DILLON & CO., LIMITED B2 27/11/2007 17297 SHELBOURNE GREYHOUND STADIUM LIMITED B10 06/10/2007 4305 EDWARD DILLON & CO., LIMITED B10 11/10/2007 17762 CROSSHAVEN BOAT YARD COMPANY LIMITED G1AA 19/07/2007 4305 EDWARD DILLON & CO., LIMITED B10 11/10/2007 17844 COPE FOUNDATION G1AA 21/11/2007 4305 EDWARD DILLON & CO., LIMITED B10 11/10/2007 18033 T. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
H a I N E S G a L L E
H A I N E S G A L L E R Y DAVID NASH BORN 1945, England Lives and works in Blaenau Ffestiniog, North Wales SELECTED SOLO EXHIBITIONS 2016 David Nash: Columns, Peaks and Torso, Galerie Lelong, Paris, France 2014 David Nash, Kukje Gallery, Seoul, South Korea David Nash: From Kew Gardens to Meijer Gardens, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI 2013 David Nash at Kew: A Natural Gallery, Kew Royal Botanical Gardens, London, United Kingdom 2012 David Nash, Kew Gardens, Queens, NY Black & Red: Bronze & Wood, Galerie Lelong, Paris, France 2011 Red, Black, Other, Mostyn Oriel, Llandudno, United Kingdom 2010 Recent Sculptures and Colour Works, Annely Juda Fine Art, London, United Kingdom Traces, Yorkshire Sculpture Park, United Kingdom 2009 Drawings and Sculptures, Abbot Hall Art Gallery, Cumbria, United Kingdom Monumental Sculpture, Mannheim Kunsthalle, Mannheim, Germany David Nash - January’09, Galeria Alvaro Alcazar, Madrid, Spain 2008 David Nash: New Work, Haines Gallery, San Francisco, CA David Nash – Retrospective, Kunsthalle in Emden, Germany Naturformen, Atlana Sinclair Haus, Bad Homburg, Germany 2007 With the Grain: Wood Sculpture, Lewes Town Hall, East Sussex, United Kingdom With the Grain: A New Sculpture, Southover Grange Gardens, Lewes, United Kingdom David Nash, Kukje Gallery, Seoul, South Korea 2006 David Nash, Konstruktiv Tendens, Stockholm, Sweden Im Kleinen Format, Galerie Scheffel, Bad Homburg, Germany Trunks Thicken, Branches Lengthen, Roots Deepen, Gallerie Scheffel, Bad Homburg, Germany; Museum Galerie -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Resource What Is Modern and Contemporary Art
WHAT IS– – Modern and Contemporary Art ––– – –––– – – – – – – – – – – – – – – – – – – – – – – – – – – ––– – – – – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theo- retical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as Conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the 03 inherent problems and contradictions that arise when attempting to outline or summarise the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, many of which emerged in opposition to such totalising tendencies. CONTENTS Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers and is neither definitive nor exhaustive. The inten- What is __? talks series page 03 tion is to provide background and contextual information about the art and Introduction: Modern and Contemporary Art page 04 artists featured in IMMA’s exhibitions and collection in particular, and about How soon was now? What is Modern and Contemporary Art? Contemporary Art in general, to promote information sharing, and to encourage -Francis Halsall & Declan Long page 08 critical thinking, debate and discussion about art and artists. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
20Th Century Irish Paintings
Gorry Gallery 7. GEORGE BARRET (detail) COVER: Nicholas Blakey (active 1739 – 1758) Catalogue Number 4 © GORRY GALLERY LTD. GORRY GALLERY requests the pleasure of your company at the private view of An Exhibition of 18th – 20th Century Irish Paintings on Wednesday, 24th June, 2009 Wine 6 o’clock This exhibition can be viewed prior to the opening by appointment and at www.gorrygallery.ie Kindly note that all paintings in this exhibition are for sale from 6.00 p.m. 24th June – 8th July 2009 4. NICHOLAS BLAKEY 4 4. NICHOLAS BLAKEY, (active 1739 – 1758) ‘Portrait of James Francis Edward Keith (1696-1758), three-quarter-length, in armour, a red sash at his waist’ Oil on canvas, 116.5 x 89 Signed and dated ‘N.Blakey pinxit / 1739’ Exhibited: Aberdeen, Aberdeen Art Exhibition, 1859, no. 98. London, National Portrait Exhibition, 1867, no. 2 Provenance: By descent in the Keith family to 14th Earl of Kintore from whom acquired by the present owner. Literature: Ellis Waterhouse, Dictionary of British Art, Volume II: British 18th Century Paintings in Oils and Crayons (Woodbridge 1981) Anne Crookshank and Desmond FitzGerald, Knight of Glin, The Watercolours of Ireland (London 1994) 24 Brian Stewart and Mervyn Cutten, Dictionary of Portrait Painters in Britain up to 1920 (Woodbridge 1997) 100 Anne Crookshank and Desmond FitzGerald, Knight of Glin, Ireland’s Painters (New Haven and London 2002) 42 In general for the life of Keith see: Sam Coull, Nothing but my Sword, The Life of Field Marshal James Francis Edward Keith (Edinburgh 2000) James Keith: A Fragment of a Memoir of Field-Marshal James Keith, written by Himself, 1714-1734 (edited by Thomas Constable for the Spalding Club, Edinburgh 1843) Anon: An Elegy on the universally lamented death of his Excellency James-Francis-Edward Keith, Field Marshal in the armies of the King of Prussia, &c. -
Landscapes from Permanent Collection June
LCGA Permanent Collection: Landscapes 29th June – 22nd October 2017 Featured artists: Eva Hamilton RHA; Letitia M Hamilton RHA; J. Humbert Craig RHA RUA; Charles Lamb RHA, RUA; Paul Henry RHA RUA; Seán Keating RHA; Maurice MacGonigal PRHA; Frank McKelvey RHA RUA; Walter Verling HRHA; Maurice C. Wilks ARHA RUA; Jack B. Yeats RHA; Old Thomond Bridge Unknown. Charles Lamb RHA, RUA (1893–1964): The Irish landscape artist, portrait and figure painter Charles Vincent Lamb was born in Portadown, Co. Armagh. and worked as a house painter before teaching art and painting professionally. He studied life-drawing in Belfast School of Art before winning a scholarship to the Dublin Metropolitan School of Art in 1917, where he came under the influence of Sean Keating. He began exhibiting at the Royal Hibernian Academy in 1919, and thereafter averaged about 4 paintings per show until his final years. In 1922 he went to Connemara, settling in a remote Irish-speaking part of County Galway, Carraroe. Lamb was one of a group of painters, including Sean Keating, Patrick Tuohy and Paul Henry, who found their inspiration in the West of Ireland, which was seen as the repository of true Irishness. In 1938 he was elected a full member of the Royal Hibernian Academy (RHA). He continued painting actively right up until his death in 1964. Maurice MacGonigal PRHA (1900- 1979): The landscape and portrait artist MacGonigal was born in Dublin, becoming a design apprentice in his uncle's firm, Joshua Clark, ecclesiastical decorator and stained glass artist. MacGonigal mixed politics with art studies, managing within a few years to be interned at Ballykinlar Camp, take drawing and figure drawing classes at the Dublin Metropolitan School of Art (now the National College of Art and Design) and win the Taylor Scholarship in painting. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
Curriculum Vitae
H A I N E S G A L L E R Y DAVID NASH Born in Surrey, England, 1945 Lives and works in Blaenau Ffestiniog, North Wales, UK EDUCATION 1965 Kingston College of Art, UK 1970 Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 2019 David Nash: 200 Seasons, Towner Art Gallery, Eastbourne, UK David Nash: Trees, Galerie Lelong & Co., Paris, France David Nash: Sculpture through the Seasons, National Museum Cardiff, Wales 2018 Tout jaune, Galerie Simon Blais, Montreal, Canada Columns, Galerie Lelong & Co., Paris, France David Nash: Nature to Nature, Fondation Fernet-Branca, Saint-Louis, France David Nash: Wood, Metal, Pigment, Annely Judah Fine Art, London, UK First The Tree, Then The Shape, Museum Lothar Fischer, Neumarkt in der Oberpfalz, Germany 2017 With Space in Mind, Tremenheere Sculpture Gardens, Penzance, UK New Beginnings, Alan Cristea Gallery, London, UK David Nash, Galeria Simon Blais, Montreal, Canada David Nash, Galeria Alvaro Alcazar, Madrid, Spain Art Project, Krauhuegel & Art and Church, Kollegienkirche, Salzburg, Austria Tree Seasons, Plas Glyn-y-Weddw, Gwynedd, Wales 2016 David Nash: Columns, Peaks and Torso, Galerie Lelong, Paris, France 2015 With Space in Mind, Alan Cristea Gallery, London, UK Three Black Humps, Coalbrookdale Museum of Iron, Shropshire, UK King & Queen I, Keepers House The Royal Academy, London, UK 2014 David Nash Stencil Prints, Abbot’s Room, Kloster Schoenthal, Switzerland David Nash: Prints and Multiples, Galerie Lelong, Paris, France David Nash, Kukje Gallery, Seoul, South Korea David Nash: From -
Resource What Is Public Art
WHAT IS– – Public Art – – –––– – – – – – – – – –– – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Irish Museum of Modern Art Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – –– – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theoretical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the inherent problems and contradictions in attempting to outline or summarise 03 the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, much of which emerged in opposition to such totalising tendencies. Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers, and is neither definitive nor exhaustive. The intention is to provide background and contextual information about the art and artists featured in IMMA’s exhibitions and collections in particular, and about Contemporary Art in general, to promote information sharing, and to encourage critical thinking, debate and discussion about art and artists. The talks series addresses aspects of Modern and Contemporary Art, spanning the period from the 1940s to the present. -
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50 by Brandi Shantelle Goddard A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History of Art, Design and Visual Culture Department of Art and Design University of Alberta © Brandi Shantelle Goddard, 2016 Abstract In 1915, Ireland was on the brink of the revolutionary Easter Rising. By 1949, the nation was officially declared a republic, no longer part of the British Commonwealth. These years flank the creation of five paintings by the Irish artist Seán Keating in which the painter has included his own portrait within the various scenes. These paintings, as alle- gorical self-portraits, allow for a diachronic construction of an artistic identity based on the visual figure’s position vis-a-vis the dominant ideology of the period. Keating’s self-portraits transition from violent nationalist in Men of the West through a period of revolutionary disavowal and a flirtation with socialism in An Allegory and Night’s Candles are Burnt Out respectively. Finally, Ulysses in Connemara and Economic Pressure, or a Bold Peasant Be- ing Destroyed exhibit the artist in the role of an emigrant forced to leave Ireland due to lack of economic and social opportunities. Utilizing Louis Althusser’s theory of art and ideology from A Letter on Art in Reply to André Daspre, this thesis argues that Keating’s inclusion of his likeness within these five paintings may be understood as a visual com- mentary on the shifting and tumultuous ideological state of affairs in Ireland during the first half of the twentieth century.