Including Records of "CARILLON" 12-Inch Records 5S
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Sir John Eliot Gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:Q L’Istesso Tempo— Con Moto Elgar in the South (Alassio), Op
Program OnE HundrEd TwEnTIETH SEASOn Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 20, 2011, at 8:00 Saturday, January 22, 2011, at 8:00 Sir John Eliot gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:q L’istesso tempo— Con moto Elgar In the South (Alassio), Op. 50 IntErmISSIon Bartók Concerto for Orchestra Introduzione: Andante non troppo—Allegro vivace Giuoco delle coppie: Allegro scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Presto Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PHILLIP HuSCHEr Igor Stravinsky Born June 18, 1882, Oranienbaum, Russia. Died April 6, 1971, New York City. Symphony in three movements o composer has given us more Stravinsky is again playing word Nperspectives on a “symphony” games. (And, perhaps, as has than Stravinsky. He wrote a sym- been suggested, he used the term phony at the very beginning of his partly to placate his publisher, who career (it’s his op. 1), but Stravinsky reminded him, after the score was quickly became famous as the finished, that he had been com- composer of three ballet scores missioned to write a symphony.) (Petrushka, The Firebird, and The Rite Then, at last, a true symphony: in of Spring), and he spent the next few 1938, Mrs. Robert Woods Bliss, years composing for the theater and together with Mrs. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
(C) First Edition Riddle's Collection of Scots Playford's Scotch Tunes of 1700 and 1701, Aria Reels, C
CJj'e •fllustca/.. Vol. VII., No. 2. ist OCTOBER 1925. Pkice Fourpence. NEW EDUCATIONAL WORKS Just Published ij.—NOVELLO'S MUSIC PRIMERS. No. 101.—NOVELLO'S MUSIC PRIMERS. BREATHING FOR VOICE-PRODUCTION EAR-TRAINING (Rewritten and brought up to date) EURHYTHM: THOUGHT IN ACTION. MUSICAL APPRECIATION AND By H. H. HULBERT. RHYTHMIC MOVEMENTS. Price ... Three Shillings. Paper Buards, 45. MABEL CHAMBERLAIN. Just Published. Complete, Six Shillings, Or No. 100.—NOVELLO'S MUSIC PRIMERS. In Two Books: Letterpress and Illustrations, as. Music only, 35. PRONUNCIATION FOR The Ear-Training Course outlined in this book is intended VOICE-PRODUCTION primarily for Class use, but if a judicious selection be made from FROM the exercises, the course can be used with equal benefit by private EURHYTHM : THOUGHT IN ACTION. teachers for individual pupils. Senior pupils and students who desire to Study music, and who have received little or no previous By H. H. HULBERT. tuition, cannot do better than work rapidly through these progress- ive exercises and tests. A Prospectus will be sent on application. Pkice, One Shilling and Sixpence. LONDON NOVELLO & COMPANY LIMITED A valuable Work of Reference for all School and Music Teachers The " His Master's Voice " Education Catalogue has been compiled especially for the use of Teachers and Stu- dents who are using the Gramophone. It is intended to be a simple guide to a "His very large number of Records that have Master's been chosen for their educational value. Voice" The above Catalogue can be obtained free from all "His Master's Voice" accredited dealers, or from The Gramophone Company, Ltd. -
FRANK HOWES on the Forthcoming Symphony Concerts.• Ploration As Did His Feet
154 RADIO TIMES October 18, 1929. ARE YOU » REPRODUCTION LIVES—IT IS REAL When your radio programme sounds as though there were no receiver between you and the ! ^show,” then you have discovered realism at last. Any K-B set will do this for you. ! K-B 161 & 169. The Kolster-Brandes ALL MAINS Three-Valve : Receiver designed for operation off A.C. Electric supply mains. No INCLUDING VALVES batteries or accumulators are required. PRICE :10 AND ROYALTY \ K-B 72. The latest Kolster-Brandes Cone-speaker. PRICE Oak 1 Cabinet £5 : .5 Mahogany or Walnut S.6 : 6 BRITISH MADE BY BRITISH LABOUR Kolster-Brandes 1 ALL ELECTRIC RADIO 1 I . October is, 1929. RADIO TIMES -j J REPRODUCTION LIVES - - - IT IS REAL' When you next meet a man who says 7/Oh, I don’t care for radio,” ask him along one evening and leave him in the room with any K-B Set. It only takes a few minutes to convert anybody to K-B radio. You see, it lives . it is veal. K.B. 163. The Kolster-Brandes three-valve Brandeset IIIA. The popular three-valve Screened-Grid Pentode Receiver. set arranged for one detector and two low frequency valves. INCLUDING VALVES INCLUDING VALVES PRICE £10 : 15 AND ROYALTY PRICE £7:10 AND ROYALTY All K-B products costing £5 or more can be obtained on simple Hire Purchase Terms. BRITISH MADE BY BRITISH LABOUR FREE y°ur dealer for a copy of the K-B Book; containing the full range of K-B radio products, or send the coupon DVJCJK for one, to Kolster-Brandes Ltd., Cray Works, Sidcup, Kent. -
Beecham: the Delius Repertoire - Part Three by Stephen Lloyd 13
April 1983, Number 79 The Delius Society Journal The DeliusDe/ius Society Journal + .---- April 1983, Number 79 The Delius Society Full Membership £8.00t8.00 per year Students £5.0095.00 Subscription to Libraries (Journal only) £6.00f,6.00 per year USA and Canada US $17.00 per year President Eric Fenby OBE, Hon DMus,D Mus,Hon DLitt,D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith Davies MA, BMus,B Mus,FRCM, Hon RAM Norman Del Mar CBE, Hon DMusD Mus VemonVernon Handley MA, FRCM, D Univ (Surrey) ChairmanChairmart RBR B Meadows 5 Westbourne House, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 160 Wishing Tree Road, S1.St. Leonards-on-Sea, East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 5053750537 Membership Secretary Miss Estelle Palmley 22 Kingsbury Road, Colindale,Cotindale,London NW9 ORR Editor Stephen Lloyd 414l Marlborough Road, Luton, Bedfordshire LU3 lEFIEF Tel: Luton (0582)(0582\ 20075 2 CONTENTS Editorial...Editorial.. 3 Music Review ... 6 Jelka Delius: a talk by Eric Fenby 7 Beecham: The Delius Repertoire - Part Three by Stephen Lloyd 13 Gordon Clinton: a Midlands Branch meeting 20 Correspondence 22 Forthcoming Events 23 Acknowledgements The cover illustration is an early sketch of Delius by Edvard Munch reproduced by kind permission of the Curator of the Munch Museum, Oslo. The quotation from In a Summer GardenGuden on page 7 is in the arrangement by Philip Heseltine included in the volume of four piano transcriptions reviewed in this issue and appears with acknowledgement to Thames Publishing and the Delius Trust. -
R,Eg En T's S.10411415 Wood -P P
R,EG EN T'S S.10411415 WOOD -P P o AAYLLOONt \\''. 4k( ?(' 41110ADCASTI -PADDINGTON "9' \ \ - s. www.americanradiohistory.com St l'ANCRAS U S TON \ 4\ \-4 A D RUSSEL. A. 'G,PORTLAND St \ O \ \ L. \ \2\\\ \ SQUARE \ l' \ t' GOO DGT. 1,..\ S , ss \ ' 11 \ \ \ 4-10USi \ç\\ NV cY\6 \ \ \ e \ """i \ .jP / / ert TOTT E N NAM // / ;COI COURT N.O. \ ON D ).7"'";' ,sr. \,60 \-:Z \COvtroi\ oA ARDEN O \ www.americanradiohistory.com X- www.americanradiohistory.com THE B. B. C. YEAR=BOOK 1 93 3 The Programme Year covered by this book is from November I, 1931 to October 31, 1932 THE BRITISH BROADCASTING CORPORATION BROADCASTING HOUSE LONDON W I www.americanradiohistory.com f Readers unfamiliar with broadcasting will find it easier to understand the articles in this book if they bear in mind the following :- (I) The words "Simultaneous(ly) Broadcast" or "S.B." refer to the linking of two or more transmitters by telephone lines for the purpose of broadcasting the same programme ; e.g. the News Bulletins are S.B. from all B.B.C. Stations. (2) The words "Outside Broadcast" or "O.B." refer to a broadcast outside the B.B.C. studios, not necessarily out -of- doors; e.g. a concert in the Queen's Hall or the commentary on the Derby are equally outside broadcasts. (3) The B.B.C. organisation consists, roughly speaking, of a Head Office and five provincial Regions- Midland Region, North Region, Scottish Region, West Region, and Belfast. The Head Office includes the administration of a sixth Region - the London Region-which supplies the National programme as well as the London Regional programme. -
Catalogue-Light-A5.Pdf
An introduction (GLCD 5101) Gateway To The West (Farnon) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; Going For A Ride (Torch) - SIDNEY TORCH AND HIS ORCH.; With A Song In My Heart (Rodgers, Hart) - ANDRE KOSTELANETZ & HIS ORCH.; Heykens’ Serenade (Heykens, arr. Goodwin) - RON GOODWIN & HIS ORCH.; Martinique (Warren) - RAY MARTIN & HIS ORCH.; Skyscraper Fantasy (Phillips) - CHARLES WILLIAMS & HIS CONCERT ORCH.; Dance Of The Spanish Onion (Rose) - DAVID ROSE & HIS ORCH.; Out Of This World - theme from the film (Arlen, Mercer) - MANTOVANI & HIS ORCH.; Paris To Piccadilly (Busby, Hurran) - L’ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; Festive Days (Ancliffe) - LONDON PROMENADE ORCH./ WALTER COLLINS; Ha’penny Breeze - theme from the film (Green) PHILIP GREEN & HIS ORCH.; Tropical (Gould) - MORTON GOULD & HIS ORCH.; Puffin’ Billy (White) - DANISH STATE RADIO ORCH./HUBERT CLIFFORD; First Rhapsody (Melachrino) - MELACHRINO ORCH./GEORGE MELACHRINO; Fantasie Impromptu in C Sharp Minor (Chopin, arr. Farnon) KINGSWAY SO/CAMARATA; London Bridge March (Coates) - NEW LIGHT SYMPHONY ORCH./JOSEPH LEWIS; Mock Turtles (Morley) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; To A Wild Rose (MacDowell, arr. Peter Yorke) - PETER YORKE & HIS CONCERT ORCH.; Plink, Plank, Plunk! (Anderson) - LEROY ANDERSON & HIS ‘POPS’ CONCERT ORCH.; Jamaican Rhumba (Benjamin, arr. Percy Faith) - PERCY FAITH & HIS ORCH.; Vision in Velvet (Duncan) - NEW CONCERT ORCH./JACK LEON; Grand Canyon (van der Linden) - DOLF VAN DER LINDEN & HIS METROPOLE ORCH.; Dancing Princess (Hart, Layman, arr. Young) - FRANK CHACKSFIELD & HIS ORCH.; Dainty Lady (Peter) - REGINALD KING & HIS LIGHT ORCH.; Bandstand (‘Frescoes’ Suite) (Haydn Wood) - NEW CONCERT ORCH./SERGE KRISH The 1940s (GLCD 5102) Music In The Air (Lloyd, arr. -
029I-HMVNX1914X04-0000A0.Pdf
12-inch Records 5s. 6d.; 10-inch 3s. 6d. THE SYMPHONY ORCHESTRA (Conducted by SIR EDWARD ELGAR) 12-inch Record, Ss. 6d. Carissima Elgar IKISCH and Landon Ronald have shown their delight in the artistic perfection of " His Master'sN Voice " Gramophone by conducting great orchestras in our recording laboratories. Now we add the name of Elgar-a name synonymous in English minds with all that is best in modern composing and conducting. And it is both as conductor and composer that we present this dis- tinguished artist in this notable new record. All England has been talking about his newest work, " Carissima. " As befits its title, " Dearest One," this charming composition breathes throughout the spirit of true love which, for once, runs smoothly. The rich sonorous melodies have a measured flow which captivates the ear from the opening bar. Fascinating is the phrase, constantly recurrin g-ýý Cantadil=ý- I i-ýI ý- a-- - fir -i 0 Impressive harmonies lead up to a happy passage triumphantly rendered by the full strength of the orchestra. Throughout we feel the master-hand controlling the performance-not a phrase, not a note but is played exactly as its author conceived it. The tone and general ensemble of this delightful record are remarkable even in these days of perfect orchestral records such as have made music-lovers take " His Master's Voice " Gramophone so closely to their hearts. Sir Edward Elgar photographed in the Recording Room while conducting " Carissima" A record worthy of the international, reputation of Sir Edward Elgar-a record that will appeal to every lover of music. -
Catalogue @ 01.01.2017
1 CRQ EDITIONS – CATALOGUE @ 01.01.2017 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe NessiChorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Recorded in Milan in 1930 by the Columbia Graphophone Company. A superb example of operatic performance in Milan during the inter-war years - never before released on CD. Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult The 1959 Miller International recording, with correct stereo channels applied. Boult in masterly form in repertoire not recorded by him elsewhere. Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Originally recorded by Decca and HMV. A representative programme demonstrating the genius of one of the early pioneers of period performance practice. Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, First issued on ‘The Golden Age of Opera’ LPs by Ed Smith The ethos of the Weimar Republic’s Verdi revival, Glyndebourne’s exacting musical standards, and the occasion of the first Edinburgh Festival combine to create a memorable evening. -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: a Performance Guide for the Hornist
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist. Janiece Marie Luedeke Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Luedeke, Janiece Marie, "Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist." (1998). LSU Historical Dissertations and Theses. 6747. https://digitalcommons.lsu.edu/gradschool_disstheses/6747 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Professor Jeremy Summerly 17 September 2020
RADIO IN THE 78 RPM ERA (1920-1948) PROFESSOR JEREMY SUMMERLY 17 SEPTEMBER 2020 At 7.10 pm on 15 June 1920, a half-hour broadcast was given by Australian prima donna Dame Nellie Melba (‘the world’s very best artist’). Singing from a workshop at the back of the Marconi Wireless and Telegraph Company, the 59-year old soprano described her Chelmsford recital as ‘the most wonderful experience of my career’. The transmission was received all around Europe, as well as in Soltan-Abad in Persia (now Arak in Iran) to the East, and Newfoundland (at the time a Dominion of the British Empire) to the West. Dame Nellie’s recital became recognized as Britain’s first official radio broadcast and the Daily Mail (predictably, perhaps, in its role as sponsor) described the event as ‘a great initiation ceremony; the era of public entertainment may be said to have completed its preliminary trials’. The Radio Corporation of America had been founded a year earlier, run by a young Russian- American businessman David Sarnoff. Sarnoff believed that ‘broadcasting represents a job of entertaining, informing and educating the nation, and should therefore be distinctly regarded as a public service’, words that were later echoed more famously by John Reith of the British Broadcasting Company. On 11 May 1922, daily radio transmissions of an hour began from the 7th floor of Marconi House at London’s Aldwych. The Marconi Company’s London station was known as 2LO and its first concert (for voice, cello, and piano) was broadcast on 24 June; the Prince of Wales (later Edward VIII) broadcast from Marconi House on 7 October.