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Unique on Long Island, the Long Island Mandolin And Guitar Orchestra (LIMAGO) began in the 1950’s as an adult education class sponsored by a School District in Nassau County. It has since evolved into a not-for-profit organization with its aims being to preserve the music of the mandolin, to increase its awareness of the history and potential of the mandolin, and to provide an educational, as well as enjoyable, listening experience. The Orchestra is comprised of mandolins, mandolas, mandocellos, a mandobass, guitars, an accordion, and vocalists. Although the members span various age groups and come from all walks of life, they are bound together by a desire to increase the popularity of the mandolin, and by a love of music. You won’t want to miss this enjoyable music performance! Registration is required. Please drop your registration forms at the clubhouse concierge desk, or fax them to 271-4515, Attention: Social Department Highlights of Broadway Starring Dr. Judith Alstadter on the piano Broadway Musical Theater is one of the most popular art forms that appeals to diverse audiences far and wide. Musicals engage the viewer/listener as a participant in the plot, music, characters, emotions, and settings. Enjoy highlights of Broadway Classics such as Rodgers and Hammerstein’s “South Pacific” and “The King and I,” Lerner and Loewe’s “My Fair Lady,” Cole Porter’s “Anything Goes,” Frank Loesser’s “Guys and Dolls,” and Leonard Bernstein’s “West Side Story.” Dr. Judith Alstadter will discuss plot, characters, and scenarios using CD, DVD excerpts, and piano examples. Participants will be invited to share their personal experiences of these works. The cost of this engaging evening is $8 per person Friday, August 5th at 7:00pm Registration is required. Please drop your registration forms at the clubhouse concierge desk, or fax them to 271-4515, Attention: Social Department .

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My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.
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Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault
Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault To cite this version: Julie Vatain-Corfdir, Emilie Rault. Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly. Sorbonne Université Presses. American Musicals: Stage and Screen / La Scène et l’écran, 2019. hal-02443099 HAL Id: hal-02443099 https://hal.sorbonne-universite.fr/hal-02443099 Submitted on 16 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Harmony at Harmonia? Glamor and farce in Hello, Dolly!, from Wilder to Kelly Julie Vatain-Corfdir & Émilie Rault When Hello, Dolly! opened on Broadway in January 1964, immediately to be hailed as “a musical shot through with enchantment,”1 New York audiences were by no means greeting Dolly for the first time. Through a process of recycling which probably owed as much to the potential of the original story as it did to a logic of commercial security, the story of Mrs. Dolly Levi – the meddling matchmaker who sorts out everyone’s love lives and contrives to marry her biggest client herself – had been prosperous on stage and screen for the previous ten years, and would continue to attract audiences to this day.2 Not unlike My Fair Lady, which previously held the record for longest-running Broadway musical, Hello, Dolly! trod on the “surer road to success,”3 with a book based on a popular play by an acclaimed playwright – Thornton Wilder’s The Matchmaker –, and one which had already been famously adapted to the screen with a cast starring, among others, Shirley Booth and Shirley MacLane.
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My Fair Lady – Pp
SEASON Book and Lyrics by ALAN JAY LERNER Music by FREDERICK LOEWE Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE My Fair Lady – pp. 23-43 6 From the General Director 12 2017/18 – Season of Delight, 32 Musical Notes and Chairman Season of Discovery 35 Director’s Note 8 17 Board of Directors Tonight’s Performance 36 After the Curtain Falls 9 19 Women’s Board/Guild Board/Chapters’ Cast 38 Aria Society Executive Board/Young Professionals/ 20 Synopsis Ryan Opera Center Board 47 Breaking New Ground 21 Musical Numbers/Orchestra 10 Administration/Administrative Staff/ 48 Look to the Future 22 Production and Technical Staff Artist Profiles 49 Major Contributors – Special Events and Project Support ALL ABOUT LYRIC’S 2017-18 SEASON pp. 14-20 51 Lyric Unlimited Contributors 53 Ryan Opera Center Contributors 54 Planned Giving: The Overture Society 55 Commemorative Gifts 56 Corporate Partnerships 57 Matching Gifts, Special Thanks and Acknowledgements REED HUMMEL/NASHVILLE OPERA 58 Annual Individual and Foundation Support 64 Facilities and Services/Theater Staff 2 | April - May, 2017 LYRIC OPERA OF CHICAGO www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Executive Editor Account Managers Lisa Middleton Rand Brichta - Arnie Hoffman - Greg Pigott Southeast Michael Hedge 847-770-4643 Editor Southwest Betsy Gugick & Associates 972-387-1347 Roger Pines East Coast Manzo Media Group 610-527-7047 Associate Editor Marketing and Sales Consultant David L.
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My Fair Lady": a Comparison of the Vision of Two Authors and What Each Play Says to Women
UNLV Retrospective Theses & Dissertations 1-1-1999 "Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women Jessica Lynn Raymer University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Raymer, Jessica Lynn, ""Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women" (1999). UNLV Retrospective Theses & Dissertations. 980. http://dx.doi.org/10.25669/fa7r-6qdw This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
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Developmental Cross Training Repertoire for Musical Theatre
Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.
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THE SINGER's MUSICAL THEATRE ANTHOLOGY Series ALL SOPRANO VOLUMES
THE SINGER'S MUSICAL THEATRE ANTHOLOGY series ALL SOPRANO VOLUMES S1 = Volume 1 S2 = Volume 2 S3 = Volume 3 S4 = Volume 4 S5 = Volume 5 S-Teen = Teen's Edition S16 = Soprano "16-Bar" Audition Alphabetically by Song Title SONG SHOW VOLUME Ah! Sweet Mystery of Life Naughty Marietta S3, S16 All Through the Night Anything Goes S2 And This Is My Beloved Kismet S2 Another Suitcase in Another Hall Evita S2, S16 Another Winter in a Summer Town Grey Gardens S5, S16 Anything Can Happen Mary Poppins S5 Around the World Grey Gardens S5 S2, S-Teen, Art Is Calling for Me The Enchantress S16 Barbara Song The Threepenny Opera S1 Baubles, Bangles and Beads Kismet S5 S5, S-Teen, The Beauty Is The Light in the Piazza S16 Before I Gaze at You Again Camelot S3 Begin the Beguine Jubilee S5 Belle (Reprise) Beauty and the Beast S-Teen Bewitched Pal Joey S4, S16 Bill Show Boat S1 Bride's Lament The Drowsy Chaperone S5 A Call from the Vatican Nine S2, S16 Can’t Help Lovin’ Dat Man Show Boat S1, S16 Children of the Wind Rags S4, S16 S4, S-Teen, Children Will Listen Into the Woods S16 Christmas Lullaby Songs for a New World S3 Climb Ev’ry Mountain The Sound of Music S1 Come Home Allegro S1 Cry Like the Wind Do Re Mi S5, S16 Daddy's Girl Grey Gardens S5, S16 Dear Friend She Loves Me S2, S16 Fable The Light in the Piazza S5 Falling in Love with Love The Boys from Syracuse S1, S16 S1, S-Teen, Far from the Home I Love Fiddler on the Roof S16 Fascinating Rhythm Lady, Be Good! S5 Feelings The Apple Tree S3, S16 The Flagmaker, 1775 Songs for a New World S5 Follow Your
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My Fair Lady
Woodside Community Theatre Presents my fair lady October 26–28 and November 2-4, 2018 Woodside High School Performing Arts Center Woodside Community Theatre Production of my fair lady Lerner and Loewe’s My Fair Lady Book and Lyrics by Music by Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s Play and Gabriel Pascal’s Motion Picture “Pygmalion” Original Production Directed by Moss Hart Learner and Lowe’s May Fair Lady is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com 1 2 my fair lady Producers Darlene Batcheldar, Mark Bowles, Donna Losey, Liz Matchett Director John Baiocchi Assistant Director Steve Wilner Choreography Gary Stanford Jr. Music Director/ Orchestra Conductor Kristin Pfeifer Vocal Director Heather O’Brien Production Stage Manager Don Coluzzi Rehearsal Stage Manager Alyssa Houston Technical Directors Don Coluzzi, Akio Patrick Lighting Design Don Coluzzi Set Design Akio Patrick Scenic Artists Don Coluzzi, Tina Patrick Costume Design Karen Patrick Dialect Coach Kimily Conkle Properties Alistair Lindawson, Kevin Stanford Sound Design Rob Harper Assistant Stage Managers Brett Ayoob, Alyssa Houston 3 4 the cast (In Order of Appearance) Eliza Doolittle…………………………………………...Alicia Teeter Freddy Eynsford-Hill…………………………………Justin Kerekes Mrs. Eynsford-Hill………......………………….……Leslie Newport Colonel Pickering………………………………...….Steven Anthony Selsey Man……………………………………..…… Michael Sacco Professor Henry Higgins……………………………Aaron Weisberg Hoxton Man………………………………………………Issac Booth The Cockney Quartet……………….…Michael Sacco, Joey Montes Richard Vaughan, Gary Pugh Newman Frank, the Bartender……………………….…….Darrell Batchelder Harry…………………………….………………Gary Pugh Newman Jamie……………………………...………………………Issac Booth Alfred P. Doolittle…………………………...……Daniel Dominguez Angry Cockney Woman …………………………Claudia McCarthy Flower Girl……………………………….………Chloe Montgomery Mrs.
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Broadway 1 a (1893-1927) BROADWAY and the AMERICAN DREAM
EPISODE ONE Give My Regards to Broadway 1 A (1893-1927) BROADWAY AND THE AMERICAN DREAM In the 1890s, immigrants from all over the world came to the great ports of America like New York City to seek their fortune and freedom. As they developed their own neighborhoods and ethnic enclaves, some of the new arrivals took advantage of the stage to offer ethnic comedy, dance and song to their fellow group members as a much-needed escape from the hardships of daily life. Gradually, the immigrants adopted the characteristics and values of their new country instead, and their performances reflected this assimilation. “Irving Berlin has no place in American music — he is American music.” —composer Jerome Kern My New York (excerpt) Every nation, it seems, Sailed across with their dreams To my New York. Every color and race Found a comfortable place In my New York. The Dutchmen bought Manhattan R Island for a flask of booze, E V L U C Then sold controlling interest to Irving Berlin was born Israel Baline in a small Russian village in the Irish and the Jews – 1888; in 1893 he emigrated to this country and settled in the Lower East Side of And what chance has a Jones New York City. He began his career as a street singer and later turned to With the Cohens and Malones songwriting. In 1912, he wrote the words and music to “Alexander’s Ragtime In my New York? Band,” the biggest hit of its day. Among other hits, he wrote “Oh, How I Hate to Get Up in the Morning,” “What’ll I Do?,” “There’s No Business Like —Irving Berlin, 1927 Show Business,” “Easter Parade,” and the patriotic “God Bless America,” in addition to shows like Annie Get Your Gun.
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Bryce Britton (AEA/SDCS) 6580 SW 192Nd Ave Aloha, OR 97078 – 206.369.1514
Bryce Britton (AEA/SDCS) 6580 SW 192nd Ave Aloha, OR 97078 – 206.369.1514 www.brycebritton.com Theatre Stage Director/Educator EDUCATION Masters of Fine Arts in Theatre Direction Ohio University – Athens, Ohio Bachelor of Arts in Communication University of Puget Sound – Tacoma, Washington PRACTICAL EXPERIENCE Stage Direction – Children’s Theatre (selected) Footloose with Spotlight Musical Theatre Academy – Lake Oswego, OR Jun ‘19* Laura Ingalls Wilder with Ohio Valley Summer Thatre (OVST) – Athens, OH Dec ‘09 Pinocchio with Ohio Valley Summer Theatre (OVST) – Athens, OH Dec ‘08 Honk Jr. with Village Kidstage – Everett, WA Jun ‘06 Alice in the Subway with Village Kidstage – Everett, WA Jun ‘05 Little Mermaid with Village Kidstage – Everett, WA+ Jun ‘04 Anne Shirley with Village Kidstage – Everett, WA+ Jun ‘06 Bye Bye Birdie with Village KidStage – Everett, WA Aug ‘00 Midsummer Night’s Dream with Village KidStage – Everett, WA Jun ‘00 Rumpelstiltskin with Puget Sound Musical Theatre – Seattle, WA+ Aug ‘00 Robin Hood with Puget Sound Musical Theatre – Seattle, WA+ Aug ‘99 Stage Direction – Musicals (selected) Kiss Me, Kate at West Virginia University – Morganton, WV Oct ‘15 Street Scene at West Virginia University – Morganton, WV Oct ‘14 Spamalot! at Cresson Lake Playhouse – Loretto, PA Oct ‘13 Spring Awakening at Penn State University – Altoona, PA Apr ‘13 Oklahoma! at Altoona Community Theatre – Altoona, PA May ‘12 Sweet Charity at Cresson Lake Playhouse – Loretto, PA Jun ‘11 A Funny Thing Happened…Forum at Penn State University – Altoona,
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Teacher Preparation Guide
TEACHER PREPARATION GUIDE Book and lyrics by ALAN J. LERNER, Music by FREDERICK LOEWE Based on the play Pygmalion by GEORGE BERNARD SHAW Directed By VICTORIA BUSSERT TABLE OF CONTENTS Dear Educator ………………………………………………………………………..... 3 A Note to Students: What to Expect at the Theater…………………………………… 4 GLT: Our History, Our Future………………………………………………………... 5 Director’s Note .......................…………………………………………………………. 6 George Bernard Shaw ... ………………………………………………………………. 8 Scenes & Musical Numbers ……………………………………………………………. 9 The Inspiration …………………………………………………………………………. 10 Past Performances of Pygmalion & My Fair Lady …………………………………….. 12 Idaho Shakespeare Festival’s Production of My Fair Lady …….………………………. 14 Costume Design………………………………………………………………………… 16 Scenic Design…………………………………………………………………………... 20 Questions for Discussion Prior to Attending the Performance ………………………… 21 Activities ……………………………………………………………………………….. 23 Writing Prompts …………………………………………………………………..…… 25 A Brief Glossary of Theater Terms …………………………………………………….. 26 How to Write a Review ………………………………………………………………… 28 A Sample Review Written by a Student ……………………………………………….. 29 Questions for Discussion After Attending the Performance …………………………… 30 Notes …………………………………………………………………………………… 34 Generous Support …………………………………………………………………….... 37 About Great Lakes Theater ………….…………………………………………………. 38 ן TEACHER PREPARATION GUIDE: MY FAIR LADY 2 Fall 2016 Dear Educator, Thank you for your student matinee ticket order to Great Lakes Theater’s production My Fair Lady by Alan J. Lerner and Frederick
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Created with Sketch. Evita Playbill
PREVIEWS NOVEMBER 14 – 17 | asolo rep NOVEMBER 18 – DECEMBER1718 30 asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DIGABRIELE PROUDLY PRESENTS LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED AND CHOREOGRAPHED BY JOSH RHODES Scenic Design Costume Design Lighting Design Sound Design Projection Design PAUL TATE DePOO III BRIAN C. HEMESATH PAUL MILLER WILL PICKENS ALEX BASCO KOCH Music Direction Hair/Wig & Make-up Design and Additional Arrangements Production Stage Manager Dramaturg New York Casting MICHELLE HART SINAI TABAK KELLY A. BORGIA* PAUL ADOLPHSEN FELICIA RUDOLPH, TARA RUBIN CASTING Associate Choreographer Associate Director Tango Choreography Assistant Stage Manager Assistant Music Director TRINA MILLS LEE WILKINS JUNIOR CERVILA CHET CRAFT* KEVIN WU Local Casting SOUND MIXER Associate Scenic Design Lighting Programmer Projection Programmer CELINE ROSENTHAL DAN AXE BRANDON McNEEL JACKSON MILLER DAVID TENNENT Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice Student Scenic Assistant Student Lighting Assistant DANA ANGELLIS AARON McEACHRAN KRISTOPHER KARCHER WILLIAM YANNI JOSEPH HODGE CO-PRODUCERS Anonymous • James A. and Maryann Armour • Larry and Joan Castellani • Tom and Ann Charters • Henny and Dennis Dirks • Bill Evans Sharon and Herman Frankel • Ron and Rita Greenbaum • Huisking Foundation • Ruth Kreindler • John and Elenor Maxheim • Ronni and George Minnig Audrey Robbins and Harry Leopold • Richard and Gail Rubin • Gail and Skip Sack • Bud and Betty Shapiro • The Tate Family Foundation, Inc. MAJOR SEASON SUPPORTERS Pat and Bob Baer • Beverly and Bob Bartner • David and Betty-Jean Bavar • Susan and Jim Buck Christine Buckley-Currie, in loving memory of John Currie• Don and Jo Ann Burhart • Carole Crosby, Ruby E.
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1978-09 My Fair Lady.Pdf
WEST VALLEY LIGHT OPERA ASSOCIATION presents ... SARATOGA CIVIC CENTER THEATRE 13717frujt •• ~ Ave•••• Saratoga September / October 1978 RESTAURANT and 1j11nill1n Bib LOUNGE • Specializing in Prime Rib, Steaks & Lobster * Live Entertainment at our Piano Bar * Banquets, Wedding Receptions, Parties Club Luncheons * Member of the Carriage Trade Dinner Club Located in * All Major Credit Cards Saratoga Lanes Accepted 1585 SARATOGA AVENUE SAN JOSE (408) 252-2212 CALIFORNIA Where West Valley's 'Performers & Patrons meet "after the show" 356-3101 LOS GATOS WINCHESTER BLVD. THE WEST VALLEY LIGHT OPERA ASSOCIATION presents Book and Lyrics by ALAN JAY LERNER Music by FREDERICK LOEWE with JAMES P. KINNEY DOUGLAS HADOHL, II BONNIE BREWER SANDRA CAUCUTT and RICK FRANK PAMELA REEDER IRYNE HACK GREG NIGH Produced by J E A N HUT CHI N S Music Director WALTER O'CONNELL Directed and Choreographed by JOHN P. HEALY, JR. "MY FAIR LADY" is presented by arrangement with, and the music and dialogue material furnished by TAM-WITMARK MUSIC LIBRARY INC. 757 Third Avenue, New York, NY 10017 Performances: Sept. 29,30; Oct. 5,6,7,8,12,13,14,15,19,20,21,22,26,27,28 W.V.L.OA OFFICE SARATOGA CIVIC THEATRE P.O. Box 779, Los Gatos, CA 95030 13777 Fruitvale Ave., Saratoga Telephone: (408) 358-1896 Telephone: (408) 867-9095 PLEASE NOTE: By order of the City Council and the Fire Marshal, smoking, refreshments, and recording or taking photographs during performances are not permitted. CAST (In Order of Appearance) MRS. EYNSFORD-HILL .. Kathleen Hamon Ii THIRD COCKNEY (Baritone) Gary Sanders ELIZA DOOLITTLE Bonnie Brewer II FOURTH COCKNEY (Bass) .
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