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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Louis Arthur Hamand; Coast Scenes
A Sea-Spell by D. G. Rossetti; Hubert Bath; Three Songs for a Medium Voice by Heinrich Heine; Louis Arthur Hamand; Coast Scenes. Four Lyrics for Medium Voice by Louis Arthur Hamand The Musical Times, Vol. 50, No. 794 (Apr. 1, 1909), p. 248 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/907998 . Accessed: 24/12/2014 18:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 24 Dec 2014 18:27:48 PM All use subject to JSTOR Terms and Conditions 248 THE MUSICAL TIMES.-APRIL I, 19o09 The firstaim of Mr.Rutland Boughton's choral writing is SONGS. to provideinterest in everypart, the occasions being few Love's secret. The wild flower'ssong. In a myrtleshade. whenthe lowervoices form merely an accompaniment.Words by William Blake. Composed by Granville The continuousflow of thepart-writing disguises the rigid Bantock. stanza-formofthe narrative, and with its frequent modulations Good-night. For soprano or tenor. -
Vol. 17, No. 4 April 2012
Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. -
Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
Download Booklet
HarmoniousThe EchoSONGS BY SIR ARTHUR SULLIVAN MARY BEVAN • KITTY WHATELY soprano mezzo-soprano BEN JOHNSON • ASHLEY RICHES tenor bass-baritone DAVID OWEN NORRIS piano Sir Arthur Sullivan, Ottawa, 1880 Ottawa, Sullivan, Arthur Sir Photograph by Topley, Ottawa, Canada /Courtesy of David B. Lovell Collection Sir Arthur Sullivan (1842 – 1900) Songs COMPACT DISC ONE 1 King Henry’s Song (1877)* 2:23 (‘Youth will needs have dalliance’) with Chorus ad libitum from incidental music to Henry VIII (1613) by William Shakespeare (1564 – 1616) and John Fletcher (1579 – 1625) Andante moderato Recording sponsored by Martin Yates 3 2 The Lady of the Lake (1864)† 3:25 from Kenilworth, ‘A Masque of the Days of Queen Elizabeth’, Op. 4 (or The Masque at Kenilworth) (1864) Libretto by Henry Fothergill Chorley (1808 – 1872) Allegro grazioso 3 I heard the nightingale (1863)‡ 2:59 Dedicated to his Friend Captain C.J. Ottley Allegretto moderato 4 Over the roof (1864)† 3:04 from the opera The Sapphire Necklace, or the False Heiress Libretto by Henry Fothergill Chorley Allegretto moderato Recording sponsored by Michael Symes 4 5 Will He Come? (1865)§ 4:05 Dedicated to The Lady Katherine Coke Composed expressly for Madame Sainton Dolby Moderato e tranquillo – Quasi Recitativo – Tranquillo un poco più lento Recording sponsored by Michael Tomlinson 6 Give (1867)† 4:56 Composed and affectionately dedicated to Mrs Helmore Allegretto – Un poco più lento – Lento Recording sponsored by John Thrower in memory of Simon and Brenda Walton 7 Thou art weary (1874)§ 5:00 Allegro vivace e agitato – Più lento – Allegro. Tempo I – Più lento – Allegro. -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
The Dream of Gerontius
in a side-by-side concert with musicians from The Bard College Conservatory Orchestra THE DREAM OF GERONTIUS apr 8/9 2017 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying in a side-by-side concert with musicians from The Bard College Conservatory Orchestra The Richard B. Fisher Center for the Performing Arts at Bard College the concert? Sosnoff Theater Saturday, April 8, 2017 at 8 PM Help keep the Sunday, April 9, 2017 at 2 PM music going! Performances #52 & #53: Season 2, Concerts 23 & 24 Leon Botstein, conductor This new generation of musicians is creating and presenting music education programs in libraries, schools, and Edward Elgar The Dream of Gerontius, Op. 38 (1900) community centers in the Hudson Valley. (1857–1934) Part I Intermission Support their work Part II by making a gift of any size. Gerontius: Jonathan Tetelman, tenor The Angel: Sara Murphy, mezzo-soprano The Priest / The Angel of the Agony: Christopher Burchett, baritone Bard College Chamber Singers James Bagwell, director Cappella Festiva Chamber Choir Christine Howlett, artistic director Vassar College Choir or Christine Howlett, conductor TEXT VISIT Text from The Dream of Gerontius by John Henry Cardinal Newman TON TO 41444 THEORCHESTRANOW. ORG/SUPPORT This concert is supported in part by The Elgar Society The concert will run approximately 2 hours and 10 minutes, including one 20-minute intermission. For more info on The TŌN Fund, see page 20. No beeping or buzzing, please! Silence all electronic devices. Photos and videos are encouraged, but only before and after the music. -
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
DETROIT ARMORY Under the Auspices of the Detroit Orchestral Association DIRECTORS EXECUTIVE COMMITTEE President WILLIAM H. MURPHY, NEWTON J. COREY, FREDERICK M. ALGER, Vice-President Secretary and Manager LEM W. BOWEN CHARLES MOORE, Treasurer CHARLES L. FREER EDWIN S. GEORGE JOHN SCOTT, Auditor WILFRED C. LELAND J. HARRINGTON WALKER Thirty-second Season, J9J2-J9J3 Dr. KARL MUCK, Conductor Programme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE SATURDAY EVENING, FEBRUARY 1 AT 8.15 COPYRIGHT, 1912, BY C A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER cIke Makers of merxtt PIANOS Have shown that genius for piano-making tnat has been described as "an infinite capacity for taking ftains cIne result of over eighty- five years application of that genius to the production of musical tone is shown m tne matchless Chickermg Pianos of today. Represented by Tke FARRAND COMPANY Owing to the illness of Dr. Muck, Mr. Otto Urack will conduct. DETROIT ARMORY loatfltt g>gmplf0tt}} (©rrfjtfHint Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor SATURDAY EVENING, FEBRUARY 1 AT 8J5 PROGRAMME Sibelius Symphony No. i, in E minor, Op. 39 I. Andante ma non troppo; Allegro energico. II. Andante, ma non troppo lento. III. Allegro. IV. Finale (Quasi una fantasia) : Andante; Allegro molto. Brahms . Academic Festival Overture, Op. 80 Bruch . Concerto No. 2 for Violin, with Orchestral Accompaniment, Op. 44 I. Adagio ma non troppo. II. Recitative. III. Finale. Allegro molto. Chabrier " Espafia," Rhapsody for Orchestra SOLOIST Mr. ANTON WITEK, Violinist There will be an intermission of ten minutes after the symphony • / — ^Ipfiiiumlfano g£f li* * ESfe. -
Zonophone Records Complete Catalogue 1919
A. JL AL BITIRSH INSTITUTE OF RECORDED SOUND G r 3 tw t-F 1-Iqqqql91hýý°°ý' - - - - - - - - - - ýýýýý`;ý ý?`ý \`";ýýýýc ý ýýýý ti Double Si DiFY oröDiür3/Y 12 INCH ý/ 't f^y ItCI3 DOUBLEýSIiýFDýV/ ýý,Eiý:+iR1iYý E iiR1iY / SILED iýjýýCf3ý.+ CATALOGUE INDEX. Harry Lauder 2;Instrumental Selections (Contd.)- ... ... ... - Celebrity 3-4 Pianoforte 19 Grcýnd Opera and ... ... ... :rülitary Band Selections... 5---12f Piccolo 19 ... ... ... ... Urass Band Selections 5-121 Pipers and Drummers 19 ... ... ... ... f)r.'i Selections Tnbaphone I-20 estral ... ...12-151 ... ... ... instrumental Selections Ukulele 20 ...15-21 ... ... ... Accordion lS Violin 20--21 ... ... ... ... ... ... .. Bagpipes Iii Violin, 'Cello, Flute & Harp 21 ... ... ... ... ... Banjo Violin, 'Cello Piano 21 15 and ... Zither Banjo 21 Violin, Flute Harp 21 ... and ... Barrel Organ 15I Violin Mustel Organ 21 ... ... ... and ... Bassoor. I"ü Xylophone 21 ... .-. ... ... Bells 1<xiýAi i1 ... ... g ... ... ... ...21--22 Celeste... 161Ballads 2.--35 .. ... ... I Vocal Duets ... .. ... ...3537 Clarionet luiQuartettes, Rec. .., ... ... ...37--4t7 Concertina Hebrew ]records 40 ...... ...16--17 ... ... ... Cornet ... ... ...17--16iCcznedier nes ... ... ..10-__42 Fiittc ?3IComedians ... ... ... ... ...42-48 Hari lSlRecitations 48 ,., ... ... ... ... ... ... ... Melodeon... ; B'Sketcbes and Descriptive 48 ... ... Ocarina Liet 40-81 ... 18-I9'Alpbabetical ... ... .. mýi= =, ýýni - ý lýI lllE =EI _ __ __ _ Ter. Double . -Inch -Kc Stop yaar tlckl,ýY- A, Jock rlt'sjust like bvlný, at bame ,,4,f qton eý 634 lRoxning Laur,;, & JM.,,-jYeus,, (S"nd Advid"' (Me!WW & L"W)ýý In the Gloamin6s (Luýe.ie, rBreahfait iq bed In Morning 664, Barly the 1 Messaý%? Boy ,,6tnising, Harry Uauderý ýThe DWV ROMM LMAe WAMY Owl my "qfBMnM Hector Gxani- -ýThe ILereice I (Thhe Pll"n,ýy Stone I ft, & LiW& W191 The "me ns Iqq Amer dki Veto hi 547 since shiý was A.bý4bý,. -
EDWARD LYMAN BILL EDITOR a PUBLISHER 1 MADISON AVENUE, NEW YORK
VOL. V. 10SINGLE CENTS COPIES 72 PAGES, INCLUDING SIDE LINE SECTION PER YEAR No. 4 ONE DOLLAR THE TALKING MACHINE WORLD EDWARD LYMAN BILL EDITOR a PUBLISHER_ 1 MADISON AVENUE, NEW YORK Entered as second -eau matter lifer2, I. at the poet omeeat New York,N.Y.,tinder theact of Co ogress THE TALKING MACHINE WORLD. mits .LeameardtaimiliMIMPINIMPIUMNINEP. ToI3usiness men in every line admit the value of good trade papers. Busin ess A trade paper must be origi nal-i tmust contain a Menvariety Of matter including news service-technical information-in fact it must crystallize the entire news of the special business world, and be a helpful adjunct to every department of trade. Scan the columns of The Talking Machine World closely and after you have completed an analysis of the contents of this publication see if you can duplicate its value in any othertrade! The World isa help to the talking machine business. It exerts an healthful optimism. It wields an influence for the good and every man who sells talking machines, no matter in what part of the universe he may be located, should receive this publication as regularly as it is issued.He is missing a vital business point, if he fails to do this. Thousands of dealers not only in the United States hut in every country on earth consult the pages of the World regularly. They draw from the World pleasure and profit. The talking machine business has a brilliant future, and this publication is doing much to enlarge the business horizon of every retail talking machine man in the world. -
Music & Entertainment and Roger Thorne Collection (Part Three)
Music & Entertainment and Roger Thorne Collection (Part Three) Wednesday 22 February 2012 10:00 Special Auction Services 81 Greenham Business Park Newbury RG19 6HW Special Auction Services (Music & Entertainment and Roger Thorne Collection (Part Three)) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Galli-Curci, Gluck, Dawson, Tetrazzini, Lloyd, Harrison, Dews Pathé Actuelle and Perfect, 10-inch needle-cut records: and others; 13 Aeolian-Vocalion, by Lenghi-Cellini, Gerhardt, 340, in three racks Pounds, Butterworth, Allan, Titterton and others; and 3 NGS, Estimate: £40.00 - £60.00 Peter Warlock (The Curlew), John Armstrong, cond. Constant Lambert (101) Estimate: £30.00 - £40.00 Lot: 2 Dance records, Regal, Zonophone and Regal-Zonophone: 124 by Gelder, Cotton, Kyte, Roy, Cyril Blake, Scott Wood, Bert Lot: 9 Firman, Rhythmic Eight, Swain, Jack Payne and others; and Dominion records, 10-inch: 87, mixed content, by Herman Columbia: 101 by Denza Dance Band, Reser, Herman, Wasserman, Godowsky, Savoy Orpheans, Jimmy O'Dea & Voorhees, Valee, Lentz, Selvin, Kahn, Carroll, Lombardo, Harry O'Donovan George Formby, Henry Hearty, Tom Burke, Charleston Chasers, Ellington, Henderson, Whidden, Kunz, Jay Wilbur, Frank Kamplain, Elsie Carlisle, Betty Brown, Al. Ralton and others (225, in 2 racks) Tiers, Lily Long, Margate Municipal Orchestra, Harry Hemsley, Estimate: £40.00 - £60.00 Tommy Handley, Charles Penrose, Sam Lanin and others, mainly dance, in a rack Estimate: £20.00 - £40.00 Lot: 3 10-inch acoustic Columbia, including Columbia Rena, -
His Master's Voice New Gramophone Records
M r t 4 . a a< 4 t<< t K i r ý > r r s n .ý r r r a s -.> y > r > > " > a > r > > > > y > >Y HARRODS, LTD., Piano Department, Brompton Road, S.W. PRICE. This Set of Four 12-inch Records is published at ONE GUINEA. Pot-Pourri- -MUSICAL MEMORIES" Recalled by HERMAN FINCK. Complete List of Melodies performed in the Pot-pourri in their rotation. 1 Oh ! listen to the Band (Aioxcklon) 33 Tarara-boom-de-ay (Sayer, 2 Hi Tiddly Hi Ti (Le Bruun) 34 Hiawatha (Moves 3 The Torpedo&theWhale(Audran) 35 La Paloma - 4 A Frangesa (Costa) 36 Stop yer Tickling, Jock (Laude , 5 The Blue Danube (Strauss) 37 Salut d'dmour (E1gav 6 Intermezzo 'Cavalleria Rusticana) 38 Vien Poupoule - (Mascagnz) 39 F flat Nnrtnrnr ((-leh;. 7 Pas des Quatre (Faust up to date) 40 Champagne Charley (Lee (Lutz) .41 Wouldn'tYou Like to Go?(lVenzee 8 Queen of my Heart (Cellier) 42 Linger Longer, Loo (Sydney Jones 9 Girly Girly (Kuornles) 43 It Bacio (Arditi 10 Two lovely black eyes (Coborn) 44 Movement from "Poet & Peasant(Sz=pße 11 I1Iusetta's Song (Puccini) 12 Toreadors Song (Bizet) 45 Movement from "Zampa" (Herola 13 When Other Lips (Balje) 46 La Czarine (Gann 14 Soldiers' Chorus (Faust) (Gounod) 47 Oh, Marguerite (Faron 15 Funiculi Funicula (L. Dcnza) 48 Cheer, Boys, Cheer (Russell 49 The Dear Homeland (Slaugitet 16 Oh, Honey, my Honey (Caryll) 17 Twiggez-vous (Le Braun) 50 Good-bye ('I'ostz 18 Dear Heart (Mattez) 51 Daddy (6ehrena 52 Wedding March (Dlendelssohn 19 When we are Married (Kerker) 20 Song from " Les Cloches de Corne- 53 Knocked 'em in the Old Ken ville" (Planquette) Road (Ingle 21 In the Summer Time (Everard) 54 Boulanger March (Desorures 22 I'm going to Marry Vum-Yum, 55 Valse Bleue (.lfargis Yum-Yum (Sulki'an) 23 Le Sabre (Offenbach) 57 We Don t Want to Fight, &c.(Nun 24 Tommy Atkins (Potter) See-Saw Waltz (Crow, 25 Tell me, Pretty Maiden (Stuart) 58 26 Waltz Song (Lecocq) 59 All on Account of Eliza (Solzviz,, 27 Henry VIII.