His Master's Voice New Gramophone Records
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Louis Arthur Hamand; Coast Scenes
A Sea-Spell by D. G. Rossetti; Hubert Bath; Three Songs for a Medium Voice by Heinrich Heine; Louis Arthur Hamand; Coast Scenes. Four Lyrics for Medium Voice by Louis Arthur Hamand The Musical Times, Vol. 50, No. 794 (Apr. 1, 1909), p. 248 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/907998 . Accessed: 24/12/2014 18:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 24 Dec 2014 18:27:48 PM All use subject to JSTOR Terms and Conditions 248 THE MUSICAL TIMES.-APRIL I, 19o09 The firstaim of Mr.Rutland Boughton's choral writing is SONGS. to provideinterest in everypart, the occasions being few Love's secret. The wild flower'ssong. In a myrtleshade. whenthe lowervoices form merely an accompaniment.Words by William Blake. Composed by Granville The continuousflow of thepart-writing disguises the rigid Bantock. stanza-formofthe narrative, and with its frequent modulations Good-night. For soprano or tenor. -
Vol. 17, No. 4 April 2012
Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. -
1965 Bach Festival Program
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(C) First Edition Riddle's Collection of Scots Playford's Scotch Tunes of 1700 and 1701, Aria Reels, C
CJj'e •fllustca/.. Vol. VII., No. 2. ist OCTOBER 1925. Pkice Fourpence. NEW EDUCATIONAL WORKS Just Published ij.—NOVELLO'S MUSIC PRIMERS. No. 101.—NOVELLO'S MUSIC PRIMERS. BREATHING FOR VOICE-PRODUCTION EAR-TRAINING (Rewritten and brought up to date) EURHYTHM: THOUGHT IN ACTION. MUSICAL APPRECIATION AND By H. H. HULBERT. RHYTHMIC MOVEMENTS. Price ... Three Shillings. Paper Buards, 45. MABEL CHAMBERLAIN. Just Published. Complete, Six Shillings, Or No. 100.—NOVELLO'S MUSIC PRIMERS. In Two Books: Letterpress and Illustrations, as. Music only, 35. PRONUNCIATION FOR The Ear-Training Course outlined in this book is intended VOICE-PRODUCTION primarily for Class use, but if a judicious selection be made from FROM the exercises, the course can be used with equal benefit by private EURHYTHM : THOUGHT IN ACTION. teachers for individual pupils. Senior pupils and students who desire to Study music, and who have received little or no previous By H. H. HULBERT. tuition, cannot do better than work rapidly through these progress- ive exercises and tests. A Prospectus will be sent on application. Pkice, One Shilling and Sixpence. LONDON NOVELLO & COMPANY LIMITED A valuable Work of Reference for all School and Music Teachers The " His Master's Voice " Education Catalogue has been compiled especially for the use of Teachers and Stu- dents who are using the Gramophone. It is intended to be a simple guide to a "His very large number of Records that have Master's been chosen for their educational value. Voice" The above Catalogue can be obtained free from all "His Master's Voice" accredited dealers, or from The Gramophone Company, Ltd. -
FRANK HOWES on the Forthcoming Symphony Concerts.• Ploration As Did His Feet
154 RADIO TIMES October 18, 1929. ARE YOU » REPRODUCTION LIVES—IT IS REAL When your radio programme sounds as though there were no receiver between you and the ! ^show,” then you have discovered realism at last. Any K-B set will do this for you. ! K-B 161 & 169. The Kolster-Brandes ALL MAINS Three-Valve : Receiver designed for operation off A.C. Electric supply mains. No INCLUDING VALVES batteries or accumulators are required. PRICE :10 AND ROYALTY \ K-B 72. The latest Kolster-Brandes Cone-speaker. PRICE Oak 1 Cabinet £5 : .5 Mahogany or Walnut S.6 : 6 BRITISH MADE BY BRITISH LABOUR Kolster-Brandes 1 ALL ELECTRIC RADIO 1 I . October is, 1929. RADIO TIMES -j J REPRODUCTION LIVES - - - IT IS REAL' When you next meet a man who says 7/Oh, I don’t care for radio,” ask him along one evening and leave him in the room with any K-B Set. It only takes a few minutes to convert anybody to K-B radio. You see, it lives . it is veal. K.B. 163. The Kolster-Brandes three-valve Brandeset IIIA. The popular three-valve Screened-Grid Pentode Receiver. set arranged for one detector and two low frequency valves. INCLUDING VALVES INCLUDING VALVES PRICE £10 : 15 AND ROYALTY PRICE £7:10 AND ROYALTY All K-B products costing £5 or more can be obtained on simple Hire Purchase Terms. BRITISH MADE BY BRITISH LABOUR FREE y°ur dealer for a copy of the K-B Book; containing the full range of K-B radio products, or send the coupon DVJCJK for one, to Kolster-Brandes Ltd., Cray Works, Sidcup, Kent. -
London, 1930 a Musical Evening at the Home of Miss Harriet Cohen -If
London, 1930 A Musical Evening At The Home Of Miss Harriet Cohen Christi Amonson, Soprano as Dora Stevens John Milbauer, Pianist as Henry Cowell Robert Swensen, Tenor as John Coates Steven Moeckel, Violinist as Fritz Kreisler Paula Fan, Pianist as Harriet Cohen GUEST ARTIST CONCERT SERIES KATZIN CONCERT HALL MONDAY, MARCH 31, 2008 • 7:30 PM MUSIC -if-ferbergerCollege of the Arts ARIZONA STATE UNIVERSITY Soprano Christi Amonson (Dora Stevens Foss) has appeared in leading roles with Opera Program Delaware, Lyric Opera San Antonio, Chautauqua Opera, Lake George Opera, Taconic Opera, Opera Intimate at Lincoln Center and the Opera Company of Brooklyn. She also toured as Naughty Marietta with Rockwell Productions. In 2006 Ms. Amonson won 2'd A Welcome by Miss Cohen place in the International Classical Singer Competition. She is also a Liederkranz Competition Winner, a Regional Finalist in the Metropolitan Opera National Council The Tides of Manaunaun Henry Cowell Auditions and a recipient of the Arlene Auger Award. Her recent concert performances Mr. Cowell include the Ortiz Music Festival in Alamos, Mexico, Messiah with the Las Vegas Desert Chorale, the Brahms Requiem with the Concordia Orchestra, Mirth in Handel's LAllegro with the Bronx Arts Ensemble at the NY Botanical Gardens, and Lincoln Center's Three Songs William Walton Broadway Dozen. Ms. Amonson earned her MM at the Manhattan School of Music and her Daphne BM at the University of Idaho. She is currently a doctoral candidate at the University of Through Gilded Trellises Arizona, where she also serves as a Graduate Teaching Assistant. Old Sir Faulk Pianist John Milbauer (Henry Cowell) has performed frequently across the Americas, Miss Stevens and Miss Cohen Europe and Asia, and his concerts have been broadcast on radio and television stations on three continuents. -
Download Booklet
HarmoniousThe EchoSONGS BY SIR ARTHUR SULLIVAN MARY BEVAN • KITTY WHATELY soprano mezzo-soprano BEN JOHNSON • ASHLEY RICHES tenor bass-baritone DAVID OWEN NORRIS piano Sir Arthur Sullivan, Ottawa, 1880 Ottawa, Sullivan, Arthur Sir Photograph by Topley, Ottawa, Canada /Courtesy of David B. Lovell Collection Sir Arthur Sullivan (1842 – 1900) Songs COMPACT DISC ONE 1 King Henry’s Song (1877)* 2:23 (‘Youth will needs have dalliance’) with Chorus ad libitum from incidental music to Henry VIII (1613) by William Shakespeare (1564 – 1616) and John Fletcher (1579 – 1625) Andante moderato Recording sponsored by Martin Yates 3 2 The Lady of the Lake (1864)† 3:25 from Kenilworth, ‘A Masque of the Days of Queen Elizabeth’, Op. 4 (or The Masque at Kenilworth) (1864) Libretto by Henry Fothergill Chorley (1808 – 1872) Allegro grazioso 3 I heard the nightingale (1863)‡ 2:59 Dedicated to his Friend Captain C.J. Ottley Allegretto moderato 4 Over the roof (1864)† 3:04 from the opera The Sapphire Necklace, or the False Heiress Libretto by Henry Fothergill Chorley Allegretto moderato Recording sponsored by Michael Symes 4 5 Will He Come? (1865)§ 4:05 Dedicated to The Lady Katherine Coke Composed expressly for Madame Sainton Dolby Moderato e tranquillo – Quasi Recitativo – Tranquillo un poco più lento Recording sponsored by Michael Tomlinson 6 Give (1867)† 4:56 Composed and affectionately dedicated to Mrs Helmore Allegretto – Un poco più lento – Lento Recording sponsored by John Thrower in memory of Simon and Brenda Walton 7 Thou art weary (1874)§ 5:00 Allegro vivace e agitato – Più lento – Allegro. Tempo I – Più lento – Allegro. -
029I-HMVNX1914X04-0000A0.Pdf
12-inch Records 5s. 6d.; 10-inch 3s. 6d. THE SYMPHONY ORCHESTRA (Conducted by SIR EDWARD ELGAR) 12-inch Record, Ss. 6d. Carissima Elgar IKISCH and Landon Ronald have shown their delight in the artistic perfection of " His Master'sN Voice " Gramophone by conducting great orchestras in our recording laboratories. Now we add the name of Elgar-a name synonymous in English minds with all that is best in modern composing and conducting. And it is both as conductor and composer that we present this dis- tinguished artist in this notable new record. All England has been talking about his newest work, " Carissima. " As befits its title, " Dearest One," this charming composition breathes throughout the spirit of true love which, for once, runs smoothly. The rich sonorous melodies have a measured flow which captivates the ear from the opening bar. Fascinating is the phrase, constantly recurrin g-ýý Cantadil=ý- I i-ýI ý- a-- - fir -i 0 Impressive harmonies lead up to a happy passage triumphantly rendered by the full strength of the orchestra. Throughout we feel the master-hand controlling the performance-not a phrase, not a note but is played exactly as its author conceived it. The tone and general ensemble of this delightful record are remarkable even in these days of perfect orchestral records such as have made music-lovers take " His Master's Voice " Gramophone so closely to their hearts. Sir Edward Elgar photographed in the Recording Room while conducting " Carissima" A record worthy of the international, reputation of Sir Edward Elgar-a record that will appeal to every lover of music. -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
Catalogue 1926
This (1926) edition of the 'Vocalion' Record Catalogue in its new and simplified form will it is hoped, enable the Public to select to the best advantage from the wide and representative range of records enumerated therein. The present edition contains all Records issued up to and including November, 1925. The five distinct Sections into which the Catalogue is divided enable the customer to find any required record at a glance. Key to Indices. (a) Alphabetical List Artists: of - gives the page numbers on which will be found the works recorded by individual Artists. Alphabetical List of Titles :- shows all titles other than Dance numbers, the latter appearing separately at the end of the Catalogue, on tinted paper. In giving this general list of titles, the reverse side of each Record is shown in italics, excepting where various works appear under Subject Headings, in which case the reverse side will be found under the name of the piece itself. (continued overleaf (c) Artists and their Records :- This Section is sub-divided into five parts :- 1. Operatic, Oratorio, Songs and Ballads 2. Instrumental 3. Band 4. Orchestral 5. Miscellaneous Each part being arranged alphabetically under the names of the Artists and in the order of Solos, Duets, Trios, Quartettes, etc. (d) Composers' List :- To enable the customer to select from the works of well known composers, a simple list has been inserted, giving the page number on which such works will be found. (e) Dance Section:- The very great demand for Dance Music has prompted us to arrange this Section distinct from the main part of the Catalogue, and in alphabetical headings Fox-trots, order of titles under the respective of Highland Reels, Lancers, One-steps, Tangos and Waltzes, the reverse side being shown in italics. -
The Dream of Gerontius
in a side-by-side concert with musicians from The Bard College Conservatory Orchestra THE DREAM OF GERONTIUS apr 8/9 2017 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying in a side-by-side concert with musicians from The Bard College Conservatory Orchestra The Richard B. Fisher Center for the Performing Arts at Bard College the concert? Sosnoff Theater Saturday, April 8, 2017 at 8 PM Help keep the Sunday, April 9, 2017 at 2 PM music going! Performances #52 & #53: Season 2, Concerts 23 & 24 Leon Botstein, conductor This new generation of musicians is creating and presenting music education programs in libraries, schools, and Edward Elgar The Dream of Gerontius, Op. 38 (1900) community centers in the Hudson Valley. (1857–1934) Part I Intermission Support their work Part II by making a gift of any size. Gerontius: Jonathan Tetelman, tenor The Angel: Sara Murphy, mezzo-soprano The Priest / The Angel of the Agony: Christopher Burchett, baritone Bard College Chamber Singers James Bagwell, director Cappella Festiva Chamber Choir Christine Howlett, artistic director Vassar College Choir or Christine Howlett, conductor TEXT VISIT Text from The Dream of Gerontius by John Henry Cardinal Newman TON TO 41444 THEORCHESTRANOW. ORG/SUPPORT This concert is supported in part by The Elgar Society The concert will run approximately 2 hours and 10 minutes, including one 20-minute intermission. For more info on The TŌN Fund, see page 20. No beeping or buzzing, please! Silence all electronic devices. Photos and videos are encouraged, but only before and after the music. -
110200-02 Bk Tristan EC 28|04|2003 5:01 PM Page 12
110200-02 bk Tristan EC 28|04|2003 5:01 PM Page 12 Great Opera Recordings ADD 8.110200-02 Also available: WAGNER 3 CDs Tristan und Isolde Nanny Larsen-Todsen • Gunnar Graarud • Rudolf Bockelmann • Ivar Andrésen Chorus and Orchestra of Bayreuth Festival • Karl Elmendorff (Recorded in 1928) 8.110872-75 8.110200-02 12 110200-02 bk Tristan EC 28|04|2003 5:01 PM Page 2 Ward Marston Great Opera Performance In 1997 Ward Marston was nominated for the Best Historical Album Grammy Award for his production work on BMG’s Fritz Kreisler collection. According to the Chicago Tribune, Marston’s name is ‘synonymous with tender Richard loving care to collectors of historical CDs’. Opera News calls his work ‘revelatory’, and Fanfare deems him ‘miraculous’. In 1996 Ward Marston received the Gramophone award for Historical Vocal Recording of the Year, WAGNER honouring his production and engineering work on Romophone’s complete recordings of Lucrezia Bori. He also (1818-1892) served as re-recording engineer for the Franklin Mint’s Arturo Toscanini issue and BMG’s Sergey Rachmaninov recordings, both winners of the Best Historical Album Grammy. Born blind in 1952, Ward Marston has amassed tens of thousands of opera classical records over the past four Tristan und Isolde decades. Following a stint in radio while a student at Williams College, he became well-known as a reissue producer in 1979, when he restored the earliest known stereo recording made by the Bell Telephone Laboratories in 1932. Opera in three acts, 1865 In the past, Ward Marston has produced records for a number of major and specialist record companies.