English Folk-Songs and Dances Author(s): Hubert Fitchew Source: The Musical Times, Vol. 62, No. 942 (Aug. 1, 1921), pp. 560+566 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910008 Accessed: 24-06-2016 20:20 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times This content downloaded from 137.99.31.134 on Fri, 24 Jun 2016 20:20:30 UTC All use subject to http://about.jstor.org/terms 560 THE MUSICAL TIMES-AUGUST I 1921 ENGLISH FOLK-SONGS AND DANCES But since, in the four changes of programme, there FESTIVAL AT THE KING'S THEATRE, HAMMERSMITH were embraced over five-and-thirty country dances, For me, and, I suppose, for many others, who are a score and more of Morris dances, and half-a-dozen indebted to the English Folk-Dance Society for first Morris jigs, criticism must remain general rather than sight of its intriguing figures, the words 'country exhaustive. The point I would make is that there dances' will always call up memories of a chain of was not one but had its individual charm.