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32103371-0-AFA2017-Program.Pdf
A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre. -
My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts. -
O Afastamento Entre Cena E Música, Corpo E Voz No Teatro Musical O
O Afastamento Entre Cena e Música, Corpo e Voz no Teatro Musical: O diluir através dos Viewpoints Larissa Felipe de Melo Cintra Dissertação de Mestrado em Artes Cénicas Versão corrigida e melhorada após defesa pública Junho 2020 Dissertação apresentada para o cumprimento dos requisitos necessários à obtenção do grau de Mestre em Artes Cénicas, realizada sob a orientação científica do Professor Doutor Paulo Filipe Monteiro. Aos meus pais. Agradecimentos Em primeiro lugar, gostaria de agradecer à minha família. Ao Célio e à Margareth, por serem desde sempre os meus maiores apoiantes e companheiros. Por terem sido os meus exemplos vivos de caráter, força e amor; e mais, por mostrarem desde muito cedo, a mim e aos meus irmãos, a importância do conhecimento como nosso legado. Agradeço à Marina e ao Marcel, que sempre abriram os caminhos para mim, tornando possível esse trajeto. Obrigada pela parceria e amor depositados em mim nesta jornada. Sem eles, nada disso seria possível. Agradeço por se fazerem presentes, mesmo a um oceano de distância, e me ensinarem todos os dias um pouco mais de humanidade. Agradeço à Sofia e ao Mateus, por serem os melhores amigos e porto seguro que eu poderia ter. Agradeço por cada palavra de conforto, videochamadas em horários complicados, risadas em dias difíceis e amor imensurável. Agradeço por terem sido ombro e casa, mesmo que de longe. Agradeço a todos os meus colegas de mestrado e faculdade, que vivenciaram essa aventura ao meu lado. Especialmente, à Inês, Mariana, Fábio, Miriam, Gustavo, Júlia e António. Obrigada por todos os momentos que partilhámos, as dores e alegrias, conselhos e descobertas. -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
BTW.B.Schedule2017(MH Edit)
Broadway Teachers Workshop B 2017 Schedule (*subject to change) Monday, July 10, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
Hamilton Credits 51Acd41a.Pdf
CAST Marquis de Lafayette/Thomas Jefferson . DAVEED DIGGS Angelica Schuyler . .. RENÉE ELISE GOLDSBERRY King George . JONATHAN GROFF George Washington . .. CHRISTOPHER JACKSON Peggy Schuyler/Maria Reynolds . JASMINE CEPHAS JONES Alexander Hamilton . LIN-MANUEL MIRANDA Aaron Burr . LESLIE ODOM, JR . Hercules Mulligan/James Madison . OKIERIETE ONAODOWAN John Laurens/Philip Hamilton . ANTHONY RAMOS Eliza Hamilton . PHILLIPA SOO Ensemble . CARLEIGH BETTIOL Ensemble . ARIANA DEBOSE Ensemble . HOPE EASTERBROOK Philip Schuyler/James Reynolds/ Doctor/Ensemble . SYDNEY JAMES HARCOURT Ensemble . SASHA HUTCHINGS Samuel Seabury/Ensemble . THAYNE JASPERSON Ensemble . ELIZABETH JUDD Charles Lee/Ensemble . JON RUA Ensemble . AUSTIN SMITH Ensemble . SETH STEWART George Eacker/Ensemble . EPHRAIM SYKES Scenic Design . DAVID KORINS Costume Design . PAUL TAZEWELL Lighting Design . HOWELL BINKLEY Sound Design . NEVIN STEINBERG Hair and Wig Design . CHARLES G . LAPOINTE Casting . BERNARD TELSEY, CSA BETHANY KNOX, CSA Filming Produced by RADICALMEDIA Co-Producer . CHRIS ROUCHARD Edited By . JONAH MORAN Directed by . THOMAS KAIL Director Of Photography . DECLAN QUINN Book, Music and Lyrics by . LIN-MANUEL MIRANDA Inspired by the Book Alexander Hamilton by . RON CHERNOW Executive Producers . JON KAMEN Produced by . THOMAS KAIL DAVE SIRULNICK LIN-MANUEL MIRANDA JUSTIN WILKES JEFFREY SELLER Unit Production Manager . DAVID BACKUS Executive Producers . SANDER JACOBS First Assistant Director . ROBIN ABRAMS JILL FURMAN Second Assistant Director . THOMAS GAITO Originally Directed for the Stage by . THOMAS KAIL Production Supervisor . NAN MARIE SANDLE Originally Produced for the Stage by . .. JEFFREY SELLER SANDER JACOBS Assistant Production Supervisor . SOPHIA LEANG JILL FURMAN Music Coordinators . MICHAEL KELLER and THE PUBLIC THEATER MICHAEL AARONS Music Copyists . .. EMILY GRISHMAN MUSIC PREPARATION Choreography by . ANDY BLANKENBUEHLER KATHARINE EDMONDS Music Supervision and ADRIANA N . -
See the Alumni Magazine, Page 10 for More Information
F O C U S FALL 2016 ALUMNI MAGAZINE of OKLAHOMA CITY UNIVERSITY OKCU.EDU HONOR ROLL PRIMARY CARE PGA CARDED In appreciation of the generosity New Physician Assistant program nurtures Alumnus earns three pro golf victories, of our donors, who enable excellence. students’ lofty aspirations. looks for fourth PGA TOUR berth. Economics Enterprise Institute Provides ‘Data-Driven Insight’ for Clients, Windfall Experience for Students CONTENTS Robert Henry, President Kent Buchanan, Interim Provost and Vice President for Academic Affairs ADMINISTRATIVE CABINET Jim Abbott, Assistant Vice President of Intercollegiate Athletics Amy Ayres, Vice President for Student Affairs and Dean of Students Leslie Berger, BA ’02, Senior Director of University Communications Joey Croslin, Chief Human Resources Officer David Steffens, Acting Assistant Provost Gerry Hunt, Chief Information Officer Catherine Maninger, Chief Financial Officer Charles Neff, BA ’99, MBA ’11, Vice President for University-Church Relations Marty O’Gwynn, Vice President for University Advancement and External Relations Casey Ross-Petherick, BSB ’00, MBA/JD ’03, General Counsel Kevin Windholz, Vice President for Enrollment Management ALUMNI RELATIONS Cary Pirrong, BS ’87, JD ’90, Director of Alumni Relations Chris Black, BME ’00, MBA ’10, President, Alumni Board EDITORIAL STAFF Leslie Berger, BA ’02, Senior Director of University Communications ON THE COVER Rod Jones, MBA ’12, Editor of FOCUS and Associate Director of Public Relations Kim Mizar, Communications Coordinator ALL THINGS ANALYZED -
Who Lives, Who Dies, Who Tells Your Story?: Gendered Legacies in Hamilton
Who Lives, Who Dies, Who Tells Your Story?: Gendered Legacies in Hamilton JESSICA SEYMOUR Hamilton: An American Musical, written, composed by, and starring Lin- Manuel Miranda, made its Broadway debut in August 2015. Since then, Hamilton has won the Pulitzer Prize for Drama and a record-breaking sixteen Tony Award nominations. Miranda also received a $625,000 MacArthur Fellowship, more commonly referred to as a “Genius Grant”. Hamilton has been heralded as a game-changer for Broadway musicals, starring a racially- diverse cast and supported by contemporary music styles including rap, hip hop, and jazz. It is one of the most popularly successful musicals in recent memory, inspired by the life and times of American founding-father Alexander Hamilton. One of the key themes in the Hamilton musical is the concept of legacy. In historical terms, a legacy is handed down from one generation to another. Glenn Llopis writes in an article for Forbes that leaving a legacy should be a key concern for leaders who want to perform to the best of their ability in business: “The best leadership legacies are a consequence of success coming to those who are surrounded by people that want their success to continue.” Other authors and analysts (see Kerr, Wallace, Hunt, Galford and Maruca) write that workers can and should tailor their careers to suit the personal legacy they wish to leave behind. In a Time magazine interview written by JJ Abrams, Lin-Manuel Miranda stated that he has been preoccupied with legacy “since [he] was a kid”: We have this amount of time. -
Nina Simone: Four Women a Provocative and Powerful Musical Exploration
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: CLICK HERE TO DOWNLOAD PRESS PHOTOS Berkshire Theatre Group Presents Nina Simone: Four Women A Provocative and Powerful Musical Exploration Pittsfield, MA - Filling the stage with a quartet of amazing voices, Nina Simone: Four Women begins performances on Friday, August 13 at The Unicorn Theatre (The Larry Vaber Stage, 6 East Street) in Stockbridge, MA and runs through Sunday, September 5. This production is directed and choreographed by Gerry McIntyre (Broadway: Once on This Island, Joseph and the Amazing Technicolor Dreamcoat; Off-Broadway: Spamilton; BTG: Godspell, A Chorus Line, Oklahoma!). Set in the fragments of a shattered world, this provocative and powerful musical exploration imagines a conversation between Simone and three African-American women. In the aftermath of the 16th Street Baptist Church bombing in 1963, Nina Simone rocked the nation with “Four Women,” her tribute in song to the four young girls murdered. Scholar and artist Thulani Davis called the song "an instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become.” McIntyre says, “At a time when people are feeling the need to do something in our hurting world but don’t know how to start, this production is an incredible reminder that you just need to take the first step. Or write the first note. Nina Simone: Four Women meditates on Nina Simone’s transition from a singer to an activist. -
Lerner & Loewe's “My Fair Lady”
LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE COMPLETE CAST ANNOUNCED! LAUREN AMBROSE, HARRY HADDEN-PATON NORBERT LEO BUTZ, DIANA RIGG, ALLAN CORDUNER, JORDAN DONICA, LINDA MUGLESTON, MANU NARAYAN TO BEGIN REHEARSALS THIS THURSDAY, FEBRUARY 1 for LINCOLN CENTER THEATER’S PRODUCTION OF LERNER & LOEWE’S “MY FAIR LADY” BOOK AND LYRICS BY ALAN JAY LERNER MUSIC BY FREDERICK LOEWE DIRECTED BY BARTLETT SHER ENSEMBLE TO FEATURE: CAMERON ADAMS, SHEREEN AHMED, KERSTIN ANDERSON, HEATHER BOTTS, JOHN TREACY EGAN, REBECCA EICHENBERGER, SUELLEN ESTEY, CHRISTOPHER FAISON, STEVEN TRUMON GRAY, ADAM GRUPPER, MICHAEL HALLING, JOE HART, SASHA HUTCHINGS, KATE MARILLEY, LIZ MCCARTNEY, JUSTIN LEE MILLER, ROMMEL PIERRE O’CHOA, KEVEN QUILLON, JOANNA RHINEHART, TONY ROACH, LANCE ROBERTS, BLAIR ROSS, CHRISTINE CORNISH SMITH, PAUL SLADE SMITH, SAMANTHA STURM, MATT WALL, MICHAEL WILLIAMS, MINAMI YUSUI, LEE ZARRETT Lincoln Center Theater (under the direction of André Bishop) has announced complete casting for its upcoming production of Lerner & Loewe’s MY FAIR LADY. Lauren Ambrose as Eliza Doolittle, Harry Hadden-Paton as Henry Higgins, Norbert Leo Butz as Alfred P. Doolittle, Diana Rigg as Mrs. Higgins, Allan Corduner as Colonel Pickering, Jordan Donica as Freddy Eynsford-Hill, Linda Mugleston as Mrs. Pearce, and Manu Narayan as Zoltan Karpathy will begin rehearsals this Thursday, February 1 for this new production, directed by Bartlett Sher, of the most beloved musical of all time. MY FAIR LADY will begin performances Thursday, March 15 -
BTG 2021 Season Announcement
Press Contacts: Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] Jason Weixelman Press Associate (413) 448-8084 x15 [email protected] For Immediate Release, Please: Berkshire Theatre Group Announces Immersive Outdoor Experiences For Summer 2021 Season Following the Success of Being The Only Theatre in The Country to Provide Live Entertainment Outdoors on Multiple Stages From July Through December in 2020 At Berkshire Theatre Festival in Stockbridge Outside Under the Main Stage Tent A Much Loved and Exhilarating High Comedy Masterpiece The Importance of Being Earnest Directed by Pulitzer Prize and Tony Award-Winner David Auburn Casting Sneak-Peek Below At The Unicorn Theatre Outside in the Courtyard A Provocative and Personal Musical Journey Nina Simone: Four Women Casting Sneak-Peek Below At The Colonial Theatre in Pittsfield Outside Under the Big Tent A Musical Adventure to the Magical Emerald City The Wizard of Oz BTG’s Well-Loved Community Production is Back! At The Colonial Theatre in Pittsfield Outside Under the Big Tent Colonial Concert Series Tony Award Winner The King and I Kelli O’Hara In-Person in the Berkshires Tony Award Nominee The Gershwins’ Porgy & Bess Norm Lewis: In Concert Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are thrilled to announce immersive outdoor experiences for summer 2021, with a casting sneak-peek. BTG will be releasing a complete season cast announcement at a later date. Berkshire Theatre Group will work in adherence with government guidelines and corresponding health and safety officials. Maguire says, “Berkshire Theatre Group’s vision is to be a center for creative work that enriches, invigorates, transforms, and strengthens our community for the better. -
Jeffrey Seller Broadway Producer, Hamilton ______
Economic Club of New York 503rd Meeting 112th Year _______________________________ Jeffrey Seller Broadway Producer, Hamilton ________________________________ May 1, 2019 New York City Moderator: Robin Pogrebin Staff Reporter, New York Times, Cultural Desk The New York Economic Club – Jeffrey Seller – May 1, 2019 Page 1 Introduction Chairman Marie-Josee Kravis May I have your attention. I just want to welcome everyone to, and I’m embarrassed to say that it’s the 503rd meeting of the Economic Club because it doesn’t compete with Hamilton at all. (Laughter) When I think of the number of productions – I was just told; more than 2.1 million people have seen it on Broadway alone – the Economic Club seems like a very modest institution. But we have been around for 112 years, and I would hazard to say that it is probably the most prominent platform for discussing social, cultural, political and economic issues. And I want to just take a moment to recognize the members of the Centennial Society who are with us today and who are at the front of the room. These are individuals who play a very special role in keeping us financially sound. And I want to thank you for supporting us and allowing us to have this wonderful programming. Speaking of programming, what we have tried to do at the Club – and our members hopefully have noticed and appreciated it – is diversify our discussions and extend them beyond narrow financial issues. And we’re thrilled today, really thrilled to be able to address and discuss a cultural phenomenon, which is live theater, live arts.