Lerner & Loewe's “My Fair Lady”
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Unique on Long Island, the Long Island Mandolin And Guitar Orchestra (LIMAGO) began in the 1950’s as an adult education class sponsored by a School District in Nassau County. It has since evolved into a not-for-profit organization with its aims being to preserve the music of the mandolin, to increase its awareness of the history and potential of the mandolin, and to provide an educational, as well as enjoyable, listening experience. The Orchestra is comprised of mandolins, mandolas, mandocellos, a mandobass, guitars, an accordion, and vocalists. Although the members span various age groups and come from all walks of life, they are bound together by a desire to increase the popularity of the mandolin, and by a love of music. You won’t want to miss this enjoyable music performance! Registration is required. Please drop your registration forms at the clubhouse concierge desk, or fax them to 271-4515, Attention: Social Department Highlights of Broadway Starring Dr. Judith Alstadter on the piano Broadway Musical Theater is one of the most popular art forms that appeals to diverse audiences far and wide. Musicals engage the viewer/listener as a participant in the plot, music, characters, emotions, and settings. Enjoy highlights of Broadway Classics such as Rodgers and Hammerstein’s “South Pacific” and “The King and I,” Lerner and Loewe’s “My Fair Lady,” Cole Porter’s “Anything Goes,” Frank Loesser’s “Guys and Dolls,” and Leonard Bernstein’s “West Side Story.” Dr. Judith Alstadter will discuss plot, characters, and scenarios using CD, DVD excerpts, and piano examples. Participants will be invited to share their personal experiences of these works. -
Backlash Over Blair's School Revolution
Section:GDN BE PaGe:1 Edition Date:050912 Edition:01 Zone:S Sent at 11/9/2005 19:33 cYanmaGentaYellowblack Chris Patten: How the Tories lost the plot This Section Page 32 Lady Macbeth, four-letter needle- work and learning from Cate Blanchett. Judi Dench in her prime Simon Schama: G2, page 22 Amy Jenkins: America will never The me generation be the same again is now in charge G2 Page 8 G2 Page 2 £0.60 Monday 12.09.05 Published in London and Manchester guardian.co.uk Bad’day mate Aussies lose their grip Column five Backlash over The shape of things Blair’s school to come revolution Alan Rusbridger elcome to the Berliner Guardian. No, City academy plans condemned we won’t go on calling it that by ex-education secretary Morris for long, and Wyes, it’s an inel- An acceleration of plans to reform state education authorities as “commissioners egant name. education, including the speeding up of of education and champions of stan- We tried many alternatives, related the creation of the independently funded dards”, rather than direct providers. either to size or to the European origins city academy schools, will be announced The academies replace failing schools, of the format. In the end, “the Berliner” today by Tony Blair. normally on new sites, in challenging stuck. But in a short time we hope we But the increasingly controversial inner-city areas. The number of acade- can revert to being simply the Guardian. nature of the policy was highlighted when mies will rise to between 40 and 50 by Many things about today’s paper are the former education secretary Estelle next September. -
Rodgers & Hammerstein's
2015/16 Season Rodgers & Hammerstein’s Rodgers & Hammerstein’s THE KING AND I Music by RICHARD RODGERSBook and Lyrics by OSCAR HAMMERSTEIN II Based on “Anna and the King of Siam” by Margaret LandonOriginal Orchestrations by Robert Russell Bennett Original Dance Arrangements by Trude RittmannOriginal Choreography by Jerome Robbins LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE The King and I – pp. 25-41 6 From the President 14 Voyage Of Discovery: : 45 Lyric Unlimited/Education Corps and the General Director Lyric’s 2016-17 Season 46 Aria Society 8 Board of Directors 23 Tonight’s Performance 55 Breaking New Ground/ 25 Cast 10 Women’s Board/Guild Board/ Look to the Future Chapters’ Executive Board/ 26 Musical Numbers/Orchestra 57 Major Contributors – Special Ryan Opera Center Board 27 Artist Profiles Events and Project Support 12 Administration/Administrative 37 A Glorious Partnership 58 Ryan Opera Center Staff/Production and 40 A Talk with the Director Technical Staff 42 Just for Kids 59 Ryan Opera Center Contributors 60 Lyric Unlimited Contributors LYRIC 2016-17 SEASON PREVIEW pp. 16-22 61 Planned Giving: The Overture Society 63 Annual Corporate Support 64 Matching Gifts, Special Thanks and Acknowledgements 65 Annual Individual and MARIE-NOËLLE ROBERT/THÉÂTRE DU CHÂTELET Foundation Support 71 Commemorative Gifts 72 Facilities and Services/Theater Staff On the cover: Paolo Montalban as the King and Kate Baldwin as Anna, photographed by Todd Rosenberg. 2 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Click Here to Download The
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Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election. -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. -
Miss Saigon: the Asian Experience in the Perspective of the White Man
Miss Saigon: The Asian Experience in the Perspective of the White Man Miss Saigon: The Asian Experience in the Perspective of the White Man Stacey Jung Abstract Stuart Hall defines stereotyping as a way in which mediamakers separate and exclude groups of people, a hegemonic practice that works to maintain a social order (Hall, 1997). The producers and writers of the musical film Miss Saigon aim to show a tragic love story between a Vietnamese woman and a white GI soldier during the Vietnam War; however, the mediamaker’s narrow perspective on the war causes the musical to feel limited in showing and understanding various experiences of Asian immigration. While mediamakers believe that Miss Saigon encourages Asian representation, by framing the immigrant experience through the perspective of white male producers, the musical film depicts Asians as exotic and inferior and creates lasting stereotypes. This form of “othering” creates and maintains fixed differences between the “insiders” and “outsiders” as the experiences of minorities are told by people in positions of power. ** Mediamakers as a part of the creative process believe that the musical does encapsulate a true experience during the Vietnam War; however, many Vietnamese Americans continuously protest against the show and its stereotypes. Lea Salonga, the actress who starred as the role of Kim in the original debut of the show in 1989, responded to the controversial nature of the show in an interview. She believes that the musical is not necessarily an inaccurate portrayal of Asian relationships with GI soldiers based on her own observations when she was growing up in the Asian American Research Journal. -
32103371-0-AFA2017-Program.Pdf
A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre. -
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters Comedy Chat Show About Shame and Guilt
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters comedy chat show about shame and guilt. First broadcast on BBC Radio 4 in June 1998. Each week Stephen invites a different eminent guest into his SAT 00:00 Planet B (b00j0hqr) SAT 03:00 Mrs Henry Wood - East Lynne (m0006ljw) virtual confessional box to make three 'confessions' are made to Series 1 5. The Yearning of a Broken Heart him. This is a cue for some remarkable storytelling, and 5. The Smart Money No sooner has Lady Isabel been betrayed by the wicked Francis surprising insights. John and Medley are transported to a world of orgies and Levison than she is left unrecognisably disfigured by a terrible We’re used to hearing celebrity interviews where stars are circuses, where the slaves seek a new leader. train crash. persuaded to show off about their achievements and talk about Ten-part series about a mystery virtual world. What is to become of her? their proudest moments. Stephen isn't interested in that. He Written by Paul May. Mrs Henry Wood's novel dramatised by Michael Bakewell. doesn’t want to know what his guests are proud of, he wants to John ...... Gunnar Cauthery Mrs Henry Wood ... Rosemary Leach know what makes them ashamed. That’s surely the way to find Lioba ...... Donnla Hughes Lady Isabel ... Moir Leslie out what really makes a person tick. Stephen and his guest Medley ...... Lizzy Watts Mr Carlyle ... David Collings reflect with empathy and humour on things like why we get Cerberus ..... -
Big Fish Is a Celebration of a Lifetime
A Note from the Director Big Fish is a celebration of a lifetime. It could be any of us questioning our purpose, wondering if we will leave behind a legacy, or hoping that we have made an impact on the lives of those dearest to us. I know I ask myself this often. This story is a story of faith, love, forgivness, and closure. As we travel through our life’s journey we collect moments, memories, and objects. For Edward Bloom, these things come to life on our stage tongiht. The back wall of our set is a literal fishing net that has been metaphorically dragged through his lifetime. Many of us wonder sometimes what we carry in our nets in terms of joy, sorrow, mistakes and accomplishment. Whatever those things may be, shouldn’t we each take a lesson from Edward and live our life as the hero of our story. ~David Woodrow “Big Fish” BOOK BY JOHN AUGUST MUSIC AND LYRICS BY ANDREW LIPPA Based on the novel by Daniel Wallace and the Columbia Motion Picture written by John August Originally produced on Broadway by Dan Jinks, Bruce Cohen and Stage Entertainment with Roy Furman, Broadway Across America/Rich Entertainment Group, John Domo, The Nederlander Organization and Edward Walson in association with CJ E&M, Dancing Elephant Productions, Parrothead Productions, Harvey Weinstein/Carole L. Haber, Peter May/Jim Fantaci, Ted Liebowitz/Joe Piacentile and Columbia Pictures. Big Fish is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 570 Seventh Avenue, Suite 2100, New York, NY 10018. -
My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.