Columbia Records Catalogue 1924
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VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette. -
April 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers. -
A Comparative Study of French-Canadian and Mexican-American Contemporary Poetry
A COMPARATIVE STUDY OF FRENCH-CANADIAN AND MEXICAN-AMERICAN CONTEMPORARY POETRY by RODERICK JAMES MACINTOSH, B.A., M.A. A DISSERTATION IN SPANISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OP PHILOSOPHY Approved Accepted May, 1981 /V<9/J^ ACKNOWLEDGMENTS I am T«ry grateful to Dr. Edmundo Garcia-Giron for his direction of this dissertation and to the other mem bers of my committee, Dr. Norwood Andrews, Dr. Alfred Cismaru, Dr. Aldo Finco and Dr. Faye L. Bianpass, for their helpful criticism and advice. 11 ' V^-^'s;-^' CONTENTS ACKNOWI£DGMENTS n I. k BRIEF HISTORY OF QUE3EC 1 II• A BRIEF HISTORY OF MEXICAN-AMERICANS ^9 III. A LITERARY HISTORY OF QUEBEC 109 IV. A BRIEF OUTLINE OF ^MEXICAN LITERATURE 164 7» A LITERARY HISTORY OF HffiXICAN-AT/lERICANS 190 ' VI. A COMPARATIVE LOOK AT CANADZkll FRENCH AND MEXICAN-AMERICAN SPANISH 228 VII- CONTEMPORARY PRSNCK-CANADIAN POETRY 2^7 VIII. CONTEMPORARY TffiCICAN-AMERICAN POETRY 26? NOTES 330 BIBLIOGRAPHY 356 111 A BRIEF HISTORY OF QUEBEC In 153^ Jacques Cartier landed on the Gaspe Penin sula and established French sovereignty in North America. Nevertheless, the French did not take effective control of their foothold on this continent until 7^ years later when Samuel de Champlain founded the settlement of Quebec in 1608, at the foot of Cape Diamond on the St. Laurence River. At first, the settlement was conceived of as a trading post for the lucrative fur trade, but two difficul ties soon becam,e apparent—problems that have plagued French Canada to the present day—the difficulty of comirunication across trackless forests and m.ountainous terrain and the rigors of the Great Canadian Winter. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media.................................................................................................. -
Boston Symphony Orchestra Concert Programs, Season 47,1927
« ''WW BOSTON SYMPHONY ORCHESTRH INC. FORTY-SEVENTH art . SEASON ^ 1927-1928 PR5GR7W1E BOSTON COMMON, TREMONT STREET AT WEST Open Their New Enlarged Store Three modern buildings DRESSES and nineteen separate and COATS distinct selling floors, for and seventy-one WOMEN, beautiful separate MISSES and slv JUNIORS FUR COATS MILLINERY ACCESSORIES ORIENTAL RUGS SILKS LINENS and UPHOLSTERY It is well worth while to see our beautiful new windows, both on Tremont and West Streets. They serve as a charming setting for all that is new and best in women's wear. They are the latest note in window display and are classed among the finest in the East. SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 on ^jmpMomj 'Uirdhestra INC SERGE KOUSSEVITZKY, Conductor FORTY-SEVENTH SEASON. 1927-1928 MONDAY EVENING, NOVEMBER 14, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1927, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 STEIN WAY the instrument of the immortals Not only the best piano, but the best piano value It is possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. -
Vivanti Ensemble
Vivanti Ensemble Wednesday Lunchtime Concert providing lunchtime music in the heart of the city since 1974 St Andrew’s on The Terrace WELLINGTON 29 11 17 12.15pm Welcome It is wonderful that you have come. Thank you. We want your experience today to be the best that it can be and would appreciate you taking a moment to read the following before the concert commences. Keep safe by locating the exit nearest to your seat. In the event of an earthquake, our recommendation is to Drop, Cover and Hold. Bon appetit! You are welcome to have your lunch during the performance. Switching your cell phone to silent is important to the performers and other members of the audience. Your support by way of a donation and telling others about the concerts would be fantastic and very much appreciated. It does make a difference. If you wish to photograph or video today’s concert, please ask for permission from the performer(s) before the concert begins. This is important. We invite you now to sit back, relax and enjoy the concert. Our Mission is to create a lively, open Christian faith community, to act for a just and peaceful world, and to be catalysts for discovery, compassion and celebration in the capital. These lunchtime concerts are advertised through Radio New Zealand Concert’s Live Diary at around 8.10 am on the day of the concert, and listed on St Andrew’s website. To be placed on the email circulation list for concert information, please email Marjan on [email protected] Check out the noticeboards in the foyer each time you come. -
CHAN X10168 Front.Qxd 24/7/08 11:50 Am Page 1
CHAN X10168 Front.qxd 24/7/08 11:50 am Page 1 CHAN 10168 X CHANDOS CLASSICS CHAN X10168 BOOK.qxd 24/7/08 11:51 am Page 2 Ernest John Moeran (1894–1950) Violin Concerto*‡ 33:18 Dedicated to Arthur Catterall 1 I Allegro moderato 13:31 2 II Rondo. Vivace – Alla valse burlesca 9:41 3 III Lento 10:01 4 Lonely Waters‡ 9:19 Lebrecht Collection Lebrecht For orchestra Dedicated to Ralph Vaughan Williams 5 Whythorne’s Shadow‡ 6:30 For orchestra Dedicated to Anthony Bernard Cello Concerto† 28:41 6 I Moderato 11:12 7 II Adagio 7:22 8 III Allegretto deciso, alla marcia 10:02 TT 78:03 Lydia Mordkovitch violin* Raphael Wallfisch cello† Ulster Orchestra‡ Ernest John Moeran Bournemouth Sinfonietta† Vernon Handley‡ Norman Del Mar† 3 CHAN X10168 BOOK.qxd 24/7/08 11:51 am Page 4 Lonely Waters, marked Lento, was probably version of the tune. This is a striking parallel Moeran: Violin Concerto and other works finalised in 1931, though in atmosphere it with Peter Warlock’s The Curlew, that masterly takes us back to Moeran’s Norfolk boyhood, as setting of Yeats, evoking a bleak beauty well as his folksong collecting in East Anglia coloured by birdsong in the woodwind, which Ernest John Moeran had started work on the Kenmare Bay in fine weather, while the last during the 1920s. In an introductory note the Moeran referred to as Violin Concerto immediately after completing captures autumn along the Kenmare river. composer tells us, a kind of symphonic poem… undoubtedly one of his Symphony in G minor, in the autumn of Before a broadcast of the concerto in 1946 this work is based on a fragment of song still the most original things achieved by any British 1937. -
Journal November 1998
T rhe Elgar Society JOURNAL I'- r The Elgar Society Journal 107 MONKHAMS AVENUE, WOODFORD GREEN, ESSEX IG8 OER Tel: 0181 -506 0912 Fax:0181 - 924 4154 e-mail: hodgkins @ compuserve.com CONTENTS Vol.lO, No.6 November 1998 Articles Elgar & Gerontius... Part II 258 ‘Elgar’s Favourite Picture’ 285 A Minor Elgarian Enigma Solved 301 Thoughts from the Three Choirs Festival 1929 305 Obituary: Anthony Leighton Thomas 307 More on Elgar/Payne 3 307 Book Reviews 313 Record Reviews 316 Letters 324 100 years ago... 327 I 5 Front cover: Elgar photographed at Birchwood on 3 August 1900, just after completing 3 The Dream of Gerontius. The photo was taken by William Eller, whom Elgar met through their mutual friend, Richard Arnold. **********=)=*****H:****H==HH:************:(=***=t:*****M=****=|i******************=|c* The Editor does not necessarily agree with the views expressed by contributors nor does the Elgar Society accept responsibility for such views. ELGAR SOCIETY JOURNAL ISSN 0143 - 1269 « ELGAR & GERONTIUS: the early performances Lewis Foreman Part II Ludwig Wiillner We should note that there were two Wullners. Ludwig was the singer and actor; Franz was his father, the Director of the Cologne Conservatoire and conductor of the Gurzenich Concerts. He was there at Diisseldorf and promised to consider Gerontius for a concert in 1902, but I cannot trace that it ever took place. We need to consider Ludwig Wullner, for he would sing Gerontius again on two further key occasions, the second Diisseldorf performance at the Lower Rhine Festival in May 1902, and then in London at Westminster Cathedral in June 1903, as well as the Liverpool premiere in March 1903. -
September-2016-Auction.Pdf
78 CLASSICAL GALLERY CLASSICAL RECORD AUCTION No. 2 CLOSING DATE: SEPTEMBER 30, 2016 NEW AUCTION AUCTION CLOSING DATE: SEPTEMBER 30, 2016 Here you will find a list of early 78 rpm recordings of interest to every level of collector. Most items are focused on Classical selections from the 1898- 1940 period, some a bit more common but of really nice condition. The condition of grading employed here is: CONDITION GRADING: 1: UNPLAYED 1-2: TOP CONDITION 2: VERY FINE COPY- A FEW RUBS OR MARKS, NO NEEDLE WEAR 2-3 SOME RUBS, NON-SOUNDING BLEMISHES, NO NEEDLE WEAR. 3: SOME HEAVIER RUBS, MARKS, NO-SOUNDING BLEMISHES. AN AVERAGE COPY 3-4: LIGHT-SOUNDING WEAR (GREYING), RUBS. 4: SOUNDING WEAR, RUBS, MARKS 4-5: WEAR, RUBS, MARKS 5: OBVIOUS SOUNDING WEAR, HEAVY RUBS, MARKS 5-6: HEAVY WEAR, RUBS, MARKS 6: A WRECK! ONLY LISTED FOR EXTREME RARITY. As you can see, I’ve used Larry Holdridge’s grading scale as it seems to be the most universally accepted and understood system. However, if there are any questions, please feel free to call or e-mail for more clarification. This list is also posted on my website: www.78classicalgallery.com. Please submit bids either electronically through the website, or via USPS mail. Either are welcome. In the meantime, enjoy your perusal of these items. Good luck! Best wishes, David Schmutz # Image Name Artist Selection Min. Bid CLYINDERS FRENCH PATHE #3496 AFFRE: HUGUENOTS- PLUS PATHE SALON BLANCHE (MEYERBEER).- 1902 BLACK WAX, WRITING ON CYLINDER: AFFRE- RIM A BIT FADED AND RUBBED. IN ORIGINAL CASE WITH 1 AFFRE $200.00 HUGUENOTS ARIA ORIGINAL LID.