The Great War Remembered 1914 - 2014 OKS Offcuts • Issue No
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Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
DETROIT ARMORY Under the Auspices of the Detroit Orchestral Association DIRECTORS EXECUTIVE COMMITTEE President WILLIAM H. MURPHY, NEWTON J. COREY, FREDERICK M. ALGER, Vice-President Secretary and Manager LEM W. BOWEN CHARLES MOORE, Treasurer CHARLES L. FREER EDWIN S. GEORGE JOHN SCOTT, Auditor WILFRED C. LELAND J. HARRINGTON WALKER Thirty-second Season, J9J2-J9J3 Dr. KARL MUCK, Conductor Programme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE SATURDAY EVENING, FEBRUARY 1 AT 8.15 COPYRIGHT, 1912, BY C A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER cIke Makers of merxtt PIANOS Have shown that genius for piano-making tnat has been described as "an infinite capacity for taking ftains cIne result of over eighty- five years application of that genius to the production of musical tone is shown m tne matchless Chickermg Pianos of today. Represented by Tke FARRAND COMPANY Owing to the illness of Dr. Muck, Mr. Otto Urack will conduct. DETROIT ARMORY loatfltt g>gmplf0tt}} (©rrfjtfHint Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor SATURDAY EVENING, FEBRUARY 1 AT 8J5 PROGRAMME Sibelius Symphony No. i, in E minor, Op. 39 I. Andante ma non troppo; Allegro energico. II. Andante, ma non troppo lento. III. Allegro. IV. Finale (Quasi una fantasia) : Andante; Allegro molto. Brahms . Academic Festival Overture, Op. 80 Bruch . Concerto No. 2 for Violin, with Orchestral Accompaniment, Op. 44 I. Adagio ma non troppo. II. Recitative. III. Finale. Allegro molto. Chabrier " Espafia," Rhapsody for Orchestra SOLOIST Mr. ANTON WITEK, Violinist There will be an intermission of ten minutes after the symphony • / — ^Ipfiiiumlfano g£f li* * ESfe. -
Ýýiýi97)'77Iýý
The ýýiýi97)'77Iýý As supplied to H.M. QUEEN ALEXANDRA. Very handsome Cabinet of Solid Mahogany, with Inlaid Satinwood Ornamentation. It is but fitting that an example of the highest perfection which III the Gramophone has yet reached should adorn the home of the land, H.M. highest in the and Queen Alexandra was delighted li "Grand" with the marvellous reproductions of the supplied to her. y7 cýrýeti:ir.cý-nrciyrr:ý-.ýrrzti-ýtr:ý:ý.cticir.-:rr By APPOINTMENT TO H.M. QUEEN ALEXANDRA. 10-inch, 3s. 6d. ; 12-inch, 5s. 6d. ORCHESTRAS. New Symphony Orchestra Conducted by Mr. Landon Ronald. 12-inch records, 5s. 6d. 0595 Morning (" Peer Gynt ") GRIEG These special records, made by the New Symphony Orchestra, inaugurate a new era in orchestral re- For cording. tone quality, balance and executive excellence, they are far ahead of anything of the kind ever done before. The effect of a big is, indeed, orchestra fully realised. In the first of these the wind instruments are heard with beautiful clearness and individuality of tone in Grieg's fresh and delightful picture of " Morning." The middle harmonies of the picture are also well represented. The bird calls, and the notes of the horn at end being noteworthy points in what is by far the finest orchestral record ever issued. (Speed 8o.) Use only Genuine Gramophone Needles, sold in rnetal boxes, with the Trade Mark, " His Masters Voice," in colours ORCHESTRAS-continued. New Symphony Orchestra-continued. r Anitra's Dance 0594 and jl In the Hall of the Mountain Kings GRIEG (" Peer Gynt ") The bright dance of Anitra, on the following theme, exhibits a well executed pizzicato of the strings. -
His Master's Voice. Catálogo
1912. ,-- ---------, "HIS Mi\STER'S VOICE " NUMERICi\L By ·Appointment. LIST OF RECORDS. For tbe Tro.de only. INDEX TO NUMERICAL LIST. DOUBLE-SIDED RECORDS. B •a• 1o B •55 Pages 3- 5 e 101 lo e 202 5-9 SINGLE-SIDED RECORDS. 464 lO 81 1 JO Pages 10-19 2-166 lO 2-52701 19-21 3-1 lo 3-42931 21-23 4-2009 lo 4-2219 2J-26 7-32000 lo 7-53007 26 051 lo 0746 26-27 01000 lO 09257 27-42 011500 lO o63003 42-49 2-oJ2000 lO 2-o54029 49-51 . S002~.¡ "H!S MASTER'S VOICE "-NUMERICAL LJ ST OF RECORDS . DOUBLE-SIDED RECORDS- 10-inch. B { Kukuska ... ... Coldstream Guards 101 Beautiful Galatea B "La Czarine "-Mazurka 102l La Mattchiche ... .. B IOJ ~1i~uet No. 1 .. .. !'tnng Song .. .. B 104 ~.~{!~~~i~~~~~~:far~~ B ~ God Save the King .. .. 105 God Bless thr. Prince of Wales .. ll l OÓ Rule Brit&ooia ... .. .. La Marseillaise .. .. .. O Sole Mio B 107 { The Rosary (Cornet Solo by Sergt. Hawkins) B Io8 Bells of St. Malo Christchurch Bells B Coon Band Contest 109 Ginger Two-step B Hiawatha ... 110 Liberty Bell March Stars and Strifes March . B 1 11 Turkish Pntro .. .. Morch Past ofthe Lancashire Brigade .. U 112 Regimenta! Marches of the Brigade of Guards · B IJ '' Poet and Peasant" Overture ... .. 1 ••wmiam Tell "-Storm ... .. SofUy awnkes my heart (" Samson B and Delilah ") (Cornet Solo by Sergt. 11 4 Hawkins ¡War March of the Priests ... .. B S {" Peer Gynt "-Moming 11 ., -Death of Ase Take a Pair of Sparkling Eyes (Cornet D 116 Solo by Sergt. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of Music The English Voice of the Mid-Twentieth Century: Ferrier, Deller and Pears by Xin Ying Ch'ng Thesis for the Degree of Doctor of Philosophy March 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the Degree of Doctor of Philosophy THE ENGLISH VOICE OF THE MID-TWENTIETH CENTURY: FERRIER, DELLER, PEARS Xin Ying Ch’ng This thesis explores how the reception of Kathleen Ferrier, Alfred Deller and Peter Pears’s voices gave new insights into the constructions of national musical identity in mid- twentieth century Britain. I highlight how an exploration of the ‘national voice’ constitutes both an idealisation of musical sound and national belonging. Through voice, I offer not only a new methodological approach to the question of musical nationalism, but also an understanding of its embodiment through concepts of gender and sexuality. -
Prominent Women Performers in Voice, Piano and Violin, Born Since 1840
PROMINENT WOMEN PERFORMERS IN VOICE, PIANO AND VIOLIN, BORN SINCE 1840 BY ELIZABETH ADELLE McCLURE THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC SCHOOL OF MUSIC UNIVERSITY OF ILLINOIS 1918 Digitized by the Internet Archive in 2013 http://archive.org/details/prominentwomenpeOOmccl UNIVERSITY OF ILLINOIS J}ine_^5 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Elizabeth Adelle McClure ENTITLED P?.P.in.ine.n^.. Jp.?^e.A...Pe^^ .yiQl.in.,....BQrA...S.lng.a..aMQ.. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Bs^Q]^elQX...Q.t..MMQXG.. Approved HEAD OF DEPARTMENT OF....SC:hool.. of ..Musio. 408271 UlUC " INTRODUCTION Women have had a certain handicap in nnieical matters, but they have furnished the great body of amateurs, without which, the profeseional artistic world would have had a sorry time. In former ages women were confined to the duties of the household. They managed their domestic duties well, regardless of the fact, that there were no women's clubs to assist them. Their educational outlook was narrow, and the fact that they were confined to their homes, gave them opportunities to study the arts, that the men of the time did not possess. Later women's opportunities enlarged and today they are thoroughly "emancipated." They attend the same colleges as their brothers, engage in the same occupations and enter the same pro- fessions. Women are given an equal chance of representation on programs as men and axe welcomed as performers, "Woman has been called the Queen of the home." However, since the arts and sciences have been open to women, they are no longer satisfied with this. -
Columbia Records Catalogue 1924
Supplement No. :or.-plete to 937- CURRENT PRICES OF COLUMBIA RECORDS. i)A} & BLUE LABEL (Double-Sided) Pages 80 128 . to 10-inch 3/- 12-inch 4/6 each .. .. .. each. .iebrew-Jewish Records (see pages 135 to 137) 'Wm. McEwan Sacred Album 36/- each. " The . Children's Box," Nos. 1 and 2 (see page 128) 18/- LIGHT BLUE LABEL (Double-Sided) Pages 37 74 . to 10-inch 5/- 12-inch 7/6 each .. .. each. SERIES.-Special ALBUM attention is directed to the series of Records, on pages 59, 61, 62 and 72, announced in Albums. The Complete Sets Albums are presented to purchasers of the as mentioned WITHOUT EXTRA CHARGE. PURPLE LABEL (Double-Sided) Pages 34 69 . to 10-inch 6/- 12-inch 8/6 each .. .. .. each. PURPLE LABEL (Single-Sided) Page 67 . Ysaye 12-inch 7/6 only. each. PINK LABEL, GRAND OPERA (Single-Sided) Page 42 . 10-in (Double-Sided) 4/6 each. 12-inch (Double-Sided) .. .. 6/6 .. .. .. each. BROWN LABEL, ITALIAN OPERA (Double-Sided) Pages 129 to 134 10-inch 3/6 each 12-inch 5;'5 each. " CARMEN " Album, £2 16s. complete . AIDA " Album, Complete Opera . £2 19s. 6d. containing . RIGOLETTO " Album, containing Complete Opera £4 8s. COLUMBIA NEEDLES (In Metal Boxes). 1,00) 2n0 I,000 200 'ý;:!tý(i!i1SUPERBE (Loud Tone) 3i9 9d. DE LUXE (Specia(Iy fcsted) 5/ 1/ (Teo- ione) BRILLIANT (Medium) 3/9 9d. SPEAR POINT 5/- 1/- DURAGOLD (Semi-- 'DEAL ( Tone) 3/9 9d. (Soft Permanent) 1/- per 100 FIBRE NEEDLES 4/- per 200 FIBRE NEEDLE CUTTER OUTFIT 5/6 CAL TION.-Columbia lcac girds, veing manu/acturel under British, Austr-11ian, and New Z: aland Pat-is, m ey nwt be sold, or offered for sale, at less than the authorised Arias fixed for those cou !tries respretively, wit boat rendering both seller and purchaser =rbieli to damages for infra gement. -
Download Booklet
557118 bk Lehmann 21/01/2004 01:38pm Page 16 DDD LIZA LEHMANN The English Song Series • 8 (1862-1918) 8.557118 1 Cherry Ripe * 2:37 * Dusk in the Valley ° 2:39 Liza from The Daisy Chain 12:47 ( The Lily of a Day * 2:30 2 Fairies ° 1:52 LEHMANN 3 Keepsake Mill ‡ 2:51 ) When I am dead, my dearest * 2:30 4 If no one ever marries me * 1:36 5 Stars † 3:21 Four Cautionary Tales and a Moral 17:00 6 The Swing * 1:14 ¡ Rebecca ° ‡ 2:32 The Daisy Chain 7 Mustard and Cress ‡ 1:45 ™ Jim ° 4:23 £ Matilda ° ‡ 3:37 Bird Songs * 9:16 ¢ Henry King ‡ 3:15 Bird Songs 8 The Woodpigeon 2:13 ∞ Charles Augustus Fortescue ° ‡ 3:06 9 The Starling 2:01 0 The Yellowhammer 1:24 § My true friend hath my hat † ‡ 1:43 Four Cautionary Tales ! The Wren 2:26 and a Moral @ The Owl 1:05 Two Nonsense Songs from Alice in Wonderland 5:22 # Magdalen at Michael’s Gate * 3:34 ¶ Mockturtle soup † 3:36 • Will you walk a little faster? * ° † ‡ 1:45 $ Evensong ° 2:35 Janice Watson, Soprano Janice Watson , Soprano * Catherine Wyn-Rogers, Mezzo-Soprano % Endymion * 7:15 Catherine Wyn-Rogers, Mezzo-Soprano ° Toby Spence, Tenor † Toby Spence, Tenor ^ Music when soft voices die ‡ 2:25 Neal Davies, Baritone ‡ Steuart Bedford, Piano Neal Davies, Baritone & To a little red spider ° 2:47 Steuart Bedford, Piano 8.557118 16 557118 bk Lehmann 21/01/2004 01:38pm Page 2 Liza Lehmann (1862-1918) ‘You can really have no notion how delightful it The Daisy Chain • Bird Songs • Four Cautionary Tales and a Moral Two Nonsense Songs from ‘Alice in will be, Wonderland’ When they take us up and throw us, with the Liza Lehmann was the eldest daughter of the painter By this time Liza Lehmann had embarked on a Poems by Lewis Carroll lobsters, out to sea!’ Rudolf Lehmann and his wife Amelia, daughter of the career as a singer, appearing in concerts and recitals, But the snail replied ‘Too far! Too far!’ and gave a Edinburgh publisher and writer Robert Chambers. -
English Folk-Songs and Dances Author(S): Hubert Fitchew Source: the Musical Times, Vol
English Folk-Songs and Dances Author(s): Hubert Fitchew Source: The Musical Times, Vol. 62, No. 942 (Aug. 1, 1921), pp. 560+566 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910008 Accessed: 24-06-2016 20:20 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times This content downloaded from 137.99.31.134 on Fri, 24 Jun 2016 20:20:30 UTC All use subject to http://about.jstor.org/terms 560 THE MUSICAL TIMES-AUGUST I 1921 ENGLISH FOLK-SONGS AND DANCES But since, in the four changes of programme, there FESTIVAL AT THE KING'S THEATRE, HAMMERSMITH were embraced over five-and-thirty country dances, For me, and, I suppose, for many others, who are a score and more of Morris dances, and half-a-dozen indebted to the English Folk-Dance Society for first Morris jigs, criticism must remain general rather than sight of its intriguing figures, the words 'country exhaustive. The point I would make is that there dances' will always call up memories of a chain of was not one but had its individual charm. -
Mr. Huneker and the Melting-Pot Author(S): C. Source: the Musical Times, Vol
Mr. Huneker and the Melting-Pot Author(s): C. Source: The Musical Times, Vol. 62, No. 938 (Apr. 1, 1921), pp. 254-255 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/909400 Accessed: 20-01-2016 12:56 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 160.36.178.25 on Wed, 20 Jan 2016 12:56:14 UTC All use subject to JSTOR Terms and Conditions 254 THE MUSICAL TIMES-APRIL I 192I especially on the propaganda side-the side that virgin soil, will put forth, and in this spirit we must always open the scoring. confront our author and the somewhat intimidating The question of 'Music and Industry' is very idiom which he used. much in the air just now. Our columns from time to He sprang from a family mainly Irish, and time contain notices of excellent concerts given by was born at Philadelphia. The implications in this the staffs of business houses. -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com TheYear'smusic THE YEAR'S MUSIC Wa& 03.oijul Meg of |Ka^ic, TENTERDEN STREET, HANOYER SQUARE. INSTITUTED, 1822. INCORPORATED BY ROYAL CHARTER, 1830. '{Jatroits : HER MOST GRACIOUS MAJESTY THE QUEEN. Their Royal Hiqhnrsses THE PRINCE AND; PRINCESS OF WALES, And other Members of the Royal Family. President-K.Vi.VL. THE DUKE OF SAXE-COBURG AND GOTHA, DUKE OF EDINBURGH, K.G. Principal- SIR ALEXANDER CAMPBELL MACKENZIE, Mus.D., F.R.A.M. THE ROYAL ACADEMY OF MUSIC offers to students of both sexes (whether amateur or profeisional) a thorough training in all branches of music under the most able and distinguished Professors. In addition to receiving individual lessons in the various branches of the Curriculum, students have the advantage of attending the Orchestral, Choral, and Chamber Music Classes, and the weekly lectures on music and musi cians. Evidence of their progress is given at the Fortnightly and Public Concerts and by periodical Operatic and Dramatic Performances. The Lent Term commences January 5th. The Fee for the ordinary curriculum is n Guineas per Term. A large number of Scholarships and Prizes are founded and are competed for periodically. Students who show special merit and ability receive the distinction of being elected by the Directors Associates of the Institution, and are thereby entitled to the use after their names of the initials A.R.A.M. -
Benjamin Britten's Music for Kathleen Ferrier
‘Darling Kath’: Benjamin Britten’s Music for Kathleen Ferrier This image is under copyright. Alexandra Morag Mathew ORCID ID: 0000-0002-1796-3714 Submitted in total fulfilment of the requirements of the degree of Master of Music (Musicology) May 2018 Melbourne Conservatorium of Music Faculty of Fine Arts and Music The University of Melbourne ii Title Page Image: Kathleen Ferrier and Benjamin Britten in Amsterdam, in Paul Campion, Ferrier: A Career Recorded (London: Thames, 2005) 87. ‘Darling Kath’ DECLARATION This is to certify that: (i) the thesis comprises only my original work toward the Masters except where indicated in the Acknowledgements, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is 48,976 words in length, inclusive of footnotes, but exclusive of bibliography. Signature: Name in Full: Alexandra Morag Mathew Date: 8 May 2018 i ACKNOWLEDGEMENTS I am grateful to the many people who helped in the completion of this thesis. Foremost, I am deeply indebted to my supervisor, Dr Suzanne Robinson, without whose support, guidance, patience, dedication and expertise I would not have been able to complete this thesis. Thank you. I would also like to thank the following people for their support: Professor Kerry Murphy, for her expert counsel; Associate Professor Linda Kouvaras and Professor Jane Davidson, for academic guidance; Christine Webster and Sam Smith at the Louise Hanson-Dyer Music Library; Dr Nicholas Clark, Judith Ratcliffe, and the staff at the Britten-Pears Archive; Caroline Wilkinson at the Kathleen Ferrier Archive, Blackburn Museum and Art Gallery; the staff at the Fitzwilliam Museum, Cambridge; the British Library Music and Manuscripts staff; Dr Paul Kildea, for offering invaluable insights on navigating Benjamin Britten scholarship; Dr Katherine Firth, for sharing knowledge and expertise on Hedli Anderson, W.H.